La promesa - Temporada 3 - Ep 389
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00:00THE NEIGHBOURS
00:16They're Portuguese sweets.
00:18They're called castellos de Belén.
00:21Whose recipe is it? Lopillo?
00:23No, it's a traditional sweet from the neighbouring country.
00:27She's Bruna, the Portuguese girl who lives in Lujan.
00:30She's a very nice person.
00:32How do you make this?
00:34It looks like puff pastry.
00:36That's right. Puff pastry filled with custard cream.
00:40But we don't have a pastry bag.
00:42To make the most of the leftovers, Candela.
00:44A kitchen of exploitation.
00:46You say that if I give you food, it's a mortal sin.
00:49Besides, custard cream and pastry bags
00:51contain milk, sugar, egg yolk...
00:53Who's going to notice the difference?
00:55López, for example.
00:57What have you given me?
00:58This sweet is a flag.
01:02Then give me one.
01:05How are you, dear?
01:07Well, I hope today is better than yesterday.
01:10It ended like the Rosary of the hour.
01:14What happened?
01:15At the last hour of the afternoon,
01:16Mrs. Petra sent me to her office.
01:19That woman doesn't get tired
01:21when it comes to making puff pastry.
01:23Look, yesterday she apologized to Mr. Pellicer.
01:26For a moment, I thought she had relaxed.
01:28She's always willing to upset the person.
01:31Well, what did the Marimandra Joss tell you?
01:34Well, our dear keymaker
01:36wasn't very happy with how she had cleaned the stairs.
01:40What nonsense is that? They're clean.
01:42Well, according to her, she hadn't made them shiny
01:44and they were all ruffled.
01:46Did she tell you that word?
01:47She is ruffled every day.
01:50Whatever Petra tells you,
01:51get in through one ear and out through the other.
01:53I know.
01:54But I just did the opposite.
01:57I couldn't take it anymore and...
01:59I ended up letting go of what I think of her.
02:02God bless you.
02:04Everything? I don't know if everything,
02:06but of course, a lot.
02:07The truth about the boatman, come on.
02:09And what did she tell you?
02:11That she wasn't going to give me explanations, because...
02:14I'm running out of time, I have a promise.
02:16Will it be bad and harmful?
02:19I'd better shut up,
02:20because if not, the devils will take me.
02:22But did she say that to annoy you or is she aware of everything?
02:26I don't know how, but she found out about my intentions
02:29of going to work at the nurse's house.
02:30What a snitch.
02:32I can't think of anyone who could have heard her with the story.
02:34That's the least of it.
02:35Candela, the important thing is that she is now prevented
02:38and I think she is able to leave me on the street
02:40before she can go to work with the priest.
02:42No, she can't do that.
02:44Yes, she can. It's Petra.
02:46The girl is right.
02:48Power? I don't know if she's going to be able to.
02:51But she won't be short of money.
02:53Mr. Baeza won't allow it.
02:55Don't worry, daughter.
02:57I'm afraid of running out of a house,
02:59of a job,
03:01of the money my in-laws ask me for and, of course,
03:03of my child.
03:05That's not going to happen, okay?
03:07Look, daughter,
03:08even the darkest day has its ray of sun.
03:13That's very nice, Mother.
03:15And a truth like a temple.
03:17Yesterday, Salvador and Hanna
03:20thought that,
03:22among all of us at the service,
03:24we could raise the money your in-laws ask you for.
03:28But how are you going to do that?
03:30Well, putting everything on the line.
03:32It's not the first time.
03:34We did it a long time ago to cover Salvador's eye surgery.
03:38But Salvador is Salvador and I just got here, as they say.
03:41No, you've been here longer than Salvador
03:44when we paid for his eye.
03:47You've been one of us for a long time.
03:50And you're Simona's daughter.
03:53Your mother and I love her very much, and you, too.
03:56Are you serious?
03:59God bless us, you're the most beautiful thing,
04:01and all of you at La Promesa's service.
04:17What the hell are you playing at, Ignacio?
04:20What's with the number you set up last night?
04:22What's the matter, Petra? Don't you like challenges?
04:26Are you aware of what could have happened to you
04:28if I came to talk?
04:30Are you aware of what could happen to you?
04:33Trinidad, stop cleaning the rooms.
04:35They won't clean themselves. Let's go.
04:39If you don't want to talk,
04:41I'm going to make you talk.
04:43I'm going to make you talk.
04:45Yes, Mr. Conde.
04:47I'll take your instructions for the return into account.
04:49I told you.
04:51I knew that the relationship between you and Cruz
04:53wasn't at its best, and that you wouldn't talk.
04:57I, who you would watch over,
05:01or who my relationship with the Marquise
05:02would become what it was again,
05:04I assure you.
05:06You've already talked about that.
05:08Stop humiliating yourself.
05:10Whatever you do, it will hurt you more than me.
05:13And don't intimidate me.
05:16You don't even scare me, Petra.
05:18Besides, we both know perfectly well
05:21that you don't care what happens to Martina.
05:24You won't risk a hair to help her.
05:28Maybe you're right.
05:30And that Miss Martina is not holy to my devotion.
05:34And that she thinks that a little discipline would be good for her.
