La promesa - Temporada 3 - Ep 400
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00:00It can't be more soft. I doubt it a lot.
00:10Madre, can you tell me what you have against those poor flowers?
00:16Nothing. I love them.
00:18Nobody would say so.
00:21Don't trust appearances.
00:23Who sends them?
00:28A good friend. And do you know why?
00:33Does she have a garden full of flowers and doesn't want them to rot?
00:36No. She wants to congratulate me for your return from the front.
00:40Well, it's a beautiful detail. It's better to send her flowers because I'm alive than a crown for being dead, don't you think?
00:45Don't joke about that, Manuel. It's not funny at all.
00:49Well, yes. There are still good people for whom details are important.
00:54Which explains why you're in such a good mood today.
00:58My good mood is rather due to the fact that I have an ingrate for a son who is unable to appreciate the flattery that his mother offers him.
01:04Of course I appreciate them, mother. But you already know what my conditions are to go to that recital.
01:09Your conditions?
01:11My condition, rather, I only put one.
01:13Yes. And you made it very clear.
01:16So?
01:18You can forget about the recital.
01:21For God's sake, is it so hard for you to apologize to Catalina?
01:24I already did that. As you demanded, I dragged myself to her to beg her to forgive me for something I didn't even do.
01:32Well, thank you very much, mother.
01:35It's a gesture that honors her.
01:39But then I don't understand why, if she did what I asked, she says there won't be a recital.
01:43Because there won't be.
01:45Yeah, but why?
01:46Because I'm in such a bad mood that I don't feel like doing anything.
01:51Mother, bad mood will pass. Are you sure you don't want to think about the recital?
01:59Well, it seems that I have left them too short.
02:04Put something on the base of the vase, so it will rise.
02:08It's not a bad idea.
02:13Why don't you think about the recital?
02:15No, Manuel, it's decided.
02:17Besides, it might seem that what I celebrate is the triumphant return of your half-sister to the palace.
02:23And as you can imagine, I'm not willing to make that mistake.
02:26So you'll have to settle for the dismal dinner the other night as a welcome.
02:31And now, if you'll excuse me.
02:37Excuse me, ma'am.
02:38God, what a scare!
02:39Ma'am, as you asked, I've been working on the recital.
02:43And I've already prepared the list of guests, several minute proposals and possible invitation designs.
02:51I've also made a list of musicians available for you to choose the one you like the most.
02:57Leave it, Petra.
03:00I don't understand.
03:03What don't you understand? For a change.
03:05Well, your brilliant ideas, like everything that has to do with you lately, come late, Petra.
03:11Ma'am, I've taken very little time to prepare what you asked me.
03:14It's just that the recital has been suspended.
03:19Now, ask some maid to fix the bouquet.
03:32Don't bother, sir.
03:40Daughter, don't be nervous. I think it's a very good idea that you go to see your son like this, without further ado.
03:45I want your in-laws to see that you're doing well and that you don't condemn us.
03:49But what do you say about hiding?
03:50Well, the story is that ...
03:53Candela, please.
03:54I understand now, mother.
03:56If they are getting the idea that you are already in a position to stay with your son.
04:00I hope so.
04:01Well, of course, daughter.
04:02And if everything goes as we wish, with the arrival of the new priest, the same thing will be fixed, your job.
04:08That would be honey on grandmother, as they say.
04:10Well, well, let's not tell the story of the milkmaid either, huh?
04:14I end up fatal.
04:15Trust your Simonas, in the end the girl was not going to get off track,
04:18when she believed in the hand of God, leaving the warm gold at her fingertips.
04:22Candela, finish this saying, huh?
04:25Badly guarded things from thieves are well stolen.
04:28Don't say nonsense.
04:29And you, daughter, listen to me well.
04:31From now on, be careful not to take anything that is not yours.
04:36I promise.
04:37The sign is that you see.
04:38Because there is also another more sensible saying that says,
04:41honesty is to work, not much or little to steal.
04:44Don't worry, mother.
04:46I have learned the lesson and I will not trip twice with the same stone.
04:50Take it.
04:51And this?
04:52Well, I made some pastries for your in-laws and I also put a couple of jars of jam in them,
04:57the ones we are preparing for them to try.
04:59But it's not too much.
05:00No, daughter, no.
05:01It's fine.
05:02So see that you have initiative and that they are improving and that will make them see you in a different way.
05:07But be careful.
05:08Don't let yourself be fooled by those two, huh?
05:11But what to fool or what to fool?
05:12Let's see.
05:13Let them see that you are putting order in your life, well yes.
05:15That's not going to be bad.
05:17Well then?
05:18But now.
05:19And you are doing it not because they force you, but because you are wanting.
05:22Don't let them think that you have the pan in your hand, because that's not the case.
05:26Well, they do have it a bit, Candela.
05:27Have you arrived at the party?
05:29Well, you listen to me.
05:31Don't argue with them.
05:32Don't confront yourself.
05:33Don't talk about the bill anymore.
05:35And as another saying goes, if you keep your mouth shut, no flies will come in.
05:38But why do you tell her that?
05:39Because it is what she has to do if she knows what is best for her.
05:41And one thing I know.
05:42She has to get there giving her all, okay?
05:45There is no shortage like a raisin.
