Fugitivas - Capitulo 24 (en Español)
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Short filmTranscript
00:00The truth is, we've been together for a long time.
00:06There has to be some way we can forget about this
00:09and start over.
00:11To do that, we should be completely honest
00:13with each other.
00:15I don't trust you anymore.
00:17You lied to me.
00:19I'm willing to fix it.
00:21Never again a lie, never again a deception.
00:25I promise you.
00:27If that's the case,
00:29before I make any decision, I want to ask you a question.
00:33Did you have anything to do with Juan Pablo's death?
00:38Answer me!
00:39Did you have anything to do with Juan Pablo's death?
00:44How dare you ask me that?
00:46You're crazy.
00:48You're not crazy,
00:49considering you were lovers.
00:51The fact that I admitted that Juan Pablo and I had something
00:53doesn't give you the right to think I'm a murderer.
00:57I can imagine who got that idea in your head.
00:59Lorena Martinez, who else?
01:01I'll just remind you that a judge sentenced her
01:04as guilty of Juan Pablo's death and not me.
01:07Yes, and as proof, she said they were lovers,
01:09when in reality, you were the lover.
01:11And that makes me a murderer?
01:13What's the point of having something to do with him
01:15and then killing him?
01:16I have to find that out.
01:18What does the suite on 26th say?
01:20What are you talking about?
01:22It was a place Juan Pablo had to meet his lover.
01:26I have no idea what you're talking about.
01:29I'm sure it was with Lorena Martinez
01:32or who knows how many others,
01:33because Veronica told me she cheated on him with many women.
01:37Did Lorena give you that information?
01:38No, stop getting Lorena involved in everything!
01:40We're talking about you and I need you to be honest with me.
01:42I already told you everything about Juan Pablo
01:46and I was hoping you'd forgive me,
01:48but you'd rather make me feel guilty of murder.
01:52Sadness.
01:53So many years together and you don't see each other at all.
02:06Florencia, it's good to see you.
02:09I wanted to talk to you.
02:10What's wrong?
02:12How do you feel after the statements
02:13of Castillo against the family?
02:16I don't want to talk about that.
02:18What's wrong? Can I help you?
02:21No, thank you.
02:22If you need a man to cry for, here I am.
02:33Arturo Marquez.
02:35Good morning.
02:36Good morning.
02:37Can we come in?
02:39Come in, please.
02:46This is Mauricio Cortez, my lawyer.
02:48Nice to meet you.
02:50I see you like motorcycles.
02:52That means you like adrenaline, right?
02:55I've never liked it.
02:57It's dangerous.
02:58Accidents happen all the time.
03:01Has anything ever happened to you?
03:04Fortunately, no.
03:07You've been lucky.
03:08But I advise you to be very careful
03:10because, I insist, motorcycles are very dangerous.
03:13Are you threatening me?
03:15No, of course not.
03:17I'm not capable of wishing anyone ill.
03:19It was just a comment.
03:21I can guess why you're here,
03:22so why don't you stop beating around the bush and get to the point?
03:25I have no doubt you're a lawyer.
03:27You have the ability to twist things to your liking.
03:31I'm here to talk to you in the best possible terms.
03:34I didn't like the accusations you made.
03:37You'll be aware that you defamed me,
03:40which deeply affects my image and that of my family,
03:43and I won't allow that.
03:45Another threat?
03:46Please.
03:48Don't be paranoid.
03:49I told you I'm here in the best possible terms.
03:52Mr. Cortez wrote a document
03:55in which you publicly committed yourself
03:57to withdrawing from your accusations.
04:00I want to end this as soon as possible.
04:02I'm a busy man.
04:05He's very wrong if he thinks I'm going to sign.
04:07I don't understand why you insist on complicating things
04:10when everything can be resolved with a signature.
04:12Because I never defamed him.
04:14I didn't tarnish his image or that of his family.
04:16If I dared to say that they had fabricated false evidence
04:19to implicate Lorena Martinez, it's because I'm certain.
04:23And that's not a lie.
04:24I'm sure of it.
04:26I'm sure of it.
04:27I'm sure of it.
04:28I'm sure of it.
04:29I'm sure of it.
04:30I'm sure of it.
04:31I'm sure of it.
04:32I'm sure of it.
04:33And that's not defamation.
04:35You said on National News
04:36that the Lorena Martinez case was biased,
04:39pointing to Mr. Marques as directly responsible.
04:42Are you aware we can sue you for damage and harm?
04:45Go ahead.
04:47I can sue you for false statements
04:49that members of the Marques family
04:51made against my client.
04:53I'd think it over twice.
04:55I say the same thing.
04:56If you sue me, face the consequences.
04:59Don't you see?
05:00I'm giving you a chance to avoid a legal plea
05:03that you'll probably lose.
