F.u.g.i.t.i.v.a.s-E.n-B.u.s.c.a-d.e-l.a-L.i.b.e.r.t.a.d - Cap 24
F.u.g.i.t.i.v.a.s-E.n-B.u.s.c.a-d.e-l.a-L.i.b.e.r.t.a.d - Cap 24
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TVTranscript
00:00Why did you say Florencia was Juan Pablo's lover?
00:02Because I remembered something.
00:04You can tell me later.
00:06It won't take long for the lady to be here.
00:08I have to hang up.
00:14Lore.
00:16Lore.
00:18Lorena.
00:20What's wrong? Are you okay?
00:22I just talked to Lorena.
00:24Lorena.
00:26Lorena.
00:28What's wrong? Are you okay?
00:30I just talked to Lisette.
00:32She found out that Florencia was the one talking to Charo
00:34the day Alejandro and I were at the suite.
00:36She was Juan Pablo's lover.
00:38Are you sure?
00:40Yes.
00:42She must have been the one who killed him.
00:44The fact that that lady was talking to her
00:46doesn't assure you anything.
00:48No, no. It's not just that.
00:50Look.
00:52One day Juan Pablo asked me to take him to a hotel
00:54for a contract he wanted to sign.
00:56That same day, Florencia left the building
00:58and was wearing a black and white dress.
01:00When I got to the hotel room,
01:02I heard Juan Pablo arguing with a woman.
01:04Juan Pablo opened the door,
01:06started signing,
01:08and I saw the same dress lying on the floor.
01:10What?
01:12Dresses like that can be seen by many.
01:14No, no, no.
01:16I'm sure the one with him was Florencia.
01:20The day Lisette and I went to the Marques' house
01:22to get the suitcase,
01:24Florencia lent Gabriela the same dress.
01:26It's her!
01:28Florencia was Juan Pablo's lover.
01:32What are you doing?
01:34I told you to clean the living room.
01:36I couldn't, ma'am.
01:38The young man, Vicente, received a visit
01:40and I wasn't going to stay there listening to other people's conversations.
01:42You asked for discretion
01:44and that's what I do.
01:46That's why I started washing the dishes.
01:48Start cleaning these blankets.
01:50Clean?
01:52Aren't they enough?
01:54No, they're made of silver.
01:56You have to polish them.
01:58Don't be so ignorant.
02:00Okay, but don't scold me.
02:02I'll do whatever you tell me to.
02:04And when you finish and leave them shiny,
02:06do you wash them?
02:08Yes, ma'am.
02:12Florencia was cheating on Ismael with his best friend
02:14and I feel guilty for having something going on with him.
02:16And what are you going to do?
02:18The best thing is for me to turn myself in to the police.
02:20Yes, to tell them everything about Florencia
02:22and for them to investigate.
02:24No, no, no, not at all. Please, Lore, calm down.
02:26Look, let's think things through calmly.
02:28First, you have to prove what you're saying.
02:32Can you call Charo Tricificar
02:34and ask her for her cell phone
02:36and verify the call she made to her
02:38when she was at Juan Pablo's lioness?
02:40No, that's not enough.
02:42No, no, no, no, please, Lore, no.
02:44I'm here to see my sister.
02:46How are you?
02:48What is this nonsense Lorena wants to do?
02:50What nonsense?
02:52She wants to turn herself in to the police.
02:54And why do they want me to wait?
02:56If I'm very clear that just by talking to the police
02:58things can be thoroughly investigated
03:00and they themselves will be in charge of discovering
03:02that I'm innocent.
03:04Can you tell us what you're talking about?
03:06That Florencia was Juan Pablo's lover
03:08and that she probably killed him.
03:10With what you discovered, nothing is proven.
03:12Don't be stubborn.
03:14But I know it is.
03:16They won't listen to you.
03:18Don't turn yourself in, please.
03:20Let's see, let's see, let's see.
03:22Tell me in detail what you discovered
03:24so I can put it in my head
03:26and see how I can help you.
03:28Well, it turns out that Lisette managed to get into
03:30Charo's cell phone and discovered the calls she made
03:32and on January 26 she was white.
03:36I have to go back to the DA's office.
03:38I already took a long time to eat.
03:40How?
03:42The dessert is still missing.
03:44Well, for another occasion.
03:48I missed you.
03:50Me too.
03:52But we already agreed.
03:54You call me before you come.
03:56Count on it, lawyer Castillo.
03:58I will follow all the protocols you ask of me.
04:04I'll go with you.
