A Feia Mais Bela - Episódio 239
Luigi descobre a verdade sobre Aldo estar apaixonado pela Lety e decide então se vingar. Porém Fernando e Omar descobrem seu plano.
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00:00I know you'll never understand this absurd feeling
00:08I know I'll never have the fortune of a kiss
00:16It's true that every day I'm living in a fairy tale that I made up
00:25And even so, I'll take care of you, almost reading your thoughts
00:33And even so, I'll stay, always by your side, next to your silence
00:41And even so, I'll follow you, until the world changes and turns upside down
00:51Here I'll be
01:00And even so, I'll take care of you, almost reading your thoughts
01:08And even so, I'll stay, always by your side, next to your silence
01:16And even so, I'll follow you, until the world changes and turns upside down
01:28Here I'll be
01:42Confirmed
01:44Oh no, it can't be
01:48Aldo gave the book to Ornitorrinco as a gift
01:51The Taste of Life
01:54Oh no, no, no, for me it's the Taste of Faith
01:59Oh Aldo, no, it's the Taste of Disappointment
02:05Oh no, for sure this dedication is a joke
02:09And this barracks just did this to annoy me
02:15The Taste of Love
02:19What knows love
02:22With you, Letty, love knows glory
02:27No, no, no, no
02:30Oh no, oh no, it can't be
02:37Why Aldo, no
02:40No, no, no
02:42Oh no, oh no
02:47What happened?
02:48Oh, Fernando, I have no idea
02:51I just know I heard a noise and then the screams of oh, it can't be
02:54Yeah, that's why I asked, what happened?
02:57I think the screams come from the Presidency
02:59Yeah, it looks like they're coming from there
03:01But what an intuition you both have, you're impressive
03:03Yeah
03:04No, no, no, it can't be
03:07Of course, it's your butterfly
03:10Who else could it be?
03:12It can't be
03:14I would accept that Aldo was in love, I don't know, even with Alice Chestnut
03:19Well, even with Joanna
03:21No, no, no, not even with Joanna, not even that much, Luigi
03:24Oh, well, but for the fright, for the cacophony, for the grotesque, for the haunt
03:30For the creepy, for the horrible, for the creepy, Letty, nightmare
03:35Oh no, no, no, Aldo, for God's sake
03:38You can't do this to me, that's the natural law
03:42We handsome people are forbidden to fall in love with ugly people, don't you understand?
03:47Oh no, I'm offended, very offended
03:51Oh no, no, but
03:55I won't allow self-domination
04:09Yes? Editor Gutenberg?
04:14Yes, good afternoon, this is self-domination
04:18Yes, yes, just now they called me to tell me that my books are a little late
04:25No, no, what happens is that there is a change, don't worry
04:30Look, the presentation will not happen at the convention center
04:34I'll give you a new address to let the driver know
04:38Yes? It's Patriotism Avenue 1345
04:43Yes, right here in this neighborhood
04:45Okay, thank you very much
04:49Oh, now yes, Aldinho
04:52You should never have fallen in love with Leticia Padilla
04:56Oh, you're going to pay me dearly for that
05:00Oh, and me? Oh my God
05:10Yeah, I think...
05:11Calm down, calm down, calm down, Fernandinho, calm down, just a minute, stay calm, calm, I'll close the door
05:16Calm down, calm down, Fernandinho, calm down, you're already there, you're already there, don't worry
05:21Can I know what happened to that maniac?
05:23I don't know, I don't know, but he noticed, he changed the address
05:26It's okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay
05:30Okay, come on
05:32Chin chan pooh
05:36Scissors, cut the stone
05:42The recipe books from the cook from the, from the, from the, from the menu
05:46They won't be in the presentation. Carvajal, you got that
05:49Yes, yes, yes, I noticed, I was there, don't you remember, you even fixed the caramujão comic
05:53Yes, is one thing I need to do
05:56But what is this? It looks like the books are yours.
05:59Carvajal, please feel the dilemma.
06:02That is, to be or not to be, for you to be or not to be, that's the question.
06:06No, Shakespeare, no.
06:08No?
06:09Look, or we leave things like this, or we interfere.
06:12Well, no, it hasn't been your story?
06:15Yes, yes, yes, yes, you're right, but that's not the point.
06:18No, look, look, little brother, as soon as the conjun... conjun...
06:22Conjuncture.
06:23Conjuncture.
06:24Exactly.
06:25Yes, yes, if I were to omit and let the books not arrive,
06:28Domensaim would not take advantage of the event to launch his famous...
06:33What's his name again?
06:34The book, the book.
06:35The book.
06:36Then the whole event would be over,
06:38because the presentation of Domensaim's book is the soul of the event.
06:41What a dilemma.
06:42Yes, yes, yes, yes, but now there's another one.
06:44Isn't that what you wanted?
06:46Say, boycott the famous presentation, isn't it?
06:49No, it wasn't you who invented this ridiculous idea of the wooden book
06:54that comes out of a little piece of paper and that...