05:38But I still think she's a young woman,
05:41with her whole life ahead of her,
05:43full of dreams.
05:46And that makes it easier for me to put myself in her place.
05:51You, putting yourself in someone else's place?
05:58Put me in Eva Ignacio's place.
06:01If Miss Martina doesn't return in a prudent time,
06:04I'll talk and tell her everything I know.
06:08Because I don't care about the consequences.
06:13I don't care about the consequences.
06:44Take it.
06:45I hope no one misses it,
06:46but I thought you'd like to know what's going on in the world.
06:49Thank you, Hanna.
06:50It's good to know what's going on outside these four walls.
06:53Well, being locked up here, well ...
06:56Well, locked up by your own will, I remind you.
06:59In any case, I wanted to know what was going on in the news.
07:02I'm sorry if I've offended you with the subject.
07:05I'm a little sorry that you're here again.
07:08Well, I went to investigate.
07:11Well, I went to investigate.
07:14To prevent them from locking up my cousin, but I failed.
07:17My position in La Promesa no longer makes any sense.
07:20I'm sorry for you.
07:22The service ...
07:24No, I have nothing to reproach you for.
07:26So I guess, by default,
07:29you have to reproach your family for it.
07:31That's right.
07:33And there is a particular member
07:34who monopolizes most of my reproaches.
07:37Let me guess.
07:39Your stepmother?
07:40It wasn't a very difficult riddle, was it?
07:44Well, but I'm still sorry that I stopped seeing others because of her.
07:47I'm very afraid that there is nothing to do about it.
07:51The situation has reached a point
07:52where the less we cross paths with each other,
07:54the better for everyone.
07:56Anyway ...
07:58How are things around the palace?
08:01Do you know anything about my cousin?
08:02Well, no, not for now. There is no news from the sanatorium.
08:05As far as I know, of course.
08:07It's horrible.
08:09Unfair.
08:11I know, and you're right, but ...
08:13At least Mrs. Margarita says that it is precious
08:16and that she is already receiving all kinds of attention.
08:19Yeah, that's what they say.
08:21But it's a shame that we can't check it ourselves.
08:25Anyway, apparently they are very strict with visits
08:27and they don't allow them until several weeks have elapsed
08:30since her arrest.
08:32And that doesn't inspire confidence in me either.
08:34But we can't do anything about this either.
08:37Especially if there is no one investigating what happened.
08:40Well, you were doing it until you came back to the hangar.
08:44And there is nothing. I assure you.
08:47But I am convinced that my cousin is innocent.
08:50We all know she didn't do anything.
08:52And I wish we could prove it.
08:56Well, I'll let you read the newspaper.
08:58I'll clean up around there, if you like.
09:00Thanks for everything, Hanna.
09:07Thank you.
09:19Hanna?
09:21What's going on?
09:34My God.
09:37What's going on?
09:46What a kitchen, yes.
09:48I ordered them to prepare a tisana for Mr. Márquez.
09:51He read a piece of news in the newspaper
09:53and he has left you completely upset.
09:59Mr. Pellicer. Mr. Baeza.
10:01I just wanted to ask you how everything is going.
10:04Has he fully adapted to the routines of La Promesa?
10:07I think if it hadn't been like that,
10:09he would have kicked me out on the street.
10:11I see.
10:12Mr. Baeza, I have you for a man who speaks clearly.
10:15And that's why I think he wants to talk to me
10:17about a matter that he doesn't dare to address.
10:19You are right, Mr. Pellicer.
10:22And I don't know why, but I also have the impression
10:24that someone has come to me with the story
10:26about an incident in which Vera is involved.
10:29Well, it's true again.
10:31And who has been the kind informant
10:33to whom I have to thank for such a disinterested gesture?
10:36My father?
10:38Maybe López.
10:39That's the least of it.
10:41He has been at the head of La Promesa for many years
10:44and has found a way to have eyes and ears
10:46in every corner.
10:48I understand.
10:49It must have been both of them.
10:51Look, I'm going to be direct.
10:53Do you want to tell me your version of this matter?
10:57The truth is no.
10:58I already told my father everything,
11:00and he took the matter lightly.
11:02Okay, well, nothing.
11:03Case closed.
11:05Before you go,
11:07I would like you to remember something.
11:12Do you remember why you are here?
11:14Excuse me?
11:15Do you know who made you call La Promesa here?
11:19Yes, I think it was a commitment of his.
11:22Exactly.
11:23And not everyone agreed.
11:26And have you ever wondered why I did it?
11:30Look, I wanted to have you here at La Promesa
11:34because I always thought you were a young man with great potential.
11:39And I thank you for your trust.
11:41Don't thank me with words,
11:43but give me back the trust I placed in you.
11:47Of course, of course.
11:49What do I have to do to...
11:51What you have to do is take advantage of the opportunities
11:54life gives you
11:55and continue with that drive and courage that characterizes you.
11:58But do not forget that the path to follow
12:00is probably not the easiest.
12:04Mr. Baeza, I urge you to be a little clearer.
12:07A good understander does not need many words.
12:10And you are better than good, Mr. Pellicer.
12:13If so far I have wanted to convey my trust in your worth,
12:17know that this can change at any time.
