La promesa - Temporada 3 - Ep 403
La promesa - Temporada 3 - Ep 403
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00:00You
00:06Ignacio a local Alonso de la dijo que estarĂa dispuesto a olvidarlo todo si Martina pone de su parte
00:12y que es lo que tiene que hacer mi hija
00:14el solo quiere que
00:16acepte vuestro matrimonio
00:18porque no ha ido a ver a don manuel a su nuevo estudio a que estudio
00:22no te ha enterado
00:24y como la señorita catalina está en el hangar pues él ha decidido hacerse un estudio nuevo a jugar con su avioncito
00:30antes de que nos esca me planto yo en la puerta de la casa del cura como candela que me llamo
00:35a ver si lo vas a gobiar al hombre asĂ lo asaltas de sopetĂłn y nos tenemos que adelantar a que la burraca
00:40vea torra le cuenten primero lo de
00:43la sustraciĂłn
00:45del cali
00:46hija piensa en tu futuro por favor es que estoy pensando en el suyo
00:49quĂ© clase de hija serĂa si bendigera su relaciĂłn con un hombre que la coacciona abiertamente
00:54bueno eso es asunto mĂo vienes aquĂ a restregarme que te has quedado tĂş con vera esa no es mi intenciĂłn que conozco muy bien a
00:59los de tu calaña
01:01hipócritas que te muestran su mejor cara para después clavarte un puñal por la espalda igual que ver bueno cállate
01:05antes estoy intentando solucionar las cosas contigo ellos salvaron la vida de adolfito
01:10yo sé que tú le debes mucho a esa gente
01:12pero virtud de tuya no eres la mujer de antes y no se pueden llevar a tu hijo
01:17pero yo no voy a denunciarles
01:19cuéntame por qué invitaste a la duquesa de carril a la merienda de doña margarita
01:23y yo te prometo que daré este asunto por zanjado espero que seas sincero esta vez
01:29por la cuenta que te trae
01:53Ah
02:04Me cuesta creer que estés vivo
02:07Y soy yo
02:21Pensar que no te volverĂa a ver
02:24Y que te habĂa matado en esa guerra
02:27Yo también lo llegué a pensar muchas veces
02:31Pero aquĂ estoy
02:33Te ruego para abrazarte y para besarte
03:03♪
03:10You don't know how long it's been since I've been without you.
03:15But at least I got a letter, so...
03:18♪
03:25♪
03:32♪
03:39I spent my days in the trenches,
03:43thinking about you all the time.
03:47I didn't know what you'd do in every moment.
03:53Sometimes I'd say,
03:56now my love will be in the kitchens.
04:00Or in some room.
04:04The truth is, I was working constantly.
04:07Because I'd rather have my head busy.
04:11I guess if I stopped, I'd have to think,
04:15about how bad it could have been for you,
04:18how much you could be suffering.
04:20It was hard, yes.
04:22It was too many days in the trenches.
04:25With my uniform soaked at all times,
04:27the cold that came in from everywhere,
04:30and the mortar that fell a few meters away.
04:34Horrible, Manuel.
04:37It was.
04:40But I had to go to work.
04:44And that honors you.
04:48He's like a brother to me.
04:51And I couldn't let him leave.
04:56But let's not talk about it anymore.
05:00My Jana.
05:02Manuel.
05:04My Jana.
05:06My Jana.
05:15Now you just have to think that we're together.
05:18That you'll be able to rest and be at ease here in La Promesa.
05:25It's not that things have been light in La Promesa.
05:31And even more so after what happened to Martina.
05:35That story doesn't make sense, Manuel.
05:39My cousin has been accused of attempted murder.
05:42How does it make sense?
05:44In no way.
05:45And anyone who knows her knows that she's unable to do that.
05:50And now it seems that the least bad thing is that they bring her into a convent.
05:55The Count of Ayala has insisted on making her life impossible and...
06:01These haven't been good times for La Promesa.
06:06My cousin being treated like a vulgar criminal.
06:09My sister sleeping in a hangar.
06:13And Pia.
06:16That's the worst of it all.
06:21It makes me very sad to go to the palace and not find her.
06:25It's horrible, yes.
06:29Because it's hard for you, right?
06:32Did you value her a lot?
06:34A lot.
06:37Listen to me.
06:40I couldn't be here at the time.
06:43But I'd like to go to her grave.
06:47To leave her some flowers and give her something.
06:50Manuel, I...
06:53Cousin.
06:56Work.
06:58I was looking for you all over the house.
07:28I was looking for you all over the house.
07:31I was looking for you all over the house.
07:34I was looking for you all over the house.
07:37I was looking for you all over the house.
07:40I was looking for you all over the house.
07:43I was looking for you all over the house.
07:46I was looking for you all over the house.
07:49I was looking for you all over the house.
07:52I was looking for you all over the house.
07:55I was looking for you all over the house.
07:58I was looking for you all over the house.
08:01I was looking for you all over the house.
08:04I was looking for you all over the house.
08:07I was looking for you all over the house.
08:10I was looking for you all over the house.
08:13I was looking for you all over the house.
08:16I was looking for you all over the house.
08:19I was looking for you all over the house.
08:22I was looking for you all over the house.
08:25I was looking for you all over the house.
08:28I was looking for you all over the house.
08:31I was looking for you all over the house.
08:34I was looking for you all over the house.
08:37I was looking for you all over the house.
08:40I was looking for you all over the house.
08:43I was looking for you all over the house.
08:46I was looking for you all over the house.
08:49I already told her I didn't do it.
08:54Santos, I may have a little appreciation for you.
08:57Santos, I may have a little appreciation for you.
09:00And that's why I may have forgiven you.
09:03And that's why I may have forgiven you.
09:11I did it to annoy Vera.
09:14What does one thing have to do with the other?
09:18I found out that Vera was in charge of serving the snack.
09:21I found out that Vera was in charge of serving the snack.
09:24So I convinced my father to let me write and send those letters.
09:27So I convinced my father to let me write and send those letters.
09:30I put the name of the Duchess of Carril as it could have put any other name.
09:33Well, I still don't understand anything.
09:36I did it so that I had more work.
