Salón de té La Moderna - Ep 197
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00:00THE CURTAIN
00:13You're in deep sleep. You must have slept well in your new bed.
00:17Yes, I'm not surprised because the curtains were always so nice.
00:21The mattresses are so comfortable.
00:23Yes.
00:25And you slept so close, you didn't have to go downstairs at night.
00:29They have so many windows, it's like we're in a skyscraper hotel.
00:33We won't get used to it. This is only as long as the construction lasts.
00:37Well, but you tell the workers not to be in such a hurry.
00:41We have to tell the workers if we need anything from home so they can bring it to us.
00:46I don't think I've left anything.
00:48That's the good thing about not having a lot of things, you get everything in one hand.
00:52And all these telegrams, Antonia?
01:00Do you think this is all mail?
01:02They're from my family, they tell me which train they're going to get on,
01:06or which hotel they're going to stay in.
01:12How excited are you to meet them?
01:14Well, yes, I'm a little nervous, I haven't seen them in a long time.
01:18Are they all coming?
01:20Well, I don't know if all of them, because there are some who haven't answered me.
01:24The people who are going to be at the wedding, Antonia.
01:27Family members, all the staff of La Moderna.
01:30Well, not all of them, I haven't invited Mrs. Alacrán, and Teresa either.
01:35You haven't invited Teresa?
01:37No, it's not that we have anything against her, neither Pietro nor I, but...
01:41we agreed that they were going to be the closest, and she's not.
01:46Good morning.
01:48Good morning, what are you doing here? Shouldn't you be at the workshop?
01:51I don't have good news.
01:53What happened, Pietro?
01:55It's about the snack, Antonia.
01:57The one we booked a few days ago?
01:59Yes, it seems that they didn't take a good note of the date.
02:01But... but I saw perfectly how you wrote it down.
02:04I know, I know.
02:06It's just that this morning I went around to confirm a matter of the cake,
02:11of how they would come to pick it up, and...
02:14it turns out that they didn't take a good note of it.
02:17Well, that's a relief that you noticed in time, Pietro.
02:20No, Marta.
02:21The problem is that the snack is occupied every hour on the day of the wedding.
02:26There's no room for us.
02:28But then where are we going to celebrate the wedding?
02:30I don't know, Antonia, I don't know.
02:31We have to find another place.
02:33And that it's not so expensive, because we can't pay for a banquet hall.
02:38Where are we going to find a place now, three days from getting married?
02:41Yes, it's just that every day I'm more and more aware that a fool has looked at us,
02:45but he has looked at us and looked back.
02:50Well, and here you have your tila, Miguel.
02:53Double, as you asked me.
02:55Now, if it's not an indiscretion...
02:58Elia, if I had to forgive you for all your indiscretions, it wouldn't be enough.
03:01Yeah, but you're always for coffees, you're not for tilas.
03:04And now you ask me for doubles?
03:06Can you tell me what makes you so nervous?
03:08It's... it's the love I feel for Trini.
03:10I'm like that with my feelings, I can't control them.
03:13I'm so in love with Trini that...
03:15that I even get tachycardia.
03:18Wow, I didn't know you were so passionate, Miguel.
03:20Sure, this must be so much time hidden there in the priesthood,
03:24accumulating, accumulating, accumulating, and suddenly there is a day that, boom, explodes.
03:27Yes, it does, yes.
03:28To cholón.
03:29But to cholón.
03:30And well, what do you tell me about Cañete?
03:32This virtue that he has as Celestino.
03:34Because you have to see that, be careful, Valverde, that your thing with Trini...
03:38Yes, you should have noticed it all, Elías.
03:41My thing with Trini seems a bit sudden, but my feelings come from far away.
03:45Yes? Well, I must have guessed something, but I haven't really noticed.
03:49I'm telling you, I haven't.
03:50And look, I have a good eye for these things.
03:52Very good, yes.
03:53Yes, yes. Well, thank goodness that Cañete noticed and saw it coming.
03:56Let's see what a heart of gold.
03:58If it is that...
03:59What an honor to have him as a friend.
04:02Mr. Ruiz, Elías.
04:04Mr. Peñal, can I help you with something?
04:06Yes, I was looking for Matilde, I don't know if you've seen her.
04:10No, I haven't seen Mrs. Peñal in all day.
04:13Are you sure?
04:15Because she told me that she was going to come here to work at La Moderna
04:18to finalize her last details of the project.
04:20Well, she hasn't arrived yet, so I can assure you.
04:25Well, I must have misunderstood.
04:28Well, I must have misunderstood.
04:31Well, since I'm here, I'd like to talk to Pietro
04:34to find out how many guests are going to be exactly
04:36for the celebration of his farewell in Madrid-Cabaret.
04:39Ah, well, if that's the reason, we don't have to bother Mr. Pietro.
04:42As the head of the marriage link celebrations
04:46between Pietro and Antonia,
04:48I am trained to solve the guest list
04:50and to receive and give any information that is necessary.
04:58I'm sorry, Mr. Fermin.
05:01Can I ask you what is it that interests you so much?
05:03Because since you arrived, you haven't taken your eyes off the newspaper.
05:07Well, the news in general.
05:10It's just that everything that's happening is so exciting that...
05:15Do they say anything about the elections?
05:17It's just that this morning I came in a hurry.
05:19I wanted to talk to you about it.
05:21I'm sorry.
05:23Do they say anything about the elections?
05:25It's just that this morning I came in a hurry.
05:27I wanted to finish the accounts.
05:29The truth is that I couldn't even read the headlines.
05:31Yes, yes, here it is.
