Có Lẽ Là Yêu 2 Tập 12 Thuyết minh
Có Lẽ Là Yêu 2 Tập 12 Thuyết minh
Category
📺
TVTranscript
00:00Translation and Timing by Tomb Riders Team www.tombridersteam.com
00:30Translation and Timing by Tomb Riders Team www.tombridersteam.com
01:00Translation and Timing by Tomb Riders Team www.tombridersteam.com
01:30Translation and Timing by Tomb Riders Team www.tombridersteam.com
02:01Why do you look so sleepy?
02:05Did you get drunk last night?
02:27Why is this thing here?
02:29What do you want to do in this outfit?
02:32Ask me.
02:33What did you prepare for this outfit?
02:35Tell me.
02:36Who is this outfit for?
02:42This is...
02:44I imagined it.
02:59Hello, Lý Minh Thành. I'm not coming to the office today.
03:08Just stay at your company and handle the case.
03:10Mr. President, do you need any help?
03:12It's okay. Focus on your work.
03:14If there's nothing, don't call me.
03:16Please sign this for me.
03:23Tieu Bùi.
03:24Ms. Chu Thị.
03:25Please correct this part.
03:26According to what I wrote down,
03:27bring it to the editor and sign it.
03:29Got it?
03:30Ms. Chu Thị.
03:31Someone is looking for you.
03:33What's your name?
03:34Vệ Khanh.
03:39So Mr. Vệ Định works at Thượng Giác?
03:43That's right.
03:44So what if he has a job?
03:45As long as Lý Minh Thành and Vệ Khanh are there, it's enough.
03:48But you see,
03:49my office is only this big.
03:51I don't have enough space for the editor.
03:56I think this place is good.
03:57Make it short.
04:00Tieu Bùi.
04:01What's the matter, Ms. Chu?
04:03Send two people to move the desk here.
04:07The editor will be here soon.
04:10Thank you, Ms. Chu.
04:15By the way,
04:17when did you leave last night?
04:20I left when my clothes were dry.
04:22What were you doing when you left?
04:24I was drunk and fell asleep.
04:26Sleep?
04:27Yes.
04:28Ms. Chu Thị.
04:29Your stuff is here.
04:30Where is it?
04:31Put it here.
04:34Okay, let's go out.
04:42How is it?
04:43How is it?
04:44Is this desk suitable?
04:48Yes.
04:49I can look at you.
04:53Then take your time.
04:55I have to work.
05:02You want to tease me, don't you?
05:04I'm not angry.
05:13I'm not angry.
05:21So when do we start doing yoga?
05:23Choose a set you like.
05:25This set is enough.
05:27Let's start.
05:28How to do it?
05:30I'm here.
05:33If you dare to have any bad thoughts,
05:36I'll let you know
05:38what it's like to be a clumsy lover.
05:42Come here.
05:45Okay.
05:48Let's start.
05:49Start what?
05:50Massage your head.
05:52That's it?
05:53Why are you so tired today?
05:55I'm tired.
05:56I'm tired.
05:57I'm tired.
05:58I'm tired.
05:59I'm tired.
06:00That's it?
06:01Why are you so tired today?
06:03Hurry up and start.
06:09The way is not right.
06:11Put your hands up.
06:20What's wrong?
06:21My way is not right?
06:23If you were her,
06:25it would be good.
06:28Do you want me to give you a massage?
06:33No need.
06:35As long as she's with me,
06:38I can see her every day.
06:45I'm sleepy.
06:47I want to sleep.
06:49Can I stay with you until you're drunk?
06:52Okay.
06:58You've seen it all.
07:00He was drunk at that time.
07:02He thought I was someone else.
07:05He imagined it.
07:07I shouldn't have told you about this.
07:10But considering the relationship between you two,
07:13I think you should know.
07:15Open your eyes and imagine.
07:17Imagine?
07:19When did it happen?
07:21Half a year after you left.
07:23She began to appear in the illusion.
07:25I didn't see her anywhere.
07:27Then I went to the doctor.
07:29I took the medicine for a while,
07:31but it didn't get better.
07:33I even saw him enjoying this illusion.
07:36But why did he suddenly get like this?
07:39Love becomes a disease.
07:41But I didn't expect that
07:43when you came back,
07:45he was still sick,
07:47even though I shouldn't have asked.
07:49But between the two of you,
07:51is there something wrong?
07:53No.
