Salón de té La Moderna - Ep 206
Salón de té La Moderna - Ep 206
Transcript
00:00♪♪
00:10♪♪
00:20♪♪
00:26¿Te gusta la habitación?
00:28Sí, me gusta mucho.
00:31Pero no era necesario que me dieras las más grandes.
00:35No importa.
00:50Ay, Pietro.
00:52Se me hace tan extraño.
00:54Después de tantos años,
00:56volver a pasar una noche juntos.
00:58Los dos.
01:00Y bajo el mismo techo.
01:04Ya lo hemos hablado, ¿no?
01:07De ninguna manera iba a dejarte tirada.
01:11Tengo una responsabilidad.
01:13Todavía eres mi esposa.
01:16Gracias.
01:18¿Quién pudiera ser?
01:29Marta.
01:30Pietro, necesito que venga a casa de Antonio urgentemente.
01:33¿Le ha pasado algo?
01:34No, a ella no, pero necesito que me acompañe.
01:37Aunque se trate de un tema que no le afecta a usted personalmente,
01:40créame que es mejor que lo vea por usted mismo.
01:43Claro, claro. Vengo súbito, escúchame.
01:46Tranquilo, iré preparando la cena.
01:48Bueno, vamos.
02:05¿No te sorprendió la actitud de Celia con Agustín?
02:08Era como si se hubieran puesto de acuerdo.
02:10Coincidían en todo.
02:12No sé, yo estaba deseando que se fueran para poder leer la carta.
02:15Claro. ¿Prefieres que te deje sola?
02:18No, no, al contrario. Quédate conmigo, por favor.
02:22Gracias.
02:44Si estás leyendo esta carta, querrá decirte...
02:46Que no me has olvidado.
02:48Y quién sabe si esta me habrás perdonado,
02:50Because I should never have asked you to go with me, with a fugitive.
02:54I have started a new life in another country.
02:57A decent life, but a life without you.
03:00And it will be difficult to find a meaning to it.
03:03Now I know that you are the only good thing that has happened to me.
03:06The only thing worth fighting for.
03:08And that's why I ask you to never stop doing it.
03:12Get that voice back and show all that talent you have inside.
03:15Do it for me.
03:17Do it for you.
03:18Do it for both of us.
03:20I will always love you.
03:22Always.
03:26Well, at least now you know it's okay.
03:30I should have gone with him, Laurita.
03:32No.
03:33Inés, he tells you himself, your life is here.
03:36And now you have a challenge, which is to recover and sing again.
03:40But I love him so much.
03:43I know.
03:44But if you give up, everything you have lived, everything you have gone through,
03:48even what he challenged his bosses, would have been in vain.
04:13Pedro, I need to talk to you.
04:30Is everything okay?
04:31You look like you haven't slept.
04:33It's just that I haven't.
04:35I've spent the whole night looking for Matilde.
04:38I don't know how she found out, but...
04:43She found out that I was trying to fatten her up.
04:46You don't know where I could find her, do you?
04:51Don't worry, I'm afraid she could have done something crazy.
04:57I've looked everywhere for her, Pedro.
05:00I've even gone to the police and given a description of her,
05:02warning them that maybe she's not in the middle of college.
05:07Pedro, I'm desperate.
05:09Antonia.
05:11Antonia, maybe she knows something.
05:13No, Antonia doesn't know anything.
05:14Where is she?
05:17She's with Matilde.
05:20How?
05:21Yes, she showed up at the corral last night,
05:23and Antonia had no choice but to give her shelter.
05:27Why?
05:28Why didn't you tell me from the start?
05:31I'm sorry, you're right.
05:33But Matilde made us promise that we wouldn't tell her.
05:37You know how much Antonia values Matilde, and...
05:41Where are you going?
05:44Where do you think? To get my wife back.
05:47If that's not what she wants...
05:53Pedro, please.
05:56What did Matilde tell you?
05:58The same thing I wrote in the letter.
06:01That she's not crazy, and that she doesn't want to go to that institution.
06:06Please, think about what you're going to do.
06:09What's best for her.
06:11But Pedro, yesterday...
06:12We didn't question her decision.
06:15But I didn't think Matilde was crazy yesterday.
06:18She's more afraid of what her husband wants to do.
06:36What are you doing with the broom?
06:48Leave it right now.
06:49You didn't come here to clean.
06:51Antonia, I can't stay still.
06:54And not seeing you or Marta, I thought you'd go to work.
06:57Sit down.
06:58I don't have to work because today is my day off.
07:02So we can spend it together.
07:05What do you want? A drink?
07:09Antonia, I'm sorry I got you involved.
07:12I had no choice but to go to this or take a bus to Jerez.
07:15And my family would have been much more worried.
07:17How could I explain to them that I'm running away from my own husband?
07:21It's good you didn't come.
07:23And there's nothing else to talk about.
07:24Antonia, you have enough with Lucia.
07:27I've been thinking about it since I got up.
07:29And I don't want to burden her with another problem.
07:32Last night I found out that Pietro and her are sleeping in my old house.
07:35Well, that said, it seems much worse than it is.
07:40Well, that woman came with one hand in front and the other behind.
07:43And Pietro is being charitable with her.
07:48It's true that it's not a good dish, but I have to accept it.
07:54And how did you find out about Inigo's intentions?
08:01Esperanza told me that she saw you, Pietro and Marta in the alley.
08:06And it seemed very strange to me.
08:08And I knew Marta wasn't going to fail me, so she told me everything.
08:13And when I got home, I wasn't sure what I was going to do.
08:16But what I was sure of was that if they put me in that place, I would never leave it again.
08:22I would have gotten you out, for good or bad.
08:25Antonia, you know me better than anyone.