05:33The results of the elections to constituent courts.
05:36Look.
05:38Let's see.
05:40It seems that there haven't been any big surprises.
05:46No, there haven't been, right?
05:49Well, everyone says they've won.
05:52They feel that they've won.
05:54Well, these are political things.
05:58In the end, everyone interprets it in their own way.
06:01In cases that no one will ever accept that they have lost.
06:03Yes, the important thing is that the people, with their votes, have spoken.
06:06Look, there is a 90% coincidence between the results of the elections and the provisional government that we had.
06:14And well, despite everything that is happening in the country,
06:18there is a certain excitement for the new times that are coming.
06:22Well, you never know when something that excites you is going to happen.
06:25Right?
06:29Good morning.
06:31If you'll excuse me.
06:39So?
06:41Can you tell me why you're here?
06:43Because I don't remember calling you.
06:46Yes.
06:48I wanted to talk about how the wedding of Pietro and Antonia affects the schedule.
06:53Because there are many employees who want to...
06:55I'll leave that to you, Teresa.
06:57I'm convinced that it's going to be the best solution for everyone.
07:00As you wish.
07:03One moment.
07:05Well, since you're here, let's talk about more urgent issues.
07:09How is the refrigerator that I ordered for the opening of the gramophone store doing?
07:14There are only a few hours left and I would not like them to be delayed because of us.
07:19Everything is about to be done, there will be no delay.
07:22I hope so.
07:23And is there anything else you want to tell us?
07:26I don't know, the last time I spoke to you I had the feeling that you wanted to tell us something, Mr. Fermin.
07:31What is it that you wanted to tell us, Teresa?
07:35Nothing, nothing, you can wait.
07:38I'm going to take care of the refrigerator for the opening.
07:41I don't want any problems.
07:43Very well.
07:51Look, Mrs. Lázara, there is also a review in the newspaper of the last premiere of the circus.
07:58Well, I've heard that this woman is a prodigy.
08:01Yes.
08:02And I was thinking of going to one of the performances of these days.
08:06Really?
08:08And well, if you feel like it, if you want to accompany me ...
08:15Really?
08:18Well, I would love to be able to see Margarita Circus and much more in her company.
08:22Well, then ...
08:24But no, no, it won't be possible, Mr. Fermin.
08:28I have to reject the invitation.
08:30Excuse me.
08:31Wow.
08:32And that, why?
08:35Well, for many reasons.
08:39You have to take care of the modern one, the inauguration of your niece's store is coming up,
08:44and I have to remind you that you are Pietro's wedding godfather.
08:48No, no, no, no.
08:49Well, I'm sure if I get organized I'll find a gap in the agenda, so ...
08:53Tell her.
08:54Yes, yes, Mrs. Lázara, I insist.
08:56If you want, the circus is waiting for us.
09:01Well, okay, I accept, but ... but on one condition.
09:05I'll take care of the tickets.
09:07I don't want to take up any more time.
09:09Perfect, as you prefer.
09:25There it goes, I can't believe it.
09:28I forgot one of the most important.
09:30I'm a nail and flesh.
09:32Mr. Fermin.
09:33What?
09:34Mr. Fermin.
09:35Besides being my boss, he is the wedding godfather.
09:38I forgot to tell him I was invited.
09:40Well, gentlemen, I'll leave you.
09:43Elías, please, if you see Matilde, tell her to call me.
09:46Yes, of course, I'll tell her.
09:48By the way, how is she?
09:50After what happened yesterday in the gallery ...
09:53Fine.
09:54She is very well.
09:56Fine, fine.
09:59No, it's just that I also know something about these things.
10:02Because my grandfather, Jeremías III,
10:04the whole town laughed at him,
10:06that everyone accused him of being crazy,
10:08because whenever he crossed a bridge, he saw a ghost.
10:10A lady, yes.
10:11Until it was proven to be true.
10:14Was it proven that there was a ghost?
10:16No, Miguel, it was proven that my grandfather was a little crazy.
10:20Good morning, gentlemen.
10:23Elías, how many things do you have to learn from Mr. Fermin
10:25to be quiet, for example?
10:47Tomorrow my friends have organized a mass for you.
10:52For my soul?
10:54How kind.
10:56Since they have had the detail, I cannot miss it.
10:59I have to leave the house at six.
11:02And the service?
11:05I will order them to accompany me.
11:08And if there is time, I will give them the afternoon off.
11:12Therefore, you have the house empty for you.
11:17I will destroy you.
11:21This has only just begun.
11:35How nice, Uncle Fermin!
11:38Thank you very much for all the refrigerator you have prepared.
11:42Thank you very much for all the refrigerator you have prepared.
11:46The truth is that everything looks great.
11:49It is the luck of having the owner of La Moderna as a partner.
11:53So, let's toast to the new business,
11:57which we hope will give us a lot of joy.
12:00Well, it has already given us the first joy,
12:02because this call has been a success.
12:05By the way, Mr. Fermin, I am curious.
12:08What is your opinion on the result of the elections?
12:11Well...
12:12Yes, tell us, because I already know Celia's.
12:14Well, I'm very happy,
12:15because I think this result can bring us universal suffrage.
12:18It seems to me that you are going a little fast, Miss Celia.
12:22I have to tell you that I am very happy that the situation has calmed down.
12:26Many hoped that the world was going to collapse with the change of regime,
12:31and it is not like that.
12:33But you know what? You can't be afraid of change,
12:36because that means turning your back on the future.
12:39And the future is already here.
12:41I'm here too.
12:43Inés, you came.
