Salón de té La Moderna - Ep 197
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00:00The Evening
00:13Wow, sleepyhead, you've slept well in your new bed risking everyone
00:19I didn't know artists were always so pretty.
00:21The comfortable ones on the mattresses.
00:23Well, yes.
00:25And having the toilet so close,
00:27you don't have to go down the stairs at night.
00:29Well, and they have so many windows
00:31that it looks like we're in a hotel in Relumbrón.
00:33Well, let's not get used to it, huh?
00:35This is only as long as the works last.
00:37Well, but you tell the workers
00:39that they don't have to hurry either.
00:41What we have to tell the workers is
00:43if we need something from home to bring it to us.
00:45I don't think I've left anything.
00:47No.
00:49That's the good thing about being in a hotel.
00:51You get everything in one hand.
00:57And all these telegrams, Antonia?
00:59Do you think it's all mail?
01:01They're from my family.
01:03They tell me which train they're getting on,
01:05or which hotel they're staying at.
01:11How excited are you to find them?
01:13Oh, well, yes.
01:15To be honest, I'm a little nervous.
01:17I haven't seen them in a long time.
01:19Do they all come here?
01:21Well, I don't know if all of them,
01:23because there are some who haven't answered me.
01:25People who are going to be at the wedding, Antonia.
01:27Relatives, all the staff of La Moderna.
01:29Well, not all of them.
01:31I haven't invited Mrs. Alacrán.
01:33Neither has Teresa.
01:35You haven't invited Teresa?
01:37No, no.
01:39It's not that we have anything against her,
01:41neither Pietro nor I,
01:43and she's not.
01:45Good morning.
01:47Good morning. What are you doing here?
01:49Shouldn't you be at the workshop?
01:51I don't have good news.
01:53What happened, Pietro?
01:55It's about the snack, Antonia.
01:57The one we booked a few days ago?
01:59Yes. It seems they didn't take a good note of the date.
02:01But I saw perfectly how you wrote it down.
02:03I know, I know.
02:05It's just that this morning
02:07I went around to confirm
02:09a matter of the cake.
02:11They would come to pick it up
02:13and it turns out they didn't take a good note of it.
02:17That's a relief, that they noticed in time, Pietro.
02:19No, Marta.
02:21The problem is that the snack is
02:23occupied every hour on the day of the wedding.
02:25There's no room for us.
02:27But then where are we going to celebrate the wedding?
02:29I don't know, Antonia. I don't know.
02:31We have to find another place.
02:33And it shouldn't be so expensive
02:35because we can't pay for a banquet hall.
02:37Where are we going to find a place now
02:39three days before the wedding?
02:41I'm more and more aware
02:43that they haven't looked at us
02:45but they have looked at us and looked at us again.
02:49Well,
02:51here's your tila, Miguel.
02:53Double, as you asked.
02:55Now, if it's not an indiscretion...
02:57Elia, if I had to forgive you
02:59for all your indiscretions, it wouldn't be enough.
03:01Yeah, but you're always for coffees,
03:03you're not for tilas.
03:05And now you're asking me for doubles.
03:07It's...
03:09It's the love I feel for Trini.
03:11I can't control my feelings.
03:13I'm so in love with Trini
03:15that I even get tachycardia.
03:17Wow, I didn't know you were so passionate, Miguel.
03:19Of course,
03:21this must have been hidden in the priesthood
03:23for so long, accumulating, accumulating, accumulating
03:25and suddenly one day, boom, it explodes.
03:27Yes, it does.
03:29And what do you tell me about Cañete?
03:31This virtue he has as Celestino?
03:33Because you have to see
03:35what you have with Trini.
03:37Yes, you should have noticed
03:39all of them, Elia.
03:41What I have with Trini seems sudden,
03:43but my feelings come from far away.
03:45Yes? Well, I must have guessed something,
03:47but I haven't really noticed.
03:49Sometimes I say no. And look, I have a good eye for these things.
03:51Very good, yes.
03:53Yes, yes. Well, thank goodness Cañete
03:55noticed and saw it coming.
03:57Let's see what a heart of gold.
03:59What an honor to have him as a friend.
04:05Mr. Ruiz, Elias.
04:07Mr. Peñal, can I help you with something?
04:09Yes, I was looking for
04:11Matilde, I don't know if you've seen her.
04:13No, I haven't seen
04:15Mrs. Peñal in all day.
04:17Are you sure?
04:19Because she told me she was going to come here to work
04:21at La Moderna to finalize her last details of the project.
04:23Well, she hasn't arrived yet.
04:25I can assure you of that.
04:27Well, I must have misunderstood.
04:29Well, since I'm here,
04:31I'd like to talk to Pietro
04:33to find out how many guests are going to be there
04:35for the celebration of his farewell
04:37at Madrid Cabaret.
04:39Ah, well, if that's the reason, we don't need to bother Mr. Pietro.
04:41As the head of the
04:43marriage link celebrations
04:45between Pietro and Antonia,
04:47I am able to solve the list of guests
04:49and to receive and give any information
04:51that is necessary.
05:03Excuse me, Mr. Fermin.
05:05May I ask you what is it
05:07that interests you so much?
05:09Because since you arrived,
05:11you haven't taken your eyes off the newspaper.
05:13Well, the news in general.
05:15It's so exciting,
05:17everything that is happening.
05:19Do they say anything
05:21about the elections?
05:23It's just that this morning
05:25I came in a hurry, I wanted to finish the accounts.
05:27The truth is that I haven't been able to read
05:29even the headlines.
05:31Look, the results of the elections
05:33to constituent courts.
05:35Look.
05:37Let's see.
