AFHS11 CAP 73
AFHS11 CAP 73
Transcript
00:00Yes, you are?
00:02Ready?
00:03Yes.
00:04Well, let's go.
00:05It's over.
00:06What a shame.
00:16In spite of everything, I can't stop loving you.
00:22Gaspar.
00:23Gaspar.
00:27I just found out that you slept with your vernacular lovers.
00:33It's not what you think, dad.
00:34The car was really worth it.
00:36Please, the car was worth it.
00:38Counting on me.
00:39I'm just telling you that if you show up one day on your Sunday the 7th,
00:44I'll unlock you.
00:46Today, Mrs. Francisca opens her doors to the public.
00:50I'm very nervous because today is my first day as a waitress
00:55at Mrs. Francisca's restaurant.
00:57Everything will be fine, Olinda.
00:59Ready?
01:00Blow the candles.
01:01Harder, daddy.
01:03Harder.
01:04Daddy.
01:05Daddy.
01:06Daddy.
01:09What are you doing?
01:15I'm so sorry.
01:16No, no, no.
01:18What did she eat?
01:19She asked for a double extreme salchipapa.
01:21How could you serve such a greasy wine to an elderly person?
01:24But she was with her family, they didn't say anything.
01:26She was alive, my daddy.
01:28Who cooked?
01:31Me.
01:32Well, I'm going to rest.
01:33Wait, wait.
01:34Brother, brother, brother.
01:35Something very important that I have to tell you.
01:37The Spaniard deceives his mother, yes, here.
01:40Yes.
01:47Calm down, calm down.
01:48Let me go, let me go.
01:49Let me go, let me go.
01:50Let me go.
01:51Calm down, calm down.
01:52Go and see what you deserve.
01:54Please, Mr. Gil, don't put more firewood.
01:59Open, come on.
02:00I would accompany you,
02:03but I don't know why at this moment
02:07I feel very weak.
02:11You will see.
02:12We are going to report you.
02:14You will go to jail.
02:16Young man, I fry the chips very well
02:19and the jodoxito as I always do.
02:22Of course, with the recycled oil.
02:24You are a killer cook.
02:27It's not like that, sir.
02:28This crime will not be unpunished.
02:31We will go to the media, we will publish it on the networks.
02:34Everyone will find out that this is a restaurant of bad death.
02:38It's a restaurant of bad death.
02:40Literally.
02:41Please calm down.
02:42There must be some solution.
02:44What solution will there be?
02:46Are you going to return to my dad?
02:50No, but we can run with the expenses of the burial.
02:53Damn bastard.
02:55What are you saying?
02:57Do you think that with that you are going to buy us?
03:00Gentlemen, please, please.
03:02Violence is the worst thing.
03:04The ambulance is taking a long time.
03:05I offer to accompany them to the morgue.
03:08Oh my God.
03:09My dad.
03:11I'm going to rot in jail.
03:14How are we going to stay like this?
03:16We are all murderers.
03:19Murderers.
03:20They are murderers.
03:22They are murderers.
03:24Dad.
03:25My dad.
03:26My dad.
03:27No, no, no, no, no, no.
03:31Open the door.
03:33Come, come, come.
03:36You are gone.
03:37You are gone.
03:38Let me go.
03:39Let me go.
03:40Let me go.
03:41Calm down, calm down.
03:43This guy doesn't deserve to get his ass dirty.
03:45No, no, uncle.
03:46In order to have his deserved, I get my whole body dirty.
03:48Hey, hey, hey.
03:49Wait a minute, wait a minute.
03:50Calm down, please.
03:52Can we have a coffee?
03:53A sandwich?
03:54And we come to an agreement like the last time.
03:56The last time you saved yourself because I was working with the honorable Major Manrique.
03:59But this time I'm going to kill you.
04:01No, no, no.
04:03My nephew.
04:04Calm down.
04:05Calm down.
04:06Get out.
04:07Get out.
04:08Get out.
04:09Get out.
04:14We must be prepared.
04:16Because at any time the police can come to take our statements.
04:20No.
04:21I don't want to go to jail again.
04:23Were you in jail?
04:25Did I say that?
04:27But no one goes to jail for a salchipapa.
04:31Or yes?
04:32Just in case, I had nothing to do with that dish.
04:34I was in the bathroom when they prepared it.
04:36Judas.
04:38That's why they call you that.
04:41But what are we going to do now?
04:43Nothing.
04:44First we are going to pray a little.
04:47First we have to clean everything.
04:48And thus erase the footprint of Benito.
04:50What?
04:51The footprint of the crime.
04:52That.
04:53No, we are not going to do that, Velasquez.
04:55Look, first we are going to wait here.
04:58Quiet until the authorities arrive.
05:01I'm feeling bad.
05:02Can I retire?
