A Movie TV
  • 5 months ago
Transcript
00:00:30Wow! That was great, Augusto. Just like that.
00:00:32Just don't forget to take deep breaths. That's the most important thing.
00:00:35Sir, someone is holding his breath.
00:00:43Rosho, do you want to drown and die? Get out.
00:00:45Yes, sir. I'm leaving.
00:00:46Rosho, if you want to live, don't do this again.
00:00:49Did anyone ask you?
00:01:00I'm leaving.
00:01:15Are you leaving?
00:01:17This isn't tea.
00:01:19I have to play in a concert in two weeks.
00:01:22Okay, take care.
00:01:24You too.
00:01:31Augusto!
00:01:33Augusto!
00:01:35Augusto!
00:01:36Augusto!
00:01:37Augusto!
00:02:01Come on.
00:02:25Have a nice day, Guito.
00:02:26Thank you. You too, Miranda.
00:02:27Hi.
00:02:28How are you?
00:02:29How are you, Rosho? What's going on?
00:02:30I'm fine. How are you, Momo?
00:02:32I couldn't sleep all night.
00:02:34I was watching a series with my friend all night.
00:02:36And now my brain isn't working.
00:02:38That's not possible.
00:02:39If your brain wasn't working, how did you get here?
00:02:41That's not what I meant.
00:02:43The Museo Nacional de Bellas Artes is the most special museum in Latin America.
00:02:46And in the last 20 years, more than 12,000 pieces have been brought here...
00:02:49that make it the most special.
00:03:00Now I'm going to show you one of my favorite works of art.
00:03:02Let's go.
00:03:03Portrait of a young woman.
00:03:04Madam, right.
00:03:10Did you change the lock?
00:03:11Yes.
00:03:13Come on, are you still mad at me?
00:03:14Shouldn't I be?
00:03:15Does it matter to you that you're in jail?
00:03:17Look, it's not a big deal.
00:03:18I was put behind bars for 72 hours and then released.
00:03:20Do you know how much I missed you and my kids?
00:03:22First, you've been missing since morning, and my own son won't let me in.
00:03:25By the way, where were you?
00:03:26I told him to do this.
00:03:27Can you tell me why you told him to do this?
00:03:28I got a job at the city museum.
00:03:30Really? That's great.
00:03:31What do you want?
00:03:32The keys. I have to go inside.
00:03:33Stop your drama and leave without creating a scene.
00:03:35But where will I go?
00:03:36What's wrong with you? Are you out of your mind?
00:03:38This is my house. My kids live here.
00:03:39Just because you don't want to see me here, you're doing this to me?
00:03:41Of course I will, and you're the reason, Miguel.
00:03:43Not me.
00:03:44Don't act like a kid and leave.
00:03:46Didn't you hear me?
00:03:51Did they leave?
00:03:52Yes, they left.
00:03:54Did your brother come?
00:03:55No.
00:03:56No? Okay.
00:03:57Let's go to mom.
00:04:20Dosho, dinner is ready.
00:04:23Can I come in?
00:04:24Yes.
00:04:27Wow, what's going on here?
00:04:28Have you started painting again?
00:04:30It's been three years since you stopped painting, right?
00:04:32Not three, four years and seven months.
00:04:34This pandemic has forgotten everything.
00:04:36It looks nice.
00:04:37Is it a man's?
00:04:38Yes.
00:04:39I think it's a woman's.
00:04:40Yes.
00:04:41Have you seen her?
00:04:42She works at the museum.
00:04:43Great.
00:04:44Yes, great.
00:04:45And what does she do there?
00:04:46She's the security guard there.
00:04:48What's so special about this security guard that you picked up the brush again?
00:04:52Um...
00:04:53Um...
00:04:56Beauty.
00:05:21It's not like that.
00:05:22I don't think so.
00:05:23You're wrong.
00:05:24It's not like that.
00:05:25They have a lot in common.
00:05:26That's why they're so different.
00:05:34Where did you go?
00:05:36To meet friends.
00:05:37With Romi.
00:05:39Did you take out the money?
00:05:43What's going on, Koji?
00:05:44What do you mean?
00:05:45I've started a new job.
00:05:46And I told you to take care of your brother.
00:05:48But you went all day.
00:05:49And now you're arguing.
00:05:51Listen to me.
00:05:53If you can't take care of yourself,
00:05:54if you can't help me,
00:05:56then you should go live with your dad or your girlfriend or someone else.
00:05:58Now I get it.
00:05:59That's what you want.
00:06:00That I leave like my dad.
00:06:01Mind your own business.
00:06:02Or it won't be good.
00:06:03You don't have to be like your dad.
00:06:05You can be better than him.
00:06:13Don't you dare show this to anyone else.
00:06:21I won't.
00:06:33You're amazing.
00:06:34You're amazing.
00:06:35Do this every day.
00:06:37What do you want?
00:06:38Nothing, sir.
00:06:44Good morning.
00:06:45Morning.
00:06:47You will find a variety of Argentinian art in this museum.
00:06:49Artists like Candida Lopez,
00:06:50Brilli Diano, Piero Don,
00:06:52Emilio Puterotti,
00:06:53Chul Solart,
00:06:54Antonio Segghi,
00:06:56Marta Minocrin,
00:06:58Antonio Berni,
00:07:00and Leon Ferrari.
00:07:06I want to buy food.
00:07:07There's nothing in my fridge but yogurt.
00:07:08Yes, my doctor has banned dairy products.
00:07:09Really?
00:07:10If I see you tomorrow...
00:07:11Yes, see you tomorrow.
00:07:12Get going.
00:07:13I'm leaving now.
00:07:14I'll be there in an hour.
00:07:16I'm coming back.
00:07:17It'll only take 40 minutes.
00:07:44I'm coming back.
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00:11:38Bring my stuff?
00:11:39Yes.
00:11:40My clothes and my games.
00:11:52No, babe.
00:11:53I don't think I can make it.
00:11:54It's too difficult.
00:11:55I can't leave before the concert on the 12th.
00:11:56I can try as hard as I can.
00:11:57If you want, you can come to the Palacio Paz on the 14th at the Buenos Aires.
00:12:00If you don't want to give me the ticket, why lie?
00:12:02That's a lie, too.
00:12:03No one comes to the concert when I send them the ticket.
00:12:05They don't care about music.
00:12:06What's the point of being friends?
00:12:07Look, he's my friend anyway.
00:12:08She's stammering.
00:12:09What do you mean?
00:12:10She's stammering when she's talking.
00:12:12She's stammering.
00:12:13It happens when a person is drunk.
00:12:15She's always like this.
00:12:16I talk like this even when I'm not drunk.
00:12:17I've been talking like this since I was a kid.
00:12:19And my mom used to talk like this, too.
00:12:20Yes, when she was drunk.
00:12:22Really.
00:12:23Stop it, Sawla.
00:12:24Eva.
00:12:25It's a Peronist name.
00:12:26Was it in the Bible, too?
00:12:27No.
00:12:28After 1950, only Eva Peron's fans used to use this name.
00:12:31How old is she?
00:12:32I think she's between 47 and 50.
00:12:33That's great.
00:12:34She's older than you.
00:12:35Do you like milk?
00:12:36How does she look?
00:12:38I mean, is she still beautiful?
00:12:39Yes, very beautiful.
00:12:41How's her figure?
00:12:42Just like any other woman.
00:12:43I mean, is her figure good or bad?
00:12:46She's an amazing figure.
00:12:48And the tits?
00:12:49They're amazing, too.
00:12:51And they're tight, too.
00:12:53They're round.
00:12:54That's good.
00:12:55And why do you think she didn't see you?
00:12:57Maybe she was thinking about something else.
00:12:59She must've been going through a lot.
00:13:00She must've been worried about her family.
00:13:02Is she married?
00:13:03I don't know.
00:13:04But maybe she has kids.
00:13:06When was the last time you felt this way?
00:13:09Four years and six months ago, when I saw Rika sitting on a horse.
00:13:13She was so boring.
00:13:14She always talked about insects.
00:13:16She's an entomologist, Matute.
00:13:18Yeah, I know.
00:13:21We should've taken Lemon.
00:13:23We need to make a plan.
00:13:24Do you see Eva every day?
00:13:26Look, I think you should talk to her tomorrow.
00:13:28Just go and tell her.
00:13:30Hello, Eva.
00:13:31I'm sorry, but I didn't want to scare you that day.