04:10See you later.
04:12See you later, detective.
04:16Juan Pablo was very close to the Marques.
04:18He probably knew something very big
04:20that the construction company committed.
04:22Something that had to do with the large amounts of money
04:24they handle.
04:26And that's why Florencia killed him.
04:28It could have been someone else.
04:30I worked for her directly.
04:32Who else could have falsified
04:34all the documents they used to frame me?
04:38It must have been someone with a lot of influence.
04:40With more reason.
04:42You can't turn yourself in.
04:44If he has as much power as you say he has,
04:46he's going to hide everything.
04:48And he's going to label you a liar.
04:50Yes, Eric is right.
04:52So what do I do?
04:54Talk to someone you trust.
04:56Someone who knows how to handle the situation.
04:58You can't turn yourself in just like that.
05:00You're going to lose.
05:02Alejandro, of course.
05:04He can help you. He believes in your innocence.
05:06Forget him. He doesn't want to know anything about me.
05:08Esma, if you want, I'll help you.
05:10I'll talk to him.
05:16So?
05:18How did it go with Ismael?
05:20Bad.
05:22I couldn't convince him to leave the case to the fugitives.
05:26That's not good for us.
05:28You have to talk to him.
05:30Manipulate him.
05:32Tell him that if you get pregnant,
05:34he won't have time for you or the baby.
05:36Ismael has fixed ideas.
05:38And because of my insistence,
05:40he may get worse and stick to his job.
05:42Then take him on a trip.
05:44Seduce him.
05:46Convince him that they need a second Luna Emil.
05:48I don't think it will cost you that much.
05:50He's going to tell me not to do it now.
05:52That he has a lot of work.
05:54It seems like I'm hearing it.
05:56With his job, he can't compete.
05:58It's always been like this.
06:00Well, then the child is so expected.
06:02It won't come.
06:04I don't want to raise him alone.
06:06Well, we'll see about the child later.
06:09Now, what's urgent is to get him out of the case of the fugitives.
06:13That is, Lorena Martinez.
06:15We can't keep our arms crossed.
06:18Try anything.
06:20I'll try.
06:22But I promise you nothing.
06:27Andrea, I'm going out.
06:28If anything happens, call me on my cell phone, okay?
06:30Yes, sir.
06:31Thank you.
06:34Thank you.
06:44Hello, Alejandro Castillo?
06:46What can I do for you?
06:48I'm the security chief of the Oasis Bar.
06:51What are you doing here?
06:53Someone wants to see you.
06:54I know who you're talking about and I'm not interested in seeing her.
06:56No, no, what can you do?
06:58If nothing costs you.
07:00Especially if you know she's innocent.
07:02Come on.
07:03It looks like you're good people.
07:05No, I don't think it's a good idea for you to be here.
07:07They're probably watching the building.
07:09Yes, for sure.
07:10That's why I came to invite you.
07:12So we can have a beer.
07:14What do you say? Will you come with me?
07:16Don't make me beg.
07:17The place is all bar and they play good music.
07:21Okay.
07:23Let's go.
07:24Okay.
07:26Julissa.
07:29Julissa, I'm talking to you. Come here.
07:31Oh, my God.
07:32Oh, my God, ma'am.
07:34What are you doing there?
07:35Do you want me to help you get down?
07:36No.
07:37What I want is for you to clean things up.
07:41Well, that's how I do it, ma'am.
07:43Everything is impeccable.
07:44Oh, yeah?
07:46And this?
07:48The edge of the painting.
07:50It's perfect.
07:53The edge of the painting is disgusting.
07:57Well, the truth is, I didn't pass the cloth there.
08:01But it looks like you didn't either, because that dust isn't from right now.
08:04Don't be so bold with me.
08:06Remember that I never loved you here.
08:09At any time, I can tell Florencia to fire you because you're no good to me.
08:14No, no, no, no.
08:15Not that.
08:16I'll clean it right now and it won't happen to me again.
08:19That's terrible.
08:21Can I help you?
08:22Yes.
08:23Let's see.
08:30Hey, don't threaten me with running away, please.
08:33It makes me very nervous.
08:35Besides, if I leave, you're going to miss me.
08:37You'll see.
08:38I'm not going to miss you.
08:39What's wrong with you?
08:40It's just that you've been cleaning the work, haven't you?
08:42Clean and in silence.
08:50Okay.
09:20Okay.
09:51Can I help you with anything?
09:52No.
09:53No, no.
09:54I came to look for Ismael and since I didn't see you, I went to his office.