09:39So that I had to serve five guests instead of four.
09:42So that I had to serve five guests instead of four.
09:46With such stupidity, you have put the mayors against me.
09:49With such stupidity, you have put the mayors against me.
09:52Because they believe that I am responsible.
09:55I'm sorry.
09:58But now I realize that it wasn't a good idea.
10:01No, it wasn't.
10:04Acting like this was out of jealousy.
10:07And I had you for someone crazy.
10:10Well, you also have to think that at that time I had a lot of resentment.
10:13Who would think of such a thing?
10:16I did it to punish Vera.
10:19For playing with her.
10:22I can't forget her, Mrs. Petra.
10:25And I thought that if I had more work,
10:28I would end up coming down and looking for support in me.
10:31You have little world.
10:34Vera would have looked for support in anyone else.
10:37Because she doesn't love you.
10:40It was stupid of me.
10:43Santos, you have to learn that you can't force anyone to love you.
10:46And that if Vera had approached you out of pure compassion,
10:49it would have been much worse.
10:52We can't be satisfied with ...
10:55with the crumbs of love.
10:58But what do you want me to do?
11:01Nothing.
11:04That you endure and accept that you have lost.
11:07No.
11:18Ayala is not going to back down.
11:21Unless MartĂn has sold that marriage.
11:24Yeah.
11:26And according to what he has told me, he is not willing to accept that blackmail.
11:31Work.
11:33What's wrong with you? Do you have your head elsewhere?
11:35No, it's just that I was thinking about how crazy MartĂn could get.
11:39Let's see, I understand that he doesn't want to accept something like that.
11:43But no matter how much it hurts him,
11:45for Ayala to be with hers would be the most practical thing.
11:48I know.
11:50But she doesn't seem willing to give up.
11:53And she doesn't seem willing to let that man spend the rest of his life with his mother.
11:57Come on.
11:59It will be impossible to convince her.
12:01But convincing her is the only way.
12:05Because it happens a lot, I'm afraid we can't do anything
12:08to prevent her from entering that convent.
12:26You can't be so stubborn.
12:28There are times when you have to give in.
12:30You already know Martina.
12:32Just by blessing her mother's marriage, she would have all the problems solved.
12:36You can't be so proud.
12:38I think for her, a matter of pride is more of dignity.
12:41It is that dignity is a luxury that she cannot afford at this time.
12:44But put yourself in her place.
12:46Just try not to humiliate Ayala.
12:48Look, Alonso, we don't like to be humiliated.
12:51But I say that it is much worse to lose freedom.
12:53It seems that Martina doesn't see it that way.
12:57Do you know what that girl needs?
13:00She needs someone by her side to advise her and support her.
13:04Advice is useless if you don't listen to them.
13:07But a good advisor is listened to.
13:09Because when he speaks, he convinces.
13:12I, for example, have Maria Antonia for that.
13:16And you know what?
13:18Not even talking about her departure has made me any kind of reproach.
13:21She has reasons not to do so.
13:23We have treated her like a queen.
13:25The truth is that ...
13:27I'm sorry she's leaving.
13:29It's the best decision.
13:32You think?
13:33I don't know, I ...
13:35I already feel like someone else in the family.
13:38You don't?
13:40Although of course,
13:42you may never find it funny.
13:45But how can I not find it funny after everything that has supported you?
13:49No, it's just that I think the time has come for her to leave.
13:52And I thought you agreed.
13:55Daughter, what are you doing up at this hour?
13:58I'm awake.
14:00I can't stop thinking about Martina and that she's going to enter a convent.
14:04Yes, it's a mess.
14:06Yes, but we don't do anything to stop it.
14:08We should kick Conde de Ayala out.
14:10What else would I want, daughter?
14:12A scandal cannot be resolved by covering it with another.
14:14But we cannot allow Martina to enter a convent.
14:17And what are you going to do?
14:19The same as the other time when you left the hangar to help her?
14:21It was useless.
14:22At least I tried to do something.
14:24What are you insinuating?
14:26I have also done everything possible to stop this madness.
14:28Let's calm down a bit, please.
14:30It's just that your daughter thinks she's very smart, Alonso.
14:32We have managed to prevent Martina from being taken to jail or sanatorium,
14:35and that's already a lot.
14:36Yes, and they are going to put her in a convent, which has the worst of both worlds.
14:39Look, Catalina, if you have a solution, expose it.
14:42But don't come now outraged.
14:45Daughter, it is a delicate matter that cannot be resolved overnight.
14:49And in case some were, it would never be resolved.
14:52Yes.
15:05What a stain of tomato.
15:07This cannot be ironed like this.
15:10And no matter how much this rubs, it will not come off well at first.
15:14This has to be soaked, don't you think?
15:17What do you say?
15:19And what's wrong with you, Hanna?
15:21That you have a smile from ear to ear?
15:23That you just need to drop the bag?
15:26I have gone to visit Mr. Manuel at his new studio.
15:29God, shut up, don't say it so loud.
15:31And he's there ... like a fossil, right?
15:33Please.
15:34Of course, look at the face he brings me.
15:36Maria, we have only been talking, nothing more.
15:38Talking?
15:39Before or after the kiss?
15:43Okay, we kissed.
15:44But we had a lot to talk about, so we talked.
15:47And how was the reunion? Romantic?
15:51Well, it was like ...
15:54Like a dream to see him again after so long.
15:58And how is he?
15:59Is he very drunk?
16:01He's very handsome, Maria, just like always.
16:04Yes? Are you sure?
16:06Because look, when Salvador returned from the war, he was upset.
16:10Come on, he went from being very happy to being like a hydra in a holy amen.
16:13Maria, I know, but I have seen Manuel well.
16:16Yes, I also thought that Salvador was fine.
16:19And soon I realized how much he had made the war.
16:22Well, I hope it's not the case.
16:24Anyway, we were talking for a long time and he was delighted.
16:27Yeah, what are you going to say?
16:29If love is blind and you don't see it in a donkey.
16:31It's not about seeing, Maria, it's about feeling.
16:36Well, be careful, huh?
16:37I had a very bad time.
16:40I thought there was no solution.
16:43How was Salvador?
