Ángela Cap 2
Category
📺
TVTranscript
00:00Oh
00:19Is a complaint in Diaz desde la desaparición de la joven arquitecta
00:22The canelope
00:24¿Y qué es lo que ha pasado con el canelope?
00:26¿Trabajaba con vosotros, no?
00:28¡Mami, mami! ¡Ha picado otro!
00:30¿Todo esto habéis pescado?
00:32¿No había roto esta mierda?
00:34¿Qué te pasa?
00:36Han reventado el coche. Todo el capo ha bollado.
00:38Ángela, que yo no denuncié a Gonzalo. ¿Cómo te lo tengo que decir?
00:40Yo ya no sé cómo decírtelo.
00:42No fui yo, Gonzalo.
00:44¿Esto es para ti? ¿No te acuerdas de mí?
00:46¿Y tú? ¿Eduardo Silva?
00:48Que no voy a follar contigo porque te dé pena.
00:50Gonzalo quiere matarte. Me contrató a mí para que lo hiciera.
00:53Si vuelve a pasar, ¿qué hacemos?
00:55Ángela, ¿todo bien?
01:22¿Estás bien?
01:52¿Estás bien?
02:22¿Estás bien?
02:38Chicas.
02:46¿Irati?
02:48¿Maya?
02:50Chicas.
02:56Chicas, ¿qué hacéis? ¿Dónde estáis?
03:21Hola, soy Gonzalo.
03:23En este momento no puedo atenderte.
03:25Por favor, deja tu mensaje.
03:29Si hay emergencias, ¿en qué puedo ayudarle?
03:31Hola, llamo porque mis hijas no están.
03:33Si me puede decir su nombre, por favor.
03:35Sí, Ángela, a recarte.
03:37De acuerdo, Ángela. A ver, ¿qué sucede?
03:39No lo sé, no lo sé. Es que no están.
03:41Creo que se las han llevado.
03:43¿Quién?
03:45Su padre.
03:47¿Que su marido se ha llevado a sus hijos?
03:49Hola.
03:51Gonzalo.
03:52¿Dime?
03:53¿Dónde estás?
03:54¿Dónde voy a estar, Ángela?
03:55¿Dónde están las niñas?
03:56En el barco, conmigo.
03:58Ay, muy bien, y no me dices nada.
04:00Pero si te lo dije ayer.
04:01No, no me has dicho nada, Gonzalo.
04:03No me has dicho nada.
04:04Ángela, que lo hablamos ayer en la cena.
04:06Que me las iba a llevar a pescar.
04:07No.
04:08Pero si te dije que vinieras.
04:09¿No te acuerdas?
04:10Me dijiste que no, que mejor nos veíamos después en la comida,
04:12en el puerto.
04:14Ángela.
04:16¿No te acuerdas?
04:18¿De verdad me lo dijiste?
04:48Sí.
05:18¿Qué tal?
05:31Me alegro mucho de que me hayas llamado.
05:32Sabía que lo harías antes o después.
05:34Ah, sí, ¿lo sabías?
05:35Sí.
05:36Pues yo no, la verdad.
05:38¿Sabes qué me ha pasado, Ed?
05:40Que acabo de llamar a emergencias porque creía que mi marido
05:42había secuestrado a mis hijas y no entiendo por qué me estás
05:44haciendo esto.
05:46¿Has estado con él entonces?
05:47Sí, claro.
05:48Me he levantado y le he dicho buenos días, amor.
05:50¿Es verdad que quieres matarme?
05:52Vale.
05:53O sea, que sigues sin creerme, ¿no?
05:55¿Quién eres?
05:57¿Pero cómo que quién soy?
06:01Ángela, necesito el dinero.
06:02Mi hermana está enferma, ¿no entiendes?
06:05Por eso acepté el trato.
06:07No soy un hijo de puta, joder.
06:10Créeme, por favor.
06:12Sigue.
06:19Soy de Barrica, en realidad.
