Home and Away 8309 22nd July 2024
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00:00Don't let my past mess up what we have.
00:10It's more than I have a past.
00:11Boys are the reason I'm still here.
00:13You have no idea what you're getting yourself into right now.
00:15And you clearly don't have any proof that he's been involved in anything except a few
00:18misdemeanors.
00:19I need the files to prove they're dangerous, including the Franklin murder case.
00:22Uh, why?
00:23Because you said he was investigating Riverboy activity.
00:25Yeah, I did say that, but you don't want to get involved with Rory Templeton.
00:28Do you think he's got anything to do with this murder?
00:30He's their leader, so yeah, I'd say he's in it up to his eyeballs.
00:43I'm just worried that you're blaming yourself for what Bronte did.
00:46I didn't protect the people I care about from her scam.
00:50Please don't ask me to feel good about that.
00:52I called the Coastal News and they're interested in talking to us about what happened with
00:57Bronte.
00:58Why would we?
00:59To get the message out there about scammers and hopefully stop it happening to anyone
01:03else.
01:04You're free to talk to the journo yourself, Leah, but you'll be doing it on your own.
01:27Give me my why.
01:43Nah, give me my...
01:57Move it.
01:58Are you going to make me?
02:02What's this really about?
02:03Well, you've been watching us, now we're watching you.
02:07Yeah, does that bother you?
02:08Have you got something to hide?
02:09Very funny.
02:10You good?
02:11Yeah.
02:12I could do this all day.
02:41Yeah?
02:42Well, I'm not going into work.
02:43Why don't you stick around?
02:45Every time we hang out, I come to you.
02:48When are you coming to Mangrove River?
02:51Is that an invitation?
02:53Sure is.
02:54You game?
02:55Yes.
02:56I want to know what all the fuss is about.
02:59And meet your friends.
03:01The boys are going to love you.
03:03Nice to see you two enjoying yourselves.
03:05This is a public beach.
03:07No one's forcing you to watch, John.
03:09Don't you live across the street from Felicity?
03:11Yeah, it's a neighbourhood watch.
03:13My gift to the community, and proud of it.
03:15In the meantime, you two should get a room.
03:28Can we at least talk about it?
03:30I'm sure the customers would love it.
03:32Well, Irene, it's important.
03:34Yes, so you keep saying, and you give it a rest.
03:37You really thought that you'd be all for it, right?
03:39Yes, yes, we did think that.
03:41But if Irene doesn't feel comfortable doing the interview,
03:43then she doesn't have to do it.
03:45Finally, someone talking sense.
03:47Of course you can change your mind, but can I at least get a reason why?
03:50I don't have to explain myself to anyone.
03:53Irene, I'm just trying to understand.
03:55How about we get out there and we do some work?
03:58There's people waiting to be served.
03:59There's tables waiting to be cleaned.
04:01Oh, for sake.
04:06Was I out of line?
04:07No, that is completely about something else.
04:10Don't take it to heart.
04:11No, I really thought that this was going to help her.
04:13I know, I know.
04:15What are we going to do now?
04:17Is it too late to cancel?
04:31You're not allowed back there.
04:32Come on, out.
04:33Says who?
04:34Neighbourhood watch.
04:35This is me, surf club manager, and I will have the coppers here in a heartbeat.
04:39Relax, John.
04:40It's Rory's new board.
04:41Molly told him to pick it up.
04:43Not bad.
04:45It looks awesome.
04:48I'm going to take this.
04:50I'll be back.
04:51Okay.
04:52Mate, can you help me?
04:54Are you sure you want to get involved with this character?
04:56Why?
04:57Are you jealous?
04:59You do realise what that tattoo stands for, don't you?
05:02Yes.
05:03You're my overprotective brother.
05:05I know all about the Riff Boys.
05:07Then you should listen to your overprotective brother.
05:09Oh, please.
05:11You know what the real problem is?
05:13You actually think you can dictate my love life.
05:23Where is he now?
05:24Inside the cop shop.
