La Promesa Ep 401 Completo - La Promesa Cap 401 Completo - La Promesa RTVE Serie
Category
📺
TVTranscript
00:00What do you mean?
00:07I've cancelled the musical.
00:09And why?
00:10Because after a first meeting between my friends...
00:15What?
00:16I had the impression that most of the people would end up very kindly, but declining the invitation.
00:22What's wrong, sister?
00:24Well, Adrián was right.
00:27The only flaw you have is that you're not a pelayo.
00:32You're miserable.
00:34You don't deserve my love, but I...
00:38I still love you.
00:40You have my word that I'm not going to report you to the authorities and that you're not going back to that place.
00:46In fact, I've called and said that you're not going back.
00:50So, whenever you want, you can go find Martina and bring her back to the palace.
00:55I've been told that you've gone from one day to the next without telling me.
00:58With my child.
01:00I don't have the difficult things to get him back.
01:04Now I don't even know where he is.
01:07Well, Hanna, we have to go.
01:11I wanted to thank you.
01:14Because I did it.
01:17You've given me life.
01:18These days here.
01:26I'm willing to face everything and everyone.
01:31So that we can live our love.
01:33It was just what I needed to hear.
01:36Your real name is Vera.
01:38The person I was before was called Mercedes.
01:40Now I'm Vera.
01:42I'm a maid and I'm in love with Lupe Ruiz.
01:47Stop lying, Santos.
01:49You always said that there were five names on that list.
01:53But I've found it.
01:56And here there are only four.
02:02I firmly believe that whoever commits a crime must pay for it.
02:05One way or another.
02:08And what does that mean?
02:12My decision is for Martina to enter a convent.
02:14Please.
02:18Where do you want to go, Loreto?
02:20Alonso.
02:22Your husband.
02:23He kissed Maria Antonia.
02:26That's why he wants to throw her out.
02:37Are you okay?
02:39Are you dizzy?
02:40I'm perfectly fine.
02:41It doesn't seem so.
02:43It's normal.
02:44What I've told you is not easy.
02:45I've told you I'm fine.
02:47I shouldn't have been so frank with you.
02:49Nor have I told you what happened between your husband and Maria Antonia.
02:51Lorenzo, don't insist.
02:52An infidelity.
02:53And under your own roof.
02:54I understand that it impacts you and displaces you, Cruz.
02:57Nothing happened.
02:58Do you hear me?
02:59Don't you care that your husband kissed Maria Antonia?
03:02My husband is a faithful man.
03:03Yes, like all men.
03:04Like me too.
03:05Stop being sarcastic.
03:07I'm telling you that Alonso would never do something like that to me.
03:10And much less with my best friend.
03:12You know, the role of a trusted wife doesn't suit you at all, Cruz.
03:15It's not a role.
03:17I really believe in him.
03:19Okay.
03:20I'm not going to go any further than my intention, which is to destroy the foundations of such a solid marriage.
03:24I'm just transferring what Maria Antonia told me.
03:27Well, I'm sure you misinterpreted her words.
03:30You're right.
03:31She probably told me that day she read the newspaper and I understood that she kissed her.
03:34What's wrong with you?
03:35That you enjoy this?
03:37I've already told you that I don't have the body to bear your insidious comments.
03:42Look.
03:44If you have the slightest doubt, it's very easy for you to get to the truth.
03:47Ask your husband or ask Maria Antonia.
03:50You're not involved in that alleged kiss, are you?
03:54Is there anything else you want to tell me, Lorenzo?
03:58Nothing.
04:00Well, yes.
04:03I want you to know
04:05that if I've told you this, it's because of the appreciation I have for you and the loyalty I have for you.
04:10I would always want a friend to tell me the truth, no matter how much it costs.
04:14But you're free to believe whatever you want.
04:16That's up to you.
04:17It's up to you.
04:19I've kept my word.
04:48The things that have happened since I saw you
04:52The lights that have danced through our garden
04:56The new rumors
04:58Between the heart and the walls
05:02And the promise
05:04There will be particles of love in motion
05:08There will be secrets that will never come out
05:12It will be as beautiful as the flight of a plane
05:18And the promise
05:20The goodbyes are spins on the ground
05:24Even the flowers will dance in their own way
05:28Balancers between fear and passion
05:35We are like a jump to the D3
05:39We are love when life or death is lived
05:43A long way to go
05:47In the promise you will be a matter of luck
05:51We are like a jump to the D3
05:55We are love when life or death is lived
05:59A long way to go
06:03In the promise you will be a matter of luck
06:08In the promise you will be a matter of luck
06:12I've been a fool for not trusting your word.
06:14You're a liar.
06:15Absolutely.
06:17I've kept everything I promised.
06:18That's not true, Ayala.
06:20You twisted your words to get away with yours.
06:22I'm a count and a man of honor.
06:24I said I wouldn't go to the Civil Guard and I won't go.
06:26I said I wouldn't go back to the sanatorium and I won't go back.
06:28You want to send her to a convent for the love of God?
06:32A much more benevolent measure.
06:34Or do you want me to let her impugn her?
06:36She tried to end my life.
06:38I didn't do anything. I've told you a thousand times.
06:40I don't want to go to a convent.
06:42Sir, to tell a lie or half-truth is the same thing.
06:45If your intention was to send my cousin to a convent,
06:47you should have told us before.
06:49And show my faces?
06:50That way she would never have come back to the palace.
06:52Of course not.
06:54You have played with me well.
06:56You have behaved like a despicable coward.
06:58You have deceived us.