05:05That is a threat.
05:07And since I won't let anyone threaten me,
05:09much less my house, I ask that you leave.
05:15Good morning, gentlemen.
05:18I thought you were smarter, but I see I was wrong.
05:20You're putting your career in the hands of a murderer
05:23and you're going to regret it.
05:25We'll see about that.
05:27I won't let you end up regretting it.
05:30Pay attention to the consequences.
05:33No one messes with me.
05:43Did you hear that?
05:44Yes, everything.
05:46You'd better withdraw the case.
05:48Can that guy destroy you?
05:50I'm not afraid of him.
05:51If he saw the time to come here to threaten me,
05:54it's because he's hiding something and he's worried.
05:56I have a lot to find out to prove it.
05:58I don't want you to put yourself at risk because of me.
06:01Are you sure you want to continue?
06:03Of course.
06:04If Arturo Marquez thought he was going to threaten me,
06:07he's very wrong.
06:08All he did was motivate me to move on.
06:11I'm going to unmask him.
06:12Get ready.
06:17Thank you for risking it for me.
06:21You don't know how I've been feeling all day.
06:24Arturo Marquez is going to fall.
06:26There's no human power that can take him out of hell
06:28that I'm going to put him in.
06:32I never thought Castillo would help me with that.
06:35Don't worry.
06:36I know these lawyers.
06:38They mess with anything.
06:40And when they get into serious trouble, they're cowards.
06:43That's what I want to see.
06:45Do whatever you have to do to end it.
06:47I want to see him ruined.
06:50I've never met anyone who dares to face a Marquez
06:53without paying the consequences.
06:55Count on it.
06:59We have to find Claudio Vilchis as soon as possible.
07:02He doesn't work at the bank anymore?
07:04No.
07:05Surely with the money they paid him to make those deposits,
07:08he has enough to live on.
07:10And if so, how are we going to find him?
07:13I'm going to ask Sofia to help me locate him.
07:16In the meantime, we have to find a way
07:18for you and I to be in contact without you taking any risks.
07:21If I can't call you, I can't think of a way.
07:24I know.
07:25Through Eric's cell phone.
07:27Eric?
07:28Yes.
07:29Didn't you know he convinced me to defend you again?
07:32He told me you were pure gold.
07:35I had no idea.
07:36That means you have a good friend in him.
07:39I like him.
07:40I'm sure we can trust him.
07:42I have to do something to thank him for what he did.
07:45He's a good guy.
07:47And now that we're going to be together again,
07:49how can I help you?
07:51Don't do anything stupid.
07:53Don't do anything on your own.
07:55Do you promise?
07:56I promise.
07:57We're in touch.
07:59And don't come back without telling me first.
08:04Take care.
08:05I'm worried about what Arturo Marquez might do.
08:08I'll take care of him.
08:10You take care of preventing the men
08:12who are watching the building from seeing you when you leave.
08:15Okay?
08:16Okay.
08:21Okay.
08:29I need money to go to the market.
08:31Do you have money to give me or did you give it all to the waitresses?
08:34I don't understand why it bothers you so much
08:36that you pay them their salary.
08:37It's not fair for everything they do.
08:39It's not like it's something from another world.
08:41They're not just waitresses.
08:42They also do the cleaning and all the maintenance of the bar.
08:45I should pay them more.
08:46Well, I did all that myself before they arrived.
08:48And that's why we hired them.
08:49Because you didn't give more.
08:50Do you want to know the truth?
08:51I hate those women.
08:53I hate their presence.
08:54I hate seeing them everywhere.
08:56I hate sharing the house with them.
08:58I hate seeing them all the time.
08:59What do you mean all the time?
09:00They're almost always in their room.
09:02That's not true.
09:03They eat, have dinner, have breakfast with us.
09:04Isn't that enough?
09:05Well, if we didn't do that, I'd have to pay them more.
09:08Who do you think you are?
09:09Mother Teresa of Calcutta?
09:10Enough, please.
09:11I don't want to argue.
09:13We're never going to agree on this matter.
09:15We think very differently.
09:16Of course we think very differently.
09:18Because for me, those women came to disturb the peace
09:20of our family, of our home.
09:22And you don't care.
09:23Well, come on.
09:24Is it better for you to go to the market?
09:26Or I don't know what I'm capable of telling you.
09:30Oh.
09:31Sorry for the interruption.
09:33We came to clean.
09:34No, don't worry.
09:35Go ahead.
09:41Excuse me.
09:54Good afternoon.
09:55Good afternoon.
09:56I'm Joaquin Iglesias.
10:14Santiago Penitentiary.
10:29Corruding.
10:33Don't get fooled!
10:34She's one of the inmates.
10:39There she goes, there she goes!
10:40Grab her so she doesn't escape!
10:42I'm going to call the police.