00:13:33I tried to get to know you many times before.
00:13:35She should think you're trying to scare her.
00:13:37I know it was wrong to follow you.
00:13:39She'll have to realize you were wrong.
00:13:41Then she'll be able to move on.
00:13:42I didn't want anything bad to happen.
00:13:44I'm neither happy nor sad, Eva.
00:13:45I'm glad we met.
00:13:46After all this, let's move on.
00:13:48Move on?
00:13:49Whatever you want to say, say it clearly.
00:13:50Okay?
00:13:51I won't say it now.
00:13:52I've already said it once.
00:13:53I made a mistake by not taking Lemon.
00:14:04I don't like this uniform.
00:14:05You choose. I'll get it for you.
00:14:06You're right.
00:14:07Ladies, do you want to upset the boss?
00:14:08No, we're on our way.
00:14:09I'll see you later.
00:14:10Okay, bye.
00:14:11What's he doing?
00:14:12Who is he?
00:14:13Nothing. He's just flirting with me.
00:14:14Really?
00:14:15He's flirting with me.
00:14:16He's ugly, but he's so hot.
00:14:17I don't know what to tell you.
00:14:18Oh.
00:14:19He's so hot, I can't stop sweating.
00:14:20Do you feel the same?
00:14:21I need vitamins.
00:14:22Maybe the boss is here.
00:14:23Okay.
00:14:24Gosho.
00:14:25Good morning.
00:14:26What is Sanki doing here?
00:14:27What?
00:14:28He's the one I told you about yesterday.
00:14:29What are you doing?
00:14:30I'm here to get rid of him.
00:14:31He works here.
00:14:32He's the tour guide.
00:14:33Have you seen him before?
00:14:34No.
00:14:35No, she hasn't.
00:14:36She must've seen him somewhere else.
00:14:37She saw me on the subway for the first time.
00:14:38Saw you on the subway?
00:14:39Do you know my name?
00:14:40Listen to her.
00:14:41Eva Montero saw me on the subway yesterday and got scared.
00:14:42Because I was looking at her.
00:14:43I knew she worked here.
00:14:44That's why I was looking at her.
00:14:45But she didn't know I worked here.
00:14:46Actually, she's a little...
00:14:47That's why she must've thought
00:14:48a stranger was bothering her yesterday.
00:14:49And it's okay for her to be bothered.
00:14:50And that's probably why she pointed
00:14:51her finger at me yesterday
00:14:52after I got off the train.
00:14:53I didn't mean to scare you, Eva Montero.
00:14:54I just came to say hi.
00:15:01Hi.
00:15:02It was nice meeting you.
00:15:04It's good you explained everything to her.
00:15:06Thank you, Gosho.
00:15:07Okay, I'm leaving.
00:15:10I can't believe this.
00:15:11I didn't know what happened to him.
00:15:13What did you do?
00:15:14I pointed my middle finger at him.
00:15:15You're amazing.
00:15:16It's not my fault.
00:15:17Don't you think he's a little weird?
00:15:18No, he's not weird.
00:15:19He's a very nice person.
00:15:20And he's very smart too.
00:15:21Okay, I agree.
00:15:22He must be smart.
00:15:23But you don't know how he looked at me.
00:15:24He was staring at me.
00:15:25He was sweating.
00:15:26I thought he was here to hit me.
00:15:27Don't worry.
00:15:28What's done is done.
00:15:29Next time you see him,
00:15:30let's get out of here.
00:15:31It's getting late.
00:15:32The boss will be mad.
00:15:33Let's go.
00:15:39In 1660, the tapestry depicts the scenes
00:15:41associated with the Renaissance architecture
00:15:43and style.
00:15:44You can see that the tapestry is used
00:15:46in Baroque art.
00:15:47Flowers, plants, birds, musical instruments.
00:15:49And you can see down here,
00:15:50this is how the pictures of the noblemen are placed.
00:15:57Let's go.
00:16:00Let's go.
00:16:05Hello.
00:16:06Hello, Eva Montero.
00:16:07How are you?
00:16:08I'm fine.
00:16:09There's no train today till 8 o'clock.
00:16:11And today the buses are full.
00:16:12I don't know how I'm going to get home.
00:16:14Can I stay with you till the train leaves?
00:16:16Would you like to have a drink with me?
00:16:18No, I don't need it.
00:16:19I'm used to it, so it's okay.
00:16:21I live nearby and I have plenty of time.
00:16:26You'll enjoy it.
00:16:27I talk interesting things and I'm funny too.
00:16:30I studied Fine Arts from Buenos Aires
00:16:32and PhD from Complutense University of Madrid.
00:16:34Wow, that's great.
00:16:35And how long have you been working in the museum?
00:16:37It was Monday, June 28, 2013.
00:16:40Are you okay?
00:16:43So was it your dream to become a security guard?
00:16:45No.
00:16:46No, no, no.
00:16:47Not at all.
00:16:48I wanted to be a doctor.
00:16:50But I couldn't.
00:16:51I had to drop out of school.
00:16:53Suddenly my dad passed away and...
00:16:54I'm sorry.
00:16:55It's okay.
00:16:56It's been a long time.
00:16:57And then I had to work to support my family.
00:16:59And now I'm sitting in front of you.
00:17:01So you don't like this job?
00:17:03No.
00:17:04No, it's not that bad.
00:17:05It depends on the place.
00:17:06I like museums, so...
00:17:08But sometimes they get boring.
00:17:10But I have to work.
00:17:12What else can I do?
00:17:18When the rays of the sun fall on your face,
00:17:20you look like Abba Montero.
00:17:21Just like a painting by Vincent.
00:17:23Who?
00:17:24Vincent Van Gogh, a Dutch painter.
00:17:25He's famous all over the world.
00:17:26The one who cut his own ear?
00:17:28Yeah, right?
00:17:29Vincent is my favorite artist.
00:17:30His brother used to take care of him.
00:17:32His name was Theo.
00:17:33My brother Matias is called Matute.
00:17:35Theo died six months after his brother.
00:17:37Matute is still alive.
00:17:39Beautiful.
00:17:41The color of your face is chrome yellow.
00:17:43It was made during the industrial revolution.
00:17:45Wow.
00:17:46How do you remember so many things?
00:17:48You know so much.
00:17:49There's something special about you.
00:17:54Oh, my God.
00:17:55It's time.
00:17:56I have to go.
00:17:57Okay, let's go.
00:17:58Get the bill.
00:17:59Okay.
00:18:00By the way, thanks for having lemonade with me.
00:18:02I'll buy you next time.
00:18:03No, you don't have to thank me.
00:18:05It was nice talking to you.
00:18:07You don't have to be so formal with me.
00:18:09I do.
00:18:10I take a little time to make friends with adults.
00:18:12And all the kids like me.
00:18:13But when I get to know an adult up close,
00:18:15I like it.
00:18:16Let's go.
00:18:17You said you live here, right?
00:18:19Yeah, back here.
00:18:20So what were you doing on the train yesterday?
00:18:22I just wanted to talk to you.
00:18:23Like we're doing today.
00:18:24I saw you at the museum, but I couldn't say anything.
00:18:26So I followed you on the train yesterday.
00:18:28But instead of talking to you, I scared you and ruined everything.
00:18:32I understand.
00:18:33See you tomorrow.
00:18:43Why hasn't anyone ever called me special?
00:18:45Maybe special means I'm weird.
00:18:46You're special and weird.
00:18:47What else do you want?
00:18:48Yeah, I don't want anything.
00:18:49I'm very happy.
00:18:50Thank you so much, Matute.
00:18:51You're so kind.
00:18:52I have a lot of work to do.
00:18:53Talk to you later.
00:18:54Okay, bye.
00:18:55Take care.
00:18:56Bye.
00:18:57She's so beautiful.
00:18:58Why did you barge into my boat?
00:18:59The door was open.
00:19:01Did you hear what Matute and I were talking about?
00:19:03I only heard you say thanks.
00:19:04Nothing else.
00:19:05I'm going to the restaurant with Hulita.
00:19:08How do I look?
00:19:09Let me finish this painting first.
00:19:12I'm talking about this woman.
00:19:15Okay.
00:19:16Did you meet her?
00:19:17Did you talk to her?
00:19:18Yeah.
00:19:19We went for lemonade.
00:19:20Really?
00:19:21I want to meet her too.
00:19:22We'll go for lemonade together.