05:39It seems that
05:41there haven't been
05:43any big surprises.
05:45No, there haven't been, no.
05:47And well,
05:49everyone says they have won.
05:51Or they feel that they have won.
05:53Well,
05:55these are things of politicians.
05:57In the end, everyone interprets it
05:59in their own way.
06:01In cases that no one will ever accept that they have lost.
06:03Yes, the important thing is that the people
06:05with their votes have spoken.
06:07Look, there is a 90% coincidence
06:09between the results of the elections
06:11and the provisional government that we had.
06:13And well,
06:15despite everything that is happening
06:17in the country, there is a certain illusion
06:19about the new times that are coming.
06:21Well, you never know
06:23when something will happen that excites you.
06:25Right?
06:27Good morning.
06:29If you allow me.
06:39So?
06:41Can you tell me why you are here?
06:43Because I don't remember calling you.
06:45Yes.
06:47I wanted to talk about
06:49how it affects the wedding of
06:51Pietro and Antonia in terms of shifts.
06:53Because many of the employees...
06:55You are human, Teresa.
06:57I am convinced that you are going to take
06:59the best solution for everyone.
07:01As you ordered.
07:03One moment.
07:05Well, since you are here,
07:07we are going to talk about more urgent issues.
07:09How is the refrigerator going?
07:11I ordered it for the opening of the gramophone store.
07:13There are only a few hours left
07:15and I would not like them to be delayed
07:17because of us.
07:19Everything is on point.
07:21There will be no delay.
07:23Is there anything else you want to tell us?
07:25I don't know.
07:27The last time I spoke to you,
07:29I had the feeling that you wanted to tell us something.
07:31What did you want to tell us, Teresa?
07:35Nothing. You can wait.
07:37I'm going to take care of the refrigerator
07:39for the opening.
07:41I don't want any problems.
07:43Very well.
07:45Thank you.
07:51Look, Mrs. Lázara,
07:53there is also a review in the newspaper
07:55of the last premiere of the circus.
07:57Well, I have heard that this woman
07:59is a prodigy.
08:01Yes.
08:03I was thinking of going to one of the performances
08:05of these days.
08:07Really?
08:09And well, if you feel like it
08:11and want to accompany me ...
08:15Yes.
08:17Well, I would love to be able to see
08:19Margarita Circus and much more in your company.
08:21Well, then ...
08:23But no ...
08:25No, it won't be possible, Mr. Fermin.
08:27I have to reject the invitation.
08:29Excuse me.
08:31Wow. And that?
08:33Why?
08:35Well, for ...
08:37for many reasons.
08:39You have to take care of the modern one,
08:41the inauguration of your niece's store is
08:43coming up and I have to remind you
08:45that you are the godfather of Pietro's wedding.
08:47No, no, no, no.
08:49Well, I'm sure if I get organized,
08:51I'll find a gap in the agenda.
08:53Yes, yes, Mrs. Lázara, I insist.
08:55If you want,
08:57the circus is waiting for us.
09:01Well, fine. I accept.
09:03But on one condition.
09:05I'll take care of the tickets.
09:07I don't want to take up any more time.
09:09Perfect. As you prefer.
09:13Thank you.
09:25There it goes. I can't believe it.
09:27I forgot one of the most important.
09:29Oh, yes, I'm a nail and flesh.
09:31Mr. Fermin.
09:33What? Mr. Fermin.
09:35Besides being my boss, he is the godfather of the wedding.
09:37I forgot to tell him I was invited.
09:39Well, gentlemen.
09:41I'll leave you.
09:43Elías, please, if you see Matilde, tell her I called.
09:45Yes, of course. I'll tell her.
09:47By the way, how is she?
09:49After what happened yesterday in the gallery...
09:51Well.
09:53She is very well.
09:55Well.
09:57Well.
09:59No, it's just that I also know something about these things.
10:01Because my grandfather, Jeremías III,
10:03the whole town laughed at him.
10:05Everyone accused him of being crazy.
10:07Because whenever he crossed a bridge,
10:09he saw a ghost.
10:11Until it was proven to be true.
10:13Was it proven that there was a ghost?
10:15No, Miguel.
10:17It was proven that my grandfather was a little crazy.
10:19Good morning, gentlemen.
10:23Elías, how many things do you have to learn from Mr. Fermin
10:25to be quiet, for example?
10:39Tomorrow my friends
10:41have organized a mass for you.
10:45For my soul?
10:47How kind.
10:49Since they have had the detail,
10:51I cannot miss it.
10:53I have to leave the house at six.
10:55And the service?
10:59I will order them to accompany me.
11:01And if there is time,
11:03I will give them the afternoon off.
11:05Therefore,
11:07one hundred months in the house,
11:09empty for you.
11:15I will destroy you.
11:19This has only just begun.
11:35But good, Uncle Fermin.
11:37Thank you very much
11:39for all the soda you have prepared.
11:41The truth is that everything
11:43looks great.
11:45It is the luck of having as a partner
11:47the owner of La Moderna.
11:49So, let's toast
11:51for the new business
11:53that we hope will give us a lot of joy.
11:55Well, it has already given us the first joy
11:57because this call has been a success.
11:59By the way, Mr. Fermin,
12:01I am curious.
12:03What is your opinion
12:05about the result of the elections?
12:07Well ...
12:09Yes, tell us, because I already know Celia's.
12:11Well, I'm very happy
12:13because I think this result
12:15can bring us universal suffrage.
12:17It seems to me that you are going a little fast,
12:19Miss Celia.
12:21I have to tell you that I am very happy
12:23that the situation has calmed down.