06:56Exactly, exactly.
06:57Okay, first of all, this famous presentation is part of the gastronomic expo,
07:02as I said.
07:03The expo and the whole campaign will help concepts, right?
07:07In other words, it's a project of my Lete, of Lete, of the president.
07:13Yeah, and it's missing Dilah.
07:16Of Domensaim.
07:17Domensaim, perfect.
07:18That's it, that's it, that's it.
07:21But I can't do that with Lete either.
07:24But I'd love to screw up Domensaim's idiot party.
07:28Okay, and what are you going to do?
07:30I don't know, I don't know, Carvajal.
07:31I have to relax and think.
07:32Give me the scissors, please.
07:33Yes, of course.
07:41Maninho, the stone breaks the scissors.
07:45Of course, of course.
07:46The stone breaks the scissors.
07:48Yes, okay, I'll give you one, I'll give you one.
07:50No, I didn't mean to.
07:51I didn't think you were safe, I didn't think you were safe.
07:53It's just that the game's over and you weren't safe.
07:55And the stone wins the scissors.
07:57Yes, yes, yes, win, win.
07:58Go, please, please.
08:01Let me just get my little plant.
08:03And the scissors can...
08:04No, no, no, no.
08:05The scissors...
08:08You got me.
08:10You got me.
08:19Son, how are you?
08:23Dad, I'm glad you're here.
08:25You look a little nervous.
08:27Is it because of the presentation of your book?
08:30Yeah, actually, I'm a little worried, Dad.
08:32Very worried.
08:33Calm down.
08:34But you've never had a problem talking in public.
08:37It's going to be fine.
08:39That's not the problem, Dad.
08:41So what's the problem?
08:43Look, it's just that they haven't delivered the books yet.
08:45Aldo!
08:46Aldo!
08:47Hi, Mr. Fausto.
08:48How are you?
08:49Hello, dear.
08:50Pleasure to see you.
08:51Likewise.
08:52Aldo tells me a lot about you.
08:54How's it going?
08:56The books haven't arrived, Leticia.
08:58I don't know what I'm going to do.
08:59What do you mean, they haven't arrived?
09:01Did you ask at the reception?
09:03Yes, yes, but I can't believe it.
09:05It's such an important night for us.
09:07And look what's going on.
09:09And did the editors say anything?
09:11Did you call them?
09:12They already sent it.
09:13But why haven't they arrived?
09:14Why?
09:15Then call them.
09:16Call them again.
09:17Dad, please, let's say the same thing.
09:18But call them.
09:19It's no use.
09:20Call them, Aldo.
09:21It doesn't cost anything.
09:22Yeah, okay.
09:23I'll call them.
09:26Hello?
09:27Yes, this is Aldo from the messiah again.
09:29Oh, excuse me.
09:30Excuse me.
09:31Excuse me.
09:32Excuse me.
09:33Good evening.
09:34Can you tell me what happened to the books?
09:37Yes, yes, yes.
09:38That's what they said.
09:39But nothing came here.
09:41And where did they send it?
09:46Oh, but how, ma'am?
09:48How?
09:49And that's not the address.
09:53Aldo himself from the messiah
09:55called to change the delivery place?
10:01Find your people and tell them it was a mistake.
10:05I don't know how they're going to do it,
10:07but I need the books as soon as possible.
10:10I don't get it.
10:12I didn't call to change the address.
10:16Fernando.
10:23Easy.
10:24Oh, guys, look who's here!
10:26Hello!
10:31What in the World?
10:33Who are you?
10:35Who?
10:36What are you doing here?
10:37Here, here.
10:43Hi, Saletti. We've been looking all over for you.
10:46Congratulations, Aldo.
10:49Thank you, Mrs. Juliet.
10:52I congratulate you, too.
10:54It must be a very important night for you.
10:57Yes, it is, Mr. Ashmore. Thank you.
11:01But what happened?
11:03You look nervous.
11:05Well, what did you expect?
11:07What's going on with Aldo isn't just anything.
11:12Allow me to introduce myself. Good evening.
11:14I'm Fausto Domenzaim.
11:16Oh, you're his father.
11:18Yes, yes. Sorry for the distraction, but I'm very worried.
11:21Mrs. Juliet, Mr. Ashmore, this is my father.
11:23Oh, it's a pleasure, Mr. Domenzaim. Congratulations.
11:26Thank you very much.
11:27You have a great son.
11:29Really, this boy is an extraordinary person.
11:32Thank you. I know, I know, I know. Thank you.
11:35I'm Erasmo Padilha Garcia.
11:37It's a pleasure.
11:39We really like your son.
11:42If I had a hat, I would give it to you.
11:46As my wife says, Aldo deserves all our respect.
11:51To us, he is part of the Padilha Solis family.
11:56Yes. Thank you. I'm very happy.
11:59No, no, but don't think we said that to please you.
12:02No, no, no.
12:04That's nice, isn't it?
12:06Leticia, it doesn't make sense to stay here waiting.
12:09The books will never arrive.