05:03No one leaves here.
05:05I'm sorry, but I'm not going to be involved in something I didn't do.
05:08Holy Mother, please help us if everything goes wrong.
05:12These things cannot happen.
05:14Not to me.
05:16Because if we have not behaved well.
05:19Why?
05:20Why?
05:21What?
05:22My fault.
05:24For my fault.
05:25For my great fault.
05:26Gentlemen.
05:27All of you.
05:28Break it, brother.
05:29Break it.
05:30Yes, yes, yes.
05:31I'm coming, I'm coming.
05:33Hey, brother.
05:34Stop, a moment, a moment, please.
05:36I think that among civilized people.
05:38Do we seem civilized people to you?
05:40Think.
05:41No, no, I didn't mean to.
05:42Enough, enough, enough.
05:43Don't be the victim now, teacher.
05:45Don't be the illusion.
05:46You know that what is going to happen here is fair.
05:48I don't know how to apologize anymore, seriously.
05:50Apologies are not enough.
05:52No.
05:53They are nephews.
05:54Listen to me.
05:55Listen to me.
05:56Let him, let him.
05:57I'm tired of the trip.
05:58Sure, you must be tired.
05:59Why don't you take a nap and then we plan a revenge?
06:01Sure, and a lot of light, a lot of toads.
06:03Please don't get involved, uncle.
06:04We are going.
06:05No, no, no.
06:06Wait, wait, wait, wait.
06:07Look, if we want to do justice, one by one, please.
06:09Yes, listen to me, nephew.
06:10If you get involved, you're going to lose.
06:12The Spaniard has the vest.
06:14And where is he that I don't see him?
06:15Who?
06:16The Pacho?
06:17Where is he?
06:18Where is the Pacho?
06:19No, no.
06:20Joel, the vest is the Titanic's grandmother.
06:24Are you kidding me?
06:25No, no, it's not true.
06:26The teacher is dating the grandmother of Alessia.
06:28He is her protégé, Gigolo.
06:29You are a bastard.
06:30You like old women.
06:31And you know that this old woman is older.
06:33You want her to stop being stupid.
06:34And you want to keep her things.
06:36You are a bitch.
06:37Calm down, calm down.
06:38I didn't even want to go back to that place.
06:40It was she who brought me.
06:41Now you throw the duck.
06:42But that's the worst.
06:43Nephew, leave him.
06:44Let's go to the house.
06:45Let's go to the house.
06:46Let me.
06:47Don't mess with the Titanic's grandmother.
06:49It's a weapon.
06:50She can put you in a trial for touching her Gigolo.
06:52A little respect, please.
06:54And your nephew is going to get in trouble with his grandmother.
06:58What do you think, dog?
06:59It's hard.
07:01I'm leaving.
07:03Be careful that next time you catch this bull.
07:08Bye.
07:10And this crazy dog too.
07:11Stay there.
07:25We are the Titanic.
07:27A little different.
07:30But we are the Titanic.
07:35Can you explain to me why there is no attention?
07:37Mrs. Francesca.
07:38It's good to see you.
07:39How are you doing?
07:40It looks good.
07:42What happens is that the light went off.
07:45And the refrigerator stopped working.
07:47And as you can imagine, we could not attend.
07:50And we had to close for a little while.
07:52Just a little while.
07:53A little while?
07:54The day of the inauguration?
07:56Why didn't they use the electrogen group?
07:58We had?
07:59Of course.
08:00We are prepared for those emergencies.
08:03You knew, Judas.
08:04What happened?
08:05I don't.
08:06Paco, he knows.
08:07Judas!
08:08Do you realize the money we are losing?
08:11I'm tired of the incompetents.
08:12You are fired.
08:13No!
08:16I am the only one to blame for all this.
08:19Olinda, it is not worth sacrificing yourself for a subordinate who does not give the size.
08:24I killed a commissioner.
08:26With my salchipapa.
08:33What?
08:41And?
08:42Did you get a job?
08:44All I want is to lie on the couch and make an egg.
08:48I'll go with you.
08:49I'd better make an egg in the room.
08:51No, listen, listen.
08:52Come on, sit down, sit down.
08:54I've got something that might interest you.
08:56Really?
08:57What is it about?
08:59It's in the field of transportation.
09:01Oh, Tito.
09:02If it's administration or accounting, I can defend myself.
09:06Yes, yes.
09:07It has something to do with accounting.
09:10The job is from Datera.
09:12Datera?
09:14Five, three, two, ironed, ironed.
09:16Four, three, one, ironed, ironed.
09:18Oh, open well.
09:22Do you expect me to do that?
09:24Yes, it's relaxed and you don't need experience.
09:28Tito, I thank you very much.
09:30But the truth is that I have not spent five years of my life studying a career to finish Datera.
09:34It's not for me.