00:19:25Hulita's waiting for me downstairs.
00:19:26I'm going.
00:19:27The food's in the oven.
00:19:28Okay?
00:19:29I'll see you later.
00:19:51What?
00:19:59We should tell her.
00:20:00She doesn't have to.
00:20:01She should know about the condition of the meat.
00:20:04She's old.
00:20:05She should understand.
00:20:06Old?
00:20:07How old is she?
00:20:08About our age.
00:20:09Thank you.
00:20:10The food was great.
00:20:11See you later.
00:20:12Bye.
00:20:13Bye.
00:20:14Keep coming.
00:20:15Forget it, she's not a kid anymore.
00:20:16Let her have fun.
00:20:17What fun are you talking about?
00:20:18Have you never had sex?
00:20:19Is that so? I think you should get it tested again.
00:20:21I should get a chance. I don't think there's anything wrong with it.
00:20:24Look, stop it. What do you think? Do I control it?
00:20:26Am I overprotective? Or did I manipulate it? Or did I force it?
00:20:29No, I know I'm not its mother, but still.
00:20:31Hi, Matute. I have to say, your white and blue pattern looks amazing.
00:20:35Tell me, whose idea was it?
00:20:36Yeah, it was Gosho's idea.
00:20:37You two should drink this special wine. It's really good.
00:20:39Wait a minute. What do you mean it's our age?
00:20:41What's your age?
00:20:43What do you care?
00:20:45I'll be back.
00:20:50Did you do it again? Are you stupid? I told you before.
00:20:52Come on, get out.
00:20:53Okay, sir.
00:21:02What did I do?
00:21:04Gosho!
00:21:11Hello, kid.
00:21:13Are you here to chase me away?
00:21:14No, no.
00:21:16I was bored, so I thought I'd take a walk.
00:21:18This is the best place to take a walk.
00:21:20Have you been here before?
00:21:22No.
00:21:24Did you come here alone?
00:21:25No, with my mom. She works here.
00:21:26I work here too. What's your mom's name?
00:21:28Her name is Eva Montero.
00:21:29She asked me to sit, but I was bored, so I came here.
00:21:31Why are you bored?
00:21:32What?
00:21:33When a person is empty, he is bored.
00:21:34Don't be bored. You should always keep your mind running.
00:21:37My name is Gregorio, but my name is long, so everyone calls me Gosho.
00:21:39I work as a guide in this museum, and I know your mom well.
00:21:42My name is Martin, but everyone calls me Tato.
00:21:44I like meeting you, Tato.
00:21:45Me too, Gosho.
00:21:46My sister is going to take care of him tomorrow.
00:21:48I swear.
00:21:49I don't know what to do.
00:21:51Life is full of ups and downs.
00:21:54Give yourself some time.
00:21:55Yes.
00:21:56Everything will be fine.
00:21:58That's great.
00:22:00Did Charlie give you this?
00:22:01Yes.
00:22:02Charlie.
00:22:04He asked me for coffee.
00:22:05Oh, wow.
00:22:06I said, not today.
00:22:07We'll go tomorrow, or the day after tomorrow.
00:22:08That's it.
00:22:09I know it's weird, but I like it.
00:22:11It's fun.
00:22:12Talking about love, giving him looks,
00:22:14not giving him anything,
00:22:15buying him flowers,
00:22:16keeping him busy.
00:22:17It's fun for everyone.
00:22:18Yes, but the real fun comes later.
00:22:20Right?
00:22:21But I don't like what happens in the end.
00:22:23In the end, everything is ruined.
00:22:25The horse-riders are taking the pots and pots,
00:22:27which were stolen from the church.
00:22:28There are only a few cut on the back of the horses.
00:22:30Where are their clothes?
00:22:32He's been held captive.
00:22:33He's not conscious right now.
00:22:35You mean he's been kidnapped?
00:22:36Yes.
00:22:37This painting is very interesting in itself.
00:22:38Because for the first time, someone made such a big painting of foreign people.
00:22:42I'll be president in 2051.
00:22:47That's great.
00:22:48But you'll have to make a lot of preparations for that.
00:22:50You'll have to study.
00:22:51You'll have to understand what people's problems are,
00:22:52what their problems are, and...
00:22:53Wow, Mansehro!
00:22:54I was showing your son this great painting,
00:22:55and explaining to him how to become the president of this country.
00:22:57Oh, I see.
00:22:58Mom, Gosho knows every detail about every painting in the museum.
00:23:01Not all of them, but I know most of the paintings.
00:23:03That's great.
00:23:04Shall we go now?
00:23:05Or we'll be late.
00:23:08By the way, thank you, Gosho.
00:23:09You're welcome. Have a nice weekend.
00:23:10You too. Bye.
00:23:11Bye.
00:23:16Goal! Goal!
00:23:18Goal! Goal! Goal!
00:23:24I don't think I'll be able to have sex with her after the first case.
00:23:27There's no need to rush.
00:23:30What's this, bro?
00:23:33I did a lot of research on sexuality and saw a lot.
00:23:36Really?
00:23:37You saw porn?
00:23:39Yes, I did.
00:23:40But I had to stop because the website I wanted to open didn't open.
00:23:43The good thing is, these porn websites have everything in a good category.
00:23:45A&L, animals, black and white, small tits, big tits.
00:23:47You saw all of them?
00:23:48Yes, I saw almost everything.
00:23:49Masturbation, MILF, bisexual, gay, orgies, missionary.
00:23:52And this isn't a church missionary.
00:23:53It's a sex position.
00:23:54Boy on top, girl below.
00:23:55Yes, I know.
00:23:57Do you watch porn too, Matute?
00:23:58Everyone does, Gosho.
00:24:01So, did you see anything that you wanted to do?
00:24:04I saw a few things that I wanted to do,
00:24:06but I don't think she'd do it with me.
00:24:07You don't know her yet.
00:24:08You'll lose your mind if you find out what happens behind closed doors.
00:24:12What is it that she won't do?
00:24:14Fisting, golden shower, facials, water sports.
00:24:16What? You saw everything?
00:24:18Anyway, you shouldn't start like this.
00:24:20Focus on what you like.
00:24:21Do you know what you like?
00:24:23What I like is what happens below.
00:24:25Mount Everest.
00:24:27I really like the tip of my penis.
00:24:29Absolutely.
00:24:30Men get the most feeling at this point.
00:24:31Men have a different system, but that's what happens to men.
00:24:34I had a dream that Eva Montero was kissing me right there.
00:24:37What?
00:24:38I had a dream that Eva Montero was kissing me right there.
00:24:41Then you must have had fun, right?
00:24:42Yeah.
00:24:44She must have had the experience, right?
00:24:47Yeah, I think so.
00:24:48Come on, let's eat. It's getting cold.
00:24:52Bring her over for dinner.
00:24:53Won't it be too soon?
00:24:54No, it won't.
00:24:55Trust me.
00:24:56Go and ask her.
00:24:57She'll say yes.
00:24:59Don't you know how to walk?
00:25:00Look at my knees and walk.
00:25:03I'm sorry.
00:25:14Eva Montero.
00:25:15Sorry, I scared you again.
00:25:16It's okay.
00:25:17I'm sorry.
00:25:18It's all right.
00:25:21Do you know that there's a painting of Van Gogh here?
00:25:24No, I don't know.
00:25:25It's original.
00:25:26Oh.
00:25:28This is a painting of Vincent's early days.
00:25:30He painted it in Paris.
00:25:32He wrote a letter to his brother Theo.
00:25:34In the letter, he said,
00:25:35even though it's difficult to live in Paris,
00:25:37French air refreshes the heart and mind.
00:25:40Do you want to have dinner with me?
00:25:44Me?
00:25:45Yeah, you.
00:25:52But why just me?
00:25:53There are other girls too.
00:25:54Because I don't want to have dinner with any other girl.
00:25:56I want to have dinner with you.
00:26:01Gosho.
00:26:03Look, we're very different.
00:26:04I mean,
00:26:06I'm much older than you.
00:26:07And I'm much...
00:26:10I mean, you know I'm nothing.
00:26:11You'll soon find me boring.
00:26:12There are some things that even I don't know.
00:26:15Being completely different from each other
00:26:16isn't a problem for us.
00:26:17It's our specialty, Eva Montero.
00:26:20Ever since you came here,
00:26:21this museum hasn't been the same for me.
00:26:35What if I'm free on Saturday?