12:45I couldn't miss it.
12:47I love the party.
12:49You can see the dedication you have put in.
12:51Well, our dedication, but also the help of Uncle Fermin.
12:54Without him it would not be possible.
12:59Wow, it looks like someone is self-invited.
13:02Congratulations, ladies.
13:04I'm sorry to contradict you, but I was invited.
13:07This business made me come to an invitation.
13:10Thank you, Mr. Fermin.
13:12And now, if you allow me, I would like to toast with you
13:15for your new business, to which I wish you a great future.
13:18Thank you.
13:21I already apologized to you, but I don't mind apologizing every time I need to.
13:25I behaved ...
13:27What I did was childish.
13:29Yes, it was.
13:30But don't think about it anymore.
13:32It seems that the one who is behaving like a little girl is you.
13:35Excuse me.
13:41Take the report.
13:43Don't pay too much attention to me.
13:45You already know that I speak from ignorance.
13:48But I have written down a couple of suggestions.
13:51They will seem ridiculous to you.
13:53You already know that my knowledge of finance is little,
13:56not to say zero.
13:58I am sure that all your suggestions will be very sensible.
14:01You master these subjects better and better.
14:04I have good teachers.
14:06And from what I see, a great mind for finance.
14:09You just had to activate it.
14:11Well, you haven't told me anything about the elections yet.
14:15What do you think?
14:17Me?
14:18That we must accept the democratic game.
14:21And therefore the result, whatever it is.
14:24I trust that this will help achieve stability and prosperity for our country.
14:30I see you very optimistic, Fabio.
14:32Although I don't know if so much as to consider going back to politics.
14:35No, no, no.
14:37I am clear that no.
14:40Although going back to diplomacy ...
14:43Look, I already have my doubts there.
14:46And why do you tell me that?
14:49I haven't had time to tell you,
14:51but they have contacted me to ...
14:54to ask me about a diplomatic position.
14:57And the destination is tentative.
14:59London.
15:01And are you going to think about the proposal?
15:04Well,
15:06by the smile I see on your face, I see that you have already done it.
15:09And once again, dear Barbara, this is the truth.
15:13Yes, yes, I have thought about it.
15:15London is a destination that I have always aspired to, you know.
15:18Imagine it, London.
15:32You have to be optimistic, Inés. Everything will be fine.
15:35But being optimistic would be a way to deceive myself.
15:38No, no, no, that's not it.
15:40I was consulting with an expert and he has confirmed to me
15:42that with discipline and sacrifice, yes, miracles can be achieved.
15:46Well, then I see it complicated.
15:48Because I understand singing, but I pray very little.
15:51Don't throw it all away, Inés. There are solutions.
15:54I thought my brother's optimism was inexhaustible,
15:57but his is not short.
16:00If you excuse me, I'm going to get a drink.
16:05You have a special power.
16:07You get me to talk to my brother and make me feel good.
16:10So you get the opposite effect,
16:13because you get angry when you see me.
16:16Before, when I saw you, I thought I was going to throw the glass in your face.
16:20Don't think about it, I've thought about it.
16:22But then I thought it might be better to kick your ass.
16:25Laura, your glass.
16:27Thank you.
16:30Gentlemen, I ask you for a moment of silence.
16:34First of all, thank you for attending the inauguration
16:37of this new gallery store.
16:40I have said store, in singular,
16:42I would still have to have used the plural,
16:44because it will not only be a gramophone store,
16:47as it has been so far, but also a photographic studio
16:51and sometimes an advertising agency.
16:54As you can see, a multidisciplinary business,
16:57as are the two new partners with whom I have the good fortune to count.
17:03My niece, Laurita Balbuena,
17:06and the illustrious photographer Celia Silva.
17:09So please, I would like us to welcome
17:11these two new and young businesswomen
17:14with a round of applause.
17:20Excuse me.
17:24Excuse me.
17:28Here you go.
17:30And now, if you come with me,
17:32I can show you where they give you
17:34abundant meals at a good price.
17:36Here you go.
17:44No, I didn't expect it, really.
17:46I didn't know that my name
17:48was among those who were fighting for the embassy in London.
17:53Have you already given an answer?
17:55No, not yet.
17:57What do you advise me?
18:15Well,
18:17if you are so excited to be an ambassador in London,
18:21take the job.
18:23Although,
18:25if I say it like that, I would be lying to you.
18:28Lying?
18:29Yes, lying.
18:31Because, actually,
18:33I would like you not to take it.
18:37Because if you do, you will break my heart.
18:40I no longer understand my life
18:42if it is not with you by my side.
18:45Every morning I wake up with you.
18:51The one who was lying was me.
18:53I would never accept that position
18:55because I would not want to separate from you for anything in the world.
18:58Fabio, you don't have to make that sacrifice for me.
19:01No, no, I wouldn't leave you alone.
19:03Especially not at this moment
19:05with Carla's loss
19:07and in charge of the company Morcuende.
19:10You don't know how grateful I am.
19:21Well, and now
19:23that we have solved this matter,
19:26it would be best if we left.
19:28The mass in honor of Carla is about to begin.
19:31Yes, let's go.
19:33I know what I have said now may seem frivolous,
19:37but after the mass we are going to have dinner at a restaurant.
19:40The reservation is already made. I will not accept a no for the expense.
19:43At a dinner?
19:45But if I am in a rigorous mourning?
19:48So what?
19:50Even so, you will be the most beautiful woman in the whole restaurant.
19:55Let's go.
20:18Let's go.
20:48Esperanza, Antonia has already told me
20:51that maybe you have solved the problem with the snack bar.
