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Short filmTranscript
00:00I have good news for you too.
00:09Last night we worked until very late, but the effort was worth it.
00:15We finally chose a script. Actually, I chose it because I love it.
00:19The winning story is that of the Dreaming Bird.
00:23Of course that's a pseudonym, but I'll tell you the story briefly because it was just what we needed.
00:29It takes place in a modest and humble neighborhood.
00:32The protagonists are four girls who have grown up together
00:35and embark on a journey to fulfill their dreams in which they will end up getting to know each other better.
00:39But of course, I made a few small changes.
00:41I centered the story along with the car model, which is at the same time the ideal vehicle to go on the adventure.
00:48I know, it's great. It will turn out very well.
00:51That's right, listen. The shoot is tomorrow.
00:54There will be no high budget for this job.
00:57So we will do all the work with our own resources.
01:00We will make the script of Dreaming Bird the best commercial.
01:04That's right, JJ. We need to contact Dreaming Bird as soon as possible.
01:08Find the phone number and call our new intern,
01:11since he will have to meet with the team and Mr. Jan.
01:14I need you to hurry with that because tomorrow is that ...
01:18JJ doesn't feel well, but I'll do it.
01:21Oh, okay, do it, but it's urgent, so hurry up, okay?
01:24Yes, don't worry.
01:28Well, I ... Mr. Jan ...
01:32Oh, what's wrong with you, JJ?
01:35Take him to rest.
01:39Very well, everyone get to work, do you want?
01:51Yes, that's how you do it, Sanem, excellent.
01:58Ahem, do you call them? Yes, I think they called them there.
02:08Jan, I didn't know that about you, what happened?
02:11I think I'll tell you that at another time.
02:15As if I were interested in what you talk about.
02:20The rest of the story, if you want, you can tell me when we go out tonight.
02:24What do you say?
02:26What do I say about what?
02:29No, nothing, I forgot.
02:32Dream Bird said he can't come, but he told me that he will solve it by phone.
02:37What do you mean he can't come? The contract is ready, it will only be two days,
02:41one for the preparations and another for the shoot,
02:43and then he will have a month as a trainee and he does not want to come?
02:46She says she lives far away and it is impossible for her to come.
02:49How far does she live so that she does not want to come?
02:51In Konya.
02:53Konya is in Anatolia, the largest city in the country.
02:57Because of its famous meat.
02:59It's true, it's delicious.
03:01I know where Konya is, and what are we going to do?
03:06Call her again, Sanem, and I'll talk to her.
03:10I'll try to convince her.
03:12I don't know if it's possible.
03:14Fine, just give me her number.
03:16She doesn't want me to give her number to anyone, she's very strange.
03:19But if she wants, I'll tell her to call her.
03:22Fine.
03:25Ovidu Automotive may seem like an easy client,
03:27but they are meticulous and they like to control everything in detail.
03:30I'm sure he will capture his way of working.
03:33Control and details.
03:35Deren, this is your strong point.
03:38It's true, we handle this type of client,
03:40and we can understand his concern about the new commercial.
03:44We are also testing it for the first time,
03:46and despite being something very new,
03:48choosing the script through social media,
03:50the dream bird script is really great for this project.
03:54Can you tell me about the script?
03:56It's a professional secret, you'll see it when it's out.
03:59Deren, calm down, you can share it with Aileen.
04:01She brought us the client.
04:03No, because after this work meeting,
04:05for me, Aileen will be like any other person.
04:09Don't worry, Jan, it doesn't matter.
04:11I'll see it when I can, maybe you can surprise me.
04:14Have you received Fabri's work?
04:16They didn't tell me anything,
04:18after the digital work they asked me to do.
04:20We have a lot of his work.
04:22Yes, the new perfumes and his advertising campaign,
04:24we'll do it.
04:26But I've noticed that you don't have many projects nowadays.
04:29Since then, you've been coming more often.
04:31I have some projects, nothing more than what I can handle now.