07:00You're a coward.
07:01I'll cover you.
07:02I'll cover you.
07:04We won't use violence.
07:05We'll lower the tone.
07:08Don't take her, please.
07:10And we'll try to be reasonable.
07:12I would appreciate both.
07:14Martina is a young girl who has her whole life ahead of her.
07:18You can't expect her to lock herself up in a convent.
07:20What are you going to achieve with that?
07:22Alonso is right. Please reconsider.
07:24My daughter is innocent.
07:27You have deceived me.
07:30I won't let anything happen to you.
07:31Okay?
07:32Mr. Cony.
07:34Please reconsider your position.
07:35You can't do this.
07:36Get out of here!
07:38We're talking about poisoning.
07:40An attempted murder for the love of God.
07:43Do you want me to pretend nothing happened? No.
07:45I'm not going to do it.
07:49Martina will go to a convent.
07:51And she should appreciate my decision.
07:55Please.
07:57Son.
07:58Please.
08:12Since when do you like to search the trash, Mrs. Petra?
08:17Since I can find the truth in it.
08:20The only way to get out of doubt is with this list.
08:24Here it is, Santos.
08:25Well, you had to search the waste very well to find it.
08:29Yes.
08:31But it was worth it.
08:35Why do I still not find the fifth guest you were talking about?
08:39The name of the Duchess of Carril Santos is nowhere to be found.
08:43I see.
08:45I can see that.
08:47Tell me, Santos.
08:49Why did you send one more guest?
08:51Why did you send one more?
08:54Maybe Mrs. Margarita should have mentioned it to you.
08:57No.
08:59She had no intention of inviting her.
09:01Well, I misinterpreted it.
09:02No, Santos.
09:03You never did that because she didn't tell you anything.
09:09Are you trying to fool me?
09:11Because if that's the case, you're going to have to learn to lie better.
09:16Do you think I'm stupid, Santos?
09:19Tell me.
09:21Where did you get the name of the Duchess of Carril?
09:24And why did you invite her?
09:26But above all, why did you invite her and not someone else?
09:31I don't know what you're talking about.
09:34Yes, you do.
09:37But for whatever reason, you don't want to tell me.
09:40And I'll give you one last chance.
09:43Speak, Santos.
09:49It's okay.
09:51You wanted it.
09:53But I warn you that's not the way to talk to me.
09:58Are you threatening me?
09:59No, I'm not threatening you.
10:02I'm acting.
10:05What would happen
10:07if I go with this list to your father and tell him everything?
10:11I highly doubt that Mr. Pellicer can turn his back on the evidence.
10:15And no matter how much your father is, he can't free you
10:18from being trampled on in the street.
10:20And I assure you, Santos, that I will personally take care
10:23of this matter and act with justice.
10:30Don't talk.
10:35Get out of my office.
10:37Right now.
10:45Right now.
11:10I didn't know where Miss Martina was hiding.
11:12Since she ran away from the sanatorium,
11:14the only one who knew where she was hiding was Mr. Curro.
11:17It was terrible.
11:18It had to be that asylum so that Miss Martina could get away.
11:22I don't want to be put in a place like that.
11:24If I lose my badge, I want to be sacrificed like the horses.
11:29Don't say nonsense.
11:30Besides, you couldn't pay for it. Those places are very expensive.
11:33It's also true.
11:34Well, she had to have some advantage from that poor man, right?
11:39And do we know what's going to happen to Miss Martina now?
11:41Are they going to send her back to that place?
11:43I don't know what to tell you, Miss González.
11:45The gentlemen have been locked up all afternoon.
11:49Come on, daughter.
11:50Sit with us for a while and rest.
11:52Come on, sit here.
11:55Here.
11:59I'm going to give you an infusion.
12:01I'm sure it will make you feel better.
12:03You're going to sit well.
12:04No, it's not necessary.
12:05Yes, yes, daughter.
12:08Come on, rest a little here with us.
12:12How are you, daughter?
12:16How do you want me to be?
12:18It is possible that I will never see my son again.
12:22Don't think that.
12:24I'm sure there is a reason why your in-laws have left.
12:29Which one?
12:31It's not normal to leave without warning.
12:33So suddenly.
12:35Come on.
12:36Take the herbal tea, little one.
12:38But slowly, don't get stuck.
12:42Virtudia, the last time I saw your in-laws you didn't notice anything.
12:46Something that made you suspect that they were going to leave.
12:50No.
12:51They didn't say anything about leaving.
12:54They only told you about the pesetas, right?
12:56That's when they asked you for that money to bring your child back.
13:00That's right.
13:01Your child.
13:02That's right.
13:04No one could have imagined that they were going to run away.
13:09It is clear that they want to take me away from my son.
13:13They think I don't deserve to be with him.
13:16Don't be crazy, daughter.
13:18It's some nonsense like a glass of wine.
13:21Deep down, I can't blame them, Candela.
13:23I'm not worthy.
13:25Don't say that.
13:26Okay?
13:28It hurts me to hear you say those things.
13:31Simona is right.
13:33How can a mother not be worthy of her son?
13:36Of course, Virtudes.
13:37You just have to see how distressed you are to realize
13:40how much you care about that creature.
13:42It's just that you jump at the sight and get into the worst.
13:44It doesn't lead to anything good.
13:46And where do you want me to go?
13:48Nowhere.
13:50But stop worrying.
13:53We don't know what happened.
13:55Maybe your in-laws have reasons that we don't know.
13:59With what sense do you always speak, Mr. Baeza?