16:45I don't know, Maria.
16:46I have seen Manuel ...
16:48I have seen him happy, I have seen him smiling, I have seen him kind.
16:52And in fact, he has asked me about everyone.
16:55Even about Mrs. Pia.
16:57You haven't told him anything that you don't have to say, have you?
16:59No, I haven't told him anything, Maria.
17:02But it has crossed my mind to do so.
17:06It's not that to do something like that, first you would have to ask Mr. Baeza for permission.
17:09I know, that's why I haven't told him anything, Maria.
17:11But what do you want?
17:12I feel bad because he is sad for Mrs. Pia.
17:14What do I do?
17:15It is also very difficult for me to say no.
17:17Because I am more exaggerated.
17:19But I lied, I am distressed.
17:21Yeah, well, at least you didn't have to hide it when everyone was suffering for her.
17:27Anyway, I just want this to end soon.
17:30Because Manuel has asked me to take flowers to Mrs. Pia's grave.
17:33And I'm not going to take it that far.
17:35Well, get where you get.
17:37Maria, let's see, I'm not going to take Manuel to a grave and tell him that Mrs. Pia is there.
17:41I'm not going to do it.
17:42Because I can't lie to Manuel like that, do you understand?
17:46Yes.
17:47The two of us are in a very big mess.
17:50And we have to find a solution to this, huh, Ana?
17:52Yes.
17:54Yes.
17:55Well, I can't think of any solution, Maria.
17:58What about you?
17:59What am I going to think of?
18:06Go to the smoking room to help Leopoldo.
18:08He is there attending to the gentlemen.
18:10Okay, Mr. Pellicer.
18:11And one more thing.
18:13Regarding the smoking room, tomorrow, first thing in the morning,
18:16keep it clean and fill the bottles with liquor.
18:19Yes, sir.
18:25Yes, Santos, yes.
18:26A useless one.
18:27There's a lot here.
18:29You don't know, I'm fine.
18:30Resignation, Mrs. Petra.
18:32Thanks to her, I have been able to survive in this house.
18:35Thanks to the resignation and the patience.
18:37You are a saint at the altar.
18:39Well.
18:47I would also like to go to the dance on Sunday with Salvador.
18:51But knowing Maria Mandrago, I'm sure she'll make us dinner.
18:55Well, if you want, I'll try to make myself.
18:58Well, knowing her, she's going to make us both.
19:01Let's hope not, Maria.
19:03If she makes us both, we'll comfort each other.
19:06More than many comforts than few.
19:10What are you doing working at this time?
19:12Go to rest, it's very late.
19:14Well, we wanted to finish the ironing before we left.
19:17Yes, so we have work to do tomorrow.
19:20I understand, but the next day they start earlier.
19:24They are not going to rest at all.
19:26Rest is essential.
19:28Yes, yes.
19:29Of course.
19:30But Mrs. Petra doesn't think the same as you.
19:32Because she puts us in charge of work at the last minute.
19:34I'll try to reason with her so that it doesn't happen again.
19:37Finish up.
19:39Wait, Mr. Baeza.
19:40I've been thinking that ...
19:45I think someone should go see Mrs. PĂo.
19:48Yes, that woman can't stay alone much longer.
19:51In that cave, the days are very long.
19:53Yes, I've been thinking about it all day.
19:56Well, so have we.
19:57When we left her, she was with very little courage and less strength.
20:01If you prefer, I can go visit her.
20:04Mrs. Petra doesn't take her eyes off her.
20:07And she doesn't take her eyes off you either, Mario.
20:09I've seen that you've been interrogating her during breakfast, yes.
20:12We didn't know what to answer.
20:13But they have come out very eager.
20:15She has tried a lot, she was very stubborn.
20:18So what? Can I go visit her?
20:20Mario, I'm telling you to stay vigilant.
20:22Well, but not as much as you.
20:24No, yes, that's true.
20:25You better go alone, Miss Fernández.
20:28It will attract less attention.
20:29I'll go as fast as I can.
20:31And with Gregorio, what are we going to do?
20:33Well, I don't know, I don't know.
20:35Of course, what you don't have to do is take the threats of that man lightly.
20:38Because he doesn't speak for speaking.
20:40Well, I'll talk to Mr. Marqués and consult with him before making any decision.
20:45I must ask him to speak to him as soon as possible,
20:47because I don't know if Mrs. PĂa will hold out much longer in that cave.
20:50I'll try tomorrow, but I don't know.
20:52That man is very worried about his niece Martina.
20:55I don't know if he will have time or desire to listen to me.
20:59I don't know.
21:12Good morning, mother.
21:13Good morning, daughter.
21:15Oh, and Candela?
21:18I know she arrived late and tired last night.
21:21And I let her sleep a little longer.
21:24She went to talk to the priest.
21:26What?
21:28With the new priest?
21:29That's right.
21:31But I haven't been able to talk to her about this matter.
21:33Because we didn't cross paths, we didn't see each other.
21:35I went to bed early and when she arrived, I was already sleeping.
21:38So we don't know if she has spoken, if she has not commented on anything.
21:40Calm down, daughter.
21:42And I'm sure she has good news.
21:44God willing.
21:45Good morning.
21:47Simona, why didn't you wake me up?
21:49If you hadn't arrived, because of the knock on the door next door, I would have been in the fifth dream.
21:53Because I know you arrived late and tired.
21:56I let you sleep a little longer.
21:58Because if you don't sleep, you get a bad coffee.
22:00Like everyone else.
22:03Have you talked to the new priest?
22:05Yes, he's already in the place.
22:07And? Did he say anything?
22:09We didn't talk much.
22:10The truth is that he's just a friend.
22:15But Candela, are we going to have to get the words out of you one by one?
22:19Did he tell you if you can give my daughter a job?
22:22Let's see.
22:23I was very worried. I was going from one place to another.
22:25It wasn't easy to talk to him.
22:27But what did he say, Candela?
22:32Let's see.
22:33I don't have good news.
22:36The Calis thing, right?
22:38Don FermĂn has told you everything before he left.
22:41I knew, I knew he was going to tell you.
22:43No secret of confession, no milk.
