Santo en El tesoro de Drácula 1969 Horror/Action
Mexican wrestler El Santo invents a time machine. After somebody uses the machine to find the hidden location of Drácula's treasure, El Santo must hunt down the vampire.
Transcript
00:00:30Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
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00:02:30The experiment is to make the chosen subject,
00:02:33through the decomposition of the atom,
00:02:35be projected through time and space to a previous life.
00:02:38Have you already done the experiment?
00:02:40No.
00:02:42Then it's a theory like any other.
00:02:45A theory that can be a reality.
00:02:47All the studies I've done lead me to be sure of it.
00:02:51And if you're so sure, Saint, why haven't you done it?
00:02:54Because unfortunately I haven't found a suitable subject.
00:02:58In this case,
00:02:59the ideal would be a person of the feminine gender.
00:03:01For many biological reasons.
00:03:03But the main obstacle has always been the fear of the unknown.
00:03:07And is it natural?
00:03:09I would also decline such an honor,
00:03:11because I suppose the experiment can be dangerous, right?
00:03:15Yes.
00:03:15It could be dangerous for the present life of the subject,
00:03:18the fact of reliving a past life.
00:03:21How easy it is to expose a theory like that, right?
00:03:29I understand that what happened today
00:03:31has been a great disappointment for you.
00:03:34That's right, Professor.
00:03:35I trusted in finding help, understanding,
00:03:38and everything was the opposite.
00:03:40I failed, unfortunately.
00:03:42Don't say that.
00:03:43You haven't failed.
00:03:44You have to succeed.
00:03:46A cognac?
00:03:47I prefer coffee.
00:03:49Bring him a coffee, Arsenio.
00:03:51No, thank you.
00:03:52I don't drink.
00:03:53I don't drink.
00:03:54I don't drink.
00:03:55I don't drink.
00:03:56I don't drink.
00:03:57Bring him a coffee, Arsenio.
00:03:59With pleasure, sir.
00:04:00This way, darling.
00:04:06The girl wishes to wish you a good night, sir.
00:04:08I'm going to sleep.
00:04:09See you tomorrow, uncle.
00:04:11See you tomorrow, my love.
00:04:14See you tomorrow, Lisa.
00:04:17See you tomorrow, everyone.
00:04:19See you tomorrow, darling.
00:04:20Rest well, my child.
00:04:22You don't know how grateful I am
00:04:24that you brought Paquita to live with you.
00:04:26She's so sweet and so good.
00:04:28I remember she was very little
00:04:30when her parents were shot by the lamp bullets.
00:04:32You swore to watch over her and you picked her up.
00:04:34Poor thing.
00:04:35Your love has made her very happy.
00:04:37I'm sure you'll be a great mother to Paquita.
00:04:40I hope so.
00:04:43Once she proves I'm right in my experiment,
00:04:46we'll think about our future.
00:04:48Look, Santo.
00:04:49You know that we, as scientists,
00:04:51don't believe in simple theories.
00:04:53We need proof.
00:04:54Proof.
00:04:55Proof.
00:04:56That's what I'd like to teach.
00:04:58But where's the person who can help me
00:05:00prove I'm right?
00:05:05No, no.
00:05:06Don't look at me.
00:05:07I'm your friend,
00:05:08but I don't go to the bull.
00:05:19Hello.
00:05:21Hi.
00:05:38Santo,
00:05:39if I gave you help and hospitality
00:05:41in my house to conduct your experiments,
00:05:43it's because I admire you so much.
00:05:45Your success would be my greatest achievement.
00:05:48my satisfaction. If you want, you can try it with me.
00:05:53No, Professor, I thank you. At your age, the experiment would be doubly dangerous.
00:05:57We could fail, and it would have fatal consequences for you.
00:06:01Then, what kind of subject would be needed?
00:06:05A young person, preferably a woman, since she has four times more resistance than a man,
00:06:10and it would be easier to irradiate her cells over time.
00:06:13To transfer her to a past life?
00:06:16Yes, and to endure the tremendous shock of returning to her current life.
00:06:21Does that mean that by returning the subject to this life,
00:06:24she would continue to remember what she lived before?
00:06:27Exactly, and with that, an incurable mental injury could occur.
00:06:31Saint, could I serve you?
00:06:34What are you saying? Daughter...
00:06:36Could I serve you?
00:06:38No.
00:06:41You have never lied to me, answer me!
00:06:44How do you want me to tell you? I don't know.
00:06:47Nobody better than you knows.
00:06:50Well, yes, yes, I could serve you, but with you I would be the last person with whom I would do it.
00:06:56Why?
00:06:58Haven't you heard that the experiment is very dangerous?
00:07:01I have as much interest as you do in knowing the truth.
00:07:04Let me help you.
00:07:08Be careful that the needle does not exceed 160, it can be dangerous.
00:07:12Is everything ready, Professor?
00:07:14Everything is ready.
00:07:16Coramine, adrenaline, pyrodexin and sulfates.
00:07:31Ready?
00:07:33Ready.
00:07:35Ready?
00:07:37Ready.
00:08:05Ready.
00:08:08Ready.
00:08:11Ready.
00:08:35Ready.
00:08:38Ready.
00:08:41Ready.
00:08:44Ready.
00:08:47Ready.
00:08:50Ready.
00:08:53Ready.
00:08:59Ready.
00:09:02Ready.
00:09:05Ready.
00:09:35Ready.
00:09:38Ready.
00:09:41Ready.
00:09:44Ready.
00:09:47Ready.
00:09:50Ready.
00:09:53I am Professor Van Root.
00:09:56Come in, the gentleman is waiting for you.
00:10:06My dear Van Root.
00:10:08Professor Soler.
00:10:10I will never be able to pay you for this.
00:10:12Even if it was another patient who was not your daughter, I would have come.