05:47No shortage, no surplus.
05:49People don't like surplus either.
05:50What are you saying about the second one?
05:51Well, the one that stings ...
05:52I'm going to make her more nervous than she already is.
05:54Don't you see that the poor woman has enough with what she has?
06:00It's true.
06:02Daughter,
06:03my best advice is
06:05that you forget all the advice we have given you
06:08and that you judge at every moment
06:10as you see fit.
06:13Thank you, mother.
06:31Thank you.
06:47Father?
06:49Good morning.
06:52You seem worried.
06:54More like opposed.
06:56And why is that?
06:57It's a bit of an annoying matter.
06:59But not serious?
07:00No.
07:01The General Board of Festivals of Valencia
07:03hired the Cordoba Symphonic Group
07:05and now refuses to pay them the 25,000 pesetas agreed.
07:10Damn, with the Board of Festivals of Valencia?
07:13It seems that your director is a first-rate scoundrel.
07:16Because he has the money, but he refuses to pay.
07:19What do you think?
07:21Well, I think it's very bad.
07:23But I don't understand what you have to do with all that.
07:25Thank God, little.
07:27And then?
07:28The director of the Cordoba Symphonic Group
07:31is an old friend
07:32and he has asked me to intercede before the Board.
07:34And what for?
07:36I couldn't say no, son.
07:38But the only thing I can do is appeal to the word given
07:41and ask them to act in good faith.
07:44I suppose you came to tell me something.
07:48Yes.
07:49I have come to give you two news.
07:52Tell me.
07:53One is good and the other is bad.
07:55Which one do you want to hear first?
07:57Well, better the bad one,
07:58because that way I'll keep a good mouth.
08:00Okay.
08:01The bad one is that Mother has given up
08:03organizing that private recital she was going to see at La Promesa.
08:06Oh, and the good one?
08:10The good one is that she is going to see Catalina
08:12and she has apologized.
08:14Really?
08:19Hallelujah.
08:23And I realize that
08:25both have made peace,
08:26even if it was out of bad will.
08:29But you should have told me
08:30that you had good news and a better one.
08:34Because that recital was going to end up being a torture.
08:37Father, but you love music.
08:39Yes, I don't mean music.
08:40I mean the social implications.
08:44I don't follow you.
08:45Many families of the nobility
08:46are still turning their backs on us
08:48because of the children's dukes
08:50and because of your participation in the war.
08:53I'm afraid that your mother
08:54was going to take more than a disgust.
08:59I can't help but feel guilty about that.
09:04It's not worth flapping now.
09:07Even so, if you want,
09:08I can try to do something.
09:10I don't think it's going to work.
09:12Well, yes, maybe to liven up the flame.
09:14So it's better to leave things as they are.
09:16But they are very bad.
09:18But it will be better, son.
09:21Time will heal everything,
09:22and sooner or later,
09:23the waters will return to their source.
09:24You'll see.
09:28It's fine if you see it so clearly.
09:30At this point,
09:31the only thing I know
09:32is that what matters is life now.
09:35So it's better not to confuse it with the future,
09:37much less with nostalgia.
09:41You're absolutely right about that, Father.
09:44Even if it's difficult to carry it out.
09:47I, for example, would like to know
09:48when Catalina will return home.
09:51And that's not the time.
09:53No.
09:56Do you know?
09:58No.
09:59No, I haven't spoken to her yet,
10:00but I trust it will be soon.
10:03I think it would be best not to tell her anything
10:05and for her to return when she feels ready.
10:08Yes, you're right.
10:10She's had a very bad time.
10:13And it won't be an easy step for her.
10:18Yes.
10:26Mr. Pellicer.
10:27Tell me.
10:28Do you have a minute?
10:29Yes.
10:30There has been a change of plans
10:31regarding the private recital
10:32that Mrs. Marquesa wanted to celebrate.
10:35It's finally not going to be done.
10:38And what does this sudden change of plans
10:40mean?
10:41What do you call it?
10:42Simply, Mrs. Marquesa
10:43has decided not to celebrate it.
10:45Hasn't she given you any explanation?
10:48She hasn't given it to me,
10:49nor does she have to give it to me.
10:50And I'm not the one to question her decisions.
10:52And neither are you.
10:54But don't be so defensive, woman.
10:56I act as I see fit.
10:59Wow.
11:01Well, it seems that lately
11:02we haven't been very good at organizing celebrations.
11:05Don't you think so, Mrs. Alcos?
11:07I don't know.
11:08Why do you say that?
11:09I know very well in my head
11:10Mrs. Margarita's snack,
11:12the entanglement of the invitations,
11:15you know.
11:17I see that you insist on making me responsible
11:19for something that in the end
11:21was just a negligence.
11:24A negligence, huh?
11:26Yes.
11:27And specifically, yours.
11:29Look where you're going.
11:31A very interesting attribution.
11:34Pilgrim.
11:35But very interesting.
11:38Mr. Pellicer,
11:39it was you
11:40who had to prepare those invitations
11:42and it was you
11:43who had to make sure
11:44that the guests received them.
11:46Or at least
11:47make sure that everything was done correctly.
11:50And we both know that.
11:52But how easy it is to accuse others
11:54of their own mistakes.
11:56Don't worry, ma'am.