12:21I will do my best so that does not happen.
12:23Focus on avoiding conflict and disagreement.
12:27Disagreement?
12:28Yes, with the rest of the service.
12:31With Mr. Ruiz, with his father
12:34and even with Miss González.
12:37Did I explain myself well?
12:40I think so.
12:41Because otherwise I would have been forced
12:44to dispense with your services.
12:46And that's something neither you nor I want, right?
12:50Of course not.
12:58The explosions not only affected the center of cities like Nancy,
13:02causing hundreds of civilian victims,
13:05but also the surrounding forests,
13:07where the deployed battalions have registered the highest number of casualties
13:11since the confrontation began.
13:14My God.
13:16And in those forests is Manuel.
13:18From there he wrote the letter, the last one that arrived.
13:21Cruz.
13:22That region is as extensive as the entire province of Córdoba.
13:25It is most likely that neither Manuel nor Curro
13:27have been affected by that bombing.
13:30You can't bomb an entire province, right?
13:32Of course not.
13:36I have the feeling that this news
13:38is only the confirmation of all my feelings.
13:41Hence so many nightmares and bad omens.
13:44Cruz.
13:45Please, don't draw conclusions that have no logic.
13:48Well, I saw it, María Antonia.
13:50I saw my son in danger.
13:51I saw him drown in the rough waters of a river.
13:54But we already talked about it yesterday, Cruz.
13:57There are a thousand reasons that can cause those nightmares.
13:59Do you think this is consolation for me?
14:01The image was very real.
14:02María Antonia, very vivid.
14:04My son was dying before my eyes
14:06and I couldn't do anything to help him.
14:08Leave it, Cruz, please.
14:10Manuel will be fine, you'll see.
14:12This is a premonition.
14:14My son is really needing my help right now.
14:17Be reasonable, please.
14:20You can't spend the whole day
14:21entangled in such funest thoughts.
14:23Come on, let's go for a walk and get some fresh air.
14:26Now?
14:28Why not? It's a great day.
14:29No, no.
14:30The other day I went out and a wasp bit me.
14:32You're going to stop going out
14:33as soon as the wasps bite you.
14:34I said no, please.
14:38Forgive me.
14:41I'm very distressed, I don't feel like doing anything.
14:44This situation is getting the better of me.
14:46But Cruz,
14:47I have a bad feeling that something bad is going to happen.
14:51If it hasn't already.
15:01I don't get it.
15:02They wanted to have a good time with us
15:04and instead of being at the game,
15:06they were arguing all the time.
15:08What's the point of playing without money?
15:10That bad guy has a very bad temper.
15:12Very bad, but yes.
15:14Yeah, but he pays for it with his girlfriend.
15:17That's another thing I'll never understand,
15:19that love is blind,
15:21but not stupid.
15:23It doesn't work.
15:25And all this time we've been together,
15:27I've never seen him have a good time.
15:29Like you and me, for example.
15:31Well, to have a good time like us,
15:34you have to love each other a lot.
15:36Salvador, that's not what I mean.
15:38We're always thinking about the same thing.
15:42I don't know what they'll do in their privacy,
15:44I don't care.
15:46I just have a knot in my stomach
15:48that tells me something strange is going on.
15:51And especially with Vera.
15:53Well, something strange is going on.
15:55I can't get my head out of my face.
15:58I don't like Vera, the day of the berbina.
16:00Yeah, it didn't seem like they were having a good time.
16:03No, he was looking at us as if he were a lamb
16:06about to take him to the slaughterhouse.
16:08As if he were watching his butcher from afar
16:10with a knife in his hand.
16:12Now that you say it, Maria,
16:14I have to tell you something.
16:16I talked to Lope...
16:17Salvador.
16:19I was looking for you.
16:21Do you need help with any task?
16:23What I need is to thank you.
16:25Well, you and everyone else.
16:28Thank me for what?
16:30Because this morning my mother and Candela
16:32told me about the crêpe that was made for your operation.
16:35And that you are going to repeat the same thing
16:37to get the 550 pesetas
16:39and get my son back.
16:41Yes, well, the truth is that it was more Hanna's initiative,
16:44but I have also put my grain of sand.
16:45Well, and we're all going to put it.
16:47Even fill a desert if you do.
16:49Come here.
16:51What a good idea, Salvador,
16:53if you have a golden heart.
16:55It's not that much.
16:57If we get him to operate on my eye,
16:59then what less than gathering quarters
17:01to bring your child, right?
17:03And how nice they left him.
17:05Look at him, just like Ico.
17:07What is clear is that together we can do anything.
17:09That's it.
17:11Thank you.
17:13From the bottom of my heart.
17:15Well, if you're going to get excited
17:17and you're going to shed a tear.
17:19I'm so excited to think
17:21that I can get my Adolfito back.
17:24Although,
17:26I prefer to be cautious,
17:28that something always arises that complicates everything.
17:31No, you're going to get it.
17:33You just have to believe.
17:36You're right, Maria.
17:38I have to make an effort
17:40and start seeing life in a different way,
17:42more positive.
17:43Of course.
17:45Even if it's just to adapt to our height.