10:58♪
11:08♪
11:18♪
11:28¿Podemos vernos?
11:29Sí, claro.
11:30Estoy trabajando y no puedo salir,
11:32pero si quieres nos vemos en mi casa en la noche.
11:34Está bien.
11:36Hasta la noche.
11:37♪
11:44Perdón.
11:45Recibimos una llamada de una mujer
11:47que vio a Lorena Martínez en un camión.
11:49¿Qué?
11:50Desafortunadamente, Lorena se bajó del camión y escapó.
11:53Una patrulla trajo a los testigos.
11:55Mi papá ya los está interrogando.
11:56Esperemos que proporcionen información que nos sea útil.
11:58Sí.
12:17Sí, así está mejor.
12:21¿Qué pasó?
12:22¿Obtuvieron alguna información que nos pueda llevar a Lorena?
12:26Desafortunadamente, no.
12:29La mujer que la reconoció gritó para que la detuvieran
12:32y justo en ese momento el camión se detuvo y logró escapar.
12:35Dos tipos la siguieron, pero la perdieron de vista.
12:39Lo único que sabemos es cómo iba vestida.
12:41¿Qué ruta recorre el camión donde iba?
12:43La 59, que va de Tasqueña a Ciudad Universitaria.
12:46Lorena bajó en división del norte.
12:48Sí, es una ruta muy larga.
12:50¿Algún testigo la vio subir?
12:51Digo, eso nos podría dar una idea de la zona donde se esconde.
12:54La mujer que la reconoció subió después de ella
12:56y los hombres que la siguieron no tienen idea de dónde subió.
13:00Si reaccionaron, fue gracias al grito que vio la mujer.
13:10Buenas noches.
13:12Se ve usted muy guapa, ¿eh?
13:14Muchas gracias.
13:15Solo me dio una manita de gato.
13:18¿A dónde vamos a ir?
13:19Quisiera llevarla a un lugar que a mí me agrada mucho
13:22y espero que a usted también le guste.
13:33Desde que regresaste de ver a Alejandro, tienes una cara.
13:36Pareces espantada. ¿Qué te pasó?
13:38No sabes todo lo que me pasó.
13:40Te encontraste con el fiscal.
13:42Primero estando en casa de Alejandro,
13:44desaparece Arturo Márquez.
13:46¿Qué?
13:47Ay, Dios mío.
13:48No sabes el sustote que me llevé.
13:50Me tuve que esconder en el cuarto de Alejandro
13:52y desde ahí escuché todo.
13:53¿Y qué quería?
13:54Quería obligar a Alejandro a firmar un documento
13:56donde se retractaba de sus declaraciones.
13:58Y que además le pidiera una disculpa pública
14:00por haber manchado su nombre.
14:02Ay, qué asco de tipo.
14:03Me imagino que Alejandro no aceptó firmar.
14:05No, claro que no. ¿A quién se cree?
14:07Pero no solo eso.
14:08Alejandro le reviró que si lo demandaban por difamación,
14:11él los iba a contrademandar por crear pruebas falsas
14:14para inculparle.
14:15Me encanta tu abogado.
14:16Porque él no se achica por nada.
14:18Pero lo amenazó muy duro cuando se fue.
14:20¿Quién sabe qué puede hacer contra él?
14:22Ya sabemos cómo es.
14:23Bueno, ¿qué más te pasó?
14:24Dijiste que eso fue lo primero, ¿no?
14:26Sí, lo que sigue está de terror.
14:29Cuando venía de regreso en el camión,
14:31una mujer me reconoció.
14:33No, Lore.
14:34Justo lo que me temía.
14:35Sí, gracias a Dios me di cuenta.
14:36Me pude bajar de volada y me eché a correr.
14:38Pero dos pasajeros me empezaron a perseguir,
14:40gritando quién era yo y que me detuviera.
14:43Fue horrible.
14:44Y bueno, ya no me vieron.
14:47El corazón se me salió por la boca.
14:49Tuve mucho miedo.
14:50¿Y cómo no?
14:53Lore, escúchame, por favor.
14:56¿Ya te diste cuenta que estás en boca de todos?
14:59Por favor, no vuelvas a salir a ningún lado.
15:02Te lo ruego.
15:07¿Qué le parece el lugar?
15:09Me gusta.
15:10Tiene muy buen ambiente.
15:13¿Le gusta bailar?
15:15Hace mucho que no lo hago.
15:17Creo que ya hasta se me olvidó cómo se baila.
15:19No creo.
15:20Bienvenidos.
15:21¿Les gusta pedir algo de tomar?
15:23Un agua ciel mineralizada, por favor.
15:25Que sean dos, por favor.
15:27Gracias, Juan.
15:29A ver, la botana que dan en este lugar es buenísima.