12:11Aldo.
12:12I'm going to cancel the presentation. I'm going to cancel it.
12:14Aldo!
12:34This is very strange.
12:36There's no one here.
12:38What now, partner?
12:39I think Lupe gave us the wrong address.
12:41Yeah, poor thing.
12:42Who was waiting for these little books?
12:44The taste of life.
12:45I think it was for a very important event.
12:48So that's it.
12:50Get down.
12:51Get down.
12:52What are they going to think of us?
12:54Get down, or they'll see you.
12:56I'm going to use plan A.
12:57If it doesn't work, I'll use plan B, okay?
12:59Plan B?
13:00Yeah.
13:01But what's plan B?
13:02Let's go.
13:06Good evening.
13:07Good evening.
13:08Good evening.
13:09Fernando Mendiola, your...
13:11No, your.
13:12For you, Fernando Mendiola.
13:13What a beautiful truck, huh?
13:16Wow, beautiful.
13:18Is there a problem?
13:20No, no, but the sticker is peeling off.
13:22But it's a beautiful truck.
13:24Are you lost?
13:26More or less.
13:27We're looking for the address, but we haven't found it yet.
13:30Don't tell me, boy.
13:32It's just that...
13:33It's just that in this city, you know how it is.
13:36There are no signs with the names of the streets.
13:38And when there are, the little trees end up covering it.
13:41I'll explain.
13:42Look, I'm Fernando Mendiola.
13:44And these books you're taking...
13:46They're not books.
13:48Well, they're little books that bring some recipes.
13:51That's it.
13:52They're important for the presentation we're going to do.
13:55Well, the books aren't very important.
13:57They're the least important, actually.
13:59They're part of a very important campaign.
14:01And the thing is, I'm waiting for these books, you know?
14:04What are you talking about, little boy?
14:06You think we're stupid?
14:08What is it?
14:09Wait, wait, wait.
14:11Wait a minute, my dear.
14:12Wait a minute.
14:14Did you call me a little boy?
14:15Is that it?
14:16Because I don't see any around here.
14:17Yeah, little boy.
14:18I called you a little boy.
14:20Oh, okay.
14:21Is there a problem?
14:22No, no.
14:23Blah, blah, blah, blah, blah.
14:25Blah, blah, what?
14:27Blah, blah, blah, blah, blah.
14:29Blah, blah, blah, blah, blah.
14:31This guy is crazy.
14:32No, no.
14:33There are birds and they respond.
14:35Blah, blah, blah, blah, blah.
14:37Blah, blah, blah, blah, blah.
14:39It's cold here, right?
14:40And there's rheumatism and flies.
14:42It's full.
14:43What, bro?
14:44Oh, it's cold, right?
14:46Blah, blah, blah, blah, blah.
14:48Blah, blah, blah, blah, blah.
14:51Who?
14:52Who wanted to sabotage the book presentation?
14:55We think it was Fernando Mendiola.
14:58Oh, okay, okay.
14:59You don't have to worry.
15:01Look, if the book doesn't arrive, I'll postpone the presentation.
15:05But that's really amazing.
15:07Does this Mendiola guy not understand
15:10that boycotting the event is harming the company?
15:14Yeah, Mr. Fausto.
15:15But that's the problem.
15:16Mr. Fernando is so impulsive that he never measures the consequences of his own actions.
15:20And that's why Conceitos is in trouble.
15:22I just want to say that a person like that at Conceitos
15:27will only harm more and more.
15:30I'm sorry, Aldo.
15:32This was the best time to present your book.
15:35Yeah, I know, Dad.
15:36You're right.
15:38And you don't know how much it hurts me.
15:39I know, son.
15:40I know.
15:41It's all going wonderfully well.
15:44Oh, Luigi Lombardi, you're a genius for intrigue.
15:47You deserve it, Aldo, for falling in love with this thing.
15:55It's over. It's over.
15:57I'm sad.
15:58I have a broken heart.
16:00And when a man's heart breaks, it's hard to control.
16:04But, Mr. Fernando...
16:05No, no, no. I need to talk.
16:07It's just that it rains a lot here.
16:09It's raining too much.
16:11Here?
16:12Of course.
16:13If you're not from here, where are you from?
16:15Are you from the South Zone? Where are you from?
16:18I'm from the East Zone.
16:20You're from the East Zone.
16:21Oh, yes, yes, yes.
16:22Of course.
16:23It rains a lot here.
16:24It rains a lot.
16:25Yes, it rains a lot.
16:26And I have to say that my girlfriend is very beautiful.
16:29She's an angel.
16:30They've been together a long time, sir.
16:31Give me a hug.
16:32Give me a hug here.
16:33Like this.
16:34Like this.
16:35Thank you.
16:36Thank you.
16:37Give me a hug.
16:38You're very kind, you know?
16:39I need this hug.
16:40This is very good.
16:41This is...
16:42Hey, Mr. Fernando, are you all right?
16:44No, no, no, no, no.
16:45I feel good.