09:35I know, Lorena.
09:36Of course.
09:37It's temporary.
09:38Just until you get something better.
09:40Oh my God, how desperate I will be.
09:42I'm even considering it.
09:44That's the attitude.
09:46Desperate?
09:47No, as a fighter mother.
09:56Come on, come on.
10:00The family said that the salchipapa was made with too much fat,
10:04but the chips were always cold.
10:07And also the jodoxito says it had another color.
10:10I prepared it.
10:11I am a murderer.
10:12What?
10:13They didn't tell me immediately.
10:14We are waiting for the police or the judge to come.
10:19There has been no crime here.
10:21You have not done anything.
10:23That man could have died for any other reason.
10:27We need to locate the family.
10:29Do you have your data?
10:30Your data.
10:31Your data.
10:32Your data.
10:33Data?
10:34No.
10:35No.
10:36No.
10:37No.
10:38They let him go?
10:39Just like that?
10:40Without even asking his name?
10:42It's just that they took him quickly to the orphanage.
10:44And they just left.
10:46No, no, no.
10:47That can't be.
10:48They can't raise a body without a prosecutor.
10:51Oh my God, this is going to be a scandal.
10:53I'm going to call Ronald.
10:54Oh my God.
10:55How can we help you?
10:56In sweeping your houses.
10:58They only get in the way here.
11:06They only get in the way here.
11:12Ready?
11:13Yes, yes, yes.
11:14Come on.
11:15You can do it.
11:16No, Tito.
11:17I can't do that.
11:18I don't have aim.
11:19I can't.
11:20Calm down.
11:21Calm down.
11:22Concentration.
11:23It's a matter of practice.
11:24You're going to get it.
11:25There goes another one.
11:26There goes another one.
11:27Let's see.
11:28Tito, no.
11:29I give up.
11:30I give up.
11:31I swear.
11:32I can't do this.
11:33I can't.
11:34Hello.
11:36And that tablet?
11:37Oh, stop it, Vanica.
11:40Why didn't you tell me you were coming?
11:42I didn't want it to be a surprise.
11:43Oh yeah?
11:46Just in case, when someone comes to a house,
11:49say hello to everyone present, in case they haven't taught you.
11:52Hello, Tito.
11:53I talked to my friend David.
11:54He tells me they're going to call you very soon for an interview.
11:57I can't assure you anything.
11:58But it's the GHB hotel chain.
12:02What?
12:03GHB.
12:04GHB?
12:05The multinational?
12:06The one with the luxury hotels?
12:07Yes, yes, yes.
12:08Oh, I got it!
12:10Oh, how nice!
12:13Oh, you're the best!
12:15I know, I know, I know.
12:16Oh, I had a terrible day until you arrived.
12:19Of course.
12:20What you have to do is update your CV as soon as possible.
12:23Oh, my life, you are the best.
12:25I know, I know.
12:35Francesca.
12:37What are you doing here?
12:38Judas called Cristobal and Cristobal told me the tragedy.
12:41Did you manage to find the family?
12:43We are in those.
12:44Ronald is on his way.
12:45If this reaches the media, it will be a disaster.
12:48We have to find a solution quickly.
12:50We have?
12:51Well, this restaurant may take your name,
12:53but I was the one who gave it life.
12:55In addition, a scandal of this type can affect the corporation.
12:58I hate to give you the reason.
13:00What do you have in mind?
13:01The first thing, locate the family.
13:03And try to reach an agreement with them.
13:06They must have already filed the complaint.
13:08We don't even know who they are.
13:10I'm going to check the parking security cameras
13:12to see the plates and thus reach them.
13:14Good idea.
13:15Thank you.
13:16We will solve this in the best way.
13:18You calm down, go rest at home.
13:34This moron is still here.
13:37No, no, no, no, no, no.
13:39The fact that the more sheets you have, the better,
13:41is a thing of the past.
13:43Now what is asked for is practicality, minimalism.
13:46But then how many sheets does he have to have?
13:48One.
13:49One, and that sheet has everything relevant
13:51to the position you are applying for.
13:55I mean, and the school, the university ...
13:58No, no, no, none of that.
13:59Forget it, minimalist, punctual.
14:02I had no idea, Maxi, thank you.
14:04I had no idea, Maxi, thank you.
14:09You're welcome, beauty.
14:12We erase all this, and that's it.
14:20Lore, what a joke to love.
14:21Hey, you don't have a sense of humor.
14:23Yes, now you will see.
14:25No, no, no.
14:27No, love, enough.
14:32My daughter.
14:40Hello.
14:42Hello, little olive.
14:45Here doing some math
14:47to see if we save a few cents too.
14:53But tell me,
14:55shouldn't you be at Mrs. Francesca's restaurant?
14:59Yes, they gave us the day off.