08:29Have I ever shown you that I'm a person who's out of my league?
08:32No, no, not at all.
08:35And look, you've had reasons to be. Several times.
08:38No, in fact, you seem to be the most sensible person I've known since you got to La Moderna.
08:44Thank you, Antonio.
08:46Honey, you can stay here as long as you need.
08:49Okay?
08:50And if you ask me, Inigo won't come in here, no matter what your husband is.
08:52As if he's coming with the army.
08:55What's happening to me is terrible.
08:59It's terrible, Antonia.
09:02I know, honey.
09:08Another one, please.
09:10I'm not going to get you any more.
09:12Don't get all worked up, sitting down, like everyone else.
09:15Because I don't want to see Elias again.
09:17After the kick from the light bulb, I have the feeling that he's going to catch us at any moment.
09:21Especially me, I have a bad feeling.
09:23I thought Cañete was in the kit and could save us from a good...
09:26How could he confuse one with the other?
09:29Because that's how the light bulb works, for better or worse.
09:31We can't take our eyes off him.
09:33What do you think if I take care of him and you take care of Elias?
09:39Cañete.
09:40Cañete, we were just talking about you.
09:43You have to help us tie Aureliano up, at least until the wedding day.
09:47Well, that's exactly what I wanted to talk to you about.
09:50Unfortunately, I won't be able to attend that day, I'll be in Cuenca.
09:54In Cuenca?
09:55Yes.
09:56You're not serious.
09:57But you're the only person we can trust to get out of this mess.
10:01But after everything we've been through together,
10:03are you going to fail us on the most important day of our lives?
10:06Well, you don't even have to get out of the car.
10:08We're talking about a wedding for IP.
10:10All this is a bigger farce than a castle.
10:12So I don't think I'm failing anyone.
10:14Are you going to fail us on the wedding for IP of your best friends?
10:20Grandpa Julián is turning 100 years old.
10:22He's already got his aches and pains.
10:24So it may be the last time we celebrate it as a family.
10:26That's why I have to go.
10:28And Mr. Fermin is going to give you those days off?
10:31Of course.
10:32The company owes me a few.
10:34I wanted to use them to do a good cause.
10:37Besides, I love my grandpa very much.
10:39Yes, yes, we understand.
10:41Well, God forbid.
10:43But what if your grandpa died before the wedding?
10:48What?
10:49I'm sorry, I'm sorry, I'm sorry.
10:50It's the desperation speaking.
10:52Trini, please.
10:53I'm sorry.
10:58Don't look at me like that, I know.
11:00This isn't going to work.
11:03Go get me another one.
11:12It is assumed that Matilde should have been admitted since yesterday.
11:16And the question is very simple, mother.
11:18Why isn't she here yet?
11:20I've already told you everything I know.
11:22Apparently they were waiting for her and Matilde just didn't show up.
11:27I know that Dr. Mendoza received a call from Íñigo.
11:30So there is no reason to panic, Carla.
11:33If it wasn't yesterday, it will be today, Carla.
11:36I need to find out what happened.
11:38Are you really going to risk everything now that we are so close, Carla?
11:43Surely this delay has a very simple explanation.
11:46Be patient.
11:47Patience?
11:48I've had all the patience in the world.
11:50But I can't take it anymore.
11:52I just need to go see Matilde one more time.
11:54And she will be the one to ask for her admission to the asylum.
11:57No.
11:58I can't allow you to go any further.
12:00Don't you realize that you have already achieved what you wanted?
12:03I don't want to see Matilde anymore.
12:05Don't you realize that you have already achieved what you wanted?
12:08That Íñigo is convinced of his madness.
12:11Please, don't spoil everything now.
12:13Okay.
12:15I will listen to you, but I warn you that I won't hold on much longer.
12:19So do whatever you want.
12:22But I want her to be admitted now.
12:24It's not just about Matilde.
12:28You can't imagine how difficult it is for me to get everything else.
12:33Outside this room, things are getting complicated.
12:35And a lot.
12:38What do you mean, Mother?
12:40That Fabio is starting to suspect.
12:46He doesn't understand that if we want to liquidate the companies,
12:49the company is less profitable.
12:51But above all, opening that account in Switzerland.
12:55At first I thought it was because he wanted to leave me.
12:58And I think I convinced him.
13:00Although I don't know how long.
13:02I'm starting to think that the best thing would be to tell him the truth.
13:05The truth?
13:07What truth? That I'm alive?
13:09It would be much easier.
13:11But I don't know how he would react.
13:14Do you know what the problem is, Mother?
13:17That Fabio is too honest.
13:20And if we can't trust him,
13:22maybe it's time to take different paths.
13:25Do you know what I mean?
13:27No, I don't know.
13:30Let's do what we always do when we have problems.
13:34Bury him.
13:35No.
13:36We're not going to kill him, Carla.
13:38For God's sake, get that madness out of your head.
13:41You've always told me that my love for Iñigo was clouding my intelligence.
13:44And I still think so.
13:45Well, you're making the same mistake.
13:48Your love for Fabio is clouding your intelligence.
13:51What love are you talking about?
13:53The one you feel for him.
13:56And I think it's much bigger than what you've ever admitted.
14:09This is the last straw I'm going to get you out of.
14:13I'm sorry, my love.
14:14It's just that all this is getting too big for me.
14:17And now, without Cañete, I don't think we're going to make it.
14:19I'm sorry. I'm sorry I failed you.
14:21I'm going to tell you what we're going to do from now on.
14:24Okay?
14:25You are totally exempt from doing any task at the wedding to Ipe.
14:30I'll take care of it.
14:31And you just have to go there and say yes.
14:34Nothing else?
14:35Nothing else.