09:57Do you know where he is?
09:58Yes.
09:59Prosecutor Dominguez left a while ago.
10:00But if you need him, I'll contact him.
10:02No.
10:03No, it's not necessary.
10:04I'll look for him later.
10:05Of course.
10:06Thank you, Andrea.
10:07Excuse me.
10:08Enjoy.
10:09Thank you very much.
10:10Thank you.
10:11Thank you.
10:12Thank you.
10:13Thank you.
10:14Thank you.
10:15Thank you.
10:16Thank you.
10:17Thank you.
10:18Thank you.
10:19Thank you.
10:20Thank you.
10:21Thank you.
10:27Marta, I'm outside your house.
10:29Can you go out for a minute?
10:44How are you, Lieutenant?
10:46What brings you here?
10:48with you, I'm sad that he's out of a job.
10:51Don't worry, I'll find something.
10:55Besides, things are going much better with my son.
10:59And if I ever need anything, I can ask for help.
11:01That's good, that's good.
11:03I'm glad things are going better between you two.
11:07I'd like to invite you to dinner so we can talk for a while.
11:11You're very kind.
11:13And I know you do it from the bottom of your heart,
11:16Don't take this the wrong way.
11:18I don't want you to associate me with the police.
11:20I hope you understand.
11:21Don't say that.
11:23Please, I don't want to lose our friendship.
11:26Unfortunately, that's how it's going to be.
11:28I'm very grateful for your help,
11:31but it's best if we never see each other again.
11:37Thank you.
11:46You're here.
11:49I'm glad you agreed to see me.
11:52I have a lot to tell you.
11:54I don't want to hear it.
11:56I was very clear when I told you I didn't want to hear from you.
11:59She's too stubborn, and I can't handle that.
12:02Then why are you here?
12:03To give you a message from your lover.
12:06Who?
12:07Prosecutor Dominguez, who else?
12:09You saw him?
12:10Yes, I saw him.
12:11He's a very good man.
12:13He's a very good man.
12:15You saw him?
12:16Yes.
12:17He showed up at my house to tell you to be careful.
12:21There are very powerful people behind Juan Pablo's case
12:24and they're willing to erase any trace.
12:26That's part of what I want to talk to you about.
12:28But I don't.
12:29I've already given you the message, so I'm leaving.
12:32Please, don't go.
12:37I found out that Juan Pablo's lover was Florencia Marquez.
12:42How do you know?
12:43We checked Charo's cell phone.
12:45She had a call with Florencia on January 26 at 9 and 10.
12:49She was the one she talked to
12:51when you and I were hiding in Juan Pablo's suite.
12:54How did you check Charo's cell phone?
12:57You'd better not tell me.
12:58It was probably illegal.
13:00Don't you think it all makes sense?
13:03Florencia asked her to take out all the things
13:05she'd promised her so she wouldn't leave a trace.
13:09Besides, one day Juan Pablo asked me to sign a contract
13:12to move to a hotel.
13:14That same afternoon, Florencia left the office
13:16wearing a black and white dress.
13:18When I got to the hotel door,
13:19Juan Pablo was arguing with someone.
13:21When I opened the door, I saw a dress
13:24that looked exactly like the one Florencia was wearing
13:26lying on the floor.
13:27The next time Lisette and I went to the Marquez family's house,
13:31Florencia lent Gabriela the same dress.
13:34If she was his lover, why would she kill him?
13:37I don't know. I think it was about money.
13:39Juan Pablo was very close to the Marquez family.
13:42There was a lot of money involved in the family.
13:45I don't know, it had to do with a lot of money
13:47that the construction company was managing.
13:49That's why Florencia killed him.
13:51What better way to blame a poor, naïve girl like me?
13:54What do you think you can do with what you found out?
13:57Tell the police.
13:59I'm going to turn myself in so they can arrest Florencia.
14:02Lorena, please.
14:04Don't be that poor, naïve girl you keep talking about.
14:07Tell them that Florencia was Juan Pablo's lover.
14:10Don't prove anything.
14:13She won't even exonerate you from the sentence against you.
14:16That's why I want to talk to you.
14:18I don't want to make any mistakes.
14:20I need you to help me.
14:22How?
14:25Take my case back.
14:26I need to prove my innocence.
14:28Maybe what I found out isn't enough,
14:30but other things can come out of it.
14:33Please, I need you to help me.
14:40FAKE IDENTITY
15:10I could accept to be your lawyer again,
15:13as long as I make some profit.
