Category
🎥
Short filmTranscript
00:00Jan, and the actresses?
00:02They'll be here in an hour.
00:03Oh, great.
00:08Let's go.
00:09Yes.
00:11What are we going to do with this now?
00:13Hey, the lamp is misplaced. Someone come and fix it.
00:16Is this our place?
00:17Yes.
00:21It's misplaced, guys.
00:23You shouldn't have put it here, did you hear me?
00:26Hello, Jan.
00:28Niat, Mekve, how are you?
00:30Welcome to the neighborhood, Jan.
00:32Thank you for the food. You're a magnificent cook.
00:35You're welcome.
00:37Zanem.
00:38Zanem, come here. I want to talk to you. Just a minute.
00:41We have an issue with the food.
00:44Uh, I'm trying to fix this.
00:47It's important that you do it, Mom.
00:49Otherwise, we're going to have problems.
00:52Zanem.
00:54What are you doing?
00:55Mr. Jan.
00:56What?
00:57I'm fixing this.
00:59Hey, it's okay. I'll take care of it.
01:01Go talk to your mother. Go.
01:03But Mr. Jan...
01:04Zanem.
01:06Mr. Jan.
01:07Come on, Zanem. Go over there.
01:09Go talk to your parents.
01:11Come on, do it.
01:12Hurry up.
01:13If that falls, it's his fault.
01:14No, it won't fall.
01:16Come here.
01:19Don't give me any more excuses and tell me where you got that money from.
01:26Mom, Dad.
01:28Ayhan already told you.
01:30They gave me a raise.
01:32Really? Are you kidding us?
01:34It's a lie.
01:35How are they going to give so much money to a new employee?
01:38Daughter, you can tell us anything.
01:40You know that, right?
01:42I don't know why they agreed to give me the money.
01:44Maybe it's because my sister has been working there for years.
01:47Zanem.
01:49You're driving me crazy, daughter.
01:50Tell me the truth, right now.
01:52Your mother is right.
01:53I'm sorry, but I agree with her.
01:55Mom, why are you pressuring me so much?
01:57I don't know.
01:58Dad has worked in that store for many years.
02:02I thought I would lose it.
02:03I was scared, so I tried my luck and I did well.
02:06That's all.
02:07You did well, but you should have told us.
02:09At least you would have consulted with your mother and asked for her opinion.
02:12Oh, I couldn't do it.
02:13Zanem.
02:14Zanem.
02:15Can you come and fix this, please?
02:17That's part of your job.
02:19They're going to scold me for his fault.
02:21Please.
02:22Mom, don't worry.
02:23Okay.
02:24You say it, but I've been upset all day.
02:27You know that.
02:28Zanem.
02:30Wow, wow.
02:31What kind of boss do you have?
02:32How can he talk to you like that?
02:34You can't imagine what life is like in that office.
02:36All bosses are the same.
02:39Well, he seems like a nice guy, but...
02:51Jan.
02:52The neighbors ask us for money to let us record here.
02:55This is a new crisis.
02:56What do we do?
02:57Okay.
02:58I understand.
02:59We're using your space, so it's normal for you to ask for money in return.
03:02And of course we'll pay you.
03:04And how are we going to pay you?
03:05Please explain to me how we're going to pay you.
03:10Let's see.
03:11This street...
03:23You finally found me.
03:25Oh, no.
03:26Not here.
03:27Let's get in here.
03:28There's no one here.
03:29Okay.
03:30It wasn't hard to find you thanks to the map.
03:45I was looking at you from afar.
03:47There was your father, your mother, and everyone else.
03:50And I couldn't take it anymore.
03:51That's why I called you.
03:52It's hard for me, too.
03:56You smell really good.
03:57I love that smell.
03:59Maybe you should leave me one of those perfume bottles you make.
04:03That way I could smell it when I miss you.
04:05What do you think?
04:06You smell really good, too.
04:08I tried to make a perfume that smelled like you, but I couldn't.
04:11No one smells as good as you.
04:13Is it the bottle with the initial?
04:15Exactly.
04:16You're very beautiful.
04:18Exactly.
04:19You're very talented.
04:21I'm sure...
04:22If you smell good to me, you could create a fragrance for me.
04:26Come closer.
04:27I'm very hot.
04:29Can we go out?
04:30What do you think?
04:31We're going out, but not together.
04:34I'll go first, and then you'll go out, okay?
04:37Okay.
04:38I'll go out after you.
04:41Okay, but let me tell you that I'm tired of hiding.
04:44I do it just because I love you, okay?
04:47I promise I'll make it up to you.
04:49How?
04:50I'm very interested in that.
04:51I said it without thinking, seriously.
04:53Let's go.
04:54I'll go out first, and you'll come after me.
04:57Okay.
04:58Okay.
05:17♪ Beat one, beat two, beat everything just to get through
05:22♪ Go clean, go dirty, just do what you gotta do
05:27♪ Break one, break two, break everything, gotta break through
05:32♪ Go hard or go home
05:34♪ Don't stop till you're on your side
05:37Welcome.
05:38Hi.
05:39She's Dere, our boss.
05:40No, it's not true.
05:41Good luck, dear.
05:43Nat, what's up?
05:44What happened?