15:34Lo vi en televisión cuando el fiscal Domínguez
15:37dio su declaración.
15:39Ahora está con él.
15:40Sí, sí.
15:42Y la senadora Mente Arteaga ya dejó el caso.
15:45De inmediato se notó el cambio.
15:48Ha sido un éxito la estrategia que implementó el fiscal
15:51Domínguez.
15:55¿Ya se han entregado algunas, profe?
15:57Sí.
15:59En total van 10.
16:02Y es el primer día.
16:04Estamos muy contentos.
16:06¿Y hasta cuándo tienen de plazo para entregarse?
16:09El fiscal no mencionó una fecha determinada,
16:12pero tengo entendido que será algunos meses.
16:17Nuestra meta es que terminen entregándose todas.
16:21¿Y si se entregan después de que el plazo se haya cumplido?
16:24Perderían la oportunidad de que no se les aumente el tiempo
16:27de la condena por haberse fugado.
16:30Quisiera hacer una pregunta.
16:32Sí, dígame.
16:35¿Que entre las prófugas tenga alguna amiga?
16:39Comandante, me da mucha pena, pero es mejor que no hablemos
16:43de eso.
16:44No quiero recordar nada que tenga que ver con la cárcel.
16:50No se preocupe.
16:51Disculpe, discúlpame.
16:54No voy a volver a tocar el tema con usted.
17:02¿Qué le parece ese bailar?
17:03Ay, no.
17:04Ya le dije que no sabría cómo hacerlo.
17:07Yo tampoco soy muy bueno.
17:09Pero el chiste es sentir la música.
17:11Vamos, no tenemos que ser profesionales.
17:13Vamos, arriba.
17:14Vamos.
17:15Jajaja.
17:45Jajaja.
17:46Jajaja.
17:47Jajaja.
17:48Jajaja.
17:49Jajaja.
17:50Jajaja.
17:51Jajaja.
17:52Jajaja.
17:53Jajaja.
17:54Jajaja.
17:55Jajaja.
17:56Jajaja.
17:57Jajaja.
17:58Jajaja.
17:59Jajaja.
18:00Jajaja.
18:01Jajaja.
18:02Jajaja.
18:03Jajaja.
18:04Jajaja.
18:05Jajaja.
18:06Jajaja.
18:07Jajaja.
18:08Jajaja.
18:09Jajaja.
18:10Jajaja.
18:11Jajaja.
18:12Jajaja.
18:13Jajaja.
18:14Jajaja.
18:15Jajaja.
18:16Jajaja.
18:17Jajaja.
18:18Jajaja.
18:19Jajaja.
18:20Jajaja.
18:21Jajaja.
18:22Jajaja.
18:23Jajaja.
18:24Jajaja.
18:25Jajaja.
18:26Jajaja.
18:27Jajaja.
18:28Jajaja.
18:29Jajaja.
18:30Jajaja.
18:31Jajaja.
18:32Jajaja.
18:33Jajaja.
18:34Jajaja.
18:35Jajaja.
18:36Jajaja.
18:37Jajaja.
18:38Jajaja.
18:39Jajaja.
18:40Jajaja.
18:41Jajaja.
18:42Jajaja.
18:43Jajaja.
18:44Jajaja.
18:45Jajaja.
18:46Jajaja.
18:47Jajaja.
18:48Jajaja.
18:49Jajaja.
18:50Jajaja.
18:51Jajaja.
18:52Jajaja.
18:53Jajaja.
18:54Jajaja.
18:55Jajaja.
18:56Jajaja.
18:57Jajaja.
18:58Jajaja.
18:59Jajaja.
19:00Jajaja.
19:01Jajaja.
19:02Jajaja.
19:03Jajaja.
19:04Jajaja.
19:05Jajaja.
19:06Jajaja.
19:07Jajaja.
19:08Jajaja.
19:09Jajaja.
19:10Jajaja.
19:11Jajaja.
19:12Jajaja.
19:13Jajaja.
19:14Jajaja.
19:15Jajaja.
19:16Ball.
19:17Hit.
19:18Bills.
19:19Hey, wait!
19:27Hey guys, your mom's talking about Brad!
19:36And...
19:39Woo-hoo!
19:42So, please, say yes. Please.
19:45With the right that I get at my old age,
19:48I accept the invitation.
19:49Please!
19:50Yes!
19:51Yes!
19:52Yes!
19:53Yes!
19:54What are you doing here?
19:55We're about to open. Go to your room.
20:03Eric.
20:06A little birdie told me that you are
20:08Alejandro's little birdie.
20:09What are you talking about?
20:11Don't play dumb.
20:12I know you were the one who convinced him
20:14to keep helping me.
20:15Oh, that. Yes, yes, yes.
20:17No, it was nothing.
20:19For me, yes.
