Salón de té La Moderna - Ep 198
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00:00A FEW HOURS LATER
00:12Dear niece,
00:15I'm impressed with the final result.
00:17I never imagined it would be so exciting to have it in my hands.
00:21What do you think, Teresa?
00:23Well, it perfectly reflects the essence of the tea room.
00:27You can see the quality of the products.
00:30We look very handsome.
00:33Thank you very much, but the credit goes to Celia.
00:42May I come in?
00:43Yes, Esperanza, tell me, do you need anything?
00:45Yes, Mr. Fermin.
00:47I can't wait to see the brochure.
00:50It's the first time I'm in a book.
00:52Besides, I have to talk to you about an important and personal matter.
00:55First of all, don't worry, you can see it as many times as you want.
01:00One of the copies is for you.
01:03Teresa, I'll take care of it.
01:05And secondly, if you don't mind...
01:07With pleasure, ladies.
01:09The door was open, I heard the brochure was finished.
01:12And I've never been in a book, Mr. Fermin.
01:14Let me see it, Mrs. Teresa.
01:16Well, don't get nervous.
01:18Excuse me, ma'am, anxiety took over me.
01:21Let's see.
01:23Look, I look like a Hollywood actress.
01:27I didn't know she was so beautiful and so photogenic.
01:30Let's see.
01:32Look.
01:33But even Elia did well.
01:35That's a merit.
01:37I already told my mother.
01:38I always had an air of Rodolfo Valentino.
01:40Look at him.
01:42If it is that...
01:43My mother.
01:44Well, and Cayete?
01:46Well, he didn't come out so favored.
01:48And Pietro?
01:49Well, well, well.
01:50You will have time to criticize.
01:53But now is not the time or the place.
01:55Mr. Fermin has a lot of work and so do we.
01:57So come on, to work.
01:58Yes, yes.
01:59Well, if you'll excuse us.
02:00Mr. Fermin, the matter of which I wanted to talk about,
02:02about the wedding of Antonia and Pietro.
02:04Ah, yes, yes.
02:05I thought so.
02:06We'll talk about it later.
02:07Esperanza.
02:19How happy I am to see you.
02:22And already dressed and working.
02:25I am also glad to see the mother.
02:28And I wanted to thank her for everything she is doing for me.
02:32I thought you were still angry with me.
02:35But it seems that leaving you alone here at home has been very good for you.
02:38You can't imagine how much.
02:41Since that change has come, dear.
02:44As is evident, I have a lot of time to think.
02:47And also to recuperate.
02:50And I wanted to thank you for everything you are doing to keep me safe.
02:54I know it has not been easy and that you are having a lot of patience with me.
02:59Well, I only do what any mother would do for her daughter.
03:04Although I still think it is a mistake that you want to stay here.
03:07Every day that passes, the chances that they catch us are increasing.
03:13Mother, I will do what you want.
03:15But at the right time, right now, I could not leave.
03:19I could not live knowing that Íñigo and Matilde are dating.
03:23I would rather be dead.
03:26Really dead. Before that.
03:31And since I know you don't like me to talk about my plans with the Peña-Albert couple.
03:37Because we don't change the subject.
03:39Let's talk about the company.
03:41Do you have any good news?
03:43Fabio del Moral has managed to change the law to be able to build the hotels?
03:48Fabio already knows what he has to do.
03:51But I can't insist more.
03:53Why not?
03:55You said that with the change of government everything would be much easier.
03:58Because Fabio is a very straight person and he is very honest.
04:01He is committed to helping us.
04:04Going against his principles will take his time.
04:07And what about me, mother?
04:09Because you yourself have said that this situation is unsustainable.
04:12Maybe you are being too soft with him.
04:18So, did you like it?
04:20What if I liked it?
04:22I'm anxious to tell our most important clients.
04:25When could they have it?
04:27I knew you were going to ask me, so I anticipated.
04:30You just have to give me a good look at the list and tomorrow I'll start sending them.
04:35The truth is that everything has gone very well.
04:38Well, especially you.
04:41Look, look, what a plan you have.
04:44And what a clean look.
04:46So I'm sure that if the elections were presented, many people would vote for you.
04:49Well, well, well.
04:53Laurita, yesterday I was very happy to see Inés yesterday at the inauguration.
04:58I know it's silly, but just the fact that she left home I think it's a great advance.
05:02Don't you think so?
05:04Yes, I guess.
05:05And how was she later? I can hardly talk to her.
05:08Was she better, more excited, calmer?
05:11If I'm honest with you, when she got home she locked herself up again and it was difficult to get her words out.
05:17I'm afraid that all this will not happen until she knows the definitive diagnosis.
05:21If it causes us uncertainty, imagine what will be happening in her head.
05:25I can't stop thinking what will happen if they tell her that she can't sing again.
05:29Putting us in the worst will not help us either.
05:32Well, but ignoring it either.
05:33Ignoring it either.
05:38Forgive me, mother.
05:40Excuse me, I ...
05:43Before I was thanking you for the patience you have with me and in the end I am the one who does not have it with you. I'm sorry.
05:51Aren't you going to ask me how the mass was in your honor?
05:55The church was full, there was no room for a pin.
05:59You were the only one missing.
06:01I was about to pass out.
06:04I would have liked to see all those people showing themselves afflicted when in the end they couldn't stand me.
06:11Because they have never accepted that you were so strong.
06:14And you also stood up to him.
06:17Although you are right.
06:19You are definitely you again.
06:21You smile again.
06:23Really nothing has happened.
06:26What's going to happen?
06:28Here, between these four walls?
06:31Yes.
06:34Although it is true that I feel better.
06:37And after a long time and many nightmares, last night I finally had a beautiful dream.
06:44Tell me.
06:46I dreamed that I was invisible.
06:51That I had that power.
06:54I imagine that my mind wanted to escape from this place.
