AFHS11 CAP 72
Category
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TVTranscript
00:00You're an excellent cook, Peter. You've shown it with your growth.
00:07But being the chef of such an important restaurant is a huge responsibility.
00:13And now what you need is rest. And that's what you're going to do.
00:17What do you think if to celebrate the success of the restaurant,
00:20and to celebrate that Julie and I are together, we go somewhere on the weekend?
00:25People are tired of sophisticated food, gourmet dishes and those things.
00:29People like to eat tasty, abundant.
00:32In that sense, I think you should look for a cook to come from the town.
00:38To come from the town, you say?
00:42Olinda, I have a proposal to make to you.
00:45To me?
00:47Well, why am I good?
00:50I want you to take care of my restaurant.
00:55Jimmy, if you get tired of driving, let me know.
00:57Come on, calm down. Let's see what else is here.
00:59Julie also thinks it's far, right?
01:01Don't you think it's far?
01:02I'm from Uruguay.
01:03Oh, I know! The next trip we can do it in your town.
01:06Oh, yes!
01:08I think you're a wonderful woman. I've never had a woman like you in my arms.
01:12I think I love you. I don't care what last name you have.
01:17Oh!
01:20But what have you seen my eyes, Yagüelta?
01:22Don't you hate each other? Don't you hate each other, Yagüelta?
01:25Then everything is a lie.
01:27To get to the client on foot, you need street advertisers.
01:32Oh, that sounded like a TV commercial.
01:35That, Olinda, is marketing.
01:38Oh.
01:39Oh.
01:44Aha!
01:49Enough! Enough! Enough, for God's sake!
01:52Don't take advantage of my sentimental confusion!
01:55I'm not taking advantage of you, Tere.
01:56Tere, I love you.
01:57And I know that the same thing happens to you.
01:59Oh, it's true.
02:00Any mussel could calm this suffocation.
02:03But only you can calm my fire.
02:07This is mine.
02:09No, please, no!
02:11We have to stop this.
02:13Why?
02:14Understand it.
02:16I'm Teresa Maldini and you are a humble plebeian.
02:20Teresa, you'll never be a Maldini.
02:22The monkey you saw was a monkey.
02:25What did you say?
02:27Did you call me a monkey?
02:29No, no. It's a saying.
02:31I just heard you called me a monkey.
02:34Do you think I'm a monkey?
02:36It's a saying.
02:38And to think that I was being convinced for you.
02:40Teresa.
02:42No.
02:43For you, Mrs. Teresa Maldini, don't be misplaced.
02:46And reason has to persist.
02:50And it has to win before the heart.
02:54Is this your last word?
02:58Yes.
02:59Teresa, no one will love you like I do.
03:03Maybe you're right.
03:08But I already explained my reasons to you.
03:14Goodbye forever, Teresa.
03:16Forget what we were.
03:18And forget everything we could be.
03:21Goodbye, Gaspar.
03:23And I'll never forget
03:27that you called me a monkey.
03:31Excuse me.
03:37Thank you.
03:50And since when are you advertisers?
03:52From practically all my life, Mrs. Francesca.
03:54We have always been resourceful.
03:57That's right.
03:58And to be resourceful, you have to know how to sell yourself.
04:00And to know how to sell yourself, you have to be a good advertiser.
04:03Oh, I did understand that.
04:05Does it make sense?
04:06Of course it does, Mrs. Francesca.
04:08So much so that it would be very right of you
04:11to give the marketing group of your corporation a loan
04:15and hire us.
04:16Yes.
04:17Oh, I don't know.
04:18Oh, beautiful.
04:19Which side are you on?
04:21It's not such a crazy idea.
04:23Obviously it's not.
04:24Trust us.
04:25She won't regret it.
04:27Well, they won't pretend to throw me into the pool without water either.
04:32Well, give me a proposal.
04:34It's fair, it's fair.
04:35Get to work and present me your proposal as soon as possible.