11:57You did what you did.
11:59You did what you did.
12:00I did what I did.
12:01We all do what we do.
12:03You're such a philosopher.
12:05But...
12:06But why?
12:07Why are you so bitter?
12:09What have we done to the rest of the mortals
12:11for you to treat us with such disdain?
12:13I treat others
12:14as others treat me.
12:15No better, no worse.
12:16No, no, that's not true.
12:18And listen to me.
12:19Sooner or later, the truth will come to light
12:21and then all your petty evils
12:23will turn against you.
12:25But how ignorant you become,
12:27Mr. Pellicer.
12:28Have you never been told
12:29that an insult is not an argument?
12:31Sooner or later,
12:34you will have to swallow
12:35all those reproaches and accusations
12:37when I prove to you
12:38that I had nothing to do
12:39with the matter of the guest.
12:41I would like nothing more.
12:45We'll see.
12:46Look, Mrs. Alcos,
12:47I'm not afraid of the truth.
12:50That depends on what it is,
12:52don't you think?
12:53Whatever it is.
12:54I'm not afraid of the truth.
12:58You never know that
13:00until you face it.
13:05I'm sorry.
13:17I'm so angry
13:18that my stomach hurts
13:20just remembering
13:21that I had to apologize
13:22to that stupid and capricious girl.
13:26And just imagining
13:27her satisfaction
13:28when she saw me humiliated.
13:29Sure.
13:30The worst of all
13:31has been her reaction.
13:33Cold and condescending,
13:34as if I really needed
13:35something from her.
13:38I don't think you should see this
13:39in relation to Catalina,
13:41but your son Manuel.
13:44If you have made those huge sacrifices,
13:46it is precisely because he asked you
13:47or are you going to deny it
13:48after so many months
13:49apart from him,
13:50fearing for his life?
13:52That's true.
13:53But I swear
13:54that bad girl
13:55will pay for this humiliation.
13:57And the worst of all
13:58is that I have done it for nothing.
14:00I didn't even know.
14:01What do you mean?
14:03That I have canceled
14:04the music recital.
14:06And why?
14:08If you asked Catalina
14:09to forgive you
14:10so that your son Manuel could go.
14:12Well,
14:13because after a first test
14:14between my friends ...
14:18Anyway.
14:21I had the impression
14:22that most would end
14:24very kindly,
14:25but
14:26declining the invitation.
14:28You think?
14:29I'm convinced.
14:31Many of them don't forgive us
14:32that two members of our family
14:33have participated in the war
14:35when the position of the crown of Spain
14:36is neutral.
14:38I find it hard to believe
14:39that they continue to give importance to that.
14:41And to me.
14:43But in reality,
14:45what I think is happening
14:46is that the dukes of the Infantes
14:48continue to be pleaded.
14:51So no,
14:52I'm not going to expose myself
14:53to anyone making up excuses
14:54to vent our anger
14:55or anyone showing up here
14:57as if we owed them our lives.
14:59And much less
15:00when all of them,
15:01as I said a while ago,
15:02pretended to be dumb
15:03to get us to invite them to the promenade.
15:04Who do you think is watching us?
15:06What a bunch of ingrates.
15:08There is nothing in life
15:09that they can bear less than
15:10cowardly and false people.
15:12The one who doesn't show their face.
15:14The one who, in front of you,
15:15makes an irreproachable face.
15:17But as soon as you turn around,
15:19they stab you in the back.
15:21Well,
15:22I think that soon
15:23no one will remember
15:24everything that happened
15:25with the dukes of the Infantes.
15:27And even they themselves
15:28will get tired of feeding
15:29their company against
15:30the marquises of Lujan.
15:31God forbid.
15:33Time heals everything, Cruz.
15:35And as they say,
15:37resentment is a fire that burns,
15:39especially the one who feels it.
15:42What I regret is that,
15:43along the way,
15:44you will be left
15:45without a farewell party.
15:47I wanted to say goodbye
15:48as you deserve,
15:49but now
15:50you will have to settle
15:51for my gratitude.
15:53Well,
15:54that fills me more
15:55than any party.
15:56And if we accompany it
15:57with a glass of wine,
15:58then ...
15:59That, of course.
16:00We will open the best bottle
16:01we have in the winery
16:02to toast.
16:05You don't know how happy
16:07and fortunate I feel
16:08to have you as a friend.
16:10Yes, of course I know.
16:13Because I feel
16:14exactly like you.
16:28You can.
16:30Catalina.
16:32What are you doing here?
16:34I asked where you were
16:35and they told me
16:36you were here,
16:37so I came to see
16:38your new domains.
16:42Well, there's not much to see,
16:43but here I am
16:44at ease.
16:46Ah!
16:49Look.
16:51A new airplane.
16:53That's right.
16:55It looks different.
16:56Because it is.
16:58And have you started from scratch?
17:00No.
17:01I'm basing myself
17:02on the first airplane
17:03that managed to knock down
17:04a Zeppelin.
17:05The Morane-Solnier.
17:07Is it combat?
17:09Yes.
17:11Now all of them are
17:12or end up being.
17:13Which is still
17:14a shame.
17:16Yes.
17:17You'll see.
17:18The Morane-Solnier
17:19was driven
17:20by a pilot
17:21named Rex Warford.
