• 4 ay önce
Döküm
00:00♪♪
00:31But don't assume anything romantic.
00:33No one is going to talk to the Civil Guard for now.
00:35It's just that if we had reported him at the time,
00:37we would have saved all this.
00:39But what do you want?
00:40What do you want? To see my daughter in a dungeon?
00:42If the judge decides so, yes.
00:46And if he doesn't want to see me again?
00:48But don't say nonsense.
00:50Martina knows enough about the love you have for her.
00:53The love that you haven't been able to show her.
00:56And I would understand that he would like to put dirt on you.
00:59What is that obsession with Mr. Curro due to?
01:02Haven't you heard that Martina has escaped from the sanatorium?
01:05Do you suspect that I have something to do with that escape?
01:10Has anyone seen her?
01:12I understand that yes.
01:13But if you want, I can question my maids for biases.
01:18None of the maids suspect the absence of Mr. Curro.
01:21I myself have taken care of bringing Mr. Curro's food
01:24so that it seems that he continues to eat as usual.
01:26I have also taken care of undoing his bed every morning
01:29and tidying up the room a bit.
01:31Your generosity to me has been infinite.
01:34Are you throwing me out of the promise?
01:36No. Never.
01:39You know that the doors of my house will always be open to you.
01:43But I can't pretend that you abandon your life to take care of mine.
01:47It is the last favor I ask of you, friend.
01:50I want you to know that I am totally opposed to the decision of the Marquis.
01:53I am also sorry to leave
01:56and miss the opportunity to meet you in person.
02:04It is a shame that Cruz separated our paths just now that they began to join.
02:11If I have brought you here, it is to tell you that we are moving forward with the jam.
02:15So Virtudes has changed her mind?
02:18My daughter doesn't give a damn.
02:20This is our business.
02:22Cruz and you have to make peace.
02:24That woman hates me,
02:26as she also hated Tomás.
02:29She only behaved well at first,
02:31as a strategy to get what she wanted, which was to marry you.
02:34Virtudes, whatever you say, we are going to sell jam
02:37until we get the last peseta you need to get your son back
02:39and you can move in with him.
02:41Well said, Lope.
02:43So let's stop wasting time talking and ...
02:46Take a spoon and start filling your rice.
02:50Do you remember the ruckus that was created by the woman who was not invited to the blessed snack?
02:56Yes.
02:57Well ...
03:00That woman,
03:02the Duchess of Carril,
03:06is my mother.
03:07Think about it, what sense does it make that I want to invite
03:10no one to a snack from Mrs. Margarita?
03:13You are right.
03:15This had to be someone who wanted to ruin that snack.
03:20Although everyone insists on looking the other way, I ...
03:24I have the firm determination to find out
03:26what happened to the fifth guest at Mrs. Margarita's snack.
03:31Tell me, Vera.
03:33What do you know about the Duchess of Carril?
03:40The Duchess of Carril?
03:42I don't know what could happen to that lady.
03:44Come on, Vera. Don't play dumb.
03:46I'm telling the truth, Mr. Arcos. I don't know why they ask me about her.
03:50Well, because the Duchess of Carril made the promise to Mrs. Margarita's snack
03:54and no one knows how she received that invitation.
03:57And should I know? I'm just a maid.
04:00Yes.
04:02A maid who was present at the snack.
04:05Yes. And?
04:07Well, I don't think
04:09you would hear anything.
04:11Do you think the Duchess of Carril would comment on your invitation
04:14if everything turned out to be so strange?
04:16No. She didn't say anything. At least not in front of me.
04:19Are you sure?
04:21I guarantee it, Mr. Arcos.
04:23All I know is that the Duchess received an invitation like everyone else
04:26and that Mrs. Margarita didn't want to say anything during the snack
04:29to avoid uncomfortable situations.
04:31Yeah. Well, someone had to send that invitation
04:34since the Duchess received it.
04:36As you well know, I clean and iron.
04:39I'm not going to send invitations.
04:41Yeah. And I highly doubt that you ever perform
04:44a task of such responsibility.
04:49Look, do you know if Santos and the Duchess of Carril
04:52knew each other before?
04:55As far as I know, no.
04:57Why do you ask that question?
04:59No, nothing.
05:01Something must have come up, right?
05:03I was just thinking out loud.
05:05Who was in charge of sending those invitations?
05:10What do you mean, who sent them, Santos?
05:12What I said.
05:16Well, anyway, Mr. Arcos,
05:18I don't know why you're so involved in this matter.
05:20In my opinion, it's not such an important matter
05:22and Mrs. Margarita and Mr. Baeza decided to let it go.
05:25I asked for your opinion.
05:27And for you to know, the matter is very serious.
05:30Nothing happened, but it could have.
05:32I don't understand why.
05:35And what are you going to understand?
05:37Imagine that the Duchess of Carril
05:40had been on bad terms with some of the guests.
05:43Yeah, well, but that didn't happen.
05:45But it could have happened.
05:47And that would have ruined everything.
05:49Let's see if you find out right away
05:51that things are not done in this house like this.
05:53I suppose you're right, Mr. Arcos.
05:55I wish I could help you,
05:57but I don't know anything about those invitations
05:59or about that Duchess.
06:00Come on, get out of my sight.
06:02I've had enough of you.
06:04Let's go.
06:33The lights that have danced through our garden
06:37The new rumors
06:39Between the heart and the walls
06:43In the promise
06:45There will be particles of love in motion
06:49There will be secrets that will never come out
06:53It will be as beautiful as the flight of a plane
06:59In the promise
07:01The farewells are turns on the ground
07:05Even the flowers will dance in their own way
07:09Balancers between fear and passion
07:15We are like a jump to the D3
07:19We are love when life or death is squeezed
07:23A long way to go
07:27In the promise
07:29In the promise
07:32We are like a jump to the D3
07:36We are love when life or death is squeezed
07:40A long way to go
07:44In the promise
07:46You will be a matter of luck
07:56Do you have a lot left with the newspaper?