14:36And that's enough with Salvita's mess.
14:39And if Esperanza or Elias come to do something to you,
14:42then you bring them to me.
14:47Good morning, our God.
14:49Good morning, Father.
14:51What are you doing here?
14:52Well, for the moment, giving a few blessings.
14:54When I went to look for you at the bookstore,
14:56I had to give a few to all the customers who asked me.
14:59Good morning, Father.
15:01Good morning, may the Lord be with you.
15:03Oh, God forgive me for what I'm doing,
15:05but I'm doing it for a good cause.
15:07For you.
15:08Be careful.
15:09Don't let yourself be carried away by the paper,
15:11and don't let it get to your head, and you'll find out for yourself.
15:13Yes, I think Miguel is right.
15:15One thing is to officiate a wedding to Ipe,
15:18and the other is to go giving blessings on the street.
15:22Yes, but what I like to do is do things right.
15:24That's why I think we should do a rehearsal.
15:26Because one thing is to officiate a fake wedding,
15:28and another very different thing is that it's not credible.
15:31Besides, yesterday, Elias, before leaving,
15:33asked me to confess to him.
15:35And of course, by confessing, I also have to be credible.
15:38So let's rehearse both things.
15:40Come on, let's see, which of the two has more sins?
15:42I knew it, deep down I knew it.
15:44I knew you were going to be our doom,
15:46our weak point, the link in the chain.
15:48Elias, sit here in this box.
15:50And let's imagine that I'm inside the confessional.
15:52Very good, start the rehearsal.
15:54Hail Mary, full of grace...
15:56Okay, okay, okay, enough with rehearsals.
15:59That's enough, okay?
16:01Look, we value and appreciate very much
16:05your great efforts and your help, okay?
16:08But I think you're taking it a little too seriously.
16:12I think it's better not to confess to anyone.
16:16You can't confess to anyone, not even the silly Elias, okay?
16:20Okay, okay.
16:22But I'm playing a lot with all this.
16:26I accept not to confess.
16:28But if there's no rehearsal for the wedding, there's no wedding.
16:32Well, well, let's see, don't panic.
16:36Do you think it's okay for us to meet tomorrow afternoon at our house?
16:40I can't tomorrow afternoon.
16:43We'll do it right now, here, secretly, and we'll be calm.
16:46This is crazy.
16:47Well, come on, make it quick.
16:55In the name of the Father, and of the Son, and of the Holy Spirit.
16:59Dear brothers and sisters, we are gathered here
17:02to unite this woman and this man in sacred marriage.
17:06Since I didn't have rings, I brought some nuts.
17:10Be careful, they have a little bit of grease.
17:13The other way around, the other way around.
17:17May the Lord bless these nuts, well, these rings,
17:21that you are going to give one to the other.
17:24Man! Aureliano!
17:27Damn, the rings look good on you.
17:29And I'm leaving.
17:30Me too.
17:33What a couple. God raises them and they get together.
17:36Well, if you think it's okay, I'm going to confess now.
17:39I'm sitting in a box like this.
17:43I'm sorry, but they're waiting for me to give an extreme option.
17:49I hear you.
17:50We'll talk later, Father Marches, yes.
17:56An extreme option.
18:03I have to talk to you.
18:08Oh, it's you.
18:09Did you tell him?
18:10No.
18:13Now I understand everything.
18:15You didn't go shopping.
18:17You told him.
18:18You didn't have time, Antonio.
18:20Honey, I didn't go.
18:22If I had wanted to tell him, I would have done it last night.
18:24I swear.
18:43Aren't you going to take me with you?
18:45I'm not going to that clinic.
18:47Matilde, please, listen to me.
18:49Don't touch me.
18:51Don't touch me.
18:52Matilde, please, listen to me.
18:53Look!
18:54If you want to take me with you, it will have to be by force.
18:57Do you understand?
18:58Matilde.
18:59Matilde, listen to me.
19:00If you threaten him, he will think you are right and that you need help.
19:04Matilde.
19:05Matilde, please.
19:08I don't have the slightest intention of taking you to that clinic.
19:12Then why did you come?
19:14To apologize.
19:18I shouldn't have acted behind your back.
19:21But if I did, it was because that doctor put fear in my body,
19:25telling me that if we didn't let you in,
19:27your episodic hallucinations would become permanent.
19:30They are not hallucinations.
19:32I don't know what's happening to me, but they are not hallucinations.
19:36That you would deny the reality
19:38and that you would react with an uncontrollable anger.
19:43And like everything he told me, he was doing his best.
19:45He was right.
19:46How am I supposed to react when my own husband is turning his back on me?
19:56No, Camiete, no.
19:57I'm not going to back out when I've come as far as Mrs. Lazara.
20:01Teresa, I just found out that you've been spying on her.
20:04And you haven't just admitted it,
20:06but you've told her face that you didn't trust her
20:09and that you know she wants to take Mr. Fermin to the altar.
20:12I'm afraid you've shown me all your cards.
20:14Well, my cards won't be so bad
20:16when she's on the defensive when she discovers them.
20:19Well, I hope so.
20:21Because all you've done is put her on alert.
20:25This woman is a bad bug.
20:28But we're going to find out.
20:31Let's see, Camiete.
20:32I understand you don't want to continue with this.
20:34But I have no right to put your job at risk.
20:37No, no, no, Teresa.
20:39I'm not going to leave you alone.
20:41But I'm thinking of going to Cuenca for a few days.
20:45It's my grandfather's birthday.
20:47And since I have a few days,
20:49I was thinking that...
20:51Yes, yes, yes. No, don't worry.
20:52You have my permission.
20:54Thank you.
20:55Well, you have my permission.
20:57Thank you.