06:57And it was very fun to be able to observe people without being seen.
07:04I was in many places and I felt that life was beautiful.
07:10And that I was finally free again.
07:16But then I woke up.
07:19And you will be free again, daughter.
07:22But not here.
07:23I will have to settle for having that dream again.
07:29I will continue to insist on that blissful law.
07:34I'll come down to see you later.
07:36I'll be here waiting for you.
07:54What are you doing here?
07:56I hadn't seen you in five minutes, but I missed you.
08:00You know you don't have to be so mean to me anymore, right?
08:04I've seen you too serious before.
08:06What happened?
08:08Well, I was thinking about what Matilde told us.
08:12What she saw of Doña Carla in the gallery?
08:15What she believed, but what seemed very real to her.
08:19And what do you think?
08:20What do you think? I get goosebumps just thinking about it.
08:24Don't tell me you also believe in those things.
08:27No, I don't know.
08:29I'd rather not even think about it.
08:31All I know is that Matilde is having a hard time.
08:34Can we do something?
08:37Yes, I guess we have to be very aware of her.
08:40Especially now that it has become clear.
08:42Many things have happened to her in a very short time.
08:45Yes.
08:46Antonia, I wanted to tell you something.
08:49I was thinking about spending the lunch hour
08:51to visit a snack bar that I've been recommended.
08:54And reserve it for the invitation.
08:57And that of postponing the wedding, have you changed your mind?
08:59Yes, because we don't have to give up.
09:03We've come so far, haven't we?
09:05Yes, honey, but it seems to me as if fate doesn't want us to get married.
09:09Oh yeah? And you know what I tell fate?
09:12Fate will never be stronger than our love.
09:14Never.
09:24Oh my God.
09:26No one can stop it, Antonia.
09:28You will be my wife.
09:30I will make you happy.
09:32No one can stop it.
09:34No one.
09:39I'm leaving.
09:44Bye.
09:54Teresa, wait a moment, I want to ask you a question.
09:58Yes, tell me.
10:00Don't you know a nice, affordable place
10:04that is available in three days?
10:08What? What are you talking about?
10:10I was with my things.
10:11It's just that, as you know,
10:13at the snack bar where Pietro and Antonia were going to celebrate the wedding,
10:16they left it there.
10:18Oh, it's true.
10:20Well, let's see.
10:22I know, I know, but not with enough confidence to ask for a favor.
10:26But well, let me think about it.
10:29Well, I also wanted to tell you.
10:32It's just that, as I'm the godmother,
10:34I'm in charge of buying Antonia the wedding gift.
10:37And we want to give it to her today,
10:39taking advantage of the fact that it's also her farewell.
10:41Well, that's great.
10:43What do you want me to tell her?
10:45That if I can go out at the time of the break,
10:48I promise I'll be here like a nail in the afternoon.
10:51Good, don't worry.
10:53God will reward you with whatever you prefer.
10:57Ah, Esperanza.
10:59Look, I'd like to participate in the wedding gift.
11:02How much do I have to pay?
11:04But if you're not invited, you don't have any obligation.
11:08What's the big deal?
11:09I've been friends with him all my life and I appreciate him a lot.
11:12So I insist on participating.
11:14How much is it?
11:16Well, I'll tell you later, when we do the math.
11:18And please tell Mr. Fermin that I have to talk to him.
11:21Let him give me a break this afternoon.
11:23Esperanza, don't you think you have your head in many places at the same time?
11:26I'm not saying this for myself, I'm saying it for Mrs. Lázara.
11:29She's not as permissive as I am and you have to have your head at work.
11:32It's just that I'm a godmother for the first time
11:35and I want to be up to date and not fail my boyfriends.
11:38Well.
11:40Go see Mr. Fermin in ten minutes.
11:43I'm sure he'll like it.
12:03By the way,
12:04did you know that Calabas del Castillo
12:07forbade him to be portrayed face-to-face
12:09and that's why there are only portraits of him in profile?
12:11What are you saying?
12:13Come on, girl, you have a lot of art to carry things.
12:16I'm serious.
12:18Less wasa.
12:20I thought that after the fight that Esperanza had thrown at you
12:22you were going to be softer.
12:24A lot of fights are needed for me to get scared.
12:26You look cool.
12:28No, it's not that.
12:30It's just that, deep down, what happened the other day wasn't a fight.
12:32I realized how much I appreciate you as a woman
12:35and that I just wanted to protect you.
12:37Besides, I understand that people like me get angry.
12:40And what happens to people like you?
12:43That they are usually judged
12:45by their appearance
12:47and I can understand what I saw in me.
12:49A good boy from a good family,
12:51capricious, spoiled, that everything goes well for him.
12:54I'm used to carrying a lot.
12:56And with reason or without reason?
12:58Dare to meet me and you'll see.
13:02Poor rich boy.
13:04I agree.
13:06I know I shouldn't complain so much.
13:08But you can't imagine what it's like to have a father like mine.
13:10All day on top of me,
13:12controlling all my movements,
13:14determined to decide for my life.
13:16Yours at least cares about you.
13:19I didn't even know mine.
13:22And your mother?
13:24My mother still lives in the village.
13:27I had to come here to the city
13:29to look for a life with an uncle of mine.
13:30Then I met Antonia,
13:32one of the dependants,
13:34and well, she took me in
13:36and she's like a mother to me.
13:38And in between, well...
13:42In between what?
13:45Nothing, nothing.
13:47In between nothing.
13:49What happened with your uncle?
13:51Why didn't you stay to live with him?
13:53I get the impression that you're hiding something from me.
13:55Well, it's a long and very complicated story
13:57to tell you here.
13:58Then we'll have to meet somewhere else.
14:00If that hope leaves us, of course.
14:02Yes, that's what I was thinking.
14:04Maybe I should go clean up
14:06and stop being such a mess.