07:58I'm finishing the social echoes.
08:00I'll pass it to you right now.
08:02I have been told that the civil governor of Alicante
08:04intends to retain all the wheat harvest in his province
08:07and I wanted to know if the press says anything about it.
08:10And why do you want to do that?
08:12I understand that the producers can sell it,
08:15but only within the province of Alicante.
08:18Do you think they could force us to do something like that here?
08:21I wouldn't be surprised if our governor did something similar.
08:25There is no right.
08:27How can those people get their noses into who we sell what is ours?
08:31Everyone talks about freedom as long as they don't govern.
08:33But as soon as they come to power, it's always the same story.
08:36Yes. In any case, all our cereal production goes to our neighbors.
08:41So better tell me what the social echoes say.
08:44I don't want to get angry.
08:46Well, not much, really.
08:48Like, for example, that Samson's princess has arrived in Algeciras
08:51and that the count of the corner is going to host her in his palace.
08:54That man is very good at hosting.
08:56Especially ladies who travel alone.
08:58Don't be malicious, Alonso.
09:00He's going to give a recital in his honor.
09:02Oh yeah?
09:04Very entertaining.
09:06Well, you know what? I don't think it's a bad idea.
09:09In fact, we could do something similar
09:11to celebrate Manuel's return.
09:13Is that enough with the dinner you organized?
09:16You know that dinner ended like the Rosario de la Aurora.
09:19And what guarantees us that this is not going to end the same?
09:22I'll make sure that Catalina doesn't feel like a starved corpse at the table.
09:26Adriano is not a starved corpse.
09:28He rents an important part of our lands.
09:30You have to get along with those people.
09:32Well, we can get along with them in the distance.
09:35We don't need to have them close, suffocating us.
09:37Cruz, get off your pedestal.
09:40Why do you always take me the other way around?
09:42In fact, I've listened to you about my friend Maria Antonia.
09:46And I agree that it's time to abandon the promise.
09:49You're right. We've been to one of those.
09:52This recital would not only serve to celebrate Manuel's return,
09:56but also as a farewell to Maria Antonia.
09:59Don't look for more reasons.
10:00It's clear that you've got that recital in your head.
10:03Maria Antonia deserves something more than a simple goodbye.
10:06The reception helps me when I need it the most.
10:09And I'm very grateful, aren't you?
10:11Yes, yes, of course.
10:14Very well, no more talking.
10:16We'll invite some friends and hire some musicians.
10:21Come on, I'll let Petra know so we can get to work as soon as possible.
10:27I don't know if I should tell Maria Antonia or let it be a surprise.
10:32Whatever you say.
10:34I'll leave you with your things.
10:39BELL RINGS
11:10CLEARS THROAT
11:12Were you calling me, ma'am?
11:14Yes, I've thought of organizing a recital to celebrate my son Manuel's return.
11:19I think it's an excellent idea.
11:21Me too.
11:22But in order for it not to remain just an idea,
11:24we have to get to work on it actively.
11:27Besides, the recital would not only serve to celebrate my son's return,
11:31but also to say goodbye to my friend Maria Antonia, as she deserves.
11:35I didn't know you were going to leave us, Mrs. Maria Antonia.
11:39Well, it's time for me to return to your house.
11:42And the promise is not a free hotel where you can stay for months.
11:46Although some seem to believe so.
11:48You're absolutely right, ma'am.
11:51And have you already thought of who you want to invite?
11:54I haven't decided yet.
11:56I'll give you a list of guests in a while so you can send them a notice.
12:00And you want me to be the one to call the musicians?
12:03Yes.
12:04We could invite that music quartet that came two years ago for my birthday.
12:09And any specific request for food?
12:11Because we will also have to decide the wines.
12:13Petra, for God's sake.
12:14If I have called you, it is for you to take care of it.
12:16Not for you to ask me everything.
12:18I thought the lady would like to take care of the details,
12:21as in previous occasions.
12:23Well, no. You are going to take care of it.
12:25I pay you to work.
12:26Not for you to walk around with a sad face.
12:28Yes, ma'am.
12:30So think about several menu proposals,
12:33look for several options for musicians to choose from,
12:36and also tell me what dates you think would be the most appropriate.
12:40And can I ask you if the lady wants the recital to be soon?
12:43As soon as possible.
12:45You think about options, you present them to me and I will choose.
12:49That's how I always worked, compadre.
12:51And I never had to be above everything.
12:53Be careful, ma'am.
12:55I'll take care of it.
12:56I hope so.
12:57I hope so.
12:58Let's see if now I'm going to have to miss a key master like Mrs. Darre.
13:02So come on, get to work.
13:15And where do we put them, mother?
13:19We'll put them under the beds.
13:22Not like Lope and Salvador, who have left them here in the middle.
13:24Because if someone comes in, they won't find them.
13:26And do you think they'll be safe here?
13:28Of course, daughter.
13:29This is the private room of María Fernández and Hanna.
13:32And they won't get mad when they come back and see that we used their room as a warehouse?
13:36How are they going to get mad?
13:37The girls are a couple of blessed, right?
13:39They're not going to get upset about something like that.
13:41I see.
13:42And if, by any chance, Beta discovers the jam, she's going to think it's her thing and I don't want her to ...
13:48Daughter!
13:49Daughter, you have to get the worst of yourself, okay?
13:52No one is going to find out anything.
13:55Besides, it was Hanna herself who had the idea of looking for the money for you.
13:59And I thank her.
14:01And me. And everyone.
14:03Because that girl, when she's not doing one person a favor, she's doing it to another.
14:08I'm alive thanks to her.
14:10I know. She told me.
14:13If it weren't because she convinced Mr. Manuel to bring a friend of hers, a doctor,
14:18to do that novel thing, I wouldn't be here now.
14:23Nor could I give you this kiss.
14:28And I would never have met my grandson Adolfito.
14:33Come on, let's put the boxes away.
14:36The important thing is that the jams are sold and that you get the money to get your son back.
14:41Because a child with whom he has to be, with whom he is best, is with his mother.