21:00What's going on here?
21:03I understand that the nonsense has to do with work.
21:07So please, put me on the spot.
21:09Because if it's work, I'm interested.
21:12Indeed.
21:13We were talking about work.
21:15But related to a personal matter.
21:19The lady in charge was telling me
21:23that I should be absent for a few days.
21:25Absent for a few days.
21:27That's it.
21:29And have you given her permission?
21:32Mr. Cañete has the right to a few days off.
21:35And he can use them whenever he wants.
21:39That's it.
21:40That's what I meant.
21:41We were talking about work.
21:43But related to a personal matter.
21:45So, if you'll excuse me...
21:47Wait, Cañete.
21:49I'm sorry to tell you that you won't be able to take those days off.
21:52No matter how much the company owes you.
21:54You can check it if you want.
21:56It's all registered.
21:57I have exactly four days.
21:59I don't doubt what you're saying.
22:01Nor your rights.
22:02But I can't do it when it suits you.
22:05If not, and according to the regulations,
22:07when it suits the company.
22:09And right now, right now I can't give them to you.
22:12Look, Cañete.
22:14In a few days, it's the convention of pharmacists.
22:16And I need to have all the staff available.
22:19Next time, you'll have to ask me for those days in advance.
22:24I was told about a family matter this morning.
22:27And it wasn't planned.
22:28That's why I couldn't ask for it in advance.
22:31The death of a loved one?
22:33No.
22:34A funeral?
22:35No, no, no.
22:36Fortunately, no.
22:37It's my grandfather's birthday.
22:39And I thought...
22:40For God's sake, Cañete.
22:41That's not a serious matter.
22:42Excuse me for denying it.
22:44If you'll excuse me, Mrs. Lazara.
22:46When a person turns 100 years old,
22:48any celebration can become a funeral,
22:50unless a rooster sings.
22:52And my grandfather is in his last years.
22:54Cañete is absolutely right.
22:56And we'll take care of the convention of pharmacists.
22:59For God's sake.
23:01I told you you were very quiet.
23:03As a manager, I have to respect your conduct.
23:06You should know the regulations better.
23:08You should put the company first,
23:10before having favouritism with certain employees.
23:14As for you, Cañete.
23:15Next time you need anything,
23:17anything at all,
23:18tell me first.
23:20Don't waste time with intermediaries
23:22who don't have the ability to make decisions.
23:26Ale.
23:28Get to work.
23:46Celia.
23:48I have good news.
23:49My uncle is so excited about the reviews
23:51that have been published about the Cenovia-Campruy talk.
23:54So much so that he has asked us for another publicity stunt.
23:57I'm very proud of you.
24:00And I'm proud of you.
24:01Well, we'll have to think of a script for the stunt.
24:04I had thought that if my sister was okay,
24:07we could use her voice for the stunt.
24:10Well, that would be great, Laura.
24:12Yes, because it would be a way to gain confidence
24:14without having to go on stage.
24:16But I don't even dare to ask for it.
24:18It's normal, it's normal.
24:20Look, I just wanted to talk to you about her,
24:22about something that happened at your house yesterday.
24:24Although she was with Agustín,
24:26I noticed that she got very nervous when you gave her a note.
24:29Yes, it was from César,
24:32who has arrived in the United States.
24:35And what else did you tell him?
24:37Well, I encouraged her to keep fighting
24:39to regain her voice
24:40and to become the singer she is destined to be.
24:43And I also told her that I loved her.
24:45Although César has done what he has done,
24:47it's a shame that they can't be together.
24:50It's a shame that the most romantic and sincere loves
24:53are also the most impossible.
24:57Do you think Agustín noticed?
24:59Agustín?
25:01Laura, Agustín was only aware of you,
25:03to realize that something was wrong with Inés.
25:05What are you saying?
25:07Well, will you help me with the stunt or not?
25:09Yes, yes, of course I'm going to help you.
25:11But first we have to close the next talk.
25:14And I thought I could talk about your great passion.
25:17Cinema.
25:19And who will be the speaker?
25:20A great expert on the matter.
25:23Agustín.
25:24How?
25:28I thank you for telling me what happened to Teresa.
25:31Well, I wouldn't have done it
25:32if I didn't consider it to be serious enough.
25:35I don't want to worry him anymore.
25:37I was the one who asked.
25:39Anyway.
25:41Now I would like to read you something
25:43that my niece has just brought me.
25:48The unique event that took place
25:50in the well-known Sita Gallery
25:51next to the Gran Vía Madrileña
25:53was attended by my guest,
25:54the writer and translator Zenobia Camprubí,
25:58a prominent member of the 27th generation
26:00and one of the founders of the Liceum Club Femenino.
26:04Well, of course, it's to make her proud.
26:06Yes, yes, yes.
26:07If you allow me,
26:08I also give them to you for the part I have to do.
26:11The career of my niece Laurita seems to be on track.
26:13Now it only remains for your sister Inés
26:15to start getting along better and become herself again.
26:18You can't imagine how determined and impulsive she has always been.
26:24Tell me, Mrs. Lázara,
26:25how do you see her in her new task?
26:29Well, I just came from the upstairs floor and...
26:33I don't know what to tell you.
26:34I've seen her...
26:35No matter how hard you try to show the opposite,
26:39she's not made to be my personal assistant.
26:42I understand.
26:44No.
26:45I was going to tell you that I've seen you a little nervous
26:48because today you have the first date with the logo.
26:51And all this thanks to you.
26:53That doesn't matter, Mr. Fermín.
26:55The only merit I can have
26:57is that I knew her and I was able to ask her out.
27:00Still, Mrs. Lázara, still.
27:02Mr. Fermín, really.