14:04Did you leave a message at your house
14:07that they would let you know in case there was any news?
14:10I asked the neighbors to let me know
14:12if my in-laws returned to the greatest urgency.
14:15Well, then all we have left is to wait.
14:17We couldn't do more.
14:19And put bad thoughts aside.
14:21But you have to be positive.
14:23No, I didn't say that.
14:24We don't have to venture anything.
14:26Neither positive nor negative.
14:28That's it.
14:56Martina.
15:04Martina, are you okay?
15:11Aren't you going to answer me?
15:21I don't want to talk to anyone.
15:24It's not worth it.
15:39It's not even worth it.
15:45Everyone deceives me.
15:49I can't trust anyone.
15:51I can.
15:54You can always trust me, Martina.
16:05I know.
16:07Thank you.
16:11Martina.
16:14If you had known the intentions of Count Dallara,
16:17I promise you that you would never have broken your promise.
16:19I know, I know.
16:21But that man knows all the tricks.
16:25No, it's her.
16:27She made fun of me as she wanted.
16:29You are as much a victim of all this as I am.
16:33No.
16:35No, I'm not.
16:38I'm not going to be held in a convent.
16:42My future, my freedom,
16:45they are not in danger.
16:48But Martina, I guarantee you that that will not be your destiny either.
16:54I'm not going to let Count Dallara get away with it, I promise you.
16:57And what are you going to do to avoid it?
17:00Whatever is necessary.
17:06If necessary,
17:09I will run away with you.
17:11Far away.
17:14We will start from scratch, you and me.
17:18I can help some men I met on the front.
17:21They will surely offer me a job to be able to get ahead.
17:24And from there we can take a house and ...
17:26No, no, no.
17:29We are not going anywhere.
17:32No.
17:35I'm very tired.
17:39I'm tired of escaping,
17:41of hiding, of not being able to be myself,
17:44of always facing my own family.
17:47I just can't anymore.
17:49And I'm very tired of being unhappy.
17:54These past weeks
17:56in that horrible place have left me exhausted.
18:04It's just that ...
18:07The screams still resonate in my head,
18:10heartbreaking screams that I heard every night.
18:14And I get chills when I think of the ice baths
18:17or the pills that completely annulled me.
18:19It was not me.
18:21And I need to be myself.
18:29I'm not going to let anything bad happen to you.
18:36No, no, no. Ayala is not going to get away with this.
18:38And I'm not going to stay still and watch him decide your life for you.
18:41Pablo, calm down.
18:42Give me a hug.
18:44Please.
18:54I love you.
19:06I love you.
19:15This path is getting longer and longer.
19:17Yes. In the dark it is easier to lose the reference of distances.
19:24I'm exhausted from all these days.
19:26Yeah, me too. In fact, we're going to fall even more.
19:29And I always complain about that mattress.
19:31Right now I feel like the most comfortable in the world.
19:34I didn't even change it for one made of peacock feathers.
19:39Well, whenever you miss something, you end up valuing it.
19:42That's right.
19:44Before we go to bed, we have to talk about what we are going to tell tomorrow.
19:48Yes, because I get to invent and I'm sure I'll screw up.
19:51Well, no. No improvisations.
19:53Yes, I'm going to limit myself to saying what Mr. Baeza told us.
19:56That we had been at the house of Don Gabriel, the Duke of San Rafael.
20:01Yes, that we were helping to take care of his family because he came suddenly.
20:05And what family?
20:07Well, maybe you don't have to give so much information. I don't know.
20:10Can we say that his three sons have shown up at the same time?
20:13As a surprise.
20:14María, don't start fantasizing because then we get tangled up and no.
20:17No. And lies have very short legs too.
20:21And what do we say so that they don't catch us in a renunciation?
20:24Well, the less details we give, the better, I think.
20:27Can we say that we were attending to the wife of the colonel?
20:31That I have understood that she was in trouble.
20:34And if that woman has an iron health, what?
20:37Everyone has a bump from time to time.
20:39True. And what is the name of that bum?
20:43Well, I have no idea about that. I would have to ask Mr. Rómulo.
20:46And also to know more about the family.
20:48Well, yes. Better than going around saying nonsense. Don't you think?
20:53And also to be free of food.
20:56What about the food?
20:58That Candela and Simona are going to ask us how we have been fed in that house.
21:03Well, fine, fine. That we eat very well. But that the promise is eaten better and that's it.
21:08No more details. No more details.
21:11And well, let's go to sleep, I'm falling asleep.
21:14Wait, we still have the issue of María Mandrago.
21:17She will be throwing foam around her mouth for having left us without her permission.
21:20Well, how angry. Because we are not going to tell her anything at all.
21:24And besides, this has been the order of the Marquis.
21:26Yes. And she doesn't give a damn.
21:28Anyway, I'm sure that Mr. Rómulo has already solved this matter.
21:35Let's go to sleep. You're going to fall asleep standing up here in the end.
21:39I think I can.
21:42How difficult it is to tell a lie.
21:45Yeah, especially when you're not used to it.
21:48Come on, let's go.
21:50It's just a matter of habit.
21:53Because look, there are people who spend the day lying.
21:56Yes, they don't even lift an eyebrow.
21:58Let's go.
22:20Alonso, your husband,
22:23he slept with María Antonia, he kissed her.
22:26That's why he wants to kick her out.
22:31Ma'am, I bring you the dress I request.
22:35And freshly ironed.
22:38Although I see that it has finally been sold for another one.
22:45Is something wrong, ma'am?