06:20Mi familia es de allí, de siempre.
06:22¿De Barrica?
06:23Sí.
06:25Esa casa es lo único que tenemos.
06:28Y Gonzalo y otros cabrones aparecieron un día de repente
06:30y nos dijeron que de eso nada.
06:33Nos enseñaron un montón de papeles y de mierdas y nos
06:35dijeron que allí necesitaban construir, que eso era suyo.
06:38Que no teníamos ningún derecho a extrair.
06:43¿Tú le destrozaste el coche?
06:46Porque cuando lo vi allí con su traje y su cochazo me dieron
06:48unas ganas de reventarle la cabeza.
06:51¿Tú sabes lo que me dijo?
06:54Que si tantas ganas tenía de matar, que por lo menos lo hiciera
06:56por pasta.
06:57Y entonces me ofreció 200.000 euros por matarte.
07:01¿200.000?
07:02¿200.000?
07:05¿Qué?
07:08Que sigues sin creerme, ¿no?
07:12Cuéntame tu plan, Edu.
07:13¿Cómo ibas a hacerlo?
07:15Pues mira, Gonzalo quería que lo hiciera en vuestra casa.
07:18Pero yo no me fiaba de él un pelo.
07:20Así que cambié de sitio.
07:22Quería un lugar en el que estuviéramos solos.
07:26¿Y me llevaste a casa de tu amigo por eso?
07:34Vaya.
07:37Es raro que tampoco lo hicieras allí porque te lo puse
07:39bastante fácil, ¿no?
07:45Sí, la verdad.
07:48Me lo pusiste muy fácil.
07:51Pero no pude, no fui capaz.
07:57No te creo nada, Edu, nada.
07:59Ángela.
08:00No me sigas.
08:01Ángela, espera.
08:02¿Cómo coño ibas a haber hecho tantas cosas sobre tu vida?
08:04Piénsalo un momento, piénsalo.
08:05Por favor, cualquiera sabe cosas de mi vida.
08:09Estuvimos él y yo horas al teléfono hablando de ti.
08:11Horas.
08:12Tiene que estar registrado en algún sitio.
08:13Las llamadas, los detalles, algo.
08:15No me vas a convencer de que Gonzalo es un asesino.
08:17Bueno, vale, vale, muy bien.
08:18Pero haz una cosa, mírale el teléfono.
08:21Mírale el móvil.
08:22Confía en mí, joder.
08:24No te quiero ver más.
08:25Mírale el teléfono, Ángela.
08:27El teléfono, míraselo, por favor, hazme caso.
08:58¿Yichi?
08:59Hola.
09:00Ya, ya, ya lo sé, perdona, perdona, es que las peques se pusieron malas.
09:04Sí, te lo prometo, te prometo que la próxima cena de chicas no me la pierdo.
09:09No, te llamaba porque me he acordado de ti.
09:11Sí.
09:12Por cierto, ¿cómo estás?
09:13Bien, ¿y tú?
09:14Bien, ¿y tú?
09:15Bien, ¿y tú?
09:16Bien, ¿y tú?
09:17Bien, ¿y tú?
09:18Bien, ¿y tú?
09:19Bien, ¿y tú?
09:20Bien, ¿y tú?
09:21Bien, ¿y tú?
09:22Bien, ¿y tú?
09:23Bien, ¿y tú?
09:24Bien, ¿y tú?
09:25Bien, ¿y tú?
09:26Bien, ¿y tú?
09:27Bien, ¿y tú?
09:28Bien, ¿y tú?
09:29Bien, ¿y tú?
09:30Bien.
09:31¿Has preguntado a alguien por mí en el pueblo?
09:32No, cosas de cuando éramos pequeñas, del instituto, no sé, algo así.
09:33No, verdad.
09:34No, no, no, todo bien, sí.
09:35Amor, ¿te importa que te llame luego?
09:42Es que sí, te llamo luego, perdona, ¿eh?