20:20Thank you very much.
20:22I'll be grateful to you for the rest of my life.
20:24You have nothing to be grateful for.
20:26But I'm telling you, hammerhead,
20:28don't screw it up again, okay?
20:30And when you're famous, don't forget about me.
20:33I'm sure they'll want to make a movie about you.
20:36Really?
20:38What are you saying?
20:41Hey, I was very surprised to see you on TV
20:44talking about Lorena Martinez.
20:47I thought you didn't want to hear from her again, right?
20:50What happened?
20:51Well, you haven't heard that phrase that says
20:54it's wise to rectify.
20:59To be honest,
21:00I thought what you did was very risky.
21:03But if you can prove that she's innocent,
21:05you'll set a very important precedent
21:08for others to raise their voices against all the injustices.
21:12And I hope so.
21:13But for that, I need your help.
21:16Tell me, what is it about?
21:18I need to get all the possible information
21:20about Claudio Vilchis.
21:22And who is he?
21:23Well, he was the bank manager
21:25where Juan Pablo supposedly deposited money to Lorena.
21:28Okay.
21:29Look.
21:30Let's see.
21:32It's him.
21:33Uh-huh.
21:35I spoke to the bank and they told me he didn't work there anymore.
21:38Can you investigate when he stopped working there and why?
21:41Well, yes, I don't think there's any problem.
21:43Good.
21:44I also need you to find out if he has bank accounts,
21:47what movements he has made...
21:50You fooled me.
21:52You dance very well, huh?
21:54The truth is that I really like to dance.
21:56In prison, we did it all the time,
21:58we had routines,
21:59but it's not the same as dancing with a partner.
22:02It's a shame that this couple is not such a good dancer.
22:05No, don't say that.
22:07You have a very good rhythm.
22:08Maybe what you lack is a little practice.
22:10From now on, that will depend on you.
22:16I want to order.
22:18The dance opened my appetite.
22:20Me too, a little bit.
22:22Young man.
22:33How are you?
22:35Fine.
22:36I'm fine.
22:37Watching that people behave.
22:39It's just that since you're here, I feel much calmer.
22:42It's good to know.
22:43You know, all night I was thinking about what happened yesterday and...
22:46No, no, no.
22:47Why are we talking about that?
22:49I already told you not to worry, I didn't see anything.
22:52Well, anyway, I want things to be clear.
22:54The guy you saw me with, I remember him very well.
22:57He's a good guy.
23:00You are a charm.
23:02And I would like to reward you.
23:05When we close and Dario has fallen asleep,
23:07we can see each other outside and we'll go to a place where...
23:10Stop, stop.
23:12Don't get me wrong.
23:14I don't need you to give me anything in exchange for my silence.
23:17I already told you, gentlemen, we don't have a memory
23:19and we don't like to get into other people's lives.
23:22I don't need you to give me anything in exchange for my silence.
23:25I don't need you to give me anything in exchange for my silence.
23:29I want you to know that I respect my boss.
23:32So I'm going to pretend I didn't hear anything you said.
23:51Come in.
23:59What did you want to talk to me about?
24:02I came to say goodbye.
24:04When are you leaving?
24:06Tomorrow.
24:08Have a good day.
24:13It's hard for me to leave, don't you think?
24:16I don't see why.
24:19You told me you didn't have anything to do here anymore.
24:22Yes, because I don't want to continue next to my dad
24:24and in the company less.
24:26But...
24:28But what?
24:30I'm sorry things didn't work out between us.
24:34They didn't work out because of third parties,
24:36not because of us.
24:39The only thing I recognize that was wrong of me
24:42is that I hid my sister from you.
24:45But I was between a rock and a hard place.
24:48That takes away the love I feel for you.
24:51I had never felt what I feel for you for someone.
24:55Do you still feel it?
24:57Of course.
24:58It doesn't go away overnight.
25:01Or have you already forgotten me?
25:05If we love each other, I don't understand why we have to be apart.
25:09Stay.
25:10No.
25:12It's not that easy.
25:15Why not?
25:17Because...
25:19Because...
25:20Because I've made my decision.
25:23I'm leaving tomorrow.
25:38I'll never forget you.
25:41Me neither.
25:53Me neither.
26:07Patricio, it's a pleasure to see you.
26:09Santiago!
26:11It's a pleasure.
26:13It's been a long time. How have you been?
26:15Good, very good.
26:16Meet Marta, a good friend.
26:19Santiago Barbosa, nice to meet you.
26:21Nice to meet you too.
26:22Patricio is the best police chief we have here.
26:26Not really.
26:28I'm sure he is.
26:29How are your friends?
26:31They're all great.
26:33How are your children?
26:35They're doing great.
26:36They're working with me.
26:39Yes, yes.
26:40Exactly.
26:42It's something like that.