17:57Five hundred and fifty pesetas
17:59is not a piece of cake.
18:01No, but it's not hard for us to try.
18:03I'm going to be a hurricane.
18:05A coin that shines,
18:07a coin that hits the target.
18:14The press speaks of an intense bombing,
18:16but it does not specify the specific areas.
18:19And even if I did,
18:21I wouldn't be sure of anything.
18:24That's the way it is.
18:26There is no way to know
18:28if my brother and my cousin are also there or not.
18:30I see.
18:33Do you know when the bombing was?
18:36Yesterday.
18:38So it's too soon to know about it.
18:40I don't know.
18:41So it's too soon to know about them.
18:46I'm sorry.
18:48Catalina,
18:50it must be hell
18:52to live with that uncertainty.
18:54And I would like to be able to help you.
18:58No one can do anything
19:00to get Manuel back to work.
19:04Maybe there is something that can be done.
19:07What?
19:09I could entertain you
19:11or try to do it.
19:14I know a few sayings
19:16and my father taught me a song from a tavern
19:18that is not very soft.
19:21I'm sorry, I just wanted to help you.
19:23I'm a snob.
19:25Thank you for trying.
19:28But hey, tell me something about you
19:30that I haven't stopped talking about since you arrived.
19:33I don't know, the only thing I can tell you
19:35is that I'm pretty exhausted.
19:37I never imagined that my father's business
19:39would involve so much work.
19:41I dreamed that he would get up early
19:43and go to bed shortly after sunset.
19:45And not a day went by that he complained.
19:47And now you arrive ...
19:49And I'm crying like a baby
19:51at the first shift.
19:53Come on, I deserve all the stones
19:55that Rando finds me.
19:57You'll get used to it.
19:59And the work will be more bearable.
20:02I hope that one day I can take things more calmly.
20:05Even face new projects.
20:08Like ...
20:10The tavern songs.
20:12No.
20:14I meant something more ...
20:16fruitful.
20:18Like ...
20:20resuming your jam business.
20:23I know you don't aspire to much,
20:25but I could be one of your fruit suppliers.
20:27Man, you have plenty of fruit trees.
20:29That's right.
20:31You know what?
20:33I'm curious to know how your company started.
20:36Well, it all started with the talent
20:37of one of La Promesa's servants,
20:39Lope.
20:41A lackey who didn't stand out as a lackey,
20:43but he has a gift for the kitchen.
20:45And he made the first jams?
20:48That's right.
20:50Although saying that it was all thanks to him
20:52would not be fair.
20:54He contributed to the innovation,
20:56but without the good work of Simona and Candela,
20:58making the jams would have been impossible.
21:00I suppose you would also do your part.
21:02And then there is how much
21:04the women of Lujan helped.
21:06Although I suppose you are aware
21:08that a company is a collective task.
21:20Close the door and sit down, Santos.
21:30Thank you very much for coming so quickly to my call.
21:33I had no choice,
21:35considering that another rapist is waiting for me.
21:38In this case, you are wrong all the way.
21:40I'm not trying to upset you or anything like that.
21:44In fact,
21:46I would love to leave all that behind.
21:50Really?
21:52Yes, and I know it won't be easy.
21:55But if we could start over,
21:57at least in this palace,
21:59nothing would make me happier
22:00than you stop seeing me as an enemy.
22:07I don't see him as an enemy, Father.
22:10I understand that from time to time
22:12he has to keep up with me.
22:14After all, he is my superior
22:16and I suppose that goes implicitly in the position.
22:18Do you really understand that?
22:21I'm upset
22:23that it shouldn't be easy.
22:25Well, no.
22:27No, it's not.
22:28Sometimes it's hard for me
22:30to separate my feelings from yours
22:32and forget that, above all,
22:34we are father and son.
22:36Is there something
22:38I've never told you about?
22:41Because I didn't dare to share it with you.
22:44It's about your grandfather, my father.
22:46No.
22:48I've never talked about him.
22:50You didn't get to meet him.
22:52And what was he like?
22:54Well, he was a person
22:56with iron principles,
22:58obsessed with hard work
23:01and very marked by the bitter experiences
23:03he had in his youth.
23:05I understand that it was in other times.
23:07And that's why he was so determined
23:09to instill those values in me.
23:11But
23:13our relationship was
23:18complicated.
23:20I didn't know.
23:22Well, that's how it was.
23:23I wasn't in favor of following his dictation.
23:27I wanted him to continue
23:29working in the family farm.
23:32A farm?
23:34Yes, I didn't want to work the land
23:36or milk cows.
23:39If it's good for you,
23:41I don't imagine it's good for my father either.
23:43As far as I know,
23:45my dream has always been
23:47to work in a place like this
23:49serving great men.
23:51And your father opposed that.
23:53He said that I
23:55preferred to work for others
23:57having a farm on property
23:59that I had to get ahead of.
24:01And that's why we argued.
24:03We talked about a strong argument.
24:06Yes.
24:08Yes, so strong that I ended up
24:10leaving forever.
24:12And I left with one hand in front
24:14and the other behind.
24:16I never imagined, father,
24:18that I could be
24:20rebellious and rebellious.
24:21Correct.