00:26:40You can come to my house.
00:26:43Do you live alone?
00:26:44No, with my sister, Sola.
00:26:46But she has a concert.
00:26:47She must have gone to Guwahe.
00:26:48She's not at home.
00:26:49There's a pianist in the band.
00:26:50Her name is Sola Vishanwewa.
00:26:51You must know her.
00:26:52No, no, no.
00:26:53It's good that you don't know her.
00:26:54Anyway, we'll be alone at home.
00:26:56I just wanted to say that
00:26:57if you accept my invitation.
00:27:15Okay.
00:27:26Is someone dead?
00:27:27Huh?
00:27:28No, why?
00:27:29You wear this at funerals, don't you?
00:27:31No, I wear it outside.
00:27:33A few days ago, you wore this at a funeral.
00:27:35Oh, okay.
00:27:36Are you going somewhere?
00:27:38Yes, maybe.
00:27:39Maybe I'll go this Saturday.
00:27:40But let's see.
00:27:41I'll have dinner with a friend.
00:27:42Aunt Marcy will come to your place that day, okay?
00:27:44And my shampoo?
00:27:45Yes, I'll get it tomorrow.
00:27:48Remember while diving.
00:27:49While jumping, go down first.
00:27:50Then up.
00:27:51Got it?
00:27:52Okay.
00:27:53Now let's practice diving.
00:27:54Good.
00:27:55Great.
00:27:56Very good, Gosho.
00:27:57Great.
00:27:58Very good, Gosho.
00:27:59Gosho!
00:28:01Gosho?
00:28:02You mean our Gosho?
00:28:03Yes.
00:28:04Oh, you're worse than me.
00:28:05First you were going to report that kid.
00:28:07And now you're going to date him.
00:28:08This isn't a date.
00:28:09We're just having dinner.
00:28:10Oh, okay.
00:28:11By the way, where's the dinner?
00:28:12At his house.
00:28:13Oh, that's a good idea.
00:28:14So what if it's not a date?
00:28:15It's a date.
00:28:16No.
00:28:17That's the truth.
00:28:18By the way, you know, he's a little weird.
00:28:20He's got issues with his brain.
00:28:23Have you ever dated someone who doesn't lie?
00:28:25Someone who always says what's on their mind?
00:28:28Someone who's very polite.
00:28:29And also sensible.
00:28:31Someone who doesn't hurt you.
00:28:32And who's cute with everyone.
00:28:34I never got that chance.
00:28:36Me neither.
00:28:38You wear my special necklace.
00:28:40Yeah.
00:29:07Good evening.
00:29:08Good evening.
00:29:09Hi, Gosho.
00:29:10Come in.
00:29:11Thank you.
00:29:15Wow.
00:29:17The house is beautiful.
00:29:19It's a 19th century neo-classical French design.
00:29:21Oh.
00:29:23Vincent used fluid turbulence in his paintings.
00:29:25That's why it looks like the sky is moving on its own.
00:29:27Really?
00:29:28It really does.
00:29:30They were such geniuses, weren't they?
00:29:32By the way, they say the artist was crazy.
00:29:34And for what he did, madness is necessary.
00:29:36It's like making a decision without knowing it, Montero.
00:29:38In reality, it's not like that.
00:29:41Vincent always looked at reality through the eyes of beauty.
00:29:43Whatever people think is madness, it's their way of thinking.
00:29:46The way they felt this world.
00:29:48Yeah.
00:29:50Don't you think this progress is taking us backwards?
00:29:52Oxymoron.
00:29:53What?
00:29:54I mean, what you just said goes against your statement.
00:29:56Oh.
00:29:57That's what oxymorons say.
00:29:58Oh, okay.
00:29:59Like a living corpse.
00:30:00Or an infinite moment.
00:30:01Okay.
00:30:02Or the peace that defends.
00:30:03There are many.
00:30:04Really?
00:30:05One example.
00:30:06Yeah.
00:30:07I mean, even though we're making progress, we're going backwards.
00:30:10Like today, everyone has a phone.
00:30:12But the distance between people is increasing.
00:30:14Hmm?
00:30:15Hmm.
00:30:22Did you like the food?
00:30:23Yeah, it was good.
00:30:25Should we eat something sweet?
00:30:26Yeah, let's go.
00:30:27No, no, don't go anywhere.
00:30:28You're a guest.
00:30:29You stay here.
00:30:30I'll get it.
00:30:31Okay, but I'll pick up this plate and stuff.
00:30:32Should I put a knife in the plate?
00:30:33Yeah, okay.
00:30:34Should I put music on the phone?
00:30:35Yeah, put it on.
00:30:36Yeah, okay.
00:30:37Is that okay?
00:30:38Here?
00:30:39No, not near the living room.
00:30:40It's here.
00:30:41Okay.
00:30:50You brought more?
00:30:51I didn't see any wine.
00:30:52So am I going to drink champagne alone now?
00:30:54Actually, I don't like it at all after drinking.
00:30:57Hmm, what's this?
00:30:58This is mousse.
00:30:59Chocolate and orange flavor.
00:31:00Hmm, your brother made it?
00:31:01Yeah.
00:31:02Hmm, that's great.
00:31:03Hmm.
00:31:05I'm eating it in a weird way, right?
00:31:06No, no, no.
00:31:07It's not weird at all.
00:31:09Hmm, it's very tasty.
00:31:19I know you're a cook.
00:31:21And also that your brother cooks very well.
00:31:24Right?
00:31:25And your sister is a pianist, right?
00:31:27She's a very famous pianist.
00:31:28Where is she?
00:31:29She's beautiful.
00:31:30And that's your brother.
00:31:31Matuti.
00:31:34And your parents?
00:31:35My mom.
00:31:36Dad died in Vietnam.
00:31:37Her picture is there.
00:31:38Carlos Villanueva.
00:31:39And did she die in the war?
00:31:41No, no.
00:31:42The dangerous war that started in Vietnam
00:31:43started on the 1st of November 1955
00:31:44and ended on the 30th of April 1975.
00:31:45Okay.
00:31:46And my dad died in a car accident
00:31:47on the island of Phu Quoc.
00:31:48It was in the morning.
00:31:49It was on the 2nd of October.
00:31:50The year was 2005.
00:31:51Oh, okay.
00:31:52Sorry.
00:31:53Mom was drinking and driving.
00:31:54Dad was a big drunkard
00:31:55and my sister is also a drunkard.
00:31:56Matuti is a little less drunk.
00:31:57Oh, okay.
00:31:58Right.
00:31:59And is that your mom's picture?
00:32:00No, that's Alina.
00:32:01She was my brother's sister's mom.
00:32:02Okay.
00:32:03She had a heart attack one day.
00:32:04You were eating here
00:32:05and she died on the same chair.
00:32:06Heart attack.
00:32:07I'm my dad's second wife's son.
00:32:09Okay.
00:32:10And...
00:32:11is there no picture of her here?
00:32:13No.
00:32:14Is she alive?
00:32:15She got married again.
00:32:16To Felix Ruiz Allende.
00:32:17She lives in Tierra del Fuego.
00:32:18Her name is Magdalena.
00:32:19Okay.
00:32:20Okay.
00:32:21What does she do there?
00:32:22She doesn't do anything.
00:32:23I mean,
00:32:24maybe it's a little difficult
00:32:25to be Luis Allende's wife.
00:32:26I mean, Ruiz.
00:32:27Sorry.
00:32:28She's just my wife, not my mom.
00:32:29I've never seen a mother like her.
00:32:31Not everyone can be a good mother
00:32:32for their children.
00:32:34Hmm.
00:32:35Can I ask you something?
00:32:36Of course.
00:32:37I...
00:32:38I know you have a son.
00:32:39Really?
00:32:40And one day he'll be our president.
00:32:41Okay.
00:32:42I have another son.
00:32:43He's older than him.
00:32:44His name is Kuti.
00:32:45People call him Christian.
00:32:46I don't know about his future
00:32:47because he hasn't thought about it yet.
00:32:48But he's really good at football.
00:32:50Just like his dad.
00:32:51Miguel was also a footballer
00:32:52but he couldn't do much.
00:32:54Miguel.
00:32:55Does that mean he's your husband?
00:32:57Um...
00:32:58No.
00:32:59I don't know.
00:33:00I know you know.
00:33:01Yes.
00:33:02He's my husband.
00:33:03But we don't live together.