26:49Yes.
26:52Excuse me.
26:53I'm going to the phone.
26:54Yes, of course.
26:56Hey, how's your daughter?
26:58Very good, very good.
26:59She works with me at the DA's office.
27:06Superior!
27:08What a pleasure!
27:09How are you doing?
27:13What a silly question.
27:15I'm sure you're doing very well.
27:17I see you're very well accompanied.
27:19A police chief?
27:22Who would've thought?
27:26I get it.
27:28Ever since you got out of jail, you teamed up with the police.
27:33So you're the snitch who told them where to find Estefania.
27:39How do you think she'll react when she finds out it was you?
27:43I have no idea what you're talking about.
27:45I have nothing to do with the police,
27:47especially not with Estefania.
27:49But you're having dinner with the best police chief there is.
27:55They say you reap what you sow in this life.
28:01So it'll be interesting to know what Estefania thinks
28:05when she finds out what I just found out.
28:13Superior, I can't imagine what she's going to make you do.
28:19You know that even if she's been caught,
28:22she still has contacts outside.
28:24What the hell do you want?
28:27Ever since I got out of jail,
28:30I've been hiding in different places.
28:33Obviously, I can't work to survive.
28:37I'd need a little help from you.
28:41Could it be 10,000 pesos?
28:44Oh, please.
28:45I don't have that kind of money.
28:47No, but don't you work at a bakery?
28:51You can pay for the place where you live.
28:53With what I earn at the bakery, I can barely afford to live.
28:57And even if I had that kind of money, I wouldn't give it to you.
29:00So stop threatening me,
29:01because I can tell the chief that one of the fugitives is here.
29:05Oh, yes. Very good idea.
29:07Look, go quickly. I'll wait for you here.
29:09But that won't prevent Estefania from knowing that you're the snitch.
29:15When you least expect it,
29:17her people will catch you and torture you
29:22until you die little by little from the pain.
29:29I guess that's not what you want.
29:31So, look, I was getting ready.
29:34Here's my phone number.
29:37Because since you don't want me to open my mouth,
29:40you have until tomorrow to give me those 10,000 pesos, okay?
29:45Oh, by the way, by the way.
29:47Oh, what a good idea.
29:48You know what?
29:49I don't have money to pay for what I just asked for.
29:52So, let's see.
29:55Yes, yes, I have enough.
29:56But don't worry.
29:57Look, it's obvious that that chief is an old-fashioned gentleman
30:02and he's going to pay you the bill and he's going to invite you
30:04and you're going to be fine.
30:08Well, then, I'll wait for your call tomorrow.
30:16Please.
30:17I was waiting for you to order the dessert.
30:20Here they serve a wonderful chocolate cake.
30:24How about we share one?
30:26No, thank you.
30:27I'd rather go.
30:28Why?
30:29We're having a great time.
30:32And if something bothers you?
30:34No, no, not at all.
30:35The thing is that the man who came to say hello
30:37made me very nervous.
30:39I had already told you that I didn't want to bother you.
30:44Santiago is a good friend.
30:46Besides, he doesn't know who you are.
30:49There are also a lot of people.
30:50It was a mistake to have come.
30:52Can we go, please?
30:54Okay, as you wish.
31:13Hi, Gabriela, how are you?
31:15Very bad.
31:16I need to ask you a favor.
31:18Of course, tell me.
31:19I want to do something, but I need your help.
31:23I can't tell you over the phone.
31:25Okay, I'm on my way.
31:33That's my princess, the best DJ in town.
31:37What's up with Carmen?
31:38I've seen her several times, she's very affectionate with you.
31:41The thing is that she wants to get information from you.
31:43But no matter how much you ask me, she's a stone.
31:47Are you sure?
31:48As sure as my name is Erick and you are the love of my life.
31:53Okay, I believe you.
31:55Yes?
31:59Come in.
32:03Thank you for coming.
32:05What's wrong with you?
32:07I'm very sad.
32:09Vicente came to say goodbye to me and he's leaving for Argentina tomorrow.
32:13I feel very lonely and all I want is to be able to hug my sister.
32:17Do you want me to take you with her?
32:20Can you do that?
32:25I thought you were going to go home tonight.
32:29No, Ismael is impossible.
32:33I tried to talk to him, but I couldn't.
32:36Can you believe he asked me if I had anything to do with Juan Pablo's murder?
32:40Oh my God.
32:42But how is it possible that he's capable of thinking that?
32:45I have no idea, I'm very offended.
32:48And where did he get that madness from?
32:50He didn't want to tell me, but I'm sure that girl is getting ideas in his head.
32:54Lorena Martinez?
32:55Yes, what else?
32:57So he still sees her, huh?
32:59He says no, but I don't believe him.
33:01You have to give him time, my daughter.