22:45Well, no.
22:46Don FermĂn has not told her any of that.
22:48What's more, I think that if the priest had found out about the robbery,
22:51he wouldn't have cared much.
22:53So why does he say he doesn't have good news?
22:56If it's not the Calis thing, what's the problem?
22:59He has found another one to take him home.
23:02The problem is the new priest himself, which is very peculiar.
23:09I don't understand you.
23:11Well, the problem is the priest's peculiarities.
23:15Candela, can you explain a little better? I don't understand anything.
23:18Me neither.
23:19Let's see.
23:20This is a young priest.
23:21And he has other ideas, well, more different than the one Don FermĂn had.
23:26Don FermĂn's ideas were more ... traditional.
23:29And what does that have to do with giving me my job?
23:32A lot, girl. A lot.
23:34This priest has the same habits as Don FermĂn.
23:38And he doesn't want anyone to help him.
23:41What?
23:42Doesn't he intend to hire a woman to take him home?
23:46Exactly.
23:47But that can't be. Who's going to cook for him? Who's going to clean his house?
23:52Himself.
23:54That's outrageous.
23:56That's what I think.
23:57A priest scrubbing, sweeping, frying an egg.
24:00And he also told me that he was going to allocate every penny that passed through his hand for the benefit of the people.
24:08I already knew I didn't have to get excited about this.
24:13Don't worry, daughter.
24:15I'm sure something will come out.
24:18For now, we have the jam thing.
24:27Who are we trying to fool, mother?
24:31I'm not going to get anything.
24:34And even if I did,
24:38my son is missing.
24:41We'd better face reality.
24:56Thank you, Candela.
25:05Come in.
25:07Wow, I wasn't expecting this visit.
25:11What are you doing here, cancer-sick?
25:13And you? What are you doing dressed like that?
25:15Are you going out?
25:17Well, yes.
25:18I'm going to Luján to do some errands that Mr. Baeza has asked me to do.
25:21Does Petra know?
25:23Well, I guess not.
25:25Well, if she finds out, she's going to be mad.
25:27Well, she doesn't have to find out.
25:29She always does, MarĂa.
25:30I, that you would send, I know.
25:32That she's twisted, both with you and with Hanna.
25:34Well, of course I send with my eyes.
25:36That's why I'm leaving now.
25:37I know you're taking care of the gentlemen.
25:39Very well.
25:41Well, I'll leave you then.
25:43Have you come here to tell me what I have to do or something else?
25:48Yes, something else, yes.
25:56And it's not good, is it?
25:58Because you've been very strange for a few days and I'm starting to get sick.
26:01I wasn't that strange.
26:03Yes.
26:04That when I arrived from the palace, from the Marquis,
26:07I really wanted to see you.
26:09You were there and you didn't feel or suffer.
26:11I don't think it was like that either.
26:13Yes, it was like that.
26:14Salvador, that I am well equipped with the reception.
26:17And with what is not the reception.
26:19And the days have passed and you don't tell me anything.
26:22And that's that something is wrong with you.
26:25Is it or is it not?
26:27Well, yes, the truth is that I've been rummaging around for a few days.
26:30And are you going to tell me what's wrong with you?
26:33No, that ...
26:35Basically, I've been thinking about our wedding for a while.
26:39Thinking?
26:41Good, bad or regular?
26:42In general.
26:44All the times we could have gotten married, but in the end,
26:47for whatever reason, it couldn't be.
26:50Well, we haven't been very lucky.
26:52None, rather.
26:54With everything that happened with Miss Catalina, Don Pelayo,
26:57that we couldn't get married until they got married.
27:00Then everything about the war, that the people in Palacio
27:02were with their souls on the line, well ...
27:05Well, but they're already here.
27:08Yes, that's what I'm going for.
27:09There is nothing that prevents us from getting married.
27:14So what do you want?
27:15Well, set a date, right?
27:19I mean ...
27:21What do we do?
27:23Do we get married?
27:27Well, yes.
27:28So be it, right?
27:39May I, sir?
27:41Yes, tell me.
27:43What are you reading?
27:45Engaldos. I'm with the national episodes.
27:48But I don't focus.
27:50I keep thinking about my niece Martina.
27:52A kid who's going to enter a convent?
27:54That's right.
27:55The Count of Ayala and his pilgrim ideas.
27:58I don't understand that measure very well,
28:00because it's not that Miss Martina is a great devotee either.
28:03And even if she weren't,
28:05it's not right to force her to enter a convent against her will.
28:08So where does the count's insistence come from?
28:10Well, I honestly don't know.
28:12But he has put a condition to avoid that terrible outcome.
28:15And it is?
28:17That Martina approves the wedding between the count and Mrs. Margarita.
28:20Oh, and the young lady doesn't want to give her arm to twist.
28:23Just like that.
28:24And you couldn't help it?
28:26Me? Hopefully.
28:28My daughter Catalina also wants to present a battle.
28:31But I'm afraid that if I oppose,
28:32the count will end up reporting Martina to the authorities.
28:35I understand, yes.
28:37Well, at least we can celebrate the return of Miss Catalina to the palace.
28:41It's good news.
28:42Yes, it is.
28:44Although, as you know, my daughter and my wife are incompatible.
28:47They are like the dog and the cat.
28:49Any excuse is good to attack.
28:51They have returned to arguing.
28:52They never stop doing it.
28:54And I'm in the middle of squirting water as I can.
28:56I'm sure you're going to solve the problem, sir.
29:00Both are very worried about Martina.
29:03But none has managed to solve the problem.
29:05And I know they have tried.
29:06It must not be easy to solve, sir.
29:09Speaking of problems ...
29:10We have to find a way out of this whole thing, Romulo.
29:14No matter how many times I turn to him, I can't find it.
29:17But I guess we have to be patient.
29:19Anyway.
29:21I leave you.
29:22I have to solve some matters in Lujan.
29:38Go back to cooking.
29:53What do you want, Petra?
29:56Nothing special.
29:58Just say hello.
30:01Well, I'll say hello.
30:04You don't know what to do anymore.
30:06Nor where to send Martina to get rid of her, right?