00:33:05We don't talk to each other.
00:33:06And I don't hang out with him.
00:33:07Hmm.
00:33:08Yes.
00:33:09And were you happy with Miguel?
00:33:12Um...
00:33:13Yes.
00:33:14Yes.
00:33:15I was very happy in the beginning.
00:33:16But then everything changed.
00:33:17Hmm.
00:33:18I mean, he changed too.
00:33:19And...
00:33:21I'm also going through a period
00:33:22but he doesn't understand.
00:33:24I don't even know what I want.
00:33:26And he gets very nervous
00:33:27and makes mistakes.
00:33:28I mean, you understand, right?
00:33:29Yes.
00:33:30Um...
00:33:32Can we talk about something else, please?
00:33:35Yes, let's talk.
00:33:37Um...
00:33:41Um...
00:33:42Um...
00:33:43Um...
00:33:44Um...
00:33:45Um...
00:33:46Um...
00:33:47Um...
00:33:48Um...
00:33:49Um...
00:33:50Um...
00:33:51Um...
00:33:52Um...
00:33:53Um...
00:33:54Um...
00:33:55Um...
00:33:56Um...
00:33:57Um...
00:33:58Um...
00:33:59Um...
00:34:00Um...
00:34:01Um...
00:34:02Um...
00:34:03Um...
00:34:04Um...
00:34:05Um...
00:34:06Um...
00:34:07Um...
00:34:08Um...
00:34:09Um...
00:34:10Um...
00:34:11Um...
00:34:12Um...
00:34:13Um...
00:34:14Um...
00:34:15Um...
00:34:16Um...
00:34:17Um...
00:34:18Um...
00:34:19Um...
00:34:20Um...
00:34:21Um...
00:34:22Um...
00:34:23Um...
00:34:24Um...
00:34:25Um...
00:34:26Um...
00:34:27Um...
00:34:28Um...
00:34:29Um...
00:34:30Um...
00:34:31Um...
00:34:32Um...
00:34:33Um...
00:34:34Um...
00:34:35Um...
00:34:36Um...
00:34:37Um...
00:34:38Um...
00:34:39Um...
00:34:40Um...
00:34:41Um...
00:34:42Um...
00:34:43Um...
00:34:44Um...
00:34:45Um...
00:34:46Um...
00:34:47Um...
00:34:48Um...
00:34:49Um...
00:34:50Um...
00:34:51Um...
00:34:52Um...
00:34:53Um...
00:34:54Um...
00:34:55Um...
00:34:56Um...
00:34:57Um...
00:34:58Um...
00:34:59Um...
00:35:00Um...
00:35:01Um...
00:35:02Um...
00:35:03Um...
00:35:04Um...
00:35:05Um...
00:35:06Um...
00:35:07Um...
00:35:08Um...
00:35:09Um...
00:35:10Um...
00:35:11Um...
00:35:12Um...
00:35:13Um...
00:35:14Um...
00:35:15Um...
00:35:16Um...
00:35:17Um...
00:35:18Um...
00:35:19Um...
00:35:20Um...
00:35:21Um...
00:35:22Um...
00:35:23Um...
00:35:24Um...
00:35:26Okay, say right.
00:35:27Thank you.
00:35:49Gosho?
00:35:52Gosho?
00:35:56Gosho?
00:36:03Gosho?
00:36:25Gosho?
00:36:26Gosho?
00:36:27Gosho?
00:36:28Gosho?
00:36:29Gosho?
00:36:30Gosho?
00:36:31Gosho?
00:36:32Gosho?
00:36:33Gosho?
00:36:34Gosho?
00:36:35Gosho?
00:36:36Gosho?
00:36:37Gosho?
00:36:38Gosho?
00:36:39Gosho?
00:36:40Gosho?
00:36:41Gosho?
00:36:42Gosho?
00:36:43Gosho?
00:36:44Gosho?
00:36:45Gosho?
00:36:46Gosho?
00:36:47Gosho?
00:36:48Gosho?
00:36:49Gosho?
00:36:50Gosho?
00:36:51Gosho?
00:36:52Gosho?
00:36:53Gosho?
00:36:54Gosho?
00:36:56Gosho?
00:37:07Hey woman, wait for me.
00:37:08Gosho.
00:37:09Hello.
00:37:10Sorry I I came upstairs b...
00:37:11Because I couldn't wait.
00:37:12Am I in this painting?
00:37:13There's still work to do.
00:37:15Oh.
00:37:18And how did you make this?
00:37:20My memories.
00:37:21When I saw you for the first time.
00:37:22You were сним Aslam.
00:37:23When I saw you for the first time.
00:37:25The day you joined the museum, it was raining.
00:37:27And your umbrella couldn't handle you.
00:37:33I liked it when it was done, so you can keep it.
00:37:49Did you decorate this room?
00:37:50Yes. A friend of Saola helped me.
00:37:53Her name is Hulia D. Pietra. You must know her.
00:37:55No, no, no. I don't know her.
00:37:57You don't know anyone? That's good.
00:38:03Come to me.
00:38:09Come here.
00:38:11Coming.
00:38:16Lie down next to me.
00:38:21Come.
00:38:28Give me your hand.
00:38:46Eden will be wherever Eve is.
00:38:49Adam had written this for her in the book named Mark Twain
00:38:51after Eve passed away.
00:39:18Do you want us to kiss?
00:39:20Of course.
00:39:24Shall we?
00:39:25Are you sure?
00:39:27Yes.
00:39:49Yes.
00:40:12Good morning.
00:40:13Are you going?
00:40:14Yes, I have to go because my sister has to take care of the president.
00:40:17Okay, fine.
00:40:20Would you like to have breakfast?
00:40:21No, no, no. Not at all. Thanks.
00:40:24Shall I call a taxi?
00:40:24No, no. I'll go by subway.
00:40:26The subway is a few blocks away from my house.
00:40:28You should take a taxi so that you can reach home quickly and safely.
00:40:31I...
00:40:32I'll get my phone.
00:40:32Yes, okay.
00:40:36Did you like it?
00:40:36Yes, yes. I liked it a lot.
00:40:38And the painting was amazing.
00:40:40Very beautiful.
00:40:42Okay, see you. Bye, Kushal.
00:40:44Bye.
00:40:45Thank you.
00:40:46Text me when you reach home
00:40:47so that I can give you a safe report.
00:40:47Okay, I'll call you when I reach home.
00:41:11This is an example.
00:41:12He won fame, protection and victory in the world and...
00:41:15Look, your mom is here.
00:41:17Why are you here?
00:41:17Why am I here? I'm here to meet my son.
00:41:19Because the other one left with his girlfriend.
00:41:20And he told me this when we met yesterday.
00:41:22Where is aunt Marcy, son?
00:41:23She left.
00:41:24I was here, so I sent her.
00:41:26She has to work at home.
00:41:26And what does she do here when I'm taking care of her?
00:41:29By the way, I wash cars these days.
00:41:30I thought I'd tell you.
00:41:31That's nice.
00:41:33Isn't it nice?
00:41:34Show me mom's happiness.
00:41:35If it's a good thing, why aren't you happy?
00:41:37Show me a little happiness.
00:41:38Now that you've got a job, we can live together, right?
00:41:40No, no. No, no.
00:41:41You won't live here.
00:41:42What did you say?
00:41:43No.
00:41:43What do you mean, you won't live here?
00:41:45What are you doing?
00:41:46What's your problem? Why can't I live here?
00:41:47You said, find a job. I found one.
00:41:48What else do you want? Why can't I live here?
00:41:50Just tell me.
00:41:51I got my homework done yesterday.
00:41:52I found a job for myself.
00:41:53You did whatever you said.
00:41:54What's your problem? What do you want?
00:41:55What's going on in your mind?
00:41:56What do you want? You don't answer me.
00:41:57Tell me, what's going on in your mind?
00:41:58Look, I want you to leave now.
00:41:59And where will I go?
00:42:00No, no, no. You can't get me out of here.
00:42:01You can't get me out of here.
00:42:02I'm not going anywhere.
00:42:03You're in some other woman's circle.
00:42:04I know.
00:42:05I'll hide it from you.
00:42:13Get out of here.
00:42:15No, no, no.
00:42:16What happened? Show me.
00:42:17I'm sorry. I made a mistake.
00:42:18I didn't do it on purpose.
00:42:19Go away.
00:42:19No, no, I didn't do it on purpose.