07:55His previous illness was also cured by you.
07:58This illusion still has to rely on you.
08:01You are his support.
08:03So what do I have to do?
08:05Do you still like him?
08:07Then continue to love him.
08:09He will get well soon.
08:23Are you done?
08:25Let's go eat.
08:27I'm not hungry.
08:29This exhibition is two years in a row.
08:31In addition to Ngo Tranh,
08:33there are also many works of excellent artists.
08:35I have to strengthen the contract
08:37and decide the works to participate in their exhibition.
08:39I have to go to the exhibition room before 2 o'clock.
08:41Discussing how to arrange the exhibition,
08:43the amount of work is so big,
08:45I need to eat.
08:47There is one more hour left.
08:49After eating, go straight to the exhibition room.
08:51Okay.
09:03Do you only drink this every day?
09:05Yes.
09:07I don't like to eat rice anyway.
09:09Are you kidding me?
09:11Before, when I pursued you,
09:13you gave me whatever I wanted.
09:15There was only food that I couldn't resist.
09:17Now I tell you again,
09:19everyone will change, right?
09:21Do you want to drink coffee?
09:23I make you a cup.
09:43Have you treated yourself like this for the past two years?
09:45Fortunately, you came back.
09:57Excuse me, do you order now?
10:01You suddenly came to see me.
10:03I was so surprised.
10:07What's the matter with you? Just say it.
10:09Snow is a family business.
10:11The most important thing is unity.
10:13You have done a great job for Snow.
10:15But in the end,
10:17she was only adopted.
10:19Snow certainly likes you to make money for her family,
10:21but to really hand over the company to you,
10:23I guess
10:25most people will not agree.
10:27They want to find someone
10:29to inherit the bloodline of the Snow family.
10:31At first, I contributed to the award,
10:33but you couldn't object.
10:35I know in your heart
10:37you don't value the award too much.
10:39I guess this two-year exhibition
10:41is just a challenge for the Snow family
10:43to make money for the bloodline.
10:45Does it have anything to do with
10:47whether or not I can inherit the family business?
10:49You let Chu Thi participate in this
10:51just to get my attention.
10:53Let me get away from this sadness.
10:55You have to know
10:57that I have the ability to help the award succeed,
10:59get a place to stand firmly,
11:01win or lose.
11:03You have to look at Snow's attitude.
11:05Let me think about it.
11:07If you want to help me,
11:09I don't need to know what method you use.
11:11I can give you everything you want,
11:13provided that
11:15you have to let Chu Thi participate.
11:17I didn't expect it to be so long,
11:19but the boss is still stubborn
11:21like her.
11:23I'm a little jealous.
11:25So I can understand that
11:27we have reached a consensus.
11:29I believe the boss's eyes
11:31will definitely give the right choice.
11:39What are you doing?
11:41Sister Chu Thi, come and see.
11:51I just went to Bono.
11:53I think you probably don't want to go out
11:55to eat to make sure they buy these dishes.
11:57What do you want to eat?
11:59You can choose.
12:01Boss, can you change
12:03your mask?
12:05Like this mask?
12:07It's too little.
12:11Xiao Pei, have you eaten yet?
12:13Not yet.
12:15Everyone hasn't eaten yet.
12:19Everyone eat together.
12:21Thank the boss.
12:23Thank the boss.
12:25Thank the boss.
12:35Okay, I got it.
12:37We will try to improve the problems you have raised.
12:39After finishing, I will send it back to you to confirm again.
12:41Okay.
12:43Thank you.
12:45Okay.
12:47It's getting better and better.
12:49I used to be your assistant.
12:51I didn't even know how to answer the phone.
12:53Thank you for your compliment.
12:55Thanks to you for giving me good basic skills
12:57so I can be like today.
12:59Thank you so much.
13:01I will never forget it.
13:03Can I eat sushi?
13:15When did you become a woman?
13:19What do you know?
13:21Don't let lipstick stick.
13:27I'm full.
13:29You eat a lot.
13:31You haven't eaten anything all day.
13:37What is your idea
13:39about arranging the content of the exhibition
13:41once every two years?
13:43Shu Jia is a young company,
13:45so I want to show the young spirit
13:47in the exhibition once every two years
13:49to show the new works of Ngou Chang
13:51as the leading works of the exhibition.
13:53The exhibition is very optimistic.
13:55It is a masterpiece of Ngou Chang's works.