09:46De verdad, da besos a todas, es que tengo...
09:47Sí, ahora te llamo.
09:48Yes, I'll call you in a bit.
10:02Are you sorry about Mela's classes?
10:06Well, yes.
10:08But my son likes this sport. What are we going to do to him?
10:12They're a bit stretched, but hey.
10:15Some are good people.
10:16Well, you hold it.
10:19I'm only interested in one, but she's mad at me.
10:30You really didn't file the report?
10:33I didn't report Gonzalo.
10:35Angela, I'm going to repeat it a thousand times.
10:40And you know me very well.
10:42I would never file an anonymous report.
10:46It's okay.
10:47No, it's not okay.
10:49It was a report for misbehaviour.
10:52What's going on?
10:53Nothing's going on. It's a misunderstanding.
10:55Come on, Angela, don't fuck with me.
10:56No one files a report for misbehaviour because of a mistake.
10:59Esther, Gonzalo has many enemies.
11:01There are many people who are jealous of him.
11:03You know it too well, really.
11:04It's nonsense.
11:06The only thing that matters here is that my daughters don't find out about anything, please.
11:10Really.
11:12Call me whenever you want, please.
11:14Or if you want, you can come to my bar and we can talk, okay?
11:18Angela!
11:20I'm coming, Vicente.
11:22I'll call you this week for a coffee.
11:24You'd better.
11:26See you later.
11:28Look.
11:29What do you have there?
11:30Look, how wonderful.
11:32But, well...
11:34Come here.
11:36I'm going to show you how it's prepared.
11:37Yes, because I don't know.
11:44This is sucked.
11:45As the saying goes.
11:46Look, the first thing.
11:48Take out all the guts.
11:50Like this.
11:52Be careful not to spill the ink or you'll get lost.
11:55Remove the spine.
11:57And now.
11:58Mother of the lamb.
11:59Look.
12:00You take it like this.
12:03You take it like this.
12:04And you turn it around.
12:05Like a sock.
12:07You pass it through water, you put the filling in.
12:09And that's it.
12:10Chirpon.
12:12Look.
12:13There's your wheat.
12:15How happy the girls were this morning with their father.
12:28Mom!
12:29Hi, my love.
12:33Hi, my love.
12:34Hi.
12:36What have you done?
12:37Many things.
12:38Yes?
12:39Yes.
12:40Look, there was another one back there.
12:43I tied it myself.
12:45You alone?
12:46Yes, with a baguette knot.
12:48They say it's very stringy.
12:50You shut up, at least you know how to do it.
12:51Well...
12:52Have you told mom what we've seen?
12:54What have we seen?
12:55Dolphins!
12:56How were they?
12:57They were huge.
12:58They were everywhere.
12:59They were very, very big.
13:00Gonzalo.
13:02The harpoon and the girls.
13:04The harpoon?
13:05The harpoon, he says.
13:06What harpoon?
13:07This is a trident.
13:08What is it, dad?
13:09Posseidon!
13:10The king of the seas!
13:12Come on, let's eat.
13:13Let's see those feet.
13:16Let's see.
13:18Come on.
13:20One foot.
13:21The other.
13:25Angela.
13:28Help me empty the winery.
13:38That's it.
13:43That's it.
13:44Next.
14:06What are you doing?
14:08Nothing.
14:09What are you talking about?
14:11I can't believe it.
14:12Since the race,
14:13Laura has been telling me
14:14that she left her handkerchief here.
14:15And I'm like, no, no.
14:16And look.
14:17But it's Laura's.
14:18I said Laura, didn't I?
14:21What's wrong with you today?
14:23Come on, let's eat.
14:36I swear,
14:37I moved my eyes.
14:38Stop it.
14:39It's true.
14:40I moved my eyes.
14:42Stop it.
14:43Mom.
14:44Mom says he's alive.
14:47Don't listen to him.
14:51No!
14:52No!
14:54Girls.
14:55It's okay.