15:16What do you mean?
15:18If I take it back, it's because I want to win.
15:22I want to be the lawyer who got an innocent woman out of prison
15:25and unmasked the Marquez family.
15:28I accept. Let's do it.
15:30No, no, no. Don't get excited.
15:32In order to win, things have to be done
15:35in a way that's fair and just.
15:38In order to win, things have to be done as I say.
15:41I make the decisions and I don't want you to question me again.
15:45Got it?
15:46I'll do whatever you tell me to.
15:48You can't tell anyone what you found out.
15:50Not even your sister, much less Attorney General Dominguez.
15:54I don't want to find out how he knows you're not in the US.
15:59Okay, but I have to tell Gabriela who Florencia Marquez is
16:03so she can take care of herself.
16:05She has to stay away from the Marquez family.
16:08One more thing.
16:10I want you to forget about the DA.
16:12Did you know his wife cheated on him?
16:15No.
16:15Then don't call him or look for him.
16:18Okay.
16:20By the way, I'm dating a detective from the police.
16:25So don't even think about coming to my house.
16:28We have to be very careful.
16:32Do you agree with my conditions?
16:34Yes.
16:35It's a deal.
16:42It was a good first day, wasn't it, ma'am?
16:45We'll understand each other better later.
16:48Do you want me to bring you something tomorrow?
16:50Don't bring me anything.
16:53I don't like eating out.
16:55Okay, ma'am.
16:56But you don't like to be shown affection.
17:00Why? What happened to you?
17:02You're not the one I'm going to talk to about my private life.
17:05There was more to it.
17:06So don't ask me anything again.
17:08If you don't want me to...
17:09Yes, if you don't want me to leave, I know.
17:13Okay, ma'am.
17:14See you tomorrow.
17:32No, no, no.
17:34How are you?
17:36Very well.
17:37Alejandro agreed to be my lawyer again.
17:39Good. That's why.
17:42Did the ridiculous idea of turning yourself in go away?
17:44Yes, it did.
17:46That's such a relief.
17:47I'm so happy.
17:49I'm so happy for you.
17:51I'm so happy for you.
17:53I'm so happy for you.
17:55I'm so happy for you.
17:56I'm so happy for you.
17:58I'm so happy for you.
18:00Yes, that's it.
18:01That's such a relief.
18:03And now please stay calm.
18:04Let your lawyer handle things.
18:07You've done a lot.
18:08Come on, don't keep putting yourself at risk.
18:11Okay.
18:12I survived my first day at work.
18:15Is everything okay, princess?
18:17Yes, Charo is making me laugh a lot.
18:21He can't stand it.
18:23Thank you for risking taking his cell phone.
18:26It was very helpful for Tarcavos.
18:27I have other news.
18:28Hold on.
18:31Vicente fought with Gabriela.
18:32He's living with his dad and Gabriela went to see him.
18:36Did he see you?
18:37No, I hid when I heard his voice.
18:39Did you know why they fought?
18:41Yes.
18:42Vicente is very angry with Gabriela
18:44because he lied to her.
18:45While they were arguing,
18:46I found out he knows you didn't leave Mexico.
18:49That's bad.
18:51Gabriela shouldn't have told him.
18:52Vicente should've told the Marquesas.
18:54Calm down.
18:55He said he didn't mean to tell them
18:57you hadn't crossed the border and that you were here.
19:00He shouldn't have worried.
19:01I hope he keeps his word.
19:03He was honest.
19:04He also said you could keep working at the construction site
19:07because he's not coming back.
19:09He knows Gabriela is working there.
19:11It can't be.
19:13She was upset because Vicente fired her.
19:57Ismael, it's me.
19:59I'm glad you called.
20:01You have to turn yourself in. You're in danger.
20:03I can't find out...
20:04Listen to me, please.
20:05All the clues you gave me are true.
20:07I was able to enter Juan Pablo's suite.
20:09There was only one pen with his initials.
20:12I brought it because I wanted to see him.
20:14I don't know where he is.
20:15I don't know where he is.
20:17I don't know where he is.
20:18I don't know where he is.
20:20I don't know where he is.
20:21I don't know where he is.
20:23I don't know where he is.
20:24I don't know where he is.
20:26I brought it in case it's of any use.
20:29I'm sure the lover realized someone was investigating.
20:32Why do you say that?
20:33Because when I went to the suite for the second time,
20:36the doorman wouldn't let me in.
20:37He said he had orders from the people who rent the suite.
20:40They're very powerful people.