00:10:16I will never forget that on certain occasions you did me a great favor.
00:10:20Let's not talk about that. A cognac.
00:10:22Thank you.
00:10:27Thank you.
00:10:30Thank you.
00:10:38Van Root, I am extremely worried.
00:10:41As I told you in my letter, my daughter has the same symptoms that her friend Mara and several girls from the locality died.
00:10:48Tell me about Mara.
00:10:50She was here on a visit when she fell ill.
00:10:53She was getting weak.
00:10:55It was ending day by day.
00:10:58And did they do any transfusion?
00:11:00Yes, three.
00:11:02And the effect?
00:11:03Better every time it was put on her.
00:11:05But the next morning she was pale and weak again.
00:11:09Ten days ago we found her in a basement from which no one could lift her and she died.
00:11:15And the other symptoms?
00:11:18None.
00:11:19Just two marks on the throat.
00:11:22Those are precisely the ones that made me come.
00:11:26How were they?
00:11:28Two small white circles with a red dot in the center.
00:11:33What is that?
00:11:35It looks like a bat.
00:11:50What kind of herb is that that made the animal flee?
00:11:53Muerdago.
00:11:55It's a herb that grows in Transylvania.
00:11:57Vampires can't stand its smell.
00:12:06Dear daughter.
00:12:10This is my old friend, Professor Van Rot.
00:12:14You don't remember the old Professor Van Rot, but I did know you when you were very young.
00:12:20Now she's become a funny and beautiful woman, but a little pale.
00:12:26But we'll make her cheeks pink again.
00:12:32Excuse me.
00:12:35Tell me.
00:12:37The first thing you felt from this illness was weakness?
00:12:41Two nights after the poor Mara's death, I had a horrible nightmare.
00:12:47Tell me.
00:12:51I remember the dogs started barking before I fell asleep.
00:12:56And it seemed like a thick fog was covering the room.
00:13:00The next morning I woke up sad and very weak.
00:13:05And you haven't had more dreams like this?
00:13:09Almost every night it seems like that fog is coming.
00:13:13The pale face and those red eyes.
00:13:16We've transfused her twice.
00:13:19And every time we did it, she regained her strength.
00:13:22And since when does she have those marks on her throat?
00:13:26Since that morning.
00:13:28Let me see them.
00:13:29No, no.
00:13:30I beg you to let me see them.
00:13:32It's very simple. Please.
00:13:43Good night.
00:14:03Good night, Count.
00:14:05Gentlemen.
00:14:07Miss.
00:14:09It seems that tonight you are better.
00:14:12That's right, Count.
00:14:14Especially now that this old friend of my father has come to cure me.
00:14:19Count Alucard.
00:14:21Professor Van Raam.
00:14:24A distinguished man of science whose name is known worldwide.
00:14:29But am I interrupting the consultation?
00:14:32Oh no, not at all, Count.
00:14:34We are very grateful that you have come.
00:14:36I am always delighted to see you.
00:14:38Your visits do me a lot of good.
00:14:41It would be good if you went to rest while I speak to your father.
00:14:45Thank you.
00:14:47The young lady will accompany me.
00:14:49Excuse me.
00:15:12The Count, like me, is a foreigner in this country, isn't he?
00:15:18And do you plan to stay here for a long time?
00:15:21That's what I'm trying to do, my friend.
00:15:24I suppose you haven't regretted acquiring that house in ruins.
00:15:29It's not a ruin.
00:15:31There was a lot of dust.
00:15:33But we are already used to the dust in my country.
00:15:38But you must be eager to consult the famous scientist.
00:15:42With your permission, I will leave.
00:15:45But I will return to find out if I can be useful to you in something.
00:15:57It's a kindness of the Count.
00:15:59But let's talk about my daughter.
00:16:01Good.
00:16:02Without a doubt, you have heard of the legend of Central Europe
00:16:05which deals with vampires.
00:16:07Do you mean those ghosts that suck the blood of the living?
00:16:12You can call them ghosts.
00:16:15I prefer to call them the undead.
00:16:20The vampire attacks in the throat
00:16:23and leaves two circles with a red dot in the center.
00:16:27Like the ones Luisa has?
00:16:29Yes.
00:16:30You had them too, Mara.
00:16:32And I can assure you that the girls who have disappeared
00:16:36have them too.
00:16:51King and lord of the darkness.
00:16:54I have here two new priestesses
00:16:57who will enter your infernal court.
00:17:00To the legion of the living dead.
00:17:05To the legion of the living dead.
00:17:35To the legion of the living dead.
00:18:05To the legion of the living dead.
00:18:35To the legion of the living dead.
00:18:38To the legion of the living dead.
00:19:03Now you are immortal like us.
00:19:06Get up.
00:19:13And you too.
00:19:15Get up.
00:19:35The mark that distinguishes us from the mortals.
00:19:38Are you willing to receive it?
00:19:41Yes, master.
00:19:45Yes, master.
00:20:15The mark that distinguishes us from the mortals.
00:20:18Are you willing to receive it?
00:20:21Yes, master.
00:20:23Yes, master.
00:20:45Yes, master.
00:21:03Now go and crush your vampire seeds with human blood.
00:21:07As we all must do.
00:21:10Those of us who are trapped in a strange bridge
00:21:14between the end of life and the beginning of death.
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00:30:35From now on, you will have no more thoughts than mine.
00:30:39And when you wake up, you will remember nothing of what I tell you.
00:30:44Yes, I love you.
00:30:47What did Professor Bancroft order you to do?
00:30:50That you take care of my mother every night.
00:30:54I will destroy that man.
00:30:58Whatever he sends you, I will transmit it to you.
00:31:02And you will obey immediately.
00:31:33This is where Mara is buried.
00:31:36Hurry up.
00:31:37The sun will set soon.