00:42:20Go away.
00:42:21I'm going.
00:42:21Go away.
00:42:22Leave her.
00:42:23Dad, go away.
00:42:23Leave her.
00:42:24Leave her.
00:42:25It's okay. She's going.
00:42:26Everything will be fine.
00:42:27I don't understand.
00:42:27Why do they look at me so nicely?
00:42:28It's not your fault.
00:42:29It's okay. Everything is fine.
00:42:31Don't let her come inside the house after today.
00:42:32We were at the door.
00:42:33She forced herself in.
00:42:34It's okay. Mom is here.
00:42:35Mom will fix everything soon.
00:42:37Everything will be fine.
00:42:38Listen, can you get some ice for mom, please?
00:42:45Did you take the first step or did she?
00:42:46She was doing everything.
00:42:47I just stood by her.
00:42:49Really?
00:42:49Did you have fun?
00:42:50Yes, a lot.
00:42:51That's the spirit.
00:42:52Remember, don't be in a hurry.
00:42:54The next day is a little tricky.
00:42:55Some women fly happily.
00:42:56And some feel like jumping off a bridge.
00:42:58Why would she jump off a bridge?
00:42:59She doesn't even have a house.
00:43:00Not everyone, but a few.
00:43:02She said she liked it.
00:43:03She must have liked it.
00:43:04Yes, she looked at me eight times and said it 17 times.
00:43:07Were you counting here?
00:43:08Now, you stay calm.
00:43:09Don't take the next step until she says something.
00:43:12Okay.
00:43:15Matute.
00:43:16What?
00:43:17I told her to text me when she gets home.
00:43:18But she didn't text me.
00:43:19I texted her at 12.42.
00:43:21But she hasn't checked my message yet.
00:43:22And there's no other blue tick either.
00:43:23Look.
00:43:23Yes, I saw it.
00:43:24Hang up the phone and get back to the game.
00:43:25Hang up.
00:43:28Get out of here.
00:43:29Whatever your name is, you can't touch the ball.
00:43:32Isn't it weird not to reply to her, Matute?
00:43:34Run faster.
00:43:35A 20-year-old kid can't run.
00:43:36Run.
00:43:38I hope nothing bad happens to him.
00:43:39There he is. Hurry up.
00:43:40Hurry up.
00:43:43We're going to the bathroom.
00:43:44Where are you going?
00:43:44Get out.
00:43:45Hey, Gosho.
00:43:46Get out.
00:43:46Hey, stop him.
00:43:47Gosho.
00:43:47Listen, they're calling you.
00:43:49Where are you going?
00:43:49You're not listening to me.
00:43:50I've been listening to you.
00:43:51Wow, what a pair.
00:43:53He's your brother, you idiot.
00:43:54He's the idiot's brother.
00:43:55Gosho.
00:43:57Gosho.
00:43:59I said, please stop.
00:44:01What's wrong with you?
00:44:03I was talking about something important, but you didn't listen.
00:44:05You were talking non-stop.
00:44:06I was listening to you.
00:44:08Let me tell you something.
00:44:09You shouldn't be so selfish.
00:44:10I brought you here to spend time with you, and you...
00:44:12Are you crazy?
00:44:13I'm not crazy. He called you an idiot.
00:44:14And that too because you were creating a scene there.
00:44:16But it wasn't my fault.
00:44:17It was your fault.
00:44:18No, no, it wasn't my fault.
00:44:18It was your fault.
00:44:22Why don't you understand?
00:44:24You had sex once yesterday,
00:44:25and now you're obsessed with love.
00:44:26And now you're scared
00:44:27because you think she's ignoring you.
00:44:29Do you understand?
00:44:29Ever since we left, you've been on the phone.
00:44:31I didn't get a single message, I didn't get a single message.
00:44:33You ruined the whole plan.
00:44:34And it's not just my fault, it's your fault.
00:44:36Do one thing.
00:44:37You go. I can't take this anymore.
00:45:04I didn't know he hit you on the face.
00:45:06Let's go to the hospital and get it checked.
00:45:07No, I'm fine.
00:45:07It's important, Mom.
00:45:08I told you I'm fine.
00:45:08Are you sure?
00:45:09Don't worry.
00:45:10Were you with Romi?
00:45:11Yes.
00:45:11How long do you think Romi's parents will let this go on?
00:45:14Try to understand, Koti.
00:45:16You have to control yourself.
00:45:17I know.
00:45:17Yes, I know, Mom.
00:45:18I was thinking,
00:45:19if the dishwasher is going,
00:45:21why don't I start working instead of him?
00:45:22Why not?
00:45:22That's good.
00:45:24Can I come back?
00:45:26I won't let this happen again.
00:45:28Come.
00:45:29Come.
00:45:36KOTI
00:45:48Call the three kids.
00:45:56Yes?
00:45:57Good evening.
00:45:58I'm here to meet Eva Montero.
00:45:59And who are you?
00:46:00Gushu.
00:46:01Tato.
00:46:02He's Gushu, Mom's friend.
00:46:03Come, I'll tell Mom.
00:46:04Okay.
00:46:05You must be Koti.
00:46:06Give me a minute, Koti.
00:46:11Mom, who is it?
00:46:12Gushu is here.
00:46:12What?
00:46:13Hello, Eva Montero.
00:46:14How did you get here?
00:46:15Actually, I told you to message me when you get home
00:46:17but you didn't get my message.
00:46:19You didn't even reply to my message
00:46:20and you didn't see my message either.
00:46:21That's why I got worried and came here.
00:46:22That's it.
00:46:22That's all.
00:46:23Eva Montero.
00:46:23His phone was broken, that's why he didn't call.
00:46:25Yes.
00:46:26That's all I was thinking.
00:46:27This is for you, Tato.
00:46:28Thank you.
00:46:32Gushu, how did you get my address?
00:46:33When I booked a taxi for you in the morning
00:46:34I saved the address in my phone book
00:46:35and then I remembered it.
00:46:37I see.
00:46:38Look, Mom, kite.
00:46:39Wow, that's great.
00:46:40I've brought this plant as well.
00:46:41You can keep it if you want or you can keep it, Koti.
00:46:42No, no, not him. Give it to me.
00:46:44Yes, give it to me.
00:46:44Okay, you keep it.
00:46:45Thank you.
00:46:46It's lovely.
00:46:47Are you hurt?
00:46:48Yes, I am.
00:46:49I fell down a while ago.
00:46:50That's why I'm hurt.
00:46:51I was going to make coffee.
00:46:52Should I get it for you?
00:46:52No.
00:46:53Should I make tea?
00:46:54Yes.
00:46:55Okay.
00:46:57Can I help you, Tato?
00:46:58Yes, please.
00:47:03Hey.
00:47:05Who is this man?
00:47:07Did you meet him in the circus?
00:47:08What nonsense are you talking?
00:47:09He works with me in the museum.
00:47:12Is he your new boyfriend?
00:47:13How can you talk to me like this?
00:47:14Yes or no?
00:47:15He said he met me last night.
00:47:16Please, that's enough, Koti.
00:47:17You can stay here if you want.
00:47:18Go and get your stuff.
00:47:19Go.
00:47:21I'll go and get my stuff.
00:47:23Okay.
00:47:34No.
00:47:50Now it's your turn.
00:47:51Mine?
00:47:58How high is this, Mom?
00:47:59Yes.
00:48:03I'll text you now. If I get time, I'll go to your house, okay?
00:48:06Gosho's here. I'll talk to you later.
00:48:08Gosho, why didn't you pick up the phone?
00:48:10What happened? Did the phone fall somewhere?
00:48:12No, the battery died. Where were you?
00:48:16How was your Paraguay concert last night?
00:48:18It was great. I mean, it was okay. It could've been better, but people liked it.
00:48:21You're still mad at me? Where were you?
00:48:23I went to the park for three shows.
00:48:24What were you doing there?
00:48:25To meet Deva.
00:48:26Oh, so she lives there?
00:48:27Yes.
00:48:28Wait a minute. Did you have sex with her?
00:48:30Yes, I did.
00:48:32Did you do it at her house today?
00:48:34At my house yesterday.
00:48:35She came over for dinner.
00:48:36Did she tell you everything?
00:48:37Eva Montero didn't reply because her phone broke.
00:48:39She had a scratch on her face.
00:48:40She told me that she fell and that's why she got hurt.
00:48:42But I don't think she got hurt because she fell.