17:22He was a real coward.
17:25He managed
17:26to be a war hero.
17:27Can you believe it?
17:29Anyway, the design...
17:42Something tells me
17:43that you don't care
17:44about Rex at all.
17:45Not at all.
17:50What's wrong, sister?
17:52You look sad.
17:54And I thought
17:55you'd be happier
17:56after my dear mother
17:57apologized to you.
18:00It's true that your mother
18:01apologized to me.
18:03In her own way, of course.
18:06And you see,
18:07I thought it would be a victory.
18:11That I would feel at peace
18:12and at ease.
18:16But the moment has come
18:19and it has left me
18:20with a bitter taste.
18:25Does that mean
18:26there's something else?
18:30Well,
18:32I'm worried about Martina.
18:34Of course.
18:38But it's not that.
18:44Yes, yes, of course it is.
18:49Catalina,
18:51I'm your brother,
18:52so tell me
18:53what's going on,
18:54please.
19:06What's going on?
19:12You were right.
19:14You were right
19:17when you said that between Adriano and me
19:18there was something more than friendship.
19:19You were right.
19:20But I...
19:23I denied it because I didn't...
19:26I didn't know how to define
19:27what I felt, you know?
19:29And now you know?
19:31Now it doesn't matter.
19:37All I know is that
19:38he's been very important to me,
19:40but it doesn't matter anymore.
19:43Catalina,
19:44it doesn't matter anymore.
19:49Yes, because
19:51what was between us
19:52was what it was and
19:54I've already lost it, you know?
19:56Why?
19:59Because I haven't been able
20:00to tell the truth to myself.
20:05Catalina, what truth are you talking about?
20:09Because Adriano was right.
20:13The only flaw you have
20:14is that you're not Pelayo.
20:17He's miserable.
20:20He doesn't deserve my love,
20:21but I...
20:23I still love him.
20:32Cry all you have to cry.
20:51He just arrived in Spain.
20:53Where is he from?
20:55Romanian.
20:56The good man left his country in 1910
20:58with three friends,
20:59but he's still walking.
21:01I'm not surprised.
21:02The others would get tired of walking.
21:04It's a little sadder than that.
21:05They died during the adventure.
21:07My God.
21:09Look, he has visited 49 countries,
21:11speaks 12 languages,
21:13and when he moves by boat,
21:14as has been the case now,
21:16he still walks on deck
21:17ten hours a day.
21:19The captain has certified
21:20that he has brought him to Spain.
21:31Margarita.
21:36What?
21:38I've been inconsiderate.
21:41So much.
21:43I know it's been hard
21:45talking to you about wedding plans,
21:47especially with Martina's delicate situation.
21:51A little, yes.
21:53That's why I'm sorry.
21:56I've been insensitive.
21:58I want you to know that Martina
21:59is also a priority for me.
22:01I doubt it, Ignacio.
22:03Because while I'm desperate
22:04without knowing where my daughter is,
22:06you do nothing to remedy it.
22:08I understand,
22:09but it's a little unfair
22:10that you tell me that.
22:11After all,
22:12the culprit of all this is Curro.
22:14Well.
22:15He took her out of the sanatorium,
22:17but on the other hand,
22:19knowing him,
22:21I'm sure he has taken her
22:22to a good place,
22:24protected,
22:25safe from any danger.
22:27I don't know, Ignacio.
22:28I don't know.
22:29Because I have no idea
22:30where my daughter is.
22:32And that's torturing me.
22:35Curro.
22:36Curro, please.
22:37Please, you have to tell me
22:38where Martina is.
22:39We can't go on like this.
22:41Curro, listen to me.
22:42I'm very worried.
22:43In fact, I'm desperate.
22:44We are desperate.
22:46I have no problem.
22:48All I need
22:49is that Count Dallala
22:50guarantees me that Martina
22:51will not return to that asylum
22:53and will call the Civil Guard.
22:58It's that easy.
23:02Curro.
23:24Come on, let's go.
23:27My daughter should be
23:28arriving at the house.
23:30Just about to give
23:31the kisses to your father-in-law.
23:33That's what I say.
23:34And just about to
23:35talk to them too.
23:37Yes.
23:38I hope they understand
23:39that my daughter is going
23:40with good intentions.
23:42And recognize that
23:43with whom a child is best
23:44is with his own mother.
23:45Let's hope they let her in.
23:48Because we have already seen
23:49how dumb they can get.
23:50Yes, Candela.
23:51In the end, they are good people.
23:53Pedigree.
23:54But good people.
23:56Mrs. Candela, come on,
23:57the flamenquins are going to come out
23:58for breakfast tomorrow.
24:00Dress me slowly.
24:02I'm in a hurry.
24:03No, one thing is to dress slowly,
24:04another thing is to stay naked.
24:11Do you remember what we talked about
24:13about the minutes of the recital?
24:15Sure, the three options.
24:17Well, you can forget about the three
24:18because there won't be a recital.
24:21And what is that change of plans due to?
24:23Simply that Mrs. Marquesa
24:25has decided so.
24:26And that is the only thing you should know.
24:28What a mania to ask for explanations.
24:30Well, because we were very excited
24:32and we were very curious
24:33to know what your option was going to be.