30:10Yesterday at a sanatorium, today at a convent.
30:13The truth is that I'm dying to know your next move.
30:16I have no desire to discuss my private life with you.
30:19I know, I know.
30:21Lately, you prefer not to talk to me.
30:25Not even to see me, right?
30:27That's right, yes.
30:30But the bad thing, Ignacio, is that I do want to talk about your private life.
30:34About your actions.
30:36About how you faked your poisoning to blame Martina later.
30:41Are you coming back with your nonsense?
30:45How do you like to fool yourself?
30:47How do you like to fool yourself?
30:50Although, the truth is, you don't have to pretend much.
30:53Very funny.
30:57How can you?
30:59You're not going to stop until you ruin that innocent girl's life.
31:03Come on, Petra, don't be dramatic.
31:05We all know that in a convent, you eat very well and live in peace.
31:11Don't be so cynical the day I talk.
31:14If you haven't done it yet, it's because you know that no one is going to believe you.
31:20We'll see.
31:22I assure you that I won't miss the convent when I talk.
31:26And believe me or not, your name will be stained.
31:32Try it.
31:34First, you'll make a fool of yourself.
31:36And then you'll pay for it.
31:39Do you really think you can scare me, Ignacio?
31:44You're very wrong.
31:49I'm going to finish you, Ignacio.
31:52Sooner or later, I'll jump on you and destroy you.
31:57And I swear that for what I have loved the most in this world.
32:01For my son Feliciano.
32:08Enjoy your breakfast.
32:13Thank you.
32:23It's hard for me to believe that Miss Martina can end up in a convent for life.
32:27Yeah, it's an atrocity.
32:29Mr. Baeza, you know better.
32:32Is there any news about the convent and Miss Martina?
32:35Well, news, news.
32:37There is a small variation on the matter.
32:40And what is it?
32:41Well, if Miss Martina gives her consent to the count's wedding with Mrs. Margarita,
32:47nothing will happen.
32:49Is that blackmail?
32:51That's terrible and immoral.
32:53Well, I don't see any major problem.
32:55That Miss Martina accepts that marriage and here's peace.
32:58And then glory.
33:00Those things always end up being a double-edged sword.
33:02Well, I wouldn't trust a hair.
33:04Much less with that count in the way.
33:06I deceive the young man by making him believe that there would be no consequences
33:08if he took Miss Martina out of her hiding place and look what happened.
33:13He's not a man of his word.
33:15And in case Miss Martina enters that convent and then wants to leave,
33:19they won't let her, or what?
33:21I don't think so.
33:23Are you sure, Mr. Baeza? Because I've heard that in those places they even change the name to one
33:26and put one of Novisia.
33:28New life, the past does not exist.
33:30Yes, let's not exaggerate.
33:32It's just that Mr. Baeza has no head or feet that we have to talk about something like that.
33:35If Miss Martina wasn't so stubborn, there would be no problem here.
33:39Miss Martina, all she's doing is what she thinks is best for her mother.
33:43But her mother is very young and if she doesn't marry the Count of Ayala, she will marry another man.
33:47What does she want? For her to be alone all her life?
33:49That is a condemnation and not the convent.
33:52In addition, the Count of Ayala has everything to win.
33:55Miss Martina only has to accept and stop getting involved in the matter.
33:59There I do have to admit that you are somewhat right, Mr. Baezas.
34:03Mr. Baezas, do you also think you have to give in?
34:06What I mean, Mr. Ruiz, is that Mr. Pellicer is right when he says that here,
34:12Mr. Count, is the one who has the position of force.
34:15It may be, but that means that Miss Martina has to swallow her dignity.
34:19That decision belongs to her.
34:21Well, all this is very interesting, but I imagine that we all have work ahead, right?
34:26So it will be better that we get down to it, that they pay us to work and not to comment on the lives of the gentlemen.
34:30I can't agree more with those words, so let's go.
34:45My Virgin, let this torture end as soon as possible, please.
34:50Please.
34:54And help my son, may he be healthy and may Gregorio never come near again.
35:05Doña Pia.
35:07MarĂa, thank God.
35:09Thank God.
35:15What's going on? Why are you so agitated?
35:17Because I come running to the promissory note and I leave it behind the hare.
35:21I can't stay long, they can't kick me out.
35:25Thank you for the effort, MarĂa. Thank you very much, really.
35:28I bring you water and food.
35:32It won't be enough at this point.
35:34No, no, I'm not having much trouble with that.
35:38Are you eating well?
35:40It's just that I don't ... I don't have an appetite.
35:43And how is the cold?
35:44How is the cold?
35:46Well, the cold, as I can.
35:48Because in this cave, once the cold gets into the bones, the truth is that it doesn't come out.
35:53Good.
35:55We'll see how soon the promissory note comes back.
35:57And he's complaining about how hot it is next to the kitchen oven.
36:01I hope it's soon, yes.
36:03But hey, tell me something from the outside, I don't want to talk about my sorrows.
36:06How's everything going for the promissory note?
36:08A lot of work, as always.
36:09As always.
36:11The gentlemen with their usual problems, we with ours.
36:15And well, Mr. Manuel and Mr. Curro have returned from the war.
36:19Good, what great news!
36:21Is he okay?
36:23Yes, yes, surprisingly well.
36:25They have recovered Columbus quickly.
36:27With the food of the promise.
36:29I'm looking forward to trying Simona's quesos.
36:32And downstairs? Everything okay?
36:34Nothing important happened?
36:36Well, important, important, I don't know if it will be.
36:39But I'm going to marry Salvador.
36:41Mariel, very important!
36:43Congratulations!
36:45Congratulations, I'm so glad.
36:48And this time it's the good one, we've already tied it a lot.
36:51Yes, I'm sure you'll see it.
36:53And by then I'll be on the promissory note and I'll be able to attend the link, for sure.
36:57Well, if I'm invited, I don't know.
36:59You are the first guest.
37:01And well, I hope that by then Gregorio has disappeared, of course.
37:06Of course.
37:08Let's see.
37:12Let's see, let's see what?
37:15Is there something I don't know, Maria?
37:20Maria, answer.
37:22What?
37:24Well, Gregorio wrote to Don Romulo.