27:03Yes, for me it is a pride to be able to help you.
27:07To be able to give you back a little of all that you have given me.
27:13Well, what do you think if we continue with the order of the day?
27:17As you know, Matilde has not been able to take charge of the convention of pharmacists,
27:21so I have taken care of it.
27:23It will be on Friday,
27:26and everything is in order, there will be no problem.
27:28I have to ask you a question, Mrs. Lázara.
27:30A question, Mrs. Lázara.
27:33What would I do without you?
27:37Yes?
27:40Excuse me.
27:43Mr. Fermín, Mrs. Lázara, I would like to talk to you.
27:48Sure, Teresa, sit down, please.
27:51And tell me what it is about.
27:55Well, it's a bit of a delicate matter.
27:58You see, Cañete has requested to use the days off that correspond to him
28:02to attend a family engagement that is very important to him.
28:06Yeah, well, if it's in his right, I think it's fine, what's the problem?
28:11Well, the problem is that Mrs. Lázara has not granted him permission.
28:14And it seems very unfair to me, so I come to request your mediation.
28:20Fortunately, Mr. Fermín is aware of our embarrassing situation.
28:25So his disrespectful attitude is not going to surprise him.
28:30But what attitude are you talking about?
28:31Teresa, Mrs. Lázara has told me everything.
28:34I am aware of the friction they are having lately.
28:38I am very sorry that your professional jealousy is playing a bad joke on you, but ...
28:44But everything has a limit, Teresa.
28:47But well, Mr. Fermín, he won't believe that I'm here ...
28:50I don't know what to believe anymore, Teresa.
28:52But I have to trust my manager's criteria.
28:55Besides, I don't see another explanation for his behavior.
29:06What do you think?
29:11It's very good, but Celia, you're in a pinch with Agustín.
29:14Because I already told you that I want to go head-on with the men and much more with him.
29:19Laura, I'm really sorry.
29:23It's just that I didn't think the talk could be worth it.
29:26Because whether you like it or not, you have to admit that you are a great expert.
29:30Well, we'll see.
29:33I have to go deliver some records.
29:38By the way, the Celestino cartel is very nice.
29:49Damn impossible loves.
29:52What did you say?
29:53Oh, what a scare!
29:55But hey, where are you coming from?
29:57I was waiting for Laurita to leave.
29:59But she has already left.
30:00Yes, yes.
30:02I wanted to thank you for organizing the talk and above all for the brilliant idea of inviting me as an opponent.
30:10Do you think it will work?
30:12Well, the miracles to another window.
30:15It will depend on you.
30:16If it is as brilliant as you say and if you can fascinate her enough.
30:20Although when I told her that you were going to be the speaker, she didn't have long to run away.
30:25But I know Laura and I know she will attend.
30:29There is something I need to know.
30:32I need to know your actors, your favorite actresses, movies ...
30:37Oh, sure. And what else do you want to know?
30:39Well ...
30:40Maybe your favorite dessert? Your favorite color?
30:44Look, Laura is very important to me and I just want her happiness.
30:48But that's enough, right? I'm not a celestine.
30:51Forgive me, please. It's just that sometimes I don't know how to stop time.
30:54It's just that I like Laura so much that I'm willing to do anything to gain her trust.
31:00Well, stop doing tricks.
31:04Nice poster, the ... the poster.
31:09She said the same thing.
31:11At least we share good taste.
31:13Good afternoon, Celia.
31:21The best known books must be placed first, so that the client does not have to look for them.
31:27Salvita, are you listening to me?
31:28Yes, yes.
31:30Salvita, I'm supposed to train you and teach you the tricks of the trade,
31:34but apparently you seem more interested in how Martita is doing.
31:37It is that that lady has just given a package to Marta
31:40and I find much more interesting everything she does
31:43than everything you can tell me about the trade.
31:45And I tell you with all the affection and appreciation I have for you.
31:50What's missing?
31:52Don't run away, I know you.
31:55Have you already notified your relatives to come to the wedding?
31:58If the accounts do not fail me, there are only four days left.
32:01And I say that they will have to organize themselves as is due.
32:03Well, since you ask, Esperanza, I almost forgot.
32:06It is that I no longer take care of the preparations,
32:08so anything that wants to talk about respect is addressed to Trini.
32:12Thank you.
32:13To Trini.
32:15With how crazy she is.
32:16Come on.
32:17As she leaves the wedding in her hands, I tell you that she does not marry you.
32:20Well, whatever it has to be.
32:23What are you up to?
32:24No, I'm not up to anything, ma'am.
32:26I love my wife madly.
32:27My future wife.
32:28But since she is in charge of everything, she asks her what is necessary.
32:33But Miguel, you will have something to say, right?
32:37Yes.
32:48You, instead of working and taking care of your things,
32:51you are more aware of what others do.
32:53What are you looking at?
32:54Nothing, woman.
32:55The thing is that I am a very curious person
32:57and I was wondering what was in that package.
33:01A book.
33:02What kind of book? A novel?
33:04Of course, because someone like me could be interested in it,
33:07which is not a novel, right?
33:09So you've accepted?
33:10So no.
33:11Esperanza, I have a lot of work.
33:18It has less light than my street when the streetlights are turned off.
33:22And you, what are you doing here?
33:25It's late, talk to Sarbita.
33:28The accumulation of dust does not prevent.
33:30As you have said, miss.
33:33She knows it perfectly.
33:35It is one of the sacred commandments of cleaning.
33:38Weren't there 10?
33:39Well, this is the 11th and I just thought of it.
33:43Come on, let's go inside.
33:45When I go back to work,
33:47poor people like me have to earn our peace.
33:49Tomorrow I will come to pick you up at the first hour.