12:25Many hoped that the world
12:27would collapse
12:29with the change of regime
12:31and it is not like that.
12:33But you know what?
12:35You can't be afraid of change
12:37because that means turning your back on the future
12:39and the future is already here.
12:41I'm here too.
12:43Inés, you came.
12:45I couldn't miss it.
12:47I love the party.
12:49You can see the dedication you have put.
12:51Well, our dedication,
12:53but also the help of Uncle Fermin,
12:55who has always been there for me.
12:59Wow, it seems that someone has been self-invited.
13:01Congratulations, ladies.
13:03I'm sorry to contradict you,
13:05but I was invited.
13:07Your other partner made me come to an invitation.
13:09Thank you, Mr. Fermin.
13:11And now, if you allow me,
13:13I would like to toast with you
13:15for your new business,
13:17to which I wish you a great future.
13:19Thank you.
13:21I already apologized to you,
13:23but I didn't need to.
13:25I behaved ...
13:27What I did was a little thing.
13:29Yes, it was.
13:31But don't think about it anymore.
13:33It seems that the one who is behaving like a little girl
13:35is you.
13:37If you'll excuse me.
13:41Take the report.
13:43Don't pay much attention to me.
13:45You already know what I'm talking about
13:47from ignorance.
13:49But I have written down a couple of suggestions.
13:51They will seem ridiculous to you.
13:53You already know that my knowledge of finance is little,
13:55not to say null.
13:57I'm sure all your suggestions
13:59will be very sensible.
14:01You master these subjects better and better.
14:03I have good teachers.
14:05And from what I see,
14:07a great mind for finance.
14:09You just had to activate it.
14:11Well, you haven't told me
14:13anything about the elections yet.
14:15What do you think?
14:17Me? That we have to accept
14:19the democratic game.
14:21And therefore the result, whatever it is.
14:23I trust that this will help
14:25to achieve stability
14:27and prosperity for our country.
14:29You seem very optimistic, Fabio.
14:31Although I don't know if so much
14:33as to consider going back to politics.
14:35No, no, no.
14:37I am clear that no.
14:39Although,
14:41returning to diplomacy,
14:43look, there I already have my doubts.
14:45And why do you tell me that?
14:49I haven't had time to tell you,
14:51but they have contacted me
14:53to test me
14:55with a diplomatic position.
14:57And the destination is tempting.
14:59London.
15:01And are you going to think about the proposal?
15:05Well,
15:07by the smile I see on your lips,
15:09I see that you have already done it.
15:11And once again, dear Barbara,
15:13you are right.
15:15Yes, yes, I have thought about it.
15:17You know it. Imagine it.
15:19London.
15:33You have to be optimistic, Inés.
15:35Everything will be fine.
15:37But being optimistic would be a way to deceive myself.
15:39No, no, no, that's not it.
15:41I was consulting with an expert and he has confirmed
15:43that with discipline and sacrifice,
15:45miracles can be achieved.
15:47Well, then I see it complicated.
15:49Because I understand singing, but I pray very little.
15:51Don't worry, Inés.
15:53There are solutions.
15:55I thought my brother's optimism was inexhaustible,
15:57but his is not short.
15:59If you excuse me,
16:01I'm going to get a drink.
16:05You have a special power.
16:07I get that talking to my brother
16:09makes me feel good.
16:11So you get the opposite effect.
16:13Because when he sees me, he gets angry.
16:15Before, when I saw him,
16:17I thought he was going to throw the glass in my face.
16:19Don't think about it, I've thought about it.
16:21But then I thought it was better
16:23to kick his ass.
16:25Laura, your glass.
16:27Thank you.
16:29Gentlemen, I beg you a moment of silence.
16:33First of all,
16:35thank you for attending the inauguration
16:37of this new gallery store.
16:39This store,
16:41in singular, I should have used the plural,
16:43because it will not only be
16:45a gramophone store,
16:47as it has been so far,
16:49but also a photographic studio
16:51and sometimes an advertising agency.
16:53As you can see,
16:55a multidisciplinary business,
16:57as are the two new partners
16:59with whom I am lucky
17:01to have.
17:03My niece, Laurita Balbuena,
17:05and the illustrious photographer
17:07Celia Silva.
17:09Please, I would like us to welcome
17:11these two new and young entrepreneurs
17:13with a big round of applause.
17:19Excuse me.
17:27Here you go.
17:29And now, if you come with me,
17:31I can show you where
17:33they sell at good prices.
17:35Here you go.
17:39Thank you.
17:43No, I didn't expect it, really.
17:45I didn't know that my name
17:47was among those
17:49who fought for the embassy in London.
17:51Have you already given
17:53an answer?
17:55No, not yet.
17:57What do you advise me?
18:09Well,
18:11if you are so excited
18:13to be an ambassador in London,
18:15then,
18:17take the job.
18:19Although,
18:21if I tell you so,
18:23I would be lying to you.
18:25Lying?
18:27Yes, lying.
18:29Because, actually,
18:31I would like you not to take it.
18:33Because if you do,
18:35you are going to break my heart.
18:37I don't understand in my life
18:39if it's not with you by my side.
18:41Every morning,
18:43waking up with you.
18:51The one who was lying was me.
18:53I would never take that job
18:55because, for nothing in the world,
18:57I would like to separate from you.
18:59Fabio, you don't have to make that sacrifice for me.
19:01No, no, no.
19:03I wouldn't leave you alone,
19:05especially not at this moment,
19:07with Carla's loss
19:09and in charge of the company.
19:13You don't know how grateful I am.
19:21Well, now
19:23that we have solved this matter,
19:25we'd better go.
19:27The mass in honor of Carla
19:29is about to begin.