22:50Ma'am?
22:53What do you want, Petra?
22:55I went up to bring you the dress you asked for and, in passing, to talk about the menu of the week.
23:01Do you think I'm in the mood to talk about food?
23:04I'll be back at a more appropriate time. It's not urgent.
23:07Much better.
23:09I don't have the head for anything, much less to choose dishes.
23:16If the lady would like to share what worries her so much about me,
23:21maybe it will help her to vent.
23:25Go away.
23:28Wait.
23:31Ma'am?
23:38Take that dress.
23:39You don't see that I don't need it anymore.
23:56The truth is that I was very reluctant to go visit Mrs. Pia.
24:00She was very down and very, very angry.
24:02I hope her presence has encouraged her.
24:04Something like that, but I'm afraid she'll collapse because when we left from there,
24:08as Maria says, she was very down.
24:10A pinch.
24:11At least she could have eaten well with the food that arrived.
24:13What a load.
24:14Yes, she must have put on weight.
24:17I guess so, but the lack of movement and the air so addicted will end up costing her.
24:23Hearing her, I don't know whether to cheer up or worry even more.
24:26Or a little bit of both, Mr. Baeza.
24:29Anyway, all I can tell you is that she was sad.
24:32And also very tired and much more apathetic than usual.
24:35And from time to time she leaves some disturbing comment about death.
24:38Yeah.
24:40But hey, at least she can go around that cave,
24:43that when I was there, I locked this leg with a chain.
24:46In any case, I thank you for having spent your time with me.
24:50And I thought I was going to Mr. Noble's house.
24:53Yes, it's true.
24:54And I owe you an apology.
24:55I lied to you.
24:56I told you that you were going to work at the palace of the Duke of San Rafael.
24:59But there was no time to give more explanations.
25:02Don't worry, Mr. Baeza.
25:03I understand perfectly.
25:05Now, when I saw Doña Pia in that cave, I almost got a kick in the ass.
25:09I guess so, because you thought she was dead.
25:11And suddenly I find her there, like a ghost.
25:13What I honestly think is that she shouldn't be in that cave much longer.
25:17It's like being buried alive.
25:19It's better to be buried alive than really in a holy field.
25:23Well, I'm afraid that for now she will have to remain locked up for a while longer,
25:27for her safety.
25:28Two days ago, I received a letter from that man.
25:34And what did the letter say?
25:35It said that she was going to be locked up for a while longer.
25:38I received a letter from that man.
25:42And what did the letter say?
25:43Well, he has planted himself in the cemetery of the town of Mrs. Adarre
25:46and has discovered that she was no longer there.
25:49But that man was able to open a grave?
25:51Yes, that one.
25:52He personally verified that Mrs. Adarre was alive and was not going to stop until he killed her.
25:57But that's horrible.
25:58It's a shock.
25:59Anyway, we must not let ourselves be fooled.
26:01We will continue with the planned plan.
26:04We are going to review how your supposed stay in the palace of the Duke of San Rafael was
26:10before you met your companions.
26:12Yes, that. Tell us, what is the name of that man's palace?
26:15No, Casa de Caza.
26:18You have not been in the usual residence of the Duke.
26:22You have been in his summer palace.
26:24Understood.
26:25And what is the reason for the change?
26:27Mrs. Arcos called the palace of the Duke to ask about you
26:31and there they told her that you were not there.
26:33You know how distrustful she is.
26:35You have to be especially careful with her.
26:37She is a dog.
26:39In any case, you have to keep calm.
26:41I told her that the Duke had decided to move to his summer palace,
26:45which is where he usually goes hunting.
26:47Everything is under control.
26:48I don't forget.
26:49Summer palace.
26:51And what is the name of the keymaker?
26:53Mrs. Gallardo.
26:55And the name?
26:56Not always. I have known her by that name.
26:59And the lady?
27:00Doña Susana.
27:03Doña Susana, Señora Gallardo and Summer Palace.
27:06That's it.
27:07Doña Susana, Summer Palace and Señora Gallardo.
27:09If you have any more questions, I will answer them on the day of all the details.
27:13Doña Susana and Señora Gallardo.
27:16That's it.
27:17And Summer Palace.
27:34Are you going to be like this with me for a long time?
27:38With this sepulchral silence?
27:41Believe me, it's better that I don't tell you what's going on in my head.
27:45If we don't talk, we don't argue.
27:47Come on, Margarita.
27:49Don't punish me.
27:52That I don't punish you?
27:54But do you think I'm going to stay like this while you want to put my daughter in a convent?
27:59I can't stand you getting mad at me.
28:01Then don't demand something so terrible.
28:04Is this terrible?
28:06Is it terrible to think that right now I could be dead?
28:09Yes, but you're not, Ignacio.
28:11You recovered and were left in a simple discomfort.
28:13Thank God.
28:14It was a stroke of luck that I recovered.
28:16Because your daughter wanted to poison me.
28:17I am the victim, not the culprit.
28:18No, my daughter didn't poison you.
28:22And that's how you end the conversation?
28:25Yes.
28:26Because I don't want to keep talking.
28:29At least finish breakfast.
28:30No, Ignacio.
28:31I want to be alone.
28:33Margarita.
28:44What have you done to her now?
28:47Nothing.
28:49Don't pretend to be innocent with me.
28:51I'm not.
28:52The truth is that I don't know why she is so tense.
28:56Maybe because you want to put your daughter in a convent.
28:59Are you going to blame me too, Alonso?
29:02She tried to kill me.
29:03And you insist that I act as if nothing had happened.