16:46The fraternity you just gave me in the hug was very important, you know?
16:49Very important.
16:50Hold him.
16:52Sorry.
16:53I fell, I fell.
16:54I think I lost my balance.
16:55I lost my balance.
16:56Are you feeling sick?
16:57I am.
16:58Are you sick?
16:59I'm sorry.
17:00I'm sorry, sir.
17:01I'm feeling very sick.
17:02It's just that sometimes I fall.
17:03I lose my balance and I fall.
17:04It always happens to me.
17:05I hear a noise in my ear and boom, I fall.
17:08I feel sick.
17:09I feel sick.
17:10Animal.
17:11Look, sir, you're in trouble.
17:12I'm an animal.
17:13I'm an animal.
17:14Look, sir...
17:15Now you're going to fall.
17:17No, no, no, no, no.
17:18Now you're going to fall into a puddle.
17:20May God keep me and set me free.
17:23Get ready for the puddle.
17:24You're going to fall.
17:25Yes.
17:26Yes.
17:27Wait, wait, Mr. Fernando.
17:29Come here.
17:30Come here.
17:31Wait.
17:32No, no.
17:33Why are you pushing me?
17:34Give me another hug.
17:35Another fraternity hug.
17:36Another hug.
17:37Thank you.
17:38Thank you.
17:39I'm feeling sick.
17:40Look, Mr. Fernando, I'm going to recommend some tequilas, okay?
17:42I'm inviting you.
17:43Don't worry.
17:44No, no, no, please.
17:45I'm inviting you.
17:46Enjoy the tequilas.
17:47You can stay with the gentleman.
17:48I'm inviting you, okay?
17:49Drink and enjoy.
17:50You can go.
17:51Go, go, go.
17:52You too.
17:53Bye.
17:54Bye.
17:55Take care.
17:56Bye.
17:57Thank you.
17:58Thank you.
17:59Thank you for listening to me.
18:00You'd better give me your phone so I can talk to you every week.
18:01What do you want?
18:02Are you crazy?
18:03Aren't we at the carnival parade?
18:04I hope I haven't seen you.
18:05What do you want?
18:06What do you want?
18:07What do you want?
18:08What do you want?
18:09What do you want?
18:10What do you want?
18:11What do you want?
18:12What do you want?
18:13What do you want?
18:14What do you want?
18:15What do you want?
18:16What do you want?
18:17What do you want?
18:18What do you want?
18:19What do you want?
18:20What do you want?
18:21What do you want?
18:22What do you want?
18:23What do you want?
18:24What do you want?
18:25What do you want?
18:26What do you want?
18:27What do you want?
18:28What do you want?
18:29What do you want?
18:30What do you want?
18:31What do you want?
18:32What do you want?
18:33What do you want?
18:34What do you want?
18:35What do you want?
18:36What do you want?
18:37What do you want?
18:38What do you want?
18:39What do you want?
18:40What do you want?
18:41What do you want?
18:42What do you want?
18:43What do you want?
18:44What do you want?
18:45What do you want?
18:46What do you want?
18:47What do you want?
18:48What do you want?
18:49What do you want?
18:50What do you want?
18:51What do you want?
18:52What do you want?
18:53What do you want?
18:54What do you want?
18:55What do you want?
18:56What do you want?
18:57What do you want?
18:58What do you want?
18:59What do you want?
19:00What do you want?
19:01What do you want?
19:02What do you want?
19:03What do you want?
19:04What do you want?
19:05What do you want?
19:06What do you want?
19:07What do you want?
19:08What do you want?
19:09What do you want?
19:10What do you want?
19:11What do you want?
19:12What do you want?
19:13What do you want?
19:14What do you want?
19:15What do you want?
19:16What do you want?
19:17What do you want?
19:18What do you want?
19:19What do you want?
19:20What do you want?
19:21What do you want?
19:22What do you want?
19:23What do you want?
19:24What do you want?
19:25What do you want?
19:26What do you want?
19:27What do you want?
19:28What do you want?
19:29What do you want?
19:30What do you want?
19:31What do you want?
19:32What do you want?
19:33What do you want?
19:34What do you want?
19:35What do you want?
19:36What do you want?
19:37What do you want?
19:38Let's continue with the program exactly as it was planned.
19:41I cancel the presentation, do not worry.
19:43No, no, no, wait.
19:44Do you want me to announce it?
19:46No.
19:47No, it's up to me, Dad.
19:48Aldo, no.
19:50Please, you can sit.
19:52This is your table, please.
19:54Aldo.
19:55Thank you, Leticia, for being here.
19:59Sit down, please.
20:03Oh, poor Aldo.
20:06Oh, you'll have to cancel your presentation.
20:09Oh, but well done.
20:11He was looking for it for having a bad taste.
20:21Aldo.
20:27Ladies and gentlemen, I ask for a minute of your attention, please.
20:32First of all, I'd like to thank you for being here.
20:36I've been waiting for this day for a long time, because...
20:40because a great dream was about to become a beautiful reality.