14:47Soprano has the agony of his mother.
14:50That is the reality.
14:52Have faith, daughter. Have faith.
14:55Come on, sit down, I'm going to pass you.
15:02There, in the back.
15:16Catalina?
15:26Catalina?
15:30Adriano?
15:32Wow, I'm glad you received me with such good disposition.
15:36What a surprise. I thought you wouldn't come to see me.
15:41I would like us to go for a walk.
15:45Where?
15:47We could go see the lands that I have leased to your family.
15:51After selling the jewelry and paying my debts, I listened to you.
15:54I made improvements to the land. I would like you to see them and tell me what you think.
15:59So, in addition to your management, you also want my opinion about your crops?
16:04My father had high esteem for you. He said he knew a lot about agriculture.
16:08He exaggerated, I don't know so much.
16:10Don't be modest. He didn't speak for speaking.
16:14That's fine. Although I'm sure you've done it very well and I can't tell you to help you.
16:19You never know.
16:20Let's see, don't expect anything spectacular, I don't have enough rooms.
16:24I also started managing the farm little by little.
16:28If you knew the trouble we went through at the beginning ...
16:31Trouble?
16:33Yes. I didn't have money to pay Tadeo for the forage he sold us for the animals.
16:37So I had to reach an agreement, to the desperate, with him.
16:41I had understood that things were not going very well, but I didn't know it was that bad.
16:45Yes, it was a very bad time.
16:48But little by little it was getting better and today the farm is doing well.
16:52You just have to see the crops.
16:54Catalina, I don't want to be indiscreet, but what was the agreement you reached with Tadeo?
17:02For a while, Tadeo made it easier for us to forage in exchange for a chessboard and for me to play with him every week.
17:12He gave you the forage in exchange for just playing a few chess games?
17:20That's right.
17:24Tadeo is a good man and he wanted to help me.
17:27You see, we both have a lot to thank him for the generosity of others.
17:32And you saved the lands for which my father worked for years.
17:36I will always be indebted to you.
17:39Last night when I saw that you were not coming to visit me, I ... I was a little upset.
17:47Some carpenters from the village came to fix the silo and I had to help them.
17:52I was thinking about it and I thought you would still be upset about the dinner with my stepmother and the frac.
18:00Well, a little upset, yes, I was, you know, but ...
18:04How was I not going to come to see you?
18:07It's still impossible.
18:09It's the same as telling the earth not to ask for water.
18:13I'm glad to see that you're not upset anymore.
18:16And me, that you will miss me.
18:19Well, yes, one is alone and the days are very long.
18:24Shall we take that walk?
18:26Yes, if you want, we can go to my house to eat later.
18:29Well, it's humble, but no one will come to bother us.
18:33Yes?
18:34Yes.
18:46Mr. Arcos.
18:56Mr. Arcos, your daughter.
18:58Mrs. Arcos, it's me, Santos. Let me in.
19:00No, you can't come in.
19:06You haven't heard me. I told you you couldn't come in.
19:09I just want to know what's wrong with her.
19:11I just saw her through the corridor like Alma who carries the devil.
19:14Nothing. Nothing's wrong with me.
19:17It is clear that something is happening to you.
19:20And it must be serious because you have a lot of temper and you do not allow yourself to be disturbed.
19:28The thing is that in this palace no one respects absolutely nothing.
19:32It is true that I have been very rude.
19:35And with whom have you had it now?
19:38With no one.
19:41Maybe if you tell me, you'll be calmer.
19:46You're right.
19:48Maybe it's good for me to vent with someone.
19:51Mrs. Marquesa, who has treated me today as if I were a rag to be taken off the floor.
19:58The Marquesa?
20:00And why?
20:02That's the worst.
20:05She has not come to tell me.
20:07She wants to organize a recital and ...
20:10It has been the most impertinent thing with you.
20:13A recital? Well, I hadn't heard anything.
20:16Because it had to happen to her today.
20:18She intends to celebrate the return of her son Don Manuel and the departure of his friend María Antonia.
20:24What I don't understand then is why she has taken it with you.
20:27No, not me.
20:29I intended to guess the thought to organize everything, but she didn't even know what she wanted.
20:35Not that you were divine.
20:37No, I'm not.
20:39And I need specific orders.
20:41As Diantres intends that I ...
20:43That I know the type of recital she wants when she does not explain herself.
20:46And how did she get with me just to ask?
20:50She must have gotten like that for something other than the recital.
20:53She got angry and took it with you.
20:55Gentlemen always take it with the service.
20:57You know that.
20:59No.
21:01I don't know.
21:03Mrs. Arcos, your work is impeccable.
21:06And you can't even get half a hit.
21:08You think?
21:09Of course.
21:11I think about it and the rest of the service, although it is difficult for them to admit it.
21:13Well, I know those ungrateful people would never shake my hand.
21:17Pure envy.
21:19I'm telling you.
21:21But don't listen to her.
21:23You just have to work and make deaf ears to the people around us.
21:27I see that despite your youth you are very smart and you can distinguish what matters and what does not.
21:34I learn from the best.
21:37Thank you, Santos, for worrying about me.
21:39You have to give them.
21:41Yes, you have to give them.
21:43Because I have an education.
21:45And because no one here worries about me.
21:49And for once someone does, yes, you have to thank him.
22:10Good morning.
22:12Sir, I didn't know you were coming.
22:15I'll pick this up right now and leave it to you.
22:18No, no, it's not necessary for you to leave.
22:20I've only come to leave a few things.
22:22Really, you don't mind?
22:24Really.
22:25You continue yours.
22:29Yes.
22:31Does it bother you in this corner?
22:33No, no, it's not going to bother me in this corner.
22:35Does it bother you in this corner?
22:37No, no, it's not going to bother me in this corner.
22:41I finish hitting on a parakeet.
22:44There is no hurry.
22:55Yes, I still have to clean the dust off the table.
23:00But since you have it full of things, I didn't want to touch anything.
23:06Do you see it very messy?