14:56Come on, sit down.
14:57Give me your hand and I'll go to you.
14:58No, the other one.
14:59You touched the fish.
15:00Now you're going to touch your hair.
15:02I'm sorry, honey.
15:03I went to the car to leave my things.
15:05I ran into Fernando and Laura
15:07and I got into a fight.
15:08With Laura?
15:09She's hot, isn't she?
15:11Did you give her the handkerchief?
15:12Hey, this is nice.
15:14Let's take a picture.
15:18What if you gave the handkerchief to Laura?
15:20Of course.
15:21Why?
15:22No reason.
15:23Girls, that smile.
15:27How is it?
15:30A little dry, right?
15:36Are you hungry?
15:38Yes.
15:59What are you doing?
16:00What are you doing?
16:03Vicente gave them to me
16:04and I felt sorry to freeze them.
16:07Does it bother you?
16:10You're not doing it right.
16:11Let me do it.
16:12No.
16:13You'd better go down to the winery and bring some wine.
16:15You'll feel better.
16:21Blanco.
16:30Blanco.
16:56They're calling you, honey.
16:58What for?
16:59I was going to bring it to you.
17:03Juan, look at her.
17:04I'm sorry. Here.
17:06The truth is...
17:11I'm sorry.
17:15Corka, tell me.
17:20Really, girls?
17:21Do we lose our backpacks every day?
17:24They're here.
17:29Come on.
17:37Angela.
17:38Yes?
17:39Go downstairs. We're not there yet.
17:41We have a party tomorrow.
17:42Take it to Tinti.
17:43Should I tell Bego?
17:44No, no, not Bego.
17:45She took care of it last time and it was a disaster.
17:48I'm going to get a coffee.
17:51Let's go downstairs.
17:59Hey, a kiss.
18:00Where are you going?
18:05It's cute.
18:06Bye, Mommy.
18:09Maya, wait.
18:11Your hand.
18:12Come here.
18:13What?
18:15One thing.
18:16Very important.
18:17We're staying here this afternoon, okay?
18:19And nobody moves until I get there.
18:21Okay.
18:22Okay.
18:23Is that clear?
18:24Yes.
18:25Very good.
18:26Bye.
18:27Bye, honey.
18:28Have a good day.
18:38What are you doing here?
18:40Making sure you're okay.
18:42You're my bodyguard now.
18:43Angela.
18:44Gonzalo won't stop until I get him.
18:46If I see you again, I'll call the police.
18:48Do it.
18:49You must have someone else to do it.
18:51I swear I'll call the police, Edu.
18:59I'm sorry.
19:12The fascination of the human being for crime,
19:14for finding out who committed it,
19:16and above all, why he did it,
19:18is something that has always been present throughout history.
19:22In this podcast, we will analyze the usual reasons
19:24that lead a person to commit a murder
19:27and make a special emphasis on the so-called serial killers.
19:47Yes? Who is it?
19:48Okay, perfect.
19:50Tell my mother I'm going to see her,
19:52but that I'll be a little later than I told her.
19:55Don't scare her.
19:57Thank you, Maribel.
20:01Thank you.
20:02You're welcome.
20:03Here.
20:09How's your mother?
20:10How is she?
20:11Well, she started a therapy with dogs,
20:14they just assigned one to her.
20:15With dogs?
20:16Yes.
20:17I thought that was only done with horses.
20:19And how is she?
20:20Does it work?
20:21Well, let's hope so,
20:22since she just started.
20:24That's great, I'm so glad.
20:27Hey, Gonzalo gave you back the handkerchief, didn't he?
20:31Let's see...
20:32The handkerchief...
20:36The one you left in our boat.
20:39The handkerchief I left in your boat?
20:41I don't know what handkerchief.
20:43No, no, I'm sorry.
20:46This is Rocío.
20:47I'm sorry, I have a terrible headache.
20:48It's okay.
20:50I'm fine.
20:51Well, now that we're with the reform, I won't tell you.