37:30But how did he write to him?
37:32But for what? What did he tell him?
37:36To tell him that he knows that you are not dead.
37:41But how did he find out?
37:44With Mude Gracio, he showed up in his town and opened his grave.
37:47Oh my God!
37:49But then everything that happened here in Cerrada has been useless.
37:52Yes, Mrs. Pia, don't say that.
37:54Of course it has been useful, because if you had been on the promissory note, that criminal could have done something bad to you.
37:58And here you are safe.
38:00Mariel, I can't stand being here in Cerrada anymore, I really mean it.
38:03You have to hold on a little longer, Mrs. Pia.
38:04A little longer until we solve all this matter.
38:07And think that only here you are safe.
38:11You know what I think?
38:13That I'm never going to get out of here.
38:17Never.
38:35Maria Fernández!
38:38Can I know where you come from?
38:44Yes, Mrs. Petrarca.
38:48Less guasa, young lady.
38:51Guasa servant with you, with what I respect you.
38:54I come from Lujan.
38:57And what have you been to Lujan for?
38:59Well, to give a message to Mr. Marqué, who had asked Mr. Rómulo.
39:04And why have they sent you precisely?
39:07Are they talking about my maids again without telling me before?
39:11Well, I don't know anymore, I would have to ask Mr. Marqué.
39:14Because they have told me to go and I have gone.
39:17Or they tell me to stay and I stay.
39:19So I'm leaving because I have a lot of work.
39:21Wait.
39:23Wait.
39:24I haven't told you to leave yet.
39:26And you weren't so obedient.
39:28Well, are you going to tell me right now?
39:30What message is that?
39:33It's just that, Mrs. Petra, I can't tell you.
39:36Because it's about the Marqué.
39:38And if you want to know, you can better ask the Marqué.
39:43Are you refusing, Maria Fernández, to tell me?
39:46No, no.
39:48But you say many times that the Marqué is the Marqués.
39:51And if you have any complaints, you can tell the Marqué.
39:54Come on, go, shameless.
39:56But the next time you go out, don't tell me before.
39:59Yes, sure.
40:02Get out of my sight.
40:04Now.
40:05Now.
40:21Now.
40:27I'm telling you.
40:29If they put Miss Martina in a convent, she escapes on the second day.
40:32Or the first.
40:34Sure. If she already escaped from the sanatorium.
40:36But let's see what happens next.
40:38Because if she goes around here, the Count will call the Guardia Seville.
40:41Sure.
40:43What I don't understand is how Mrs. Margarita is allowing that man to treat her daughter.
40:47Love. Remove the love.
40:48There is no love there. What there is is a lot of fear.
40:53Miss Catalina.
40:57Welcome back. I hope this time it's to stay.
41:00Well, that's never known.
41:02Come on, sit down.
41:04A pasta? Don't tell me no, huh? We have some sighs.
41:08And some mantecao? Freshly made, that removes the senses.
41:11What a remedy.
41:13I have already assumed that I cannot leave here without eating something.
41:16How is the return, miss?
41:19Well, nothing has changed.
41:21I keep arguing with Cruz and we are all very worried about my cousin.
41:26Down here we are also very worried.
41:29We were just talking about her.
41:31Yes, I know you value her a lot.
41:33Not to be jealous. She is an angel.
41:35Come on, eat it.
41:38Let's see.
41:45Delicious.
41:47Right?
41:49And now we have to go, we have to do some things in the pantry, Mrs. Candela.
41:52I don't have to do anything.
41:54The sighs are from the oven, from Luján.
41:57And the mantecao we have made here.
42:00Come on, let's go, Mrs. Candela.
42:04I always have to miss the talk.
42:07But if you spend all day talking.
42:10Well, now tell me what has come.
42:13Because something has come to you, hasn't it?
42:20And you haven't done any dusting, Petra?
42:23Well, I had the whole intention.
42:25That he came to me with those shiny eyes that are put on him.
42:28But I stood up like an ostrich and I answered everything.
42:31Well answered.
42:33And what did you answer him to shut up?
42:35Well, I told him that I was coming to give a message to Mr. Marqués.
42:37And that if he had any questions, he would ask him.
42:41And he didn't blame you for anything?
42:43For the usual. But he knows that he can't complain to Marqués.
42:47So you were smart.
42:50Man, I'm very smart.
42:52What happens is that you don't have me as such.
42:54Yes, I have you as such, MarĂa.
42:56What happens is that sometimes you talk a lot and you stop.
42:58And then you just stop.
43:00Well, because I have a lot of ideas in the pantry.
43:03And I don't have the tongue for everything.
43:05Well, then tell me.
43:07Mrs. PĂa, how are you?
43:09Well, Mrs. PĂa is very down and very sad.
43:13I brought her food and she didn't have an appetite.
43:16And it seems to me that the cold in the cave is getting worse and worse.
43:20Well, I'm not surprised because she's been in there for a long time.
43:24She was asking me things about the promise.
43:28And between one thing and another, we end up talking about Gregorio.
43:32MarĂa, have you told him?
43:34Not everything.
43:36Because he already has enough with what he has.
43:38But I have told him that he knows that she is alive.
43:42But I haven't told him that he threatens to kill her.
43:44You didn't have to tell him anything.
43:46Well, Hanna, if I don't tell him anything, I'll tell you that that woman is leaving the cave today.
43:49She is very fed up.
43:51Well, maybe you're right.
43:54And it was the only way for her to stay there.
43:58Of course, let's see if she can stand it.
44:00Because the poor woman has to be desperate.
44:01I tell you, every time we go, we tell her this kind of thing.
44:05Well, I've also brought her some good news.
44:09To make up for it.
44:11Really? The one that Manuel and Curro have killed you?
44:14And another one that you don't know?
44:16What are you up to?
44:21Well ...
44:24I'm going to marry Salvador.
44:26What do you mean you're going to marry?
44:28Salvador.
44:31That you're going to get married.
44:33And you're telling me now, and you're telling me like this.
44:35Well, he asked me today and we haven't seen each other all day.
44:39MarĂa, but ...
44:41I don't know ...
44:43You don't look very excited.