23:09I didn't say that, but maybe I do.
23:14Believe it or not, there is an order in all this chaos.
23:18Or at least I know where everything is.
23:21And it is clarified with so many papers?
23:24Yes.
23:26You see, the ideas that have no future, I leave them to the right.
23:32Those that have a possible future, I leave them to the left.
23:35And then there are the ideas in which I am working right now.
23:40And they are in the center.
23:42I, the truth is that if you don't tell me anything, I would have put everything together in a pile.
23:49Anyway, don't think that I am very organized.
23:54My mother, every time she enters my room, puts some glue.
24:02Of course.
24:06You are Simona's daughter.
24:13Likewise. Virtues to serve her.
24:18From a very young age she played with her sister Catalina and her brother Tomás, may he rest in peace.
24:24My mother always speaks wonders of Miss Catalina.
24:29She loves her madly.
24:32In this house we also love your mother very much.
24:36And the promise would not be the same without her.
24:39Nor would she eat so well.
24:41She has a good hand with the stoves, yes.
24:44Yes. And a golden heart.
24:47And in this house we are very grateful to her.
24:51And she, you, sir.
24:54And me.
24:56Thanks to you, my mother is still alive.
24:59Excuse me, what are you talking about?
25:02When you moved heaven and earth to heal my mother when she fell ill.
25:09Ah yes.
25:11Yes, I remember.
25:13Although in reality I only did what I had to do.
25:16Yes, your mother is alive and with us it is all thanks to Hanna.
25:21She is the one who should take the credit, she did not separate from your mother in a single moment.
25:25I know. And I thank her with my soul.
25:28Virtudes, speaking of Hanna, have they told me that she is out of the promise?
25:35Yes, she and María Fernández are helping a friend of Mr. Marqués.
25:41Something like that I have heard, yes.
25:44And do you know if she will return soon?
25:47No, but hopefully soon, because I miss her very much.
25:52I miss you very much.
25:54María Fernández is so funny, always with her sayings and her barbarities.
25:59Yes, that girl talks for the cozos.
26:01And Hanna does not imagine the jewel that is that Zagala.
26:07Yes, she seems like a good person.
26:10She is. Always willing to help with some sensible advice.
26:17Well, so I am not surprised that you miss her.
26:20It is to do it, sir, it is to do it.
26:25Well.
26:46So, Mrs. Candela, you are in charge of buying the sugar and the fruit.
26:50And since I'm going to town, I can take advantage of it.
26:53Perfect. Well, we're going to need four bags of sugar, seasonal fruit, but it has to be ripe, but not too much.
26:59It's too much, Lope.
27:02Perfect. Thank you.
27:05The boy is the conductor and he doesn't want anything to go to waste.
27:09I can put it in a jar if you want.
27:14Yes, yes, of course.
27:15Well, let's see if they are sold at a good price, because everything is having a lot of work.
27:20Yes, yesterday we were a little late.
27:23I don't know how we are going to thank you for everything you are doing for my virtues and my grandson.
27:28We are doing it well at ease, Simona, don't worry.
27:31The bad thing is that I don't know if it will be useful for something.
27:34Don't say that, Tancina.
27:36Of course it will be useful, Mrs. Simona.
27:38If we continue at this pace, we will arrive in time to collect the crops.
27:41Yeah, but it's not just the money, Lope, and you know it.
27:43And the accommodation.
27:45Yes, but what are we left with?
27:48That what we earn more would be destined to virtues.
27:50So that she can live in peace for a while with her son.
27:53Until she finds a job that can match her upbringing.
27:57Yes, that's right, but how long can we be like this?
28:00As long as the girl would be working to heal the people.
28:03Of course, that's not enough.
28:07Let's see, I can't find another solution.
28:09I think the best thing is to keep going with the jams, while we think of something else.
28:14Yes, the best thing will be that we focus on putting together all the rooms and then we'll see how we do.
28:18The important thing here is that Virtue is with her son as soon as possible.
28:21Well, yes, because as the saying goes, step by step the rooster gets stuck.
28:25Yeah, but ...
28:27No buts. Come on, Simona, this is not the time to get into the worst.
28:32That's right.
28:34We are going to start making more jams to sell them as soon as possible.
28:38Be careful so that Mr. Lorenzo doesn't find out about anything.
28:42Yes, well, if we already know.
28:44With the little money that the captain spends,
28:48as soon as he finds out what we are doing, he can get fat.
28:51López, do you think Tadeo will want to help us sell the jams?
28:57Of course, Mrs. Simona.
28:59First, because he is a great person and second, because the captain of the Mata is not in the business.
29:03Well, with Tadeo, we are going to sell the jams until the last jar.
29:06And I'm sure we'll get the rooms together soon.
29:09I hope so.
29:11Trust that everything has a remedy, except death.
29:21Happy?
29:23Why should I be?
29:25Stop pretending, Alonso.
29:27You know perfectly well what you're talking about.
29:30Well, no. But if you insist, I'll say yes.
29:33So that we can have the party in peace.
29:36Cruz has let me down very elegantly, and it's time for me to leave the promise.
29:40Ah, that's it.
29:42I told you days ago that you were no longer necessary here.
29:45And you told her too?
29:47We share everything.
29:49Everything? Really?
29:52María Antonia, I don't feel like arguing with you.
29:55So if you've only come for that, you can go.
29:58Are you also kicking me out of this room?
30:00I'm fed up with trifles.
30:03I wish you the best, really.
30:06And for that, it will be good for you to leave this house.
30:09It will also be good for you.
30:11I'm telling you from the bottom of my heart.
30:13You have to go back to your routine.
30:15You have to look to your future.
30:17And for that, you have to be in your palace.
30:19Sure. And stop bothering poor Marqués, right?
30:21I thank you very much for everything you've done for Cruz.
30:24But this situation is no longer comfortable for anyone.
30:27Well, thank goodness you're grateful.
30:30I ask you to remember these days as something good.
30:33And forget the scuffles we had.
30:34Scuffles?