04:34That's why I had to pass this client to them.
04:37It would cost me a lot to work on it.
04:39I lost my team.
04:41I work with externals, and with them it's not possible to do more.
04:45I don't know how long I can go on like this.
04:47I'm sorry.
04:49I hope things get better soon.
04:51Thank you, Jan.
04:57Anyway, let's check the budget.
05:00The client will come soon.
05:02Okay.
05:03Sorry.
05:07Who is it? I don't know the number.
05:11Good afternoon, I'm Dream Bird.
05:13But my throat is hurt.
05:16Good afternoon, Dream Bird. Where are you?
05:19In Konya.
05:22What's the phone number?
05:27I don't know. I'm talking from my cell phone.
05:30Do you know the number of the plates?
05:37I don't know. I don't have a car.
05:40And I don't know the names of the streets in Konya either.
05:43I'm not from Konya. I ran away from home a long time ago.
05:47And do you think you can come work with us?
05:53I don't think I can.
05:58For me, your script is beautiful, but tell me why you're hiding your identity.
06:02Well, I have an idea.
06:05I could give you the rights, and then you could work on it, right?
06:09You can't do it.
06:11The script owner has to join the meetings and the shoot.
06:15So I'll see you in ten minutes, Dream Bird.
06:24Why not?
06:26Why can't I do anything I want?
06:30Mr. Yan...
06:31Come, I'll tell you a big secret, Kulis.
06:33A big secret?
06:34Yes.
06:35Do you know who Dream Bird is?
06:37Who is he?
06:38Sanem, yes.
06:39What?
06:41Tell them.
06:43Listen, everyone!
06:45Well, it turns out that Dream Bird is Sanem!
06:48Bravo, bravo, bravo!
06:52Thank you very much.
06:56I never imagined it.
06:57What's going on?
06:58Tell me why those applause. I want to know too.
07:01Deren, let me introduce you to Dream Bird, Sanem.
07:05Bravo!
07:06Yes, yes, you deserve it.
07:13Great.
07:14You surprise me again.
07:16And being our employee, you wrote a script with a pseudonym and you won the competition.
07:20Ah, but that was the rule.
07:22If you did the choice without knowing the true identity of the writer.
07:25That's right.
07:26That was my rule.
07:28So I think I can't say anything about it.
07:33You can congratulate me if you want.
07:36Congratulations.
07:38The script was perfect.
07:39Yes.
07:41And it makes me very happy that you chose it.
07:44Thank you very much.
07:46It's true.
07:47I was the one who chose it.
07:49It's an excellent story.
07:50It will surely work.
07:52Congratulations.
07:53Get to work.
07:55Congratulations.
07:56Yes, you deserve it.
07:57You deserve it.
07:59Can we talk?
08:06I don't want to work as a writer.
08:08And that?
08:11Well, I don't want to.
08:12Then why did you write that script?
08:14Yayay insisted and that's why.
08:16I want to assign you all my copyright.
08:19You can't do it.
08:20You must make decisions throughout the work.
08:24Then I withdraw the script.
08:25Choose someone else.
08:26Then you shouldn't work here.
08:30Why do you behave like this?
08:33Why are you so cold to me?
08:36Sanem, I will speak to you right now as your boss.
08:38If you reject an opportunity like the one you are presenting now,
08:42then I don't need you as my employee.
08:46You don't need me?
08:47That's right.
08:48You escape from something that will add value to your life.
08:50You annoy me if you stop writing your novel.
08:52Your script is chosen among thousands of stories.
08:55And you prefer to leave?
08:56What are you going to do?
08:57Make tea and make copies?
08:58Is that what you always want to do?
09:03I want to make tea and make copies.
09:05Good.
09:06Then find another job.
09:08The truth is I don't want someone with your mentality working in this office, Sanem.
09:11Finding someone to make copies is not a problem.
09:15Very well.
09:16Agree.
09:19I withdraw, Mr. Jen.
09:20Goodbye.
09:35Goodbye.
