Alif Noon Art Gallery Main Pakistani Comedy Drama...12
Category
😹
FunTranscript
00:00** Whistling **
00:19Yeah Arnold!
00:21Hey Arnold!
00:22It's been 72 hours since I rode a cycle.
00:25You've become a complete artist.
00:28What's that?
00:29The one who paints pictures.
00:31No, no, don't take me for a fool.
00:33I'm not a fool.
00:34The one who paints pictures is a painter.
00:35A painter is a different kind of work.
00:37Either she paints a sign board
00:39or you must have seen the big trucks.
00:42She paints them.
00:43A lion?
00:44Yes.
00:45And she works on a dihari.
00:46An artist doesn't do that.
00:48He paints pictures bigger than that.
00:50He's called a muralist.
00:51And he borrows money from big institutions.
00:54And he earns 12-14 lakhs a year and sits comfortably.
00:58You're an artist.
00:59Not a sign board painter.
01:00Arnold!
01:01You always tell me the opposite of what I'm supposed to do.
01:03The work is very simple.
01:05His friends have named it a little crooked.
01:07What?
01:08Abstract art.
01:10What?
01:11Abstract art.
01:12So what do you think?
01:13All these pictures will sell?
01:17They will.
01:18They will sell at such high prices
01:19that you can't sell them yourself.
01:21No.
01:22They won't sell.
01:23I think someone crazy will buy them.
01:25People who are fond of being called crazy.
01:29Who are they?
01:30People who have no taste.
01:32They have all kinds of money.
01:35And they have brothels.
01:36So you think these pictures will sell in brothels?
01:40If not, you will sell in brothels.
01:42This is fraud.
01:43I'm telling you.
01:44You will be arrested.
01:45Fraud is fraud.
01:46So what?
01:47If this is not fraud, then what is it?
01:48Today's artists make one picture and eat it for 10 years.
01:53Otherwise, they leave their work in the world.
01:55What are you talking about?
01:57The picture that has been completed, hang it.
02:00That has been completed.
02:01Yes, hang it.
02:02So where is its straight?
02:04This is the wonder of these pictures.
02:06It doesn't have a reverse straight.
02:07Doesn't it have a reverse straight?
02:08Put it from here.
02:09It's fine from here too.
02:10It will go from here too.
02:11It's fine from here too.
02:12It doesn't look bad from here.
02:13It's fine from here.
02:14What?
02:15Not from here.
02:17There is only one way to straighten it, Raj.
02:20What?
02:22Fine.
02:23Then you do it for me.
02:24I know how to do it.
02:25How can I do it?
02:26The picture is made by you.
02:27Then I will put a ring on it.
02:28Ring?
02:29I will put it on your neck.
02:30Put your leg on it first.
02:31Okay.
02:32Move away.
02:33So what is in it?
02:34Tell me that first.
02:35You are asking me what is in it.
02:36Can't you see it yourself?
02:37No.
02:38Oh.
02:39You are talking about such a big masterpiece that you can't see it.
02:40Hey, it has a glimpse of our centuries-old culture.
02:41It's all your nonsense.
02:42And where is that picture?
02:43It's there.
02:44It's there.
02:45It's there.
02:46It's there.
02:47It's there.
02:48It's there.
02:49It's there.
02:50It's there.
02:51Where is it?
02:52Where is it?
02:53Where has it disappeared?
02:54Where did it disappear?
02:55It has disappeared.
02:56Where is the sculpture of the saint of India?
02:57Where is it?
02:58Where is it?
02:59Where is it?
03:00Where is the statue?
03:01Where is it?
03:02Where is it?
03:03Where is it?
03:04Where are you?
03:05I can't see it.
03:06Why?
03:07You put a color on it.
03:08That's why I can't see it.
03:09You can't talk.
03:10That's why I can't see it.
03:11I have assigned these works to my art critics and gallery owners.
03:12Crickets?