13:57But if you compare it to the commercial value,
13:59the most commercial value of the works
14:01is the farmhouse.
14:03It is more realistic,
14:05more in line with the current popular reality.
14:07It is more acceptable to the public.
14:09No.
14:11Although the farmhouse is classic,
14:13it is also a work of the early period.
14:15It may satisfy the feelings of a group of fans,
14:17but Ngou Chang has no intention
14:19to transfer his classic works.
14:21This is okay.
14:23Just tell the publisher
14:25to transfer copyrights.
14:27It's not that easy.
14:29It's not that difficult.
14:31It's just a matter of whether the conditions
14:33are reasonable or not.
14:35This is the first time I organize an exhibition abroad.
14:37You have more experience than me.
14:39You know the market better.
14:41Of course, you go first.
14:43But I also planned for a few exhibitions abroad.
14:45The audience of the exhibition in the country
14:47only has a small number anyway.
14:49It's hard for the public to accept it.
14:51So when the public
14:53accepts new things,
14:55they tend to choose classic works
14:57rather than new works.
14:59That's right.
15:01So before that,
15:03we investigated a lot of data.
15:05The conclusion is completely different from yours.
15:07People want to see new works
15:09rather than classic works.
15:11As I said, there are not many people
15:13who want to see classic works
15:15rather than new works.
15:17As I said, you have to choose a classic work.
15:19Classic and art are always parallel.
15:21So the audience can also choose
15:23according to their preferences.
15:25But as I said,
15:27I don't plan to transfer the copyrights
15:29to a classic work.
15:31Think about it and find a way.
15:33Okay.
15:35So wait for the arrangement
15:37to think about it and discuss it.
15:39Before that,
15:41you have to listen to me.
15:47Just do everything as I said.
15:49Is there anything else?
15:51Why do you look so down?
15:53What's wrong? Are you arguing with Thuy Thi?
15:55Don't mention it.
15:57You don't know how strong Chu Thi's attitude is now.
15:59I just gave her some advice.
16:01As a result, I said one sentence,
16:03she said ten sentences.
16:05She didn't give me a chance to speak up at all.
16:07Let me guess.
16:09Don't you respect her?
16:11I have much more experience.
16:13Shouldn't she respect a man like me?
16:15President, I remember you hate to talk about experience.
16:17When we first took over Vân Mã,
16:19there was an old man and a flower in his hand
16:21who were talked about by you.
16:23What is that?
16:25That's not right.
16:27Whose side are you on?
16:29Why is it Chu Thi's side?
16:31Of course we are on your side.
16:33But if you want to make peace with Thi Thi,
16:35you have to be tolerant.
16:37Thi Thi is a person.
16:39The stronger you meet her, the bigger she gets.
16:41The more you try, the more she tries.
16:43That's enough.
16:45It's just a compromise.
16:47Men have to adapt to the situation.
16:49President, so we won't bother you anymore.
16:51Or do you need our help?
16:53No need. I just need to learn from you.
16:55Listen to your wife.
16:57Wife is just a puppet.
16:59That's enough. Go to work.
17:07Thank you.
17:15Hello.
17:17Can you get me a cup of warm water?
17:19Yes, please wait a moment.
17:33Thank you.
17:37What's wrong?
17:39Are you sick?
17:41I'm fine.
17:43I have a stomachache.
17:45I have a stomachache.
17:47What's wrong?
17:49You don't eat on time every day.
17:51I'm sure you can't stand it.
17:57Are you hungry?
17:59A little bit.
18:01Then I'll take you to eat.
18:03No, I'm still busy.
18:05You have to.
18:07You ate all the sushi.
18:09How about this?
18:11Find me something to eat.
18:13When you're done,
18:15I'll take you to eat.
18:17Okay.
18:19Stupid.
18:31This is called life.
18:33If you want to live like this,
18:35you have to eat on time.
18:41I also want to eat on time,
18:43but I'm usually busy,
18:45so I don't have time to pay attention.
18:47Do you have to be so picky about work?
18:49Shouldn't you be picky when you're young?
18:51You used to be more picky
18:53when you set up the company, didn't you?
18:57It's because I've suffered.
19:03That's why I don't want you to suffer.
19:07This can't be avoided.
19:09If you don't suffer from this,
19:11you have to suffer from something else.
19:13It's called energy conservation.
19:17Actually...
19:21Actually...
19:23Stop.
19:25If you still want me to go back to Myanmar,
19:27you'd better not say it.