20:54The other day, I took Luca to school,
20:56I gave him a kiss,
20:57and I realized that my poor boy
20:59was wearing shoes from walking around the house.
21:01Don't tell me, I'm telling you.
21:03Oh, wait.
21:04I'm going to get some pastries that you're going to love.
21:13Handsome.
21:15How handsome, my child.
21:17Isn't he?
21:21Oh, how nice.
21:24Hi, Mom.
21:27Hi, Mom.
21:28Hi.
21:30Look at those little eyes.
21:31Look at those little eyes.
21:33Mom.
21:35Look, he looks at me just like he did when you were little.
21:38Mom.
21:40Mom.
21:41Yes?
21:43Would you like to go on a trip with the girls and me?
21:46And Maribel?
21:47And Maribel, too.
21:51We could go to the south, to Malaga or Almería,
21:53something like that.
21:54Would you like that?
21:55But why would we go to Almería in this heat?
22:00What you have to do is bring the girls here.
22:03So many boats and so much fog.
22:06Here, yes.
22:07Here, yes, my dear.
22:25Mom!
22:26Mom!
22:27Mom!
22:28Mom!
22:29Mom!
22:30Mom!
22:31Mom!
22:32Mom!
22:33Mom!
22:34Mom!
22:35Mom!
22:36Mom!
22:37Mom!
22:38Mom!
22:39Mom!
22:40Mom!
22:41Mom!
22:42Mom!
22:43Mom!
22:44Mom!
22:45Mom!
22:46Mom!
22:47Mom!
22:48Mom!
22:49Mom!
22:50Mom!
22:51Mom!
22:52Mom!
22:53Mom!
22:54Mom!
22:55Mom!
22:56Mom!
23:20Irati?
23:21Hello?
23:24Look, there's no one left here.
23:26What about my daughters?
23:27I don't know.
23:28Do you want me to help you look for them?
23:30Yes, please.
23:40Irati?
23:43Maya?
23:47Where is she?
23:51Irati!
23:52Maya!
23:53Ana, have you seen my daughters?
23:55No, I haven't seen them.
23:56Don't worry, they'll be playing around here.
23:58I can't find them.
24:04Where are they?
24:05I can't find my daughters.
24:11Where are they?
24:14We're looking for them, don't worry.
24:17What do you mean I'm not worried?
24:18Jenny, where are they?
24:19Are you sure they're downstairs?
24:21No, I'm not sure.
24:22Have you lost your daughters?
24:23Don't worry, no.
24:24No, no, no, please.
24:25Have you really lost your daughters?
24:26Mom!
24:29Please, where were you?
24:34I was so scared.
24:39Don't ever leave with anyone, okay?
24:42With anyone.
24:43Just me, okay?
24:45Irati wanted to go to the bathroom.
24:47Okay, it's okay.
24:48I'm sorry.
24:49I'm sorry, I scared you.
24:52I'm sorry.
25:06Dad!
25:09Dad!
25:11Girls.
25:13Dad! Dad!
25:15Dad!
25:17Dad! Dad!
25:19Girls, your backpacks!
25:21Girls, your backpacks!
25:51Lisa!
26:12I need a gun!
26:15I need a gun!
26:21I need a gun!
26:38Thank goodness.
26:40I was falling asleep.
26:42Yeah, there were things to pick up downstairs.
26:46Yeah.
26:49Don't you read today?
26:50No, I'm tired.
26:52Oh, you're tired.
26:55Why are you so tired?
26:57What have you done today?
26:59The usual.
27:01Read, run.
27:03Read, run.
27:06Go see Laura.
27:09What?
27:11What?
27:13You went to see Laura, didn't you?
27:15Yeah, well...
27:16I ran out of battery in my phone and I had to call my mother.
27:19I needed to charge it.
27:20Your mother.
27:22I see.
27:26Do you know that the girls are going on a trip next month?
27:30Yes.
27:31I've heard that.