24:23Well, you see.
24:25So I went to Cordoba
24:27and soon after,
24:29I started working
24:31on what I wanted.
24:33Serving?
24:35Yes.
24:37I've always been tenacious and persevering,
24:39like you.
24:41And that's why I've always done well
24:43from the beginning.
24:45And thanks to that,
24:47where are you now?
24:49Well, the thing is that
24:51being away from home,
24:54that's when I understood that
24:56despite our differences,
24:59my ...
25:02my father always
25:04always wanted the best for me.
25:09So,
25:11some time later,
25:13I tried to go to him
25:15to reconcile us.
25:18And could you make peace?
25:21A moment.
25:23No, I can't.
25:25He had passed away
25:28and I ...
25:30and I didn't know.
25:33I could never thank him
25:35for all the values he instilled in me.
25:40How sorry, father.
25:44And I don't want that to happen to me with my son.
25:52I suppose Cruz is very affected.
25:55Me too.
25:57How should you be?
25:59After all, it's our children who are in danger.
26:02I prefer to think that they are in the front
26:04carrying out a heroic gesture.
26:07It seems that this bombing has been a massacre.
26:10What do you think, as a soldier?
26:12No matter how much experience you have,
26:14it is difficult to shed some light
26:16on this matter,
26:18only from ...
26:19from the information in the newspapers.
26:22And do you have more data?
26:24Silence sepulchral.
26:26Although judging by the ammunition
26:28used by German aviation,
26:30I intuit that the consequences have been devastating.
26:35I feared it.
26:37Although I also tell you
26:39that it takes many horses to destroy
26:41the forests of Alsace and Lorena.
26:43But a single projectile
26:45to end the lives of our children.
26:46Not knowing anything else
26:48makes me feel very powerless.
26:51Couldn't you find out something?
26:53Let's do one thing.
26:55I'm going to put you in contact
26:57with the superior with whom I had dinner the other night.
26:59Maybe when he notices your desperation
27:01he will come to tell you something else.
27:03Yes, give me the signs.
27:05I'll call him.
27:07And do we know anything about Martina?
27:10No.
27:12I hope her stay in that sanatorium
27:14is less regrettable.
27:16Talk about what Cruz says.
27:18She, better than anyone,
27:20should know that those places
27:22are not as terrible as it seems.
27:24Maybe I should take notes on the matter.
27:26Do you also want to know my opinion?
27:28No.
27:30But you're going to give it to me anyway.
27:32You see, as I see it,
27:34one has to breastfeed with what he does.
27:36And that girl has tried to poison Ayala.
27:38That is to prove.
27:40Whatever you say.
27:42Whether it is proven or not,
27:44what is true is that Ayala was right
27:46and that any place is much better for Martina
27:48than jail.
27:50Any place is better than jail.
27:52Better than the French front?
27:54Not everything is black and white, Alonso.
27:56At this point you should know it.
28:06So much effort trying to get that business going,
28:09and he goes and puts it in the hands of that captain
28:12who, from what I see,
28:14doesn't trust a hair of him.
28:17Things are like this, Adriano,
28:19but I prefer to leave it be.
28:21I don't want to stir it up anymore.
28:24As he did with the management of his farm,
28:27which you used to take care of, right?
28:29Yes, as you said, that was before.
28:34Past water does not move mills,
28:36as the saying goes.
28:38That's right.
28:40But he also says that the waters return to their course.
28:42And in his case,
28:44it seems inevitable.
28:46What do you mean?
28:48Well, sooner or later he will be in charge
28:51of his farm's management
28:53as well as the marmalade business.
28:55Now I see it complicated.
28:59My God, I think I'm a little late.
29:03I'm sorry to have entertained you.
29:05I just wanted you to take a book to read.
29:07A book?
29:09You know that books and I
29:11are not good friends.
29:13Well, it's time for you to start doing them.
29:14Any recommendations?
29:16Do you intend to fill the whole hangar with books?
29:21I don't like all the ones I brought
29:23on my last visit to the palace.
29:25I don't like having them like this,
29:27but my shelf has broken
29:29and I don't know where to put them.
29:31So, I insist, take one.
29:33If I can think of something better,
29:35let me set up a shelf.
29:37You don't want to read either?
29:39Do you prefer to set up a shelf?
29:41It will be more practical.
29:42Let me do it.
29:44It's my way of helping you.
29:46Okay.
29:48You'll see how I do it in a moment.
29:50And in the meantime,
29:52you can keep telling me things.
29:54Well, go ahead if you think
29:56I'm going to let you do it alone.
30:04As I told you, Santos
30:06was very cordial
30:08and willing to start over.
30:10Without much friction.
30:12That's great news, Ricardo.
30:15I'm very happy for you.
30:17Yes, of course.
30:19The funny thing is that I had already tried
30:21to get close to him many times
30:23and I had never succeeded.
30:25What could have changed in his attitude?
30:27What else?
30:29Today was the day and that's it.
30:31Yes, but I don't understand why.
30:33I don't know.
30:35Did you tell him something that made him reconsider?
30:37I told him about my father.
30:39About all our differences
30:41and how things ended.
30:43It must have been that.