33:03He's very hurt, but don't worry.
33:06He's not going to leave a woman like you, so distinguished, with so much class,
33:11for that or for any other.
33:14He's going to get angry, you'll see.
33:16He's even going to apologize to you.
33:25Hello.
33:26Gabriela!
33:29You look great in that wig.
33:31What are you doing here?
33:33I needed to see you, talk to you.
33:35Let's go somewhere where we can be calm.
33:37Come on, let's go.
33:43Excuse me for cutting the dinner so abruptly,
33:47but I really got nervous.
33:51Don't worry, you have nothing to fear.
33:54You have nothing to fear.
33:56I can't be calm.
33:58I've already explained to you how the prison codes work,
34:02and I don't want to get involved in any problem.
34:05And I'm a problem for being a cop?
34:08Don't take it the wrong way.
34:10You've only been nice to me.
34:13But the best thing is that we don't have contact for a while.
34:18Let's see, I understand.
34:20I don't want to be the one to bother you.
34:23Thank you for understanding me.
34:26Good night.
34:31I'm going to stay with the desire to dance with you again.
34:47Did you notice that no one was following you?
34:49Yes, you can be calm.
34:51Alejandro set me up a route, first taking a taxi,
34:53and then another one to get lost.
34:55You don't know how much I miss you.
34:57Me too.
35:04Are you an adult?
35:06We haven't seen each other since you were a teenager.
35:10And what do you work here as?
35:12As a waitress.
35:14And where do you live?
35:15Right here.
35:17Really? How?
35:19This is the son of a friend in prison.
35:21He's already served his sentence and he recommended us to him.
35:24He doesn't know that I'm one of the fugitives
35:26that the police are looking for.
35:28So my name is Angelina.
35:31Okay, I understand.
35:33Angelina.
35:36It must be very difficult for you, always hiding.
35:40Yes, very difficult.
35:44I'm very ashamed that I haven't always understood you
35:48as a sister.
35:51And I need you to forgive me.
35:54The last time we saw each other, I was very hard on you.
35:59Don't worry, I understand.
36:01It's also very difficult for you.
36:04Not everyone can resist the karma of having a sister
36:07who is a fugitive.
36:09Especially when a Marquez is your partner.
36:12Don't worry about Vicente anymore.
36:15We're done, he's going to live in Argentina.
36:18You're very sad.
36:21Yes, you can't imagine how sad.
36:24He was my support, my company,
36:26now that you can't be with me.
36:28I understand.
36:30But look, I can't stop feeling a little relieved
36:33that you have nothing to do with that family anymore.
36:36I'm sorry, but I'm not going to quit my job.
36:39I need the money.
36:40No, no, no, you have to get out of there.
36:42I don't know if Alejandro told you,
36:44but we've been looking into it,
36:46the woman who murdered Juan Pablo Correa was Florencia.
36:49Florencia?
36:50Yes.
36:51I found out they were lovers.
36:53And why did you kill him if they were lovers?
36:56I don't know.
36:57I imagine it could have been an impassioned crime
37:00or to cover up some matter of ill-fated money
37:03with the construction company.
37:04I don't know, I have to investigate it.
37:06That's why I would feel calmer and away from the construction company.
37:09I can't do it, that's how I keep myself.
37:12What impotence.
37:14I would like to tell you that I will take care of your expenses,
37:17but I really earn very little here.
37:19Don't worry, I still wouldn't allow it.
37:22What I can promise you is that I will be very alert
37:24working with the Marques.
37:26I'm going to turn on the cell phone again
37:28so that we can...
37:29No, no, for the moment it is better that we have no contact.
37:32If we need something, we will contact Alejandro again, okay?
37:36Okay.
37:38I just got my first salary, I'm going to get something to eat.
37:41No, no, no, it's not necessary.
37:43I swear, use it for yourself.
37:45You must really need it.
37:48I just hope that soon you can be free
37:51and we can forget all this nightmare.
37:54That's what matters most in this world.
38:02I love you so much.
38:03I love you too.
38:14Here you go.
38:15Thank you, beautiful.
38:16You're welcome.
38:18Here you go.
38:19Wait, wait.
38:20Stay with me for a little while.
38:21Excuse me, I'm working, sir.
38:22A little while, a little while.
38:26Is everything okay?
38:27Yes, yes.
38:28Why do you ask?
38:30No, nothing.
38:31Forget it.
38:34These are for table eight.
38:36Take them.
38:39You filled my soul.
38:40I really wanted to see you.
38:42I'm very happy too.
38:44I feel like I got my sister back.
38:46You'll never lose me.
38:48I'll always be there for you.
38:50And now you have to go.
38:51I have to get back to work.
38:53And keep supporting Alejandro.
38:55For anything.
38:56He's a very good agent.
38:58Yes, I know.