24:35Yes, a shame that your curiosity
24:37and your illusion
24:38will end up in the same place.
24:40I suppose you are nice,
24:42Mr. Arcos.
24:44It's not about putting me
24:45in any way,
24:46it's about that here
24:47what you do is a job
24:49and not a fun.
24:50Be careful,
24:51because when you are here
24:52we immediately fall into the trap.
24:56You are very ingenious,
24:58Mrs. GarcÃa.
25:04It's a matter of days,
25:05the devil has thought of us,
25:07he bites his tongue
25:08and the poison will send it
25:11to the rat.
25:19Two months later.
25:27The second month.
25:29The second month of war
25:30between Austria and Italy
25:31and the Austrians say
25:32that on the Italian border
25:33of Carinthia and Tyrol
25:34there have been no significant movements.
25:36They don't have to be there.
25:38The Italians don't want to go there.
25:41That's true,
25:42but it is also true
25:43that the last Italian offensive
25:44in the Isonzo Valley
25:45ended in failure.
25:46Yes, it was a great setback.
25:48But the Austrians
25:49are opening too many fronts
25:50and that will end up
25:51operating against them.
25:53How smart my son is.
25:55If they had left him,
25:56he would have won the war
25:57by himself, right?
25:59I would like to ask you
26:00for a minute of attention.
26:03I would like to tell you
26:04something important.
26:06What?
26:07I hope what you have to say
26:08is entertaining.
26:11Okay.
26:12Lately,
26:13the atmosphere here in the palace
26:15has become
26:16a little less than unbreathable.
26:18And tedious.
26:19To the extreme.
26:21In particular,
26:22Martina's situation
26:23is getting out of hand
26:24in an unsustainable
26:25and absurd way.
26:27I think it would be a good time
26:28to put an end
26:29to this situation
26:30once and for all.
26:31I can't agree more.
26:34That's why,
26:35taking into account
26:36Margarita's pleas,
26:38I have decided
26:39to withdraw my accusation
26:40against Martina.
26:42Well, I think
26:43it's an excellent initiative.
26:45I wish there were witnesses
26:46of my decision
26:47so that Curro could stay calm
26:48and trust her.
26:51Martina can return to the palace
26:52whenever she wants.
26:54You have my word
26:55that I will not denounce her
26:56to the authorities
26:57and that I will not do anything
26:58to make her return to that sanatorium.
26:59In fact,
27:00I have called and said
27:01that she will not return.
27:03So, whenever you want,
27:05you can go look for Martina
27:07and bring her back to the palace.
27:10A toast to that!
27:15A toast to that!
27:34What are you doing?
27:37Doña Pia,
27:38we go back to the promise.
27:42We cannot stay here
27:43forever, Doña Pia.
27:45This is also for you.
27:49For the plan to work,
27:50we have to neutralize Gregorio.
27:53And only by getting rid of him
27:54will you be free.
27:58But why are you leaving so soon?
28:01Because we have been here
28:02for almost two weeks.
28:04And it's the time
28:05that Mr. Baeza gave us.
28:06We have to go back
28:07to see how things work.
28:09If people think about it,
28:10they will realize
28:11that there is something strange
28:12and that we have not moved
28:13where we were supposed to go.
28:15Yes, MarÃa, yes.
28:17I understand.
28:21Doña Pia,
28:22you have to hold on a little longer.
28:25At least until we come back.
28:43The flamenquins have been a success.
28:45Oh yeah?
28:46Yes, Mr. Marqués
28:47has asked us to congratulate you.
28:49Apparently, he says
28:50he has never tasted them so good.
28:52Well, it's thanks to Simona,
28:54who has been in charge
28:55of controlling the frying times.
28:59I thank you both
29:00for the intention and effort
29:01you are making to distract me,
29:03but it's not worth it
29:05because I can't get out of my head
29:07for a long time.
29:12Do you know anything about virtues?
29:14Nothing.
29:15But it's not taking too long.
29:17Well, yes.
29:18And they are a bad omen.
29:21Don't get mad at me, Simona.
29:23Remember what MarÃa Fernández always says,
29:25that it costs the same
29:26to be the worst than the best.
29:28So let's get the best.
29:30Well, of course, Mrs. Simona.
29:31Mrs. Cándela is right.
29:36I found her on the garden stairs,
29:38Mrs. MartÃnez.
29:40I have accompanied her here
29:41because she is not well.
29:45What happened, daughter?
29:49They have left the town.
29:52The house is empty.
29:55What do you mean they have left?
29:56It can't be.
29:58I don't know.
30:00I don't know.
30:02What do you mean they have left?
30:03It can't be.
30:06I have asked the neighbors
30:08and they have told me
30:09that they have left overnight
30:10without telling me.
30:14And with my son.
30:19I don't have the difficult things
30:21to get him back.
30:23Now I don't even know
30:24where he has him.
30:32My daughter.
30:39You arrived discharged
30:40and you leave empty-handed.
30:42Because we haven't eaten everything.
30:44That's not true.
30:45The last few days
30:46you haven't had a bite
30:47for me to eat.
30:49Well, because that's how it has to be.
30:50You are the one who needs to gain strength.
30:52And the one who has to keep something
30:53to take to the butch
30:54the next day.
30:57Promise me you will take care of yourself.
30:59I promise you.