03:13Critics.
03:14No, they are copy-cats.
03:15Copy-cat.
03:16No, not copy-cat.
03:17Copy-cat.
03:18What do they do?
03:20and make a name for themselves and make money.
03:22They only talk like you?
03:23If they don't talk, then where did they come from?
03:25Alam, when will these people come?
03:29I have called the press for a preview.
03:32Before the exhibition, we call them home
03:34and show them all the pictures.
03:36They don't hit me, do they?
03:37No, no, they don't hit others.
03:38They cut each other.
03:40Then why have you called such people
03:41who do all this nonsense?
03:43You just wait and watch.
03:44Tomorrow, I'll pick up the newspaper
03:45and put the earth and the sky in your name.
03:48No, no, these pictures will be in the newspapers.
03:51Only your pictures will be in the newspapers?
03:54Your pictures will be published
03:56and you'll have an interview.
03:57What will happen to me?
03:59You'll have an interview.
04:00No, no, I won't.
04:01We'll tell them about your life.
04:03We'll ask you questions.
04:05What hobbies do you have?
04:06I'm a Muslim.
04:07What do you like to eat?
04:08I like it.
04:10Are you married or not?
04:12I'm not married.
04:12What color do you like?
04:15And we'll just prove that we're fake.
04:19The best thing about these subjects
04:22is that you won't be in them.
04:24I won't be?
04:25No.
04:26You will be?
04:26No, no, I won't be.
04:27An imaginary genius will be in them.
04:29Do you understand?
04:30You're neither born nor will you be born.
04:32So I'm not even born?
04:33And they're looking for this genius.
04:36Oh, they're looking for him?
04:38Listen, listen, listen.
04:40Do we have to give them anything?
04:41What do we have to give them now?
04:42Let's just give them some food.
04:44Let's get them married.
04:45For that, we have Ms. Andaleep.
04:47She's a rich widow.
04:49What do you mean by a rich widow?
04:51A rich widow.
04:53A rich widow.
04:54She's coming.
04:55She has all the expenses for the exhibition.
04:57All of it in her pocket.
04:58No, no, I won't go in front of her.
05:00Why?
05:01Look, my clothes are bad.
05:02I'm not worthy of meeting any woman.
05:04If your clothes are fine,
05:05then don't you think you'll have a bad personality?
05:07The more you have a bad appearance,
05:09the more you'll have a bad reputation,
05:11and the more you'll be accepted in society.
05:13Really?
05:14Then it's fine.
05:15First of all,
05:16this is too clean for a woman.
05:18Yes, yes.
05:19Wait, wait.
05:22Wow, this is great.
05:25Now you look like a real artist.
05:27God, you've made me look like a picture.
05:29What if you sell me in front of that rich widow?
05:32No, no.
05:33Look, she's standing there.
05:34Hurry up and get on top of her.
05:36She's about to come.
05:37Who?
05:38There she is.
05:39Her limousine is here.
05:40What?
05:41Why is she standing there?
05:42Her limousine.
05:43She's coming in a car worth 6 lakhs.
05:45And don't talk to her.
05:47Who should I talk to?
05:48Bring the guard.
05:49The guard, quickly.
05:51Here you go.
05:52This is half done, right?
05:53And listen to me.
05:54Don't talk to her.
05:55No, I'm crazy.
05:56I won't talk to her.
05:57I'm not worthy of meeting any woman.
05:59Put the garland in your mouth.
06:00I've put it.
06:07Look at this.
06:11Oh, I'm sorry.
06:12I hope I'm not disturbing you.
06:14No, no.
06:15You're not disturbing us.
06:17No, no.
06:18You're not disturbing us at all.
06:20It's good that you came.
06:22I was waiting for you.
06:23I've booked the biggest hotel here for the exhibition.
06:26Oh, that's nice.
06:27And I've given the cards to print in the press.
06:30And all the important people here.