44:45Well, let's see ...
44:47It's the third or fourth time that I try to get married.
44:51Always with the same man.
44:53But that doesn't matter, it's your wedding.
44:56Yeah ...
44:58You're right.
44:59It's also that Salvador asked me, like who asks you to cool a chicken breast.
45:04Without any passion, come on, and you know that I am very passionate.
45:09But, and to do it like that, why does he ask you?
45:12Well, I don't know, but I wasn't going to tell him no.
45:15That I want to marry him. It would have been ugly, right?
45:17Well, of course.
45:19Besides, the important thing is that we get married once and for all.
45:21But I, until the priest gives us the blessing, I'm not going to be calm.
45:24Something always happens.
45:26And what about you? Don't you want to get married?
45:29What?
45:31Because he asked you to marry Don Manuel.
45:34Before going to war.
45:36I see, I see.
45:39But I don't know how Manuel just came back from that hell.
45:42Well ...
45:44It's true that everything is going well.
45:46It seems that everything is going well, but ...
45:48But hey, I prefer to wait a little.
45:51I see. You are like me and you start to let time pass.
45:54I'm going for the fourth wedding.
45:56Or wedding attempt.
45:57Well, let me know.
46:16Well, yes, Simona. I have come to vent.
46:19Because I am very upset about everything that is happening to my cousin.
46:22It is to be.
46:23The worst thing is the impotence I feel because I don't know how to help her.
46:27I don't feel like an easy task.
46:30I know my cousin is innocent. I know.
46:33We all know it here.
46:35The only one in the promise who thinks he is guilty is Count Dallala.
46:39Yes, and that's enough to make his life impossible.
46:42Anyway, I don't want to tell you any more sorrows.
46:45I don't know, how are you?
46:47How is your daughter?
46:50Well, not very well, miss.
46:53We couldn't find work for her outside of the promise.
46:58We thought that the new priest of Lujan was going to give her a job, but nothing.
47:03Have you already found someone?
47:05No, no, no.
47:07Apparently this priest is very peculiar.
47:09And he himself is going to do everything.
47:11He's going to cook, he's going to wash his clothes ...
47:13A priest stewing and sweeping?
47:16Where has that been seen?
47:18It starts like this and you don't know where it ends.
47:20Come on, I'm sure your daughter will find something.
47:23Yes, but actually I'm much more worried about my grandson.
47:29What about him?
47:31We don't know where he is.
47:34His other grandparents took him.
47:37From one day to the next they disappeared and nobody knows anything.
47:41And they didn't give anyone any signs?
47:43Nothing. They disappeared like a puddle in the sun.
47:48I can imagine how your daughter must be.
47:51Well, and yourself.
47:54I had gone a few times to visit him and I had taken a lot of affection from him.
48:02Do you know what we are going to do?
48:05Are you going to give me the names and surnames of your in-laws?
48:08What are you going to do, miss?
48:10I can't report them.
48:12The boy was taken care of by them.
48:14Yes, but that child is not his.
48:15And Virtudes has changed, they should return him.
48:18So I'm going to talk to the Civil Guard.
48:20Miss, I appreciate it, but it can't be.
48:23Why?
48:25Because my Virtudes doesn't want to do that to her son's grandparents.
48:29Yeah, and then what are you going to do?
48:32Well, we have no choice but to wait for these people to give signs of life.
48:37And I don't think they are so bad at not writing or giving reason to how the boy is.
48:45I don't know.
48:53Alonso, Lorenzo, come and try these pastries that they have brought from the kitchens.
48:58Of course. After the walk we just took, I'm hungry.
49:02I'm sure you love them, Alonso.
49:07We would have hiked for more than two hours, right?
49:09Yes, yes, more or less.
49:11Well, two hours are enough for a lot of talking.
49:14Well, more than talking, I've listened to Lorenzo.
49:19We've been talking about war and the strategies of the armies may have taken me a while.
49:25You know, when I'm passionate about something.
49:29How patient, Alonso.
49:31The truth is that the Russians and their strategies in this war have amazed me.
49:36And I'm sure you're going to tell us why.
49:38I'm willing to do that.
49:40You see, the Russians are very aware of the defense of their country.
49:47What? You don't believe me?
49:49Well, I don't know. It will be so if you say so, but ...
49:53I imagine that many of those soldiers are there forced, not for patriotism.
49:57Well, you're wrong.
49:59Russia has the loyalty of its troops.
50:02And as you know, loyalty is the pillar for everything to work,
50:05whether it's an army, a company or ...
50:08a marriage.
50:13Well, I don't know about war, but in a marriage, of course.
50:16Loyalty is the base.
50:19What do you think, Maria Antonia?
50:22Well, of course.
50:24If loyalty is a marriage, it falls apart over time.
50:28And it is not only important for the marriage to go ahead,
50:31but it affects the whole family and their reputation.
50:35The same thing happens in an army.
50:37When the shadow of suspicion falls on a high command,
50:40that shadow covers the entire hierarchy.
50:43And once trust is lost, there is nothing to do.
50:47Exactly.
50:49What do you think, Alonso?
50:51You say I don't stop talking, but you don't let go.
50:54What do I think of infidelity?
50:56What do you think of what we're talking about?
50:58Well, I'm going to think it's very bad.
50:59You shouldn't do that to a person you love.
51:06Well, I think this can even happen between couples who say they love each other a lot.
51:12Oh yeah? And how is that?
51:15Well, sometimes in marriages that have been going on for many years,
51:18there is something similar to a calm love.
51:21But no passion.
51:23And there are those who seek that passion outside.
51:25I see.
51:26Even committing adultery, you mean?
51:31Come on, Cruz.
51:33Both you and I know that in many cases it is so.
51:36True, but if I remember correctly,
51:39I don't think there was a true love in any of those marriages.
51:43Or do you think that if there is, there may be deception?
51:46No, no.
51:48Of course.
51:50And in that case, you're right, aren't you?
51:52No, that's why I said that in couples who say they love each other, but deep down they don't.
51:57The truth is that adultery is in the order of the day.
52:00It is more common than we think.
52:03It seems that you speak with knowledge of the cause.