14:08As you can see, my hair is going to fall out.
14:10By the way, shouldn't you be working
14:12instead of being here reading the newspaper?
14:14Are you going to make fun of me like my father?
14:17I'm resting for a while.
14:19Look at me, I'm starting to nag you.
14:22And you have more face than a back.
14:24Don't you really worry about letting Miguel go
14:26and losing his job?
14:28You're right, but
14:30at least you're going to think about it.
14:33About what?
14:35If you want to get to know me better.
14:58Excuse me, I couldn't help it.
15:00I'm sorry.
15:02I'm sorry.
15:07Don Fermín, Teresa told me she could see me now.
15:11I'm sorry to insist so much,
15:13but it's a very important matter.
15:15I want to see you.
15:17I'm sorry.
15:19I'm sorry.
15:21I'm sorry.
15:23I'm sorry.
15:25I'm sorry.
15:26I'm sorry to insist so much,
15:28but it's a very important matter.
15:30Yes, yes, Esperanza, come in, come in.
15:32These days I've been very busy
15:34and I haven't been able to attend to you.
15:36Sit down, please.
15:38And tell me.
15:40For once, I ask you
15:42not to see me as your cleaning boss,
15:44but as a maid.
15:46Because I'm here
15:48to talk to you about godmother to godfather.
15:50I understand.
15:52Come in, Mrs. Esperanza.
15:54I'm listening.
15:56First of all, let me tell you
15:58that for me it's an honor
16:00to share this responsibility with you.
16:02With the plant you have,
16:04which looks like an archduke.
16:06And when I get better,
16:08which I'm also very good at,
16:10when we get to church,
16:12the guests will ask who the grooms are.
16:14And we...
16:16Excuse me, Esperanza,
16:18I've made a hole for you,
16:20but that doesn't mean you have it all day.
16:22So, if you like it,
16:24let's get to the point.
16:26I've found out
16:28that the guys from the snack bar
16:30have messed with the dates
16:32and have scheduled the wedding
16:34the same day they have their first communion.
16:36And of course,
16:38they can't serve two guests at the same time.
16:40I don't follow.
16:42Let's see.
16:44Three days before the wedding,
16:46Antonia and Pietro don't have a place to celebrate.
16:48But that's terrible.
16:50That's why I've thought of you.
16:52Because I say that maybe
16:54you, who have contacts,
16:56can help.
16:58Well...
17:00I'll think about it.
17:02I'm also impressed
17:04by the amount of people at the mass.
17:06Some even had to stay out.
17:08If Carla could have seen it,
17:10I'd be proud.
17:12You know what they say.
17:14The greatness of a person
17:16is measured by the attendants at his funeral.
17:18And you should also be proud.
17:20After all,
17:22a daughter is her mother's work.
17:24Yes, I'm proud.
17:27You haven't told me anything
17:29about the notes I gave you in the report
17:31about the reduction of expenses.
17:33If you think it's ridiculous,
17:35tell me honestly.
17:37I don't know how you did it,
17:39but you managed to make the accounts fit.
17:41How did you do it?
17:43I suppose I've been listening to businessmen
17:45for many years
17:47talking about business,
17:49and something must have stuck.
17:51But if I learned from someone,
17:53it was Carla.
17:54Carla used to share with me
17:56her plans for the future,
17:58her business vision.
18:01That's why it's vitally important
18:03for those hotels to be built
18:05in Bilbao and Barcelona.
18:07It was her dream.
18:09And carrying it out
18:11would be a way of keeping her around.
18:14A beautiful idea.
18:17I was wondering
18:19if you'd made any progress
18:21in that regard.
18:22Maybe the new government...
18:25I was talking to the new Minister of Public Works.
18:28I know him from seeing him at the racetrack.
18:31I knew I could count on you.
18:33Not so fast, dear.
18:35As I feared,
18:37one of his most imminent measures
18:39is not to change the law of the land.
18:41I'm sorry to disappoint you,
18:43but I've done my best.
18:45From now on...
18:47From now on,
18:49we'll have to take less correct paths.
18:50Everyone has a price.
18:52I imagine that minister
18:54is no exception.
18:56Are you talking about bribing him?
18:58Bribing is a very ugly word, Fabio.
19:01I prefer to think
19:03it's like buying his will
19:05or that of his helpers
19:07so that his decisions favor us.
19:14But you're right.
19:17We've done what we could.
19:18Forget everything I said.
19:21Anyway,
19:23even if I haven't changed the law,
19:25at least I've got some invitations for the opera.
19:28Would you like us to go together tonight?
19:31I think you need to distract yourself a bit, dear.
19:34Yes, without a doubt.
19:37Order of the day.
19:39Can we have a car
19:41to take the bride to church?
19:43Count on it.
19:45I'm going to take Mr. Iñigo
19:46or Mr. Peñalbes.
19:48I haven't asked him yet,
19:50but I don't think there's a problem.
19:52As for the wedding ring,
19:54I could give it to you at the altar
19:56if you don't mind.
19:58I don't know the protocol
20:00because I've never been a godfather at a wedding.
20:02So, if you don't mind,
20:04I'm fine with it.
20:06Are we done?
20:08I thought you were going to hit me.
20:10So, I...
20:12That's it.
20:14Esperanza.
20:16I was looking for you.
20:18I've noticed there's a lot of dust on the piano.
20:20Could you clean it, please?
20:22That's unbearable.
20:24What? But I just cleaned it.
20:26Well, you'll have to do it again.
20:28No, actually, we were done.
20:30Ms. Esperanza,
20:32it's been a pleasure talking to you.
20:34I'll tell you the same.
20:36From godmother to godfather.
20:41Goodbye.
20:43Goodbye.
20:45Goodbye.
20:48Of course,
20:50I'm more and more surprised
20:52by this woman's shame.