20:54Oh, that's what I'm in now.
20:57It is that this of being a godmother is very tiring.
21:00It never ends.
21:02With the snack bar.
21:04I couldn't buy Antonia the gift yet
21:06and I couldn't even talk to Don Fermín
21:08that we have to agree on many things.
21:10Well, calm down because there are three days left.
21:12Oh, don't make me nervous.
21:14Think of something else.
21:15But how can I think of something else
21:17than to ask me about the wedding?
21:18And why do you want me to ask you?
21:20For the result of the elections?
21:22Oh no, not that.
21:23Because we can't even vote.
21:25Besides, we, being poor,
21:28what else do we have?
21:30What more of one or what more of the other?
21:33Live to work and work to live.
21:35Well, to survive.
21:37You look more like vinegar than the crystals.
21:41Good afternoon.
21:43You tell me.
21:45I came to have a coffee,
21:46but seeing that you are the ones
21:48responsible for so much work,
21:49I didn't want to miss the opportunity
21:51to approach you and thank you.
21:53What was missing?
21:55And what's that about thanking us?
21:57What gives me that you have
21:59the same funny thing as Tunante?
22:01Well, Tunante I don't insult
22:03because you belong to the Tuna, don't you?
22:05Yes, that's right.
22:06So, Tunante,
22:08why are you thanking us?
22:10For having the cleanest crystals in the gallery.
22:13It even hurts my eyes to look at them.
22:15Ah, well,
22:17since you haven't told us how you see the crystals,
22:19I'll tell you how I see you.
22:23You're a smartass
22:24who wants to take advantage of Marta, of course.
22:26It's just that all the Tuna are the same.
22:29I'm sorry, but I think you're wrong about me.
22:31No, no, you're the one who doesn't know.
22:32You must have been deaf
22:33from all the talking.
22:35Let's see, here with the girls
22:37you have nothing to do, right, Marta?
22:39Nothing.
22:41Ah, well, you have a lesson learned today.
22:44In a sea that's not yours,
22:46you can't fish.
22:48As far as I know, the sea doesn't have an owner
22:50and I don't like fishing, but
22:52if I had to do it,
22:54I'd fish a beautiful mermaid.
22:56A jellyfish is what you're going to fish.
22:58But I would set her free
23:00because mermaids must swim freely
23:02so that we can all hear her voice
23:05and enjoy her beauty.
23:08Vinegar.
23:11What did you say?
23:13That if what you want is to clean the bookshelves,
23:15use vinegar.
23:17And now, please, if you'll excuse us,
23:19we'd like to continue cleaning.
23:21Some of us here are not the owners' daughters
23:23and if we don't work, we'll be fired.
23:27She's put the hook somewhere else.
23:30Air.
23:42Hello.
23:44Here's the latest edition of the Vespertinos newspapers,
23:46just as Teresa asked me.
23:48Well, thank goodness, because the clients are
23:50dying for the newspapers
23:52with this election thing.
23:54So, how many more?
23:56Well, look, more for us.
23:58Yes, and a little more
24:00and we'll be on today's cover.
24:02A couple who's been lying for a while,
24:04finally caught in their trap.
24:06As if we had no experience in lying.
24:08Lucky that Cañete is able to sell a book
24:10at any time,
24:12saved at the last moment.
24:14Well, let's look at the bright side.
24:16Now everyone has found out about our relationship
24:18and believed it.
24:20Well, yes.
24:22And with the good looks of Esperanza and Elias.
24:24My goodness, they're on the radio
24:26and they run the news faster.
24:28Well, phase one of the Cupid plan
24:30successfully completed.
24:32Mr. Fermin.
24:34Yes?
24:36I was just commenting with Trinidad
24:38about the success of the inauguration
24:40of the new store.
24:42Congratulations for the part you're doing.
24:44An exclusive merit of my niece and her friend Celia.
24:46But yes, yes, it was a success.
24:48Now we just have to wait for the business to be the same.
24:50Well, here's the new edition
24:52of the newspaper, in case you're interested.
24:54Yes, yes, I'm interested,
24:56although I don't think the news
24:58I'd like to confirm will come to the newspapers.
25:00I don't know
25:02if I'm explaining myself.
25:08Let's toast
25:10to the success of the inauguration.
25:16It's gone very well, hasn't it?
25:18Well, yes, the truth is
25:20that more people have come than we expected.
25:22That store is going to be a success,
25:24girls, I assure you.
25:26Well, on the first day we've already sold two radios
25:28and several records.
25:30And I haven't stopped taking pictures in the studio
25:32all morning.
25:34Of course, we've been so busy
25:36to see the brochures of La Moderna
25:38and I have to give them to the guy tomorrow.
25:40Well, you'll see, everything will be fine.
25:42Yes, I know, but I would have liked
25:44to check at least one.
25:46If it's not like working blindly,
25:48as if you were taking pictures without looking through the viewfinder.
25:50I don't think the guy will turn down your services
25:52because he doesn't like how a brochure has turned out.
25:54Well, I hope so.
25:56Because I need my job as an advertiser.
25:58The salary is good for us to invest
26:00in promotion or in articles for the store.
26:02Laura, we've already talked about it.
26:04At some point you look very overwhelmed
26:06to have to combine your work at La Moderna
26:08with the day-to-day of the store.
26:10No, don't worry, that's not going to happen.
26:12Yeah, but if it happens, let me know and that's it.
26:14You're the important thing,
26:16not the money we're going to make or stop making.
26:18Thank you, Celia.
26:20You're the best partner you can have.