04:38Yes.
04:39I'll wait for you in my office, beautiful.
04:40Yes.
04:41See you later, Mrs. Francesca.
04:42See you later, Mrs. Francesca.
04:43Goodbye.
04:45I'm going to work in the franchise.
04:47And we are going to take your advertising campaign.
04:51And he hasn't hired us yet.
04:53But he hasn't told us he hasn't.
04:54And that's true.
04:57And he won't go.
04:58And he won't go.
05:05Let's go.
05:16It's Carmenita.
05:17Oh, mom, I love it, I feel so free here!
05:19Yes, yes.
05:20I love it.
05:21I know, I know, I know.
05:22Why don't we play something?
05:23We can sing, maybe.
05:24There's a good song over there.
05:25Cora!
05:26The sea was serene.
05:27Serene, was the sea.
05:28The sea was serene.
05:29Serene, was the sea.
05:31Cora!
05:32My love, my love, my love.
05:33Keep your eyes to the front, please.
05:35There's almost a lot of people.
05:37Don't get nervous Jimmy.
05:39Watch out!
05:41What's wrong? It's ok. Calm down.
05:43It's ok.
05:45Cris, come here.
05:55Give me your hands.
05:57I've got it.
05:59Give me your hands.
06:01Give me your hands.
06:17My Richard Jr. is my priority.
06:19He's going to be a Maldini too.
06:21And I'm sure that Francesca
06:23is going to give me a great job at the corporation.
06:25That way I'll be able to pay
06:27a luxurious university
06:29so that my son will be a successful son.
06:31A good man.
06:33You've made the right decision.
06:35Yes, Teresita.
06:37The reason
06:39is in your heart.
06:45How I wish La Charo was here right now
06:47to give me advice.
06:51Although I've never listened to La Charo's advice.
06:53What would I do right now?
06:55Right now?
06:57Teresa Maldini.
06:59The fairy godmother.
07:01Can an unhappy woman
07:03be a happy mother?
07:07But it's so clear.
07:11How am I going to teach my Richard Jr.
07:13to be happy
07:15if I'm not?
07:19But then what should I do?
07:25Mona told me.
07:27How is Mona going to tell me?
07:33Compadre.
07:35The first thing we have to change
07:37is the image.
07:39I totally agree.
07:41Hold on.
07:43I would even dare to change the name.
07:45Those are big words.
07:47We have to be careful, compadre.
07:49Otherwise the department of marketing
07:51of the corporation is going to eat us with shoes and everything.
07:53You're right about that.
07:55Of course, brother.
07:57Who do you think is going to compete with us?
07:59The monsters.
08:01Because as Mrs. Francesca says,
08:03she only hires professionals to one.
08:05Our proposal has to be
08:07daring, innovative,
08:09winning.
08:11Compadre, one thing before we continue
08:13with our new venture.
08:15I have to confess that you caught me cold.
08:17Mrs. Francesca has treated Lorena like garbage
08:19and I have committed
08:21to help her with her revenge.
08:23And it turns out that now we are going to be her advertisers.
08:25That smells like betrayal to me, compadre.
08:27Calm down, work, work.
08:29One thing has nothing to do with the other.
08:31What's more, as Mrs. Francesca's advertiser,
08:33we're going to charge well, compadre.
08:35We're going to get good money out of her.
08:37And that's going to help you
08:39to solve
08:41the expenses of your garbage.
08:43You're right about that.
08:45Clarinet, brother.
08:47In the end, who wins?
08:49Lorena and Maripaz.
08:51It's true, it's true.
08:53But still, I prefer that Lorena doesn't find out.
08:55As you prefer, compadre.
08:57But first we have to win the concession.
08:59Yes, yes, yes.
09:01What is the
09:03logo of Francesca?
09:05So...
09:07So with...
09:09With letters to...
09:11To believe...
09:13Let's think, let's think.
09:15What name would you give her
09:17to make it more popular?