20:54I hope I haven't bothered you with your nonsense.
20:56This time it wasn't nonsense.
20:58It was about Antonia and Pietro's wedding.
21:00As you know, she's the godmother
21:02and I'm the godfather.
21:04And you don't have to say anything.
21:06I'm aware
21:08that we're a strange couple.
21:11By the way,
21:12I'm taking the tickets
21:14to see Margarita Siergo.
21:16Here's yours.
21:18I can't wait to see the show.
21:20The critics say it's brilliant.
21:24Why don't you keep them?
21:26Because they're in separate locations.
21:28You're in the patio of Butacas.
21:30It's the best ticket I've ever gotten.
21:32I'm in El Gallinero.
21:34El Gallinero?
21:36I thought
21:38we were going together.
21:40Yes, of course.
21:42But you're a well-known
21:44and respected gentleman.
21:46No less than the owner of La Moderna.
21:48I'm just a maid, Mr. Fermin.
21:50What's the problem?
21:52Well, I...
21:54I know what my place is.
21:56And I'd never do anything
21:58to hurt you.
22:00No, no, please.
22:02Listen to me.
22:04It's best for you.
22:06Excuse me.
22:13Lamp stand.
22:15Discard.
22:17Frame for the photo.
22:20Why are you discarding everything, Esperanza?
22:23I think it's a good idea.
22:25For it to be a good gift,
22:27it has to be personal.
22:29Made with a lot of love.
22:31We're talking about Antonia and Pietro.
22:33Don't you get it?
22:35It's a gift.
22:37It's a gift.
22:39It's a gift.
22:40We're talking about Antonia and Pietro,
22:42not some strangers.
22:44Do you have a better idea?
22:46I don't know if it's better,
22:48but it's more useful than a frame for the photo.
22:50A pressure cooker.
22:52One of those modern ones
22:54that make the stew and the stew in a flash.
22:56In a flash?
22:58How can that be?
23:00I don't know,
23:02but I've heard it from some customers
23:04who were drinking tea and were excited.
23:06It's known to be an invention
23:08of one from Zaragoza.
23:10The Germans.
23:12Well,
23:14I have to say it's a good idea.
23:16Antonia doesn't have to worry about the stews.
23:18I'd like to have something like that.
23:20Well, it's easy for you.
23:22You get married and you ask for it as a gift.
23:24Maybe they won't give you a discount.
23:26Well, I'll tell her
23:28that with how dressed up I am,
23:30I'll say yes to whoever asks for it.
23:32Come on.
23:34My God, Trini.
23:36Sometimes it's so easy
23:38that you want to fall in love
23:40but you have to be careful
23:42with making castles in the air
23:44that you might fall on top of.
23:46Especially with that one,
23:48with the little sardine.
23:50And with the cup, Esperanza.
23:52Besides, as you said,
23:54we don't have anything in common.
23:56We're very different.
23:58I won't have studies,
24:00but I'm not stupid.
24:02Mrs. Teresa,
24:04I'll be right back.
24:06No, no, no, don't worry.
24:08If I come to give Esperanza
24:10a present,
24:12do you know what you're going to give her?
24:14Well, yes, a very personal gift.
24:16A pressure cooker
24:18so that Antonio doesn't have to worry about Isa
24:20and his husband is happy.
24:22Does that sound good to you?
24:24Well, if that's what you've all decided,
24:26I won't say no to this.
24:32Wow.
24:34I don't know.
24:36Wanting to participate
24:38without being invited
24:40is a good gesture, isn't it?
24:42It's a small wedding,
24:44just for the guests.
24:47So, Trini,
24:49do you want to get married?
24:51Are you going to be the next one?
24:53I guess so.
24:55Well, look, if you want,
24:57I can be your godmother.
24:59It looks like I was born for it.
25:01And I can also tell Mr. Fermin
25:03to repeat it as a godfather.
25:05What a couple we make.
25:07Pressure cooker.
25:11Oh, my God.
25:28Congratulations.
25:30What?
25:32What do you think about the table?
25:34Well, I was told a few months ago
25:36that I was going to be preparing the table
25:38for my bachelorette party
25:40at the restaurant you recommended.
25:43The good thing is that it's on the price,
25:45but the problem is that there's no room
25:47until next week, Antonia.
25:49What?
25:51Yes.
25:53I can't think of another place
25:55where I can ask.
25:57I'm sorry.
25:59If a miracle doesn't happen,
26:01we'll be left without an invitation.
26:03And what am I going to tell the people
26:05who come from Andalusia to see?
26:07Pietro, you haven't given them anything to eat
26:08or drink.
26:10Either we change the date of the wedding
26:12or we change the invitation.
26:14No, it won't be necessary.
26:16Neither one thing nor the other.
26:18But what are you doing here, Mr. Fermin?
26:20This morning Esperanza told me
26:22the problem they had with the snack
26:24they had reserved
26:26and that, well, at the moment,
26:28they don't have a place to celebrate the wedding invitation.
26:30Is that so?
26:32Yes, yes.
26:34Besides, he didn't look at me.
26:36There's only one left, Mr. Fermin.
26:38The one that meets both requirements
26:40and that you know very well.
26:44What do you think about
26:46celebrating the wedding invitation
26:48in a modern way?
26:52Thank you, Mr. Fermin, thank you.
26:55But I'm afraid it's out of our modest budget.
26:58Ah, I see.
27:00Maybe I didn't explain myself well.
27:02You see, I've been thinking about
27:04what gift I could give them for the wedding
27:05and...
27:07and I can't think of a better gift.
27:21Honey, I know how we could get married
27:23without arousing suspicion.
27:26What are you looking at?
27:28No, nothing. The button that flew out,
27:30which is in its place. I'm all ears.
27:32Well, it's much easier than we thought.