05:46The truth is that we really want to work with you.
05:49I think it's a dream come true.
05:51Hold on, Mr. Chan.
05:52You can come, it's urgent.
05:54What's up?
05:58And those girls?
05:59They're not suitable.
06:01Let's start rolling.
06:02Don't be ridiculous.
06:03You said everything would be as I imagined it,
06:05and those girls are no good for the ad.
06:08Why?
06:09Because they're too tall.
06:11It's obvious they're models.
06:12And pretty sophisticated.
06:13There are no girls like that in this neighborhood.
06:15It's not possible.
06:16It's not possible.
06:18It's not possible.
06:19I'm the boss.
06:21Yes, I'm the boss.
06:23I'm JJ.
06:24Say my name.
06:25Say my name all together.
06:26JJ.
06:27JJ.
06:28Yes, you're pretty.
06:29And very tall.
06:31Ayhan, can you come here?
06:33Our average height is clear.
06:35This is the type of girl in our neighborhood.
06:37Look at her.
06:38Look at Ayhan.
06:40And now look at those girls.
06:43Let's put it that way.
06:44The difference is obvious.
06:46Zanem.
06:47Tell me, Mr. Jan.
06:48Tell me.
06:50They're the girls you chose.
06:53Are you making fun of me?
06:56Zanem, you chose the delivery.
06:58And how were you going to know?
06:59I looked at the photos and they looked like normal girls.
07:01Those photos are misleading.
07:02How could I imagine they were so different in person?
07:05How could you see it?
07:06Well, you had to make an effort and read all their data.
07:08There they have the height and weight of all the girls.
07:11Come on.
07:12We have to finish this.
07:13This is getting very long and heavy.
07:15We're tired and we want to finish soon.
07:18JJ, that's my girl.
07:20And yours.
07:21What?
07:22We're talking about work, Ayhan.
07:24What are you doing in my area of work?
07:26We're talking about business.
07:28Zanem told me to come.
07:29Then go with her.
07:30What are you doing here?
07:31Well, this...
07:32This has nothing to do with my ideal.
07:34That's the point.
07:35If you think I'm jealous of them, you're wrong.
07:37Those girls don't even fit in the car.
07:39They don't work.
07:40You are capricious.
07:41JJ.
07:42Yes, what?
07:43What?
07:44Oh, sorry.
07:45I was talking to these girls and I hadn't heard you, Deren.
07:47Take them to makeup and hairstyle.
07:49Ayhan, come with me.
07:50Of course.
07:51Quick.
07:53What happened?
07:54Can you find four girls from the neighborhood?
07:56Of course I can find them.
07:57Very good.
07:58I'm going to tell you my plan.
07:59Let's go.
08:05Hey, Melat.
08:06These girls are going to give me a lot of trouble.
08:09I want you to do anything to make them look horrible.
08:12Anything.
08:13But make them look bad.
08:14Didn't you hear me?
08:15Don't worry.
08:16It's a children's game for me.
08:18This is your ad and everything will come out the way you want it.
08:21The makeup is from the 80s.
08:24Green lips and blue eyelids.
08:26I won't tell you more.
08:27You know what to do, Melat.
08:28Don't worry.
08:29I'll take care of everything.
08:30You'll see that everything goes well.
08:32Very good.
08:33Mrs. Dan.
08:34You look wonderful.
08:35I have everything under control.
08:37Let's go.
08:39Where do I start with you, honey?
08:44I'm not sure I'm doing this.
08:46No.
08:47Just focus.
08:48You're not paying attention to the details, Sanem.
08:50Sanem, tell me.
08:51Do these suit you?
08:55Okay, Jey Jey.
08:56I like them.
08:57Oh, good.
08:59Jey Jey, why are you throwing those suitcases?
09:01It's just that they were weighing me down a lot and I'm picking them up.
09:04There are older and prettier ones out there.
09:06I'll go get them, Jey Jey.
09:07Okay, Mr. Jan.
09:08Yes, let's go.
09:14Do you want to eat on the rocks by the sea?
09:17Of course.
09:18Are you sure?
09:29Do you see him, Nihat?
09:30Yes, I see him, Mevkiveh.
09:32Don't worry.
09:33Now it's my turn.
09:34Leave it to me.
09:35Sanem?
09:40I'm coming, Dad.
09:42Just a moment, dear.
09:50I'm very upset.
09:51I don't like what Jan is doing in our neighborhood.
09:54If she wants to have fun with those girls, she can go somewhere else.
09:57What?
09:58You don't understand, Dad.
10:00The girls aren't here to have fun.
10:02I don't know what to tell you.
10:03I saw him getting very close to one of them.
10:05He was hugging her.
10:06Mr. Jan?
10:07Yes, I'm completely sure it was him.
10:09Of course it was.
10:12I'm sorry, but I think you're wrong.
10:14No, I'm not wrong.
10:15Besides, Jan doesn't like me that much anymore.
10:18This is a decent neighborhood.
10:20It's better if you keep your distance with him.
10:24I'm serious.
10:25Keep your distance.
10:26He's my boss.
10:27I always keep my distance.
10:28Of course.
10:29That's how it has to be, dear.
10:30There must be a distance between an employee and her boss.
10:32Don't you think so?