00:34:33We have fulfilled our duty by saving the soul of poor Mara.
00:34:38In any case, it has been a very painful task.
00:34:43Let's see how your daughter is.
00:34:48Luisa is not in her bed.
00:34:50Lupe, where is Luisa?
00:34:52She is in a hypnotic state.
00:34:55Come on.
00:34:57When I count to three, you will wake up.
00:35:01One, two, three.
00:35:07Wake up.
00:35:09Lupe, where is Luisa?
00:35:12I don't know, sir.
00:35:14All I remember is that she was sleeping on this sofa.
00:35:19The vampire has taken her.
00:35:21We have to act quickly.
00:35:23But how will we find her hideout?
00:35:25This afternoon I asked a shepherd to get a wolf dog.
00:35:28These animals follow the trail of the vampires.
00:35:31I pray to God that he has found him.
00:35:40I have chosen you for my companion for all eternity.
00:35:45Help!
00:35:56Where will the father take her?
00:35:59Which father?
00:36:00The vampire.
00:36:01To his...
00:36:02Shut up, fool. You confused me.
00:36:04To his hideout.
00:36:14To his hideout.
00:36:21My dear grandmother, these jewels are not fake, are they?
00:36:31In addition to offering you eternal life,
00:36:34I will make you part of an immense wealth.
00:36:38This is the fabulous treasure that my ancestors left in my custody.
00:36:42From Transylvania I carried it in those coffins covered with earth.
00:36:46Only you, who are my companion, have placed your sight on it.
00:36:51No mortal knows, nor will ever know,
00:36:54that the place where it is now
00:36:57is engraved in Serbian characters on my medallion and on my ring.
00:37:01Now we have to rest.
00:37:04The light of our enemy will soon appear,
00:37:07and if its rays surprised us,
00:37:10its effect would be deadly for us.
00:37:14We will go to my hideout,
00:37:16which is in a distant pantheon.
00:37:21When I bit your flesh, my fangs inoculated you,
00:37:24and now you are part of the undead, and you can fly.
00:37:29Follow me.
00:38:04Follow me.
00:38:34Follow me.
00:38:51This will be your deathbed.
00:38:54Come.
00:38:56The dawn is drawing near,
00:38:59and we must take refuge in the kingdom of darkness.
00:39:04Come.
00:39:12Enter.
00:39:34Enter.
00:39:44We found him, Professor.
00:40:01Luisa! Luisa!
00:40:03It is useless to call her, Professor.
00:40:06Now she is dead.
00:40:11What are you going to do with my daughter?
00:40:14Are you going to kill her?
00:40:16If I kill her, I won't be able to bring her back to this life.
00:40:19We don't have much time.
00:40:26Unfortunately, Luisa no longer has salvation in this life,
00:40:30because the vampire bit her three times.
00:41:00No!
00:41:02No!
00:41:04No!
00:41:29Santo, the pressure!
00:41:31A man!
00:41:33It doesn't matter now.
00:41:35Soon, Coramina, Professor.
00:41:37Yes, right away.
00:41:39You can't feel your pulse anymore.
00:41:41It's going away!
00:41:43What's wrong?
00:41:45I don't know.
00:41:47Everything is going around me.
00:41:49This has been too much for me.
00:41:51I...
00:41:57What a terrible experience it has been.
00:42:00Calm down.
00:42:02Now rest.
00:42:12How is she?
00:42:14Very nervous.
00:42:16But the tranquilizer worked.
00:42:18Everything went well.
00:42:20She has been very brave.
00:42:22And Perico?
00:42:24I left him resting in the room upstairs.
00:42:26He doesn't seem to be very nervous, does he?
00:42:28What do you think of all this, Professor?
00:42:30It's absolutely amazing.
00:42:32It can lead us to investigations never done before.
00:42:35It's the invention of the century.
00:42:37One moment, Professor.
00:42:39In the heat of the experiment, we have forgotten one thing.
00:42:42Who would be the strange black hooded man who entered the lab?
00:42:50How are you, Dad?
00:42:52Atlas, I have witnessed an incredible experiment.
00:42:55Something so extraordinary that if I told you, you wouldn't believe me.
00:42:58I believe everything you say, Dad.
00:43:00Later, I will tell you about my adventure.
00:43:02Come with me.
00:43:03We have to give orders to our men.
00:43:13Boss!
00:43:17Listen to my orders.
00:43:19From now on, you will watch Dr. Sepúlveda's house.
00:43:23Interfere with his telephone lines and I want you to set up TV cameras.
00:43:27We are on a matter that can bring us great benefits.
00:43:31And remember, I don't want any guns.
00:43:35The life of the saint and his friends must be sacred for all of you.
00:43:40That's all.
00:43:42Hey, Dandy.
00:43:44What is the boss up to now?
00:43:46I don't know, Raton.
00:43:47But it must be something important.
00:43:49As always.
00:43:51Well, what I don't like is that the saint is involved in this matter.
00:43:54Are you afraid of him?
00:43:55Afraid?
00:43:56No.
00:43:57Fear.
00:43:58Cowards!
00:44:00Professor!
00:44:01The definitive proof is in the vampire's coffin.
00:44:04No!
00:44:05You don't know what you're saying.
00:44:07Let the damned dead sleep in peace.
00:44:11You don't understand that my interest is only scientific.
00:44:14Now that I'm about to prove my theory, you're going to leave me alone.
00:44:18We need your help.
00:44:19Only you, who traveled the path in another time, can lead us to the place.
00:44:27I hope we don't have to regret what happened tonight.
00:44:31Only with your help can we get to the bottom of this matter.
00:44:34A truth that can be terrible, Saint.
00:44:41Get out.
00:44:42No.
00:44:43Are you afraid?
00:44:44Yes, very.
00:44:45Aren't you a man?
00:44:46Raton.
00:44:47Come on, get out.