27:34I just have to tell Antonia
27:36that when she gets married and throws the bouquet,
27:38she has to point to my address.
27:40And if I catch it,
27:42do you know what that means?
27:44That we'd be the next ones to get married.
27:48What are you doing, throwing a book at me?
27:50Are you stupid?
27:52Catch it. I was just checking
27:54that you still have the same reflexes as always.
27:56Few. What happens if you don't catch the bouquet?
27:58It's too risky.
28:00It's just that now you've caught me unprepared.
28:01Come back.
28:03No, no, no. There's no need to do anything extraordinary.
28:05The most difficult thing is done.
28:07Convince them that we're in love
28:09to get married as soon as possible.
28:11Well, then we tell them
28:13that Antonia and Pietro
28:15are a reference in love for us
28:17and that's why we want to follow their path.
28:19Ah, very good.
28:21That's having reflexes.
28:23I can't wait to finish this madness.
28:25When do you want us to announce it?
28:27I don't know. As soon as possible.
28:29I don't know. Today?
28:31Like when we gave our first kiss in front of them.
28:33At first they were surprised,
28:35but then they got it right.
28:37They got the idea.
28:39But, honey, it won't be believable.
28:41Besides, today is Antonia and Pietro's farewell
28:43and what are we going to do?
28:45Tell them it's the star of the show?
28:47Well, it's true. I don't know. You're right.
28:49I'll think of something.
28:51I don't know. I'll tell you something.
28:53We'll do it before their wedding.
28:55Are you sure?
28:57Yes. Yes.
28:59Take this off.
29:02You go first.
29:04No, you go first.
29:06No, you go first.
29:12Love is so beautiful.
29:14It's a pity I don't have the pandeiro
29:16to accompany this moment.
29:18What are you talking about?
29:20That if I don't find out
29:22that you've just been dating,
29:24I'll think you're married.
29:26And because you've been looking at each other for a long time.
29:27That's it.
29:30What's wrong?
29:32Why are you so nervous?
29:34I've seen a lot of couples dating
29:36and I know what I'm talking about.
29:38Well, it's obvious you're wrong
29:40because I'm nervous about something else.
29:43Have you talked to your father?
29:45Yes.
29:47Has he been angry
29:49for exaggerating your progress?
29:51Something slipped me.
29:53He trusted you a lot,
29:55but you disappointed him.
29:57Do you know him?
29:59Do you think he could...
30:02Say goodbye?
30:04Well, I don't know.
30:07He's always appreciated you,
30:09but it's true that he's one of those
30:11who doesn't care about you
30:13much less if he feels betrayed.
30:15And couldn't you talk to him?
30:17I have to organize something
30:19in another store.
30:24What are you going to organize?
30:28I don't know.
30:34You look beautiful.
30:38If it wasn't because Antonio wouldn't forgive me,
30:41I'd rather stay at home.
30:43No, we've already talked about this.
30:45You have to go with your friends and have fun.
30:48And stop thinking about Carla, right?
30:50Well, I didn't say that.
30:55I know.
30:57Forgive me.
30:59Hey, why don't you pick me up later
31:02and we go home together?
31:04Although I understand that
31:06a goodbye at the Madrid-Cabaret
31:08will last longer.
31:10But I don't know if I want to be alone
31:12and less at night,
31:14but I don't want to be alone at parties either.
31:16Honey, don't worry,
31:18because I'll make an excuse and leave earlier.
31:20Well, look, it doesn't matter.
31:22It's not necessary.
31:24Because today is a special day
31:25so have as much fun as you want
31:27and come back when you need it.
31:29Bye.
31:36Indigo Peñalvera speaking.
31:38Indigo, it's Clarita.
31:40Clarita!
31:44Clarita!
31:46Hi, my love. How are you?
31:48How was the trip? Have you arrived in Jerez?
31:50Sure. The trip was long, but it went well.
31:52I'm with Aunt Concha and Pablo
31:53who send you lots of kisses.
31:55Tell them I love them a lot.
31:57By the way, Clarita,
32:00I want to ask you something.
32:02Yesterday, before you left,
32:04you didn't go out to the terrace
32:06or pick up a notebook
32:08that I use as an agenda.
32:10No.
32:12And I didn't go out to the terrace either.
32:14Why would I do that?
32:16Listen, I told Aunt Concha
32:18that we have to go and do some errands.
32:20I'll call you again tomorrow.
32:21I love you.
32:23I love you too.
32:29Clarita didn't go out to the terrace
32:31or pick up a notebook,
32:33which means I was right and someone...
32:35Listen to me, my love.
32:37Let's think logically.
32:39If someone had entered the house,
32:41it would have been a thief
32:43and he would have taken a jewel
32:45or stolen something and didn't take anything.
32:47The only thing that has happened
32:49is that a notebook has moved.
32:51What if it wasn't a thief?
32:56It's getting late, my love.
32:58We have to go.
33:00Besides, I think it's a good idea
33:02not to think too much.
33:05Come on, let's go.
33:21Hello.
33:29Laurita,
33:31I just got a call from the doctor.
33:33The results of the tests will be tomorrow.
33:36Perfect.
33:38Well, I'll go with you.
33:40No, no, if you don't mind,
33:42it's a bad hangover that I prefer to go alone.
33:44What do you mean if I don't mind?
33:46Ines, do you really think I'm going to leave you alone
33:48in a situation like this?
33:49You also think it's going to go wrong, don't you?
33:51No, no, it's not that.
33:53I just want to accompany you
33:55to share that moment with you
33:57and celebrate it together.
33:59I'm sure it will make us happy.
34:01Trust me.
34:03Good afternoon.
34:05Wow!
34:07The store looks great, doesn't it?
34:09Thank you, although we have barely made any changes.
34:11Ines,
34:13I was just going to ask your sister about you
34:15and I just saw you enter the store.
34:16Yes, tomorrow I'll get the results of the tests.