10:06In general, the situation is like this.
10:08Does anyone have a question?
10:10Yes, it's true.
10:11This was a report from Anis.
10:13Aileen.
10:14Thank you very much, but I need more information.
10:16Hmm.
10:17¿Vienes por la campaña?
10:20Así es.
10:21Vine por eso.
10:24Ven.
10:25Uhh...
10:26Quiero que la conozca, pero me da mucho gusto verte aquí.
10:29¿Aquí?
10:30¿Cómo, abriendo?
10:31¿Abrir?
10:32Sabe por dónde estoy.
10:33¿Abrir?
10:34Ah!
10:35¿Abrir?
10:36¿Abrir?
10:37Ya!
10:38¿Ah?
10:39Sí.
10:40¿Ah?
10:42¿Ah?
10:43Pero...
10:44¿Cómo no me puedes abrir?
10:45¿Ah?
10:46I want you to meet her, the creator of our campaign, Sanem.
10:49Welcome, Sanem. It's a pleasure.
10:52We were able to read your script,
10:53and that is really what we were looking for for the commercial.
10:56Thank you very much.
10:58Congratulations, Sanem.
11:00Thank you, Miss Eileen.
11:01That's right. We liked it a lot.
11:03We're proud of her.
11:05Would you like some tea?
11:08Of course.
11:12Very well, let's continue.
11:14We have...
11:17an annual work plan for the company.
11:19You'll find all the details there,
11:21the client's production capacity and satisfaction,
11:24the previous campaigns, the corporate investigations,
11:27and the results of the discussion groups.
11:29And also...
11:31the sales of the last three years,
11:33and charts of the lowest and highest foreign currency costs,
11:36thus giving us a projection.
11:39Very well.
11:41I have to go.
11:42If you need anything, you can contact me through Jan and Emre.
11:46They're my colleagues, and I'll be happy to help you.
11:50Mrs. Guyen, our legal department...
11:54is very busy.
11:55I'll send you the contract later.
11:56No, no problem.
11:58Thank you, Eileen. You've introduced us to a very good company.
12:01We'll do our best job.
12:02It's a pleasure, Jan.
12:03I worked with Ovid Automotive very well.
12:05I'm sure you'll do a great job with them.
12:08Uh, excuse me, Mr. Jan.
12:10Eileen worked well with us,
12:12and she must accept that this project, in a way,
12:14is her work and effort.
12:16She developed the project,
12:18and she knows us well,
12:19as well as knowing the market and competitors.
12:21Maybe it would be useful to ask her to help us
12:23for the next three months with the campaign.
12:26What do you think?
12:26Don't worry.
12:28This company is the place where I learned everything I know.
12:30It's in good hands.
12:31There's nothing to worry about.
12:34Uh, the three-month preparation period
12:37is very important to us.
12:39Uh...
12:42Eileen, if you accept,
12:44we'd really like you to help us.
12:47Okay, if you insist.
12:49I'll organize my schedules so I can come and help you.
12:53Thank you very much, Mr. Jan.
12:54Her being on the project will be of great help.
12:57I appreciate it.
12:58You're welcome.
12:58We believe everything must be perfect in the campaign.
13:01And it will be.
13:03Uh...
13:04Eileen, if you have time, wait for me outside.
13:06For now, we'll look at the script.
13:08Very well.
13:08I look forward to speaking with you.
13:11See you later.
13:18Are you ready?
13:19I am.
13:21Well, sit down.
13:23Come on.
13:38Hey!
13:40Hey!
13:45Jan, I appreciate it.
13:47I explained my company's situation to you.
13:49You know it.
13:50I must confess that being on the project's consultancy
13:53would be of great help.
13:55Don't worry.
13:56For now, it will help us too.
13:59But your team doesn't want to work with me.
14:01I think that will be a problem.
14:03Our employees are professionals, Eileen.
14:06They will behave.
14:07They will work with you.
14:09Don't worry.
14:10Well, I hope so.