19:29If you say it again,
19:31I'll kill you.
19:37Can you tell me why?
19:39I want to know the real reason.
19:41The real reason is...
19:45I really don't want to be your underling anymore.
19:47Look at your attitude today in the photo studio.
19:49If I continue to be your underling,
19:51I'll be teased to death
19:53and not be resolutely opposed.
19:57Actually...
19:59I hope we can keep a safe distance
20:01like this for a while.
20:03It's good for you,
20:05and it's good for me.
20:09Thuy.
20:11Thanh Hoc.
20:15Is anyone home?
20:23I'm so hungry.
20:25I'm so hungry.
20:27I really miss the old days
20:29when I could have a good meal at home.
20:31It's still better than going to school.
20:39It's too much.
20:41I can't eat it all.
20:55I'm home.
21:05You're home.
21:07Aren't we going to shoot a movie?
21:09Can you send me two boys?
21:21What do you eat?
21:23Put your feet down for me.
21:25Do you eat gunpowder?
21:27I just got home and I'm sick.
21:29If you want to live in my house,
21:31you have to follow my rules.
21:35When did you become friends with him?
21:37In theory,
21:39Tiet Ninh is now
21:41just a temporary memory loss of Ninh Phi.
21:43Because the nature is the same person.
21:45I'm just a change of feelings.
21:47I'm just for Ninh Phi and for Tiet Phi.
21:49Nothing is wrong.
21:51Listen to me.
21:53You're still the only one who understands the problem.
21:55I advise you
21:57to treat me well
21:59if I don't like it.
22:01Ninh Phi will also like it.
22:03Are you sure Ninh Phi will like it?
22:05To put it simply,
22:07she is now Tua Ha and Thanh Ha.
22:09If you want to meet Tua Ha,
22:11you have to take good care of Thanh Ha first.
22:13I understand this.
22:15Clap your hands.
22:17Good, very good.
22:19It depends on you two.
22:21I'm so angry.
22:23Wait a minute.
22:25Where did I sleep last night?
22:27Of course,
22:29I don't mind sleeping
22:31where I slept last night.
22:33Where did she sleep last night?
22:39Of course, she slept on the sofa last night.
22:41Don't worry.
22:43I will definitely arrange
22:45for her to sleep on the sofa.
22:47Are you going to let me sleep here?
22:51There is no door.
22:53What about my privacy?
23:05Privacy?
23:09Thanh Ha.
23:11Thanh Hao.
23:13It's useless for you to beg me.
23:15Ninh Phi used to sleep here.
23:17In return, you are very fair.
23:19I really like your
23:21fair and upright attitude.
23:23Let's sign the contract.
23:25Let's go.
23:31She asked me to sleep next to the door.
23:33She asked me to sign the contract.
23:35What kind of contract is this?
23:37You are not allowed to bring
23:39other people to play.
23:41At home, you are only called Ninh Phi.
23:43It's too much.
23:45If you want to sign it, sign it.
23:47If you don't want to sign it, change it.
23:51You have to cooperate with
23:53Lam Phi Phi's treatment.
23:55What kind of treatment?
23:57Are you crazy?
23:59I'm treating you.
24:01It's still the same in the movie.
24:03Losing memory after a brain injury.
24:05I just want to try it once.
24:07Not only Thanh Hao.
24:09Losing memory
24:11is a complicated process.
24:13If the brain is seriously injured,
24:15it can cause damage to
24:17the occipital lobe,
24:19the occipital lobe,
24:21the occipital lobe,
24:23the occipital lobe,
24:25the occipital lobe,
24:27the occipital lobe,
24:29the occipital lobe,
24:31the occipital lobe,
24:33there is no scientific basis for this.
24:35I think you should just watch the movie.
24:39I have to control my strength.
24:41Are you crazy?
24:45You don't have to sign it.
24:47Now you still have time to regret it.
24:53It took you a long time to kill me.
24:55Anyway, I was injured.
24:57It means Ninh Phi was injured.
24:59Watch it yourself.
25:03Hey, where are you going?
25:05Take a shower.
25:07Do you want to go crazy?
25:23Can you tell me if he can recover his memory?
25:25Everything can happen.
25:27Xuan Ninh is in the hospital now.
25:29Xuan Ninh is in the hospital now.
25:31Everything can happen.
25:33Xuan Ninh doesn't want to face himself anymore.