29:06Putting Martina in that convent takes the matter to an unbearable limit.
29:09And you know it.
29:10I see that I have you all against me.
29:12Maybe it's for a reason.
29:13Reflect.
29:14And what do I do?
29:15I can't take her to prison.
29:17Nor to a sanatorium.
29:18Not even to a convent.
29:20Why are you so determined to get involved with Martina?
29:22Am I determined?
29:23She tried to kill me, for the love of God.
29:25She must have deserved it.
29:26And you think she hasn't had it yet?
29:28Do you think she hasn't suffered enough in that terrible asylum?
29:32I, of course, as a father, put myself in Margarita's place and I understand her perfectly.
29:39You don't know how it hurts me.
29:41I love her.
29:44Well, I don't think it's the way to prove it.
29:47I didn't start this war.
29:50It was Martina who, from the first moment, stood up against me, saying that I was unworthy of her mother.
29:56If that girl agreed to our marriage, I would forgive her and I would give up taking her to a convent or anywhere.
30:03Would you be willing to make a deal with her?
30:06Of course.
30:09If Martina agreed to marry me to her mother, I would forget all this poisoning matter.
30:16But it's useless. She doesn't even listen to me.
30:24Maybe she would listen to you.
30:45I love you.
30:53Stop, stop, stop. Stop, I don't want to see it.
30:56What energy.
30:57We have to recover a lot of lost time.
30:59Yeah, yeah.
31:01I'm sure you haven't missed me that much. You've been the most entertained there.
31:05Yes, I was very entertained and I've been thinking a lot too.
31:07Thinking?
31:08Thinking about your eyes, thinking about your lips, thinking about your kisses.
31:16Okay, tell me, tell me how you are at the house of the Duke of San Rafael.
31:24Well, very good. Yes, very good.
31:30It was the summer palace, right?
31:33Yes, a summer house.
31:36In the open air, the pure air was breathed. You would have loved it.
31:42Yes? Was it for so long?
31:44Yes, I saw the busiest tree in my life.
31:47And there was a tributary river that fell into a waterfall.
31:51How did you bathe? You don't know how to swim.
31:53But I bathed in the pools there were, that doesn't cover it.
31:56Okay, I told you.
31:57Let's see if you think I'm so unconscious to get into a deep river.
32:01Come on, how cowardly I am.
32:04But stop asking me questions.
32:06And tell me, I don't know, what's going on here? News?
32:10Well, the truth is that nothing, everything is still the same as always.
32:14Really?
32:16Look, Mr. Romulo has told me that the captain of the Mata has kicked Lope and the cooks in the street.
32:22Well, yes, he has kicked them out of the business and the jams.
32:25But the house has been a relief for them.
32:27Well, has anything else happened?
32:29No, as far as I know, no.
32:31No?
32:33Mr. Manuel and Mr. Curro de la Garra have not returned either?
32:36Yes, they have come back, indeed.
32:38And it has been a surprise for everyone.
32:40And for you, everything is the same.
32:41Women who have caught me so suddenly.
32:43I imagine that Mrs. Marquesa will be crazy happy that her son is back.
32:47Well, yes, yes, they are all very happy.
32:50And you are very quiet.
32:52You have to get things out of your mouth.
32:54No, woman, it's not that.
32:55It's just that, I don't know, I have a lot of homework this morning and I have my head elsewhere.
32:59Really?
33:00In what?
33:02Well, in the jackets of the captain of the Mata, specifically.
33:05I have to brush them.
33:07Well, then don't be late.
33:09Don't let that man have a bad time.
33:12And besides, Petra will also have me a good day to prepare for those that are not over.
33:16I have to recover the lost time.
33:19And you and I also have to recover the lost time.
33:22Uh-huh.
33:23Uh-huh.
33:27Come on, go.
33:30Come on.
33:35Now yes.
33:43The potatoes, tomatoes and onions, leave them in the office.
33:47The meat and fish have not yet arrived.
33:50I suppose it is what is most in a hurry to prepare lunch.
33:53Don't worry about that, Mr. Pellicer, because the menu is already prepared.
33:56Come on, look.
33:57In addition to being a good cook, he is very foresighted.
33:59Well, in my opinion, they are two inseparable conditions.
34:02But it is also true.
34:03The fruits, leave them in the pantry.
34:07I suppose those fruits will not be the ones they are using to make the jams, Mr. Ruiz.
34:12Of course not, Mr. Baeza.
34:13Both the vegetables and the fruit are for the exclusive use of the gentlemen.
34:16Oh, you're not going to give it up, are you?
34:18I see, I see.
34:19Of course, since they started with the matter of the jams, they have done it with the utmost discretion.
34:23I haven't seen him cook for a single moment.
34:25What a stealth.
34:26That is, Mr. Baeza, because now we are making and storing the jams outside the promise.
34:31We are.
34:32That's right, the ladies of the town are helping us.
34:35Oh, I thought those women worked for the captain.
34:39And they did.
34:40But they are very unhappy and have not hesitated to help us.
34:42Well, keep an eye on them.
34:44Because as the captain finds out that they are using his hand to work on their backs,
34:48you and those women may have a good time.
34:52I know, Mr. Baeza.
34:53But I fully trust your discretion.
34:55It was not true for me to have postponed the production of jams outside the promise.
34:59Because the last thing I have left to do is for Mrs. Petra to find out about all this and ...
35:04Are you more afraid of a cloud, Mr. Pellicer?
35:06No, not fear, but that woman exhausts me.