14:12We will make this project a very good job.
14:15We only have three months, and it won't be easy.
14:18Maybe I'll work from my office,
14:20but I need an assistant to keep in touch with your office.
14:27Can it be Sanem, or not?
14:29I know she's a messenger, but she's smart.
14:31And she can work here and there with me.
14:35What do you say?
14:37She can't.
14:38Sanem can't.
14:40And to be honest,
14:42we don't have anyone who can go to your office.
14:45Hmm.
14:46So what can we do to keep in touch?
14:50I don't know, but there will be problems with communication.
14:54That's for sure.
14:56I don't know.
14:57We could give you a cubicle for the three months of the project.
15:01So you can come whenever you want.
15:04You want to give me an office here?
15:06I don't have a problem with that.
15:08I think that will help solve this.
15:10Very well.
15:11But even so, I'll need an assistant who can support me.
15:14No problem.
15:16Sanem can help you.
15:18She's smart and very efficient.
15:20Sanem has talent and a lot.
15:22Very well.
15:24I'll just bring a few things.
15:29See you later.
15:31See you later.
15:34See you later.
15:41I can't accept this.
15:43It's not true.
15:44This is not happening.
15:45It's true.
15:46Are you serious, Jan?
15:47Yes.
15:48But...
15:49Did you two go crazy or what?
15:53I can't accept this new deal you made.
15:56I refuse.
15:57Can you calm down, please?
15:59I understand that Jan wasn't here,
16:01but you were, Emre.
16:04You know exactly what that woman did to me.
16:06And you know that I went to the psychologist
16:08for a little over a year because of her.
16:10And I know, Aileen is your ex
16:12and I don't want to say anything bad,
16:14but you know exactly what happened in this office, Emre.
16:16Beren, it will only be three months.
16:18Calm down.
16:19What? Three months?
16:21That's the fourth part of a year, Jan.
16:23Beren, it's Jan's decision.
16:25I can't say anything.
16:27Whatever it is, solve this problem.
16:29I'm leaving.
16:31Emre, please stay a moment.
16:33I'm sorry.
16:34You need to calm Beren down
16:35before she starts crying.
16:36See you.
16:37Goodbye.
16:40Coffee?
16:41You don't want coffee?
16:42Coffee helps.
16:43You need it.
16:44A cup of coffee would calm you down a little,
16:46Beren.
16:47I don't want it.
16:48You're going to calm me down with coffee?
16:50You think you're going to calm me down
16:52three months of stress just by giving me caffeine?
16:54What you did was wrong.
16:56I'd better go to my office.
17:01Ugh.
17:19Good afternoon.
17:21Good afternoon.
17:27Uh...
17:31You were right.
17:36I want to be a writer.
17:38I really want it.
17:40But I don't trust myself.
17:42If you do it, you'll be successful.
17:44We've already talked about it.
17:48Why don't you look at me?
17:52Do you want to tell me something?
17:54No.
17:57Don't go so far away from me.
18:00Don't go far away from you?
18:04Okay.
18:10Is this okay?
18:12No.
18:14And now?
18:18You're getting closer slowly.
18:20I don't understand.
18:22What do you want exactly?
18:25A friendship between a boss and an employee?
18:27That's what you said, right?
18:29Exactly.
18:31I don't want you to be far away,
18:33but not too close either.
18:35You think I'm not attractive,
18:37but I make you nervous.
18:42Of course not.
18:48If I kiss you now,
18:52it's over.
18:55Would you run away?
19:03Sanem Aydin,
19:05don't start a war you won't win.
19:13What was that?
19:17He used his tactics with me.
19:19Sanem, you shouldn't have believed him.
19:21You're in a war with him.
19:23Very good.
19:27He plays with me like a cat with a mouse.
19:31He thinks he'll win with his wisdom.
19:43Why do I have to go look for locations with Kerim?
19:45There's no time or alternatives.
19:47Besides, we're right on budget.
19:49You and Kerim will choose a location for the shoot.