20:46But because of other people's will,
20:49and because of a misunderstanding we had with the publisher,
20:54they were unable to deliver the books.
20:57Oh, no.
20:59Oh, no.
21:01So I apologize to you, and...
21:04and we're going to cancel the presentation.
21:07Oh, no.
21:13Aldo!
21:15Here are your books!
21:17Your books!
21:25Don't leave your seats, because the presentation will continue.
21:28It will continue. It's all in order.
21:31Oh, no, no, no, no, no.
21:34Damn Chaves and Chiquinha in rescue.
21:36It can't be.
21:42Very well, Mr. Fernando Mendiola.
21:44I never thought it would go down so low.
21:46Just because I fell.
21:48Thank you for bringing the books.
21:50Now sit down.
21:51Sit down, please.
21:52You can sit.
21:53Have a drink.
21:54Watch the presentation, please.
21:56Sit down, please.
21:57Thank you.
22:06Excuse me.
22:08Excuse me for this inconvenience.
22:10Give me the microphone, please, my son.
22:12But let's get started, gentlemen.
22:15Friends, I am Fausto do Mensaim,
22:18the father responsible for this great event.
22:22Oh!
22:24This gastronomic tourism event.
22:27For me, it is a great honor to present the book
22:30The Taste of Life.
22:33Well, I can't tell you about the book,
22:35because I didn't actually read it.
22:38But what I can say
22:41is that I have proven that he is a great boss.
22:47But above all, I have proven
22:51that he is a great son
22:54who deserves the greatest success.
22:57Thank you.
22:59He deserves it.
23:01Congratulations.
23:03I congratulate him for not obeying me
23:07and having followed his vocation.
23:10Ladies and gentlemen,
23:13I present to you the great boss,
23:16my son, Aldo do Mensaim.
23:19Oh!
23:21Oh!
23:23Oh!
23:25Oh!
23:27Oh!
23:29Oh!
23:31Oh!
23:33Oh!
23:35Oh!
23:37Oh!
23:39Oh!
23:41Oh!
24:12Oh!
24:14Oh!
24:41Oh!
24:43Oh!
24:45Oh!
24:47Oh!
24:49Oh!
24:51Oh!
24:53Oh!
24:55Oh!
24:57Oh!
24:59Oh!
25:01Oh!
25:03Oh!
25:05Oh!
25:07Oh!
25:09Oh!
25:11Oh!
25:13Oh!
25:15Oh!
25:17Oh!
25:19Oh!
25:21Oh!
25:23Oh!
25:25Oh!
25:27Oh!
25:29Oh!
25:31Oh!
25:33Oh!
25:35Oh!
25:37Oh!
25:42Oh!
25:48Oh!
25:55Oh!
26:07And prevention, of course. Go!
26:09Inhale it. Inhale it.
26:12Now join the universal energy.
26:14No event can end your inner peace.
26:19Oh, I can't do it!
26:23I want to know what you're going to do now, Luigi Lombardi.
26:27What can you do to ruin the inauguration?
26:31To Aldo and to Ornitorrinco.
26:35To make it the worst night of your lives.
26:50Oh, good.
26:56The number you have dialed is out of coverage area.
26:59Try again later.
27:05Excuse me.
27:07Yes, what do you want?
27:08I'd like to know if you have a message.
27:10My name is Carla Santiago and my room is 347.
27:13Just a minute.
27:14Thank you.
27:17No, I'm sorry. There's no message.
27:19Thank you.
27:24Where are you, Fernando Mediola?
27:28I'm sure I'm with Alette.
27:31Oh, Aldo, everything you said was so beautiful.
27:35Thank you, Mrs. Juliet.
27:36Congratulations.
27:37Congratulations.
27:38Then I want you to explain to me this business of union between flavor and life.
27:43Because I didn't understand.
27:45I was very confused.
27:46Of course, Mr. Erasmo.
27:47But this can take a long time, huh?
27:49It doesn't matter.
27:51At home I have a little bottle that I keep for special occasions.
27:57When we want, we open it.
27:59It will give me great pleasure, Mr. Erasmo.
28:02Excuse me.
28:05I'm very excited, Aldo.
28:07No, I'm very happy because you're here with me, sharing this moment.
28:12So important to me.
28:16How annoying.
28:17Let's go.
28:19Mediola, Mediola, Mediola.
28:21Give me that, give me that, give me that.
28:23We have a little chat, don't we?
28:26Oh, yeah.
28:27Not that I know of.
28:28Yes, yes, yes, yes, yes.
28:31And I don't think it's going to be a friendly conversation.
28:36Brother, actually, if you want to know ...
28:39He wants to talk to me.
28:40Stay with your guests, stay.
28:41Me?
28:42Yes.
28:43No, no, I stay here.
28:44There are assistants and models.
28:45Models?
28:46Dressed as peasants.
28:47I know it's not your style, but who knows.
28:48It doesn't matter, but they're there.
28:49Models.
28:50That's it.
28:51Models.
28:52Go.
28:53Aldo, what are you going to do?