31:01And that you are going to eat well.
31:03Yes.
31:04And that you are going to take short walks
31:05and very carefully.
31:06Leave it.
31:07Don't think about it, MarÃa Fernández.
31:09I'm going to be fine.
31:12But I want you to promise me
31:13that you are going to be very careful
31:14on the way back home, please.
31:16Of course.
31:20I know you are tormented
31:22to be alone
31:23but we are not going to take long
31:24to come back.
31:26No.
31:28What really torments me
31:31is not knowing
31:32when I'm going to see you again.
31:35It's going to be very soon.
31:36It will be.
31:38And please, Hanna,
31:40try to get in touch with Beni
31:41and ask her how my son is doing.
31:43It's going to be the first thing I do
31:44when the promise arrives.
31:45Thank you.
31:46And don't worry about Diego
31:47because I'm not going to find him
31:49in a million years.
31:54Well, Hanna, we have to go.
31:57Girls, one moment.
32:00I wanted to thank you
32:03because you have given me life
32:07these days here.
32:27Let's go, let's go.
32:57Lope, can you come in?
33:08I need to talk to you.
33:14Yes, yes.
33:26Lope,
33:28I need to know
33:29how things are between us.
33:31I would also like to know,
33:32really.
33:35You're still cheating on him.
33:37What else am I going to keep doing?
33:39What do you want?
33:43I want there to be no more secrets
33:44between us.
33:47Vera, I'm not hiding any secrets.
33:52My mother has returned to the promise.
33:56She wanted to know
33:57why she had decided to hide me here
33:58and, above all,
33:59she wanted me to return home with her.
34:02And what did you tell her?
34:06I tried to convince her
34:07to leave me alone.
34:10I've made her see that I'm happy here
34:12and that going back to my house
34:13and my previous life
34:14doesn't make any sense.
34:17Why?
34:23Because my father wouldn't tolerate it.
34:30Vera, what happened?
34:33I need to know.
34:35Why did you have to run away
34:36with that money from your house?
34:39What's so serious
34:40that you can't go back?
34:48My father is a very rich man
34:49and very powerful,
34:51but without any scruples.
34:55He hasn't earned his money
34:56in an honest way.
34:57I didn't lie to you
34:58when I told you he was a thief.
34:59He's a thief.
35:00And one of the worst.
35:03He has destroyed many lives
35:04to get to where he is now.
35:10I didn't know anything about this
35:11until a short time before I left.
35:14I was slowly discovering
35:15who my father was
35:16and I decided to report him.
35:19It was a matter of justice, Lope.
35:23But my father was about to lose everything
35:26and he had to use all his money
35:28and all his influence
35:29to avoid going to jail
35:31and regain his reputation.
35:38My father will never forgive me
35:39for what I've done to him.
35:44And considering he's a very violent man,
35:46he won't hesitate to kill me
35:47if I go back home.
35:54And what does your mother think about all this?
35:56What does she say?
36:00My...
36:01My mother knows everything.
36:04She'd love me to go back to her,
36:06but she knows that would mean
36:07putting my life in danger.
36:10And what does that mean?
36:14That she'll let me stay here.
36:17Well,
36:18at least she told me
36:19to try to forget all this.
36:24Not finding me,
36:25they thought I was dead,
36:26so...
36:27I understand that it won't be hard for her
36:29to ignore the idea that I'm still alive.
36:34And do you trust her?
36:37Yes.
36:45But Lope, now
36:47I just need one thing to be happy.
36:52I need to know that this
36:53will not open an unspeakable gap
36:54between you and me.
36:57I was very worried when you told me
36:58that you believed
36:59that we lived in different worlds.
37:01And I still believe it.
37:04But I also know
37:05that I can't live without you anymore.
37:07I know.
37:10And Vera,
37:11I'm willing to face everything and everyone
37:14so that we can live our love.
37:19It was just what I needed to hear.
37:22Look at me.
37:25I love you.
37:27I just need you to answer this.
37:32Your real name is Vera.
37:40The person I used to be
37:41was called Mercedes.
37:44But that person is gone.
37:48Now I'm Vera.
37:50I'm a maid
37:51and I'm in love with Lope Ruido.
38:02I think we should stop the jam business.
38:04Why?
38:05Because I've heard what happened
38:06between the cook and the captain of the ship.
38:08Let's see.
38:09Mr. Ruido must be delighted.
38:10I understand that in the kitchen
38:11they were wishing
38:12to get rid of the jam business.
38:14What if Mr. Lorenzo discovers something else?
38:15We're playing with fire.
38:17We're doing everything very discreetly.
38:19Besides, with the missing child,
38:20what's the point of looking for the money?
38:22No, I don't agree.
38:24Why?
38:25Because now more than ever,
38:26that girl, her mother, everyone
38:28needs to believe that rescuing the child is possible.
38:31We can't take away their hope.
38:33And that's what we're going to get
38:34by stopping the jam business.
38:36Yeah.
38:37I'm as practical as you.
38:39You know that.
38:40But sometimes other things are imposed.
38:42Speaking of other things,
38:44we invited a good headliner from Encimas.
38:47The musical recital
38:48with which Mrs. Marquesa wanted to celebrate
38:50the return of her son
38:51and the departure of Mrs. MarÃa Antonia
38:53has been suspended.