00:44:49We have to go very carefully.
00:44:51Come on, walk.
00:45:21Mamacita!
00:45:22What's wrong?
00:45:23There was the Lord of the mother, of the mother.
00:45:26Don't be a liar, Perico.
00:45:28There's no one there.
00:45:30I swear on my children that I saw him standing there.
00:45:33But you don't have children.
00:45:35Well, the ones I'm going to have.
00:45:37Let's go, Saint.
00:45:38Here we go.
00:45:39Shut up, Perico.
00:45:40Good.
00:45:41Now the important thing is that Luisa remembers which is the crypt that leads to the tomb.
00:45:47Good.
00:45:48Now the important thing is that Luisa remembers which is the crypt that leads to the tomb.
00:45:52Can you do it?
00:45:54I'll try.
00:45:55Let's go.
00:45:56If we come tomorrow...
00:45:57Shut up, Perico.
00:45:58Walk.
00:45:59Light me up.
00:46:12This is the crypt.
00:46:13Are you sure?
00:46:14Yes.
00:46:16Perico, go to the cart and bring the shovels and the pickaxes.
00:46:18The pickaxes and the pickaxes?
00:46:20The shovels and the pickaxes.
00:46:22Me alone?
00:46:23Sure, go.
00:46:24Let's go, right?
00:46:25Run, don't be a clown.
00:46:26No, it's that...
00:46:27It's that the Lord of the...
00:46:28Come on, run, you're wasting time.
00:46:47Let's go.
00:46:49Let's go.
00:47:13Let's see who's in charge again, because I'm leaving.
00:47:17Now, what's wrong with you?
00:47:19I know you're not going to believe me, but out there I saw the Lord of the Mother, of the Mother.
00:47:25Again?
00:47:26I'm just telling you that if I haven't brought my belt, my pants will fall off.
00:47:33Are we going in?
00:47:34Sure.
00:47:35No, I'd better stay out here and take care of the lock so they don't steal it, because as it's old, it's very interesting, right?
00:47:41No, you're coming with us.
00:47:44Don't kill me, I'm weak, you're abusing me.
00:47:47Look, to make you feel safer, have this whistle.
00:47:51If you're in danger, just whistle and we'll come to your aid.
00:48:13I remember there was a door here.
00:48:15Are you sure?
00:48:16Yes.
00:48:17Light it up.
00:48:43WHISTLE BLOWS
00:49:13WHISTLE BLOWS
00:49:43WHISTLE BLOWS
00:50:13WHISTLE BLOWS
00:50:43MUSIC PLAYS
00:51:02WHISTLE BLOWS
00:51:05What happened?
00:51:08Did you hear that? What was that noise?
00:51:13WHISTLE BLOWS
00:51:27WHISTLE BLOWS
00:51:33WHISTLE BLOWS
00:51:37WHISTLE BLOWS
00:51:43WHISTLE BLOWS
00:51:50SCREAMS
00:52:13MUSIC PLAYS
00:52:44MUSIC STOPS
00:52:50Let's go.
00:52:56Santo, are you okay?
00:52:57Are you hurt?
00:52:58No, I'm fine.
00:52:59And you?
00:53:00Sit down.
00:53:01Congratulations, Perico, you fought bravely.
00:53:04That's how I am.
00:53:05I'm fierce like a lion when I'm provoked.
00:53:07I didn't even remember the silhouette.
00:53:09That's how I like it, Perico.
00:53:11LAUGHS
00:53:12What's wrong with you?
00:53:13I swallowed...
00:53:15LAUGHS
00:53:16...the whistle.
00:53:17LAUGHS
00:53:18But, man, who would have thought?
00:53:20You were...
00:53:21LAUGHS
00:53:22...to blame.
00:53:23LAUGHS
00:53:24You hit me.
00:53:25LAUGHS
00:53:26What are you talking about?
00:53:27LAUGHS
00:53:28And now...
00:53:29LAUGHS
00:53:30What do I do?
00:53:31That's very easy, look.
00:53:32LAUGHS
00:53:33Oh, no, leave him.
00:53:35LAUGHS
00:53:36LAUGHS
00:53:37LAUGHS
00:53:38Well, now we know that the Black Hood is interested in us,
00:53:41so we can find him here.
00:53:43Surely.
00:53:47Well, let's continue with our work.
00:53:55We'll meet in the barracks, you know that.
00:53:57But, boss, we can kill them if you let us use the guns.
00:54:00No way.
00:54:01We already know what we wanted to know.
00:54:03From now on, we'll wait for the Saint to find what we're looking for.
00:54:06Let's go.
00:54:09THUD
00:54:12THUD
00:54:14THUD
00:54:20We're going to know the truth.
00:54:23Count Dracula, the vampire king.
00:54:28What are you doing, Perico?
00:54:29You look like my uncle.
00:54:32Don't be an idiot, get up.
00:54:35No, Saint, don't do it.
00:54:38Let's go, please.
00:54:47Come on, Perico.
00:54:48He's just like you.
00:54:53Oh, I'm glad we're out of here, but let's go.
00:54:56I'm afraid of what could happen.
00:54:58Don't worry, Luisa, it's all over.
00:55:00You're wrong.
00:55:01This is the beginning of a chain of misfortune.
00:55:03Let me close it.
00:55:18Now I'll spend my time studying the words engraved in Serbian on the medallion.
00:55:22They indicate the exact place where the vampire kept his treasure.
00:55:26You're missing something very important, Saint.
00:55:28With the excitement of the discovery,
00:55:30With the excitement of the discovery,
00:55:32we forgot the ring.
00:55:33Oh, it's true.
00:55:36The two objects complement each other.
00:55:38Without it, we'll never be able to decipher the words.
00:55:42How could I forget that?
00:55:44I'll come back for the ring.
00:55:47Saint, I beg you, please.