10:35I'm talking to you.
10:36Why am I telling you this?
10:37Because it's your neighborhood where you were born and raised.
10:39You should act with a little more modesty.
10:42Dad, I don't even look him in the face.
10:44I don't get close to him unless it's necessary.
10:46Of course.
10:47I wish I hadn't brought those girls here.
10:51Don't worry, Dad.
10:52They'll be gone soon.
10:54What's up, girls?
10:56No, no, no, no, no, no.
10:57Don't go out.
10:58What is this?
10:59It's not nice.
11:00It's not fashion.
11:01It's not fashion.
11:02It's not fashion.
11:05It's from the 80s.
11:06Everyone used to comb their hair back.
11:09You're going to look great.
11:10Look, come.
11:11You're going to look great.
11:12Girls, please don't go.
11:14You're going to look great.
11:16Look.
11:17Come here.
11:18Come back.
11:19Don't go.
11:20You look good.
11:21What's going on?
11:22Come on, girls.
11:23What's going on?
11:24Don't go.
11:25Come back.
11:26What's going on?
11:27What's going on?
11:28Leave me alone.
11:29Leave me alone.
11:30Leave me alone.
11:31Leave me alone.
11:32Don't go.
11:33You told me to comb my hair back to the 80s style,
11:35and that's what I did.
11:36Oh, it's a disaster.
11:38I'm going to have a heart attack.
11:39What's a disaster?
11:40It's a disaster.
11:41It's a disaster.
11:42Oh, what do we do now?
11:44My intuition tells me you had something to do with it.
11:46Mr. Jan, how can you say I had something to do with this?
11:50Did you see those girls' hair?
11:54Let's cancel the shoot.
11:55The girls are gone.
11:56They're gone.
11:57This is one of those moments in life
11:59that I wonder why I don't quit this job.
12:01Calm down, Deren.
12:02I'm sure Sanem has a solution.
12:06We can use some girls from the office and the neighborhood.
12:11But the hair, makeup, and clothes should be the same.
12:14Colorful, striking, and exaggerated.
12:16Don't worry.
12:17I'll take care of it.
12:18Okay, choose.
12:20Among those girls from your neighborhood,
12:22also choose those from our agency that you want to participate in.
12:24And if any of them say no,
12:25tell them it's an order from Ms. Deren.
12:30Whoever I want?
12:31That's right.
12:39FGB, NIAD, I hope you're okay.
12:41Yes, we're fine, thank you.
12:43Do you need anything?
12:44No, thank you.
12:45You should be very proud of Sanem.
12:47Yes, of course, we are.
12:49We love Sanem very much.
12:51She's a truly unparalleled girl.
12:53Those who don't appreciate her
12:55miss out on something very important.
12:57Yes, I know.
12:58Sanem is exceptional.
12:59She is to me, too.
13:01Can I have a bottle of water?
13:03Of course, go ahead.
13:06Do you think he loves her, too?
13:08But how am I going to know that, woman?
13:09I don't understand young people these days.
13:12Are we going to ask Sanem?
13:14What are you going to ask Sanem?
13:16Oh, how did he manage to get so far
13:19having been raised in a neighborhood
13:21as humble as ours?
13:23Now she writes scripts and things like that.
13:49Great!
13:51Give the suitcases to our actresses.
13:53Come on, start rolling.
13:55Hurry up.
13:57Let's film.
14:08Three, two, one, action.
14:19Sanem
14:24You've grown up so fast, haven't you?
14:29Yes, yes.
14:49I love you.
15:20Jan!
15:22Hey, slow down, careful.
15:23I'm here, I'm here.
15:24Very good, bravo.
15:27You know, everyone looked at me a little weird
15:29when I was walking this way.
15:31Maybe it's because of the hairstyle,
15:33the makeup and the clothes.
15:34Yes, maybe.
15:35You look great, you know?
15:36Yes, I think so.
15:37Let's dance Zamba.
15:38Let's dance Zamba.
15:39Let's dance Zamba.
15:40Let's dance Zamba.
15:41Let's dance Zamba.
15:42Let's dance Zamba.
15:43Let's dance Zamba.
15:44Let's dance Zamba.
15:45Let's dance Zamba.
15:46Let's dance Zamba.
15:47Let's dance Zamba.
15:48Let's dance Zamba.
15:49Let's dance Zamba.
15:50Let's dance Zamba.
15:51Let's dance Zamba.
15:52Let's dance Zamba.
15:53Let's dance Zamba.
15:54Let's dance Zamba.
15:55I feel so happy.
15:56You're the most beautiful thing I've ever seen in my life.
15:58Don't exaggerate.
15:59But Maya, your parents treat me strangely.
16:01You should talk to them and maybe tell them.
16:04For now, no, I can't tell them.
16:06It's true that there are some misunderstandings,
16:08but I'll talk to them.
16:09Bravo.
16:10Are you happy with the shoot?
16:11Yes, a lot.
16:12Great.
16:13I'm having a wonderful day and all thanks to you.
16:23There they are, aren't they?
16:24Run, run, run.
16:26What's up?
16:27What's up?
16:28Mr. Jan?
16:29What?
16:30How is it possible?
16:31What a shame!
16:32What a scandal!