06:33All the business magnates, art lovers, and important dignitaries.
06:37I've invited them all.
06:39The list is ready.
06:40And I've brought the photographer with me.
06:42Oh, that's wonderful.
06:43Wonderful.
06:44Look, do one thing.
06:45Make a picture of the artist working.
06:49Okay?
06:50So what?
06:51Should I hold the cycle first?
06:52With respect.
06:53With respect?
06:54It's okay here.
06:55With respect?
06:56With respect?
06:57And after this, we'll go straight to Karachi and Islamabad.
07:00And after that, London, Paris, and Frankfurt.
07:03Oh, that's lovely.
07:04But there are small cities left.
07:06Which ones?
07:07Gujranwala, Janamwala, Mangtawala, those small cities.
07:10This is big art, and it's not for small cities.
07:13Big art is for big cities.
07:15Okay, okay.
07:17Miss Anjali.
07:18You're very lucky, sir.
07:20If there weren't art lovers like you in this country,
07:23then believe me, art would be in the open.
07:25And it would be in the courtyards.
07:27Mr. Harlan.
07:28What can I tell you?
07:29When I see such a genius in this happy and happy state,
07:33then my heart aches so much.
07:36I understand.
08:06What will be the price of the art?
08:08Three months?
08:09Three months.
08:10Listen.
08:12But it's okay.
08:13Miss Anjali.
08:14As long as there are art lovers like you here,
08:17there are promoters like you,
08:19who are spending their money on this,
08:21then I have no doubt about its future.
08:24Yes, I've made the pictures.
08:26So, can I go now?
08:27Please give these pictures to the press with the invitation cards.
08:31Yes, of course.
08:33Here.
08:34I forgot to ask you something.
08:37What would you like to drink?
08:38Tea or eggs?
08:39Oh, no.
08:40You're troubling me.
08:41What's the need for this?
08:42Mr. Harlan, order tea.
08:43I haven't had a single cup since morning.
08:45And order two toasts as well.
08:48Oh.
08:49You work so hard.
08:52I've been working day and night.
08:54You didn't even let me sleep.
08:56Now, order a cup of tea.
08:57Tea will be served.
08:58I think we should show the pictures to Miss Anjali first.
09:01Yes, of course.
09:02You're running away with the pictures.
09:04Wait, I'll tell her myself.
09:06No, no, no.
09:07Where are you going?
09:08Why do you bother?
09:09Your time is a precious asset for us.
09:12Oh, no.
09:13I'm not an asset.
09:14I'll tell her myself.
09:15I'll have a cup of tea with you.
09:17You're my only asset.
09:23He's so simple-minded.
09:25Mr. Harlan, you know,
09:26I've seen so many artists,
09:28but I've never seen a simple, honest, and uninhibited artist like him.
09:34You'll find the same simplicity and honesty in his pictures.
09:38And that's what separates his work from the work of a master.
09:42Yes, yes.
09:43Absolutely.
09:44That's what I'm feeling.
09:46Now, look at this picture as an example.
09:48Yes.
09:49Please look at it.
09:51Oh.
09:52Oh.
09:53Yes.
09:54There's so much depth to this work.
09:57Yes.
09:58Look at this subject.
09:59These are pictures made by great masters.
10:01And all the art galleries, art museums in Europe are decorated with them.
10:04Yes, yes.
10:05But in this particular painting,
10:07the way the artist has captured a special moment with his hands,
10:12he has made that moment immortal.
10:14Yes, yes.
10:15That's the specialty of this picture.
10:16Yes.
10:17If it was made by an artist from Europe,
10:19what would have happened today?
10:20Now, come to me.
10:22If I hit you with the light of Kameran,
10:24don't even tell me.
10:25Yes, yes.
10:27Yes, yes.
10:29Yes, yes.
10:39Yes.
10:48Yes.
10:50Yes.
10:53Yes.
10:56Yes.
11:00Yes.
11:03Yes.