20:43That woman must be someone with a lot of money.
20:45She is. I know who that woman is.
20:48Is she on the list you gave me?
20:50No.
20:53It's Florencia.
20:55What?
20:56Your wife was Juan Pablo's lover.
21:03Hi, honey.
21:11Is everything okay?
21:18Good evening.
21:19We're not open yet.
21:21Oh, you're so cute.
21:22Where's your friend?
21:25I have no idea. I told you we're not open.
21:27Come back later.
21:29I'll walk you out.
21:30Don't touch me!
21:32What's wrong with you?
21:33You don't have to get involved. You have to go.
21:36I'm not leaving until I see Perla.
21:39She's not here and I don't know when she'll be back.
21:42I don't believe you. I'm going to look for her.
21:43You can't come in! It's private property!
21:47Did you hear that?
21:49What?
21:50I told you she's not here.
21:53I don't know.
21:58You're not going to tell me what I have to do!
22:01What's going on?
22:03Who's this guy?
22:05He's Carmen's husband.
22:06I told you she's not here.
22:08You want to look for her?
22:09I don't care. I'm sure you're covering for her.
22:11What's going on?
22:14If Cecilia told you she's not here, it's because she's not.
22:16So go.
22:18I'm not leaving until I get the money I deserve.
22:20Do whatever you want.
22:22My boss is none of your business.
22:24You can take care of yourself later.
22:26Get out of here.
22:27We're back.
22:30Who is he?
22:31He's a childhood friend who came to visit me.
22:35I didn't expect him. I was surprised.
22:37That's great. What's your friend's name?
22:39What are you waiting for? Introduce yourself.
22:41Don't be shy.
22:43My name is Sergio. Nice to meet you.
22:45Dario.
22:46He's Matias, her son. She's Carmen.
22:49I still can't believe it.
22:50It's been so many years. You look just like her.
22:53Why don't you help her with the bags?
22:55I'll ask my friend Sergio.
22:57I'll help her.
22:58Let's go.
22:59How's the family?
23:01How's everyone?
23:02Your sister? I haven't heard from her in a while.
23:05But that's life. Everyone has to...
23:08Bravo.
23:10Congratulations. You did a great job.
23:12But you know what?
23:13I'm not leaving empty-handed.
23:16Go tell Perla...
23:18Tell Perla to give me what I owe her.
23:20If she doesn't want me to make her a better theater,
23:23that's up to her.
23:24I understand that when someone owes you money,
23:25you're mad they don't pay you,
23:27but I don't think I can give it to you right now.
23:31I promise I'll talk to her so she pays you as soon as possible.
23:35Okay.
23:36Tell her I'll see her tomorrow. Not another day.
23:39And that I want the 30% more.
23:41Or I'll tell Dario that his wife is my wife
23:44and his happy family theater is over.
23:46Okay, I'll give her your message.
23:48But please go. We have to get everything ready to open.
23:58You're a pain.
23:59You always find a way to get out of trouble.
24:02And to put an end to it isn't even your problem.
24:04The boss is the least guilty.
24:06He doesn't deserve this.
24:08What was all that?
24:10You're still asking?
24:11Instead of complaining, you should thank me
24:14for saving your ass.
24:15So please, cut it out.
24:17I don't want to talk to you.
24:18I'll talk to you when I feel like it.
24:21Hey, I'm helping you and you're acting like this?
24:23Stay out of it.
24:25This doesn't end here.
24:27Come on, let's go to your room.
24:29Come on.
24:33Would you like to order something to eat?
24:36I'm craving pizza.
24:38Uh, no.
24:40No.
24:41What's wrong?
24:42I have to go out to talk to a lawyer about work.
24:47At this hour?
24:49Is it that urgent?
24:51Yes.
24:53What could be more important than going to see him
24:55than staying with me?
24:57It's the case of the trailers
24:59who are smuggling the country.
25:03I'll see you later.
25:12Lorena.
25:13I hung up on you because I heard Florencia's voice.
25:16How did you know she was Juan Pablo's lover?
25:18I found out.
25:19You know I'm investigating things.
25:21That's not true.
25:22They were like brothers.
25:23Apparently, they were something else.
25:26Do you realize you're talking about my wife?
25:28Yes.
25:29I don't understand why you didn't realize
25:31she was cheating on you.
25:32No, no, no. It's not possible.
25:35I'm sorry, but I have proof of what I'm saying.
25:38What proof?
25:39One day Juan Pablo will be in the hospital.
25:41I heard he was arguing with a woman.
