La promesa - Temporada 3 - Ep 399
La promesa - Temporada 3 - Ep 399
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00:00to celebrate the return of my son,
00:02but also to say goodbye to my friend Maria Antonia,
00:04as she deserves.
00:05And any specific request for food?
00:07Because we also have to decide on the wines.
00:09I did call you to make you take care of it,
00:11not to ask me everything.
00:12I pay you to work,
00:14not to walk around with a sad face.
00:16Isn't our relationship above all those titles,
00:18all that money?
00:19Vera, we live in very different worlds.
00:21But I also believe it.
00:22I believe it.
00:23I don't believe it.
00:24I don't believe it.
00:25I don't believe it.
00:26I don't believe it.
00:27I don't believe it.
00:28We live in very different worlds.
00:29But I also believed it.
00:31But together we have created another world.
00:33A world in which there is only you and me.
00:35In which we love each other,
00:36and we don't care what people think.
00:38Listen to me, that sounds beautiful,
00:41but it's impossible.
00:42You've always been very clear that it's right and wrong,
00:44and this thing about the jam is not.
00:46Days from sun to sun, bad words.
00:48I think it's time
00:50to break the rules from time to time.
00:52All I'm doing is giving that girl an opportunity
00:54so she can get her son back
00:56and continue with her life.
00:57She has confirmed that she will leave us.
01:00It's been a pleasure,
01:02but I think the time has come.
01:03It's a shame, friend, but
01:05everything comes to an end.
01:08Anyway, don't think you're going to leave just like that.
01:13I'm preparing a music recital to say goodbye.
01:16Tell me what you've come to tell us,
01:18that you've finally left the hangar and are going home.
01:20Well, for now, that's not in my plans.
01:23I've come to ask you for a favor.
01:25And I'll give you whatever you need.
01:28Can you make me a dinner for tomorrow
01:30in the hangar?
01:31Something simple.
01:32I thought bringing her here
01:34and having her die
01:35was a good idea,
01:37and I'm realizing right now
01:38that it wasn't a good idea.
01:39No, it wasn't, Hanna.
01:40My son is safe
01:42and far from Gregorio,
01:43and that's the only important thing.
01:46And the plan is fine.
01:48I'd rather die here
01:51and at Gregorio's hands.
01:52Go to the top floor immediately
01:54where the Duchess of Carril is waiting for you.
01:56The Duchess of Carril?
01:58She appeared a few days ago,
01:59lost some gloves,
02:00and she says you gave them to her.
02:01They may be in the closet
02:02where we keep the guests' clothes.
02:04Very well, then.
02:05Check it out
02:06and meet with the Duchess as soon as possible.
02:08Yes.
02:09I'll go right now.
02:10It's in your hands for Catalina to come back.
02:12Nonsense, you say.
02:13How am I going to make her come back?
02:14Don't you know how stubborn she is?
02:16As long as she apologizes, that's enough.
02:18Don't even talk.
02:20If she wants you to go to that recital,
02:23you know what you have to do.
02:25You helped Martina escape the sanatorium, didn't you?
02:28Of course I did.
02:30Curro, do you know where Martina is?
02:32Of course I do.
02:37Where is Martina?
02:40You wouldn't think I'm as naïve
02:42as I am to reveal her whereabouts now, would you?
02:44What are you saying?
02:45It was quite difficult to escape that horrible asylum
02:47to which she was sent.
02:49All I did was get her out of a hell
02:51in which she was abused.
02:52Abused?
02:54Is that true?
02:55You're definitely exaggerating.
02:57I saw Margarita with my own eyes.
03:00And that's why I decided to get her out of there.
03:02A hasty decision that you should have consulted, Curro.
03:06It's fine that you're interested in Martina,
03:08but getting her out of the sanatorium is a risk on your part.
03:11You would have done the same.
03:12It was the most sensible thing.
03:14In fact, Martina is an adult person and can go wherever she pleases.
03:16Martina needs help.
03:18Well, she wasn't being received there.
03:20That's for sure.
03:21No.
03:22Now it turns out that you're also an expert
03:24in mind games.
03:25Martina was in the sanatorium
03:27to avoid a much worse fate.
03:28That's right.
03:29If she didn't end up in jail,
03:30it was thanks to Ayala's benevolence.
03:32And I understand that with her mother's consent.
03:34Am I wrong?
03:35Absolutely.
03:36But who do you think you are
03:37to go against a mother's decision?
03:38I had no choice.
03:40I understood that for the good,
03:41I wasn't going to get anything.
03:42So I decided to help her for the bad.
03:44Enough already.
03:45Tell us where Martina is
03:46if you don't want to get yourself in trouble too.
03:48And what are they going to do to me?
03:51Are they going to send me to a asylum?
03:53Because, of course, that's what they do
03:54to those who are against their dictates, right?
03:55Curro, please.
03:56Curro, tell us where Martina is
03:58so we can help her, please.
04:02I'm sorry, aunt.
04:03But I can't do it.
04:06Not while there is the danger
04:07that they will send Martina back to that asylum.
04:09But you have lost your mind.
04:10Be reasonable.
04:11I'm sorry.
04:12But without guarantees that Martina will be fine,
04:14I'm not going to tell her where she is.
04:17In the meantime, I promise you
04:18that Martina will be in a safe place.
04:20No, I will never allow you to go back to hell.
04:22Never.
04:26It's not your confirmation that I need.
04:48Since I saw you
04:50The lights that have danced through our garden
04:54The new rumors
04:56Between the heart and the walls
05:00In the promise
05:02There will be particles of love in motion
05:06There will be secrets that will never come out
05:10It will be as beautiful as the flight of a plane
05:15In the promise
05:17The farewells are turns on the ground
05:21Even the flowers will dance in their own way
05:25Balancers between fear and passion
05:31We are like a jump to the D3
05:35We are love when you live life to death
05:39A long way to remember
05:42A long way to go
05:46In the promise you will be a matter of luck
05:50We are like a jump to the D3
05:54We are love when you live life to death
05:58A long way to go
06:02In the promise you will be a matter of luck
06:12In the promise you will be a matter of luck
06:25Are you from Carril?