15:01How strange in her.
15:03But since you're here, you can help me.
15:06But I wanted to tell you something.
15:08What?
15:11I just had a very nice idea.
15:14Why don't we go to Chalhuanca for a while?
15:16After our wedding?
15:18No, before.
15:21When?
15:22Right now.
15:23I'll pack my bags quickly.
15:26Wait, beautiful.
15:29Tell me what's wrong with you.
15:33Okay, I'll tell you.
15:34But if you want to break up with me,
15:37I won't understand.
15:40But what nonsense are you saying?
15:42Gilberto,
15:44I'm a murderer.
15:52No, no, no, no, no, no.
15:53That's a bad thing.
15:54You complicate things more, Lore.
15:56Hi, mom.
15:57Hi, honey.
15:58How are you?
15:59Hello.
16:00How are you?
16:02So you're the famous Valentino.
16:05That's right.
16:06And well,
16:07you're very famous.
16:08I don't know you.
16:15Maximiliano Marquez.
16:19Of course.
16:20You're Mrs. Lorena's boyfriend.
16:22I didn't let you go to your apartment
16:24because it was too small, right?
16:26Oh, Valentino, in addition to being confident,
16:28is also very funny.
16:30Well, in this life,
16:31you're either funny or you're the joke,
16:33and Valentino is no joke.
16:36Do you want some?
16:37No.
16:38No?
16:39Your hand sweats a lot.
16:41Excuse me.
16:53I don't know what to do, Ronald.
16:56Okay, keep me informed, please.
16:58Diego is not coming yet.
16:59I don't know anything.
17:01Here it is.
17:02I'll call you later.
17:03Fran,
17:04I managed to contact the relatives.
17:06Fortunately, the commensal did not die.
17:08But if a doctor checked it.
17:10It seems that he was clinically dead for a few minutes,
17:12but then he recovered.
17:14Oh, thank God.
17:16The best of all is that I managed to convince them
17:18not to file any complaints.
17:20How much do I owe you?
17:22How much do you owe me, Fran?
17:24Please, you insult me.
17:26That restaurant is like a son to me.
17:28Besides, I don't need the money.
17:32What I am going to suggest to you
17:34is that you stop playing the little kitchen.
17:37This last week
17:39you have been changing hands a lot
17:41and the only thing you have achieved is that everything comes in pieces.
17:45Gastronomy is an inaccurate science
17:48and you are looking a lot at the numbers,
17:51at the figures.
17:52Rather, it is a subtle art.
17:55What you need is a person
17:57who knows about gastronomy,
17:59but who also handles the business.
18:02You are not mediocre, half-baked.
18:06The truth is, I already have someone in mind.
18:09Oh, no.
18:10As long as you don't tell me it's Virgilio or Gaston.
18:12It's you, Diego.
18:15Fran.
18:16Fran, are you proposing that to me seriously?
18:18Yes.
18:19And before you start grumbling and making fun of yourself,
18:22I warn you that I am not for jokes.
18:24No, no, no. How can you think?
18:25What happens is that you catch me by surprise.
18:27I never thought you would propose this to me.
18:31Well.
18:32I have no consideration for you.
18:35Let it be very clear.
18:37Joining you was the worst mistake I made in my life.
18:41Nice way to convince me.
18:43But I recognize your values and your ability.
18:47So I know you can lift the Francescas.
18:51Well, regaining the reputation of a restaurant
18:55is not an easy thing.
18:58No? Well, you have all my support.
19:00I would have to have
19:02power of decision and absolute authority.
19:06You will have it.
19:08Well.
19:09If so, I'm going to talk to Alessia to be my right arm.
19:13Well.
19:14I will help you in everything you need.
19:17Thank you, Fran.
19:19Let's keep a cordiality at work.
19:24It's the best.
19:25Yes.
19:30Let's go.
19:36Hey, what are you doing here?
19:37And why are you eating my chifles?
19:39I'm sorry, Mr. Tito.
19:41But I don't pass the skinny of Mrs. Lorena.
19:43I prefer to wait for the maripaz here, really.
19:45More quiet.
19:47So you don't like that Max?
19:50I'm going to put it like this.
19:51I don't even pass that leg with soda.
19:55What's more, I already did it to you.
19:56I thought it was cool, cool.
19:57But that one has not won anyone.
19:59Exactly.
20:00And he gets angry just because he has his little teeth fixed.
20:03And what about his shirt?
20:05His shirt?
20:06A torrent of that old rag.
20:07Yes or no?
20:08And on top of that, Mrs. Lorena doesn't realize, Pepe.
20:11She thinks she has a fine boyfriend.
20:12She's crazy, Pepe.
20:13A fine boyfriend.
20:14Fine boyfriend.
20:15How good, how good, how good.
20:17She's crazy, she's crazy, she's crazy.