25:43I knocked and he opened the door.
25:45While he was signing the contract,
25:47I saw a black and white dress on the floor.
25:50It was the same one Florencia was wearing that afternoon.
25:53That's not proof.
25:54Anyone can have a dress.
25:56Besides, if they had the suite, why would they meet at a hotel?
25:59I don't know, but there's something else.
26:01The person Quechua was talking to on the phone
26:04the day I entered the suite was Florencia.
26:06How did you know?
26:07I saw her.
26:09It was Florencia.
26:10How did you know?
26:11I'm sorry, but I can't tell you.
26:12No, no, no.
26:13What you're saying makes no sense.
26:15It's just a guess.
26:16I understand it's hard for you to believe it,
26:18but it's the truth.
26:19It's hard for me to tell you.
26:21It's a shame you don't believe me.
26:39Go to hell.
26:40Now that I know your secret,
26:42and if you don't want Dario to know,
26:44you'll have to treat us well.
26:46Goodbye, bad faces, gossip,
26:47and throw us out whenever you can.
26:49Are you threatening me?
26:50No, I'd rather say it's a warning.
26:52I just saved your ass,
26:54and the least you can do is answer me
26:56by making me look like a fool.
26:58I'm not a fool.
26:59I'm not a fool.
27:00I'm not a fool.
27:01I'm not a fool.
27:02I'm not a fool.
27:03I'm not a fool.
27:04I'm not a fool.
27:05I'm not a fool.
27:06I'm not a fool.
27:07I'm not a fool.
27:08Excuse me.
27:12By the way, give him the money you owe your husband.
27:15Shh, shut up.
27:19Are you stupid or what?
27:20How did you commit to that?
27:21I didn't commit to nothing.
27:23What am I supposed to know?
27:24Do you have any agreements with him?
27:26All I'm saying is what he said.
27:28I haven't payed him because I don't have it.
27:30Oh, right, that's your problem.
27:32I'd say that if you don't want
27:33Dario to know you're married,
27:34you'd better do this
27:36the best way to get what you want.
27:37And it has to be tomorrow, okay? Not another day.
27:40So you already know.
28:00What are you doing?
28:01When are you going to understand that you are no longer a teenager?
28:05Son, being rebellious doesn't suit you anymore. Please, mature.
28:09Is that all?
28:11No. And leave cynicism aside when you talk to your father.
28:14I demand that you respect me.
28:16And if you can't understand, I'm going to have to take more drastic measures with you.
28:21Oh yeah? And what are you going to do?
28:23Let him keep you, for example.
28:25If you don't go back to work at the company, your good life is over.
28:29I will not allow you to continue living in my house like a homeless person.
28:34Is that clear to you?
28:35Very clear.
28:37It's the last time I'll pass it to you.
28:59Secretary Bilingüe. Accountant Assistant. Model.
29:29Hello.
29:47Hello.
29:52What are you doing with my shirt?
29:55I missed you so much that ...
30:01Are you coming to stay?
30:02No, I just came for my things.
30:04No, Vicente, let's talk.
30:06There's nothing to talk about.
30:08It was cool to be roommates, but it got very ugly, so we better leave it here.
30:13I can't believe you can't forgive me.
30:16I already explained things to you.
30:18But for me it's not enough, I'm sorry.
30:20What else do you want? I told you the whole truth about my sister.
30:23Put yourself in my place, what would you have done?
30:26Talk to the truth from the beginning.
30:28You preferred to lie to me, and a lie is a lie.
30:31Something I can't forgive, so don't make it harder for me.
30:35Is that why you're leaving or because you got bored of me?
30:39If that's the case, just tell me, even if it hurts.
30:42Leave it, it's not worth it anymore.
30:44You got bored, you took Lorena's excuse, is that it?
30:48If it makes you feel better, it wasn't that.
30:51It's so lame to explain the lies again.
30:54That doesn't work with me.
30:56It's not what you felt for me that you can't forgive me either.
31:00Enough, Gabriela, stop it.
31:02No, no, I'm not going to stop.
31:04We get along very well and I don't want everything to end because...
31:08because of your intransigence.
31:10Enough.
31:11We had a good time, yes.
31:13But it doesn't mean anything.
31:15It was something temporary.
31:17And it was stupid of me to come and live here.
31:20That made it more intense and I don't want to go with intensities.
31:24But you told me you loved me.
31:26I'm sorry, that's love, fleeting and temporary.
31:44Genaro, nice to see you.
31:47The pleasure is mine.