33:51By the way, who was that lady from ...?
33:55Sarbita, do you remember the only condition I gave you
33:58to work here in the bookshop?
34:00Don't get me involved in your business.
34:02Poor you, how can you not do it?
34:04And now I'm going with my pink novel,
34:07which according to people like you,
34:08is the only thing people like me can read.
34:26You must be Inés Balbuena, right?
34:29If I were told that I have to go up to a guard,
34:31I would have thought about it before accepting this job.
34:34Excuse me, who are you?
34:36If you don't mind, I need to recover my sleep.
34:39I am Marcela Juanes, logopedist.
34:43Could you give me a glass of water, please?
34:45Yes, yes, of course, come in.
34:48But ...
34:52You are one of the best specialists in language pathologies,
34:56trained in Vienna and have helped a lot of singers.
34:59It is not believed that it is Marcela Juanes
35:01or that with this aspect it can be that eminence.
35:05Thank you.
35:09If that's what they say about me, I agree.
35:11Except that I'm not one of the best.
35:15I am the best.
35:17Do you know how many steps I have climbed?
35:19No.
35:22This is the typical upholstery that accumulates a lot of dust.
35:27Tell me one thing, do you shower with cold, warm or hot water?
35:30Do you ventilate your room every day?
35:33As you say.
35:34Do you sleep in pajamas, underwear or as God brought it to the world?
35:37Don't worry, I won't be scared by the answer, whatever it is.
35:42But what kind of honest questions and what do they have to do with my problem?
35:46Tell me about your diet, what you do to have fun.
35:49Well, that's enough.
35:51You're making me nervous and I don't feel comfortable and I'd rather you leave.
35:55Did you get it out of Kizio?
35:56Yes, he got it out of Kizio.
35:58Excellent.
35:59I have verified that when you do it, you force your voice in the high tones
36:03and that you twist your gesture a little when you use the low ones.
36:06It must hurt right here.
36:10Oh, it hurt me.
36:12Of course, you have a fairly pronounced contracture.
36:15Every time you speak, you force the muscles that surround the pharynx,
36:19generating that contracture.
36:21You will have to change your habits.
36:23Vocal cords are not the only instrument of the voice.
36:26We also have the diaphragm, the palate, the tongue, the nostrils.
36:31Although I'm not going to deceive you, it won't be easy.
36:35Assuming you want me to treat you.
36:40Well, I'm not sure.
36:42Well, I'll tell you what we'll do.
36:43Since I know what's wrong with you, we're going to try a session.
36:46If you feel satisfied with the result, it will be the beginning of a beautiful friendship.
36:52My assistant will call you to fix a date.
36:5687.
36:5987 what?
37:0187 steps.
37:03Those are the ones I've gone up and the ones I'm going down now.
37:05Remember to ventilate your room well and that everything you eat is warm.
37:10Neither cold nor hot.
37:20Trini, one of the pastas, please.
37:22I'm going to make two coffees and I'll be right back.
37:24Okay.
37:25Marching.
37:29Trini, I'm very worried.
37:32I just spoke to your fiancé.
37:34And what did he say?
37:36He told me that you are in charge of the wedding.
37:38So I came to discuss it with you.
37:40Let's see.
37:41Have you bought the wedding dress?
37:44And have you thought about where you are going to celebrate with Bites?
37:47There are many things.
37:48There are four days left and I'm more nervous than you.
37:50But it's going to be a very simple wedding.
37:52So simple that it will go unnoticed.
37:54So thank you very much for your concern.
37:56But no need to talk about it anymore.
37:58Well, we're not going to talk.
37:59And the guests?
38:00Have they already received the invitation, yes or no?
38:02Well, no.
38:03They are not notified because they are not going to come.
38:05Because we are going to celebrate it with them later.
38:07Well, but even so, a wedding cannot be celebrated without a godmother.
38:12And no one better than me to replace Miguel's mother.
38:15Well, we will take it into account.
38:17And the godfather?
38:19Well, it had to be Cañete, but of course.
38:21As he has to go to his grandfather's birthday, we will have to replace him.
38:25Well, but as Cañete's number two for everything he knows about Esther,
38:28it's me.
38:29Is the matter settled, Trini?
38:32Well, not settled.
38:34But, well, we'll think about it.
38:36Trini, if I'm honest with you, I need to be the godmother of your wedding.
38:41It is that at the wedding of Pietro and Antonia I almost did not shine.
38:45In addition, I am already raising money for the gift too.
38:47Well, and I have spoken with a photographer from Postin,
38:50so that the moment is immortalized.
38:52Yes?
38:53And the bachelor party?
38:54Oh, we can celebrate it in the corral.
38:56Be careful, the Italian will not come out of the blue again.
39:01Well, and if the photographer escapes the budget,
39:03of course, don't worry,
39:04because I spoke with a friend who makes some stupendous cartoons.
39:07What happens is that ...
39:08Well, don't worry about anything, Trini.
39:10Although it is not the same to organize a wedding with Don Fermín than with Elías,
39:13but everything will be fine.
39:15Everything will be fine, Trini, don't worry.
39:17The pasta?
39:18Yes.
39:19Thank you.
39:20Marchando.
39:23Well, that's it.
39:34Don Fermín, there is something that I also want to consult with you.
39:38You see, a good friend of mine, whom I appreciate,
39:42wants to open a bank account in Switzerland.
39:45I am worried that he may get into some mess, you understand me.
39:48Normally, whoever does so is because he has something to hide.
39:51Possibly it is funds from some illegal operation.
39:57Warn him of the risk he is taking,
39:59because the public treasury has a lot of money.
40:01Tell him to run, because the public treasury will have him in mind.
40:05Fabio, I have the feeling that you want to tell me something.