20:18Fine boyfriend, Lisa.
20:20Fine boyfriend.
20:21I pick up your car.
20:22I pick up my car, Pepe.
20:23I pick up my car.
20:24That one is crazy.
20:25That one is crazy, that car.
20:26He must have rented it.
20:30Quickly.
20:31Let's go to the avenue to take a taxi.
20:34Gilgirito.
20:35Thinking about it, I shouldn't drag you with me.
20:38I can't leave you in this difficult situation.
20:42Yes, but we haven't even told the family that we are escaping.
20:45We'll call them.
20:47No.
20:48Look.
20:49Thinking about it, I'd better turn myself in.
20:51And I hope they judge me.
20:53What if you run into a corrupt judge?
20:55Hello, how are you?
20:57How are those cool, slow people who are going to travel?
21:00Yes.
21:01Total.
21:02Yes.
21:03No, I don't understand.
21:04They are going to travel.
21:06What happens is that these suitcases are very heavy because ...
21:11Olinda.
21:16What, what, what?
21:18Who is that confident one who hugs you like that?
21:21He is Lucio, my friend from the restaurant.
21:23Maybe we can take him with us too.
21:26Look.
21:27Mrs. Francesca called me.
21:28Papa Cucho didn't die.
21:29Who didn't die?
21:30I'll be right back.
21:31But how?
21:32He was covered with the blanket and they took him away.
21:34Yes, but it was all a scare.
21:36And the family of the commissioner is not going to file any complaint.
21:41I even want to hug him.
21:43Well, listen, hug.
21:44But can you explain to me, please, what's going on?
21:46I don't understand.
21:47Hey, I was calling you on the phone.
21:49I paid him so I wouldn't keep getting bad news.
21:52This time they were good.
21:54And those suitcases?
21:56Oh, I got it, I got it, I got it.
21:59You thought someone had stretched the leg
22:02and so that you don't blame them, you were going to escape.
22:04That was it, that was it.
22:05I convinced her.
22:07It's my fault.
22:08No.
22:10Thank you, Gilgirito, but it wasn't like that.
22:15I'm going to tell you.
22:17But first help me carry the suitcases.
22:19They are very heavy.
22:20You have to open this too.
22:21Congratulations.
22:22I need it now, please.
22:24Oh, the key, what tranquility.
22:26Oh, thank you.
22:44Felix, update me.
22:46Teres, well, everything is quiet, everything is in order, everything agrees.
22:51Nothing happened, they don't need anything.
22:53No, no, I remembered.
22:55Are you sure?
22:56Except for a regrettable incident of the Olindas at his work.
23:00But what happened?
23:01Yes, there in the Francheca is a client.
23:03The Olindas has killed him with a salchipapa.
23:06But what are you saying?
23:08No, no, no.
23:09In the end, the dead man did not die.
23:10That is, it was a false alarm.
23:12Yes, yes, yes.
23:13But the Olindas has lost his job because of that.
23:17Are you sure of everything you're saying?
23:19Wait, please.
23:20My information is of quality.
23:27Keep me informed.
23:28Of course.
23:34Hello Teresa.
23:35Hello Aunt Poison.
23:38Calm down, it's a joke.
23:49I recovered what was mine.
23:51Francesca herself asked me for it.
23:53Oh, excellent.
23:56How it must have hurt that little woman Altanera,
23:59to give her arm to twist.
24:02I'm sorry to have to leave this position in the corporation,
24:05but can I help you get a replacement?
24:08Oh no, son, it's not necessary.
24:11Your position was invented.
24:14How, but I even had my little sign and my email address.
24:18Well, whatever.
24:19Now you go back to your thing.
24:22I retire because I have a commitment.
24:25Sure with your vulture carroñero that.
24:27Oh Diego, please.
24:29No, no, don't come to me with those dramas of a jealous little boy.
24:34I know what I do.
24:36That's the worst.
24:38Because you know he just wants your money.
24:40That everything is false in him.
24:43Better take care of your life.
24:45Forget it.
24:46Because that's enough.
24:49And let me live mine.
24:52Bye.
24:58Hello.
25:00No, no, I forgot.
25:01I'm going there.
25:10Is there anyone who attends here?
25:12Hello.
25:14Guys.
25:15Hey you, boy.
25:17Let's see, let's see, let's see.
25:19Just as you demand a certain treatment,
25:21I ask you to call me by my name.
25:24Well, Mr. Mechanic.
25:26How can I help you, Maldini Bamba?
25:28Let's see, more respect.
25:30Nothing of Maldini Bamba.
25:31You know that I am unique and original.
25:34What do you need?
25:36My car is making a strange sound.
25:38Oh, again with that story?
25:40That's true.
25:42A lot of money for you, see?
25:43It's a lot for you.