30:36Scuffles that shouldn't affect our friendship.
30:39María Antonia, you're loved in promises.
30:43Maybe that's why you got confused and thought there was something that never existed.
30:47Of course. I'm the one who's confused now.
30:50There was never anything else.
30:53I love Cruz and I will continue to love her.
30:58It may hurt you to leave now,
31:00but soon you will understand that it is the best for everyone.
31:04Goodbye.
31:08Hello, Cruz.
31:10Hello.
31:12We were talking about María Antonia's departure.
31:14She has confirmed that she is leaving us.
31:16It has been a pleasure, but I think the time has come.
31:20It's a shame, friend, but everything comes to an end.
31:24Anyway, don't think you're going to leave just like that.
31:29I'm organizing a music recital to say goodbye.
31:32Really?
31:34Come on, I'll tell you the details.
31:36And if you come up with an idea, you tell me.
31:40You see, I came up with the idea of ​​the recital.
31:43Because the count of the corner is going to kiss the princess of Saint-Saëns.
31:49It's just that everything keeps going up.
31:51From wheat to coal.
31:53Get out of here.
31:55If the gentlemen don't raise the budget, we won't be able to get there by the end of the month.
31:58Well, we'll have to find something to save.
32:00Well, now we have to start by removing the oil lamps from the service and putting candles.
32:04And remind them to use them properly.
32:06Yes, and forget to light the firewood stoves in the service area at night.
32:10Well, from there we can save a few pesetas.
32:12Yes.
32:14Yes?
32:16Am I bothering you?
32:18No, no, on the contrary. Come in, come in, Mrs. Martínez.
32:20You have arrived just in time.
32:22We were talking about the need to make cuts.
32:24If this can actually affect the kitchens.
32:27I imagine that, as always, what the service eats.
32:30Well, that's true.
32:31We will have to be very careful when taking advantage of what is spent for the gentlemen.
32:36It's already being done, Mr. Baeza.
32:38Well, we'll see how to earn some pesetas here and there.
32:41You tell me, Mrs. Martínez, what did you want?
32:45Speak, please.
32:47The point is that so far we have kept it a secret, but this cannot continue like this.
32:52Because you have every right to know.
32:56What day is Andrés talking about, Simona?
32:58Because, of course, if this is known later, it still harms you that you are not to blame for anything.
33:04No guilt, no knowledge, if you have not just explained yourself.
33:07The point is that we are making jam here in the kitchen.
33:11For the promise.
33:13No, no, no. They are to sell them here in Lujan.
33:15And get some money so that, with my virtues, I can get my grandson back.
33:19Well, I don't think the gentlemen will find it funny.
33:22And much less the captain of the Mata.
33:24What do you think, Mr. Baeza?
33:26And what products are used to make those jams that we buy for the house?
33:32No, no, no, no.
33:34We are paying for the fruit and sugar with the money from the harvest, as they are for the same cause.
33:38And when do you prepare those jams?
33:41When we finish the work of the day.
33:43I see.
33:45Well, then I don't see any problem.
33:50Mr. Baeza, the captain of the Mata is going to get mad if he finds out.
33:55The service can do whatever they want in their free time.
33:58Thank you very much, Mr. Baeza. You are very understanding.
34:01Look, but Mr. Pellicer is right.
34:03If this gets to the ears of the capital, it can be a problem.
34:06And he will say that this directly harms his own jam business. And rightly so.
34:11Harm? I don't think so.
34:13We only intend to sell a few jars in the market in Lujan and in some surrounding village.
34:18Even so?
34:19Well, no. The captain has sales to the mayor.
34:21He sells to the Spanish army.
34:23They are simply going to sell a few jars. They are not going to affect him at all.
34:27That's what we think.
34:29Yes, they should be careful.
34:32That way we avoid a problem.
34:36Thank you very much.
34:37Thank you very much.
34:50Lope, I have to talk to you.
34:52Well, I have a lot of work to do and I have to go back to the kitchen.
34:55Well, but I guess it's okay because you're a minute late, right?
34:58Look, I don't think you were wrong when you told me that Santos was behind my mother's invitation.
35:03I see.
35:04This morning I spoke with Mrs. Arcos and she told me that he was in charge of sending the invitations.
35:08White and in a bottle, right?
35:10Yes, I guess so.
35:11No, I'm sure he did.
35:13I'm sure he wanted my mother to come and find me.
35:17Good.
35:19Well, I have to go back to the kitchen.
35:21Can you tell me what's wrong with you?
35:23Look, I'm fine. I have a lot of work to do.
35:25Lope, don't lie to me.
35:27Since I told you who I am, you don't stop chasing me.
35:29When we're in the same room, you don't even look me in the eyes.
35:32Vera, what's going to happen to me?
35:34What's going to happen to me?
35:35That your parents are dukes, that happens to me.
35:37What?
35:38What do you mean? You know it perfectly well.
35:40Just as I knew this was going to be a problem between us.
35:42That's why I decided not to tell you before.
35:44Vera, it's a problem.
35:46You're a noblewoman and I'm just a simple cook.
35:48But this doesn't change anything.
35:49Vera, it changes everything.
35:50Not for me.
35:51For me, yes.
35:53You can keep playing the maid for a few months,
35:55but at the end of the day you're a noblewoman.
35:57Lope, not anymore.
35:58Now I'm Vera.
36:00You'll always be the daughter of the dukes of Carril.
36:02Always.
36:04And I'm a cook who earns four quarters a month.
36:06Lope, but I don't care what you earn.
36:09I've been happier with you than in all my life.
36:12Isn't our relationship above all those titles, all that money?
36:17Vera, we live in very different worlds.
36:19Lope, I also believed it.
36:21But together we have created another world.
36:23A world in which we are only you and me.
36:25In which we love each other and we don't care what people think.
36:28Listen to me, that sounds beautiful.
36:30But it's impossible.
36:32But why?
36:34If we love each other.
36:36And that's the most important thing.