19:31Yes, let's go.
19:33I know what I have said now
19:35may seem frivolous,
19:37but after the mass we are going to have dinner
19:39at a restaurant. The reservation is already made.
19:41I will not accept a no for the expense.
19:43At a dinner?
19:45But if I am in a rigorous mourning?
19:47So what?
19:49Even so, you will be the most beautiful woman
19:51in the whole restaurant.
19:55Let's go.
20:03Let's go.
20:33Esperanza,
20:35Antonia has already told me
20:37that maybe you have solved
20:39the problem with the snack.
20:41Oh,
20:43that's what I'm thinking now.
20:45It's just that this thing of being a godmother
20:47is very tiring, it never ends.
20:49With the snack,
20:51I don't even know
20:53what to do with it.
20:55I don't even know
20:57what to do with it.
20:59I don't even know
21:01what to do with the snack.
21:03I haven't been able to buy Antonia a gift yet.
21:05And I haven't even been able to talk to Mr. Fermin
21:07that we have to agree on many things.
21:09Well, calm down, because there are three days left.
21:11Oh, don't make me nervous.
21:13Think of something else.
21:15But how can I think of something else,
21:17if all you do is ask me about the wedding?
21:19And why do you want me to ask you?
21:21Because the result of the elections ...
21:23Oh no, not that, because we can't even vote.
21:25Besides, we, being poor,
21:27what else do we get?
21:29What do I get?
21:31I lived to work
21:33and I worked to live,
21:35well, to survive.
21:37You look more like vinegar than crystals.
21:41Good afternoon.
21:43I came to have a coffee,
21:45but seeing that you are the ones
21:47responsible for so much work,
21:49I didn't want to miss the opportunity
21:51to approach you and thank you.
21:53What was missing?
21:55And what's that about thanking us?
21:57What gives me that you are as funny
21:59as Tunante?
22:01Well, Tunante is not an insult,
22:03because you belong to the Tuna, right?
22:05Yes, that's right.
22:07So, Tunante, why are you thanking us?
22:09For having the cleanest crystals
22:11in the gallery.
22:13I've been hurting my eyes
22:15from looking at them.
22:17Well, since you haven't told us
22:19how you see the crystals,
22:21I'll tell you how I see you.
22:23You are a smartass
22:25and, of course,
22:27you are not all the same.
22:29I'm sorry, but I think you are wrong about me.
22:31No, no, you are the one who doesn't know.
22:33You must have been deaf
22:35from all the talking.
22:37You have nothing to do here with the girls,
22:39right, Marta?
22:41Nothing.
22:43Well, you have a lesson learned today.
22:45You can't fish in a sea that is not yours.
22:47As far as I know,
22:49the sea has no owner
22:51and I don't like fishing,
22:53but I would do the same
22:55if I caught a beautiful mermaid.
22:57A jellyfish is what you are going to catch.
22:59But I would set her free
23:01because the mermaids must swim freely
23:03so that we can all hear her voice
23:05and enjoy her beauty.
23:07Vinegar.
23:11What did you say?
23:13That if you want to clean the crystals
23:15in the bookshop, use vinegar.
23:17And now, please, if you'll excuse us,
23:19we would like to continue cleaning
23:21because we are the owners' daughters
23:23and if we don't work, we'll be fired.
23:27She has put the hook somewhere else.
23:29Air.
23:45Here is the latest edition of the newspaper
23:47as Teresa asked me.
23:49Thank God, because the customers
23:51are dying for the newspapers
23:53because of the elections.
23:55So, how many more?
23:57More for us.
23:59And a little more
24:01and we'll be on today's cover.
24:03A couple that has been lying for a long time
24:05finally caught in their trap.
24:07As if we didn't have experience in this.
24:09Lucky that Cañete is able to sell any slut.
24:11Saved at the last moment.
24:13Well, let's look at the good side.
24:15Now everyone has found out
24:17about our relationship and believed it.
24:19Yes.
24:21And with the good sight of Esperanza and Elias.
24:23My God,
24:25the news runs faster on the radio.
24:27Well,
24:29phase one of the Cupid plan
24:31successfully completed.
24:33Mr. Fermin,
24:35just now I was commenting
24:37the success of the inauguration
24:39of the new store.
24:41Congratulations for the part you have.
24:43Exclusive merit of my niece and her friend Celia.
24:45But yes, yes, it has been a success.
24:47Now we just have to wait for the business to be so.
24:49Well, here is
24:51the new edition of the newspaper, in case you are interested.
24:53Yes, yes, I am interested.
24:55Although I don't think the news
24:57that I would like to confirm comes to the newspapers.
24:59I don't know
25:01if I'm explaining myself.
25:09Let's toast
25:11to the success of the inauguration.
25:15It has gone very well, hasn't it?
25:17Well, yes, the truth is that
25:19more people have come than we expected.
25:21That store is going to be a success,
25:23girls, I assure you.
25:25Well, on the first day we have already sold
25:27two radios and several records.
25:29And I have not stopped taking pictures in the studio
25:31all morning.
25:33Of course, we have been so busy that I have not been able
25:35to go through the printing.
25:37To see the brochures of La Moderna,
25:39and I have to give them to the guy tomorrow.
25:41Well, you'll see, everything will be fine.
25:43I would have liked to check at least one.
25:45If it's not like working blind,
25:47as if you were taking pictures without looking through the visor.
25:49I don't think the guy dispenses
25:51with your services because he doesn't like
25:53how a brochure has turned out.
25:55Well, I hope so, because I need my job as an advertiser.
25:57The salary is good for us
25:59to invest in promotion or in store items.
26:01Laura, we have already talked about it.