16:33It's my neighborhood.
16:34How could he bring those models to act like that?
16:37Those girls are so tall, thin.
16:40I find it incredible, insulting.
16:42What's going on here?
16:43Dad?
16:44Are you okay?
16:45Oh, dad.
16:46What's wrong with you?
16:47¿Qué es lo digo yo?
16:48No lo sé. Cosas muy extrañas.
16:49¿Cómo qué?
16:50No es fácil de explicar.
16:51¿Y bien?
16:52Es muy complicado.
16:53¿Qué quieres decir?
16:54Bueno, todo está de cabeza.
16:57No sé qué decir.
16:59Me equivé porque me estás mirando de esa manera.
17:06Tu mejilla, mejilla, mejilla.
17:08Justo ahí.
17:17Señor Jan, no puedo creerlo.
17:20Lo encontré besando a una de las modelos.
17:22No es asunto tuyo.
17:23Puede hacer lo que quiera.
17:24Y no es de tu incumbencia.
17:25¿Por qué le gritas?
17:26Vi a la modelo besando al señor Jan.
17:28Y yo soy de este vecindario.
17:29Y escribí el guión del anuncio.
17:31Me avergüenza.
17:33¿Qué es toda esta locura?
17:35¿Qué les estás inventando?
17:36Me equivé.
17:37Vámonos.
17:38Ven.
17:39Debería darle vergüenza.
17:40¿Por qué lo hizo, eh?
17:42Este vecindario es un lugar decente.
17:44La verdad es que no puedo entenderlo.
17:46Se llevan como perros y gatos.
17:48Estos dos no están enamorados.
17:50Estaban a punto de matarse.
17:52Ahora me siento más tranquila.
17:54Zanem, ven con nosotros.
17:55Ahora voy.
17:56Dame un minuto.
17:57Zanem, ¿qué fueron todas esas tonterías?
17:58Me pusiste en ridículo frente a tus padres.
18:00Tuve que improvisar.
18:02Lo más probable es que me castiguen
18:04por haber sido grosera con mi jefe.
18:06Pero no pasa nada.
18:07Nos vemos mañana.
18:08Zanem.
18:09Ya voy.
18:10Vaya, por Dios.
18:11Nunca había visto algo igual.
18:15Estoy muy avergonzada.
18:17Si quiere divertirse así,
18:18hágalo en otro lugar,
18:20no a nuestro vecindario.
18:22Este es un lugar respetable.
18:24Váyase a su vecindario a hacer esas cochinadas.
18:30Hemos terminado.
18:32Escuchen, se acabó el rodaje.
18:34Muchas gracias a todos.
18:35Y, por favor,
18:36dejen el vecindario tan limpio como puedan.
18:38Yeye, encárgate de eso.
18:39Sí, señor.
18:40Bravo.
18:41Increíble.
18:42¡Feliz cumpleaños!
19:12¡Feliz cumpleaños!
19:35Buenos días.
19:36Buenos días.
19:37Tengo una pregunta importante para ti.
19:39¿Te gustan las crepas?
19:41¿También sabes hacerlas?
19:43Claro que sí,
19:44y además me quedan muy sabrosas.
19:46Me daré una ducha y paso a buscarte.
19:48No.
19:49Será mejor que no vuelvas al vecindario.
19:52Entonces, nos vemos en mi casa.
19:55Enseguida.
19:57Estaré ahí seguro.
19:59Hasta luego.
20:03¿Cómo que enseguida?
20:04¡Tienes que prepararte!
20:07Entonces, ahora,
20:09a los ojos de tus padres,
20:10me convertí en un tipo extraño.
20:12Un hombre que le gusta salir con modelos
20:15y comer carne cruda,
20:16una especie de playboy.
20:17Exactamente.
20:19¿Te parece gracioso?
20:21¿Qué puedo hacer?
20:22No puedo decirles la verdad.
20:24Hablaré con tu madre,
20:25porque todo eso son tonterías.
20:28No, espera.
20:30Yo hablaré con ella.
20:31Eh, dame algo de tiempo, ¿quieres?
20:36Ay, Sanem, ay.
20:38¿Qué voy a hacer contigo?
20:41Siempre estoy causando problemas, ¿verdad?
20:45Tus crepas están deliciosas.
20:47¿En serio?
20:48Buen provecho.
20:53Buenos días.
20:54Buenos días.
20:55Buen provecho.
20:56Muchas gracias.
21:01La otra noche olvidé mi bolso aquí
21:03y vine a recogerlo.
21:06Me encontré a Emre en la puerta.
21:09Nosotros vamos a tener una reunión,
21:11pero el señor Yan dijo que no podíamos trabajar
21:13con el estómago vacío y preparó el desayuno.
21:18Tenemos muchas crepas, siéntense.
21:20No, tenemos que...
21:21Sí, sí, me encantan las crepas.
21:25Me voy a sentar aquí.
21:28Eh, ¿quieres que te prepare un café?
21:30De acuerdo.
21:31Y traeré tu bolso.
21:32Te lo agradezco.
21:33Sanem, me encantó el rodaje que hicimos ayer.
21:37Muchas felicidades.
21:39Me convertí en actriz por un instante.
21:41Gracias a usted.