40:10I was thinking about what you told me.
40:13About the Swiss account.
40:16I think there will be no problem.
40:19You don't know how grateful I am.
40:22I know it's a complicated matter.
40:24Much more than I expected.
40:26I also want to tell you something.
40:29I wanted to apologize.
40:31Apologize for what?
40:33Because sometimes I have lost my nerves with you unfairly.
40:37Since Carla died, I have not been the same.
40:40Nothing is the same.
40:43What I am doing involves a risk too high for me.
40:48I think I deserve to know if it is worth running.
40:52You said you would do anything for me.
40:56Anything.
40:59But within the legality, Barbara.
41:02If there is something that I should know,
41:04something that can put us in danger, both you and me,
41:07I need you to tell me now.
41:09Because if I discover that while I supported you unconditionally,
41:13believing every word you told me,
41:15you have been taking advantage of me,
41:19I assure you that you will meet a very different Fabio.
41:23You said it.
41:25You are the only person I can count on.
41:29Do you really think I would risk losing you?
41:33No, Fabio.
41:35I'm not hiding anything from you because I would never betray you.
41:39And it hurts me that you doubt me.
41:41And above all, that you do it now, just when I need you the most.
41:47Okay.
41:52Fabio.
41:54Do you care much more than you think?
42:17I don't know what to do with all this.
42:19What do you mean you don't know?
42:21What do you mean you don't know?
42:22Well, to have it all at hand,
42:24because it won't take long to need it again.
42:28I don't know what I would do without your optimism.
42:30It's not optimism, Antonia.
42:32I'm sure that all this mess will be solved
42:34and that none of the atrocities that Esperanza said will happen.
42:37I assure you.
42:40Marta, no matter how much it hurts me,
42:42everything Esperanza said was right.
42:45Pietro is sharing the roof with his wife.
42:49With the mother of his only child.
42:52And what scares me the most is that
42:55when they broke up, it wasn't because they stopped loving each other.
43:01The past is in the past.
43:03And Pietro fell in love with you.
43:04I saw that with my own eyes, Antonia.
43:08Feelings don't fade away just like that.
43:12And the feelings I had for her haven't faded away either.
43:17What if he loves us both?
43:19Well, he'll have to decide for himself.
43:21And he'd better do it for you.
43:30Antonia, it's Pietro.
43:35I'm going to talk to someone outside.
43:37Okay.
43:39Can I put this away, please?
43:41Don't worry.
43:49Pietro.
43:53What are you doing here?
43:55What do you mean, Antonia?
43:57I came to see you.
43:58To see how you are, how the day has been.
44:03Is this how our relationship is going to be from now on?
44:06Are you going to come see me after work and then go to bed with her?
44:11Antonia, I don't sleep with Lucia.
44:13Everyone has their own awakening.
44:18For God's sake, Antonia.
44:20This makes me feel bad.
44:22And how do you think I feel?
44:25Knowing that you are so close to each other.
44:29Knowing that one day it was the love of your life, Pietro.
44:31That maybe...
44:34Maybe you still feel it.
44:38Antonia.
44:39What would you do if now, all of a sudden, Ramon appears in front of you?
44:44In front of your door.
44:45And finds out that he's not dead.
44:49Lucia.
44:51Lucia has been an important part of my life.
44:53Yes.
44:55She's the mother of my son, Giancarlo.
44:59And I love her very much, Antonia.
45:01But I'm not that person.
45:04And I don't have the same feelings.
45:12I'm in love with you.
45:14I'm in love with you.
45:18Only you.
45:20And please, you have to believe me.
45:24I believe you.
45:27I believe you.
45:35Tomorrow I'll go to the Italian consulate.
45:38To resolve Lucia's legal situation.
45:40And take back what we've left in the middle, right?
45:44If you want.
45:46Marry me.
45:50I wouldn't like anything more.
45:53But you'll have to ask me again.
45:57And before cancelling your marriage.
46:00And I will.
46:07Can you stay a little longer with me?
46:10Of course.
46:12If it were up to me, I wouldn't leave you alone for a moment.
46:23Let's go inside.
46:24Let's go.
46:35It's a shame that the centenary of the grandfather is celebrated on the same day as Trini and Miguel's wedding.
46:40Do you feel sorry for losing it?
46:42Yes, a lot.
46:43Well, considering that you were the artifice.
46:46That you made them out of Celestino the first day they kissed.
46:49What kiss?
46:50Well, it's going to be the one in the alley.
46:52The one from Paraguay, that day, raining.
46:54Yes, yes, yes.
46:55But well, don't worry.
46:56As a sponsor, I'm going to leave the pavilion very high.
46:59In fact, I'm already preparing a speech.
47:02Look at you.
47:03The bookkeeper, with the good plant he has and the good face.
47:06With how stupid he is.
47:07I thought he was going to stay to dress Santos.
47:10That's why the two of us are going to stay.
47:12Do you think?
47:13In this step.
47:17Mrs. Alazara has played it well for me.
47:20I'm sorry, Cañete.
47:22But you won't be able to go to your grandfather's birthday.
47:24What do you mean not?
47:25I have to spend the days they owe me.
47:27I have the right to them.
47:29What did Don Fermín say?
47:30Well, whatever Mrs. Alazara says goes to mass.
47:33Let's see, it's true that you as a worker,
47:35you have a few days off.
47:36But the regulation says that it is the boss who has to give them to you at his convenience.
47:42Well, this is not going to stay that way.
47:44I'm going to talk to Don Fermín.
47:46Well, talk to him if you want, but I don't think it's any use.
47:48Mrs. Alazara has managed to get into his head and cancel his will.
47:52Cancel his will? But what are you saying, Mrs. Teresa?