25:44You are a dislocated, an insolent.
25:47I am your client.
25:49And you have to do absolutely everything to please me.
25:52Did you understand or not?
25:53What noise does it have?
25:54What happens?
25:56What noise does it have?
25:57Rum.
25:58What?
25:59Rum, rum.
26:00Does it sound like that?
26:02Rum.
26:03When you accelerate it?
26:04Rum, rum, rum, rum.
26:05Yes?
26:06Rum, rum, rum.
26:09Rum?
26:10Rum, rum.
26:12And to think that we were about to leave for Chalhuanca.
26:16Oh, yes.
26:17Next time, don't listen to me.
26:20That happens when you let yourself be carried away by despair.
26:24I was so scared.
26:27How ugly to see that man there, dead, because of your food.
26:31Fortunately, as you say, everything was just a scare.
26:38What does it sound like?
26:39Rum.
26:40When you accelerate it?
26:41Rum.
26:42In first and second?
26:43Rum.
26:44And in third too.
26:45Well, that sounds bad.
26:46I'm going to have to check it completely.
26:47Yes, you're going to have to check it, because you know this is a high-maintenance car.
26:51Yes, yes, don't worry.
26:52I'll lower the tire, the engine.
26:55Hey, Gaspar.
26:56Have you seen the 16?
26:57Ah, Teresa.
26:58I didn't know you were here.
27:00Oh, my wig.
27:02Well, yes.
27:03I came to leave my car because it was making a very strange sound.
27:06Rather, I leave it for you to check it.
27:08Yes.
27:09I see it and I take it to your home.
27:10But please call me before, because I may be very busy or maybe I'm not at home.
27:14Excuse me.
27:20Oh, what was that?
27:21It seemed to me that you were flirting.
27:24Nothing to do, nothing to do.
27:25He just comes to screw me that he has his car and he has money, all those things, right?
27:29Oh, I understand.
27:30I mean, he did it to screw you in the face of what you have lost.
27:33Yes, but normal, right?
27:34More cars here, more work.
27:36Better for us.
27:38I'm going to the bathroom.
27:48Let's see.
27:50There it is.
27:54Thank you very much, Mr. Montalban.
27:57A real pleasure to do business with you.
28:00Ah, but don't forget, we also do shows for parties, children's shows.
28:06Yes, yes, mariachi concerts, everything.
28:09Okay, I'll keep that in mind.
28:11Rather, before you go, could you show me one last time how you did it?
28:15Again?
28:16Yes, one last time, please.
28:23Oh, how beautiful.
28:24He liked it.
28:25I would not have believed it.
28:37How long did it take?
28:38Four and a half minutes.
28:40Perfect.
28:41I think we could speed up the cooking times even more.
28:45I was studying some tools to improve the process of chifa.
28:48Oh, I love candelas with a tap.
28:50And I love chifa.
28:54How can you work like this?
28:56Ventilate this place.
28:58Dad, what do you want?
29:00To talk to you.
29:01Well, we're working on it, so just talk.
29:03Daughter, I come to give you back what was always yours.
29:10Come back to Francescas with me.
29:12Francescas.
29:33And how is the car?
29:34As I told you, it doesn't have half a problem.
29:37It's a truck at its height.
29:39Don't tell me.
29:40Yes, I tell you.
29:42Well, there are many things that I have not yet explored.
29:47Of this machine.
29:48Get in.
29:49Get in, I'll show you the machine.
29:51Oh, the truth, I don't know.
29:53I find myself in a mess.
29:55Getting in the same car with my ex.
29:59Being alone at home.
30:01Are you alone?
30:03Get in, get in, the engine is cold.
30:05Get in.
30:06Oh, well, let's see.
30:07I'll show you the whole manual right now.
30:08What?
30:09Let's see.
30:10Yes.
30:12You don't know what this truck is.
30:15Let me take you, look.
30:17How fun.
30:18Yes, like the roller coaster.
30:20Oh yes.
30:23Dad, Francesca would never allow you to return to the restaurant.
30:26She just accepted it.
30:28And accept you too.
30:30It's what we always expected.
30:33You can finally leave this limiting kitchen that does not honor your talent.
30:37This kitchen is not limiting.
30:38Also, every day we have more customers.
30:41More customers, but not better.
30:45Daughter, what I am offering you is a bright future.
30:50More previous chivilin, renown, fame.
30:55As I told you, I'm fine here.
30:59You don't have to answer me now.
31:02Think about it, tell me later.
31:07Bye, right?
31:11Honey.
31:13Are you considering it?
31:15No, nothing.
31:17No?
31:18No.
31:20Well.
31:22Let's go with the guys from the mountains?
31:24Yes.
31:28A little faster.
31:29Yes.
31:40A little faster.
32:01Jimmy, I need you by my side.