21:42Le agradezco mucho que haya aceptado actuar,
21:44señorita Aylin.
21:45Fue un placer.
21:46Oye, Yan, Sanem es una chica con mucho talento.
21:49Tienes que valorarla.
21:50Podría llevármela a mi agencia por un tiempo.
21:54Sanem es libre para trabajar donde quiera.
21:56Gracias, señorita Aylin.
22:04Tu café y tu bolso.
22:08Rey, toma mi plato.
22:09Acabo de comer, está limpio.
22:14¿Tienes sustituto de azúcar?
22:16Puede que tenga uno en mi bolso.
22:23Ay, no puede ser.
22:25Mi lápiz labial.
23:03Este no es tu anillo de compromiso.
23:33Hermano, un momento, Emre.
23:36Sanem, ¿este es tu anillo?
23:42Sí, es mío.
23:44¿Qué hace en su bolso?
23:48Sanem, te hice una pregunta muy sencilla.
23:50Dime, ¿qué hace tu anillo en el bolso de Aylin?
23:53Explícamelo.
23:58Yan, se lo compramos.
24:04Se lo vi a Sanem en el campamento y me gustó mucho.
24:07Emre averiguó dónde lo había comprado.
24:09Es un diseño muy especial.
24:11Y como Sanem ya no está con Osman...
24:14¿Por qué no me contaste nada de esto?
24:17Tengo que irme, señor Yan.
24:19Espera un momento.
24:20¿A dónde vas, Sanem?
24:21¿Por qué vendiste el anillo?
24:22¿Por qué se lo compraron?
24:23Es que nosotros...
24:24Deja que yo se lo explique.
24:26Emre se lo compró a Osman para...
24:30Pedirme que me case con él.
24:33Estamos comprometidos.
24:40¿Por qué no me lo dijeron?
24:42Queríamos que fuera una sorpresa.
24:44Le pedimos a Sanem que no te dijera nada.
24:50¿Están comprometidos?
24:52Sí, así es.
24:54Felicidades.
24:55Muchas gracias.
24:57Espero que no te hayas enfadado.
24:59Queríamos que fuera una sorpresa.
25:01Y...
25:02Nadie lo sabe aún.
25:04Tranquila, toma.
25:07Pues felicidades.
25:11Disculpen, tengo que irme.
25:12Adiós.
25:13¿A dónde vas, Sanem?
25:14Olvidé que le dije a mi madre que le ayudaría.
25:17Adiós.
25:18Espera, no te vayas.
25:19Sanem.
25:20Sanem.
25:21Sanem.
25:22Sanem.
25:23Espera, no te vayas.
25:24Sanem, espera.
25:25Sanem.
25:26Jan, aguarda.
25:27Jan, déjame hablar con ella.
25:29La pobre está muy dolida.
25:31Fuiste duro con ella.
25:33Deja que hablemos de...
25:35mujer a mujer, ¿de acuerdo?
25:39Date prisa, porque ya se fue.
25:40Yo voy.
25:43¿Te comprometiste?
25:45Y no me dijiste nada.
25:46No entiendo por qué tanto secreto.
25:50No hemos concretado nada.
25:51Solo lo hablamos ayer.
25:53Y Aylin ya se emocionó.
25:56Además, creo que tiene razón.
26:00Creo que debí...
26:02haberte lo dicho, ¿no crees?
26:11¿Por qué no han regresado?
26:12Saldré a buscarlas, ¿de acuerdo?
26:15Hermano, Sanem no tiene la culpa, ¿sí?
26:17Tranquilo.
26:18No, la culpa es mía, lo sé.
26:20No lo niego.
26:22Cuando esté un poco más tranquila,
26:24quiero hablar con ella, porque cuando está...
26:27enfadada, ella no razona.
26:31Y, por cierto, ¿cómo va todo?
26:34Pues bien, muy bien.
26:37En serio.
26:39Voy a llamarla.
26:45Me colgó.
26:47Bueno, tal vez las cosas no vayan tan bien, no lo sé.
26:49A veces me cuesta entender a Sanem.
26:53Voy a hablar con ella.
26:57Yan.
26:59Hablé con Sanem.
27:01Prefiere no volver.
27:03Por supuesto.
27:04No quiere volver.
27:05Ella es bastante obstinada.
27:08Voy a cambiarme y voy a ir a hablar con ella.
27:11Hasta luego.
27:12Es como tú.
27:16Vaya historia que les contaste.
27:20Felicidades.
27:24Mientes por Sanem.
27:25Y además...
27:28estamos comprometidos.
27:29¿Qué querías que hiciera, Emre?
27:30Se me cayó el anillo del bolso.
27:32¿Querías que le dijera que Sanem estuvo aquí a propósito
27:35para robarle los documentos?
27:36Cállate, Aylin.
27:38Tú me entiendes.
27:39Te entiendo perfectamente.
27:41Te conozco más de lo que piensas.
27:43Te sientes atrapado y no quieres comprometerte.
27:50Me sorprendiste.
27:52Y no estaba preparado.
27:54Y yo tampoco estoy preparada para llevar el mismo anillo que Sanem.
27:57Pero a veces hay que hacer sacrificios por amor.
28:00Aylin.