35:09I hope that now that Hanna and María Fernández have returned, she is a little calmer.
35:14Well, I'm going to see where the fish is,
35:16because one thing is that I don't need it now and another thing is that they leave it to me in the sun.
35:19Go ahead.
35:22Of course, the boy is doing his best to help Virtudes.
35:25Well, everyone, because everyone here is being very generous.
35:28Since the departure of the heroes of Mrs. Carranza with her child, we have to help her more than ever.
35:32I don't know, Rómulo.
35:35I've been thinking about what you told me and ...
35:38and I still believe that maybe it is not necessary to continue saving this money.
35:43I don't know, I'm afraid it's all a useless effort.
35:45No, there is no useless effort if it is done with affection.
35:48Besides, maybe the departure of his heroes has a simpler explanation than we think.
35:54Rómulo, I understand that you are proud to command this service.
35:58I'm not going to fall into the topic of saying that we are a family, but that's the way it is.
36:02Well, yes, and I think you have fallen into the topic.
36:06Ah, yes, right? Well, look, why not?
36:08If we are a family.
36:10No.
36:25What is all this suit for, miss?
36:29I have decided to give away some things that I have here and that I will not need in the palace.
36:34I think some maids and maidens will be wiser than me.
36:39So the rumors are true.
36:41Are you going to get out of this hole?
36:44They had told me, but I couldn't believe it.
36:47Because you are very much yours.
36:50And I was convinced to stay in this hole until an impossible happened.
36:55The impossible has happened.
36:58Has the Marquise apologized to you?
37:00In her own way, but yes.
37:03Congratulations, miss.
37:05Paco, it's just that you asked me to kneel down, huh?
37:08Well, in the case of the Marquise, that she recognizes her responsibility is already a success.
37:14In one way or another, justice has been done.
37:18I guess so.
37:20But she doesn't look excited.
37:24She has managed to double her stepmother.
37:27And that is a very difficult challenge.
37:29Yeah, I know.
37:31But I would have liked it if everything had been solved.
37:34That none of this would have happened.
37:36Yeah.
37:38I'm sure that's all.
37:40You should be happier.
37:44Yes, I also thought I would feel better,
37:46getting Cruz to tell me the truth.
37:49Yeah, no.
37:51You are worried about something else.
37:54I know you well.
37:56You are the one who leaves a concern and goes to the next one.
38:00That's not it.
38:02Yes.
38:04And this concern worries me much more than the previous one.
38:09And it has to do with ...?
38:13With Adriano.
38:17Have you argued with him?
38:24The good thing about typhoons is that they are not eternal.
38:28And when you remember them, you laugh at them.
38:33And it is also a sign that the other person cares about you.
38:37And if not, look, Candela and me.
38:40All day long.
38:42And I couldn't be a minute without her.
38:45It is that Adriano has decided to break all the relationship with me.
38:49Forever.
38:52My God.
38:54Well, that does start to sound bad.
39:00And do you want to go back to him?
39:03I don't know.
39:05The only thing I feel is that I am missing something.
39:09Something very important.
39:13And there is no possibility that they will make up?
39:16No.
39:18No, and as much as it hurts me, I know it's for the best.
39:21So I'm not going to do anything to get it back.
39:24I see.
39:25It is the right decision.
39:27I should have made it, but I didn't have the courage.
39:33I don't recognize myself.
39:35With what I have been.
39:38And I am becoming a coward.
39:41No, no, miss. That's not true.
39:44You are going through a bad time, but ...
39:47You are a coward, you have no hair.
39:53Thank you.
39:57Everything happens, miss.
40:01I am sorry.
40:15Do you need anything, Mrs. Arcos?
40:17Yes. I wanted to inform you that Miss Martina is still resting in her bedroom.
40:22And I have asked her not to bother her.
40:24So that her lackeys can communicate with her and that they make no noise when they pass by.
40:28Thank you very much. I will do so.
40:30By the way, Mrs. Arcos.
40:32I suppose you will be satisfied with the return of María Fernández and Hanna.
40:36Now you will be able to organize the shifts better.
40:39Well, those two have become more lazy than they left.
40:43I will have to keep them short until they regain their rhythm.
40:46Don't overdo it with those girls, Mrs. Arcos.
40:49I know they arrived late yesterday.
40:51From gandulear, in the summer palace of the Duke of San Rafael.
40:55But here they can't be hand in hand, Mr. Baeza, without a fight.
40:58Give them a break.
41:00Yes, a break.
41:02But they will have to work like everyone else.
41:09Oh, by the way.
41:11I think it is not necessary for me to remind you that I would like to be aware
41:15before you dispose of my maids on your own.
41:18It was an emergency, Mrs. Arcos. But don't worry.
41:21I will be informed.
41:23It's just that I don't want things to repeat themselves,
41:27like Mrs. Margarita's snack.
41:29Please, Mrs. Arcos. Can we leave that matter alone?
41:33Unless, of course, you have new data that shed light on what happened.
41:41Do you have them or not, Mrs. Arcos?
41:46Mrs. Arcos.
41:50No. I don't have them.
41:54At the moment.
42:07It comes on the cover of the newspaper.
42:09Are you referring to the article entitled
42:11A new female profession in Germany?
42:13Yes, that one.
42:14I have also read it.
42:17And what does it say? What interests you so much?
42:20You see, mother, this article in question refers to the fact that
42:23in some large warehouses in Berlin, men have been replaced
42:26by women from the service they gave by going up and down the elevators.
42:29Yes. Because most men are fighting on the front line,
42:33they have had to take that desperate measure.