34:18I'm sure they will be favorable.
34:20Yes, we all are.
34:22Yes, I think it's great that you are so convinced,
34:24but I don't think anyone understands
34:26what I'm going through.
34:28Laurita, where is the bathroom?
34:30The front door of the office.
34:32Yes, of course, thank you.
34:39Let's see, you have to understand
34:41that she is so nervous,
34:43it is completely understandable.
34:44From the outside, things are different,
34:46but I think you have to put yourself in her place.
34:49Yes.
34:51Excuse me,
34:53the doctor who said yesterday that he did miracles,
34:55is that true?
34:57Well, I don't know him personally,
34:59but his successes praise him.
35:01Listen to me,
35:03I would never joke with a situation
35:05as delicate as your sister's.
35:07Let me doubt it.
35:09After your performance as a cashier,
35:11I don't trust your sincerity very much.
35:12You must understand
35:14that I was joking,
35:16that there was no bad intention at all.
35:18You have to differentiate a joke from a bad intention.
35:20And you must understand
35:22that you don't know me at all.
35:31Can I know what you are doing?
35:33Starting again,
35:35starting from scratch.
35:37Imagine that we don't know each other,
35:39that is, we haven't spoken yet, right?
35:40I am Agustín Comas,
35:42theater businessman
35:44and proud owner of several movie theaters in the city,
35:47including the one in the gallery.
35:49And I was passing by and I said,
35:51I'm going to introduce you to my respects.
35:54And what am I supposed to do now?
35:56Well, now you have to introduce yourself,
35:58as I did.
36:00Okay.
36:02Hello, I am Laura Balbuena,
36:04proud co-owner of this business
36:07and I also dedicate myself to advertising promotions
36:09and event organization.
36:11Wow, how interesting.
36:13Would you like to have a coffee with me
36:15so you can continue talking to me about you?
36:17But isn't it a bit shameless
36:19to invite me to have a coffee if we just met?
36:22It's true.
36:24I'd better save it for the next one, right?
36:26No, no, it's fine.
36:28I accept your coffee.
36:30Have I missed something?
36:32Nothing, no.
36:34A shameful performance
36:36of a bad actor
36:38who, with his bad luck,
36:40dedicates himself to other tasks that are better for him.
36:42And, as they say in the theater,
36:44a lot of shit for his appointment with the doctor.
36:46Did he say shit?
36:48A lot, yes.
36:50Yes, that's what they say to wish good luck.
36:52It has been a privilege to see you.
36:54It is very difficult to find
36:56two sisters so beautiful
36:58and interesting both.
37:00Good afternoon.
37:03I thought you didn't like me.
37:05And that's how it is.
37:06But then
37:08why do you look at her like that?
37:10Like what?
37:12Laurita, what happened between you two?
37:27Esperanza, take out the gift.
37:29I'm going crazy to see how the gorge works.
37:31It's wonderful.
37:33What do you mean, take it out?
37:34Do you think I bring that stuff in my bag?
37:36You didn't have to bring it.
37:38No, but I thought you were in charge.
37:41And now what do we do?
37:45Potato omelette.
37:47That's what I like.
37:49Well, don't worry,
37:51because soon you will have to stop
37:53preparing the stews.
37:55Not so fast, girl.
37:57With a misunderstanding here with Trini,
37:59we forgot the gift.
38:01What a shame, Antonia, I'm sorry.
38:02What nonsense.
38:04I'll give it to you.
38:06Come on, let's eat.
38:08I'll tell you one thing, it was my idea.
38:10It's an invention of a Saragossan bath,
38:12that will make life easier
38:14and that will make Pietro very happy.
38:16A Saragossan bath?
38:18Yes, yes, yes.
38:20Well, that's not the important thing,
38:22the important thing is that it was my idea.
38:24Well, but for the gift,
38:26what has Mr. Fermin done to the grooms?
38:28Tell him, Antonia, that they are going to fall for it.
38:29He is a very generous man.
38:31Well, well, don't be surprised,
38:33I know it was his idea.
38:35Long live the godmother!
38:37Long live!
38:39Long live the bride too!
38:41Long live the bride!
38:52Hey, hey, hey, hey,
38:54are we going to make a scandal?
38:56Don't worry, I've already talked to the neighbors
38:57and they haven't given me any trouble,
38:59so there are no excuses not to dance.
39:01Well, Esperanza,
39:03you are very good at cleaning commandments,
39:05but I don't like to mess with sandals.
39:07Oh, look at her!
39:09She's going to give me lessons.
39:11Come on, let's dance.
39:27Let's go.
39:50Excuse me.
39:57Excuse me.
40:03Mati, are you okay?
40:05Yes, yes, yes,
40:07I just need to freshen up a bit.
40:20Excuse me, Mr. Fermin.
40:22Come in, Pietro, come in.
40:24I was waiting for you.
40:26Tell me,
40:28how does one feel at a time like this?
40:31Very happy.
40:33But I wanted to tell you, Mr. Fermin,
40:35that neither Antonia nor I will ever forget
40:37everything you are doing for us.
40:39You know, I asked a friend
40:41what the role of a godfather was,
40:43and he told me it was very simple,
40:45to make things easier for the grooms,
40:47and that's what I've done,
40:49to fulfill my obligation.
40:51Thank you, Mr. Fermin.
40:53I hope that one day I can do something
40:55for you.
40:57Well, maybe I could do it right now.
41:00You just have to answer a question.
41:03If you want, of course,
41:05it's about something personal.
41:08Whatever you want.
41:11How did you realize
41:15that Antonia was something more
41:17than a co-worker?
41:19I mean, how...
41:22How did you know
41:23that what you felt for her
41:25was...
41:27It was love, Mr. Fermin.
41:29Love?
41:31Yes.
41:33When I was married to my first wife,
41:35Lucia, may she rest in peace...