06:27Yes
06:29I come to inform you that I have not been able to find the gloves you lost in this palace
06:33But have you searched well?
06:35Everywhere
06:37I have looked in all the closets where we keep the garments of the guests but ...
06:40I have not tracked them
06:42What a contrariety
06:48Thank you very much, I'll take care of it
06:55Mother, what are you doing here?
06:57Look at my daughter
06:59Do you think little?
07:01That I have not stopped thinking about you since I saw you the other day
07:04And that day I did not react well, I admit it, I was abrupt
07:09But it is that love to see you dressed in this gown like a vulgar maid
07:14It's what I am
07:16No, you are the daughter of the Dukes of Carril
07:19But above all you are my daughter
07:21And it does not fit me in the head that you have been hidden here
07:24During all this time that I have been looking for you everywhere, darling
07:28I have moved to Rome with Santiago behind any little clue that could lead me to you
07:33Thinking that you could have died is the worst thing that has happened to me in life
07:36Well, she can stay calm because I guarantee that they treat me well here
07:41But how can you tell me that?
07:43Mother, what has come?
07:45To ask you to come home, with me
07:49No
07:50Yes
07:51That is ruled out, the best thing will be that they forget me
07:54But how am I going to forget you, for God's sake, you are my daughter
07:57For that very reason, how can you ask me to go back to that hell?
08:02I will protect you
08:03I will protect you
08:05We can change things, darling, but we have to do it together
08:10Mother, you know that going home is a fear
08:13And that if I go back, Father is going to kill me
08:16And it's not a way of speaking
08:18But there has to be another alternative, that you don't have to live like this, in servitude
08:22Mother, it is a dignified life
08:24Here I earn my livelihood
08:26Here they treat me well, I even feel loved
08:30Are you serious?
08:32My companions have received me very well
08:36This is the life I have chosen
08:39And I need you to respect it
08:42And please promise me that you will never come back
08:45No, I can't promise you that, daughter, I can't
08:49I can tell you at least that I will try
08:51I will try
09:00Take care
09:04I repeat, it is the most appropriate
09:06Besides, I'm not asking for anything from the other world
09:08Of course, now the most appropriate thing is that I apologize to Catalina every day, right?
09:12I know it's not a pleasure and it's hard for a world to do it, but I'm asking you, please
09:16Think about it, this way a lot of pressure will be removed and maybe the two of them can start from scratch
09:22Look, Manuel, I'm fine where I am
09:24If that wretch wants to continue in her hole, then it's better for everyone that she stays far away
09:29Please be patient
09:31Think at least about Catalina
09:33It is clear that she could not move on after what happened
09:36And when did that become my problem?
09:39It is a problem of the whole family
09:42And therefore it is also yours and it is a shame that she did not realize
09:46Mother, fix your differences
09:49Fix them before this problem worsens and it is impossible to go back
09:52Maybe it's too late, Manuel
09:54Or maybe not
09:56If you don't prove it, you'll never know
09:58Mother, it is clear that you are behind the outrage that Catalina suffered at the hands of the press
10:02That's what she says
10:04That's what happened, no matter how much you try to deny it
10:06Well, that's enough, I'm not going to stay here listening to how you insult me
10:09It's the truth
10:11It's not the truth, Manuel, it's your word against mine
10:13And you know what?
10:15It hurts my heart that you stand on her side, leaving me for a liar
10:18For the love of God, mother, I'm an adult
10:21Her blackmailing doesn't work on me
10:24And this is not as simple as being on one side or the other
10:27I have listened to her versions
10:30And I have informed myself, I have read the articles, I have seen the cartoons
10:34I have asked around and you know what?
10:36Everything leads me in the same direction
10:39What is which?
10:41You know it perfectly
10:49Mother, if something has taught me this war
10:52It is how ephemeral life is
10:54And it would be surprising the number of soldiers who regret in their deathbed
10:58To have pending disputes with a relative
11:02It is not worth wasting time this way
11:05Please, rectify
11:07Recognize your mistake
11:12What if I don't?
11:18If you don't, I advise you to be prudent
11:23Because if you keep hurting the family, you may lose me too
11:37I love you
11:55Vera?
11:57Vera, what's wrong?
11:58Nothing
11:59What do you mean nothing?
12:01But if your expression is as if you had seen a ghost
12:03You can say that
12:05What do you mean?
12:06I made a promise
12:08To the Duchess of Carles?
12:10But why?
12:11To go to the gallery and get back some ragged gloves that she never wore
12:14And why did she come back?
12:15Because she wanted to see me
12:17And convince me to go back home with her
12:20Well, from her point of view it makes sense
12:23And what about my point of view?
12:25I see
12:26I imagine it must have been a bad drink
12:29I'm very sorry
12:31Are you serious?
12:33Of course
12:34Because I was going to lie to you
12:35Santos, because I know that you were the one who sent her the invitation
12:37To come to Mrs. Margarita's dinner
12:40Me?
12:41I know perfectly well that it was you who was in charge of sending the invitations
12:44And that the lady didn't invite my mother
12:46For God's sake, Vera, how can you think like that about me?
12:48Because you're the only one who knew
12:50And that's how you put me in the middle of the wall
12:52And why would I want to put you in the middle of the wall?
12:56But let's see, Vera
12:58Have you thought about this excuse of yours or is it more of Lope's?
13:01Look, Lope, don't get involved in this
13:02Do you trust each other?