28:02Lo siento mucho, ¿sí?
28:04Tenemos que celebrar.
28:06Una increíble fiesta de compromiso.
28:08De acuerdo.
28:09Ven aquí.
28:10Hmm.
28:17¡Bravo!
28:18No puede ser.
28:20¿60 en serio?
28:21Buen día.
28:23Hola, Osman.
28:24Ayhan.
28:25¿Qué pasa?
28:26Nada. Severset volvió del ejército ya.
28:29Buen día, Yan.
28:30Es verdad.
28:31Debemos irnos.
28:32Tenemos trabajo.
28:33Sí.
28:35¿Hablamos?
28:36Claro.
28:40Vamos.
28:59Muy bien.
29:00Estamos en la playa.
29:01¿Qué son esos papeles?
29:02¿Cosas del trabajo?
29:04Severset me dio una carta.
29:06Eso más bien parece como una novela.
29:08No sabía que te gustaba recibir cartas.
29:11Te escribiré una.
29:12No necesitas escribirme, pero si quieres, puedes hacerlo.
29:16Claro que quiero.
29:17Ya verás, un día te escribiré una.
29:21Oye.
29:23Perdóname por haber sido un completo idiota esta mañana.
29:28Me refiero a lo del anillo.
29:30Perdóname tú.
29:31Debí haberte lo dicho.
29:34Sanem.
29:36¿Hay algo que no estés diciéndome?
29:39Porque podemos resolver todo juntos, de verdad.
29:42Tú puedes confiar en mí.
29:45Lo sabes.
29:47Sí, solamente que no quiero hablar de eso ahora, Yan.
29:50Está bien.
29:51Pero no te pongas triste si no me haces sentir mal a mí.
29:54Está bien.
29:55Muy bien.
29:56Promételo, ¿quieres?
29:57Lo prometo.
29:59Quiero que seas feliz conmigo, así como yo soy feliz contigo.
30:03De acuerdo.
30:05Una cosa más.
30:06Estas reuniones secretas entre nosotros son algo molestas.
30:11Entiendo que te preocupas por la gente de la oficina,
30:14pero al menos tus padres deberían saberlo.
30:17Ah, sí, pienso decírselos.
30:19Sólo que a su debido tiempo.
30:21Eso significa que nunca les dirás, ¿no es verdad?
30:25A tu madre le agrado.
30:27De hecho, me adora.
30:28Iré y hablaré con ella para resolver esto.
30:30No puedes hablar con ellos, Yan.
30:31Sí, sí puedo.
30:32Hablaré con ella.
30:33Le diré, estoy enamorado de Sanem.
30:35Estamos locamente enamorados.
30:37Nuestro amor es infinito.
30:38Eso le diré y no habrá problema.
30:40Le diré lo que siento y seguramente las palabras irán fluyendo poco a poco.
30:44Creo que escribiré un discurso.
30:45Sí, eso haré.
30:46Yan, no se lo digas todavía.
30:47Lo haré.
30:48Por favor, no lo hagas.
30:50Yo hablaré con ellos a su debido tiempo, por favor.
30:53Yan.
30:55No lo hagas.
30:56Te lo suplico.
30:57Tranquila.
30:58Te juro que sí hablaré con ellos, pero no hagas nada ahora, por favor.
31:00Yan, de verdad hablaré con ellos.
31:03¿Quién es?
31:04Soy yo, mujer.
31:11¿Por qué viniste, Nihat?
31:13Te iba a llevar comida.
31:15¿Quién está en la tienda?
31:16Rami se quedó a cargo.
31:18Es que quería verte y comer en mi propia casa.
31:22Mefki, ve.
31:24¿Qué has hecho?
31:26Te veo muy ocupada cocinando.
31:30¿Puedo saber por qué estás tan contenta?
31:33Es que esta noche es especial.
31:36¿Es especial?
31:37Pero todas las noches son especiales.
31:40Es verdad, pero esta noche esa onda es especial.
31:45Seguro es porque esas albóndigas, uf, estarán mejor que nunca.
31:50Bueno, te dejo.
31:51Iré a lavarme las manos.
31:59Lo olvidó.
32:01Es que no puedo creerlo.
32:02Olvidó nuestro aniversario.
32:05Maldición.
32:07Estoy muy triste.
32:11Ah.
32:12Yan.
32:13¿Qué pasa?
32:14No puedes hacer esto, por favor.
32:15Creo que puedo y lo voy a hacer.
32:17Espera y verás.
32:18Ya, ya, ¡basta!
32:21Yan, espera, por favor.
32:22No puedes hablar con mis padres.
32:25Puedo y lo haré.
32:26Hablaré con ellos.
32:27Solo mírame.
32:28No, por favor.
32:29Escucha, yo hablaré con ellos.
32:30Debo ser yo quien lo haga, no tú.
32:32No puedes hacerlo tú.
32:33Hablaré con tu padre y con tu madre.
32:34Les diré sobre nuestra relación.
32:36No puedes hacer eso.
32:38Si lo dices de repente, mi papá se podría enfermar.
32:40No se los diré de esa manera.
32:41Es obvio que tengo un discurso suave.
32:43No será una declaración.
32:44Despreocúpate.
32:46Por favor, no.