41:37Excuse me, Pietro,
41:39I didn't know he was married,
41:41much less that his wife had died.
41:43I'm sorry, it was terrible,
41:45it was very, very inopportune.
41:47I'm sorry, for God's sake.
41:49Don't worry, Mr. Fermin,
41:51I had never told you.
41:53It was many, many years ago.
41:55And if I mention it now,
41:57just to tell you
41:59that Antonia is not my first love,
42:02I'm not his either.
42:05And it was a surprise, Mr. Fermin,
42:07a very big surprise
42:09for me too,
42:11to try something so strong
42:13and so different.
42:15So different?
42:17Yes, Mr. Fermin, so different.
42:19Because with Lucia,
42:21with Lucia it was a shot.
42:23It was like I was falling in love.
42:25With Antonia, no.
42:27With Antonia,
42:29it was like a slow cooking.
42:31This, yes.
42:33A slow cooking,
42:35until the day...
42:37Until the day she fell in love.
42:39Exactly.
42:41Until the day I fell in love.
42:45It's just that when she became widowed,
42:47we've been supporting each other a lot,
42:49all the time.
42:51Antonia is a wonderful person, Mr. Fermin.
42:53Yes.
42:55She's an incredible woman.
42:57I've been in love with her for many years.
42:59Many.
43:01Ah, excuse me.
43:03Pietro, I'm aware of everything.
43:05I assure you that the invitation will be to your liking
43:07and to Antonia's.
43:09Thank you very much, really.
43:11You make me feel very special.
43:13And it is, Pietro, it is.
43:16We have to go to Madrid, okay?
43:18Ah, well.
43:20Enjoy, then.
43:21Okay.
43:27Hasn't your day finished yet?
43:29Well, I wanted to stay a little longer
43:32to get the orders ready for tomorrow.
43:38Don't stay until too late.
43:40Don't worry.
43:42You know that no one is waiting for me at home.
43:52Excuse me.
44:10At first, when he arrived,
44:12how did he speak?
44:14What a horrible Castilian.
44:16I don't know, it's like Cervantes didn't get up from his grave
44:18to give you a good beating.
44:20Well, he wouldn't miss a beat.
44:22Well, and when he starts singing opera,
44:24what do you say?
44:26Opera, opera.
44:28He's got a pass there.
44:30The truth is that here the teacher sings like angels,
44:32doesn't he?
44:34Yes, sir.
44:36Now, yes, like our Zarzuela,
44:38it doesn't matter.
44:40Please, Iño, can you say something?
44:42That here he is the only one with a common sense.
44:44Please.
44:46Look, if he doesn't defend him,
44:47it's like being in love.
44:49It was my magic.
44:55Excuse me, but he was with an old friend.
44:58He looks worried.
45:00Is everything okay?
45:02Yes, the night is great.
45:04If I hadn't realized it,
45:06the godfather would already be here.
45:08So, Fermin, we want to hear his speech.
45:10Yes, yes, yes, speech, speech, speech.
45:13No, no, no.
45:14We want him to speak at the banquet,
45:16not at the farewell.
45:18That's how it's going to be.
45:20Well, don't worry, Mr. Fermin,
45:22I've prepared a few words.
45:24Take them, but as they came these days,
45:26I've been writing them down.
45:28So, I'm going there, man.
45:30Of course, there goes Elmiura.
45:32Where are you going?
45:34Come on, Elias.
45:39Excuse me.
45:44Hello, can you hear me?
45:46Yes.
45:47Can you hear me?
45:49Good evening, Madrid.
45:51Well, a moment of attention, please.
45:53I'm going to say a few beautiful words
45:55to our friend Pietro, who is getting married.
45:57Maestro Pietro.
45:59Amado Pastilleri.
46:01You are a magician of desserts, right?
46:03Well, it's a great pleasure and an honor
46:05for me to share this feeling
46:07on such a special day as today.
46:09And in such an emblematic and special place
46:11as Madrid,
46:12I don't know if you've seen the pilgrims,
46:14but as they say,
46:16I invite Luis to the throne,
46:18so shut up.
46:20As Quixote said,
46:22when you enter the heart of a friend,
46:24the important thing is not the place you occupy,
46:26but the important thing is
46:28that you never leave there.
46:30And this Pietro has occupied my heart.
46:32And I could say,
46:34and I wouldn't be wrong,
46:36in the name of the others,
46:38that also.
46:40Amen.
46:42And now,
46:44as the Italian brother
46:46that we've never had,
46:48but that we are celebrating right now,
46:50that I am happy with Antonia,
46:52congratulations,
46:54and that you are very happy
46:56and that as pilgrims,
46:58a round of applause for Pietro.
47:00Bravo.
47:02Bravo, Pietro.
47:04Bravo.
47:06Bravo, a round of applause.
47:09Grazie, grazie.
47:10And now,
47:12I invite you to sing a song,
47:14because you sing,
47:16and I'm going to sing it.
47:18A tarantella.
47:20Yes.
47:22And we dance.
47:24Of course, of course.
47:26I think I'm going.
47:28No, no, don't leave me alone.
47:30I'm going, for God's sake.
47:32Hold on.
47:34I'm going with you.
47:39Well, I'd love to stay and pick up,
47:41but if I don't,
47:43me too,
47:45but if I don't,
47:47I don't know what to do.
47:49I don't know what to do.
47:51I don't know what to do.
47:53I don't know what to do.
47:55If we don't, we'll miss the last tram.
47:57Don't worry.
47:59Marta and I will do it in a Santiago.
48:01Matilde, are you coming?
48:03No, I'm going the other way.
48:05Well, are you sure you're okay?
48:07Yes, yes, it's just that the wine has gone down a bit.
48:10Don't worry about me.
48:12Well, bye.
48:14We had a great time.
48:16Bye.