13:04Who I don't trust is you
13:07You did it to get revenge, didn't you? Out of jealousy
13:09Jealousy? Me?
13:11For God's sake, Vera
13:14I can't believe you were so naive
13:16To think you could change
13:19After everything you've done to me
13:20I decided to believe in your regret
13:22But I see that I'm still the same despicable being as always
13:26Your words hurt me a lot, Vera
13:28And on top of that, you laugh at me?
13:30Very well
13:31Well, I have bad news to give you, Santos
13:34You're not going to ruin my life
13:36You're not going to hurt me anymore
13:38So I hope you've been able to enjoy your revenge as much as you imagined
13:43And one more thing
13:45You better forget about me once and for all
14:02THE END
14:15Would you mind being a little more careful?
14:22Sir, I was told that you wanted to talk to me
14:24That's right
14:27Do you want to talk now or do you prefer to wait?
14:28Now is perfect
14:29What I have to tell you won't take long
14:32You tell me
14:33I'm not going to beat around the bush
14:36Things are not going well with our jam business
14:40I'm very sorry to hear that
14:41Yes, me too
14:43I'm sorry too
14:45The quality and, above all, the taste of our product has dropped dramatically
14:49And it seems that there are complaints about it
14:51Complaints
14:52And nothing more and nothing less than about the glorious Spanish army
14:55Yes, he was supposed to be our main buyer
14:57Really?
14:58Yes
14:59And tell me, Lope
15:01What do you think they told me?
15:02That the jams are not to the liking of either the troops or the high command
15:08I have no opinion, sir
15:10Well, our jams don't taste good
15:12I tried them myself this morning and they taste like hell
15:15And to top it off, the production has declined
15:17Well, I can't find an explanation because the procedures we use are the same, sir
15:21Are you trying to fool me?
15:23I do know what's going on
15:25Someone is not doing their job well
15:26Give me names
15:28What do you mean, names?
15:29If you tell me, who is slacking off?
15:32Who doesn't deliver the product on time?
15:34And, above all, who is responsible for the jams not tasting good?
15:40Speak!
15:44Captain and Count Don Lorenzo de la Mata, sir
15:47Are you making fun of me?
15:48No, not at all
15:51With all due respect, sir
15:53I'm afraid that the decline in the quality of the jams is exclusively your responsibility
15:57I hope you have some kind of basis to say that
16:01That's right, sir
16:03The point is that the delicious taste of our jams is due to the quality of the raw material
16:07But what are you talking about?
16:09That we used to look for a fresher product
16:11And we took great care of its transport so that the fruit would arrive in good condition, sir
16:14No, that was a waste of money and time
16:17I myself have found much cheaper fruit suppliers
16:19I know, sir, I know
16:21That's what I'm trying to explain to you
16:22If we buy cheaper and worse quality fruit, the taste of the jam will be diminished
16:29So what are you good for?
16:31Aren't you experts in improving the taste of things?
16:35Of course I am, but we don't do miracles
16:37And as far as production is concerned, I'm sure that women have had to discard a lot of fruit because it's useless
16:41Wait, wait
16:42What?
16:43Not to mention that they will be working with less affection, sir
16:45Because their earnings are getting worse and worse
16:47They will be hard-faced
16:48No, they are not, sir
16:49No, they are not, sir
16:52And forgive me, but you have asked me for explanations and I have tried to give them to you
16:57Who the hell do you think you are?
17:00Look at me
17:02Nobody teaches me how to do business
17:06Except a cook from 3 to 4
17:09I'm very sorry, sir
17:10If we were in the army, you would have been in jail a long time ago
17:15But in civilian life, I can only say goodbye to you
17:19What do you mean goodbye?
17:20What you hear
17:21You are out of the business and that is extensive for your colleagues
17:25Now I will take care of the management
17:27I will take the jams and I will talk to the damn women of the town
17:31And you know what? I'm going to do it better than you
17:32But sir ...
17:33Are you deaf?
17:34You don't hear
17:36Get out of my sight, come on
17:38Of course I do
17:49Come on
17:55You have to understand the seriousness of the situation
17:58And I understand it perfectly, uncle
18:00So much that I have been forced to act
18:02But that is not the solution
18:03You have to tell us where Martina is
18:05Well, no, I'm sorry, but I'm not going to do it
18:08Curro, I beg you, please
18:10I personally am very worried about her
18:12Well, stay calm
18:14Martina is safe
18:16Really, believe me
18:18I don't know if I take you seriously after everything you're doing
18:21Look, I just want to protect Martina
18:23Well, let me help you do it
18:25Don't carry this alone
18:27I don't know anything about Martina since she escaped from that sanatorium
18:30And she didn't know the terrible conditions she was living in, did she?
18:34You're right
18:35Maybe she did everything possible to prevent them from taking her
18:39I'm sorry
18:40I didn't want to blame her for anything
18:43I understand that everyone trusts the judgment of Count Dallala
18:47We try to avoid a bigger evil
18:49Yes, that you don't call the civil guard and that you end up in jail
18:52But in the end Martina ended up in the same or worse place than that
18:55I understand that now you don't trust us
18:58But you have to think about Martina's good
19:00And I do
19:02So I ask you not to insist
19:04Because I'm not going to tell her anything
19:06As my father would say
19:08In this phase of negotiations, neither party trusts the other
19:11I'm not like your father
19:14I know
19:16Fortunately
19:19You've always been on my side
19:21Then let me stay
19:23Even if you don't recognize him now
19:25Martina and you could need help
19:27Look, uncle, I thank you
19:30From the bottom of my heart
19:32I know your intentions are good
19:34But ...
19:36But no
19:37Why?
19:38Because I can't expose Martina to being returned to a place like this
19:41No, without guarantees that this will not happen again
19:43So she won't come back
19:45You know I can't give you those guarantees
19:48The only one who can give me those guarantees
19:51It's Count Daniela
19:53Nothing will make me change my mind
19:57Well then Martina will not return to the promise
20:01Curro
20:03Is that true?