25:35Xuan Ninh does not want to face himself anymore.
25:37Xuan Ninh does not want to face himself anymore.
25:39That's what I can save.
25:43Then I'm going to find the crown prince.
25:47You don't worry.
25:51I will try my best.
26:01Oh my god, it's so cold.
26:05Lam Phi Phi, it's you again.
26:08What are you going to do?
26:10I heard that it has a surprising effect.
26:12It can help you recover your memory.
26:13I want to try it.
26:15I don't care.
26:17I like to take a cold shower.
26:20I usually take a shower, so my skin is beautiful.
26:32Lam Phi Phi, I have a cold.
26:35You have to take responsibility.
26:37There is a girl here. Can you pay attention to her?
26:41Tell me, how do you compensate me?
26:45This is a necessary sacrifice for the experiment.
26:49Although I feel very guilty,
26:51this situation is hard to avoid.
26:54You have already signed the contract.
26:56Lam Phi Phi, what are you doing?
27:02Do you hate me that much?
27:04Are you sure you want me to disappear?
27:06If you don't disappear, he won't come back.
27:09He has the medicine.
27:10The medicine is better than you.
27:15Are you really sick?
27:17What else?
27:18Can I pretend to be sick to fool you?
27:20I'll get you the medicine.
27:22I don't take medicine.
27:24I'm hungry.
27:25Can you cook noodles for me?
27:27What?
27:28Do you want to eat noodles that I cook?
27:31How?
27:32No?
27:33Okay.
27:35This is what you want to eat.
27:37Hurry up.
27:50It looks good.
27:55I'm hungry.
28:07It took me a long time to cook noodles.
28:09You don't respect me at all.
28:11Your noodles are poisonous.
28:13Do you know how many people want to eat noodles?
28:26Why is it not delicious?
28:28Your noodles are poisonous.
28:36It's not that bad, but it hurts my self-esteem.
28:44Your noodles are poisonous.
28:56You can't even protect your favorite things.
29:01Why are you so stupid?
29:26Mr. Hui, I have revised it.
29:28Based on your opinion, this is the plan after the revision.
29:31Take a look.
29:40No need to look. I agree.
29:42What do you mean?
29:43This plan is good. Use it.
29:45Don't you always want to use the classic work of Ngo Trang?
29:48Why did you suddenly change your mind?
29:50I've been thinking about it all the time.
29:52Compared to you, the exhibition in two years is not important.
29:56You can arrange it. As long as you're happy.
29:59Mr. Hui, I'm discussing work with you very seriously.
30:02Please don't interfere with my personal feelings.
30:04I'm discussing work with you.
30:06This plan is good. Use it.
30:08But you haven't seen it yet.
30:10You don't need to see it. I believe you.
30:12Okay, that's it. Let's go eat.
30:15Congratulations on the plan.
30:19Mr. Hui, can you be serious?
30:23I've been very serious about your opinion and the revision.
30:26Can you respect my work?
30:28Yes.
30:29You're wrong.
30:31You know this is the first time I've organized an exhibition.
30:33There's a lot of pressure.
30:34So what? I'm under a lot of pressure.
30:36What do you mean?
30:38I don't mean that.
30:41Why don't you say anything?
30:45So, Ken, I don't need to know why you came to me.
30:49In the company, we're just business partners.
30:52If you can't even do the least bit of respect,
30:54I hope you leave here immediately.
30:57Don't bother my work.
31:00Okay.
31:10You go. Don't be angry.
31:15Okay.
31:20I'm so angry.
31:25Pei, if Ken comes back,
31:27don't let him into my office.
31:41Come in.
31:45Thiti.
31:49Minh Thanh.
31:51Why are you here?
32:00He asked you to come to the conference, didn't he?
32:02The chairman told me to come here to take over the exhibition once every two years.
32:06I just know how to make a name for myself.
32:08What are you two arguing about?
32:10I think the chairman's face is very sad.
32:13I don't want to mention it.
32:15Minh Thanh.
32:18I don't think you look good.
32:20Is it because the name of the exhibition is insulting you?
32:23No.
32:25I've been working a lot lately.
32:27But it's also the chairman who values me.
32:29He gives me a lot of important things to do,
32:31including the exhibition.
32:33It's true that I'm a little busy, but it's fun.
32:35And Thiti, you've changed a lot.
32:38You're no longer the girl you used to be.
32:40Anyway, not everyone can bully him like that.