26:03If at some point you are very overwhelmed
26:05to have to combine your work in La Moderna
26:07with the day-to-day of the store ...
26:09No, don't worry, that's not going to happen.
26:11If it happens, let me know and that's it.
26:13You are the important thing,
26:15not the money we are going to make or stop making.
26:17Thank you, Celia.
26:19You are the best partner you can have.
26:21And we are also going to toast
26:23because I finally wanted to go out.
26:25That?
26:27Yes, well, thank you very much for the effort.
26:29I couldn't miss the inauguration.
26:33And in passing, I give a little work
26:35to my spies.
26:41No, I don't think he's explaining it to me.
26:43Anyway, a certain rumor
26:45has reached my ears
26:47and since I'm not at all a friend of gossip,
26:49I'm going to face it directly.
26:51Is there anything you want to tell me, Trinidad?
26:55Well,
26:57I would have to be a little more specific
26:59with this rumor
27:01because you know that gossip is very treacherous
27:03and there are people
27:05who have a lot of imagination.
27:07Well, it has reached my ears
27:09and the two of you are a couple.
27:11Is that true?
27:13Yes, yes, we are a couple.
27:15Yes,
27:17sudden,
27:19recent.
27:21I am grateful, I am grateful, Mr. Fermin,
27:23for having put before me
27:25the most beautiful of all women.
27:27You didn't know it,
27:29but when I gave Trinidad the job
27:31in this room,
27:33I made a decision that changed my destiny.
27:35It will be less, Mr. Ruiz.
27:37Well, anyway, since I'm not a friend of gossip,
27:39I just wanted to confirm the news,
27:41congratulate you
27:43and hope you are happy.
27:45We are happy.
27:47Trinidad is an excellent worker
27:49and a better person.
27:51And I can only say positive things about you.
27:53Now, I'm going to dare to give you
27:55just one piece of advice.
27:57Go slowly, please.
27:59No rush. Little by little.
28:01Well, little by little.
28:03Or fast, right? Because it's also good, right?
28:05I mean, each relationship is a world
28:07and each world has its own speeds.
28:11In the case of feelings,
28:13I don't know if rushes are good advice,
28:15but anyway, you are adults
28:17and sensible and will act in the most convenient way.
28:23Well, I'm going, I'm going, I'm going,
28:25I'm going to the worker.
28:27I'll be back later.
28:29And I'm going back to the library.
28:31Good afternoon.
28:33Excuse me for a moment,
28:35because now that we are alone,
28:37I would like to talk seriously with you.
28:41Well, what do you have to tell me?
28:43Alone?
28:45You are not a kind of Don Juan, right?
28:47One of those who seduces women
28:49as entertainment.
28:51Me?
28:53I am a man of a single woman.
28:55My heart has been occupied by Trini for a long time.
28:57Well, not for so long,
28:59because I still remember that not long ago
29:01Ah, that.
29:03Well, but that was something temporary.
29:05Temporary? I don't think my client
29:07considers him temporary.
29:09I assure you that nothing serious happened.
29:11He just got into a relationship.
29:13He was a magician.
29:15She can confirm it herself.
29:17We were not made to be a couple.
29:19And how do you know that you and Trini are?
29:23Because she is the woman of my life.
29:25A man knows that.
29:27Trinidad is the person
29:29I want to spend the rest of my life with.
29:33And you are a good person.
29:35You look good.
29:37Well, I'm just going to tell you something
29:39that I already warned you when Teresa ...
29:41I appreciate my workers a lot, a lot.
29:43So I hope Trini is happy
29:45and that she takes care of her.
29:47If so, she will have a friend in me.
29:49But if it is not so ...
29:51Let's hope
29:53she never has to see me angry,
29:55Mr. Ruiz.
29:57Let's hope.
29:59Let's hope.
30:05What do you mean
30:07by giving work to your spies?
30:09It's just that going to the galleries
30:11I felt that several people
30:13were following me.
30:15Inés, what are you saying?
30:17Have they done anything to you?
30:19No, no, just follow me.
30:21But I know very well who gave them the order.
30:23Lieutenant Lorenzo.
30:25A man does not give up.
30:27No, and I don't know how to make him understand
30:29that I have no idea where César is right now.
30:31But let's see, are you okay? Are you afraid?
30:33Well, of course I'm afraid.
30:37I don't know, I understand that feeling spied on
30:39is not a very pleasant feeling, right?
30:41No, it's not.
30:43But I'll have to hold on until all this passes.
30:45Or not. Maybe we can ...
30:47I don't know, talk to Uncle Fermin.
30:49But what would we gain from that?
30:51I don't know, maybe I can intervene
30:53and stop him.
30:55No, look, I prefer to keep him out of it
30:57because that way there is less concern for him and for me.
30:59Are you sure, Inés?
31:01Yes, sure. Right now.
31:03Besides, I'm already quite nervous.
31:05I'm waiting for the results of the throat tests.
31:07I'm going to prepare something to eat.
31:23You are very quiet today, Salvita.
31:25Not to mention that that plumber has a great ally in you.
31:27He's never going to get dirty.
31:29Because he doesn't even touch the dust from the shelves.
31:31Huh?
31:33Yes, yes, the plumber.
31:35Do you have any ideas, Salvita?
31:37Yes, the plumber, what's wrong with that?
31:39No, the plumber who sees you from afar.
31:41You.
31:43What do you mean? That I don't like to work?
31:45No, you don't need to say that.
31:47But there is one thing that you really like.
31:49The modern one.
31:51You've been using it a lot lately.
31:55It has very good coffee.
31:57And besides, you always tell me that I don't fall asleep at work, right?