30:45For the first time, he put himself in your shoes
30:47and understood that it is not easy to be a son,
30:49but it is not easy to be a father either.
30:51Much less to be on good terms.
30:53Yes, I think so.
30:55I think for the first time
30:57he looked at me in a different way.
31:00And that smile?
31:02Nothing, that I'm happy for you.
31:04Well, it seems to me that you have been surprised
31:06quite a bit,
31:07because, as a saint,
31:09you always make things difficult for me.
31:11Well, it's a matter of time
31:13that you will fix your differences.
31:15Well, it doesn't always happen.
31:17My father and I go no further.
31:19That's another story.
31:21But the fact that he listened to me
31:23without interrupting me scares me.
31:25You don't have anything to do with it, do you?
31:27Me?
31:29Have you talked to him?
31:31Not at all, at all.
31:33This desire to deny it makes you suspicious, doesn't it?
31:35No.
31:37It's a lie.
31:39Come on, come on, confess it.
31:41Have you talked to him?
31:43The only thing I told him
31:45was that he had to smooth things over with the service,
31:47including you.
31:49Even though I asked you, I would take care of it.
31:51Thank you very much, Romulo.
31:53You are a very good friend.
31:55Now the important thing
31:57is that we recover that good boy
31:59who is under that armor of pride.
32:07Thank you.
32:34Thank you for waiting for me with the lights on, Hanna.
32:36If I don't pee before going to bed ...
32:38I know.
32:41What's wrong with you?
32:43You look sad.
32:45I'm tired.
32:51Because of the news of the bombing in Sasia and Loretta, right?
32:56The truth is that it has me with the soul, Milo.
32:59The newspaper has said that
33:01that was an intended caricature,
33:03so ...
33:05How you want to scare people.
33:07Couldn't they put
33:09more beautiful news in the newspapers?
33:11Unless it had to be really terrible.
33:14All wars are, Hanna.
33:17But don't get into the worst
33:19because I'm sure they won't be there
33:21and Manuel and Mr. Curro.
33:23Maybe yes.
33:25Because the last time I wrote a letter to Manuel
33:27I came from that area.
33:29Well, don't say huge things
33:31because if I don't turn off the light
33:33and we both go to sleep.
33:35I'm going to end up imagining horrible things.
33:38Do you know what I'm going to do?
33:40I'm going down to the kitchen for a glass of milk.
33:42They say it's holy water.
33:44It will reconcile sleep.
33:46You shut up and obey.
33:48Because you will agree with me
33:50that you can't spend the whole night in the candle.
33:52No.
33:54Well, then you stay here quiet
33:56and I'll be right back with the glass of milk.
34:06And have you managed to find out
34:08anything I told you?
34:10That's right.
34:12And well?
34:14I told you the truth.
34:16Really?
34:18I went to the town of Pia
34:20and visited the cemetery.
34:23His grave.
34:25His grave.
34:27His grave.
34:29His grave.
34:31His grave.
34:33His grave.
34:35His grave.
34:37His grave.
34:39What?
34:41I waited until nightfall
34:43to do the relevant checks.
34:46Did you profane his grave?
34:49No, Mrs. Narcos.
34:51I did not profane any grave
34:54because when I opened the coffin
34:59it was empty.
35:01Jesus Maria, José!
35:02If, for being extravagant, everything indicates that you were right.
35:10Pia is alive.
35:13And she will be hidden somewhere near here, probably taking care of that intruder Hanna.
35:21And what do you plan to do now?
35:24Follow that maid, of course.
35:27Find out where she's going when she leaves the palace and give her my wife's whereabouts.
35:33I need your help for that.
35:35Count on it.
35:38I've already started doing my part.
35:40What do you mean?
35:42Well, yesterday I apologized to everyone for my attitude lately.
35:48But as you will understand, I only intended to lower the guard.
35:51Vargas has hit me.
35:54I need you to be my eyes and my ears.
35:58The promise.
36:00Count on it, Mr. Castillo.
36:02But now leave.
36:04It is convenient that no one sees you around here.
36:21Hanna.
36:25Hanna.
36:26What are you doing, Maria?
36:27Can't you see that you're not letting me sleep in peace?
36:30I was surprised to see Petra on the garden stairs, talking to Gregorio.
36:35What? Gregorio is here?
36:37Yes, I saw him with these two eyes.
36:39They were talking in the dark and those two can't get any better.
36:42But where are you going in such a hurry?
36:44To talk to Don Ramulo.
36:46But are you crazy until now?
36:47But are you crazy until now?
36:49Maria, there's no time to lose, this is serious.
36:51I'll be right back.
36:57It will hardly be an escape.
36:59A few days away from the promise, away from all this noise.
37:02I don't know if it's appropriate, Ignacio.
37:05I think that after everything that has happened, you and I deserve it.
37:08I just don't feel like doing a leisure trip when my daughter is hospitalized in a sanatorium.
37:13Precisely.
37:14This trip is to compensate you for so much suffering.
37:18Really? And who compensates her?
37:21You know she can't receive visitors in the first few weeks.
37:24Your suffering doesn't help her at all.
37:27Let's go far away.
37:29Let's recover energy, you will need it when they finally let you visit her.