36:38Vera, because when you get your life back from before,
36:40you're going to wonder what you're doing with a cook from three to four.
36:42No, no.
36:44Don't speak for me because I would never say that.
36:46Maybe you don't.
36:48But your world will push you to it.
36:50And I don't want to see it.
36:52I don't want to suffer for it.
36:54I don't want to see how you start looking at me with other eyes.
36:56I don't want to go through that.
36:59Lope, what do you mean?
37:02That you don't want to be with me?
37:06Lope, I love you.
37:08I love you and I will always love you.
37:13I need to think.
37:29I don't understand, Romulo.
37:31You've always done what was right.
37:33And you've always been very clear about what was right and what wasn't.
37:36And this thing with the jam is not.
37:38It can be.
37:40Then why are you going to let them get ahead of themselves?
37:42You said it yourself.
37:44I've always done what was right.
37:46And I'm tired of it.
37:48I've seen a lot of injustice.
37:50I've seen a lot of lies.
37:52I've seen a lot of lies.
37:54I've seen a lot of lies.
37:56I've seen a lot of lies.
37:58And they always fall over the service.
38:00But that's not fair.
38:02Wages of misery, days of sun, bad words.
38:04I think it's time for us to break the rules from time to time.
38:09Remember the case I told you about?
38:11That the gallows that died in a hunting accident.
38:14Feliciano Arcos.
38:16Mrs. Petra's son, right?
38:18Yeah, well, he didn't die in a farm.
38:20He died here in a palace.
38:22Because the doctor of gentlemen did not want to waste time treating a mere servant.
38:26But he didn't take care of her.
38:28Yes, he did.
38:30But since I was in a hurry, he didn't operate on her.
38:33A few days later, that boy caught an infection
38:36that took him to another world.
38:39Unfortunately, there is a way of thinking that abounds.
38:41It's just that you care as much as the rooms you have.
38:44I'm fed up. I'm very fed up.
38:47You won't be mixing churras with marinas.
38:49All I'm doing is giving that girl a chance
38:52so she can get her son back and go on with her life.
38:55If we don't give her a chance, who will?
38:57I suppose no one.
38:58She deserves it. She deserves to have hope.
39:02You think you know someone,
39:04but you always end up being surprised.
39:07Well, I suppose that's where the charm lies.
39:12Each person is a world.
39:26There's still a lot of work to be done.
39:29It's what the field has to offer.
39:31There's always something pending.
39:34And you want to do it.
39:36Although many times, when I see a storm approaching,
39:38I get nervous.
39:40When you work in the field, you have to assume that's how it is.
39:43For example, the sun.
39:44It's necessary for the crop to mature,
39:47but it can also crack it.
39:49Yes.
39:50And the water makes the corn grow.
39:53Although it can also flood the fields.
39:57But well, that's the life of a farmer.
40:01Desiring the same things you have.
40:06Yes, it's a paradox.
40:11Do you know what it means?
40:13Yes, I know perfectly well what paradox means.
40:17I'm sorry.
40:18Sometimes I seem worse than my mother-in-law.
40:20No, don't say that.
40:22You talk to me with respect.
40:25What I don't understand is how you put up with me treating you so badly.
40:29Habit.
40:32You know, if it doesn't affect my business or other people,
40:35I'd find it funny what you did to me.
40:39Funny?
40:40Yes.
40:41I'm still surprised by the ingenuity of Spaniards
40:43when it comes to making fun of each other.
40:46And...
40:48Did you ever care that they drew that chalk for you?
40:52Well, yes.
40:53But one doesn't come out every day in the press.
40:56Or they name it in the copulas of the Chirigotas.
40:58Right?
40:59Yeah.
41:00I'd rather be in an anonymity.
41:04It doesn't matter.
41:05If it's not for one thing, it's for another.
41:07Cruz always finds a way to attack me.
41:11At least you're strong and you can take it.
41:15I can take it, yes.
41:17But because I'm surrounded by people like you.
41:20And you make me even more resistant.
41:22Ah.
41:46Manuel?
41:53Can you tell me why it took you so long to come back?
41:55I was desperate.
41:56I know, I know.
41:57And I'm sorry.
41:58It got more complicated than I thought.
42:01But the important thing is that everything is fine.
42:04Are you sure?
42:05Yes.
42:06Because they called the sanatorium saying that Martina had escaped.
42:09Well, now Martina is in a safe place.
42:11And she's safe and sound.
42:13I thought you would have brought her straight to the promenade.
42:15Yes, of course.
42:16So that Conde Dayana would put her back in that sanatorium.
42:19Or worse.
42:20She looks like a civilian.
42:22Yes, you're right.
42:24For now, it's better that she's far away.
42:26Well, how did you get her out of there?
42:28It wasn't difficult.
42:30I entered at the time of the visits, like a family member.
42:33And as soon as I entered, I left.
42:35But with her.
42:37I covered her with a long coat, so they couldn't see the sanatorium clothes.
42:42Did you escape?
42:43Then we fled through the forest, in a hurry.
42:46And no one noticed Martina's absence?
42:48Yes, I think so.
42:50They followed us.
42:51But we started running like devils.
42:54And we managed to mislead them.
42:56Not bad.
42:58I don't know what would have happened if they caught us.
43:00But the important thing is that everything is fine now.
43:07And what's around here?
43:12Do you want a drink?
43:14Yes.
43:16Curro ...
43:20I'm not good at lying.
43:23And I didn't know what to say when they asked me why.
43:29It's been a lot of hard days.
43:32I know.
43:33And I'm sorry too.
43:36I wanted to do it before, really.
43:38But it couldn't be.
43:41Lies are nothing less.
43:43You were worried about me.
43:45It even crossed my mind to look for you.
43:47Manuel ...
43:50I'm not a kid anymore.
43:52You can't always be protecting me.
43:57Let's see ...
43:59How does the family take it now?
44:02And how do they receive you?
44:04Because I have maintained that you were unwilling.
44:08Well ...
44:09Don't worry, because that doesn't worry me.
44:11Now I have to see what to do with Martina.