19:52Well, that's all.
19:54You have to take care of it.
19:56The contract says I'm your assistant
19:58and I have to go look for locations with you.
20:00If you don't come with me, I won't go.
20:10Yes, you're right.
20:12We'll keep the contract.
20:14We'll go together.
20:16Very good.
20:21Let's go.
20:52I need my glasses.
20:54I'll take them.
21:06Can I help you?
21:08No, don't worry. I already have them.
21:11What's wrong?
21:13I'm very hot.
21:15It's hot, isn't it?
21:17Should I turn on the air conditioning?
21:19What did you say?
21:21The air conditioning?
21:23Great. Now I'll be cold.
21:25Then I'll turn it off.
21:27No, leave it on.
21:29You leave the air conditioning on.
21:31I'll open the window.
21:33I'm going to turn on the radio.
21:35I want to hear some music.
21:37Okay.
21:40Do you want to show me
21:42that you can behave like a normal person
21:44when you're with me?
21:46Or what else are you trying to do?
21:48Exactly.
21:50Yes, I see. Very normal.
21:52What did you say?
21:54I can't hear you because of the music.
21:56What are you doing?
21:58What do you want?
22:00Turn down the volume.
22:02Behave like a girl, please.
22:04Turn it down or turn it off,
22:06but stop playing it.
22:09Okay. Let's see what song you play.
22:11I'm sure it's the song of my life.
22:13Of course.
22:15Do you see it?
22:17There it is.
22:19Calm down.
22:21Don't take it off. Listen to it.
22:23You'll see how you like it.
22:25It's a beautiful song.
22:39It's a beautiful song.
22:41It's a beautiful song.
22:43It's a beautiful song.
22:45It's a beautiful song.
22:47It's a beautiful song.
22:49It's a beautiful song.
22:51It's a beautiful song.
22:53It's a beautiful song.
22:55It's a beautiful song.
22:57It's a beautiful song.
22:59It's a beautiful song.
23:01It's a beautiful song.
23:03It's a beautiful song.
23:05It's a beautiful song.
23:07They can't stop on our way
23:09without setting fire to it
23:11you and me
23:13they see us
23:15straight ahead
23:17they can't say
23:19my love
23:21they can't stop on our way
23:23without setting fire to it
23:25you and me
23:27they see us
23:29straight ahead
23:31they can't say
23:33my love
23:35It's a good news, I didn't know that.
23:50Are we there yet?
23:54We're here.
23:59The neighborhood, the businesses, the houses, the people.
24:02All this works for us. The street, everything is perfect.
24:06Do you like it? We can go back.
24:08Where?
24:09To the office.
24:10No, we can't. First we have to see other neighborhoods.
24:14Don't you like this one?
24:18It doesn't convince me.
24:19It doesn't convince you.
24:20It's not how I imagined it. Let's look for others.
24:23We can go to the neighborhood next door and see how it is.
24:26Do you want to see another neighborhood?
24:31It has to be perfect.
25:59Sanem
26:22Jan, why did we stop here?
26:24Why? Come down Sanem.
26:27Look.
26:29I think it's the perfect neighborhood.
26:31Really?
26:32Yes, because it's complete.
26:34The tailor shop, the barbershop, the bakery, the hairdresser, the lingerie shop.
26:40It's the same scenery, just like you described in your script.
26:43Now, let's call a door at random.
26:45Jan, wait. Why are you ringing? My mom is not at home.
26:48There's no one at home.
26:51Mom.
26:53What's up?
26:54Hi, Nedkiveh.
26:55Oh, Mr. Jan, what a surprise.
26:56Thank you very much.
26:57Jan.
26:58Jan.
26:59Hey, we're looking for a new place to shoot an ad that will inspire us and motivate us.
27:04That's why we came to visit you.
27:06Maybe you can invite us to tea if you don't mind.
27:08Oh, it's not a bother. With pleasure.
27:10Please come in. I'll prepare it.