05:25Probably changing his dags.
05:27I reckon he got the message.
05:29You did good.
05:30Go back to the house.
05:31I'll meet you there.
05:32Come on.
05:33I'll waste an opportunity.
05:34Everyone's here.
05:35Might as well have a little bit of fun.
05:37Felicity's coming back with me, okay?
05:39So stand down.
05:41You're the boss.
05:58Looks like the fun's over.
06:00Clearly been given the signal to step down.
06:02Yeah.
06:03I think they've made their point.
06:08Whoever Dingo was on the phone to was calling the shots,
06:10and what do you know, Laurie's not here.
06:12Yeah, that's not a surprise.
06:15This is what happens, Cash, when you push back on the Riff Boys.
06:17I mean, this was obviously a warning.
06:20You gonna drop the surveillance?
06:22No.
06:24Neither did Franklin, and look what happened to him.
06:26I'm under their skin now.
06:29I'm on the right track.
06:31Talk about playing with fire.
06:33Her brother's a cop.
06:34You'd think she'd have more sense.
06:36It is none of your business, John.
06:37No, he was in my surf club acting like he owned the joint.
06:40Maybe they're just friends.
06:42Do good friends just go canoodling on the beach in the morning?
06:45I've seen him coming out of her place for days, morning and night.
06:49John, you just happened to notice that, did you?
06:52I'm very observant.
06:53That's what most nosy people are.
06:55No, no, this is not good for the club.
06:56Wait till Alf gets wind of this.
06:58Not all River Boys are bad.
07:00What about lovely Dean?
07:01What about you stop your gas bag and you start working?
07:04Sorry?
07:06What's going up her nose?
07:07Oh, there's a reporter from the Coastal News coming to talk about Franklin.
07:11Which is why I was trying to prepare.
07:13You and Irene gonna talk to Coastal News?
07:15Irene is doing no such thing.
07:18You can ask me.
07:20No one is asking you, John.
07:22And if one more person mentions this flippin' interview, I swear...
07:26You would fuck it just so.
07:27Don't even try it.
07:31You need it at the count.
07:37Hey boys!
07:38Santa's gonna be a dad!
07:53Oh, he's breathing!
08:06Thank you, boys.
08:07Awesome.
08:08Thank you.
08:09Thank you, boys.
08:10Dude, you guys are awesome.
08:12God damn it, you're so awesome.
08:37This is crazy.
08:38Hey guys, how are you?
08:40Gary!
08:43Welcome to Magro River.
08:45Thank you.
08:46This looks like fun!
08:48Make yourself at home.
08:50Hey.
08:51It's Banner.
08:52I'm Felicity.
08:53Nice to meet you.
08:54Yeah, you too.
08:55Get in there.
08:56Thank you.
08:57How are you?
08:58I'm fine.
08:59What's your name?
09:00Harry.
09:01Harry, what do you do?
09:11If you've come to talk about the interview, I am not interested.
09:17No, I haven't come to change your mind.
09:19I promise.
09:20Well, then why are you here?
09:22You're upset.
09:23Where else would I be?
09:24Look, at first I thought this interview was a rotten idea, you know,
09:28giving our track record with the coastal news.
09:30Let me guess.
09:31Leah talked you round.
09:32Well, she thinks it could really make a difference,
09:34help other people avoid the same fate.
09:36And wouldn't it help you too,
09:38to know that something positive could come out of this whole mess?
09:41I'm not interested.
09:43Okay, I won't push.
09:45I just need to know where you're coming from.
09:47What does it matter?
09:49There are other Brontes out there waiting to prey on other innocent people.
09:53Why not speak up?
09:55Because I'm humiliated enough as it is, John,
09:59without having it plastered all over the flip and front of the paper.
10:03Is that so hard to understand?
10:09Oh.
10:13Leah, do you think I should go and check on Irene?
10:16Oh, sorry, I didn't know you were on the phone.
10:18No, it's fine.
10:19I was trying to cancel, but the journalist isn't picking up.