27:33Yes.
27:34Two days.
27:35Yes.
27:36What are you going to do two days without your girls?
27:41Well...
27:42Well...
28:06Come on, girls, I've got my backpacks.
28:09What are you doing in your pyjamas?
28:12We're not going to school.
28:13What do you mean you're not going to school?
28:14Dad said so.
28:15It's a surprise.
28:16Dad is here.
28:18What are you doing here?
28:19You're going to love it, you'll see.
28:21I'm going to the bathroom, come on.
28:23But what bathroom on a day like this, Gonzalo?
28:25Do you know that it's sunny here in 20 minutes?
28:28Come on, let's jump right in.
28:30Yeah!
28:40Tell Dad I've gone out to throw away the trash.
28:42Okay.
29:01Where are you?
29:03No, I've got two minutes, I've told you.
29:09Did you kill Neca Neortiz?
29:11What?
29:12That if Gonzalo asked you to kill Neca Neortiz.
29:15Angela, I met your husband a week ago.
29:17That girl disappeared months ago.
29:20His handkerchief has appeared on my boat and I don't know why.
29:23And he has changed the password on his cell phone for the first time in ten years.
29:26I don't know what's going on, I don't know if I'm going crazy or...
29:28No, no, no, calm down, please, calm down.
29:30I know what we have to do, trust me.
29:32No, I don't trust you.
29:34I have to go.
29:35No, Angela, listen.
29:36Your husband is dangerous.
29:37I have to go.
29:39Okay.
29:53So, what do I have to look for?
29:55A magical fish!
29:57A magical fish.
29:59I'm going!
30:06What color?
30:07Rainbow!
30:08Rainbow?
30:09How difficult!
30:10I'm going!
30:23Where are you going?
30:26Gonzalo!
30:28Hey!
30:30Hey!
30:38Hey!
31:05Hey!
31:07I'm here!
31:20It was a joke, Mommy!
31:23But you believed it!
31:25How are we going to leave you here?
31:37I love you.
31:48Come in.
31:53How beautiful, Angela.
31:54Yes?
31:55Yes, this is great.
31:56Picked up?
31:57Loose?
31:58No, picked up.
31:59Picked up.
32:00Should I put the fish for dinner?
32:01Yes.
32:02Well, Maya has already told me that she doesn't want it.
32:03Maya never wants it, but she has to eat it.
32:05Don't listen to her.
32:06Angela, my suit?
32:08It's downstairs.
32:11I'll put it up for you.
32:12Give them dinner.
32:16Angela!
32:17I'm coming.
32:32Honey, I made a mistake.
32:35I forgot to pick up the suit.
32:39I'm really sorry.
32:47What?
32:49I forgot it, Gonzalo.
32:52But you have many beautiful suits. It's not that bad, is it?
32:59It's not that bad.
33:01I'm sorry.
33:04I'm sorry.
33:34I'm sorry.
34:05It's not this way.
34:26What are we doing here? I'm scared.
34:28Angela.
34:34I feel really bad.
34:38I swore it wouldn't happen again.
34:49Does it hurt?
34:55It's okay.
34:56Of course it's okay, Angela.
34:58Of course it's okay.
35:01We can't go on like this.
35:04We can't.
35:11You're nervous.
35:13It's an important day.
35:17I need you to forgive me.
35:23Please.
35:25Forgive me.
35:34Okay.
36:04I'm sorry.
36:22Hello, hello. Good evening.
36:24Well, ten years of this Architecture Institute.
36:27Congratulations to all of you.
36:28And most of all, for this last year that...
36:31What a year.
36:32A rollercoaster that I'm going to tell you about.
36:36The thing is that I play with an advantage.
36:39I cheat.
36:41Because I have next to me the most wonderful woman in the world.
36:45Angela, my love, thank you very much.
36:48I know I'm not always easy, but you make me a little better every day.
36:54And my success is your success.
36:57Thank you.
37:02Let's see who else we have here.