00:55:49Forget everything and return the medallion to its place.
00:55:53What are you saying?
00:55:54I can't fix it.
00:55:56I have the impression that something horrible is going to happen
00:55:59from the day we enter the tomb.
00:56:02I'm afraid, Saint.
00:56:04We shouldn't touch those objects.
00:56:06People shouldn't mix with things they don't understand.
00:56:10However, I must continue for two reasons.
00:56:12To show the wise men who mocked my experiment that I was right.
00:56:17And we'll find the famous vampire's treasure,
00:56:20which will help the needy.
00:56:26THE VAMPIRE'S TREASURE
00:56:44Good morning, how are you?
00:56:46Today...
00:56:53Were you calling?
00:56:54I've decided that tonight we'll go for the vampire's ring.
00:56:57Who?
00:56:58You, Dr. Sepulveda, and me.
00:57:00Oh, no, no.
00:57:01You two will go.
00:57:02Because you won't take me to the cemetery, not even when I die.
00:57:05Look, you two better go.
00:57:06I'll take care of the house and take care of the girl.
00:57:08Yes?
00:57:09No, sir, you'll come with us, understood?
00:57:11Well, yes, for the good.
00:57:13Good.
00:57:14We'll pretext anything to Luisa.
00:57:16And we'll go to the cemetery around midnight.
00:57:24THE VAMPIRE'S TREASURE
00:57:32The ring has disappeared.
00:57:34The only one who followed us here was the black hooded man.
00:57:37Are you sure he was the one who stole it?
00:57:39You're very smart.
00:57:40Congratulations.
00:57:41Idiot!
00:57:45Wait for me!
00:57:54THE VAMPIRE'S TREASURE
00:58:03Freeze!
00:58:04Freeze, all of you!
00:58:05Freeze!
00:58:08Santo, don't force me to kill him.
00:58:11Santo, I want to make a deal.
00:58:14You have the medallion and I have the vampire's ring.
00:58:17What do you think if we put the two objects together and decipher the Serbian words?
00:58:21And then?
00:58:23We'll share the treasure equally, what do you think?
00:58:26No way.
00:58:27You'd use that fortune for perverse purposes.
00:58:30Is that your last word?
00:58:31Yes.
00:58:32Santo.
00:58:34I've respected your life because it was useful to me for my plans.
00:58:38But since you refuse to cooperate, you don't have to live on, nor do you nor your friends.
00:58:42One moment.
00:58:44Killing us all won't get you the medallion.
00:58:48Besides, we're also interested in possessing the ring.
00:58:52I've realized that the young man is a great fighter.
00:58:56What do you think if Santo faces him and the possession of the two objects is decided?
00:59:01I think it's a great idea.
00:59:03Are you ready, son?
00:59:05Good.
00:59:06The fight will take place in 15 days in front of the public.
00:59:10Good.
00:59:11At the end of the fight, the winner will be handed over the object.
00:59:15Let's go.
00:59:22That was awful, wasn't it?
00:59:26Forgive me, Santo.
00:59:27But it was the only idea I could think of to save us.
00:59:30You did well, Doctor.
00:59:31But who can assure us that this man won't fight dirty and will fulfill his promise?
00:59:36That man is very cunning.
00:59:38We must use his means.
00:59:40We'll think of a plan.
00:59:42And at the end of the fight, we'll catch him.
00:59:45Don't worry.
00:59:47Look, Santo.
00:59:48The perfect grip is like this.
00:59:53See?
00:59:54Now, don't lift it from the hair, because that's rough for a fighter of your category.
00:59:58But you can hold it like this.
01:00:02If, for example, you see that it stays, don't lift it up from the ears,
01:00:05because that's an unnecessary roughness.
01:00:07You hold it, and when you're ready, you grab it.
01:00:10You see how easy it is?
01:00:11You're very kind, helping me train.
01:00:13Come, let's go to my dressing room.
01:00:15I want to talk to you about something that interests me.
01:00:23Why is he laughing?
01:00:26If he's fighting, let him in.
01:00:30I'm going in.
01:00:31I'm going in.
01:00:32I'm going in.
01:00:33I'm going in.
01:00:34I'm going in.
01:00:35I'm going in.
01:00:36I'm going in.
01:00:37I'm going in.
01:00:38I'm going in.
01:00:39I'm going in.
01:00:40I'm going in.
01:00:41I'm going in.
01:00:47What did you want to tell me?
01:00:49Look, X.
01:00:50I'm in a dangerous situation, and maybe one day I'll need your help.
01:00:54You can count on her unconditionally.
01:00:57And with all her fighting friends.
01:01:00Look, always carry this radio or receiver.
01:01:03If one day I'm in danger and I want to communicate with you, I'll do it through my radio watch.
01:01:09Okay.
01:01:29Thank you.
01:01:59I'm going in.
01:02:00I'm going in.
01:02:01I'm going in.
01:02:02I'm going in.
01:02:03I'm going in.
01:02:04I'm going in.
01:02:05I'm going in.
01:02:06I'm going in.
01:02:07I'm going in.
01:02:08I'm going in.
01:02:09I'm going in.
01:02:10I'm going in.
01:02:11I'm going in.
01:02:12I'm going in.
01:02:13I'm going in.
01:02:14I'm going in.
01:02:15I'm going in.
01:02:16I'm going in.
01:02:17I'm going in.
01:02:18I'm going in.
01:02:19I'm going in.
01:02:20I'm going in.
01:02:21I'm going in.
01:02:22I'm going in.
01:02:23I'm going in.
01:02:24I'm going in.
01:02:25I'm going in.
01:02:26I'm going in.
01:02:27I'm going in.
01:02:28I'm going in.
01:02:29I'm going in.
01:02:30I'm going in.
01:02:31I'm going in.
01:02:32I'm going in.