26:22And we're also going to toast
26:24because I finally wanted to go out.
26:26That?
26:28Yes, well, thank you very much for the effort.
26:30I couldn't miss the opening.
26:32By the way,
26:34I'm giving my spies a bit of work.
26:40No, I don't think
26:42you're explaining it to me.
26:44Anyway, I've heard
26:46a certain rumor
26:48and since I'm not a friend of gossip,
26:50I'm going to face it directly.
26:52Is there anything you want to tell me, Trinidad?
26:56Well,
26:58it would have to be a little more specific
27:00with this rumor
27:02because you know that gossip is very treacherous
27:04and there are people
27:06who have a lot of imagination.
27:08I've heard that you two
27:10are a couple. Is that true?
27:12Oh, yes, yes, yes.
27:14We're a couple.
27:16Yes, sudden.
27:18Recent.
27:20I'm grateful, I'm grateful,
27:22Mr. Fermin, for putting
27:24the prettiest of all women in front of me.
27:26You didn't know,
27:28but when I gave Trinidad the job
27:30in this room,
27:32I made a decision that changed my fate.
27:34Oh, it will be less, Mr. Ruiz.
27:36It will be less.
27:38Anyway, since I'm not a friend of gossip,
27:40I just wanted to confirm the news,
27:42congratulate them
27:44and hope they are happy.
27:46We are.
27:48Trinidad is an excellent worker
27:50and a better person.
27:52And I can only say positive things about you.
27:54Now, I'm going to dare to give you
27:56some advice. Go slowly, please.
27:58No rush.
28:00Little by little.
28:02Well, little by little.
28:04Or fast, right? Because it's also good, right?
28:06I mean, every relationship is a world
28:08and each world has its own speed.
28:10Right?
28:12In the case of feelings, I don't know
28:14if rushes are good advice,
28:16but anyway, you are adults
28:18and sensible and will act in the most convenient way.
28:20Uh-huh.
28:24Well, I'm going, I'm going, I'm going,
28:26I'm going to the lab. I'll be back later.
28:28And I'm going back to the library.
28:30Good afternoon.
28:32Mr. Ruiz, please stay a moment
28:34because now that we are alone,
28:36I would like to talk
28:38seriously with you.
28:40Well,
28:42what do you have to tell me, alone?
28:44You are not a kind
28:46of Don Juan, right?
28:48You are seducing women
28:50as entertainment.
28:52Me? I am a man of a single woman.
28:54My heart has been occupied
28:56by Trini for a long time.
28:58Well, not for so long, because I still remember
29:00that not long ago she courted Teresa.
29:02Ah, that.
29:04Well, but that was something temporary.
29:06Temporary? I don't think my client
29:08considers him temporary.
29:10I assure you that nothing serious happened.
29:12He just got into a relationship.
29:14He was a magician.
29:16I have to confirm.
29:18We were not made to be a couple.
29:20And how do you know that you and Trini are?
29:24Because she is the woman of my life.
29:26That a man does not know.
29:28Trinidad is the person
29:30I want to spend the rest of my life with.
29:34And you are a good person.
29:36You look good.
29:38Well, I'm just going to tell you something
29:40that I already warned you when Teresa ...
29:42I appreciate my workers a lot.
29:44So I hope you make Trini happy
29:46and take care of her.
29:48If so, she will have a friend in me,
29:50but if not, yes.
29:52Let's hope
29:54she never has to see me angry,
29:56Mr. Ruiz.
29:58Let's hope.
30:00Don't finish.
30:02Let's hope.
30:06What do you mean
30:08by giving work to your spies?
30:10It's just that going to the galleries
30:12I felt that several people
30:14were following me.
30:16Inés, what are you saying?
30:18Have they done anything to you?
30:20No, no, just follow me.
30:22But I know very well who gave them the order.
30:24Lieutenant Lorenzo.
30:26Oh my God, that man doesn't give up.
30:28No, and I don't know how to make him understand
30:30that I have no idea where Cesar is right now.
30:32But let's see, are you okay? Are you afraid?
30:34Well, of course I'm afraid.
30:38I don't know, I understand that feeling spied on
30:40is a very pleasant feeling, the truth.
30:42No, it's not. It's not, but I'll have to hold on
30:44until all this is over.
30:46Or not. Maybe we can, I don't know,
30:48talk to Uncle Fermin.
30:50But what would we gain from that?
30:52I don't know, maybe he can intervene
30:54and stop him.
30:56No, look, I prefer to keep him at bay
30:58because that way there is less worry for him and for me.
31:00Are you sure, Inés?
31:02Yes, sure, right now.
31:04Besides, I'm already quite nervous.
31:06I'm waiting for the results of the test of the grant.
31:08I'm going to make something to eat.
31:24You're very quiet today, Salvita.
31:26Not to mention that that plumber has a great ally in you.
31:28He's never going to get dirty,
31:30because he doesn't even touch the dust from the shelves.
31:32What?
31:34Yes, yes, the plumber.
31:36Do you have any ideas, Salvita?
31:38Yes, the plumber.
31:40No, the plumber who sees you from afar.
31:42You.
31:44What do you mean? That I don't like to work?
31:46No, you don't need to say that.
31:48But there is one thing that you like a lot.
31:50The modern one.
31:52You've been using it a lot lately.
31:54It has very good coffee.
31:56And besides, you always tell me
31:58that I don't fall asleep at work, right?
32:00Well, I'll have to do something.
32:02Something tells me that it's not precisely
32:04because of the coffee,
32:06because you go to that tea room a lot.
32:08Rather, I would say it's
32:10because of Marta.