09:47Perfect.
09:49We arrived.
09:51Perfect, perfect.
09:53Help me here with this.
09:55There we are.
09:57We arrived safe and sound.
09:59Oh, it's exaggerated.
10:01Oh, my love.
10:03It's not to be bad, but you're a danger to the steering wheel.
10:05No.
10:07My sister Melissa is the best at everything.
10:09Except driving.
10:11Hey.
10:13Well, we're here, so let's enjoy.
10:15Look how beautiful.
10:17Hey, how cute, right?
10:19Hey, duck.
10:21Yes, look at the duck.
10:23No, no, be careful, be careful.
10:25Let's go.
10:27Let's go.
10:33Oh, thank you, my love.
10:35Don't worry, don't worry. You do your homework.
10:37Oh, mom, but it's Saturday.
10:39You should have done it yesterday.
10:41You have an answer for everything.
10:43Mom.
10:45It's hard to get a job, right?
10:47I have an answer for that too.
10:49And no.
10:51There is no job.
10:53And your colleagues?
10:55They haven't gotten anything?
10:57No, everyone is the same.
10:59Mom, and with the experience you have,
11:01why don't you set up your own agency?
11:03Do you know that I have thought about it?
11:05In fact, when I was in the agency,
11:07many of the clients asked me to advise them
11:09and give them the trips.
11:11Yes, but it is not easy
11:13to compete with an agency
11:15that has been positioned for years in the market
11:17and that has all the guarantees.
11:19My love, don't worry.
11:21Yes?
11:23We have had a thousand difficulties
11:25and we have always done well.
11:27So don't worry.
11:29I'm going to get together with some of my colleagues
11:31and let's see what we can do.
11:33We are not going to sit idly by.
11:35Yes, mom. Everything will be fine.
11:37I love you.
11:39I love you.
11:43Gilgirito.
11:45I have to tell you something.
11:47Oh, cutie.
11:49I already told you that I don't like gossip.
11:51No.
11:53You have to control yourself.
11:55Oh, please, Gilgirito.
11:57What are they going to think?
11:59That I am a gossip?
12:01No.
12:03What I want to tell you is that
12:05Mrs. Francesca came to look for me
12:07a luxury restaurant.
12:09What are you telling me?
12:11Yes, what you just heard.
12:13And why didn't you tell me?
12:15Because it just happened to me.
12:19And besides, I didn't tell you because
12:21I'm still thinking about it.
12:23I mean, when Mrs. Francesca
12:25proposed this to me, I was very happy.
12:27But time goes by
12:29and doubts also start.
12:33What doubts are those?
12:35Well, what Mrs. Francesca wants
12:37is for her restaurant
12:39to have a bath of popularity
12:41and that not only
12:43wealthy people enter.
12:47But that's very good!
12:49Yes, but
12:51the doubt I have is
12:53first that I will no longer
12:55be able to accompany you here
12:57in the little winery.
12:59What importance does that have?
13:01I
13:03only take care of myself.
13:05I have always been responsible for this winery.
13:07Oh, it reassures me
13:09to hear that, Gilgirito.
13:11Thank you.
13:13And my second doubt is
13:15that Mrs. Francesca has her character
13:17and she gives me things that
13:19maybe we don't agree on
13:21and we can collide.
13:23Well, that's true.
13:25But Peter told me
13:27that when the Spaniard left,
13:29Mrs. Francesca put
13:31the assistants in charge.
13:33But they relaxed a lot.
13:35Then he called Claudio.
13:37But in the end,
13:39the one who ended up
13:41governing Francesca
13:43was Peter.
13:45But he kicked him.
13:47It's a lot of responsibility.
13:51But you are very young.
13:53You can assume
13:55those responsibilities
13:57and with pleasure.
13:59It is that with Mrs. Francesca
14:01you never know.
14:03You know, talk to her.
14:05Communicate with her.
14:07Always.
14:09But only if you are willing
14:11to do it.