28:54I think ...
28:55I say what he wants to do.
28:57He wants to thank me for bringing the books and saving his presentation.
29:01Yes, that's it.
29:03That's it.
29:05I'll be right back, Leticia.
29:06This is between Fernando and me, isn't it, Fernando?
29:08Yes.
29:09Mediola.
29:10What is it?
29:11What is it?
29:12Pass, please.
29:13You can pass.
29:14Thank you.
29:16Pass, go.
29:18It's fast, isn't it?
29:21The space here is great.
29:22I loved it, Erasmo.
29:29Marcia!
29:31Hello, Alice.
29:33How are you?
29:35Hi.
29:37And Alex?
29:39Oh, it's been a long time with the staff.
29:43Oh, it's been a long time with the staff.
29:47Yes.
29:48Yes, of course.
29:49I'm sure the presentation of my friend's book is over.
29:53Of my almost with ...
29:55Of my almost with ...
29:57That's how we treat each other intimately.
29:58My friend, Aldo.
30:01I couldn't go to the presentation.
30:05Come here.
30:06Are you there?
30:07Alone?
30:09Uh-huh.
30:10And to top it off, Marcia didn't come from Europe.
30:13She didn't want to come.
30:14I don't know what happened.
30:17It's so hot.
30:18Look, aren't you going to ESPO?
30:22I can't because I forgot to get my invitation.
30:27Oh, you're right.
30:29So, I ...
30:31Oh, what a coincidence!
30:33An invitation!
30:34And it's mine.
30:35And it's mine.
30:37But two people can come in.
30:41Oh, really, Tommy?
30:43Yes.
30:44Oh, but I'd have to change clothes because ...
30:47No.
30:48No, Alice.
30:49Look how late it is.
30:51She must be starting.
30:53Besides, you don't have to change.
30:57The cat, as it is, is beautiful.
31:02Everything you wear fits you very well.
31:05Thank you.
31:06Come on.
31:07Look, if you want, my car is down there.
31:13My car?
31:16Well, let's say, our car.
31:19What do you think?
31:21Do you have an invitation?
31:22Go by car?
31:23Okay, okay.
31:24I'll touch up my makeup and be right back, okay?
31:28Yes.
31:29Yes.
31:30Yes.
31:33I accept.
31:36I accept, Tomas Moura.
31:38Very well, I won.
31:42I already won.
31:44Tonight is the night.
31:46It's our night.
31:51So, let's talk or do you prefer to go straight to the tap?
31:54I prefer to talk.
31:55But if you do not want.
31:57We can go out in the tap.
31:58What do you think?
31:59For what to discuss?
32:00Is not a better lead?
32:01Look, I've got a headache.
32:03You're so funny, aren't you?
32:04Of course, since you couldn't ruin my performance,
32:06now I want a real boxing match,
32:08because I'm not going to give you that taste, okay?
32:10Then leave me alone. Bye, see you later.
32:12We're not done yet.
32:14Hey, Gonzalo.
32:18You're starting to annoy me.
32:20Stop, please.
32:22What did you want with the story of the books, huh?
32:24Of course, first you call the publisher to send to another address,
32:27and then it appears, I am the great savior.
32:29I don't understand you, Mandiola.
32:32This time I don't deserve to be called Mandiola do Mensaim, right?
32:35Hello, how are you?
32:38Good evening.
32:40Your behavior is very intelligent to me.
32:46What are you laughing at?
32:47Don't be crazy, because I didn't call the publisher.
32:50On the contrary, I saved your recipe sheets.
32:53There are 325 pages, what sheets?
32:56Sheets or not sheets, what happens is that I saved,
32:59so you don't look like an idiot in your performance.
33:03Oh my God, I've never seen so much kindness.
33:07Don't offend me.
33:09Hello, good evening, how are you?
33:11Are you enjoying your performance?
33:13Don't offend my intellect.
33:15What an absurd thing, you would never do that for me, never.
33:19Ah, yes, now I'll be honest, you're right.
33:22I would have loved to see your performance canceled,
33:25because with this book you don't add anything to the world.
33:28But I have news for you.
33:30I didn't do it for you.
33:32Ah, so it was for Leticia.
33:34Yes.
33:35There he is.
33:36He was the one who stole the books.
33:40Imagine if I did something like that.
33:43You'll have to come with me.
33:46But I'm Waldo do Mensaim.
33:49No, explain what happened, officer.
33:51So you wrote the little books.
33:54The little books.
33:56Look.
33:57We took these books to the address they gave us.
34:01And this scoundrel there.
34:03Scoundrel?
34:04What scoundrel?
34:05I've never seen a scoundrel.
34:06You?
34:07Yes, it was this scoundrel who stole them.
34:10Don't come, man.
34:11Have you forgotten?
34:13Yes, yes, I remember, yes.
34:15He said I stole them.
34:16But I stole them to bring them to the right place,
34:18because the performance is here, not there.
34:20Wait a minute, wait a minute, wait a minute.
34:22Wait a minute, officer.