42:35I really don't know where we're going.
42:38Instead of the woman, it's at home, taking care of her family.
42:41Well, times are changing.
42:43And I don't think it's bad that women get involved in the work
42:46and do the same tasks as men.
42:48What they should do is not neglect their true obligations.
42:52Get rid of so many frivolities.
42:54I wouldn't dismiss the subject so lightly.
42:57In fact, women contribute a lot to the labor market.
43:00In the front, without going any further, there were many nurses.
43:03They are eager to try their luck.
43:10Gentlemen, I bring you the snack.
43:13Hanna.
43:16You're back.
43:18Yes, Maria Fernández and I came back from the house last night.
43:22Well, enough chit-chat.
43:24Serve us, please.
43:28And how was it with my friend Don Gabriel?
43:31Fine, sir. It was fine.
43:33In fact, Maria and I hope it was useful for him.
43:36I'm sure it was.
43:40Serve me another cup, please.
43:44If you can know why you have become so useless ...
43:47Excuse me, ma'am.
43:49Disaster, for God's sake.
43:51Mother, I'm not a reliever.
43:53I don't like to see her angry.
43:55Rather, quite the opposite.
43:57With a smile on her face.
44:01This is how I have remembered her all these days in the war.
44:05Did you remember me?
44:08Every hour.
44:10Every day.
44:13Even in the worst moments,
44:15the only thing that encouraged me was to remember her smile.
44:22You know that I also constantly thought about you, my son.
44:29You can't imagine the wonderful feeling of well-being
44:33that it gave me to imagine myself by her side.
44:39She would close her eyes and ...
44:43I could smell her and even touch her.
44:50And even if I was surrounded by death, misery and destruction,
44:55in those moments my head was free.
44:59And I went from being in hell to being in paradise with you.
45:09What you say is beautiful, son.
45:12It's the most beautiful words you've ever said to me.
45:17If there's one thing this war has taught me,
45:20it's that you don't have to hide your feelings,
45:23but show them.
45:26And I'm glad that's the case.
45:29And I'm glad that's the case.
45:38If you don't need anything else.
45:59It's a perfect merengue. It looks like a cloud.
46:02I'm glad you're impressed.
46:04Luis XV's wife was a fan of this recipe.
46:07And her husband, the king,
46:09to please her, put it in fashion in the French court.
46:12Well, I'm impressed.
46:13I congratulate you, Majesty. I see it first.
46:16Besides, you made it with your own hands.
46:18I'm sure the king didn't even care.
46:20Now you have to try it.
46:22Oh, I don't know. I'm a little embarrassed. It's so beautiful.
46:25Well, his is also delicious, right?
46:27I don't know. Let me look at it a little longer.
46:29You'll see. It's a dessert, not a dress.
46:37That's it. Go.
46:38What are you doing, you fool?
46:40If you don't destroy it, you'll never taste it.
46:43You've stained my nose.
46:45Come, I'll clean it for you.
46:53I just came to prepare the service.
46:56Come.
46:58Well, let's see. I'm going to try it.
47:00Try it.
47:06Well, apart from being beautiful, it's delicious.
47:09Thank you.
47:12It doesn't just have egg whites and sugar.
47:15It also has a vanilla essence.
47:16But what I'm most proud of is that the texture has been ideal,
47:19and it's not easy at all.
47:20Really? Let's see what the ideal point is.
47:23The ideal point of the merengue is that the texture on the outside is dry and crispy,
47:28and on the inside it has to be moist and juicy.
47:30Let's see.
47:35Well, my compliments to the cook.
47:37It's at its perfect point.
47:38Hey, please, can you be quiet?
47:41We're not doing anything wrong.
47:42You're playing with the merengue next to the gentlemen's tray.
47:45It's an irresponsibility.
47:46Yes, but we haven't stained ...
47:47You're making the fool with the merengue.
47:51Well.
47:53That merengue looks great.
47:55Did you make it, Mr. Ruiz?
47:56That's right.
47:57Can I try it?
47:58Of course, it would be an honor.
48:09Congratulations.
48:10Unbeatable.
48:11Thank you.
48:12Thank you, Mr. Villicer.
48:13It's the best merengue I've ever tasted in my life.
48:24The revenge of the marimandrajo.
48:26What a burn you have given me for having been out these days.
48:30Well, I'm really out of my mind too.
48:32I haven't stopped all day.
48:34I've done everything in bed.
48:35With your low sheet, with your middle sheet, with your pillow.
48:40Aren't you exaggerating a bit?
48:42Well, no.
48:43Not even a little bit.
48:45Well, to Miss Martina's room.
48:47No, no, no, no, no, no, no, no, no, no.
48:51Well, he didn't come into Miss Martina's room
48:53because she was very unhappy.
48:55And she didn't want to.
48:56No.
48:57Poor girl.
48:58Well, yes.
48:59What must it be like to be locked up
49:01in a very peaceful convent?
49:03But come on.
49:04A bore like a mormon.
49:06She doesn't like it at all, let's go.
49:08And go to hell with Count Ayala,
49:10who always wants to see her locked up.
49:11And he doesn't care where.
49:14Anyway, that helped me to give my savior a couple of kisses.
49:19Well, you should have been pleased.
49:21Don't believe you.
49:22I still have hugs and kisses to give him.
49:25I've missed him so much.
49:26I miss how he breathes every day.
49:28Well, then think about that
49:29and don't delay the bed you made today.
49:32But don't believe you that he was as excited as I was.