48:18Bye.
48:20Honey, I'm a little worried.
48:22Why don't you stay with us here?
48:25And?
48:27Don't you have to wait for Inigo to come?
48:29I appreciate it.
48:31And I confess it's very tempting to stay here with my dear Corrala,
48:34but I have to go home.
48:36Well, as you wish.
48:41Antoni, it happened to me again.
48:44What I told you about Mrs. Carla, it happened to me again.
48:47So tell me the truth,
48:49if I'm thinking clearly or if I'm losing my mind.
48:52Honey, don't say that as a joke.
48:53Look, I once met a girl who really went crazy
48:56and they had to put her in a mental hospital.
48:58You have nothing to do with her.
49:00But then what's wrong with me?
49:02Honey, it's not what's wrong with you now,
49:04it's everything that has happened to you.
49:06I have to remind you of everything that has happened to you.
49:08Between your mother's death, your own illness,
49:10the accusations against Inigo, the accident.
49:12Man, you have wanted to be strong, honey,
49:15but your body is telling you enough.
49:17Enough rope to cover everything that has happened to you.
49:20And when you have doubts, think about hope.
49:21That's really cool.
49:23Oh, Antonia, thank you.
49:25I needed one of your advice.
49:27Here you have them for whenever you want.
49:29You will always trust me
49:31and you will believe in me,
49:33even if I tell you things that are crazy.
49:35Of course I do.
49:37But I don't know, it's like someone wants to drive me crazy.
49:39Someone?
49:41Who, honey? Who?
49:43Well, Mrs. Carla.
49:45Or rather, her ghost.
49:48You are looking at me as Inigo does.
49:49Well, honey, because we are both worried about you.
49:51It's just that.
49:53It's normal for you to think about that woman
49:55because she has hurt you a lot.
49:57But she is dead and buried.
49:59Come on, Antonia, but someone came into my house ...
50:01Look, when you stop thinking about her,
50:03she will disappear from your life.
50:05And you will stop seeing weird things.
50:07Promise me, Gloria.
50:10I promise you.
50:12Very well.
50:14Are you sure you don't want to stay?
50:16No. No, thank you.
50:17I'll go home and wait for Inigo.
50:19I'll do what you told me.
50:21I remember.
50:23If you don't think about her, she will.
50:28Come on, rest.
50:30Goodbye, Antonia.
50:47Good night.
51:18I came to talk to a friend who works for the police.
51:22They have identified the body.
51:24They have confirmed his identity.
51:26It's about Carla.
51:28They found something in the body.
51:30A medal that was stuck between the skin and the clothes.
51:35It was a medal that Mrs. Bárbara gave Carla a few weeks ago.
51:40That's why she identified him.
51:48A few days later.
51:59There is no trace of the boxes and it seems that the books are ...
52:03They don't look like it.
52:05Miguel, they are there.
52:07Did you do all this?
52:09I don't know how to be surprised, Father.
52:11Well, if you've been able to get this in a week,
52:14what can you get in a few months?
52:15What are you doing awake at this time?
52:18Honey, are you okay?
52:21No, no, no.
52:23Don't touch her.
52:24Matilde, calm down, you're scaring me.
52:26I asked him to come because Lieutenant Lorenzo comes every day
52:29to interrogate me about Cesar's whereabouts.
52:31And I don't know what to tell him anymore.
52:33Have you heard from Cesar?
52:34No, I don't know anything.
52:36Hiding information from the authority can get her in a good mess.
52:39Lieutenant, I'm going to ask you to lower your tone.
52:41I'm not going to let you talk to my niece like that.
52:43If she says she doesn't know anything, she doesn't know anything.
52:45You're not welcome in this house.
52:47So you're going back to where you came from.
52:49I'm not leaving until I swear
52:51that this macabre game that you're submitting to me
52:54and my wife is going to end.
52:56Can you tell me what diantres you're talking about?
52:58The medal of San Cayetano.
53:00Indeed.
53:02Thanks to a medal like that,
53:04he recognized his daughter's body.
53:06I don't know if he's gone through a door or a window,
53:08but someone has entered my house.
53:10I wanted to know how you did at the doctor's.
53:12Well, my vocal cords are still damaged,
53:13but the doctor thinks it's not irreversible
53:15that with time and a lot of work,
53:17he might be able to sing again.
53:19We're getting married!
53:21Already?
53:23Yes.
53:25But you haven't been dating for a long time.
53:27Could it be that the stork is on her way?
53:29As this morning you were late more than usual.
53:31It seems that you have me as controlled
53:33as the rest of the squad.
53:35I wanted to make sure that you didn't forget
53:37that tonight we're going to the theater.
53:39Can I have your ticket, please?
53:40I'm going to the theater with whoever I want.
53:42Excuse me, what do you want?
53:44That you help me gain Laurita's trust.
53:46Excuse me?
53:48I can assure you that if you help me,
53:50she won't regret it.
53:52Your friend Laurita will be happier
53:54than she has ever been in her life.
53:56Matilde asked for help to Scream in the middle of the gallery
53:58because she was sure she had seen someone.
54:00Who does she say she saw?
54:02That girl, Fabio?
54:04Carla. Or her ghost, I suppose.
54:06Most likely,
54:08Matilde suffered a hallucination.
54:10As a result of her bad conscience,
54:12the same thing is happening to her husband.
54:14Carla, are you there?
54:26What are you doing, daughter?
54:28Nothing, honey, I just wanted to know how you are.
54:30You don't have to answer if I find out.
54:32No, I'm fine.
54:34I'm fine, I was going to dinner right now.
54:36That's why I called you.
54:37There's a bit of a mess in Madrid right now
54:39and I'd like to stay a little longer.
54:41But if you feel better, don't worry, I...
54:43No, don't worry, don't worry.
54:45I'll be fine.
54:47Keep working.