32:12I didn't know that hobby of yours,
32:14gossip, Miguel.
32:16Look at the ability to observe.
32:18From this same glassware
32:20I have been able to see how you looked for it yesterday
32:22and how you have looked for it today.
32:24Does that mean that yesterday I left the glasses very clean?
32:26And more than I'm going to leave them from today
32:28because before they gave me an advice to do it.
32:30With vinegar.
32:32I'll give you another piece of advice.
32:34I don't think you have much future with Marta.
32:36Doesn't it seem that the girl is very happy
32:38when she sees you?
32:40At least this is what I perceive from here.
32:42You don't see Marta for lost.
32:44That if something good has to be in this bookshop
32:46is that the girl makes me happy in the mornings.
32:48Well, let's see if you take note of her,
32:50who is very hardworking.
32:52Let's see if by looking at her so much,
32:54something stays with you.
33:02The account of the 6, Teresa.
33:06Any news with Mrs. Lázara?
33:08Why do you ask me that?
33:10Have you seen anything?
33:12What I've seen is that you keep turning the matter around.
33:14Do you still believe that it was her
33:16who urinated everything to stay locked up all night
33:18with Don Fermín?
33:20Man, I have it clear as water, come on.
33:22And she doesn't try too hard
33:24not to cut it.
33:26What I've seen this morning, come on,
33:28I've realized that she's able to use all her charms
33:30in order to seduce Don Fermín.
33:32But...
33:34Have you caught her in a committed situation?
33:36Well, not committed,
33:38but everything will work out,
33:40you'll see.
33:42How deceived that woman was of us.
33:44Well, I've had her locked up
33:46for a long time.
33:48And that's why she's trying to kill you with me.
33:50Well, she's not going to go and tell me,
33:52well, she's putting me in front,
33:54to deceive me, Mario.
33:56But, Santo, what did she say?
33:58Did she tell you something like that?
34:00About our stuff.
34:02Well, I'm going to...
34:04to turn you around.
34:06Well,
34:08about Mario,
34:10she was right, because, well,
34:12how stupid I was.
34:14Now they don't catch me in anything else.
34:16In matters of love, it's all over, but fine.
34:18Here.
34:22Well, I'm still counting on you, right?
34:25Are you counting on me?
34:27Well, I need an accomplice.
34:29Someone who's on the lookout
34:31in all this Lady Lazara and Don Fermin business.
34:33Ah, that. Yes, yes, of course.
34:46Oh, by the way,
34:48is it true, that rumor that's going around
34:50that you've made Celestino out of Trini and Miguel?
34:53Ah, well,
34:55yes.
34:57You can see that, well,
34:59I didn't even realize it was about me,
35:01but when it comes to seeing love between two people,
35:03I catch it first.
35:05Teresa, for God's sake,
35:07please help me.
35:09But, well, what voices are these?
35:11What's wrong with you?
35:13I need to talk to Don Fermin as soon as possible.
35:15Since his office has been closed,
35:17no one has come in there.
35:19Well, if it's a work matter, you know you don't have to tell me first.
35:21No, it's not a work matter.
35:23It's about Antonio and Pietro's wedding.
35:25Look, what day is it?
35:27And we still don't have a place to celebrate the invitation.
35:29Well, that's a lot of work.
35:31You see.
35:33And, of course, you will understand that, being the godmother,
35:35I have to talk directly to the godfather,
35:37Don Fermin.
35:39Come on, even in the Vatican they give hearings
35:41with the Pope more easily.
35:43Well, being Lady Lazara in the way,
35:45I don't know how I'm going to be able to help you.
35:47And when do you think I can catch
35:49Don Fermin
35:51without the vampire in the way?
35:53Well, daughter, I don't know, I don't know.
35:55Well, I'm still here.
35:57Oh, Cañete, now that I'm seeing you,
35:59I had to tell you something.
36:01Oh, what was it?
36:03Oh, wait, I look at it in my godmother's notebook,
36:05I have it all written down here.
36:07Oh yes, accommodate an assistant in the church.
36:09You told me you were going to help me, right?
36:11Do I still trust you?
36:13Yes, I already told you yes, Esperanza.
36:15You don't have to ask me again.
36:17Man, I'm asking you, of course I'm asking you.
36:19Because you are a man and those things
36:21are easily forgotten.
36:23So accommodate Cañete as an assistant.
36:25I'll put the cross on you.
36:27Are you okay at eight?
36:29At eight for what?
36:31Man, to think between the two of us
36:33where we sit people.
36:35Of course, that's a matter of great responsibility.
36:37Because it's not the same
36:39to sit friends
36:41than coworkers
36:43than family.
36:45Where do you sit the godmother?
36:51Don Salvador, good afternoon.
36:53How are you around here?
36:55Good afternoon.
36:57I'm passing by, I'm not going to entertain you much.
36:59I wanted to take advantage of the fact
37:01that I was here to ask you
37:03about the progress of my son Salvita.
37:05Great progress, Don Salvador.
37:07Salvita is making great progress.
37:09He is a perfectionist, tenacious,
37:11he is an inexhaustible boy.
37:13With telling him that I had to take
37:15this pen out of his hands
37:17so that he could rest a little,
37:19right now he was telling me
37:21that he wants to clean the glasses
37:23with vinegar.
37:25Vinegar?
37:27Are you kidding me, Miguel?
37:29No, no, no, no.
37:31It seems that vinegar is the best.
37:33That's not it.
37:35He's telling me that in the few days
37:37Salvita has become like this.
37:39From night to morning.
37:41In a formal and hardworking boy.