01:02:33I'm going in.
01:02:34I'm going in.
01:02:35I'm going in.
01:02:36I'm going in.
01:02:37I'm going in.
01:02:38I'm going in.
01:02:39I'm going in.
01:02:40I'm going in.
01:02:41I'm going in.
01:02:42I'm going in.
01:02:43I'm going in.
01:02:44I'm going in.
01:02:45I'm going in.
01:02:46I'm going in.
01:02:47I'm going in.
01:02:48I'm going in.
01:02:49I'm going in.
01:02:50I'm going in.
01:02:51I'm going in.
01:02:52I'm going in.
01:02:53I'm going in.
01:02:54I'm going in.
01:02:55I'm going in.
01:02:56I'm going in.
01:02:57I'm going in.
01:02:58I'm going in.
01:02:59I'm going in.
01:03:00I'm going in.
01:03:01I'm going in.
01:03:02I'm going in.
01:03:03I'm going in.
01:03:04I'm going in.
01:03:05I'm going in.
01:03:06I'm going in.
01:03:07I'm going in.
01:03:08I'm going in.
01:03:09I'm going in.
01:03:10I'm going in.
01:03:11I'm going in.
01:03:12I'm going in.
01:03:13I'm going in.
01:03:14I'm going in.
01:03:15I'm going in.
01:03:16I'm going in.
01:03:17I'm going in.
01:03:18I'm going in.
01:03:19I'm going in.
01:03:20I'm going in.
01:03:21I'm going in.
01:03:22I'm going in.
01:03:23I'm going in.
01:03:24I'm going in.
01:03:25I'm going in.
01:03:26I'm going in.
01:03:27I'm going in.
01:03:28I'm going in.
01:03:29I'm going in.
01:03:30I'm going in.
01:03:31I'm going in.
01:03:32I'm going in.
01:03:33I'm going in.
01:03:34I'm going in.
01:03:35I'm going in.
01:03:36I'm going in.
01:03:37I'm going in.
01:03:38I'm going in.
01:03:39I'm going in.
01:03:40I'm going in.
01:03:41I'm going in.
01:03:42I'm going in.
01:03:43I'm going in.
01:03:44I'm going in.
01:03:45I'm going in.
01:03:46I'm going in.
01:03:47I'm going in.
01:03:48I'm going in.
01:03:49I'm going in.
01:03:50I'm going in.
01:03:51I'm going in.
01:03:52I'm going in.
01:03:53I'm going in.
01:03:54I'm going in.
01:03:55I'm going in.
01:03:56I'm going in.
01:03:57I'm going in.
01:03:58I'm going in.
01:03:59I'm going in.
01:04:00I'm going in.
01:04:01I'm going in.
01:04:02I'm going in.
01:04:03I'm going in.
01:04:04I'm going in.
01:04:05I'm going in.
01:04:06I'm going in.
01:04:07I'm going in.
01:04:08I'm going in.
01:04:09I'm going in.
01:04:10I'm going in.
01:04:11I'm going in.
01:04:12I'm going in.
01:04:13I'm going in.
01:04:14I'm going in.
01:04:15I'm going in.
01:04:16I'm going in.
01:04:17I'm going in.
01:04:18I'm going in.
01:04:19I'm going in.
01:04:20I'm going in.
01:04:21I'm going in.
01:04:22I'm going in.
01:04:23I'm going in.
01:04:24I'm going in.
01:04:25I'm going in.
01:04:26I'm going in.
01:04:27I'm going in.
01:04:28I'm going in.
01:04:29I'm going in.
01:04:30I'm going in.
01:04:31I'm going in.
01:04:32I'm going in.
01:04:33I'm going in.
01:04:34I'm going in.
01:04:35I'm going in.
01:04:36I'm going in.
01:04:37I'm going in.
01:04:38I'm going in.
01:04:39I'm going in.
01:04:40I'm going in.
01:04:41I'm going in.
01:04:42I'm going in.
01:04:43I'm going in.
01:04:44I'm going in.
01:04:45I'm going in.
01:04:46I'm going in.
01:04:47I'm going in.
01:04:48I'm going in.
01:04:49I'm going in.
01:04:50I'm going in.
01:04:51I'm going in.
01:04:52I'm going in.
01:04:53I'm going in.
01:04:54I'm going in.
01:04:55I'm going in.
01:04:56I'm going in.
01:04:57I'm going in.
01:04:58I'm going in.
01:04:59I'm going in.
01:05:00I'm going in.
01:05:01I'm going in.
01:05:02I'm going in.
01:05:03I'm going in.
01:05:04I'm going in.
01:05:05I'm going in.
01:05:06I'm going in.
01:05:07I'm going in.
01:05:08I'm going in.
01:05:09I'm going in.
01:05:10I'm going in.
01:05:11I'm going in.
01:05:12I'm going in.
01:05:13I'm going in.
01:05:14I'm going in.
01:05:15I'm going in.
01:05:16I'm going in.
01:05:17I'm going in.
01:05:18I'm going in.
01:05:19I'm going in.
01:05:20I'm going in.
01:05:21I'm going in.
01:05:22I'm going in.
01:05:23I'm going in.
01:05:24I'm going in.
01:05:25I'm going in.
01:05:26I'm going in.
01:05:27I'm going in.
01:05:28I'm going in.
01:05:29I'm going in.
01:05:30I'm going in.
01:05:31I'm going in.
01:05:32I'm going in.
01:05:33I'm going in.
01:05:34I'm going in.
01:05:35I'm going in.
01:05:36I'm going in.
01:05:37I'm going in.
01:05:38I'm going in.
01:05:39I'm going in.
01:05:40I'm going in.
01:05:41I'm going in.
01:05:42I'm going in.
01:05:43I'm going in.
01:05:44I'm going in.
01:05:45I'm going in.