00:48:43Because it wasn't just a scratch. It was a big wound.
00:48:44A lot of problems come up at this time.
00:48:46All couples are different.
00:48:47Some people meet even after they've broken up.
00:48:48Is she married?
00:48:50You're not going to meet that woman again, Gosho.
00:48:52But why? Why can't I meet her?
00:48:54Because it's dangerous.
00:48:55If her husband can beat her, it means he can hurt you too.
00:48:57How can you say that her husband didn't do what happened to her?
00:48:59She doesn't go, but who else can?
00:49:01That's enough. Go and rest.
00:49:03We'll talk when we have dinner together.
00:49:08And yes, I'll meet Eva Montero again.
00:49:13We can't let this go on.
00:49:14She has cast a spell on him.
00:49:15When I wasn't at home, she came here.
00:49:17First she trapped him in her talks.
00:49:18Then she cast a spell on him.
00:49:19And now she's with her husband and he's worried.
00:49:21How can you think so far ahead?
00:49:23I think she's nice.
00:49:24Why are you so happy?
00:49:25Gosho won't let me drink.
00:49:26That woman thinks she's holding a golden bird.
00:49:28But I'll go to the museum tomorrow and talk to her.
00:49:30Don't do this. You'll ruin everything.
00:49:31He's grown up now.
00:49:32He's got Asperger's.
00:49:33He's happy. Give him a chance.
00:49:34Just one chance? Just one chance?
00:49:36And then what?
00:49:37Who's going to be responsible for his condition?
00:49:57She's here.
00:49:58At this shop?
00:49:59Yes.
00:50:00Okay.
00:50:08I'll be right back.
00:50:15Mr. Miguel.
00:50:19Mr. Miguel Aguirre.
00:50:21Miguel. Miguel.
00:50:26Good morning, Mr. Miguel Aguirre.
00:50:27I'm here to talk to you for a minute.
00:50:29And it's about Eva Montero.
00:50:31And who are you?
00:50:32I'm Grigerio Vishadueva.
00:50:33We work in the same museum.
00:50:34Eva is a very nice woman.
00:50:36And she should find a nice man.
00:50:37Someone who loves her a lot.
00:50:39Someone who takes good care of her.
00:50:41I saw the scar on her face.
00:50:43And I don't think she fell on the road like she said.
00:50:45If you're the one who hit her,
00:50:47I'll ask you not to do it again.
00:50:52Miguel.
00:50:53What are you doing?
00:50:54What do you think you're doing?
00:50:56What do you think you're doing?
00:50:57Let go of me.
00:50:58And ask this lunatic what his problem is.
00:50:59Let go of me.
00:51:00Go and complain to Eva.
00:51:01Go.
00:51:07Today, a man was begging in front of Rembrandt's painting.
00:51:10I think he's an ignorant person who would dare to do such a thing.
00:51:12Did you hear that?
00:51:13Come on, I have to start my tour.
00:51:14Italians are waiting outside.
00:51:15Hi.
00:51:16Good morning, Eva.
00:51:17Listen.
00:51:18Gosha, I need to talk to you.
00:51:20Come on, I have to go to the washroom too.
00:51:22Thanks.
00:51:23You're welcome.
00:51:25Did you really go to meet my husband?
00:51:30Why did you do that?
00:51:31Because that man hurt you.
00:51:33But what do you have to do with all that?
00:51:34What do you mean?
00:51:35I don't need your help.
00:51:36You ruined everything.
00:51:37Before that, it was clear that I was going to meet someone else.
00:51:39And you proved that doubt right and ruined everything, Gosho.
00:51:41This is wrong, Gosho.
00:51:43I don't need your protection.
00:51:45You had no right to do all this.
00:51:46But Eva, we both slept on the same bed on Saturday.
00:51:48So what?
00:51:50Did we become a couple by spending a night together?
00:51:51No, no, Gosho.
00:51:52That's not how it works.
00:51:53What we did was definitely wrong.
00:51:54But it wasn't your fault.
00:51:55It was my fault because I was the one who started it.
00:51:57There's nothing wrong with starting it.
00:51:58Whatever happened between us was wrong.
00:51:59Whatever we did was wrong.
00:52:00I just wanted to be with you.
00:52:02I just wanted to talk to you.
00:52:03Because your story was different from everyone else's.
00:52:05I wasn't thinking about you.
00:52:06I was thinking about myself.
00:52:07No, that's not possible.
00:52:09Gosho.
00:52:11Look at me once.
00:52:13Gosho, all of this was wrong.
00:52:14Because I couldn't do what you were hoping for.
00:52:16You understand, right?
00:52:17No, I don't understand.
00:52:18I don't understand anything.
00:52:19I don't understand anything.
00:52:23Gosho.
00:52:35Gosho.
00:52:53Gosho.
00:53:23Doesn't it matter to you?
00:53:24It matters to me.
00:53:25I'm worried about him.
00:53:26But it doesn't seem like it.
00:53:31When we were together that evening,
00:53:33I thought about his condition,
00:53:34but I couldn't stop myself.
00:53:36And then,
00:53:38whatever happened between us,
00:53:39I was responsible for it.
00:53:40But,
00:53:42that moment was very special for both of us.
00:53:45I know that whatever happened was wrong.
00:53:47But on the other hand,
00:53:48it seems like nothing is wrong.
00:53:50The truth is that
00:53:53I never found anyone like Gosho.
00:53:56He wanted to understand me.
00:53:58But I don't think you've made him understand.
00:54:00Whatever happened,
00:54:01you should learn from it.
00:54:06I didn't want to hurt him.
00:54:08But you have hurt him.
00:54:24What are you doing?
00:54:25There's no smoking zone here.
00:54:26Because there's only one hospital.
00:54:27He was going to commit suicide.
00:54:28No.
00:54:29He had a big shock.
00:54:30He just couldn't handle it.
00:54:31Look, we can't ignore whatever happened to him.
00:54:33He was standing in the middle of the road.
00:54:34He never did that.
00:54:36And for that woman,
00:54:37he was just her victim.
00:54:38She's not a child
00:54:39who can't differentiate between right and wrong.
00:54:41She won't even sit near him anymore.
00:54:42Did you run away from her?
00:54:44What else could I have done?
00:54:45Oh.
00:54:46You think he's grown up,
00:54:47but I don't care about him.
00:54:48I don't care.
00:54:49I don't care.
00:54:50I don't care.
00:54:51You think he's grown up,
00:54:52but I don't care about him.
00:54:53You didn't give him a chance.
00:54:55And we all know the consequences.
00:54:58What's all this?
00:54:59She got away.
00:55:06How are you?
00:55:07I'm fine.
00:55:09Is Gregorio in his room?
00:55:10Yes, I'll call him.
00:55:11No, you leave it.
00:55:12Saula, he knows
00:55:13that I'm here to see him.
00:55:14Don't worry.
00:55:22Your brother and sister told me everything.
00:55:26You're listening, right?
00:55:30No one has time.
00:55:34Everyone gets old.
00:55:37But one thing is good.
00:55:39Whatever we think is very special and important,
00:55:41it all turns into stories.
00:55:46Or is it forgotten?
00:55:48I will never forget Vamantero.
00:55:51Never.
00:55:58I'm far away.
00:56:00I won't leave you.
00:56:05Yes!
00:56:06What a shot!
00:56:07Yes!
00:56:08What a shot!
00:56:09Very good!
00:56:22Yes!
00:56:27How nice, right?
00:56:29Okay, now look.
00:56:31How nice does this look on you?
00:56:33After wearing this,
00:56:34no girl in the world will be able to stay away from you.
00:56:37By the way, I've got a plain shirt,
00:56:38just the way you like it.
00:56:40Look, what do you think?
00:56:42Want to try it on?
00:56:44I'll try it on later, not now.
00:56:46Okay, fine.
00:56:47Whenever you want to try it on.
00:56:51Hello.
00:56:52How are you?
00:56:53I'm fine.
00:56:54Did you find out anything about Kosho?
00:56:56He's still on leave.
00:56:57Do you know when he'll be back?
00:56:59No.
00:57:00Oh, okay.
00:57:02See you.
00:57:03Bye-bye.
00:57:04Thank you.
00:57:06You're calling me old.
00:57:07No, I didn't call you old.
00:57:08You're like a fish.
00:57:09Kosho's not coming down.
00:57:10And I'm going out.