32:47Debemos hablarlo ya.
32:48Necesitamos una estrategia.
32:49Nada de estrategias.
32:50Ya no más.
32:51Ya presioné el botón.
32:53¿Qué has hecho?
32:54Toqué el timbre.
32:56Ay.
32:58Salem, todos los vecinos te están mirando.
33:00No puedo creer que estés haciendo un espectáculo.
33:02Está bien, me calmaré.
33:03Pero solamente entramos para tomar un té.
33:10Hola.
33:11Señor Yan, qué sorpresa.
33:12No me llames señor Yan, me fe.
33:16Quiero hablar de un tema muy importante con ustedes.
33:18¿Está Nihat en casa?
33:20Por supuesto.
33:21Pasa, Yan, por favor.
33:23Adelante.
33:24Tú tranquila, yo me encargaré de todo.
33:26¿Qué te vas a encargar de todo?
33:28No puedo creerlo.
33:30Creo que hay un problema en la oficina.
33:31No lo sé.
33:36Hola, Nihat.
33:37¿Cómo estás?
33:38Bienvenido, Yan.
33:39Bienvenido.
33:40¿Estaban cocinando?
33:41Lamento mucho haberlos interrumpido.
33:42No.
33:43Estaba cocinando una comida especial para una persona ingrata.
33:46Pues ingrata o no,
33:47esas albóndigas se ven deliciosas.
33:50Ojalá pudiera servirte,
33:51pero aún no está lista para comer.
33:53Si pruebas estas albóndigas,
33:54apuesto a que nunca olvidarás ese sabor.
33:56Es un sabor de otro mundo.
33:58Eso no lo dudo.
33:59La verdad, yo podría venir a probarlas.
34:02¿En serio?
34:03Nos alegraría que vinieras a cenar.
34:04Sí, claro.
34:05Eres bienvenido.
34:06Bien, claro que vendré.
34:07Gracias.
34:08Solamente que no quisiera quitarles el tiempo,
34:10y me daré prisa con esto.
34:11Sanem tiene algo muy importante que decirles a los dos.
34:14¿En serio?
34:15Claro.
34:16Tal vez sea mejor salir.
34:17No nos quedemos aquí.
34:18Necesitamos aire fresco.
34:19Será mejor.
34:20¿Les parece en el jardín?
34:21Puede que necesitemos un poco de oxígeno.
34:23Lo dejo abierto.
34:24Sí, Nihat, por favor, siéntate.
34:25Y tú me quede de este lado.
34:27Señor Jan.
34:28Por favor, siéntate.
34:29Adelante.
34:30Muchas gracias.
34:31Yo me sentaré de este lado.
34:32No menciones nada.
34:33Sanem, tú puedes sentarte aquí, si quieres.
34:35Me sentaré aquí.
34:36Muy bien.
34:37¿Te gustaría beber algo, Jan?
34:39No, pero muchas gracias.
34:41Si quiere, traigo algo de beber.
34:43No.
34:44Siéntate.
34:45Eh, de acuerdo.
34:46¿Qué es lo que quieres decirnos?
34:48Bueno, creo que es mejor que empiece a hablar del tema.
34:51The other day when you saw us together on the rocks
34:53and realized that I had a lipstick mark on my cheek,
34:58well, you should know that that mark wasn't made by a model.
35:02She didn't.
35:03No.
35:05It's true.
35:08The thing is, I misinterpreted it.
35:11And I know I yelled at my boss,
35:13and that's why I apologize.
35:15It doesn't matter to you.
35:16What does it matter to you?
35:17He can kiss whoever he wants, so what?
35:19I know.
35:20Okay.
35:21Well, look, Medjie,
35:22I'd like you to explain something to me.
35:26Who kissed you?
35:27Zanem kissed me.
35:28What?
35:29Zanem kissed you?
35:32Yes, Zanem.
35:33Zanem?
35:34Yes, Zanem.
35:35Zanem kissed you?
35:36My daughter kissed you.
35:37Zanem kissed me.
35:38Zanem, is it true that you kissed him?
35:41You're telling me calmly that my daughter kissed you.
35:43Isn't that right?
35:44Uh-huh.
35:45But what are you telling me?
35:47You come to my house, to my garden, and you just say,
35:51I can't believe this.
35:54But what are you telling me?
35:55Let me put it this way.
35:58Um, she couldn't resist and kissed me.
36:07She just kissed me.
36:10She couldn't resist and kissed you?
36:13Yeah, that simple.
36:14I couldn't resist.
36:15That's right, she kissed me.
36:16And you have something else to say, I guess.
36:18Yes.
36:21Sanem kissed me because, um,
36:26there's something else you should know.
36:29We want to tell you that we, Sanem and I...
36:34Jan.
36:37Let me explain this to my family, please.
36:42Well, it turns out that now I'm a scriptwriter at the office,
36:46and Mr. Jan left it to me on the rocks,
36:48and that's why I kissed him.
36:50I was so happy and I couldn't resist.
36:53That's why I kissed him on the cheek,
36:55but it was a very small kiss.
36:57So small, but it's true.
36:59I kissed him.
37:00I kissed him.
37:02Wow, you're doing it very well.
37:04Very well.