01:05:46I'm going in.
01:05:47I'm going in.
01:05:48I'm going in.
01:05:49I'm going in.
01:05:50I'm going in.
01:05:51I'm going in.
01:05:52I'm going in.
01:05:53I'm going in.
01:05:54I'm going in.
01:05:55I'm going in.
01:05:56I'm going in.
01:05:57I'm going in.
01:05:58I'm going in.
01:05:59I'm going in.
01:06:00I'm going in.
01:06:01I'm going in.
01:06:02I'm going in.
01:06:03I'm going in.
01:06:04I'm going in.
01:06:05I'm going in.
01:06:06I'm going in.
01:06:07I'm going in.
01:06:08I'm going in.
01:06:09I'm going in.
01:06:10I'm going in.
01:06:11I'm going in.
01:06:12I'm going in.
01:06:13I'm going in.
01:06:14I'm going in.
01:06:15I'm going in.
01:06:16I'm going in.
01:06:17I'm going in.
01:06:18I'm going in.
01:06:19I'm going in.
01:06:20I'm going in.
01:06:21I'm going in.
01:06:22I'm going in.
01:06:23I'm going in.
01:06:24I'm going in.
01:06:25I'm going in.
01:06:26I'm going in.
01:06:27I'm going in.
01:06:28I'm going in.
01:06:29I'm going in.
01:06:30I'm going in.
01:06:31I'm going in.
01:06:32I'm going in.
01:06:33I'm going in.
01:06:34I'm going in.
01:06:35I'm going in.
01:06:36I'm going in.
01:06:37I'm going in.
01:06:38I'm going in.
01:06:39I'm going in.
01:06:40I'm going in.
01:06:41I'm going in.
01:06:42I'm going in.
01:06:43I'm going in.
01:06:44I'm going in.
01:06:45I'm going in.
01:06:46I'm going in.
01:06:47I'm going in.
01:06:48I'm going in.
01:06:49I'm going in.
01:06:50I'm going in.
01:06:51I'm going in.
01:06:52I'm going in.
01:06:53I'm going in.
01:06:54I'm going in.
01:06:55I'm going in.
01:06:56I'm going in.
01:06:57I'm going in.
01:06:58I'm going in.
01:06:59I'm going in.
01:07:00I'm going in.
01:07:01I'm going in.
01:07:02I'm going in.
01:07:03I'm going in.
01:07:04I'm going in.
01:07:05I'm going in.
01:07:06I'm going in.
01:07:07I'm going in.
01:07:08I'm going in.
01:07:09I'm going in.
01:07:10I'm going in.
01:07:11I'm going in.
01:07:12I'm going in.
01:07:13I'm going in.
01:07:14I'm going in.
01:07:15I'm going in.
01:07:16I'm going in.
01:07:17I'm going in.
01:07:18I'm going in.
01:07:19I'm going in.
01:07:20I'm going in.
01:07:21I'm going in.
01:07:22I'm going in.
01:07:23I'm going in.
01:07:24I'm going in.
01:07:25I'm going in.
01:07:26I'm going in.
01:07:27I'm going in.
01:07:28I'm going in.
01:07:29I'm going in.
01:07:30I'm going in.
01:07:31I'm going in.
01:07:32I'm going in.
01:07:33I'm going in.
01:07:34I'm going in.
01:07:35I'm going in.
01:07:36I'm going in.
01:07:37I'm going in.
01:07:38I'm going in.
01:07:39I'm going in.
01:07:40I'm going in.
01:07:41I'm going in.
01:07:42I'm going in.
01:07:43I'm going in.
01:07:44I'm going in.
01:07:45I'm going in.
01:07:46I'm going in.
01:07:47I'm going in.
01:07:52I'm going in.
01:08:08I think there's nothing else to add.
01:08:10If you'll excuse me.
01:08:12Wait!
01:08:13I must tell you that I won't stop until I hand you over to justice.
01:08:16If I don't do it now, it's because of the deal we made.
01:08:19And I respect my word.
01:08:21I didn't expect less from a man like you, Santo.
01:08:24Good night.
01:08:29Before I take a step, I always take my precautions.
01:08:32Look.
01:08:34I took a photocopy of the microscope.
01:08:36I took a photocopy of the microscope of the ring and soon we'll have the medallion.
01:08:42Those poor delusions.
01:08:44They think they've won the game and don't know the terrible plan I have for them.
01:08:58What's up, Elsa?
01:08:59I'm waiting for you to go to the garden.
01:09:01Right now I'm going to pick you up, Paquita.
01:09:04What a beautiful medallion. Is it yours?
01:09:06No, it's your Uncle Santo's.
01:09:08Shall we play with it?
01:09:09No, children shouldn't play with this.
01:09:12I like it.
01:09:13Yes, it looks nice, but you shouldn't touch it.
01:09:18Why?
01:09:19Because it was made by very bad people.
01:09:23We're going to cut off his head.
01:09:25He'll come back to life and he'll kill whoever has his medallion and his ring.
01:09:29That is, Santo and his friends.
01:09:31Cut off his head.
01:09:32Me, boss?
01:09:33Yes, you. Don't you think you're very brave?
01:09:35No, boss.
01:09:36Coward, get out!
01:09:52Let's go!
01:11:22No!
01:11:52Let's go!
01:12:22Let's go!
01:12:52No!
01:13:22Santo!
01:13:52No!
01:14:22No!
01:14:23Santo!
01:14:24Santo!
01:14:25Santo!
01:14:26Santo!
01:14:27Santo!
01:14:28Santo!
01:14:29Santo!
01:14:30Santo!
01:14:31Santo!
01:14:32Santo!
01:14:33Santo!
01:14:34Santo!
01:14:35Santo!
01:14:36Santo!
01:14:37Santo!
01:14:38Santo!
01:14:39Santo!