11:06Yes, yes.
11:08Yes.
11:20Yes.
11:22Yes.
11:23What do you expect from a wrestler in your field of expertise?
11:25Yes, of course.
11:26What are you doing?
11:27Don't get involved with the wrestlers.
11:28Go and tell him what he wants.
11:29Excuse me.
11:30I'll be right back.
11:31Listen.
11:32Tell him two toasts as well.
11:33Two toasts as well?
11:34Yes.
11:35I'll tell him that as well.
11:36Come.
11:43We were just talking about your paintings.
11:46Really?
11:47Yes.
11:48You have a special color in them.
11:51It's your own color.
11:53Yes.
11:54It's my personal color.
11:56I don't borrow it from anyone.
11:59The best thing about my color is that it doesn't come off when I wash it.
12:03Yes.
12:04You're absolutely right.
12:05I've noticed that modern artists focus on copying the West.
12:10No.
12:11I don't do that.
12:12Yes.
12:13You can see this clearly in your painting.
12:16What?
12:17What do I see?
12:18Oh.
12:19You can see the color.
12:20No.
12:21I was saying that you stopped the pen from moving for a moment.
12:28How do you make paintings?
12:31I just do it as the weather allows.
12:36Sometimes I sit, sometimes I get up, sometimes I lie down.
12:39How do you come up with the idea of making a painting like this?
12:44Not in my mind.
12:45In my stomach.
12:46In my stomach.
12:47Because of hunger.
12:48Because of hunger.
12:49Oh.
12:50You're so philosophical.
12:51You've described the whole philosophy in just one sentence.
12:57It's about food, isn't it?
12:59Yes.
13:00Just look at the thoughts that come to mind when a person is hungry.
13:04Sometimes good, sometimes bad.
13:06Strange thoughts.
13:07You have such an innocent expression.
13:10This is what's highlighted in your painting.
13:13Innocence and humanity.
13:15What?
13:16Do you see this in them?
13:18Yes.
13:19Absolutely.
13:20Clearly.
13:21Oh.
13:22Oh.
13:23Oh.
13:24Can I ask you a question?
13:27Oh.
13:28About marriage?
13:29No.
13:30I just wanted to ask you when did you make your first painting?
13:35The day before yesterday at 8.30 pm.
13:38Before the news.
13:39What?
13:40Yes.
13:42What?
13:43Yes.
13:44Yes.
13:45I just thought that modern painters are earning a lot of money, so why don't we also start
13:48this business?
13:50It's just that it's got money and respect.
13:53What do you mean?
13:54You don't know.
13:56Allan is a very learned man.
13:57When he thought about it, he left the house immediately.
14:00He went out and pulled the tarpaulins from a truck and made small pieces of it.
14:04And he went to a carpenter and brought all the colors.
14:09So you guys are frauds?
14:11Yes.
14:12Absolutely frauds.
14:14So how did you make so many paintings?
14:18What kind of a difficult thing is this?
14:20It's a very easy way.
14:22Look, you can also make this.
14:24What did I do with this?
14:26I just made the tarpaulins and put them on the tarpaulins.
14:29I made the colors on this.
14:31I made the colors on this.
14:32I made the colors on this.
14:33I made the colors on this.
14:34I made the colors on this.
14:35I made the colors on this.
14:36I made the colors on this.
14:37Yes, there is an easier way than this.
14:40I just took a piece of tarpaulin and made the colors on it.
14:45Now it's blowing and it's started.
14:47Ufff!
14:49Ufff!
14:50Ufff!
14:51Now wherever there is a drop, it's blowing there.
14:55Ufff!
14:56The drop is over, the blow is over, the picture is over.
14:59And it doesn't take any hand or brush.
15:02It only takes the mouth.
15:03Or a little blow.
15:05Shame!
15:06Shame!
15:07Thank you very much.
15:08Let me tell you another easy way.
15:10Now see, a long tarpaulin.