14:13If not, don't do it.
14:15No, I do want to do it.
14:17Yes, I want to do it.
14:19Yes, I want to do it.
14:21It will be an interesting
14:23experience for you.
14:25Thank you, Silverito.
14:27I don't know what would happen
14:29to me without you.
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24:43Madam
24:45What you are doing for Teresita
24:49Is incredible
24:51It makes me happy
24:53And it is what I need the most in these moments
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25:01Oh yes, very happy
25:03Mayor Sobon
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27:59What beautiful flowers!
28:01They're for you.
28:03Oh, for me?
28:07They have a card!
28:09I'll leave it for you to read.
28:18In spite of everything, I can't stop loving you.
28:23Gaspar.
28:29Today I was born again.
28:32You'll be my universe forever.
28:36I want to wake up by your side.
28:39Thank you very much, Daniel. That's all. Have a good trip.
28:42Thank you very much. Take care.
28:46Well, the bomb is ready again.
28:48Yes. Oh, we're not going to Lima. What a shame.
28:51Yes, what a shame.
28:52I wanted to stay.
28:53Me too.
28:54I kept my promise.
28:56I know.
29:00Are you ready?
29:01Yes. You?
29:02Ready.
29:03Yes.
29:04Well, let's go, right?
29:05Oh, it's over.
29:06What a shame.
29:10Have a good trip.
29:11See you soon.
29:12Yes.
29:13Oh, another trip!
29:14Yes, where?
29:15Recuei!
29:16Oh, Recuei!
29:17Or Cusco!
29:18Or Argentina!
29:19Argentina!
29:20Yes, of course. Why not Argentina?
29:29How much money is Antonio spending on that shameless guy?
29:36Mrs. Francesca! We already have the proposal!
29:39Oh, that's great!
29:40Yes!
29:41Yes!
29:42Yes!
29:43Yes!
29:44Yes!
29:45Yes!
29:46Yes!
29:47Yes!
29:48Yes!
29:49Yes!
29:50Yes!
29:51Yes!
29:52Yes!
29:53Yes!
29:54Yes!
29:55Yes!
29:56Yes!
29:57Yes!
29:58Yes!
30:08Yes!
30:09Let's do the little plane.
30:10Wings and little engine.
30:12And the blood.
30:13That's what I like best.
30:14You do?
30:15Yes, quickly.
30:16I do it every day.
30:17Good day.
30:18Good for the emotional.
30:19Good day.
30:20Good family.
30:21How are you?
30:22Hello.
30:23Finally arrived.
30:24We were already worrying.
30:25Where are you so early?
30:26I hear say for underpass a oh, si se les malogra el carro y entonces se tuvieron que queda dormir con sus paredes
30:34No puedes con tu genio
30:37Esas cosas no se ventilan tan alegre mente
30:41Piense en maripasita no más el ejemplo que le da si tienes razón
30:46Gilgirito perdón se me escapó y apis que te digo que ya no fueron
30:50La famosa pachacamac unida y vuelta era no pero se malogró el carro bueno felizmente lo arreglaron y ya están aquÃ
30:58porque no se sientan a tomar desayuno voy a dejar mis cosas y me lavo las manos igual
31:07Estamos apurados porque si no le vendÃamos su buena requintada si tenemos que hablar
31:12por este familia nosotros ya nos vamos
31:15No el deber nos llama pero me voy a llevar un poco
31:21Donde va mi par de locos debe ser algo muy importante para que no se sienten a desayunar
31:31Hay que bonitos
31:33que bonitos los bellisitos
31:36recién me entero que durmieron con sus enamoraditos vernaculares
31:41No es lo que piensas papá de verdad se me logró el carro
31:45Habar valor el carro con cuentitos a mà solamente les digo que si me aparecen un dÃa con su domingo 7
31:53los desheredo
31:57Domingo 7