32:44That's right.
32:46Although we have just entered society for a short time,
32:48but everything has changed.
32:50Not like Thanh,
32:52who thinks about cleanliness every day.
32:54And we are all social people.
32:57That's right.
32:58So I really appreciate her cleanliness.
33:01I hope I can protect it.
33:04I really admire Thanh.
33:06If only Khanh could respect his girlfriend half as much as you do,
33:09I wouldn't be so angry.
33:12Thiti,
33:14the chairman really cares about you.
33:16He's just sitting there.
33:18Sometimes,
33:20it's hard to avoid thinking differently about things.
33:23More than half of the time,
33:25two people have been in love for a long time.
33:27The chairman has become insecure.
33:29That's why Khanh wants to control him so much.
33:32But now he's trying to change.
33:34Before you came,
33:36he especially told you to be nice to him.
33:39It's true that you said a lot of nice things to him.
33:41Let him give you a raise.
33:44By the way,
33:46are you and Thanh still okay?
33:48When will you pick her up?
33:51She said she still wanted to stay in Phi Phi.
33:53A few more days.
33:55I respect her opinion.
33:57If she wants to go home,
33:59you can pick her up anytime.
34:01Anyway, what's the matter with the two of you?
34:03I don't know.
34:05Did she tell you
34:07what the reason is?
34:09Forget it.
34:11Let's talk about work first.
34:13Give me the plan.
34:15Yes.
34:33Honey,
34:35have you eaten?
34:39When do you want to come back?
34:41I'll tell you when I want to go home.
34:43Can you pick me up?
34:47Why are you angry?
34:49What's the matter with you?
34:51I'm not angry.
34:53I'm not angry.
34:55I'm not angry.
34:57I'm not angry.
34:59I'm not angry.
35:01What's the matter with you?
35:31I'm good.
35:53Before I go,
35:55there's something I want to ask you.
35:57Do you remember me?
35:59You know who I'm calling?
36:01He's not here right now.
36:03Could it be...
36:05that he knows something?
36:29I don't know.
36:49Come in.
36:51Come in.
36:57Director, I've finished the paperwork.
36:59I'll be here in an hour.
37:01Okay.
37:06I'll see you out.
37:21Okay.
37:27Do you have any plans for the future?
37:29Not yet.
37:30It's okay. Take your time.
37:32You're still young.
37:33There are a lot of opportunities waiting for you.
37:35Director, why are you still talking nonsense?
37:40Goodbye, Rachel.
37:42I wish you a bright future.
37:44Director.
37:46No, Minh Thanh.
37:48I'm leaving this time.
37:50I don't think I'll see you again.
37:52Can you call my name one more time?
37:54It's more convenient to call you Rachel.
37:56In my heart,
37:58Rachel is Rachel.
38:00It's a relief.
38:06Take care.
38:18Thank you.
38:28Give this contract to the painter, Ngo Trinh.
38:30Yes, Director.
38:34It seems that she is in a very good mood.
38:36She even called me.
38:38Hello.
38:39Where are you?
38:42I'm about to go to your company.
38:44I want to see Andrea.
38:46What's going on?
38:49Director.
38:54Good morning.
38:56What are you doing?
38:58Ngo Trinh's secretary just called.
39:00She said there was a problem with the contract.
39:02She wants to cancel the cooperation.
39:03What?
39:16I'm sorry.
39:46I'm sorry.
40:16Forgive me for being so stupid.
40:20I almost missed your life.
40:23We are lucky enough.
40:26Our eyes met.
40:30God is very kind.
40:33He designated this person for me.
40:37No more doubts.
40:40No one needs to approve.
40:45I'm sorry.
40:46I'm sorry.
40:47I'm sorry.
40:48I'm sorry.
40:49I'm sorry.
40:50I'm sorry.
40:51I'm sorry.
40:52I'm sorry.
40:53I'm sorry.
40:54I'm sorry.
40:55I'm sorry.
40:56I'm sorry.
40:57I'm sorry.
40:58I'm sorry.
40:59I'm sorry.
41:00I'm sorry.
41:01I'm sorry.
41:02I'm sorry.
41:03I'm sorry.
41:04I'm sorry.
41:05I'm sorry.
41:06I'm sorry.
41:07I'm sorry.
41:08I'm sorry.
41:09I'm sorry.
41:10I'm sorry.
41:11I'm sorry.
41:12I'm sorry.