20:04Do you know where Martina is?
20:06Yes, and just as I was telling your father
20:09I'm not going to say anything about it
20:14You talk to him
20:16Let's see if you can convince him
20:31That man is a sovereign jackass
20:34Pepe, what's wrong with you?
20:37Who has put you in a bad mood? Petra?
20:39No, it has nothing to do with Mrs. Petra
20:41It has to do with the captain of the Mata
20:43The captain?
20:45Yes, he fired me
20:47And Mrs. Candela and you too
20:49Did he really do that?
20:52Oh my God, he found out about the jams
20:54No Virtudes, it has nothing to do with that
20:56López, explain yourself, I don't understand anything
20:59Let's see, the captain of the Mata called me
21:02And he told me that the Spanish army is complaining because the jams don't taste the same
21:06That they don't like them
21:07If the soldiers eat it all
21:09If after a race through the field, even an alpargata tastes good
21:12That's what I think
21:14Well no, he has complained and he has thrown it in my face
21:16That is a sovereign injustice
21:19Those jams on these sides
21:20But what does that man want?
21:21What does he want?
21:22If he buys bad quality fruit and gave me rotten
21:25Are you sure it's not my fault?
21:27Yes, Virtudes, don't worry
21:30But you know what I'm telling you?
21:32Much better
21:33Because I was fed up with having to work with that unpleasant man
21:37You and everyone
21:39Candela and I were also fed up
21:42What a bad fondinga and what a tasteless man
21:46As the saying goes
21:47There is no worse blind man than the one who does not want to see
21:49If we had already warned him
21:51That the jams were going to lose quality
21:53That's right
21:55Sure, and if he doesn't say goodbye
21:56It's going to be
21:57Not worse, no, much worse
21:59Especially if you are not in this
22:01Because you, López, are the soul of the jams
22:03No, Mrs. Simona, not those jams
22:06There is hardly anything left of the business that Miss Catalina set up
22:09You're right
22:10In any case, I am relieved
22:11Of not having to work more for that tyrant
22:13Say yes
22:15I already know the horror he is committing
22:17When he completely ruins the business
22:20I just hope he doesn't take
22:21Dragging the women of the town
22:23Along the way
22:25And above all, that he does not blame them
22:27For the destruction he has only caused
22:30If the captain of the mat has done this for a minute
22:35I don't even want to think what he will do
22:37If he finds out that we are preparing other jams
22:39Virtues, that's not going to happen
22:42And if someone speaks?
22:45It's not going to happen
22:47They are all on alert
22:48And they are not going to say a single word
22:51Is it clear?
22:53Of course, daughter, everything will be fine
22:54Don't worry
23:01You have Ayala and Margarita
23:02Very outraged with your ordeal this morning
23:05I can imagine
23:07But it's what I had to do
23:09You didn't even care about your poor aunt
23:10It wasn't easy, Manuel
23:12I assure you
23:13I know she's his daughter and she must be having a hard time
23:15But still you have remained firm
23:18Yes, let's say that Count Ayala has done his part
23:22You should have seen how he was angry
23:24For pure frustration
23:28As far as I understand
23:29Your father is not very happy either
23:32No
23:33You have a revolutionary family, Curro
23:34Yes
23:35And I can assure you that that was not my goal
23:37Who would say so?
23:39Manuel
23:40If you had been in that place
23:42You would have seen the patients there
23:45I can assure you that it was not the idyllic place
23:47That Count Ayala painted
23:49Was it so depressing?
23:52It was chilling
23:59And how is Martina?
24:01That's the only important thing
24:03Martina is much better
24:04Without a doubt
24:07And is he?
24:10Manuel
24:11Don't insist
24:12It's useless
24:15Curro, I don't ...
24:17For God's sake, I've helped you save her
24:19Even if it's only by hiding
24:22Your presence in this house
24:23I thank you
24:25But I think the safest thing is that only I know where she is
24:32Okay
24:34Okay, it's your decision and I respect it
24:37I am satisfied with not having to continue covering your life
24:42You did a good job
24:44I'm surprised that even the maids who were making my room
24:47They didn't realize that I wasn't there
24:49Yeah
24:51That's because the most cunning are out of the palace
24:55You mean Hanna and María Fernández, right?
24:58They are still out of the promise
25:00But nobody seems to have more specific information about it
25:03Well, we know that by express request of your father
25:05They are attending Colonel Gabriel López Carrillo
25:10The Duke of San Rafael
25:11Yes, that's what Mr. Baeza told us, but ...
25:14I'm surprised you don't have more news
25:19I guess it's because nothing bad has happened to them
25:23Don't you think?
25:27Yes, it will be
25:34The next day
25:42I guess Mr. Ruiz will have been more precise than in the other option
25:46Yes, this time he proposes some foie gras empanadas
25:48With caramelized apples and jerez
25:50Along with some croquettes of bull's tail
25:53And Pampardou with macerated strawberries
25:56Very sophisticated all, yes?
25:58Yes
25:59And the other option?
26:00Well, the other option is simpler
26:01A watermelon gazpacho as a starter
26:03And a seafood rice as a main course
26:05Very successful too, and lighter than the other option
26:08Yes
26:09And what do you like best?
26:10Well, I haven't made any decision
26:13Wow
26:14That with respect to food
26:16As for music, I have two options
26:18Very suitable both for a recital
26:21Well, enlighten me please, Mrs. Arcos
26:23One of them is the string quartet
26:25That already attended Mrs. Marquesa's birthday two years ago
26:29Good idea
26:30A proposal from Mrs. Marquesa herself
26:32And the other one is a choir
26:34Accompanied by the piano
26:35That would play some fragments of Verdi and Bizet's operas
26:39And what do you think is more suitable?