15:12This one.
15:13This one.
15:14I laid it down and made the colors on it.
15:16I threw this and made the colors.
15:18I pulled it.
15:19Oh!
15:20I took the brush.
15:21I took this.
15:22I pulled it.
15:23I did this and held that cycle and rode the cycle on it for 72 hours.
15:27And the biggest thing is that in this work, I feel like doing it with my feet more than my hands.
15:32Ufff!
15:33You people are very big frauds.
15:36Yes, very big frauds.
15:38When did I say that we are not frauds?
15:40Look, who is earning money with good ethics and honesty in this world?
15:44No one is earning.
15:45Someone makes pictures.
15:47Someone makes fun of monkeys.
15:49That's why.
15:51Because of this sinful stomach.
15:53Eight monkeys are not made fun of.
15:55But in the hands of monkeys like you, you have lost the trust of others.
16:00Please allow me.
16:02No, no.
16:03I can't allow you right now.
16:04Look, after telling you all this, my heart has become light.
16:08Now you also lighten your heart.
16:10Sit down.
16:11Drink tea and then go.
16:12Nonsense.
16:13I am sorry that I wasted so much money, so much capital, so much time on people like you.
16:21Listen to me.
16:23What did you say?
16:25She got angry and left.
16:27No problem.
16:28Whatever has to happen has happened.
16:30Now whoever gets angry with me, he will make me sit and sit.
16:35Come on, let me complete the picture.
16:40Bring it.
16:41Keep the tea here.
16:42Well done.
16:47Where is Ms. Andaleep?
16:49Where is Toast?
16:51Shoot Toast.
16:52I am asking where is Ms. Andaleep?
16:54You shoot Andaleep.
16:55Where is Toast?
16:56Toast's child, what am I asking you?
16:58She has left in anger.
17:00Left?
17:01Yes.
17:02What do you mean?
17:03You were absolutely right.
17:05In this world, honesty does not work at all.
17:08I told her the truth, so instead of being happy, she got angry and left.
17:14What truth did you tell her?
17:16That whatever we are doing, we are doing it for the sake of money.
17:20Oh my God.
17:22Who told you to tell all this?
17:25Don't you lie to me?
17:27If the world thinks badly of you, then it will definitely think badly of you.
17:31Do you want to live in this world or not?
17:33Why not?
17:34Then what is the need to talk nonsense?
17:38Come on, don't talk nonsense.
17:40Take this tea and drink it.
17:41I don't want to drink tea.
17:43Come on, drink it.
17:44Why are you troubling me?
17:46With so much trouble, with so much hard work,
17:48I collected all these colors, this brush, this paint, this canvas.
17:52Public relationing.
17:54And you wasted everyone's money.
17:58Come on, forgive me.
18:00I know that if this one woman leaves, you will catch 3, 4, 5, 6 more women.
18:06Look, you have given me such a job.
18:09My forefathers never did this color painting.
18:12So whatever they are doing, their forefathers did it first.
18:15Everyone is using their brains.
18:17Then look at my face.
18:19It looks like I have a puncture on my face.
18:24Take this tea and drink it.
18:25I don't want to drink tea.
18:27Okay, fine.
18:28If you don't want to drink it, I don't want to drink it either.
18:31I will keep it.
18:33Keep it, you scoundrel.
18:35Drink it and die.
18:37Come on.
18:39Wait, wait.
18:40Tell me now.
18:41Drink this tea and then take the utensils.
18:46By the way, tea is good.
18:50Can I come?
18:51Why?
18:55Oh.
18:57Please come, please come.
19:00Is this the same place where you are called for preview of the pictures?
19:03Yes, yes, absolutely.
19:04This is the same place.
19:05I am an art critic of Telegazette.
19:07Oh.
19:08I am very happy to meet you.
19:10I read your articles in the newspaper.
19:12You write very well on art.
19:15You write very well.