31:59Well, I'll have to do something.
32:01Something tells me that it's not precisely because of the coffee,
32:03because you go to that tea room a lot.
32:07Rather, I would say that it is ...
32:09because of Marta.
32:11I didn't know that hobby of yours.
32:13The gossip, Miguel.
32:15Look at the ability to observe.
32:17From this same glassware,
32:19I could see how you looked for it yesterday
32:21and how you looked for it today.
32:23Does that mean that yesterday I left the glasses clean?
32:25And more, that I am going to leave them from today
32:27because before they gave me an advice to do it.
32:29With vinegar.
32:31I give you another advice.
32:33I don't think you have much future with Marta.
32:35Doesn't it seem that the girl is very happy
32:37when she sees you?
32:39At least this is what I perceive from here.
32:41Don't talk about Marta for nothing.
32:43That if something good has to be in this bookstore
32:45is that the girl makes me happy in the mornings.
32:47Well, let's see if you take note of her,
32:49who is very hardworking.
32:51Let's see if by looking at her so much,
32:53something stays with you.
33:01The account of the 6, Teresa.
33:05Any news with Mrs. Lázara?
33:07Why do you ask me that?
33:09Have you seen anything?
33:11What I have seen is that you are still going back to the matter.
33:13You still believe that it was her
33:15who urinated everything
33:17to stay locked up all night with Don Fermín?
33:19Man, I have it clear as water.
33:21Come on.
33:23And she doesn't make much effort to cut it either.
33:25What I have seen this morning,
33:27I have realized that she is able to use
33:29all her charms to seduce Don Fermín.
33:33But have you caught her in a committed situation?
33:37Well, not committed.
33:39But everything will work out, you'll see.
33:41How deceived that woman had us.
33:43Well, I've had her locked up
33:45for a long time.
33:47And that's why she's trying to kill you with me.
33:49Well, she's not going to go and tell me,
33:51well, she's putting me in front of her,
33:53to deceive me, Mario.
33:55But, Santo, what did she say that about?
33:57What were you talking about?
33:59Why would she say something like that?
34:01Our things.
34:03Well, I'm going to turn you around.
34:05Let's see.
34:07Well, in that of Mario,
34:09he was right,
34:11how stupid I was.
34:13Now they don't catch me in another one, huh?
34:15In matters of love, it's already scarlet, but fine.
34:17Take it.
34:21Well, I'm still counting on you, right?
34:25Are you counting on me?
34:27Well, let's see, I need an accomplice.
34:29Someone who is eye-catching
34:31in all this matter of Doña Lázaro and Don Fermín.
34:33Ah, that. Yes, yes, of course.
34:41Ah, by the way,
34:43is it true that rumor
34:45among the colleagues
34:47that you have made of Celestino
34:49between Trini and Miguel?
34:51Ah, well, yes.
34:53It is seen that
34:55when the thing goes with me,
34:57I didn't even realize it.
34:59But when it comes to seeing love
35:01between two other people,
35:03I catch it first.
35:05Teresa, for God's sake,
35:07please help me.
35:09What voices are these? What's wrong with you?
35:11I need to talk to Don Fermín
35:13as soon as possible.
35:15Since they have been locked up in their office,
35:17no one has entered there.
35:19Well, if it's a work matter, you know you don't have to tell me first.
35:21No, it's not about work.
35:23It's about Antonio and Pietro's wedding.
35:25Look, we are here and we still don't have a place
35:27to celebrate the invitation.
35:29Well, that's a job.
35:31You see. And of course you will understand
35:33that being the godmother,
35:35I have to talk directly to the godfather,
35:37come on, even in the Vatican
35:39they give a hearing with the Pope more easily.
35:41Well, being
35:43Doña Lázara in the way,
35:45I don't know how I can help you.
35:47And when do you think I can catch
35:49Don Fermín without the vampire
35:51in the way?
35:53Well, daughter, I don't know, I don't know.
35:55Well, there I am.
35:57Oh, Cañete, now that I'm seeing you,
35:59I had to tell you something.
36:01Oh, what was it?
36:03Oh, wait, I look at it in my godmother's notebook,
36:05I had already written it down.
36:07Oh, yes, accommodate an assistant in the church.
36:09You told me you were going to help me, right?
36:11Do I still trust you?
36:13Yes, I already told you yes, Esperanza,
36:15you don't have to ask me again.
36:17Man, I ask you, of course I ask you.
36:19Because you are a man and those things are easily forgotten.
36:21So, accommodate an assistant,
36:23Cañete,
36:25I put the cross on you.
36:27Are you okay at eight?
36:29At eight for what?
36:31Man, to think between the two,
36:33it's a lot of people.
36:35Of course, it is still a matter of great responsibility.
36:37Because it is not the same to sit
36:39to friends,
36:41than to co-workers,
36:43than to family.
36:45Or for example, where do you sit the godmother?
36:51Don Salvador, good afternoon, how are you around here?
36:53Good afternoon.
36:55I'm passing by,
36:57I'm not going to entertain you much.
36:59I wanted to take advantage of the fact that I was around
37:01to ask you about the progress
37:03of my son Salvita.
37:05Great progress, Don Salvador.
37:07Salvita is making great progress.
37:11He is a perfectionist,
37:13tenacious,
37:15he is an inexhaustible boy.
37:17With telling him that I had to take
37:19this pen out of his hands to rest a little,
37:21just now he was telling me
37:23that he wants to clean the crystals with vinegar.
37:25Vinegar?
37:27Are you kidding me, Miguel?
37:29Well, no, it seems that vinegar is the best.
37:31That's not it.