37:08I must tell you that I am not a man
37:11who likes to go out with models
37:13and who kisses anyone.
37:16I'm not like that.
37:17I've never been.
37:19I honestly don't want you to have a wrong idea about me.
37:22That's all.
37:23It's not your fault.
37:24You have nothing to do with it.
37:25This is our daughter's fault.
37:27What a shame.
37:28Sanem.
37:29Excuse me.
37:30Of course.
37:31I'm sorry.
37:32I'm sorry.
37:33I'm sorry.
37:34I'm sorry.
37:35I'm sorry.
37:36Of course.
37:37It's your fault.
37:40Don't worry.
37:41We like you.
37:48It's too late, isn't it?
37:50We're sorry, but we have to go to the office.
37:53Let's go.
37:54You stay.
37:55You can go later.
37:57I have to go, right?
37:59You better come.
38:00It's true.
38:01Jan, let her stay.
38:03She needs to go.
38:04We have a lot of work and I need you to come with me.
38:07It's okay, Mevhideh.
38:08Let her go.
38:09If Jan says it's for work, let her go.
38:12We'll talk later.
38:14Let's go.
38:16I'm the screenwriter now and that requires a lot of work.
38:19See you later.
38:20Mr. Jan, I was thinking.
38:22We have to put up a very big sign.
38:24You think so?
38:25That girl is going to drive me crazy.
38:27It's amazing that she doesn't know how to behave.
38:29It's a scandal.
38:30It's your fault.
38:32You spoiled her too much, Nihat.
38:35Are you serious?
38:36Why is this my fault, Mevhideh?
38:38Did I tell her to kiss him on the cheek or what?
38:40Besides, you're his mother.
38:42You should talk to her about those things.
38:44I can't do it.
38:45You're his mother.
38:46Shut up.
38:47Be grateful that he's a reasonable man and knows that our daughter is crazy.
38:51He's a reasonable man.
38:52Very mature.
38:53Weren't you the one who said he was a Don Juan?
38:56Didn't you tell me that we should save our daughter from him and who knows how many more things?
39:00You forget things very quickly.
39:02You think so?
39:03You should have seen yourself in a mirror.
39:05Think about where we were 30 years ago, please.
39:09Do you remember anything?
39:10What day is it today?
39:11Of course you don't know.
39:12You forgot.
39:13I'm going to think about my fate because I'm tired of being with an ungrateful husband.
39:17And besides, if it weren't for me, no one would remember anything.
39:21Not even the girls who have me annoyed too.
39:24I'm fed up.
39:25That's enough.
39:28In this house, they only make me angry.
39:30I'm fed up.
39:31I can't believe it.
39:32Hey, Mercibe.
39:33What did I forget?
39:37I won't get in.
39:39Zanem, get in.
39:41I'd rather go by bus, Yan.
39:43Zanem, you have five seconds to get in or I'll tell Mrs. Melat that we're in love.
39:48And your mother will find out about her, so you decide.
39:51You'd never do that.
39:53Look at me.
39:54Mrs. Melat.
39:55See you later.
39:56Mr. Yan, it's so nice to see you.
39:57Good afternoon.
39:58Let me kiss you.
39:59Kiss me?
40:00I came to talk to you.
40:01I know you like to talk.
40:02Do you have empanadas?
40:03Oh, that's very kind of you.
40:04I do.
40:05No, Yan.
40:06They're for me.
40:07Especially for you.
40:08Of course I do.
40:09I have them here.
40:10We should go now.
40:11Let her eat an empanada.
40:12We were about to get on the bus.
40:13Rami, bring us tea.
40:14Yes, of course.
40:15We should go.
40:16We have a lot of work.
40:17Really?
40:18She always does this to me.
40:19Mr. Yan, then call me.
40:20I'm always available.
40:21I will.
40:22Of course, I'll call you.
40:23Goodbye.
40:24I will.
40:25It's been a pleasure.
40:26Goodbye.
40:27Take care.
40:28Goodbye!
40:29He's so hot!
40:42Why are you so mad at me?
40:46Don't change the subject.
40:47Why did you tell my parents that I kissed you?
40:50They don't know that we're in love,
40:52but I guess at this point they should already be imagining it.
40:56But I promised you that I would talk to my parents, Jan.
40:59Okay, if you promise, it's okay.
41:02They scolded me as if I were a little girl.
41:04I can't even imagine what they'll tell me when I get back.
41:08Don't worry, I'll be there for dinner.
41:12Dinner?
41:13Yes.
41:14Really?
41:15Yes, really.
41:16You're becoming part of the family, did you notice?
41:18Does that bother you?
41:20I just want to eat those meatballs.
41:22What are you going to cook?
41:24Of course not.
41:25It's just that it's my parents' wedding anniversary.
41:27Oh, I'm glad you mention it.
41:29I think I'll bring them something.
41:31A little detail.
41:33And then they say I'm the crazy one.
41:36I just can't believe it.
41:38Well, you better not say or mention that we're together
41:41when you go.
41:43Don't worry, I won't say anything.
41:45If you don't say anything, I won't either.
41:47Don't exaggerate.
41:48You'll see, nothing's going to happen.
41:50It's just that I don't trust what you're telling me.
41:53But your mother has a much better taste than yours.