49:36That he didn't like it.
49:39Well, Maria, being excited like you is very difficult.
49:43That's true.
49:45And your day, how was it?
49:48Well, look, I think I was a little ...
49:50I was luckier than you.
49:51I had to be in the laundry in the morning,
49:53then I had to serve the snack
49:55and set up the dinner a little more.
49:58You're a good girl.
50:00I would have liked to be at dinner
50:02because that way I could have seen Curro.
50:06And have you been able to see Don Manuel?
50:09Yes, at the snack.
50:10And what about the reunion like your turtle?
50:13Well, weird, but very nice.
50:16Tell me.
50:18Maria, well, I don't know.
50:19When we saw each other,
50:21a face lit up and it was as if
50:23our hearts were coming out of our chests.
50:26And you kissed like in a soap opera.
50:28What? No way.
50:29There were the Marquises in front of us.
50:31Then everything was reduced to looks, right?
50:34Well, not exactly.
50:36Because Manuel was telling his mother
50:38some very beautiful things that
50:40he was actually telling me.
50:42And how is that?
50:43A mother is not a girlfriend.
50:45A mother is not a girlfriend.
50:47Well, but he loves them both very much anyway.
50:50The thing is that
50:52Manuel was telling his mother, for example,
50:54that he had missed her a lot, but
50:56in the meantime he looked at me with rejection.
50:59I see.
51:01Well, I hope he didn't notice.
51:03Wow.
51:04If the Marquise was delighted
51:05that her son told her such beautiful things.
51:07Well, in the end, you both won.
51:10She because she thinks her son admires him madly
51:13because, in the end,
51:14who does he want madly? You.
51:17Although, well, the words are beautiful, but
51:19where you put a hug, a kiss and a caress ...
51:23Yes, we wanted to meet after lunch,
51:25but it was impossible.
51:27There were a lot of people interrupting.
51:29Some inopportune, right?
51:31And then also,
51:33Manuel has mentioned me after dinner
51:35in a little room, but
51:37the Marquise claimed it
51:39and in the end, well, nothing, impossible.
51:42Well, there will be times to be together.
51:45Well, yes, but tomorrow is better than the day after, right?
51:48I understand you perfectly.
51:50Because we haven't gone for two weeks and
51:53I was climbing the walls to see Salvador.
51:56One that you, who has not seen Manuel for months
51:58because of the war.
52:12Catalina?
52:17Where are you going at this hour?
52:26Have you finally decided to leave the hangar and go home?
52:31Since your mother apologized to me,
52:33there was no point in prolonging my exile.
52:35In fact, I've been organizing things all day.
52:38In fact, I've been organizing things all day.
52:41But I preferred to move at night.
52:45And from what I see, I've ruined your plan.
52:48If there was someone I didn't care to meet,
52:51it was you, brother.
52:56In that case,
52:58I am pleased to welcome you.
53:00And I want you to know that I am very happy
53:02that you are coming home.
53:04And so, in passing, you recover your hangar.
53:06No matter how much you tell me, I know you wanted it.
53:09Okay, I won't tell you no.
53:13But something tells me that this doesn't make you very excited.
53:17Rather none.
53:21But ...
53:23If I'm honest with you, I'm not going to stay for long.
53:27Why?
53:31I'm going to break my promise.
53:36I'm going to break my promise.
53:41I wanted to give you another chance to show me
53:44that I'm making a mistake with you.
53:46Don't make me regret it.
53:48Well, maybe he has to admit that I am how I am.
53:50And if he doesn't like it, I'm sorry.
53:52Santos.
53:53He can take me away from his life again.
53:55Your mother will never give up, Martín.
53:56But she has already given up.
53:58If she wanted to fight for me,
54:00she would face the count, but she doesn't.
54:03You are very strange.
54:05No, I'm as always.
54:07No.
54:08As always, no.
54:09Something happens to you that I know you as if I had given birth to you.
54:12Not even his own mother mentions Martina.
54:15In case you don't know, she's upstairs,
54:17waiting for them to lock her up in a convent for something she didn't do.
54:19We've all turned our backs on her.
54:21And we are condemning her with our silence.
54:23Stop messing with the subject.
54:24It shows that your life is not the one in danger.
54:26And who were those guests?
54:29Well, we didn't meet any guests
54:31because we served Mrs. Susana,
54:33who is the duke's wife.
54:36So two foreign maidens to attend to the hostess.
54:40Didn't she have her own service?
54:42We have a new priest in Luján.
54:45So the opportunity that my virtues have a job is closer.
54:48As soon as a few days pass and the man is settled,
54:50I approach to visit him and keep him informed of everything.
54:53What are you doing in his room?
54:55Before he leaves,
54:56I stand at the door of the house of the priest as a candle that I call.
55:00And now it turns out that I have no other way than to lock my daughter in a convent.
55:03Well, you do have another way out, Margarita.
55:05Which one?
55:06If Ignacio has made it clear that he is not going to give me his arm to twist.
55:09Ignacio spoke with Alonso.
55:11And he told him that he would be willing to forget everything if Martina did his part.
55:16Do you want me to report my in-laws to the Civil Guard?
55:18They are Adolfo's parents and Adolfito's grandparents.
55:20And the same thing that your son has been taken without permission.
55:22And if they haven't done it with bad faith?
55:24But we still have the same cordial relationship as always.
55:27And I keep the affection that your husband deserves.
55:30He ...
55:31He emphasized again the relevance of you leaving the palace.
55:36He will have his reasons.
55:37And what reasons could those be?