26:43I haven't made any decision either
26:46Wow
26:48Are you trying to delay this moment for some reason?
26:52No, what nonsense
26:55Mrs. Arcos
26:56Mrs. Arcos
26:59Well, you already know that
27:01Nothing seems to please Mrs. Marquesa
27:04With regard to the recital
27:06We all know that Mrs. Marquesa is very demanding
27:09But
27:11I prefer to offer her several options and let her decide
27:14I understand
27:16For my part, there is no problem
27:18Let the Marquesa choose
27:20But I warn you that everything may seem wrong to you
27:24Good
27:31Are you sure you want to put that piece there?
27:36Yes
27:37Why?
27:39Because it seems like a lie, cousin
27:41You've been face to face with one of the most fearsome armies in Europe
27:45And you haven't learned any strategy
27:49Curro
27:51Maybe you know more about strategy than I do
27:55But you're still too impulsive
27:59Yes, I hadn't seen that move
28:05I think you're immersed in your game
28:08Are you having a lot of fun?
28:10The normal
28:13Isn't it?
28:15Isn't it?
28:17Yes, we were having fun
28:19Right
28:20It turns out that while you have fun
28:22My daughter is God knows where
28:24Aunt Margarita, I already told you where Martina is
28:26Where?
28:27In a safe place
28:28Curro, please
28:30Look, you know what my conditions are to reveal it to you
28:33Curro
28:34I beg you, please, stop torturing me with all this
28:37I don't want to torment you, Aunt Margarita
28:39The only thing I want is the best for Martina
28:41And I don't?
28:42No
28:43We have different ways of thinking what is best for her
28:45What do you mean?
28:47I mean that you send your daughter to a place accused of something she didn't do
28:51Look, Curro, you've been out of here for a long time
28:54And you have no idea what has happened
28:56No idea
28:57Aunt
28:58Please
28:59None of us knows, Manuel
29:02I just want to protect Martina
29:04But you are exposing her even more
29:07Curro, I just want the best for Martina
29:09Please
29:10Look, I only say one thing
29:13Either you end this once and for all
29:16Or your cousin can end up in jail
29:18Do you understand?
29:21Do you understand?
29:37I'll take note, I'll see what can be done
29:40It's not a capricious request, Mr. Baeza
29:42It's a way to make sure that all the guests are well treated
29:45I've already told you that I'll see if it's feasible
29:47As you well know, the Lacayos are my competition
29:50And Mr. Pellicer's, I have to consult with him
29:53I don't understand why
29:56Between the two of us, we'll see if his request for the recital is possible
30:01I don't think I have to consult that matter with anyone
30:04I think so
30:06No, and less with that man, who all he does is make mistakes
30:09Mrs. Arcos, are you going to start criticizing your colleagues?
30:12No, Mr. Baeza, I'm not criticizing anyone
30:14I'm being honest
30:16Honesty without empathy doesn't have to be a good thing
30:20I see, and what do you tell me about the lack of honesty?
30:23Because with empathy or without empathy, Mr. Pellicer is not being precisely honest
30:27In the matter of the invitations to the snack
30:30We're still with those
30:32Yes, still
30:34I myself personally informed him that the matter was closed
30:38That he had already spoken with Mrs. Margarita and you are still slandering him
30:42Don't you think it's your fault?
30:44My fault?
30:46Yes, the fault of being the cause of all this
30:49Knowing her as I know her
30:51That accidental mistake may not be such
30:54But a sabotage in every way
30:56Really?
30:57Yes, and in order to harm a colleague
31:00That's enough
31:01I'm not to blame for all the evils that plague this palace
31:04Not everything, obviously
31:06I'm talking about one in particular
31:09It gives me the feeling that whatever I tell you
31:12You wouldn't believe me
31:14Try it
31:16Try to convince me
31:19No
31:20It's not worth it
31:22Time will put everything in place
31:24And you, Mr. Baeza, will realize
31:27The mistake you're making
31:30Martina is pregnant
31:34And understand me, I'm the first one who wants Martina out of that sanatorium
31:38I would never think of standing there to take her out
31:41Obviously, this is a robbery of the wisdom of youth
31:45No, not all young people are capricious little girls like Curro
31:50And forgive me, my sister, for what I say about your son
31:52He has just returned from the front
31:54Something should have matured
31:56Nothing at all
31:57He's still as foolish as ever
31:59Come on, he better have stayed in the battlefield
32:02Cruz, please
32:03I'm not saying anything barbaric, Maria Antonia
32:05Come on, there's no way to get him in trouble
32:07You say that because you're relieved
32:09But Curro is not a bad boy
32:12It's true that if we compare him with your son Manuel
32:14Manuel?
32:16Another one who dances like that
32:18Why do you say that?
32:19Don't make me talk
32:20Well, if you don't do it with me, who are you going to do it with?
32:24You're right too
32:36He's pissed off that he's apologizing to Catalina
32:39Really?
32:41He thinks that way I will convince her to leave the hangar and live with us again
32:45I'm sure he's ashamed to see how his sister is stuck in that hole
32:48Well, for me, there are only advantages
32:52It's true that Catalina and you have never understood each other
32:55It's not necessary
32:56But you have to understand that Manuel's only intention is for things to go back to normal
33:02And he accuses me of what happened
33:05Well, you have to see something
33:07To be honest
33:09Which side are you on?
33:10Yours
33:11I'm just trying to appease your tantrums, Cruz
33:14Do you think it's normal for him to demand that I apologize to Catalina?
33:17How did he demand it?
33:19Well, he suggested that I could lose him too
33:23Do you think it's my own son blackmailing me?