10:22Oh, well, she's probably already on her way.
10:25Maybe you could just do it on your own.
10:27You saw what Irene was like.
10:29I think going through with it at all might just upset her even more.
10:32Or it might make her feel better, telling her story and helping other people.
10:37Irene can't be the only person who was scammed by Bronte.
10:50So, what, you just do this all day?
10:52This to drink all night?
10:54Having fun?
10:55I'm all for that. Hating it.
10:56Yeah, these guys are pretty awful, aren't you?
10:58My brother was so right.
11:03Everyone's been so friendly, and they seriously love you.
11:05I told you, we're a family.
11:07You know what? There are a lot of names to remember.
11:09So, I think it's going to take me a few visits.
11:12Oh, well, this is Donny.
11:13Oh, that is so cool.
11:16So, how about it? I'm sure he could squeeze you in.
11:18Nah, nah, I think I'm good. Thanks, though.
11:20I'm kind of twisted, you know, in the hands.
11:21Hey, look, I love Tabs, huge fan, but that looks way too painful.
11:24Maybe I should offer your brother one. He could do with some more, yeah?
11:27I think you're going to have to do a bit more than that to win him over.
11:29Go ask him now. He's outside.
11:31Are you serious? You bullied me here?
11:34He's practically a regular.
11:35He's been watching the house for days, sometimes in uniform, sometimes not.
11:39I don't know what he thinks he's going to learn. Maybe how to have a good time.
11:46Don't mean to intrude. I thought you could use a drink.
11:50Don't worry, I'm not going to hang around.
11:52I know you want to be on your own.
11:54I'm sorry I flew off the handle at you before.
11:57I just can't seem to put a foot right these days.
12:00Yeah, well, I'm going to tell you something you told me a very long time ago.
12:04This should be good. I'm all ears.
12:07We've talked about this. I've walked in your shoes.
12:11And it was you who encouraged me to face the world again.
12:16You shouldn't feel humiliated for showing compassion to someone.
12:21If anything, it shows what a caring person you are.
12:24It should be celebrated. You should be celebrated.
12:27Oh, you don't know the half of it, my friend.
12:30I think this interview could do a lot of good.
12:33So everyone keeps saying.
12:35I know you. You thrive on helping people.
12:40It's who you are.
12:43I think you know what the right decision is.
12:49I need to think about it.
12:52Can you tell Leah I've gone for a drive? I'll be back in a while.
12:55You want me to come?
12:56No. I need to do this on my own.
12:59Thank you.
13:26Hey!
13:34Hey!
13:35Been a while. We could use this.
13:37No thanks.
13:40Flick, hop in the car. I'm going to drive you home.
13:42No. I'm not going anywhere.
13:44Flick, you being here is a mistake.
13:47Says the guy who's obsessed with the place.
13:49Just get in the car.
13:50Please, Flick. I'm not joking. Just get in the damn car.
13:53Are you arresting me?
13:54Everything alright here?
13:56Suit yourself.
14:26Fuck.
14:56Fuck.
15:15Bailed on your stakeout early for once.
15:17Got what I needed.
15:18Every vehicle's make, model and registration.
15:21You know that target on your back?
15:22The more you push, the bigger it gets.
15:24Franklin's body didn't disappear in that dam.
15:26Had to have been dumped.
15:27See if you can place any of these vehicles in the vicinity of the dam
15:29around the same time as Franklin's disappearance, please.
15:31You don't know how things work around here.
15:33There are some lines you just don't cross.
15:35Excuse me?
15:36With respect, you are out of your depth.
15:37With respect, I've given you an order.
15:39No, I know you're worried about Flick, but I think you're making it too personal.
15:42No, this is not about Felicity.
15:43A police officer has been murdered and homicide might not care about that.
15:47I do.
15:48You think I don't?
15:49Then stop trying to talk me into dropping the investigation.
15:51I'm trying to stop you getting killed.
15:53Go and run the damn red dress.
15:54Yeah, okay.