52:06Excuse me.
52:08There is a package for you, Captain.
52:10I'm going to see what it is about.
52:12If you'll excuse me.
52:22Thank you.
52:37Do you like your new bag?
52:38Yes.
52:50I'm glad you brought me your tea.
52:52When I asked you to bring it to the hangar, I thought that ...
52:54I don't know, you didn't have it all with me.
52:56Well, who better than me to bring tea to the Lord?
52:59Yes.
53:02Who better than you?
53:09And are you going to work here again?
53:13No.
53:15No, for now I will continue to design in my studio.
53:19But yes.
53:21Soon I will return and reform it to make it a workshop again.
53:24I don't think there is much work to do either.
53:28The truth is that no.
53:31I still can't believe that my sister was living here for so long.
53:35Well, I guess she thought it was a good idea.
53:38After all, she wanted to be alone.
53:41She must have felt very desperate.
53:44She was very angry with your mother.
53:46And with everyone.
53:48In fact, she didn't want to see anyone.
53:52It was very difficult for me to come here to clean from time to time.
53:55And at first she forbade visits to everyone.
53:58So she didn't want to know anything about anyone.
54:00If I had been here, I would not have allowed this situation to last so long.
54:05Maybe.
54:06And I'm telling you, it was difficult.
54:09Maybe not so much.
54:12She is my sister and I know her well.
54:15I know how to make her understand.
54:17And she is in sight.
54:20But yes, let's cross our fingers so that they don't get angry again because ...
54:24I can't be doing miracles every week either.
54:28They may argue again, but ...
54:30I just hope it doesn't get that far.
54:33We have to stop fighting over trifles.
54:37You have to know how to distinguish what is truly important from what is not.
54:41It's true.
54:43Like the death of Doña Pia.
54:46That is important.
54:49Yes, you're right.
54:53You only know how to carry it.
54:55It's strange that you haven't realized it yet.
54:57I haven't realized it yet.
55:01Manuel.
55:06There is one thing I have to tell you and I can't keep hiding it from you.
55:10What is it about?
55:13Don't worry, it's good news.
55:16No one would tell you when they see you.
55:19But it's really good news.
55:22What happens is that maybe it seems a little strange to you.
55:25Why don't you tell me and I'll decide what I think.
55:33Doña Pia.
55:38Doña Pia is not dead.
55:50This fruit looks good.
55:52Look at this fruit.
55:53Look, look, look, what a lustrous apple.
55:56And the pears?
55:57They are to put them in a painting.
55:59Well, they are from a farmer's farm, my friend.
56:01I once made him a manchego cappuccino and whenever he sees me, he ends up giving me fruit.
56:05And do you know if he has enough trees to sell us fruit boxes?
56:10Because the jams would look great with this fruit.
56:13Doña Simona has about 200 trees planted.
56:15What happens is that this fruit is more for the table, not for preserves.
56:19Are you sure you have some smaller apples?
56:21With some fruit?
56:23Well, I'm going to ask you, because I'm sure you would give us a good price.
56:26That for a discount, huh?
56:27Because you have to buy cheap and then sell expensive.
56:30Because you have to take out the quarters for virtue.
56:33Oh, I don't know.
56:34I don't know if I have the strength to continue with that.
56:38Because besides, my grandson is missing.
56:40And this is nonsense.
56:42Doña Simona, we've already talked about that.
56:44We have to continue.
56:46Oh, I don't know, Lope.
56:47The truth is that poor Virtude is not lucky.
56:50Her in-laws are leaving.
56:51She can't get a job with the new priest of the village.
56:53Yes, but she is a very young and hard-working girl.
56:56I'm sure she'll find something.
57:03What can I do for you, Captain?
57:05Well, I came to ask you something.
57:08I'm sure you'll get me out of doubt better than anyone else.
57:11Of course.
57:12You ask whatever you want, Captain.
57:18Can someone tell me what the hell is this that I just received?
57:26That looks like...
57:32That looks like a jar of jam.
57:36I know it's a jar of jam.
57:37I'm not stupid.
57:38I'm not stupid.
57:46And I'm convinced I know who made it.
57:53Did you think I wouldn't find out?
57:56What are you saying, Manuel?
57:58That according to what you told me,
58:00Doña Pia is dead to everyone.
58:03And if that bastard goes with her and manages to do what he wants,
58:07they won't be able to blame him for anything.
58:09My God.
58:10But don't you realize that your mother wanted to marry that man long before all this happened?
58:14I don't know.
58:15I don't know.
58:16I don't know.
58:17I don't know.
58:18I don't know.
58:19I don't know.
58:20I don't know.
58:21I don't know.
58:22I don't know.
58:23I don't know.
58:24It can't be you who always causes trouble.
58:27First, if your father's death was very recent,
58:30and then,
58:32then for everything, Martina.
58:33Don't you realize how he thinks,
58:36how he gets a profit out of everything that happens to him?
58:38It's not right for my mother.
58:39That doesn't concern you.
58:41He's my son.
58:42I have to ask him to stay away.
58:46Pardon?
58:47I'm afraid he has a bad influence on you.
58:50Let him choose his friends.
58:52No.
58:53Not when I'm sure she's making a mistake.
58:56For me, it was something important and very beautiful.
58:58Maria Antonia, nothing happened.
59:00How dare you?
59:02I came here thinking that...
59:03I don't care what you think.
59:05It's obvious that what I'm telling you is useless.
59:07Don't go, don't go.
59:09I'm not going to let you go and leave me with the word in my mouth.
59:12If you go, I swear you'll regret it.
59:14But Ignacio, don't you realize that if you make Martina suffer, you're making me suffer?
59:18No, Margarita, no. I love you.
59:20More than anything in the world.
59:22What I want is your happiness.
59:24Margarita.
59:26I've been through a lot.
59:27Ignacio, I've been through a lot.
59:29What's clear is that you're not the person I thought you were.
59:32Has anyone seen Catalina?
59:34I haven't seen her all day.
59:35Me neither.
59:36Maybe she's decided to go back to hiding in her hole.
59:40Catalina is not in the hangar.
59:44She has decided to go see Count Dañil.
59:48Mario?