44:13She can't be hidden forever as if she were a criminal.
44:17No.
44:20We have to turn this situation around, Curro.
44:24But I still don't know how.
44:42They could have prepared some appetizers.
44:46Like potato omelette, some croquettes, garlic prawns ...
44:49But we'll have to give them something with more world, right?
44:52So that those people don't leave there hungry.
44:54It's the promise.
44:55Of course, we would prepare a barbecue with garnish.
44:58I don't know.
44:59And why don't we serve them a fava, a stew?
45:04Candela, the musicians have to give the recital, not the guests.
45:09I like the idea of ​​the appetizers as starters.
45:12If they swell up to eat, they will fall asleep during the recital.
45:16What do you want to cook?
45:18Something that is not typical, Mrs. Simona.
45:21I had thought of a foie gras empanada with caramelized apple.
45:25Or some bullfrog croquettes.
45:28But that doesn't like everyone.
45:30Yes, Mrs. Candela, and let's see.
45:32If it's not to do the usual.
45:34For me it's fine, no problem.
45:36I don't know what Mrs. Petra and Mrs. Marquesa say.
45:39The best thing is that we prepare several dishes and they choose.
45:45Miss, here again.
45:47Would you like some fritters that I have just made?
45:49No, Simona, no.
45:50Whenever I come, I get thirsty and I haven't come to eat.
45:53Tell me what you have come to tell us,
45:55that you have finally left the hangar and that you are going home.
45:57Well, for now, that is not in my plans.
46:00I have come to ask you a favor.
46:02Go and break it.
46:04Can you prepare me a dinner for tomorrow at the hangar?
46:07Something simple.
46:09Of course, if it seems to you first a pipirrena,
46:12that you like a lot.
46:13Of guinda.
46:14And if you prepare me a garlic rabbit,
46:16there would be no need for more.
46:18And if you feel like it, a good dessert.
46:21So that it stays with a sweet aftertaste.
46:23Okay.
46:27Miss Catalina.
46:29Are you going to receive a visit from the hangar?
46:32Something like that, yes.
46:35Sorry, I didn't mean to bother you.
46:37I just asked if you needed my help.
46:41No, don't worry.
46:42And if I need anything, don't hesitate to let me know.
46:45Of course.
46:46As you did when you wanted to know more about Miss Martina and the poisoning.
46:52By the way, did my explanations help you?
46:56Well, yes.
46:57They were very useful.
47:00I hope they find the culprit soon.
47:03That's what we all want.
47:05Well, if you don't need anything from me, I'll leave you.
47:10Thank you.
47:17I think Mrs. Petra is going to give us a scare.
47:20Someone has heard her coming.
47:22I heard her.
47:24We'll have to put the camera to see where she's going.
47:27And I, in one of these, stay in the place of the scare.
47:31Whatever I say.
47:41Sit down, Mrs. Pia.
47:43Be careful.
47:44Yes.
47:54María, where have you been?
47:56In the fair in Luján, where an old man lives.
47:58When were we going to be, Ana?
48:00We went for a walk so that you don't forget to walk.
48:02Well, forgive me for scaring you.
48:03But I was scared when I woke up and saw that you weren't here.
48:06Maybe I had gone out.
48:08Don't worry.
48:09We went for a walk.
48:10A little long, but yes.
48:11This cave is huge.
48:13Are you going to tell me?
48:14That we took a long time to find you when we came here with the Marquis.
48:17The good thing, if it has anything good, is that you can take long walks without having to go outside.
48:24Yes, too long, I would say.
48:26Yes, Pia, but it seems very good to me that you walk, but you have to be careful.
48:29It is very easy to get lost in these galleries.
48:32Don't worry, I'm not going very far.
48:34I can't do it with my soul.
48:36It takes effort, it seems that my life goes away in it.
48:39Well, that shouldn't be the case.
48:41And I'm afraid that instead of getting better, it's getting worse.
48:44Well, maybe you're misguided, Hanna.
48:47Because lately it makes me think ...
48:53that I might die here.
48:55Don't exaggerate, Doña Pia.
48:57My mother used to say that you stick less to beauty.
49:00Nobody is going to die here, Doña Pia.
49:02Nobody, because I say so.
49:04Period.
49:05María is right.
49:06All you have to do is hold on a little longer.
49:12Doña Pia, I'm very sorry.
49:14Why?
49:15Because all this has been my fault.
49:18I thought that bringing her here and having her die was a good idea.
49:22And I'm realizing right now that it wasn't a good idea.
49:25It wasn't, Hanna.
49:27My son is safe and far from Gregorio and that's the only important thing.
49:32You did it with your best intentions, Hanna.
49:37And all I want is for you to think about yourself too.
49:40I do.
49:41I think about myself.
49:43And the plan is fine.
49:45I'd rather die here ...
49:48than at Gregorio's hands.
49:51What have we said?
49:53Nobody is going to die here.
49:56Period.
50:13Period.
50:29Come in.
50:34Excuse me, Mr. Pellicer.
50:36Come in, come in.
50:37I'll give you some instructions right away.
50:40Are you okay?
50:41Yes.
50:42Yes, very well.
50:43Well, your eyes are red.
50:45Have you been crying?
50:46No.
50:47No.
50:48It's the allergy.
50:49I mixed it with the ammonia when I was cleaning.
50:52Are you sure?
50:54If there is something that has put you in this state,
50:57maybe if you tell me, I can help you.
50:59No.
51:00Nothing has happened to me.
51:02You won't have any problems with Santos again, will you?
51:05I know you're not dating anymore.
51:07I just hope you haven't tried anything.
51:09No.
51:10Santos hasn't bothered me.
51:12You don't have to protect him.
51:14It's the truth.
51:15Santos has nothing to do with my tears.
51:17And I guess the ammonia and the allergy don't either.
51:21It's just that I've been a little emotional for a few days
51:24and I cry for anything.
51:26It's just that.
51:28But well, did you call me for something?
51:30Yes.
51:31Yes, it's your birthday.