32:15Estoy de acuerdo con todas sus propuestas
32:19Incluso la del cambio de nombre
32:22No tenemos tiempo que perder asà que cuéntenme cómo se han organizado para el inicio de campaña
32:28sÃ
32:29Queremos empezar tomándole unas fotos cuando pensamos que podrÃa ser mañana no podÃa ser hoy asà ganamos tiempo
32:38Eso quiere decir que estamos contratados
32:44Y
32:56Y me
33:00Pasaba de casualidad como estas bien bien
33:02Allá nos dimos una escapadita
33:04Papá chacama con alesia julie cristobal y nos tuvimos que quedar ahà porque se me logró el bombo el viejo truco no
33:10Porque todo el mundo dice lo mismo con tu mamá no pasaban esas cosas oye y cómo está
33:17Bien si está ahà chuchando con los nietos me lo imagino y dice cuando va a regresar
33:22no
33:23no es que estaba
33:26Porque está muy avergonzada por todo lo que pasó con ese tipejo
33:29y aparte está feliz
33:31Porque está con greg con la familia no nicolás está trabajando todo el dÃa entonces que está con mis sobrinos
33:35Si entiendo
33:38Tú ya me perdonaste yo la amo
33:47Qué te parece si ahora es conmigo te quedas yo soy el administrador asà que tú puedes ser mi invitado que honor
33:54No
34:00Ha quedado de la pita y mÃtico paria se ve otra cosa un ambiente más cálido más campechano más alegre
34:07asà es hermano ahora sólo falta que pongamos la foto de doña francesca cambiamos el nombre del restaurante y estamos listos para la apertura
34:20No sé cómo pudieron convencerme
34:24Casi no reconozco el restaurante
34:27Simpático
34:28Bueno, si no supiera que estoy en el francesca's pensarÃa que me metido a cualquier chingada
34:33esa es la idea
34:35lista para la sesión de fotos nunca está lista pero
34:39intuyo que esta idea de ustedes es ganadora
34:48Un tema para todos aquellos que buscan el amor en todas partes
34:53y
35:09Qué
35:12Me encanta
35:14Ya imprimimos la nueva carta con los platos que nos dio linda hemos incluido chelas en la lista de bebidas
35:19Y ya tenemos los nuevos uniformes de los mozos camisa blanca y pantalón negro sà y también les hemos pedido a los mozos que sean
35:25amables pero
35:27relajados
35:33Y cuando podremos abrir las puertas al público al nuevo público que agradecer si empezamos con la campaña full
35:40podrÃamos abrir mañana mismo
35:49Y
36:01Chicos
36:03Estoy muy nerviosa porque hoy es mi primer dÃa como encargada en el restaurante doña francisca
36:10todo va a salir bien olinda cuenta con nosotros gracias judas
36:15Yo sé que cuento contigo y cuento con todos ustedes chicos pero la verdad es que tengo mucho miedo de fallar no no no no
36:22eso no va a pasar
36:23No, pero si viene doña francisca digo doña francesca y me vigila yo voy a estar temblando y nada me va a salir pero doña
36:31francesca dijo que no se iba a aparecer porque no quiere que los nuevos comensales la relación y con este restaurante popular
36:37chicos chicos
36:45Ay
36:50Buenas tardes bienvenidos al doña francisca mi nombre es lucio y yo los voy a atender
37:02Hoy es el cumpleaños de mi papá feliz cumpleaños señor gracias joven
37:07Sà joven y hoy queremos agasajarlo con todo mi papito por supuesto que sà ustedes dirán
37:13Que quieres comer viejito
37:16Muy bien ahà permÃtame les doy las cartas gracias gracias
37:27Que te provoca papá una salchipapa no pues viejo como vamos a venir hasta acá
37:34Pero esa es una de las especialidades de la casa es más tenemos una extrema doble extrema doble