00:57:11Magdalena,
00:57:12you shouldn't take his attention to girls at a time like this.
00:57:14It's wrong.
00:57:16I don't understand.
00:57:18Ah!
00:57:19You must be saying that because of the shirt.
00:57:21But I was alone with him at the time.
00:57:23How do you know?
00:57:25What you're doing is wrong, Saula.
00:57:27We all know that Kosho isn't a kid anymore.
00:57:29He's a man now.
00:57:30He's been rejected for the first time.
00:57:32And he behaves just like any other man, right?
00:57:34No, he's gone mad after that woman.
00:57:36We can't let him see her again.
00:57:37What do you want?
00:57:38To make it worse?
00:57:39That's enough, Saula.
00:57:40You want me to give him a chance?
00:57:42Whatever happens to him will happen.
00:57:44Whether you want it or not,
00:57:45he'll handle it.
00:57:46That's what you think.
00:57:47Time will tell.
00:57:48Doesn't he want to be happy?
00:57:49You know what I'm saying.
00:57:50You want all this for yourself, not for him.
00:57:52You want peace here so that you can go back to your world.
00:57:54Am I wrong? Tell me.
00:57:55Saula, stop it.
00:57:57I didn't come for him.
00:57:58Then why did you come?
00:57:59To meet my daughter.
00:58:01I love her a lot.
00:58:02Am I right?
00:58:03Love is a very deep word.
00:58:04I don't think we should be talking about this right now.
00:58:06Think about Kosho.
00:58:07Please.
00:58:08You want me to feel bad.
00:58:10But I don't need your help for that.
00:58:11I know my mistakes.
00:58:12The first mistake is that I gave birth to him.
00:58:13And when he was born, he was born like this.
00:58:15No one is at fault here.
00:58:16I know.
00:58:18I've tried a lot.
00:58:20I don't understand him.
00:58:21And neither does he understand me.
00:58:22It's so painful and bad when you can't understand your own son's feelings.
00:58:29I could never give him anything because I didn't know what he wanted from me.
00:58:33But you two understand all his needs.
00:58:35I'm the only one here who never understood.
00:58:36It's not difficult to understand Kosho.
00:58:37You didn't even try.
00:58:38How do you know I didn't try?
00:58:39You hate me.
00:58:42This family didn't accept me.
00:58:43Not as a wife.
00:58:44Not as a mother.
00:58:46And not as a stepmother.
00:58:49And I've heard that you two think that I deliberately hit your father in a car accident on a holiday in Vietnam.
00:58:55Am I right?
00:58:56Not at all.
00:58:57He didn't put on the seatbelt.
00:58:58What's my fault in that?
00:58:59The accident happened from behind.
00:59:00But you were intoxicated when all this happened.
00:59:01Do you remember your father?
00:59:02He was more intoxicated than me at that time.
00:59:04That's why I drove the car.
00:59:07And he left.
00:59:10My world was shattered.
00:59:12I couldn't understand anything.
00:59:14By the time I could understand something, everything was over.
00:59:19I thought of leaving my city and going away from all this.
00:59:24But I was selfish and careless.
00:59:29I gave up.
00:59:31It was my fault.
00:59:34I'm a bad mother.
00:59:36But I tried.
00:59:38I couldn't succeed.
00:59:40And suddenly everything was over.
00:59:45I'm going with Holita.
00:59:51I don't deserve this.
00:59:54I don't know if my son wanted to kill himself or not.
00:59:57All this has become more difficult for me.
01:00:02I have to learn.
01:00:04I have to understand my son.
01:00:08It's okay.
01:00:11Hi.
01:00:14Hi.
01:00:45What are you doing here, Saula?
01:00:47You should forget him now.
01:00:48No.
01:00:49There's a lot of difference between you two.
01:00:50Why don't you understand?
01:00:51His life is very different from yours.
01:00:52You don't even know Eva Montero, Saula.
01:00:53Yes, but I can see what he did to you.
01:00:54What happened to me is not Eva Montero's fault, Saula.
01:00:56Kusho, please shout.
01:00:57No, it's not Eva Montero's fault.
01:00:58Kusho, calm down.
01:00:59Nothing happened because of her.
01:01:00You have no idea what she's going through, Saula.
01:01:02Eva doesn't know what she needs to be happy.
01:01:04Because she's never been happy in her life.
01:01:06She's never been happy.
01:01:07She's making it worse and worse.
01:01:09She was happy when she was with us.
01:01:10And then she was happy.
01:01:11That's why everything went wrong between us.
01:01:17Kusho, I'm worried about you.
01:01:18That's why I said that.
01:01:20If you can't accept Eva for me,
01:01:21then I don't think you care about me at all, Saula.
01:01:42Eva.
01:01:57Good morning.
01:01:59Good morning, ma'am.
01:02:00What's this?
01:02:01Will you take it for her?
01:02:04No, you go.
01:02:08Would you like some coffee?
01:02:09I just made it.
01:02:11Yes, give it to her.
01:02:12Thanks.
01:02:17Can I come in?
01:02:22You look very handsome in this tuxedo.
01:02:26I wear it on special occasions.
01:02:28Is that so?
01:02:31It's very beautiful.
01:02:34Is this your inspiration?
01:02:36Yes.
01:02:38I see.
01:02:39Just like the inspiration of the Renaissance.
01:02:41Simone de Tavail Pucci.
01:02:42You know who she was, right?
01:02:44Yes.
01:02:45If you don't know, then who will?
01:02:48An artist's life is inspired when she needs it.
01:02:51Inspiration that brings positive energy to her.
01:02:54It doesn't matter how long she stays.
01:02:57If it matters, then that's it.
01:02:59Her coming.
01:03:00It's such a good thing, Kusho.
01:03:01Isn't it?
01:03:09Yes.
01:03:39Thank you.
01:04:09Thank you.
01:04:39Thank you.
01:05:10Good morning.
01:05:11Good morning, ma'am.
01:05:15I have to go back.
01:05:17Go back and say hi to Felix.
01:05:19I'll tell him as soon as I get there.
01:05:25I'm sorry.
01:05:27I'm sorry.
01:05:29I'm sorry.
01:05:31I'm sorry.
01:05:33I'm sorry.
01:05:35I'm sorry.
01:05:37I'm sorry.
01:05:39I'm sorry.
01:05:55Enjoy it.
01:05:57Huh.
01:06:09I'm sorry.
01:06:39Oh, my God.
01:06:40No.
01:06:57I think you need a roof.
01:06:58That's it.
01:06:59Yes.
01:07:01That's it?
01:07:02Do you still think it was a big mistake to spend the night with me on 27th October?
01:07:09No. I hurt you, that's why I was wrong.
01:07:12You were hurt because of me, and I feel really bad about it.
01:07:15Success is in all of us.
01:07:16Yes.
01:07:17But to be honest, your situation is really bad.
01:07:19You've lost faith in yourself.
01:07:21You've already found what you're looking for.
01:07:23You're not weak, you're afraid, that's why you don't have faith in yourself.
01:07:26You have the people you love, two lovely sons,
01:07:28one of whom will become president.
01:07:31And now I'm here too.
01:07:33I may be different from the men you loved,
01:07:35but no one can love you as much as I've loved you.
01:07:40I like you the way you are.
01:08:00I like you the way you are.
01:08:30I like you the way you are.
01:08:35I like you the way you are.
01:08:40I like you the way you are.
01:08:45I like you the way you are.
01:08:50I like you the way you are.
01:08:55I like you the way you are.
01:08:59I like you the way you are.
01:09:04I like you the way you are.
01:09:09I like you the way you are.
01:09:14I like you the way you are.
01:09:19I like you the way you are.
01:09:24I like you the way you are.
01:09:29I like you the way you are.
01:09:34I like you the way you are.
01:09:39I like you the way you are.
01:09:44I like you the way you are.
01:09:49I like you the way you are.
01:09:54I like you the way you are.
01:09:59I like you the way you are.
01:10:04I like you the way you are.
01:10:09I like you the way you are.
01:10:14I like you the way you are.
01:10:19I like you the way you are.
01:10:44I like you the way you are.
01:10:49I like you the way you are.
01:10:54I like you the way you are.
01:10:59I like you the way you are.
01:11:04I like you the way you are.
01:11:09I like you the way you are.
01:11:14I like you the way you are.
01:11:19I like you the way you are.
01:11:24I like you the way you are.
01:11:29I like you the way you are.