31:48Would you like something to drink?
31:49I have a 25-year-old whiskey, excellent.
31:51Okay, I should try it.
31:53With ice?
31:54Yes, please.
31:55I haven't heard from you in a long time.
31:58Business, family, you know how it is.
32:05Thank you.
32:06Cheers.
32:07Cheers for the pleasure of seeing you again.
32:12When you called me, you told me you wanted to invite me to a business.
32:15That's right.
32:16And what is it about?
32:17I entered a contest to build the new hospital in Mexico City.
32:20And I won the bid.
32:24Congratulations, I congratulate you.
32:26Thank you.
32:27Well, I heard that it's a very big and important project.
32:31Yes, certainly.
32:33And that's where you come in.
32:35I'm very interested that we partner.
32:37There is no better construction company with which I can work for this project.
32:40I thank you.
32:41And of course I'm interested.
32:43But please sit down and tell me more about the project.
32:46Well, I'll tell you.
32:47The hospital will count ...
32:57Hi, beautiful.
32:58Hi, I'm out of work.
33:00Are you busy?
33:02We have the dessert pending.
33:04I would love to, but I have to go.
33:07You should have called me before.
33:09Don't worry, see you later.
33:11Okay.
33:16Bye.
33:46Bye.
33:57If you're interested in us partnering,
33:59I could contribute with the material.
34:01Sounds good.
34:02It could be a possibility.
34:04I know you're a reliable man.
34:06But before we conclude,
34:07it is necessary that a hearing be held at the construction company.
34:11You know, just by protocol.
34:12Yes, I understand perfectly.
34:14I need to talk to him.
34:15But wait.
34:17Mr. Arturo, sorry, I didn't know you were busy.
34:20I need to talk to you.
34:22Yes, yes, of course.
34:24Excuse me for a few minutes, please.
34:26Go ahead, no problem.
34:27Thank you.
34:30Let's go to my office.
34:32Excuse me.
34:39Who do you think you are to show up in my house like this?
34:42I'm in a business meeting.
34:44Yes, excuse me.
34:46Don't show up again without asking first if I can receive you.
34:49Is that clear?
34:50Yes, sir.
34:51Okay, it won't happen again.
34:52But I'm here because what I'm telling you is very important.
34:55What could be so important?
34:57Ismael withdrew me from the case of the fugitives.
35:00Despite all the successes I had,
35:02because he is interested in protecting Lorena Martinez.
35:05Do you have proof?
35:06Yes, sir.
35:13Ismael has him under surveillance in his office.
35:15Because he wants something like that.
35:17I'm sure he's doing something to prevent her from being caught.
35:20Stop talking nonsense.
35:22This woman is the murderer of Juan Pablo, her best friend.
35:25It's absurd that he's trying to protect her.
35:29Ismael Lorena was a lover.
35:31That's why he's protecting her.
35:33Are you sure?
35:34Yes.
35:35He's obsessed with her.
35:37That's why he got me out of the case,
35:39to prevent me from finding out that he's helping her.
35:42I dared to come to ask for his support
35:44because I don't think it's fair that for personal reasons
35:47Ismael is preventing us from catching that murderer.
35:52Thank you for the information.
35:53I couldn't hide something like that.
35:56We're talking about the murderer of Juan Pablo.
35:59If I were still in charge of the case,
36:00I assure you that I would not rest until I catch her.
36:02Well, I'm leaving.
36:03And sorry for the interruption.
36:09I'm sorry for the interruption.
36:39I'm sorry for the interruption.
37:07Your shirt.
37:09Thank you.
37:14Are you going to live with your dad?
37:16No, I'm going back to Buenos Aires.
37:18There's nothing here that ties me down.
37:21I'm going to miss you a lot.
37:22I'm going to be very lonely.
37:24Calm down, it's not that bad.
37:26It is for me.
37:28Why are you going so far away?
37:29Why do we fight?
37:30I came back to Mexico thinking it would be better,
37:33but I realized it wasn't.
37:35I can't stand my dad being on top of me all the time.
37:38I want to work in the company.
37:39Who do I stay with?
37:41I have nothing to do here.
37:43You told me that being with me made you feel calm.
37:46And yes, it was true.
37:49But this is your sister's matter in the middle.
37:51Did you realize that we will never be able to be at peace?
37:55I don't see why not.
37:57When we started, we talked about the subject
37:58and you told me you didn't care.
38:00Well, yes.
38:01I said it because I really thought it wasn't going to be an impediment,
38:04but it is.