34:23This is a little mistake.
34:25Mr. Fernando Mendiola here.
34:27Mendiola?
34:28He did me a favor.
34:29Because I asked him to get the books,
34:31and there was a little misunderstanding
34:34at the time of giving the address, yes.
34:36And thanks to my partner Mendiola,
34:39the books arrived in time for the performance.
34:41Yes, yes.
34:42As you can see, officer,
34:43we are very, very good friends, right?
34:47So we have no crime here, right?
34:51I don't think so.
34:52No.
34:53But...
34:54Mr. Domenzaim.
34:56Sorry, it's Domenzaim, with an I.
34:58Thank you.
34:59Okay.
35:00Before I go, you have to sign the receipt
35:03of the packages you brought without my authorization.
35:06Oh, yeah?
35:07No, but of course.
35:08I'll sign it.
35:11I'll sign it.
35:16Here you go, gentlemen, and thank you very much.
35:18Excuse me.
35:19No, no.
35:20Not today.
35:21See you soon, son.
35:22And look for an oculist, huh?
35:24Engomadinho.
35:25He called me Engomadinho.
35:26But if you didn't change the address, who was it?
35:28Leaving you in doubt would make you suffer a lot, wouldn't it?
35:32But I'll tell you who it was.
35:34Do you want to know who it was?
35:35Who?
35:36I won't tell you.
35:37No, wait.
35:38Welcome.
35:39Try the soup.
35:40They're great.
35:50Oh, Alice, I even got a cold if you're so pretty.
35:54Oh, stop it, Tomás.
35:55Don't start.
35:56Let's go.
35:58Alice, I can't help it.
36:02I can't help it.
36:06I can't.
36:08Tomás.
36:09I can't.
36:10Tomás.
36:11I can't.
36:14I can't.
36:15Tomás.
36:16If you take one more step, I swear I'll rip your tooth out and...
36:20Alice, kill me.
36:22Rip out whatever you want.
36:24Just let me fall in love with you a little bit.
36:27Oh, but that's too much.
36:29A little bit.
36:30Alice.
36:32Marcia.
36:34Marcia.
36:36Thank God you're here.
36:37Of course, thank God I'm here.
36:39Because you had a lot of consideration in the airline.
36:42Did you realize I had a secretary who couldn't confirm a reservation?
36:46A reservation, Alice.
36:48Oh, Marcia.
37:00Who made that move?
37:04Oh, Aldo, can I know what happened to Mr. Fernandez?
37:07Nothing.
37:08I asked him friendly because he wanted to boycott the show.
37:11And what did he say?
37:12Well, according to him, I didn't do anything wrong.
37:16On the contrary, he said he saved my show because he brought the books.
37:19Oh, okay.
37:20But what does he think?
37:21That we're stupid?
37:22Yeah.
37:23He was the one who called the publisher to ask for a change of interest.
37:25I'm sure.
37:26And he guaranteed it wasn't him.
37:28And you believed him?
37:30Oh, honestly, Aldo.
37:31Sometimes you're too good.
37:33Leticia.
37:34Leticia.
37:35Before I talked to him, I was...
37:36I was furious.
37:37I was angry.
37:38But...
37:39But then...
37:40But then what?
37:41What are you thinking, Aldo?
37:44Look, I know it may seem a little strange, but...
37:48I think...
37:49I think Fernando told me the truth.
37:51It's serious.
37:52Look, the editors came with a cop to arrest Fernando for stealing the books.
37:58Yes.
37:59And Fernando said he did it to save my show.
38:06So, what do you think?
38:09I just want to remind you that Mr. Fernando is a liar.
38:15Yes, he's a liar.
38:18I don't know, I don't know.
38:21But what matters is that Fernando brought the books.
38:26Trust me, Leticia.
38:28I'm sure Fernando had nothing to do with this book business.
38:33I believe you.
38:36But then who did it?
38:38Who called the editors, Aldo?
38:40Who?
38:41Who knows?
38:45I didn't tell Aldo Domensaim that it was Louis de Lombardi who did it.
38:50What?
38:51Why didn't you tell me?
38:52Because I have to get along with Leticia, not with him, you idiot.
38:56But you won't get along if she doesn't know it was Louis.
38:59By the way, what happened to him?
39:00Did he go crazy?
39:01Is he schizophrenic?
39:02Wasn't he Aldo's great defender?
39:04Wasn't he an idol?
39:05He was even in love with him, wasn't he?
39:07Well, I think you should investigate, my dear former employee.
39:11Look, I'm sure I didn't see your plane.
39:15Can I know where you hid it?
39:17A plane?
39:18You know.
39:19I'm talking about Carla Santiago.
39:22I'm an idiot, man.
39:24I'm an idiot.
39:25I don't dare to lie to you, brother.
39:27But why do you say that?
39:29Because I had to get her.
39:31Oh, Fernando.
39:32Fernando, this is a capital sin.
39:34This is a disgrace.
39:35No, no, no, no, no.