01:14:40Santo!
01:14:41Santo!
01:14:42Santo!
01:14:43Santo!
01:14:44Santo!
01:14:45Santo!
01:14:46Santo!
01:14:47Santo!
01:14:48Santo!
01:14:49Santo!
01:14:50Santo!
01:14:51Santo!
01:14:52Santo!
01:14:53Santo!
01:14:54Santo!
01:14:55Santo!
01:14:56Santo!
01:14:57Santo!
01:14:58Santo!
01:14:59Santo!
01:15:00Santo!
01:15:01Santo!
01:15:02Santo!
01:15:03Santo!
01:15:04Santo!
01:15:05Santo!
01:15:06Santo!
01:15:07Santo!
01:15:08Santo!
01:15:09Santo!
01:15:10Santo!
01:15:11Santo!
01:15:12Santo!
01:15:13Santo!
01:15:14Santo!
01:15:15Santo!
01:15:16Santo!
01:15:17Santo!
01:15:18Santo!
01:15:19Santo!
01:15:20Santo!
01:15:21Santo!
01:15:22Santo!
01:15:23Santo!
01:15:24Santo!
01:15:25Santo!
01:15:26Santo!
01:15:27Santo!
01:15:28Santo!
01:15:29Santo!
01:15:30Santo!
01:15:31Santo!
01:15:32Santo!
01:15:33Santo!
01:15:34Santo!
01:15:35Santo!
01:15:36Santo!
01:15:37Santo!
01:15:38Santo!
01:15:39Santo!
01:15:40Santo!
01:15:41Santo!
01:15:42Santo!
01:15:43Santo!
01:15:44Santo!
01:15:45Santo!
01:15:46Santo!
01:15:47Santo!
01:15:48Santo!
01:15:49I'll go with you to find out what happened, and hopefully we'll find Santo and his dead friends.
01:15:54If that's the case, I know how to kill the vampire and take the objects from him.
01:15:59I'll fly to Transylvania with them to get the Serbian words translated.
01:16:03And that's how we'll take possession of the treasure. Let's go!
01:16:19Hide!
01:16:49Jose, Jose, what happened to you?
01:17:16A man...
01:17:18A man...
01:17:20Who was dressed in a strange way...
01:17:23With a medallion on his chest...
01:17:26He took Miss Luisa...
01:17:30Professor! Perico!
01:17:34Santo calling to X. Santo calling to X.
01:17:38These are my instructions.
01:17:47I'm sure they have the medallion and the ring. Come, let's go get them.
01:18:10Enmascarado Negro calling. Enmascarado Negro calling.
01:18:15Hello, this is Dandy. Go ahead.
01:18:17Dandy, come with me. We have to block Santo's car.
01:18:21Understood, boss. Out.
01:18:44Sigue los.
01:19:13Sigue los.
01:19:42Sigue los.
01:20:09Santo, are you alright?
01:20:15Now we'll know who Enmascarado Negro is.
01:20:21Doctor Kool.
01:20:23Officer, this man belongs to you.
01:20:25We'll go to the headquarters later to present an accusation against him.
01:20:30Come on, we've already lost a lot of time.
01:20:32Come on, let's go.
01:20:34Let me see, let me see.
01:20:35No, no, Perico, vámonos, ya es tarde.
01:20:51Hace años manos enemigas detuvieron nuestra inmortalidad.
01:20:55Pero hemos vuelto.
01:20:57Mira, aquí tienes a Mara, tu querida amiga.
01:21:02Yo le arranqué la estaca que tenía clavada.
01:21:07Y aquí está tu corte de vampiras.
01:21:09Al faltarles mi poder vital que les inyectaba el soplo de la vida.
01:21:13Reposaron durante estos años en la nebulosa oscuridad que los humanos llaman muerte.
01:21:20Ahora juntos de nuevo buscaremos la sangre de los mortales que necesitamos para vivir.
01:21:50Llegan el momento oportuno de presenciar el rito principal.
01:22:19Después ustedes serán castigados con la muerte por la osadía que han tenido de profanar mi refugio.
01:22:36¿Y ahora qué vamos a hacer?
01:22:38Esperar.
01:22:39Ya falta poco para que termine la noche.
01:22:43La va a sacrificar.
01:23:03Ahora.
01:23:09Maldita luz.
01:23:25Por un pelito nos salvamos.
01:23:27Aún no puedo explicarme qué es lo que pasó.
01:23:29Esto es un milagro.
01:23:30Ningún milagro, doctor.
01:23:31Todo fue obra mía.
01:23:33Hola, Santo.
01:23:34¿Todo estuvo bien?
01:23:35Perfecto.
01:23:37¿Quiénes son, Santo?
01:23:38Son mis compañeros luchadores.
01:23:40A X le di instrucciones para que pusiera una carga de dinamita y le hiciera detonar cuando yo se lo indicara por medio de mi radio reloj.
01:23:47Y ya ven lo que pasó.
01:23:49Bueno, pero aparte de ustedes no veo nadie más.
01:23:52¿Dónde está el peligro al que me hablaste?
01:23:55Ahí.
01:23:56¿Qué es eso?
01:23:58Un vampiro.
01:23:59¿Qué?
01:24:01Un vampiro humano.
01:24:02Y los demás son restos de mujeres vampiro.
01:24:10Ah, ¿con qué era eso, eh?
01:24:12Bueno, Santo, tómate dos aspirinas y ahí nos vemos, ¿eh?
01:24:15Vamos, muchachos.
01:24:18Parece que no me creyeron.
01:24:20Incrédulas que son las gentes.
01:24:22Me alegro que todo haya terminado.
01:24:25Tenías razón, Luisa.
01:24:26Ahora comprendo que tenías razón al decirme que los humanos no debemos penetrar al misterio de lo desconocido.
01:24:31Vamos.