32:03Come with me and let's grow together.
32:06Yes.
32:10I love you.
32:24Don't go to dinner, there's still dessert.
32:35What's up?
32:37Why don't you react?
32:39Why are you like this?
32:49Joel!
32:51Julie!
32:53Tito!
32:55Pepe!
32:57Maripaz!
33:00Jimmy!
33:03Jigarito!
33:05Olinda!
33:07Your food is poison!
33:13Jigarito!
33:22Save yourself, Juana.
33:25Save yourself, Maripaz.
33:28Save yourself, Joel.
33:30Save yourself, Jimmy.
33:32Save yourself, Jigarito!
33:35Oh.
33:40It will pass cold through the ears, right?
33:43Oh, what a horrible dream.
33:45Oh, that's a nightmare.
33:47Oh, how horrible.
33:49Oh, what a bad day.
33:51Oh, what a bad night.
33:52Oh, how cold.
33:53Oh, no.
33:55Your mother, Olinda, should stop eating before going to bed.
33:58She has a nightmare.
34:02Here it is.
34:04Alpha.
34:06Four and a half minutes.
34:08Chi-Hao-Kai.
34:10Seven minutes.
34:13Observation.
34:17Measure time.
34:19With industrial fryer.
34:21Done.
34:23Stop.
34:24Stop! Stop!
34:26Stop! Why are you making fun of me?
34:28What did I tell you?
34:29What did I tell you?
34:30Another one has to stop eating before going to bed.
35:01Come in.
35:08Did you sleep well?
35:10Yes.
35:19And ...
35:21Did you consult with your pillow what we talked about?
35:30Yes.
35:38What did you decide?
35:44My answer is the same, dad.
35:46I'm going to stay in El Chifa.
35:49I owe Mrs. Lee a lot.
35:51She welcomed me in my worst moment and considers me her best friend.
35:55Think about it some more, daughter.
35:57Think about it, especially considering your future.
36:01We have a very interesting business plan for the future.
36:04That's why I'm staying.
36:06We are not going to stop until we achieve our goals.
36:11I wanted to relive the old days.
36:14Working together, side by side.
36:18Those were good times.
36:21But now we have different paths, dad.
36:25You are close.
36:27Like me.
36:30I know you won't let me twist your arm.
36:33But I understand.
36:36I just want you to know that the doors of our Francescas are always open to you.
36:44Thank you, dad.
36:47And I wish you good luck on your return.
36:50Thank you.
36:58Well, where is Olinda?
37:00We can't work without her breakfast.
37:03She was talking to Julissa a while ago.
37:06You have to be careful.
37:08Of course.
37:10But we can make the breakfast, right?
37:12Yes, I'm fine with a yogurt.
37:14No, no, no, daughter.
37:16You have to eat well.
37:18And please don't tell her.
37:20No, I agree with you.
37:22You don't have to make coffee at dawn.
37:24It's a farra, just in case.
37:25Finally.
37:27Family.
37:29Olinda has something to tell you.
37:31Sorry for the delay.
37:33But as you can imagine, yesterday I got a terrible scare in the restaurant.
37:40With the leg that almost got cold with your sausage and potatoes.
37:43No, no, I say it to be in tune with everyone.
37:48Because of that little incident.
37:51Better said, tremendous incident.
37:54Well, I have realized that no one has a bought life.
37:58That one day you can be fine and the next day you leave.
38:02So I have decided that we better have to do a medical checkup.
38:07To see how we are and in case the flies, right?
38:10No, no, no.
38:17Let's see, silence!
38:18We all know that the only one who has a foot in another neighborhood is Don Gil.
38:22Uncle!
38:24Please.
38:26I need your collaboration.
38:28For me it is very important to know that everyone is fine.
38:49Finally.
38:57Yes, yes.
39:00Tell Joel that he is not going.
39:02Why?
39:04Because he is with the girl.
39:06With what?
39:08I do not know, that Gerda is with the girl.
39:10I do not know.
39:12I do not know.
39:14I do not know.
39:15Joel is with the girl.
39:17With what?
39:19I do not know what Argentinean Gerda is that, but that's what he said.
39:21Joel is depressed because of the trip.
39:24For the same reason.
39:26I do not care about that girl.
39:28He has to go to the clinic.
39:31What are you doing?
39:33Calm down, calm down.
39:35To my head!
39:37What are you doing?
39:39Joel, come here.
39:41Finally justice was done.
39:53And Lorena, why hasn't Guaracazos taken her out?
39:56Because I do not know where he has gotten.
39:58Nobody knows about her and because we are late.
40:00And then she goes to the polyclinic.
40:02And Maripaz, why doesn't she go?
40:04Oh, because I have to go to school.
40:06Yes, and because my daughter enjoys perfect health.
40:08Me too.
40:10Let's go, let's go, let's go.