33:25I don't think it's blackmail
33:27You're definitely on his side
33:29No, but I see the need to warn you, Cruz
33:33Manuel speaks from the heart
33:35And I'm afraid that your resentment with Catalina ends up distancing you
33:39You're on his side
33:40Let's see
33:42You can solve it
33:43You just have to propose it
33:45How?
33:47Humiliating me before Niñata
33:49Make peace with her
33:51You've been facing her for too long
33:53Well, that's a matter of two, not just mine, right?
33:55Of course
33:57And it's true that Catalina is a, let's say, difficult girl
34:02But think that she's the one who left the palace
34:04She's pretending to be the victim
34:06And she's getting it
34:08You have everything to lose, Cruz
34:10Admit it
34:11Because in the eyes of your son Manuel and your own husband
34:14You are the bad one in all this story
34:16But it's in your hands to become the good one
34:19That's the smartest thing
34:21You've always been very tempted in this kind of decisions
34:24What's the most beneficial?
34:27And it's not about humiliation
34:29But a strategy play
34:31Listen to me
34:32You have to bury the ax of Guerra Cruz
34:39So Mrs. Petra hasn't chosen any of the menus we proposed to her?
34:42I already told you no
34:43That we continue without news
34:44Well, we have to start making a decision, Mrs. Simona
34:46Because it's not the same to buy a watermelon than a bull's tail
34:49Well, we'll have to do it with both
34:50Because Mrs. Petra wanted to consult it with Don Rómulo
34:52Before presenting all the options to Mrs. Marquesa
34:55One by one, the house without a barrier
34:59Well, I'll let you know
35:01Some of the menus I proposed require a lot of time to elaborate
35:04That's how you tell Mrs. Arcos
35:06López, but we are as we are
35:08As you don't want to go up to claim
35:11Cross me with Don Lorenzo?
35:12No, thank you
35:15Ah, Candela
35:16Good afternoon, both of you
35:19Did you miss me?
35:21Well, yes, Candelilla
35:22You arrive at a good time
35:23We had to start making dinner without you
35:26What? Where have you been?
35:28I had gone to the village
35:30To make some gifts
35:31And the smiley face?
35:34As far as I know
35:35You only went to the pharmacy for some eucalyptus pills
35:38Yes
35:40And on the way I met Úrsula
35:43The one from Tancredo
35:44The one who takes care of the priest's garden
35:46Now I understand the delay
35:48How she likes to beat Úrsula
35:51Yes, yes, she does
35:52But this time
35:53I had some bad news
35:56Well, I also have something important to tell you
35:58The captain of the...
35:59You can tell me later
36:00This is more juicy
36:01Chiquilla
36:02Maybe what happened to Lopillo is a coincidence
36:04And not a rumour
36:05What rumour?
36:07I'm not telling you this is bad news
36:09Maybe one day
36:10Kenny Pintado will come
36:12To the Virtudes to raise his son
36:14Virtudes?
36:16What are you talking about, Candela?
36:18Maybe he needs a room
36:20For Dorfito
36:22And also a job
36:23That allows him to live with his son
36:26Thank you very much for the information
36:27I didn't know
36:28Now comes the good news
36:30Impatient
36:31Úrsula also told me
36:34A scoop, Don Fermín
36:35Don Fermín
36:37And what's the scoop?
36:39Because as far as I'm a priest
36:40The only thing he has to do is
36:41Read the Bible and give mass
36:43They transfer him to another parish
36:45Are you sure about that?
36:47I am so sure
36:48And Don Fermín told it
36:50To Tancredo
36:51Tancredo, Úrsula
36:52And the poor thing is in tears
36:55It's normal because
36:56Don Fermín has always been
36:58A very good pastor
36:59Pastor of the flock
37:00Yes, yes, the truth is
37:01You know all the gossip of the Gospel
37:03But now they take him
37:04And I say
37:05That it's not bad
37:06That for whom he doesn't come
37:08Right?
37:09Yes
37:12And what does that have to do with virtues?
37:14You are so impatient, little boy
37:16That now when a new priest comes
37:18He will need a person
37:20To do the tasks
37:21And that's where the game comes in
37:23The girl
37:24And don't you think
37:25That this priest and the other
37:26Are going to tell each other
37:27All the gossip
37:28And the theft of the chalice?
37:30No, they won't tell him anything
37:32And how are you so sure?
37:34Because my virtues
37:35Tell him everything about the chalice
37:37In secret confession
37:39And if it's secret
37:40It's secret
37:44And I want to change you
37:45I was going to tell you
37:46Go upstairs
37:47Come on
37:48I'm going
37:49Air
37:50Air, air
38:03Air
38:22Cruz
38:25I came to see how you were
38:28Well, good
38:29I see
38:30Why are you coming all of a sudden
38:31And not interested in me?
38:33Well, we are family, right?
38:35We are supposed to be interested
38:37In each other
38:38How can you come
38:39In this mess?
38:41What's wrong?
38:42Everything
38:44Without mentioning the decoration
38:46Which is simply indescribable
38:48But it seems that
38:50There are some hygiene considerations
38:52That you don't seem to take into account
38:54This hangar is perfectly clean
38:56It doesn't seem so, dear
38:58Come on
38:59I assure you that there are mice and everything around here
39:01Well, look
39:02I agree with that
39:04But I prefer a thousand times
39:05That I enter in my spiders
39:06Than that certain people
39:07Are piling up around here
39:09Catalina, I'm cured of fright
39:11And I assure you that I'm not here to argue
39:13That's what I don't understand
39:14What day did Andrés come then?
39:17You'll see
39:20I wanted to ask you
39:21Especially for the good of our family
39:24That you leave this place
39:25And that you return to Palacio
39:28Are you asking me
39:29To live under the same roof again?
39:31We don't have to have breakfast together
39:33I just want to
39:35Recover a bit of normality
39:38After everything that has happened?
39:43Do you mean
39:44That misunderstanding?