37:05Jaime, my partner.
37:07I can't think of a better partner than Jaime.
37:10I love you very much, my friend.
37:12Likewise.
37:13Thank you.
37:14And who else do we have?
37:16Javier, the magician of numbers.
37:19Thank you very much.
37:21Well, I could keep saying names and it would never end.
37:25But let me say a few words.
37:28Necane.
37:30We miss you very much, partner.
37:33And hopefully we'll hear from you soon.
37:36And well, congratulations to all of you for another 10 years.
37:42Thank you very much.
37:59Well, I'm training hard.
38:01I'm good at swimming and cycling, but I'm good at running.
38:04We'll see if I can get over the wall.
38:06What wall?
38:07What they say happens between 30 and 33 kilometers.
38:10It's like your strength fails and you stay there.
38:12Are you telling me that you do all this for pleasure?
38:16Anyway, the one who runs very well and likes it is Angela.
38:19Right, honey?
38:20Really?
38:21It relaxes me a lot, yes.
38:24I'm going to get something to eat because I'm hungry.
38:27Hey, hey, hey, I ordered it, I know you like it.
38:34Champagne, please.
38:40Angela?
38:41Come on, the guys want to say hello to you.
38:43Yes, of course.
38:45The party was great, huh?
38:47Very good.
38:48Juan, Javier.
38:49Angela, where are you going?
38:51Congratulations, guys, for everything.
38:53Thank you very much.
38:55And I didn't know Necane, but I'm very sorry about what you're going through.
38:59Yes, sometimes it's a bit difficult to work seeing your chair empty.
39:05Have you kept your position?
39:07Yes.
39:08And the police took his computer, some papers.
39:11We haven't touched anything.
39:12We've left everything the same in case one day, suddenly...
39:14He's not coming back, Juan.
39:15Don't say that.
39:17Well, I've left the imitation of my wedding on his table.
39:20Even with the wedding.
39:23Excuse me.
39:24See you later, Angela.
39:52Thank you.
40:22Thank you.
40:53Thank you.
41:04You've been very good at the end.
41:08Did you like my speech?
41:11Very much, yes.
41:17No, no, no, no, no!
41:19Yes, take it.
41:20The phone.
41:21Come on, the phone.
41:22The phone, damn it!
41:23Take off the bag.
41:25The bags!
41:27Now, now, now, please.
41:28It's done.
41:49THE NEXT DAY
42:13Have you gone mad?
42:14You attacked us yesterday with a real knife.
42:16We weren't going to hurt Angela.
42:17You weren't going to hurt her? What's wrong with you?
42:19Calm down, calm down.
42:20I told you I was going to help you, didn't I?
42:21Help?
42:22Yes, help, yes.
42:23For this.
42:25A colleague has managed to unlock it.
42:26It's not stupid, huh?
42:27There's nothing.
42:28No messages, no calls, nothing.
42:29I told you.
42:30But there's one thing I haven't taken into account.
42:34Erase the messages from the receiver.
42:35Message received on June 12 at 23.07.
42:41Gonzalo, stop sending me messages, please.
42:43It's over.
42:44I'm going to leave the studio.
42:45Forget about me, please.
42:48To listen to the message again, press 1.
42:50To delete the message, press 2.
42:52Is that really me?
42:54After you disappeared.
43:01I don't know what to do.
43:03You'd better go to the police.
43:04Me?
43:05Yes, take it.
43:06Take Gonzalo's cell phone and use it as evidence.
43:10Is there anything here that could hurt you?
43:12That, I don't know, could relate to you?
43:16Are you worried about me now?
43:18Edu, please.
43:22There's nothing, don't worry.
43:42I love you.
44:13Good morning.
44:14Good morning.
44:15Ángela?
44:19What are you doing here?
44:20I thought you were in the office.
44:22I came for the complaint.
44:24And you?
44:25Well, because it's going to be the same thing.
44:26How did it go?
44:28Well, imagine.