40:29Francesca's by Montalban is not just a restaurant.
40:34Here you don't just come to eat.
40:37Burdamente.
40:39Here you come to find a transcendental sensory experience.
40:45Beyond the mundane.
40:48Together, with me at the head,
40:51we will recover the category that we always had.
40:55We will return to the original letter of this restaurant.
40:59The DNA of this place.
41:03The letter that took us to greatness.
41:06The one from Chef Alesia?
41:08Do not play!
41:10I created this letter.
41:12Che, it is that people now lean for the most popular.
41:17Who?
41:19I do not know.
41:20People now lean for the most popular.
41:23Who told you that?
41:27In the networks, Chef.
41:29The networks are a lot of idle people who do not have a real life.
41:33Don't say that.
41:35The networks can be very vengeful.
41:37Shut up!
41:39Diego Montalban will never be popular.
41:41Diego Montalban is synonymous with quality, category.
41:45But you have to consider that we are in a recession.
41:48If you can't pay, don't come!
41:51Go somewhere else!
41:53This restaurant is not for poor people,
41:56nor for unpretentious.
41:59Let's see, how much would you pay for a Dalí?
42:02For a Van Gogh?
42:05You know who they are, right?
42:07Read a little.
42:09Yes, read a little.
42:11Learn.
42:14The press will arrive in a few minutes.
42:16And we will serve you everything you ask for
42:19to generate the best reviews tomorrow.
42:23I can already see the headlines.
42:40All the media will be surprised
42:43by the magnificence of my creations.
42:47Do you remember all the recipes?
42:50The ones I taught you?
42:52Yes, chef.
42:54Let's see, show me.
42:59Please come in.
43:07Please, guys, don't make so much fuss.
43:09I'm going to put all your data on the computer.
43:11Yes, and in a while they will call you one by one.
43:13Thank you, Julissita.
43:14I think you really don't have to bleed.
43:17Of course, nephew.
43:19Otherwise, how are we going to know
43:21that our levels of cholesterol and hemoglobin are there?
43:23Of course, suddenly they find something strange in our blood.
43:25Besides, it's beer.
43:28How do you pack, beautiful?
43:30Oh, you teach me those things.
43:32No, no, no, I'm not drinking so much for my daughter.
43:35Yes, she's not drinking like before.
43:37Cousin, what size is the needle?
43:39Tiny, that's all.
43:41You say that, grandfather, because you are out of sight.
43:42No, what happens is that Mr. Gil measures it
43:44according to his own anatomy.
43:47What did you say?
43:49It's alcohol, don't listen to him.
43:51That's what you taught me.
43:53Mr. Gil, please, call him.
43:55Yes.
43:57Family, please don't touch anything, okay?
43:59Let's see.
44:01Don't overdo it, it can happen.
44:03That can happen.
44:05I'm sorry, I'm a little nervous,
44:07but I'm leaving because I don't want to break something.
44:09With so much legend and fear,
44:10you had gone.
44:12Joel, you stay, because this is for your own good.
44:14No, grandma, I don't want a puncture.
44:16No, no, no.
44:18Oh, Joel, you won't even feel it.
44:20No, your word, cousin.
44:22Help me, cousin.
44:24Apparently, Joelito is not the only one afraid, right?
44:26No, no, grandma.
44:28By the way, where is Lorena?
44:33They must be far away.
44:41I like it, I like it.
44:43No, no, no.
44:45It's okay, calm down.
44:47No, no, no.
44:49No, no, no.
44:51Go, go.
44:53Go, go, go.
44:55What are you yelling about?
44:56You didn't even have a puncture.
44:58Max invited us to lunch.
44:59That waiter didn't have to bother.
45:01Let's go.
45:02Not like that.
45:03No?
45:04No.
45:05Let's go or we'll miss the reservation.
45:06So, bye, Valentino.
45:07Bye, Valentino.
45:08We have a reservation.
45:09Bye, Valentino.
45:10Bye, Valentino.
45:11We'll talk later.
45:12Damn boyfriend.
45:13Chibolo!
45:14Trepa!
45:15The project you've put together looks good.
45:16It's the least I can do, right?
45:17She's putting in the money and I have to give her my ideas.
45:18Well, if you need it, I can finance you.
45:19No, no, please.
45:20You already helped me too much by paying for my high school.
45:21Jimmy, Jimmy.
45:22I want to see you succeed.
45:23Now.
45:24Everything is ready, dad.
45:25Very good.
45:26Very good.
45:27Very good.
45:28Very good.
45:29Very good.
45:30Very good.
45:31Very good.
45:32Very good.
45:33Very good.
45:34Very good.
45:36Very good.
45:37Very good.
45:38Very good.
45:39But there's still the most important thing.
45:47Ah?
45:50Now yes.