39:37Who can forget a cat in bed?
39:41And all this to save the night.
39:46All this to save the night.
39:48Let me listen.
39:49And ugly.
39:51Yes, this is Carla's room.
39:53Hi, Fernando.
39:54How are you?
39:55Thank you.
39:56Hi, how are you, Omar?
39:57Did you see Aldo around here?
39:58Nice to meet you, Anais.
39:59Hi, how are you?
40:02Hi, Aldo.
40:03How are you?
40:04Hi, wait a minute.
40:05I'll be right back.
40:06Of course.
40:07Carolina, I'll be right back.
40:08Listen, girls.
40:09It's already here.
40:10Oh, everything fell.
40:11Did you see Oxygenada and Mrs. Marcia?
40:13No, no.
40:14They haven't arrived yet.
40:15And I think Mrs. Marcia didn't come on a trip.
40:17Because she's busy.
40:18Maybe.
40:19Letty.
40:20Letty, look.
40:21This is Anais.
40:22Anais.
40:25Of course, on the coast, Carolina.
40:27But why did you bring the camera?
40:30Letty, I asked her to do an interview about Espo.
40:33I want to interview you.
40:36No.
40:37No way.
40:38But why not?
40:39What do you think of us getting closer to the stands
40:41to value your interview and your Espo?
40:44OK, I'll do it.
40:45But I have a question.
40:46What?
40:47What?
40:48Where are you going, girl?
40:49They're going to interview me, Mom.
40:51They're going to interview you?
40:53I'm her mother.
40:55Nice to meet you.
40:56I'm her father.
40:58Nice to meet you.
40:59But you're not recording yet.
41:01You're not recording, right?
41:02No, we're still getting ready.
41:04Oh, my God.
41:07So let's go.
41:08Letty, I had an idea.
41:10I'm going to put you next to me.
41:12How can you not be able to book a flight, Alice?
41:15How?
41:17You were already going?
41:19No.
41:20What?
41:22You weren't even going to wait for me to get there?
41:25Oh, Marcia.
41:27Of course not.
41:28I was going to wait for you, of course.
41:30Yes.
41:31Yes.
41:32Yes.
41:33Yes.
41:34And do you intend to go to Espo?
41:36I do, of course.
41:37But you were already going, right?
41:39Oh, no.
41:40Not only did you leave us in this reservation,
41:42but you don't care if I go or not to this exhibition,
41:45right, Alice?
41:46Oh, Marcia.
41:50What?
41:51Carla Santiago.
41:52My invitation to the event must be there.
41:54Good evening.
41:56Let me see.
41:59Good evening.
42:00Hello.
42:01Wow.
42:02Wow.
42:03Wow.
42:05It's beautiful, Carla.
42:06Beautiful.
42:07Thank you.
42:08You too.
42:09This is your invitation.
42:11I'm ashamed of you, Carla.
42:12I'm very ashamed.
42:13Come on.
42:14Where?
42:15Wait, wait.
42:16Tell me what happened.
42:18I had a little problem.
42:20A little problem.
42:21Nothing serious.
42:22I mean, it was very, very serious.
42:25Let's go.
42:26Very serious?
42:27Well, then the problem must be with Letty.
42:30Oh, with Letty.
42:31Well, you know what?
42:32No.
42:33No.
42:34No.
42:35Why do you think everything has to revolve around Letty?
42:37Because...
42:38No, it even seems.
42:39Nothing revolves around Letty.
42:40Of course, of course.
42:41Of course not.
42:42Look, I'll tell you right away.
42:43The cook's presentation books,
42:45from Aldo Domensaí,
42:47stopped at another address.
42:48And Omar and I went to get them.
42:50And what happens is that...
42:51Oh, good.
42:52But don't worry.
42:53The important thing is that I'm here,
42:54and that we're going to have a lot of fun.
42:56Right?
42:57Yes!
42:58Wonderful!
43:24I love you!
43:25I love you!
43:26I love you!
43:27I love you!
43:28I love you!
43:29I love you!
43:30I love you!
43:31I love you!
43:32I love you!
43:33I love you!
43:34I love you!
43:35I love you!
43:36I love you!
43:37I love you!
43:38I love you!
43:39I love you!
43:40I love you!
43:41I love you!
43:42I love you!
43:43I love you!
43:44I love you!
43:45I love you!
43:46I love you!
43:47I love you!
43:48I love you!
43:49I love you!
43:50I love you!
43:51I love you!
43:52I love you!
43:53I love you!
43:54I love you!
43:55I love you!
43:56I love you!
43:57I love you!
43:58I love you!
43:59I love you!
44:00I love you!
44:01I love you!
44:02I love you!
44:03I love you!
44:04I love you!
44:05I love you!
44:06I love you!
44:07I love you!
44:08I love you!
44:09I love you!
44:10I love you!
44:11I love you!
44:12I love you!
44:13I love you!
44:14I love you!
44:15I love you!
44:16I love you!
44:17I love you!
44:18I love you!
44:19I love you!
44:20I love you!