27:12No, Mr. Jan, there's no need.
27:14Why would we bother my mother? We'll look for another place, Mom.
27:18Come in, please.
27:20Of course.
27:21So you're going to shoot an ad here in the neighborhood and Sanem wrote the script.
27:24Why didn't you tell me?
27:26It's just that we just planned it.
27:28True, in our company, a lot of things come up out of nowhere.
27:34Without thinking.
27:35It's curious, but it's our style.
27:38That's how we work.
27:40Yes.
27:41Oh, it's very important that you like your job.
27:43Yes, a lot.
27:44A lot.
27:45It's true, of course.
27:46Well, tomorrow when we come to shoot, you could take care of the food.
27:51We can eat in the garden, but not something ostentatious.
27:54A small catering, please.
27:56A mini catering.
27:57I'd love to.
27:58Of course we can do it in the garden.
28:00Great.
28:01Also, the neighborhood is perfect for the shoot.
28:05It's very familiar.
28:06The protagonists are the age of Sanem.
28:08They are four girls who are in their room packing their bags to leave home.
28:13In short, now I just need to find, let's say, four rooms.
28:18Well, if you want, you can use the girls' rooms.
28:21Perfect.
28:22Of course not.
28:23Why not?
28:24You wrote the script.
28:25Don't give Mr. Jan so many problems.
28:27If they record in Leila's room, it will be nice.
28:30Isn't that right?
28:31If you want them to record in the bathroom, what else?
28:34Yes, I agree.
28:35You're right.
28:36Why do you give Mr. Jan so many problems?
28:38Why? Why?
28:39I don't understand.
28:40Can I see the rooms?
28:41Is that possible?
28:42Oh, of course.
28:43I have to go shopping for tomorrow's catering.
28:45Why are you going now?
28:47Now wait.
28:48No, I'll do it with pleasure.
28:49Jan, where are you going?
28:50You didn't finish the test.
28:51Wait, my room is messy.
28:56Jan.
29:00Franz Kafka.
29:01Letters to Milena.
29:06Jan.
29:10Albatros.
29:14Albatros.
29:17Tell me, why are you still here?
29:19I just left it there and I didn't take it off.
29:26Are you writing your novel?
29:27Yes, I do.
29:31You haven't turned on.
29:33Of course not.
29:38You see, now that I see your room, I don't think we'll use it.
29:44I don't want to spoil it.
29:45You know, because it's very pretty.
29:47So, we'll look for another one.
29:52Okay.
29:53As you wish.
29:55Can we go now?
30:05Hammock,
30:06sea,
30:07camp,
30:08and those initials, what are they?
30:11My aunt Kavirán.
30:13I don't want to forget her scent,
30:15and that's why I write her initials everywhere.
30:19Your aunt?
30:20My aunt Kavirán.
30:24My name and your aunt's sound the same.
30:27The Tree of Wishes.
30:29Keep it.
30:32What a lack of respect!
30:33How rude you are!
30:34You went and took it from the tree?
30:36Rude?
30:37First, analyze your behavior.
30:39I don't want to analyze anything or think about anything!
30:41I'm sick of it!
30:42I am too.
30:44And it's my fault.
30:46Yes, I misinterpreted you.
30:47I made a mistake with you.
30:49You're right.
30:50Now I understand that you can't love me.
30:53Because this isn't love.
30:55You don't run away from the person you love,
30:57and you don't play with their feelings.
31:01I'm sorry.
31:03I'm sorry.
31:04You don't play with their feelings either.
31:09What's between us is stupid.
31:12Yan.
31:14You can be calm.
31:15I think you never loved me.
31:17Yan.
31:22Congratulations, Anem.
31:23You won the war.
31:25Yan.
31:27Yan.
31:29Wait a minute.
31:34Yan, please.
31:57Anem, let me go.
31:59Yan, I don't want you to go.
32:02Get away from me, please.
32:05Let me go.
32:16Yan.
32:18Yan.
32:34Yan.