37:43Incredible, right?
37:45It is a boy who puts a lot of effort.
37:47Well, what I was missing to hear.
37:49Salvita, it is clear
37:51that I have to take you to another bookstore
37:53where the manager does not have to lie to me
37:55in order to get rid of you.
37:57Well, Don Salvador,
37:59you will excuse me.
38:01Maybe I have not chosen the best words.
38:03You know that hyperboles are my favorite literary figures.
38:05Miguel, I'm leaving.
38:07One thing I have clear.
38:09I have to make a decision.
38:13Did you have to exaggerate so much?
38:15Because I don't want to go to another bookstore.
38:17I have to stay in this one.
38:19Near the modern, near the ...
38:23Look, I'm going to look for my father
38:25to see if I can fix what you were spoiling.
38:31If you always open your mouth, Miguel ...
38:35And will you bring me some souvenirs?
38:37Of course.
38:39Pablo and Aunt Conchita
38:41have told me that they will take me
38:43to the beach of La Caleta, in Cádiz.
38:45I will bring you all the shells I find.
38:47How nice.
38:49Hi Clarita.
38:51Hi Susana.
38:53Hi Marta.
38:55Marta, you don't know what.
38:57I'm going to Jerez to see Pablo.
38:59To Jerez? And how do you know you're going to Jerez?
39:01Pablo is going to teach me how to ride a motorcycle.
39:03He told me.
39:05Well, he will be there to teach you how to ride a motorcycle,
39:07having the leg as he still has.
39:09Let's go see the works.
39:11Come on.
39:19Is that true?
39:21Are you going to Jerez?
39:23Yes, Clarita knows that she misses
39:25Pablo and Aunt Conchita a lot.
39:27So she's going to spend a few days there.
39:29I don't.
39:31It's her wedding for nothing in the world.
39:33Well, I see that they are already installed.
39:35I really like to see this house
39:37alive again.
39:39Well, it's a provisional thing.
39:41It's a detail of Don Braulio's children.
39:43And what are you doing here?
39:45Well, it's for Petra,
39:47the neighbor.
39:49Serena's wife?
39:51Yes. She told me that today she was leaving
39:53to Puerto Real, in Cádiz.
39:55And it's the same train that passes through Jerez.
39:57So I asked her if it would be good
39:59if I accompanied her.
40:01It's very sudden, I don't know.
40:03But it's the best.
40:05Well, it's very good, because the girl is not going alone.
40:07It's a very long trip.
40:09If it weren't for Petra, I would take her.
40:11Now she stays with her and then Iño comes
40:13and picks her up to take her to the station.
40:15And your Aunt Conchita will be notified?
40:17Yes, she will wait for her there.
40:19Matilde, I'm going to Jerez for 10 days.
40:21Because Marta says she doesn't believe it.
40:23Of course, you're going for 10 days.
40:25You see? 10 days.
40:27That's all.
40:2910 days?
40:31Aren't you going to miss a lot of school days?
40:33I know.
40:35But Clarita needed it.
40:37Besides...
40:39Besides what?
40:41I couldn't deny it, Antonia.
40:43Can't you see how happy she is?
40:45Yes, she looks very happy.
40:47What's wrong?
40:49You can tell me whatever you want.
40:53Here you go.
40:55I don't think you're fond of the fabric.
40:57It's not good.
40:59It's double.
41:01Honey, I think you should look at the medicine books.
41:03The ones you have in the library.
41:05To see if so much fabric is good.
41:07And that would be the last book
41:09I would look at in that library.
41:11Because I see myself in the street, Trini.
41:13Honey, don't be so dramatic.
41:15With the time you've been working there
41:17and the consideration Don Salvador has for you.
41:19Honey, I had never seen Don Salvador
41:21bite dogs with that.
41:23And between this and the fabric,
41:25I'm going to the street.
41:27No, honey, you'll see.
41:29For now, we've sorted out
41:31all the problems that life has put in front of us.
41:33I haven't sorted Salvita out much.
41:35I've collided with him face to face.
41:37You'll see how good it's going to be.
41:39You know why?
41:41Because we're together and you and I get along.
41:43And there's no one who can beat us.
41:45Yes, you and I are together in love.
41:47And in lies.
41:49And in sickness, too.
41:51My nerves are going to end up with my health.
41:53I wish Antonia and Pietro
41:55had the marriage you and I have.
41:57Because, you know what?
41:59I'm more in love than the first day.
42:01I'm also more in love.
42:03Nervous, but very in love.
42:05A kick?
42:07How can it be a kick? They're gases.
42:09Come on, come here.
42:11You're more stupid.
42:17What's wrong?
42:19What are you looking at?
42:21Nothing. The button.
42:23Did it fall?
42:25The button.
42:27Both buttons.
42:29Is it because of what happened at the gallery
42:31that you saw...
42:33Mrs. Carla.
42:35Yes. Do you think I'm crazy?
42:37How could I think that? Don't be silly.
42:39Antonia, I know it's impossible.
42:41But I swear, it was so real.
42:45A guitar and a flamenco suit.
42:47I'll bring you all that.
42:51Nothing, Clarita. I'm fine with some chestnuts.
42:53Besides, you're not going to bring
42:55such a big suitcase to bring so many things back.
42:57But I don't want to bore her
42:59with my things.
43:01It's just that
43:03I haven't seen her so happy in a long time.
43:05I don't know.
43:07It breaks my heart.
43:09I owed it to her.
43:11I don't know. I think I failed Clarita.
43:13What are you saying? How are you going to fail your sister?