39:47I'm very sorry, dear
39:49I assure you that it won't happen again
39:51Wait, wait a moment
39:53Let's go slower
39:55I was referring to the press
39:59And are you apologizing for that?
40:02I'm explaining to you
40:03That it was just a misunderstanding
40:07It's fine
40:08Some journalists approached me
40:09And asked me questions
40:10And I answered them as well as I could
40:13I see
40:14And I'm sure you didn't look for them
40:15To tell them
40:18The Lujan family had to
40:19Manifest themselves
40:20And then, you know
40:21How they exaggerate
40:23No, no, I don't know
40:24The press tends to exaggerate everything
40:27They look for scandal
40:28Because of the dignity
40:30Of good people
40:32Do you remember everything
40:33That was said about me?
40:35Those journalists
40:36Exaggerated my words, Catalina
40:38I assure you
40:39That wasn't my intention
40:40And do you know how much I suffered?
40:42How much I was affected
40:43By all those comments?
40:46I'm not sorry, dear
40:48I'm really sorry
40:49That everything was like this
40:51That's why I want to ask you
40:53To come back home
41:24I'm sorry, son
41:26I didn't want to scare you
41:28Were you spying on me?
41:30No, no, no
41:31I was just trying to understand
41:32What your job is all about
41:34I'm sorry
41:35No, no, it's fine
41:37What have you got here?
41:39Besides getting to know your new studio
41:43You're right
41:44I'm sorry, I should have invited you before
41:45Don't worry
41:46I understand that you were settling in
41:49Yes
41:50And you've remodeled it to your liking
41:51It's a good refuge for you
41:53Yes, it does have some refuge
41:55I suppose this is what you needed
41:57A quiet place
41:58Where you can concentrate without distractions
42:00Keep it a secret
42:04Do you know what we called this place
42:06My brothers and I?
42:09The Forgotten Kingdom
42:11And that?
42:12We were just a bunch of rascals
42:14The first time we came up here
42:18We were afraid
42:19We thought we'd find a monster from the Avernus
42:22Or a ghost
42:25And did you find something like that?
42:27We barely found the courage to come in
42:32So what was here?
42:34Well, there was old furniture and useless junk
42:38Oh
42:39A treasure for some kids
42:41Yes
42:44Here we fought against imaginary dragons
42:47And we rescued captive princesses
42:52And only in a few square meters?
42:54The creativity of a child doesn't need much more
42:58I hope mine doesn't either
43:01Father, you can come to this Forgotten Kingdom whenever you want
43:04Yes
43:05This can also be a good refuge for you
43:07I don't know what I should hide from
43:10Well, yes, your mother has me a little overwhelmed
43:14She keeps talking about that recital
43:16I wouldn't put my hand on the fire because that recital will be celebrated
43:20And why is that?
43:21Because I've given my mother a condition to go
43:24If she wants you to go, you must make peace with Catalina first
43:28I've asked for that in every possible way and she hasn't refused
43:33Well, let's give her one last chance
43:37You're right
43:39Maybe you'll succeed where everyone else has failed
43:43You haven't failed, father
43:46I don't know
43:48I have the feeling that I influence her decisions less and less
43:52And not only hers
43:56If you mean Catalina
43:59Think that no one has managed to make her change her mind and leave the hangar
44:02Catalina, Curro, she hasn't told me where Martina is either
44:07And it torments me not being able to help her
44:09As for Curro, father, he hasn't entrusted that information to anyone
44:14And I think it's his decision and we must respect it
44:19And wait for everything to go well
44:26I did it seriously
44:27Your stepmother has come to apologize
44:29It's hard for me to believe it too, but yes, she did it
44:32In her own way, of course
44:34Well, I don't even want to imagine what it's about
44:36Well, to begin with, I came in here criticizing the place
44:38Saying there were mice
44:40Well, mice everywhere
44:41I don't know
44:43It's a strange way to clean up laziness
44:45I naturally stood up for her
44:47And after a long time, I ended up recognizing her responsibility after those posts
44:51And she apologized to me
44:53A little bit in her own way, you have to say it
44:56Well, I guess it's an achievement for her
45:00That's right, talking about my stepmother, that's a lot
45:04Well then, we'll have to celebrate it
45:07I'm still assuming it
45:10Does that mean, Catalina, that you're going back to Palacio?
45:16Yes, I guess it doesn't make much sense for me to keep living here
45:21Yeah, but I don't see that you're very excited about the idea
45:25Well, the truth is that no
45:27But the truth is that I can't stay locked up here forever
45:30Yeah
45:31Cruz has taken a step and I have to take another
45:34So, your stepmother has been here?
45:39And I barely get along with her
45:42And I'm worse than mice
45:45Of course, you're bigger
45:48And, well, speaking of sizes
45:52I hope I got your measurements right
45:55My measurements?
45:56That's right
45:57That's why I called you
45:59I want to give you a gift
46:01What is it?
46:11This is entirely yours
46:14And if you don't like it, we can make the necessary adjustments
46:17But, well, I hope Romulo helped me with the measurements
46:19I hope I didn't make too many mistakes
46:22Catalina, I really appreciate it, but it's not necessary
46:27Yes, it is
46:28That way you won't feel like you're disguised as someone else
46:34Cruz isn't the only one who finds it hard to apologize
46:39And this is your way of doing it?
46:41I didn't want you to be offended by giving you Pelayo's suit
46:44But there was no way to find another before dinner
46:46Catalina, thank you very much, really
46:49But I don't know when I'll have the chance to wear it
46:52And I'm not the type to wear this kind of clothing, really
46:55I'm sorry to disagree on that
46:57You'll be able to wear it tonight
47:00Since I'm going to leave the hangar, what better way than to say goodbye to him?
47:08Will you come with me?
47:22The mail, how could I forget?