37:34I don't know, maybe you're right.
37:37This topic is driving me crazy.
37:39It will be wonderful for you, you'll see.
37:42Let's go to the coast, near the sea.
37:45Well, it can be fine, yes.
37:47I have some friends, the men of Escañuela, Don Antonio and Doña Bárbara,
37:51they have a palace in Sanlúcar de Barrameda.
37:54I don't have the pleasure.
37:56They are a charm, they recently wrote to me and invited me to spend a few days with them.
38:00It's not far away.
38:02What do you think?
38:04I don't know, Ignacio, I have doubts about all this.
38:08Cruz.
38:10Good evening.
38:12What are you doing up so late?
38:14I can't sleep.
38:16I suspect you neither.
38:18But you have to rest, dear.
38:20I prefer to be up.
38:22I refuse to go around in bed.
38:24Do you want us to make you a herbal tea? Maybe you can sleep better.
38:27No, you don't understand, Ignacio, I don't want to sleep.
38:30For nothing in the world I would like to have one of those nightmares again.
38:34Well, stay with us then.
38:42What were you talking about?
38:44It's important, we were making plans.
38:47What kind of plans?
38:49Little, given the current circumstances with Martina, who has just been admitted.
38:53Have you heard anything else from her?
38:55No.
38:57The truth is, no.
38:59We can't be calling day after day.
39:01I already told you.
39:03Until a few days pass and the doctors see how she adapts, they won't be able to tell us anything.
39:07This is another of the issues that doesn't allow me to continue the dream.
39:11There were no plans.
39:13You took her from here, from the palace, at midnight, and in a hurry.
39:17Without even allowing me to do anything about it.
39:20You shouldn't have done anything, Cruz.
39:22Oh no? Not even say goodbye to her?
39:24Well, we did the right thing.
39:26You acted without heart and with a lot of selfishness, that's the truth.
39:29Well, enough, I'm a little fed up with so much hypocrisy.
39:31You're a lynx looking at the straw in someone else's eye and not looking at the beam in Cruz's own.
39:35Don't talk to me in that tone.
39:36Well, as I've been told, you did exactly the same thing with your sister Eugenia on the last visit.
39:41You took her out of the palace, in a hurry, in the middle of the night, without letting her say goodbye to her son.
39:46My poor sister has a real disorder.
39:48She has no point of comparison.
39:50That doesn't justify how you behaved.
39:52Well, in our defense, I would say that we follow the recommendations of the specialists.
39:56They advised us to spare Martina the disgust of saying goodbye to her family.
40:01Exactly.
40:02It has nothing to do with depriving Curro of an undeserved farewell from his mother.
40:06Well, enough.
40:08And stop mentioning Curro.
40:10That spoiled brat.
40:12You have no right to talk about him like that.
40:14No, yes, yes, I have the right.
40:16And do you know why?
40:18Because if it weren't because that capricious man had to go face to face,
40:21right now my son would be in La Promesa, safe and sound.
40:33What do you mean Mr. Castilla has been in La Promesa?
40:36Maria Fernández saw him.
40:38When?
40:40A moment ago, he went down to the service floor for a glass of milk and saw him talking to Mrs. Petra,
40:44who were on the stairs leading to the garden.
40:46Maria Fernández is completely sure that it was him.
40:50She couldn't have confused him with ...
40:52It was him, Mr. Baeza, it was him.
40:54And I think we should wake everyone up to see if they catch him.
40:56No.
40:58I'm sure he's already left.
40:59He's the same as he came in.
41:01Giving the body to the soul, the only thing we're going to get is to give Mr. Arco a warning.
41:05Yes, now I understand about his apologies.
41:08If he asked for forgiveness, it was so that we would lower the guard.
41:11That's right, that's right.
41:13And he has achieved it.
41:15That man has entered a palace, it shows how exposed we are.
41:18But what are we going to do?
41:20Because it is clear that we have to continue bringing him food and supplies to Mrs. Pia.
41:24That is out of the question.
41:26Mrs. Petra is watching us.
41:29As we know, here she will tell you anything if she finds out something.
41:32We will have to be extremely careful if we are in a jail.
41:37They also have their point of view on me.
41:39And in fact, I'm convinced that Gregorio knows where I'm going, so ...
41:43You are in serious danger.
41:46That man may be on the lookout to follow you next time.
41:50You don't have to go back to that cave.
41:53No, no, no, no, because you are not only putting yourself in danger, you are also putting Mrs. Pia in danger.
41:59And then what is the supply going to bring him?
42:02I don't know.
42:04Well, we have to think about it quickly.
42:06Because we are thinking too much about the agreement and Mrs. Pia has neither water nor food.
42:09You are absolutely right.
42:11What are we going to do?
42:13For a moment, take a deep breath and relax.
42:16It is clear that this man is not going to do anything tonight.
42:19It is true that we have to act in haste, but it is essential to do things cautiously.
42:24Tonight I will reflect, tomorrow we will talk.
42:27Well.
42:29Let's go.
42:53Lope, good morning.
42:56Good morning.
42:57Can I steal your moment?
42:59Sure, what do you need?
43:01I haven't been able to get my head out of the conversation we had.