43:15I feel like I haven't helped her
43:17get used to this new situation.
43:19And I feel guilty. I can't help it.
43:21Guilty? But she did everything she could.
43:23And in your situation,
43:25with everything you've been through,
43:27I wouldn't have done it better.
43:29If I had done it better,
43:31Clarita would have been more affectionate with me.
43:35I don't know. I have to go.
43:37Thanks for everything. See you.
43:39Bye.
43:41Bye.
43:43Hey, Clarita.
43:49I have to go.
43:51You go to Petra's house. Do you remember where it is?
43:53Yes, it's that one up there.
43:55Then Iñigo will come to pick you both up.
43:57I'm going to Moderna to do some management,
43:59but I'll do everything I can
44:01to get to the station on time, okay?
44:03But if it weren't possible,
44:07I want to tell you that I'm going to miss you a lot.
44:11Will you give me a kiss?
44:25I'm going to miss you a lot too, Nati.
44:27I'm going to miss you a lot too, Nati.
44:39Thank goodness I got to the station.
44:41I didn't want that train to leave
44:43without saying goodbye to Clarita.
44:45You already said goodbye.
44:47Or at least that's what Clarita told me
44:49when I went to pick her up at La Corrala.
44:51Yeah, but it's not the same.
44:53Besides, I promised her I would do everything
44:55I could to get rid of her.
44:57I know it's hard here at home with you,
44:59but I'm sure she would have liked
45:01to see you there saying goodbye.
45:03You know, being at that age,
45:05sometimes a woman and sometimes a girl.
45:07Well, I'm sure that just putting
45:09one foot on the train
45:11would have made you miss her a lot.
45:13Not even half as much as I miss her,
45:15to be honest.
45:17What's going on?
45:19You're dramatic in the Garcés family,
45:21really.
45:23You're going to be alone.
45:25You're going to be with your aunt and brother.
45:27I'm not going to be alone.
45:29I'm going to be with you.
45:35Do you hear that?
45:37What?
45:39The silence.
45:45I don't know if you know,
45:47Mrs. de Peñalver,
45:49but we're alone at home.
45:51I don't know what you have in mind,
45:53sir, but I remind you that I'm a married woman.
45:55Well, if it's not a problem for you,
45:57it won't be for me either.
46:01Wait for me. I have a surprise for you.
46:21Come on.
46:35Come on, I'll go with you.
46:41Honey, don't you take your things?
46:43No.
46:45I don't need them today.
46:47I'm going to work at La Moderna.
46:51Come on.
46:55Matilde?
47:07Honey,
47:09is something wrong?
47:11I was calling you.
47:15It's Carla.
47:17Carla has been here.
47:21Carla has been here.
47:25Fabio knows what he has to do,
47:27but I can't insist anymore.
47:29What's wrong with me, mother?
47:31Maybe you're being too soft with him.
47:33I'm sorry to disappoint you,
47:35but I've done my best.
47:37From now on,
47:39we'll have to take less correct paths.
47:41Everyone has a price.
47:43Carla has moved my notebook
47:45and left it on the terrace.
47:47Honey, could it have been your sister?
47:49You don't want to believe me.
47:51Carla is dead.
47:53I can't stop thinking what will happen
47:55if they tell her she can't sing again.
47:57I'll get the test results tomorrow.
47:59I'm sure they'll be favorable.
48:01Yes, we all are.
48:03Yes, I think it's great that you're so convinced,
48:05but I don't think anyone understands
48:07what I'm going through.
48:09My God.
48:11No one can stop you, Antonia.
48:13You're going to be my wife.
48:15I'm going to make you happy.
48:17But if you're not a guest,
48:19you don't have any obligation.
48:21I don't know what else.
48:23They're lifelong companions and I appreciate them.
48:25So I insist on participating.
48:27How much is it?
48:29If a miracle doesn't happen, we're out of guests.
48:31What am I going to tell the people
48:33who come from Andalusia to see us?
48:35Pietro, at least don't feed them or give them babies.
48:37For once, I ask you
48:39not to see me as your cleaning lady,
48:41but as an Igua.
48:43Because I'm here
48:45to tell you about Godmother, Godfather.
48:47Amave.
48:49That three days before the wedding,
48:51Antonia and Pietro have nowhere to celebrate it.
48:53But that's terrible.
48:55That's why. What do you think?
48:57Today is the farewell of Antonia and Pietro.
48:59And what are we going to do, shout their protagonism?
49:01Well, it's true, I don't know, you're right.
49:03Well, I'll think of something.
49:05I don't know, I'll tell you one thing.
49:07We're going to do it before your wedding.
49:09Are you sure?
49:11Yes, yes.
49:13Here, here's yours.
49:15I can't wait to see the function.
49:17The critic says it's brilliant.
49:19Why don't you keep them?
49:21Because they are separate locations.
49:23You are in the patio of the butacas.
49:25It's the best entrance I've been able to get.
49:27I'm in the kitchen.
49:29In the kitchen?
49:31I thought
49:33it was about going together.
49:35If I didn't find out that you had just been dating,
49:37I would think you were married.
49:39And how have you been looking at each other for a long time?
49:41What's up?
49:43What's up?
49:45Why are you so nervous?
49:47How did you realize
49:49that Antonia
49:51was something more than a co-worker?
49:53I mean,
49:55how did you know
49:57that what I felt for her
49:59was
50:01love, Don Fermín?
50:03How?
50:05I don't know, it's like someone wants to drive me crazy.
50:07Someone? Who, darling?
50:09Well, Mrs. Carla.
50:11Or rather, her ghost.