16:01Thanks for bringing me home.
16:02You don't need to stay if you have to get back.
16:04I'd rather stick around. That's all right.
16:07I'm fine.
16:08I'm sorry we had to leave.
16:10I really did love meeting your friends.
16:11I just, the whole cash thing.
16:13Kind of killed the vibe?
16:14I love my brother, but sometimes I could throttle him.
16:20I'm sorry for making things difficult with him.
16:23I don't want that.
16:24Yeah, he's always been protective.
16:26It's getting old.
16:28Anything I can do to help?
16:31You're already helping.
16:33Just being here.
16:38You make me happier than I've been in a really long time.
16:53I'm sorry.
17:20I think you know what the right decision is.
17:23Yeah.
17:27Irene, it's important.
17:29It might be a way of taking something positive out of this.
17:39All I needed was a stupid old woman gullible enough to believe me and I found you.
17:53I'm sorry.
18:24I'm sorry.
18:30Are you sure you don't need me to stay until Irene gets back?
18:33No, look, it's pretty quiet. We'll be fine.
18:36I could just give her a call and check in.
18:38John said she just needs to clear her head.
18:40She'll be back when she's ready.
18:41Okay.
18:42How do you feel about the interview?
18:44I'm about to find out.
18:45The journalist is turning up any minute.
18:47Hey.
18:48Sounds like I made it in the nick of time.
18:51Have you changed your mind about the interview?
18:54Doing the interview is the right thing to do and, oh boy, have I got a story to tell.
18:59Maybe I should stay here for some moral support.
19:02Marilyn, we don't pay you overtime to stand around gawking, darling.
19:06Oh, but I don't mind.
19:07On your bike. Come on, we got this.
19:09Okay.
19:10Good luck.
19:11Thanks, Marilyn.
19:12Do you mind me asking why the sudden change of heart?
19:15What does it matter, darling? I'm here now.
19:17So?
19:18So, where's this journo?
19:27Hey, Flick.
19:35What?
19:36What's he doing here?
19:38Why are you at work?
19:40Aren't you meant to be spying on my mates?
19:42Yeah, would you prefer I was at his place?
19:44This has to stop.
19:46We thought we had the place to ourselves.
19:47He needs to leave.
19:48I think that's up to her.
19:49Rory's my guest and he's staying.
19:52Your guest isn't welcome here.
19:53In my own home?
19:54In our home. This is for your own good, Flick.
19:56Are you for real?
19:57Hey, it's okay. I'll go.
19:59No.
20:00It's not worth it.
20:02I'll see you at Sol, yeah?
20:08Okay, listen, it is one thing to have Rory in the house.
20:11It is another thing entirely you partying with the Riverboys.
20:14I went there one time.
20:15Yeah, and that's how it starts.
20:16The next thing you know, you're running drugs for him.
20:18Can you hear yourself?
20:19There were no drugs in the house.
20:21Or whatever else you think they're hiding.
20:22The drugs in front of you, are they?
20:23They're not idiots.
20:24Can you for one minute consider the possibility that you might be wrong about Rory?
20:28You want to know why we're sitting out the front of that house?
20:31Yeah.
20:32We think they're involved in a murder and we know Rory's their leader.
20:35You think that it's a coincidence that he's just started hooking up with the sister of the new cop on his turf?
20:40That doesn't even make sense.
20:41You can't even see it.
20:42I was with Rory before you decided to take the job.
20:46Not everything's about you.
20:59You're making a mistake, Flick.
21:00If my boyfriend can't stay here, neither will I.
21:04Do you think he's using her to get to you?
21:06Yeah, now he's playing games.
21:10I don't like that you're dating him, but I'm willing to put up with it if you sleep at the house.
21:13Before you go back to stalking law-abiding locals, we need to set some ground rules.
21:16You're going to stop watching our place.
21:18I don't take orders from you.
21:19Do you want Flick moving in with me?
21:20You like her that much, you'd use her as leverage.
21:22If today's taught us anything, it's we're going to win.