38:54Suspended or postponed?
38:56Suspended.
38:57Oh, thank God.
38:58It was supposed to be a lot of extra work.
39:01You should have seen Mrs. Arcos.
39:03She was furious.
39:04Although apparently,
39:05on this occasion,
39:06she had done nothing,
39:07the Marquesa retaliated against her anyway.
39:10And it is known that she had a bad time.
39:12Poor Mrs. Arcos.
39:14The thing is, she's got a dog's sense of humor.
39:16Too bad, too bad.
39:17Because that woman,
39:18with how nice she is,
39:19normally, right?
39:26Enough, enough.
39:27I thought that woman was going to end up with you
39:29without being here.
39:30Interposed by hand, as they say.
39:32Well, you haven't heard the worst.
39:34Oh, my God.
39:35When you think
39:36you can't surprise her anymore.
39:38That woman is capable of overcoming herself, right?
39:40Yes.
39:41You can threaten me.
39:42Threaten you?
39:43It's nothing new.
39:44What did she tell you?
39:45That the maids
39:46are not going to help the homeless anymore?
39:49Or what?
39:50Well,
39:51something a little worse,
39:53but understandable,
39:54after all.
39:55What is it?
39:57Well, she has insinuated to me
39:58that she is about to discover
39:59who is the real culprit
40:00with the confusion of the invitations.
40:02And that she will have to swallow my words.
40:04Well, look, if
40:05it wasn't her thing,
40:07I will be glad
40:08that this mystery is resolved.
40:10Don't worry.
40:11I'm not afraid of the truth.
40:13That's what I told him.
40:14We'll see how it ends.
40:18Legend has it that
40:19in the monastery of San Jerónimo in Granada
40:22lived Úrsula.
40:24Sor Úrsula, because she was a nun.
40:27And Sor Úrsula stood out
40:28for her virtue and her beauty.
40:32Why are you telling me this, Mrs. Petra?
40:34Don't be impatient, Santos.
40:37Precisely that beauty of Sor Úrsula
40:40made the brother of a very powerful nobleman
40:44become capricious to Sor Úrsula.
40:47And despite his vow of chastity,
40:49that man tried to seduce her
40:51over and over again.
40:54But Sor Úrsula
40:56never succumbed
40:57to that man's whims,
40:59because her commitment to God
41:00was unbreakable.
41:04One night,
41:05in the middle of a storm,
41:06that man raided the convent
41:09and murdered Sor Úrsula
41:11by throwing her down the stairs.
41:14Since then, they say
41:15that Sor Úrsula's spirit
41:17wanders through the corridors of San Jerónimo.
41:19And everyone who has seen her
41:22says that she appears and disappears in an instant
41:26and that her presence
41:27leaves a deep feeling of sadness.
41:32Do you believe in the Holy Ghosts?
41:36I've never seen one.
41:38And you prefer to continue like this?
41:41Why do you ask me this?
41:43Because, as the premise,
41:44strange things are happening lately.
41:48Strange things?
41:49Yes.
41:50Maids who disappear from one day to the next.
41:53Strange noises at night.
41:57Clothes that pass by young men.
42:01I see.
42:03And guests who are not,
42:04but who still appear.
42:07I don't know.
42:08It's as if, in the promise,
42:10there was also a ghost
42:11who is dedicating herself to confusing us all.
42:16Get to the point, Mrs. Petra.
42:18Why did you bring me here?
42:20Because I want to know
42:23why the day before you invited the Duchess of Cádiz
42:25to Mrs. Margarita's feast.
42:27Again with that?
42:29I've already told you over and over
42:30that I have nothing to do with it.
42:32What do I have to do to prove it?
42:33Stop lying, Santos.
42:35You always said that on that list
42:36there were five names of guests.
42:39I've found it.
42:42And there are only four here.
42:53My God.
42:54I'm so impatient.
42:55Are you happy?
42:57I hope that place hasn't affected you much.
42:59I'm sure not, aunt.
43:00He hasn't been there for a long time either.
43:04Now, the important thing is that Mr. Conde has recovered
43:07and has shown himself to be a magnanimous man.
43:09Yes, that's the important thing.
43:12And the captain of the mate?
43:15He drank too much during the meal.
43:17The monkey must be sleeping.
43:19He seems intolerable.
43:21He's a man who doesn't know how to drink.
43:22He's like a boat on the shore.
43:24And Cruz?
43:26One of his headaches has come in
43:27and he has had to withdraw from the ship.
43:30He's going to rest.
43:31Okay.
43:32It's a shame.
43:33I was so excited to welcome MartÃn.
43:35Yes.
43:40My daughter.
43:42My daughter, please.
43:46You don't know how worried I've been for you.
43:49I can imagine.
43:54Shut up.
44:01Come here.
44:07How are you?
44:09Well, I've been better, to be honest.
44:12Has the stay at the sanatorium been very hard?
44:18A colleague took over my personality
44:21and then she attacked me.
44:25And they forced me to take drugs
44:27that they left me involuntarily
44:29and then they took me
44:31and put me in ice baths.
44:34Do you want me to go on?
44:36No.
44:37Frankly, no.
44:39That place was beautiful on the outside
44:41but horrible on the inside.