37:33He is telling me that in the few days
37:35he has been with you,
37:37Salvita has become like this,
37:39overnight,
37:41in a formal and hard-working boy.
37:43Incredible, right? It's just that he's a boy who puts a lot of effort into it.
37:45Well, what I was missing to hear,
37:47that they take me for a fool.
37:49Salvita, it is clear that I have to take you
37:51to another bookstore where the manager
37:53does not have to lie to me
37:55in order to get rid of you.
37:57I'm sorry,
37:59maybe I haven't chosen the best words.
38:01You know that hyperboles are my favorite literary figures.
38:03Well, look, Miguel,
38:05I'm leaving.
38:07One thing I have clear,
38:09I have to make a decision.
38:13Did you have to exaggerate so much?
38:15Because I don't want to go to another bookstore.
38:17I have to stay in this one,
38:19near the modern one, near the ...
38:21Look, I'm going to look for my father,
38:23to see if I can fix it,
38:25and you fix it.
38:29If you always open your mouth, Miguel.
38:37And will you bring me some souvenirs?
38:39Of course.
38:41Pablo and Aunt Conchita have told me
38:43that they will take me to the beach of Caleta,
38:45in Cádiz.
38:47I will bring you all the shells I find.
38:49Hi, Clarita.
38:51Hi, Susana.
38:53Marta, don't you know what?
38:55I'm going to Jerez to see Pablo.
38:57To Jerez?
38:59And how do you know you're going to Jerez?
39:01Pablo is going to teach me how to ride a motorcycle.
39:03He told me.
39:05Well, he will be there to teach you how to ride a motorcycle,
39:07having the leg as he still has.
39:09Let's go see the works.
39:11Come on.
39:19Is that true? Are you going to Jerez?
39:21Yes.
39:23Clarita misses Pablo and Aunt Conchita a lot.
39:25So she's going to spend a few days there.
39:27I'm not.
39:29I wouldn't miss her wedding for anything in the world.
39:33Well, I can see that they are installed.
39:35I really like to see this house alive again.
39:37Well, it's a provisional thing.
39:39It's a detail of Don Braulio's children.
39:41And what are you doing here?
39:45Well, it's for Petra, the neighbor.
39:47Serena's wife?
39:49Yes.
39:51She told me that today she was leaving for Puerto Real in Cádiz.
39:53And it's the same train that goes through Jerez.
39:55So I asked her if it would be good for her
39:57if Clarita accompanied her.
39:59It's very sudden and I don't know.
40:01But it's the best.
40:03Well, it's very good because the girl is not going alone.
40:05It's a very long trip.
40:07If it weren't for Petra, I would take her.
40:09Now she stays with her and then Iño comes
40:11and picks her up to take her to the station.
40:13And your Aunt Conchita will be notified?
40:15Yes, she will wait for her there.
40:17I'm going to Jerez for 10 days.
40:19Because Marta says she doesn't believe it.
40:21Of course, you're leaving for 10 days.
40:23You see? 10 days.
40:25If I come back with Andalusian accent and everything.
40:2910 days, she's leaving. She's not going to miss a lot of school days.
40:31I know.
40:33But Clarita needed it.
40:35And...
40:37Besides...
40:39Besides what?
40:41I couldn't deny it, Antonia.
40:43Can't you see how happy she is?
40:45I know, but I care so much about her.
40:47What's wrong?
40:49You can tell me whatever you want, you know that, right?
40:53Here.
40:55I think this obsession you have with the fabric
40:57is not good, I'm telling you.
40:59It's double.
41:01Honey, I think you should look at the medicine books.
41:03The ones you have in the library.
41:05To see if so much fabric is good.
41:07And that would be the last book I would look at in that library.
41:09Because I see myself in the street, Trini.
41:11Honey, don't be so dramatic.
41:13With the time you've been working there
41:15and the consideration Don Salvador has for you...
41:17Honey, it's just that...
41:19I've never seen Don Salvador bite dogs with that.
41:21And between this and the fabric,
41:23well, I'm going to the street.
41:25No, you won't.
41:27You'll see how, for now,
41:29we've sorted out all the problems
41:31life has put in front of us.
41:33I haven't sorted Salvita out much, let's say.
41:35Rather, I've collided with him face to face.
41:37You'll see how good it's going to be.
41:39You know why? Because we're together.
41:41You and I have penetrated each other.
41:43And no one can beat us.
41:45Yes, you and I are together in love.
41:47And in lies.
41:49And in sickness, too.
41:51Because these nerves are going to end my health.
41:53I wish Antonia and Pietro
41:55had the marriage you and I have.
41:57Because, you know what?
41:59I'm more in love than the first day.
42:01I'm also more in love.
42:03Nervous, but very in love.
42:05A kick?
42:07How can it be a kick? They're gases, Miguel.
42:09Come here.
42:11You're more stupid.
42:15What's wrong?
42:17I lost the button.
42:19What are you looking at?
42:21Nothing. The button.
42:23It fell.
42:25The button.
42:27Both buttons.
42:29Is it because of what happened at the gallery
42:31that you saw...
42:33Mrs. Carla.
42:35Yes. Do you think I'm out of my mind?
42:37Don't be silly.
42:39Antonia, I know it's impossible.
42:41But I swear, it was so real.
42:45A guitar and a flamenco suit.
42:47I'll bring you all of that.
42:49No, Clarita.
42:51I'm fine with some chestnuts.
42:53Besides, you're not going to take such a big suitcase
42:55to bring so many things back.
42:57But I don't want to bore her
42:59with my things.
43:01It's been a long time
43:03since I saw her so happy.
43:05I don't know.