47:54Well, look, Elia, it's very simple.
47:56That from now on, Mrs. Alazara is the one who will take over the reins of La Moderna.
47:59That's what I say.
48:01Well, may God catch us confessed.
48:04Well, I have the right to those days.
48:06And I'm not going to miss my grandfather's birthday because it will surely be the last.
48:10I'm not going to accept his authority.
48:11For civil or criminal reasons, I'm going to Cuenca.
48:13That's how you talk, boss.
48:14No, that's not how you talk. What do you want, to fire him?
48:18Elias, to the terrace.
48:20Hurry up, boss.
48:23Well, you should have seen her.
48:25She left me in evidence in front of Don Fermín, accusing me of being jealous.
48:30And he hasn't defended you?
48:31Well, no, on the contrary.
48:33That's why I think we've lost this battle, Cañete.
48:36But not the war.
48:38This is no longer for my grandfather, but also for you.
48:41That woman just got a pimple on her ass and her name is Francisco Cañete.
48:49Sit down, please.
48:53I admit that you have me intrigued, Mr. Peñalver.
48:56When you called me on the phone, you didn't want to tell me why you needed to see me so urgently.
49:01Although I think I can get an idea.
49:04You haven't been able to convince your wife?
49:08There has to be an alternative solution to that.
49:11Some kind of treatment that is not so traumatic.
49:14None that can cure her.
49:17Her condition is too serious.
49:19And if you insist on ignoring it, you will be the only one responsible for what may happen to her.
49:24Honey!
49:26The doctor at the corner was closed.
49:31What is this man doing here?
49:33You told me I didn't have to worry.
49:34That's right.
49:36But I wanted to talk to the doctor in person to ask him if there was another alternative.
49:40Yes, there is.
49:42Telling him to leave.
49:44Don't take it the wrong way, doctor. It's nothing personal.
49:47But the alternative he proposes to us and we don't like it? Nothing.
49:50Look, Matilde.
49:52Your husband is worried about you.
49:54Like me.
49:56Like you.
49:58Intriguing behind my back.
50:00Convincing him that I'm crazy and that I'm going to a sanatorium.
50:03Look, you know what?
50:04Out of my house.
50:06Out of my house.
50:07As you wish.
50:15I insist that there must be another solution to help her.
50:18I insist that there is only one.
50:20She has just lost her nerves like me.
50:23And accusing me of little less than conspiring against her.
50:26I told you before.
50:28And I repeated it to you every time you made a mistake.
50:31I told you.
50:33I told you.
50:34I told you before.
50:36And I repeated it to you every time you made a mistake.
50:38Mental illnesses can be very skillful,
50:40making your associates believe that they are right.
50:43And that the rest of us are the enemy.
50:46I reaffirm my diagnosis.
50:48I just hope you make the right decision.
50:51Because your wife's life will depend on it.
51:05THE VAMPIRES
51:08Can you tell me why you're dressed like that?
51:11What kind of joke is this?
51:13No joke.
51:14My grandfather's centenary is a very serious matter.
51:16Cañete has had the courage to face the vampire
51:19and then he went to his grandfather's camp.
51:22And you don't know how the vampire is.
51:24I want you to know that I will always support you in everything.
51:27Instead, I would like you to go to Dr. Mendoza's consultation
51:32and start right now.
51:34Carla, let's think about it.
51:36Has Matilde entered Dr. Mendoza's clinic?
51:38I'm afraid not.
51:39And what are they waiting for?
51:40I don't know.
51:42What else can I do to make them put a shirt of strength
51:44on that damn dead fly?
51:46The consulate has told me that while all this is cleared up,
51:50I am responsible for Lucia.
51:52You have to take care of her.
51:54I need to know how your first session with the lawyer went.
51:58Well, the truth is that she was very honest with me
51:59and she told me that she couldn't be 100% sure
52:02that I could sing again.
52:04Why don't you try it, Inés?
52:06Look, I've thought about going to the Madrid-Paris warehouses
52:09and being able to talk to a client who works with her.
52:12Wouldn't it be better if you wait for me to come back?
52:14Don't worry, I can take care of myself.
52:16And being with you now, eating,
52:18I don't know, it feels so familiar to me
52:21as if we had never stopped being together.
52:24How is it possible that Cañete, such an efficient worker,
52:27has decided to quit his job without permission?
52:31Of course nothing would have happened
52:33if Teresa hadn't given him those days off without talking to me first.
52:36I don't do miracles, but I do get results.
52:39I don't think your problem is just physical, but emotional.
52:42Do you trust yourself?
52:44Dr. Mendoza.
52:46It's better not to tell him what things.
52:48Although it is not easy to deceive Dr. Mendoza.
52:50My name is Brigida, by the way.
52:52Matilde.
52:54Could I be your friend?
52:56She deceives you.
52:58But Esperanza del Carmen Pérez Aragón doesn't deceive her.
53:01Are you pregnant?
53:03Esperanza, please.
53:05These sudden marriages always hide something.
53:07It may sound ridiculous.
53:09Yes, but I always dreamed of coming back with Pietro.
53:12To resume our life and that our love would remain intact.
53:15Here is a list of tasks that I want you to do.
53:20As you will see, some would correspond to Cañete.
53:22But as you have had good to give him a few days off,
53:26it would also seem good to help him with the job.
53:29You wanted to play with me, right?
53:32Very well.
53:34Well, I'm going to take you to the limit.
53:36And you won't have time to breathe.
53:41Darling, what's going on?
53:43It was her. Someone has put me. Someone has put me.
53:46We are not alone here. No one has come in here.
53:48Please, tell me someone is playing with me.
53:50Please tell me I'm not crazy.