39:00I don't even want to think about it.
39:02I love you.
39:03I love you.
39:05I love you.
39:07I love you.
39:09You don't have to worry about your life right now.
39:11I'll take care of it.
39:12Don't worry.
39:13I don't want you to take a burden off of me.
39:15You'll never forget.
39:18You're the most important thing to me.
39:20And you to me.
39:39...
39:45Hey, let me help you.
39:47Let go of me.
39:48Easy, easy.
39:51Let her go!
39:52What's wrong with you? I saw her first.
39:55I'm the owner of the place
39:56and I won't allow you to disrespect anyone.
39:58What happened?
39:59This idiot wants to show off with Estrella.
40:02Get him out of here.
40:03Your boyfriend turned out to be hot.
40:05He's not my boyfriend.
40:06You'd better behave, or I'll scare you!
40:11What are you waiting for? Get everything.
40:14Why are you defending the waitresses?
40:16That's Eric's job.
40:17Eric was busy.
40:18He wouldn't let that guy get away with Estrella.
40:21Oh, Estrella, Estrella.
40:23You always have your eyes on her.
40:26Excuse me.
40:30Eric?
40:32Mrs. Marta?
40:33What are you doing here at this time?
40:35Yes, I need to talk to the girls.
40:38Come in, they're inside.
40:39Where's Dario? He'll be surprised to see me.
40:42I'm sure he's at the bar, but let me check.
40:45Wait here.
40:48Clear. Your son went up to his house.
40:51Please tell the girls to meet me at the winery.
40:54Don't let my son show up, okay?
40:56Okay.
40:57Come on, I'll call Wes.
41:00Excuse me.
41:06THE LORD OF THE SKIES
41:13I loved you.
41:16All my life.
41:19You were the love of my life.
41:24Did you have anything to do with Juan Pablo's death?
41:28How dare you ask me that? Are you crazy?
41:36Superior, what are you doing here?
41:38When Eric told us he had to talk to us, we were very worried.
41:41I'll explain. Where are Lorena and Montse?
41:44They're finishing setting the tables so that your son won't suspect anything.
41:48What happened? Why did you come to pick us up at this hour?
41:50I met Esther Suarez at the restaurant where I went to dinner with the commander.
41:54Don't worry. She doesn't know you're here, she would have told me.
41:59She's the one who's been watching me.
42:01She knows where I live, that I work in a pastry shop.
42:04She asked me for 10,000 pesos for tomorrow.
42:06If I don't give it to her, she'll send a message to Estefania
42:09telling her that I told the police where to find her.
42:12Bastard.
42:13If she found her at that restaurant, she would have told the commander to arrest her.
42:17I threatened her with that.
42:19And it turned out that even if they arrested her,
42:21Estefania was going to know that I was the whore.
42:24She told me horrible things.
42:26That her people were going to catch me to torture me and to kill me.
42:29And the truth is, I'm very scared.
42:32Estefania's people are capable of that and more.
42:35I have to get the 10,000 pesos.
42:37And I don't know how.
42:39What am I going to do now?
42:41Adario's lives.
42:42Maybe he'll make it big.
42:43Yes.
42:44No, things between us are better than ever.
42:47How can I get there now with this?
42:49The best thing is for me to disappear, for me to go far away.
42:52Yes, where Estefania can't find me.
42:54No, no, no.
42:55Superior thinks we're going to leave her.
42:57Her son just paid us our first salary.
43:00And between us, we're going to give her that money.
43:02No.
43:03They're saving that money to go to Brazil.
43:06First things first.
43:07Now, don't get upset and we're going to help you.
43:09Yes.
43:10A decal for all those who go to the top.
43:13You never hesitate to help us when we get here.
43:17Everything will be fine.
43:18The thing is, you can't go back to the pension.
43:20You stay here with us.
43:22How? I can't do that.
43:24What am I going to tell Adario?
43:26We'll see.
43:28I'm going to sleep with us and tomorrow we'll see what comes to mind.
43:31Yes.
43:33Come on, Superior, let's go.
43:35Let's go, let's go.
43:36Let's go.
43:42You?
43:43What are you doing here alone?
43:58Adios.
43:59Adiós.
44:00Adiós.
44:01Adiós.
44:02Adiós.
44:03Adiós.
44:04Adiós.
44:05Adiós.
44:06Adiós.
44:07Adiós.
44:08Adiós.
44:09Adiós.
44:10Adiós.
44:11Adiós.
44:12Adiós.
44:13Adiós.
44:14Adiós.
44:15Adiós.
44:16Adiós.
44:17Adiós.
44:18Adiós.
44:19Adiós.
44:20Adiós.
44:21Adiós.
44:22Adiós.
44:23Adiós.
44:24Adiós.
44:25Adiós.
44:26Adiós.