43:06And I have come to the conclusion that you are right.
43:09All the reason.
43:11That I can't go on like this and that I have to face Santos.
43:16Are you serious?
43:19I have been naive not to want to face him and I can't delay it any longer.
43:25I agree.
43:27I will not give up.
43:29Because if not, all this will go further and I will end up going crazy.
43:33So I have decided that I will try to solve all this for good.
43:40And if Santos does not agree?
43:43Well, he will have to accept my decision.
43:46And if he doesn't, wait.
43:48And if he decides to reveal the secret of your past, what?
43:51Then I will have to assume the consequences.
43:54If only you told me what it is about.
43:58Lope, I appreciate that you have supported me so far without knowing it.
44:02And at the moment I prefer it to continue like this.
44:06Okay, as you prefer.
44:10You know you have me for what you need.
44:13You know that, right?
44:15I don't know.
44:21I'm glad about that decision you're making with respect to Santos.
44:25You are being very brave.
44:27Look, I'm really very proud of you.
44:32Well, I wouldn't have achieved all this if it weren't for your help.
44:39In fact, I haven't achieved anything yet.
44:43But you will do it.
44:46You'll see.
44:48And if you want, after I solve all this,
44:54we can get back what was between us.
44:58Of course.
45:02Because I need you to breathe, Vera.
45:08But I'm very afraid.
45:12I'm afraid.
45:13But I'm very afraid.
45:14I'm afraid.
45:41So you didn't have problems with the isolator?
45:44I'm not saying I didn't.
45:45Come on, my eyes lit up when I saw Marra's bracelet.
45:49You don't know how much I appreciate it.
45:51It has been a pleasure to help you, friend.
45:53You can't imagine how happy I am to know that this letter is traveling.
45:56Thank you, my love.
45:57It's only a matter of time before it reaches its destination.
46:00Well, now with all this war, things are going slower than usual.
46:03But yes, it will end up arriving.
46:06You'll see.
46:07And that's what matters.
46:09God hears you.
46:10And when that letter reaches Curro's hands, he'll know where you are
46:13Why do you still want to tell him about everything?
46:16I hope so.
46:22Wait a minute.
46:24Do you know his name?
46:28Curro?
46:29That's what his name is, right?
46:30Yes.
46:32Yes, but I haven't told you what his name is.
46:36He must have escaped you.
46:37Otherwise, how would I know?
46:39No, no, he didn't escape me.
46:40How do you know?
46:42Maybe I read it in the envelope.
46:43When you gave it to me.
46:44To send it.
46:45Yes, I know you put Francisco, but Curro is short for Francisco, isn't it?
46:49Yes.
46:50And it's also Fran, and Cisco, and Paco.
46:53How do you know it's Curro?
46:55I tested my luck.
46:57You'll introduce him to me, right?
47:00Let's continue with the walk.
47:08It's my bracelet.
47:09My bracelet?
47:10What are you doing?
47:11It's mine.
47:12No, no, it's the bracelet you were going to give to the jailer so he could send the letter to Curro.
47:15What are you talking about? This bracelet is mine.
47:17It's Martina's.
47:19Yes, and Martina is me.
47:21That's not true.
47:22I'm Martina.
47:23I'm Martina and Curro is my boyfriend.
47:24What?
47:25Juana, please give me the bracelet.
47:26It's mine.
47:27I'm Martina.
47:29You can't imagine how much I miss you, Curro, and how much I want to hug you.
47:35I pray every day that you end that war and come back safe and sound.
47:38Have you read my letter?
47:39It's my letter.
47:40No, it was an intimate letter.
47:42It was my letter.
47:43What's this game about? I don't understand it.
47:44My letter.
47:45Martina's letter.
47:47My bracelet, Martina's bracelet.
47:49What?
47:50Curro, my boyfriend.
47:51Martina's boyfriend.
47:52What are you doing? Are you crazy?
47:56Juana, Juana, Juana, look at me, please, Juana.
48:01Juana, please, Juana.
48:08Get out of here.
48:11Since Martina is recovering in the sanatorium, you and I should definitely seal our love.
48:18Are you talking about getting married?
48:20Yes.
48:22Are you rejecting a gift from me?
48:24I could accept it on one condition.
48:27And what is that condition that you want to put?
48:30That she accepts my invitation to dinner.
48:31When I call to explain what happened, they kick me out.
48:34They kick me out.
48:35It torments me to think about what will be happening to my niece locked up there.
48:38How did it happen that Gregorio came back here?
48:40Has he made any decision about it?
48:43He has decided that María Fernández and you will leave here.
48:47And me? How can we leave?
48:49Where are we going?
48:50And those days you say, how many days are they?
48:52And above all, Jana, why are we leaving?
48:54No matter how hard you try to hide it, you notice more and more that something is happening to you.
48:58Well, even if it is, I ask you, please, not to meddle.
49:02There are things that it is better not to meddle.
49:04I am offering myself to help you.
49:07Maybe it would be good for me to vent.
49:09Of course it would be good for you.
49:11It seems that several attacks of the enemy have occurred in the place where Curro and Manuel were.
49:18And there are many dead.
49:21The problem is that many of them are unidentified.