44:29These people are useless.
44:31Well, they don't have much to throw either.
44:33No, my phone has the locator.
44:34Pretty accurate, too.
44:36What happens is that she doesn't want to do her job,
44:38which would be going door to door.
44:39In the end, I'm going to have to do it.
44:42Come on, I'm meeting Fernando, he's going to help me.
44:49What a scare yesterday, huh?
44:51Yes.
44:52But hey, the important thing is that she's sleeping.
44:54Yes.
44:55I'll see you at home.
44:57See you.
44:58See you.
45:12Bye.
45:42Bye.
45:43Bye.
45:44Bye.
46:12Bye.
46:13Bye.
46:14Bye.
46:29We've already seen this three times.
46:31Because it's very cool.
46:34Yes, one that I had seen at Alain's house.
46:36It's very cool.
46:37I'm sure you'll love it.
46:39Girls, we have to decide.
46:40We're running late.
46:41Okay?
46:43How are you?
46:44Hello.
46:46Have you found it?
46:47No.
46:48I should have given it up.
46:49I don't know what the fuck to find it.
46:51In the end, I bought this one.
46:52Do you like it?
46:53Yes.
46:54If you want, tomorrow we're going to porn for you.
46:56Sure.
46:57We were going to see a movie.
46:58Do you feel like it?
46:59Yes.
47:00I'm going to make popcorn.
47:11I'm going to make popcorn.
47:37Who are you?
47:38Who are you?
47:39You are destroying me.
47:40Gonzalo is at home.
47:42I know. I followed you to the police station. You didn't do anything.
47:44Because he was inside.
47:46I know. I know.
47:48Then he's seen someone.
47:49Yes, he was with a friend or something.
47:51He wasn't a friend, I assure you.
47:53He looked like he was shaking his wrist. We have to do something now.
47:55Do what? What do you want to do?
48:01Whatever.
48:04No, no, no, no.
48:05Listen to me. It's important that you listen to me.
48:07You can't be alone. Do you hear me?
48:10If you stay alone, they'll kill you.
48:12Do you understand?
48:13Yes, go, go, please.
48:15Don't be alone. Listen to me, please.
48:17Don't be alone.
48:18Okay, go, go, please.
48:40Don't be alone.
48:58Palomitas!
49:05Pancho!
49:11Shit.
49:12I have to go to Madrid tomorrow.
49:15To Madrid?
49:17Yes, but only one day.
49:19At most two. I don't think more.
49:21We have to go.
49:25Did you hear that, Pancho?
49:27You're coming home!
49:31Did you hear that, Pancho? You're coming home!
49:41I'll never ask you for anything. Never. Just today.
49:44Do you think I'm going to Madrid because I want to?
49:46Because I'm an idiot and I like to take planes just because?
49:50Mom, are you okay?
49:53Gonzalo is a manipulator.
49:55And he won't stop until he gets it, and you know it better than anyone.
49:58Edu, please, you're asking me to kill my daughters' father.
50:01Until I don't kill you.
50:03Edu, he's going to do it today.
50:05He's going to do it today.
50:06How does he know his husband wanted to kill him?
50:08It shouldn't be that easy to kill someone, right?
50:10Edu, don't do it. This is crazy. Please, don't do it.
50:13Do you know who Eduardo Silva is?
50:15Eduardo Silva?
50:16I'm taking the girls. I'm going to the police and I'm going to tell them everything.
50:19What are you saying?
50:20I'm his lawyer.
50:21Later.
50:22It was Gonzalo. It's a trap.
50:23There was no body in the garden.
50:25How can there be no body if I saw him there? He was lying on the floor, face down.
50:29Please, he killed a man.
50:31He killed his father. He was full of work. Don't leave my daughters with him.
50:34He killed his father. He was full of work. Don't leave my daughters with him.
50:37Angela, do you realize that right now there's nothing that certifies what you're telling us?
50:41I only know that I'm telling the truth.