19:16Meet him, Mr. Nanna.
19:18The artist.
19:20I am very happy to meet you.
19:21Will you drink tea?
19:22No, no.
19:23First of all, I want to see your work.
19:25What work did he give?
19:27Okay, okay.
19:28This work is in front of you.
19:29You must see it.
19:30Today's abstract painting has entered fashion.
19:34But Mr. Nanna is using art in the right meaning of art.
19:39You will see these things in his pictures.
19:41What?
19:42Maybe you have read my last column.
19:44I wrote against it.
19:46I read that.
19:47And that column has become very famous.
19:49Because it was against it.
19:50Are you against it?
19:52No, no.
19:53I am only against those people who have made it a joke.
19:56Then you have come to the right place.
19:59Mr. Nanna is a painter about whom you can say without hesitation.
20:04That this artist is the artist of the people.
20:07What is the reason for that?
20:08The way this person has seen life.
20:11And the aspects he has seen.
20:13I can say with confidence.
20:14That no artist has ever seen it.
20:17I have done all the work by myself.
20:21I did the conducting of the bus.
20:23I did the job of the hotel.
20:24I cleaned the dishes.
20:25And the biggest thing is that I did the laundry.
20:28I opened the laundry.
20:29And I sold the graveyard.
20:31Just because life should be seen in the form of life.
20:35I jumped from a height of 90 feet into the clothes.
20:41And as a result of that, a creation came into action.
20:45That is this.
20:46The Fire Eaters.
20:49Listen.
20:50And listen.
20:51In the well of death, I rode a motorcycle of 5 horse power.
20:55That is, I tied a bandage on my eyes and rode.
20:57See.
20:58And as a result of that, this picture should be seen.
21:02Around the death well.
21:04See it.
21:06No, no.
21:07This is not it.
21:08This is it.
21:09This is it.
21:10Mr. Nanna, you are a terrific artist.
21:17These are all masterpieces.
21:19Yes.
21:20Now I can say with complete truth.
21:23There is an artist who has seen life and lived with life.
21:28Very true.
21:29Without life.
21:30Very true.
21:34What are you doing?
21:36So, these were the experiences that have been presented in life.
21:40And now, where Mr. Nanna has finished his work.
21:45The work of art critics starts from there.
21:48I understand.
21:49I understand.
21:50You must read my Sunday column.
21:52Sure.
21:53Is it popular?
21:54Yes.
21:55An artist is born.
21:56Oh, great.
21:57Great.
22:00It is the duty of critics like you that all these things that you are seeing here.
22:06You bring these hidden treasures in front of the world.
22:10Only an art critic can do this.
22:12And no one can do it.
22:13This is a very big national responsibility on you.
22:17As an art critic.
22:18Mind you.
22:19Be assured.
22:20Be assured.
22:21I will go and write right now.
22:23I am burning to write.
22:25Okay, good luck.
22:26Thank you very much.
22:31Speak softly.
22:32Oh, Alan.
22:34You have fooled him a lot.
22:36Speak softly.
22:38By the way, what was this thing?
22:40This is a very big thing of our time.
22:43He thinks that art and culture are alive because of him.
22:47Oh, Alan.
22:48I have never seen a bigger cartoon than this in my life.
22:51Oh, great.
22:53What a strange cartoon.
22:54It is a great cartoon.
22:57Oh, great.
22:58Great.
22:59Great.
23:04What happened?
23:05Meet the artist again.
23:11So, you were peeing in our eyes.
23:15No, you were still here.
23:17I forgot my cigar here.
23:19Okay.
23:21So, in your eyes.
23:23I am
23:25I am illiterate.
23:26I don't know what happens to me in the eyes.
23:29For your information.
23:31What is it?
23:32I am not only a critic.
23:34What else?
23:35I am also a boxer.
23:36So, will you have a fight with Muhammad Ali Kale?
23:39First, I will have a fight with you.
23:42Okay.