51:33Yes, yes, this is urgent.
51:35Go immediately to the upstairs floor
51:37where the Duchess of Carril is waiting for you.
51:41The Duchess of Carril?
51:44And what do I do?
51:45Do I bring her a tea or some pastas?
51:47No, no.
51:48She doesn't want to drink anything.
51:49It seems that a few days ago she lost some gloves
51:51and she says you gave them to her.
51:52Some gloves?
51:53Yes. Do you have them?
51:54No.
51:55I don't know.
51:56I don't remember.
51:57They may be in the closet where we keep the guests' clothes.
52:00Very well.
52:01Check it and bring the Duchess back as soon as possible.
52:04Yes.
52:05I'm on my way.
52:06I'm on my way.
52:31Manuel, son.
52:32Come here a moment.
52:37Mother.
52:40I hadn't seen you.
52:42Sit down for a moment.
52:43I have something to tell you.
52:47You tell me.
52:48Prepare one of your best suits.
52:50We are going to organize a recital in your honor.
52:55And what have I done to deserve that recital?
52:57To come back alive from the front.
52:59Isn't that enough?
53:01Mother, we already celebrated that dinner, remember?
53:05No.
53:06That was a bad dinner.
53:08Look, I've made a selection of the pieces that the musicians could play.
53:11What do you think?
53:16Yes, it's a ...
53:18It's a great choice.
53:22But ...
53:23I've been telling you since now that I'm not going to go to that recital.
53:27And if you can tell me why?
53:29Because I'm not going to celebrate my return while my sisters are locked up at the altar.
53:34She's there of her own free will.
53:35She can come back right now if she wants.
53:38She thinks she won't be well received.
53:41Excuses.
53:42I'm glad she came back before they took Martina to the sanatorium.
53:45Or at your dinner.
53:46To sit that jerk at our table.
53:48Yes, but she's gone again.
53:50And all because of the problem you two have.
53:52I don't have any problem.
53:54Yes.
53:55Yes, you do.
53:56And it's in your hands that Catalina comes back.
53:58No.
54:00Nonsense, you say.
54:01How am I going to make her come back?
54:02Don't you know how stubborn she is?
54:04Mother, you know perfectly well what you have to do.
54:08I can't erase the memory of everyone who saw those drawings.
54:11As long as you apologize, that's enough.
54:13Don't even talk.
54:17You helped them make fun of Catalina, Mother.
54:20And that not only harmed her, but also your business.
54:23Those are your exaggerations.
54:27If you want her to come to that recital, you already know what you have to do.
54:3512,000 duros in jewelry that have been taken from one of the best jewelry stores in Cordoba.
54:41Have they caught the thieves?
54:43No.
54:44But there are suspects.
54:45The owner of the jewelry store is convinced that it was two of his brothers helped by three Italians.
54:50Apparently they entered at night and without forcing the lock.
54:53Not even those of the safe.
54:55Obviously someone knew the combinations.
54:57Hence, it is suspected that they were his brothers.
54:59What do the Italians have to do with all this?
55:02There are many lately in these remote lands who do not want to fight in the war.
55:08Blessed are the eyes!
55:10You finally appear.
55:12Has he recovered from your indisposition?
55:16He was not sick.
55:20What do you say?
55:23I want to say that everything was a lie.
55:26Then why have you been locked up in your room for so long?
55:30You have not been in your room.
55:32Wow.
55:33I see that someone suspected it.
55:35You helped Martina escape the sanatorium, right?
55:38Of course I did.
55:42The strange thing is not that Martina has escaped.
55:44The strange thing is that once inside they have not left you locked up.
55:47You are always so clever, father.
55:49It is not the time for chances.
55:52Your son has just confessed a crime.
55:54Curro.
55:56Do you know where Martina is?
56:00Of course I know.
56:12That accidental mistake may not be such, but a sabotage in every way.
56:17Really?
56:18Yes, and in order to harm a partner.
56:22That's fine.
56:23I am not to blame for all the evils that haunt this palace.
56:26Not all, obviously.
56:28I'm talking about one in particular.
56:30Mother, what are you doing here?
56:31Look at my daughter.
56:32I have not stopped thinking about you since I saw you the other day.
56:36And that day I did not react well, I admit it.
56:40I was abrupt.
56:42Mother, what has come?
56:44To ask you to come home.
56:46With me.
56:48And now when a new priest comes, he will need a person to do the tasks.
56:52And that's where the game comes in, girl.
56:55And don't you think that this priest and the other are going to tell each other all the secrets?
56:59And the theft of the chalice.
57:01No, he won't say anything.
57:03And how are you so sure?
57:04I find it interesting that you talk about those moments in life.
57:09I also believe that there are moments to face changes.
57:12And, I don't know, also to live another adventure.
57:17That you and I can be something more than ...
57:21friends.
57:24The quality and, above all, the flavor of our product has dropped dramatically
57:28and it seems that there are complaints about it.
57:30I am afraid that the drop in the quality of the jams is exclusively your responsibility.
57:34Are you making fun of me?
57:35Curro only wants the best for Martín.
57:37Please.
57:38Look, I only say one thing.
57:42Either you end this once and for all,
57:44or your cousin can end up in jail.
57:47Who has put you in a bad mood? Petra?
57:49No, it has nothing to do with Mrs. Petra.
57:51It has to do with the captain of the Mata.
57:53The captain?
57:54Yes.
57:55He fired me.
57:56And Mrs. Candela, and you too.
57:58Well, look, I agree with that.
58:01But I prefer a thousand times than to go into my spiders
58:03that certain people are piling up around here.
58:06Catalina, I'm scared to death and I assure you that I'm not here to argue.
58:10That's what I don't understand.
58:12What day has Andrés come then?
58:14I understand that everyone trusted the judgment of Conde Ayala.
58:18We try to avoid a bigger evil.
58:20Yes, that you don't call the civil guard and that you end up in jail.
58:22Nothing will make me change my mind.
58:24Well, then Martina will not return the promise.