38:05And I understand that Lorena is your sister
38:06and you can't erase her from your life.
38:08So don't worry, I'm leaving.
38:11No, no, please.
38:12Think about it.
38:13I have nothing to think about.
38:14I already told you that I can't stand things being hidden from me.
38:17So everyone on their side is better.
38:20Thank you for offering me your house.
38:22It was good while it lasted.
38:33Vicente.
38:34Vicente, wait.
38:36Vicente, please.
38:37Vicente, please don't go.
38:40You can't imagine how much I miss you.
38:50Who is that guy?
38:54What kind of greetings are those?
38:56First you say good night and then you ask who I am.
38:59But I'm asking you, who are you?
39:01He is Alejandro Castillo, my sister's lawyer.
39:04It's not a good time to welcome you, please.
39:07No, no, no.
39:08It's not necessary.
39:09I'm leaving.
39:10I'll leave you with your sister's lawyer.
39:12It looks like you have a lot to talk about.
39:14Vicente.
39:16Vicente, don't go.
39:17Vicente.
39:21Your little friend is pretty heavy, huh?
39:25Can you shut up?
39:26All I needed was for you to come and judge me.
39:29All I needed was for you to come and judge me.
39:47Tell me.
39:49What happened with Vicente? Did you fight?
39:52What does it matter?
39:54What I am going to tell you is that if you came because Lorena sent you
39:57and once I tell you that I don't want to know anything about her.
40:00Your sister is very worried about your closeness with the Marques.
40:03Well, tell her to stop worrying.
40:05They have treated me very well.
40:07I have not received more than attention.
40:08They are good people.
40:10Neither you nor she really know them.
40:12Excuse me?
40:14But I don't know how you can say that if I find you crying
40:16because of that crazy bastard.
40:19It's all Lorena's fault for leaving my notes under the door.
40:22Vicente read it?
40:23Yes.
40:24I showed it to him so he would forgive me for telling him.
40:28That's why I had to tell him that he hadn't left the country.
40:32Gabriela.
40:33Are you aware of how serious that is?
40:35Vicente can report you.
40:37He swore he wasn't going to say anything.
40:39And you believe him?
40:40He's a Marques.
40:42If he gets the chance, he's going to let it go.
40:45I trust him.
40:49But what else?
40:51Tell Lorena that she has nothing to do with this.
40:54She has nothing to worry about.
40:56Vicente left my side forever.
41:03Hi.
41:04Hi.
41:06I'm glad you invited me.
41:07I needed to talk to you.
41:09Do you want something to drink?
41:10Yes, thank you.
41:11The same as you.
41:13A glass of the same, please.
41:15Thank you.
41:16How is it possible that you fired Nicolás?
41:19I didn't fire him.
41:20He's just out of the case of the fugitives.
41:22But he's going to be working on other cases.
41:24You broke his heart.
41:26He gave his life for that case.
41:28Those are points of view.
41:29I'm not going to discuss that with you.
41:31He's your friend.
41:32He's played it for you.
41:33You turned your back on him.
41:35It can't be that a case like any other
41:37can do more than friendship.
41:39Look, Veronica.
41:40I didn't call you to talk about this job.
41:42And much less to discuss Nicolás.
41:45It's not your business.
41:46And I'm going to ask you not to intervene in that.
41:48So why did you call me?
41:49Look, I want to give Florencia a gift.
41:51And I need you to help me think what it could be.
41:54What did you do to her that you want to give her a gift?
41:57Nothing.
41:58You're probably cheating on her with another woman.
42:00Where do you get that from?
42:02Men only give things away when they feel guilty.
42:06If I knew.
42:09Juan Pablo was a specialist in putting me in a room.
42:11Juan Pablo?
42:12Don't pretend you didn't know.
42:14I smelled her since she started arriving late at night.
42:17With the excuse of work.
42:19And she went straight to bathe.
42:20Weird, right?
42:21And every Sunday she would run with a client.
42:23From nine o'clock and she would come back at one.
42:26Please.
42:27Who would have believed it?
42:28I'm sure she was with a woman.
42:31I'm leaving, honey.
42:34I'll be back for lunch.
42:35My game ends at one.
42:37Good luck.
42:38May you win.
42:39I always win.
42:48I love you a lot, but first
42:51It will always be my freedom, my game
42:54I love danger and I face my fears
42:56The adrenaline that lights me on fire
42:59I love you a lot, but I don't die
43:02Objective
43:03I'm not perfect, I'm not a legend
43:06I'm not what people make up either