44:44And what I've lived there
44:45I don't wish it on my worst enemy.
44:47Especially considering that that punishment
44:49was totally undeserved
44:51because I'm innocent.
44:53To this day, you're still the main suspect.
44:57The poison was found in your room.
44:59Irreverently, you've shown your contempt
45:01and your hatred towards me.
45:03Not to mention your episodes of aggressiveness.
45:05Do you need anything else?
45:07That I was a person capable of trying to kill someone
45:09because I'm not.
45:11You haven't stopped repeating that from the first moment.
45:13But neither your insistence nor your vehemence
45:15convince me.
45:16Ignacio, leave him alone.
45:18I don't think it's the time.
45:19Is there a better time than this?
45:22An attempt at murder.
45:23No matter how frustrating it is
45:24and how tempting it is
45:25it's not something you can go through
45:27with a new pen and paper.
45:31I won't let this go unpunished.
45:34Are you going to break your promise?
45:35Of course not.
45:37I said I wouldn't go to jail and I won't.
45:39I said I wouldn't go back to the sanatorium and I won't.
45:42I gave you my word and I'm going to keep it.
45:46But that doesn't mean
45:47I'm willing to tolerate your impunity.
45:49I firmly believe that whoever commits a crime
45:51must pay for it.
45:53One way or another.
45:56And what do you mean by that?
46:00My decision is for Martina to enter a convent.
46:02Please.
46:21Come in.
46:24Thank you.
46:27May I know
46:28what is so urgent that you have to tell me?
46:30That you won't let me see my niece?
46:33Why don't you sit down?
46:35Why don't you get to the point
46:36and stop bothering me?
46:37Bothering you?
46:39That will depend on how you take things.
46:42Can you tell me whatever you have to tell me, Lorenzo?
46:47You see, I'm glad
46:50about the way Martina has returned home,
46:52but some come back, others leave.
46:57What are you talking about, Lorenzo?
46:59I understand that Maria Antonia
47:00is about to leave La Promesa
47:01and the truth is that I'm very sorry.
47:03Yes, me too.
47:05But things come to an end
47:06and she has to go back home.
47:08She can't stay here forever.
47:10And Maria Antonia is a prudent woman
47:11who has considered it.
47:13Anyway,
47:14if all you had to tell me
47:15was about Maria Antonia,
47:16you could have chosen
47:17a better time, right?
47:18Now, if you don't mind,
47:19I'm going to see my niece.
47:20Maria Antonia is not leaving
47:21because she is a prudent woman
47:22who has arrived at the time
47:23to return home.
47:24Oh, no?
47:25No.
47:26She is leaving for a very different reason
47:28and much more serious.
47:31What are you implying?
47:34Whose idea was it
47:35that Maria Antonia left?
47:37Mine? Whose idea?
47:38Yes.
47:39Are you sure about that?
47:42Well, it was Alonso's idea, yes.
47:46Well, the truth is that
47:47right now I was thinking
47:48about Maria Antonia.
47:50Yes, I was thinking about
47:51whether the time has come
47:52for her to continue her life
47:53outside of the promise.
47:55Again with that, Alonso.
47:58Exactly.
48:00And as far as I understand,
48:01it's not the first time
48:02he's trying to get rid of her,
48:03right?
48:05Where do you want to go, Lorenzo?
48:08Alonso,
48:09your husband,
48:11he had an affair with Maria Antonia.
48:12He kissed her.
48:14That's why he wants to kick her out.
48:15That's why he wants to kick her out.
48:36Are you threatening me?
48:37No.
48:38I'm not threatening you.
48:40I'm acting.
48:41But that man
48:42was able to open a grave?
48:43Yes, yes.
48:44He personally verified
48:45that Mrs. Adarra was alive
48:46and he's not going to stop
48:47until he kills her.
48:48But that's horrible.
48:49I'm scared.
48:50Anyway,
48:51we must not let ourselves be fooled.
48:53We are going to continue
48:54with the planned plan.
48:59Are you going to be
49:00a lot of retakes like this with me?
49:02With this sepulchral silence?
49:05Believe me,
49:06it's better that I don't tell you
49:07what's going through my head.
49:08I don't know.
49:09I'm afraid it's all
49:10a useless effort.
49:11No, there is no useless effort
49:12if it is done with affection.
49:14Besides,
49:15maybe the departure of his in-laws
49:17has a simpler explanation
49:18than we think.
49:19Virtudes,
49:20the last time I saw your in-laws
49:21you didn't notice anything.
49:22Something that makes you suspect
49:24that they were going to leave.
49:27You can't imagine
49:29the wonderful feeling
49:30of well-being
49:31that I felt
49:32imagining myself by their side.
49:35Did you remember me?
49:37At all hours.
49:39Why is he so determined
49:40to lock himself up with Martina?
49:41Am I determined?
49:42He tried to kill me
49:43for the love of God.
49:44He must have his due.
49:46Would you be willing
49:47to make a deal with her?
49:49Of course.
49:52If Martina agreed
49:53to marry me to her mother,
49:54I would forget
49:55all this poisoning thing.
49:57I'm not going to let
49:58Conde de Ayala
49:59get away with it.
50:00I promise.
50:01And what are you going to do
50:02to avoid it?
50:03I'll run away with you.