43:07It breaks my heart. I owe it to her.
43:09I don't know. I think I failed Clarita.
43:11What are you saying? How can you fail your sister?
43:13If you fall for her...
43:15But I feel like I haven't helped her
43:17get used to this new situation.
43:19And I feel guilty. I can't help it.
43:21Guilty? But she did everything she could.
43:23And in your situation,
43:25with everything you've been through,
43:27I wouldn't have done it better.
43:29If I had done it better,
43:31Clarita would have been more affectionate with me.
43:33I don't know. I have to go.
43:35Thanks for everything.
43:37See you.
43:39Bye.
43:43Hey, Clarita.
43:47I have to go.
43:49Go to Petra's house.
43:51Do you remember where it is?
43:53Yes, it's that one up there.
43:55Iñigo will pick you both up later.
43:57I'm going to Moderna to do some business.
43:59But I'll do everything I can
44:01to help you get used to this situation.
44:03But if it's not possible,
44:07I want to tell you that I'm going to miss you a lot.
44:13Can you give me a kiss?
44:25I'm going to miss you a lot, too.
44:31I love you.
44:39Thank goodness I got to the station.
44:41I didn't want that train to leave
44:43without saying goodbye to Clarita.
44:45You already said goodbye.
44:47Or at least that's what Clarita told me
44:49when I went to pick her up at La Corrala.
44:51Yeah, but it's not the same.
44:53Besides, I promised her I'd do everything I could
44:55to get to the station and say goodbye to her.
44:57It's hard here at home with you,
44:59but I'm sure she would have liked to see you
45:01saying goodbye to her there.
45:03You know, being at that age, sometimes a woman
45:05and sometimes a girl.
45:07Well, I'm sure that just putting
45:09one foot on the train
45:11would have made you miss her a lot.
45:13Not even half as much as I miss her,
45:15to be honest.
45:17What's going on?
45:19You're dramatic in the Garcés family.
45:21Relax.
45:23She's not going to be alone.
45:25She's going to be with her aunt and her brother.
45:27I'm going to be with you.
45:35Do you hear that?
45:37What?
45:39The silence.
45:43I don't know if you know,
45:45Señora de Peñalver, but
45:47we're alone at home.
45:51I don't know what you're thinking,
45:53but I remind you that I'm a married woman.
45:55Well, if it's not a problem for you,
45:57it won't be for me either.
46:01Wait for me. I have a surprise for you.
46:25Come on.
46:35Come on, I'll go with you.
46:41Honey, don't you take your things?
46:43No.
46:45I don't need them today.
46:47I'm going to work at La Moderna.
46:55Matilde?
47:07Honey, is something wrong?
47:11I was calling you.
47:13It's Carla.
47:17Carla has been here.
47:19Carla has been here.
47:25Fabio knows what he has to do,
47:27but I can't insist anymore.
47:29What's wrong with me, Mom?
47:31Maybe you're being too soft with him.
47:33I'm sorry to disappoint you,
47:35but I've done my best.
47:37From now on...
47:39From now on, we'll have to take less correct paths.
47:41Everyone has a price.
47:43Carla has come in here and moved my notebook
47:45and left it on the terrace.
47:47She could have been your sister.
47:49Don't believe me, Inigo.
47:51Carla is dead.
47:53I can't stop thinking what will happen
47:55if they tell her she can't sing again.
47:57I'll get the test results tomorrow.
47:59I'm sure they'll be favorable.
48:01Yes, we all are.
48:03Yes, I think it's great that you're so convinced,
48:05but I don't think anyone understands
48:07what I'm going through.
48:09My God.
48:11No one can stop it, Antonia.
48:13You're going to be my wife.
48:15I'd like to participate in the wedding gift,
48:17but if you're not a guest,
48:19you don't have any obligation.
48:21What's the big deal?
48:23They're lifelong companions and I value them a lot.
48:25So I insist on participating.
48:27How much is it?
48:29If a miracle doesn't happen,
48:31we'll run out of guests.
48:33What am I going to tell the people
48:35who come from Andalusia to see us?
48:37Pietro, at least don't feed them or give them a baby.
48:39For once, I ask you not to see me
48:41as your cleaning boss,
48:43because I'm here to talk to you
48:45about Godmother, Godfather.
48:47Amave.
48:49Three days before the wedding,
48:51Antonia and Pietro have nowhere to celebrate it.
48:53But that's terrible.
48:55That's why. What do you think?
48:57Today is the farewell of Antonia and Pietro,
48:59and what are we going to do?
49:01Shout their protagonism?
49:03Well, it's true, I don't know, you're right.
49:05Well, I'll think of something.
49:07I don't know, I'll tell you one thing.
49:09We'll do it before your wedding.
49:11I'm going to go see Margarita Sirgo.
49:13Here, here's yours.
49:15I can't wait to see the function.
49:17The clinic says it's brilliant.
49:19Why don't you keep them?
49:21Because they are separate locations.
49:23You are in the patio of Butacas.
49:25It's the best entrance I've been able to get.
49:27I'm in the kitchen.
49:29In the kitchen?
49:31I thought it was about going together.
49:33If I didn't find out
49:35that you had just been dating,
49:37I would think you were married.
49:39It's been a long time.
49:43What's wrong? Why are you so nervous?
49:45How did you realize
49:49that Antonia was
49:51something more than a co-worker?
49:53I mean, how...
49:55How did you know
49:57that what I felt for her
49:59was...
50:01was love, Mr. Fermin?
50:03I don't know, it's like someone
50:05wants to drive me crazy.
50:07Who, darling? Who?
50:09Well, Mrs. Carla.
50:11Or rather, her ghost.