47:28The mail
47:35Mr. Romulo Baeza?
47:39Excuse me, Mr. Baeza
47:40Yes, Mr. Romea
47:42If you don't need anything else from me, I'll leave
47:45Yes, go, go
47:47Wait a moment, could you help me by distributing the mail?
47:53What? At this hour?
47:54Yes, it's been such a busy day that I forgot
47:58Could you hand it over to your colleagues, please?
48:00Yes, no problem
48:02But are you sure you don't want to do it?
48:04I'd rather you do it, I have pending tasks
48:07Very well, good night
48:21Mr. Romulo Baeza
48:24Mr. Romulo
48:30You must pressure him more
48:33We have to get that kid out of Curro, where Martina is hiding
48:36Ignacio, I've tried, look
48:38But he refuses to tell me anything
48:41He has made his conditions very clear
48:43Sorry
48:45If I let myself go, it's because I can't stand seeing you like this
48:48What?
48:49Well, in your hands, you have to avoid it
48:52You know I can't let it go like this
48:58Besides, we're getting into what it's not
49:01We should think about us, being happy, getting married
49:04Ignacio, please, this is not the time to talk about this
49:07Well, it seems it's never the time
49:10When can we start thinking about us?
49:12It turns out that my daughter is missing
49:14And you're the only one who can get Curro to tell us where she is
49:17And now it turns out that you only think about the wedding
49:20Margarita
49:21Look, I'm going to bed
49:23Good night
49:35Poor thing
49:38He's starting to get to know you for real
49:41What were you doing there?
49:43Nothing
49:44Seeing how you look in a mask
49:46Don't be silly
49:48No, I'm not
49:51You enjoy all this, don't you, Petra?
49:55A little
49:57Even if I tell you the truth, it doesn't convince me
50:01Because you've caused me more pain than I can cause you in the rest of my life
50:08You had a son, Ignacio, but you never cared
50:11No, that's not true
50:13Yes, it is
50:15If you had been a good father, you wouldn't have given up so soon
50:18Why are you talking about that now?
50:20Because that, as you call it, has never stopped
50:25Felipiano, my son, has always been present every day
50:29Enough
50:30Tell me, Ignacio, how does it feel to see yourself so desperate and so fragile?
50:37I said enough!
50:45I have to admit that the suit fits me like a glove
50:48And that's the only reason you should keep it
50:52I'm starting to think that if I don't, it would be a disgrace to you
50:58Because it's also very comfortable
51:00I could wear it every day to go to the field to work
51:05That would be worth seeing
51:07Since you arrived, I wanted to ask you a question
51:11Tell me
51:13Do you wear perfume?
51:16Do you realize?
51:17Yes
51:21It smells very good
51:24The one my father used
51:27I think there has come a time in my life when I have also used perfume
51:30And I have also used it
51:32The one my father used
51:35I think there has come a time in my life when I have also used it
51:40Very well
51:42I find it interesting that you talk about those moments in life
51:46I also think there are times to face changes
51:51And ... I don't know, also to live other adventures
51:57Like using your father's cologne
52:00Or...
52:02That you and I can be something more than...
52:06Friends
52:12I'm sorry
52:14Did I say something that bothered you?
52:16No, no, no, no
52:18I didn't expect it and everything was going so well
52:21And I ruined it
52:23No, no, no, no
52:31What's going on?
52:45I don't know
52:50I feel...
52:53I feel something in my chest
52:54Something in my chest
52:59That I should tell you but I don't...
53:10Of course
53:12What?
53:23I think you kissed me not to give me explanations
53:26Explanations of what?
53:29Of what's wrong with you
53:32Of what really worries you, Catalina
53:35What do you mean?
53:37Be honest with me
53:38No, it's better to be honest with yourself
53:43I think you haven't overcome it yet
53:46And I don't mean Cruz, but Pelayo
53:50You kissed me so you don't think about it
53:54Are you still in love with Pelayo, Catalina?
53:57What?
54:00Tell me I'm wrong and I won't mention his name again
54:05It's just that...
54:06I love you
54:16Ma'am, it took me a while to prepare what you asked me
54:19It's just that...
54:21The recital has been suspended
54:24Now ask some maid to fix the bouquet
54:28Daughter, don't be nervous
54:29I think it's a very good idea for you to go see your son
54:32Just like that
54:33I want your father-in-law to see that you're fine
54:35And that you don't condemn Adela
54:36What are you saying? I'm hiding
54:38What?
54:39The story of what?
54:41Mandela, please
54:42I understand now, mother
54:44They're getting the idea that you and I are capable of staying with your son
54:48I hope so
54:49Please, you have to tell me where Martina is
54:51We can't go on like this
54:53Cruz, listen to me, I'm very worried
54:54In fact, I'm desperate
54:56We are desperate
54:58All I need is for Count Dallara to guarantee that Martina won't go back to that asylum
55:03Nor will he call the Civil Guard
55:06Cruz
55:11Sooner or later, the truth will come to light
55:13And then, all your petty evils will turn against you
55:17You will be the one who sooner or later
55:19Has to swallow all those reproaches and accusations
55:22When it turns out that I had nothing to do with that matter of the uninvited guest
55:26I would like to know when Catalina will return home
55:30I trust it will be soon
55:31I think it would be best not to tell her anything
55:33And for her to come back when she feels ready
55:36I'm so angry that my stomach hurts
55:39Just remembering that I had to apologize to that stupid and capricious girl
55:45And just imagining her satisfaction in seeing me so humiliated, of course
55:49I found her on the garden stairs, Mrs. Martínez
55:52I accompanied her here because she's not well
55:58What happened, daughter?
56:00Let's go back to the promise
56:03We can't stay here forever, Mrs. Pia
56:09For the plan to work, we have to neutralize Gregorio
56:12And only by getting rid of him, you will be free