37:39Esa quiero yo seguro papito claro que sà entonces sale una salchipapa extrema doble para el caballero y para la señora
37:47Yo quiero una sopa de mote
37:50Para usted para mà bueno una pollada extrema perfecto una pollada extrema para usted yo también una pollada
37:57para usted ya bueno una pollada
37:59perfecto de tomar
38:02una jarra de chicha
38:04que sean dos
38:05señor una cervecita también
38:10A ver primero una salchipapa extrema doble
38:21Una sopa de mote
38:23y tres polladas
38:27Por mi culpa por mi culpa por mi gran culpa vamos a comenzar
38:40Vamos a traer las papas bien fritas crocantes crocantes crocantes
38:43Hoy el doña Francisca
38:46Abre sus puertas al público
38:50He preferido ser más discreta esta vez y no anunciar con bombos y platillos la reapertura del restaurante es más
38:57Ni pienso aparecer por ahÃ
39:00Es verdad la estrategia publicitaria fue lo mejor
39:04Sà bombardeamos por todos lados las redes radios canales de televisión todo
39:12Si pepito resultaron ser unos buenos publicistas
39:17Gracias Ronald yo también espero que sea un éxito
39:25Esta salchipapa extra doble está pero buenaza
39:29Es el segundo plato que te comes abuelo yo ya voy a reventar
39:33Oye vieja nunca hemos venido a este restaurante pero ya se fregaron ya se fregaron porque a partir de ahora no quiero ir a otro sitio
39:53Ahora si vamos a cantar happy birthday
39:551 2 3
39:57Cumpleaños Feliz
39:59Deseamos a ti
40:01Cumpleaños Feliz
40:03Deseamos a ti
40:05Un momento papito pide un deseo
40:07Vamos
40:09Vamos
40:11Vamos
40:13Vamos
40:15Vamos
40:17Vamos
40:19Vamos
40:21Vamos
40:23Let's make a wish. Let's go!
40:25Ready?
40:26Now blow out the candles.
40:28Hard, Papito!
40:29Hard!
40:30Papito?
40:31Dad!
40:32Dad!
40:33Dad!
40:34Dad!
40:35Dad!
40:36Dad!
40:37Help!
40:38Help!
40:39Call an ambulance!
40:41Move!
40:42Call an ambulance!
40:44Call an ambulance!
40:47Quick!
40:48Help!
40:49Quick!
40:50Call an ambulance!
40:51I'm going to see your cell phone!
40:52Call an ambulance, please!
40:54Dad, listen!
40:55Dad, listen!
40:56Cat's nail, bolt, nail...
40:58No, just a little bruise.
41:00A little bruise.
41:01Normal?
41:02Yes, normal.
41:03Ah.
41:07What's up, assholes?
41:14Call an ambulance, please!
41:16Call an ambulance!
41:17But what happened?
41:19In the middle of Happy Birthday, he gave her a patatoos.
41:22Patatoos?
41:23Call a doctor!
41:24Let me check him.
41:25What's his name?
41:26Papa Cucho.
41:27Papa Cucho, can you hear me?
41:29Cucho!
41:30Cucho!
41:33I'm very sorry.
41:34No!
41:35No, no, no, no!
41:37Papito!
41:38Papito!
41:39Did he suffer any infection?
41:41What did he eat?
41:42He asked for a double extreme salchipapa.
41:44How can you serve such a greasy drink to an elderly person?
41:47But he was with his family.
41:48They didn't say anything.
41:50You're blaming us!
41:52We're not blaming you.
41:53But sometimes our Lord's signs...
41:56What signs?
41:57What signs?
41:58My Papito was alive!
42:00Who cooked?
42:03Can you tell me where your supplies come from?
42:08I don't know.
42:10I'm sure they cook with recycled oil!
42:12Ah! That's why the sausage has that color, right?
42:15Yes!
42:16You're crazy! You're inhuman!
42:18You killed our Cucho!
42:21We're murderers!
42:22We're going to rot in jail!
42:24Murderers!
42:25Murderers!
42:27To pay for it!
42:29You're crazy!
42:30You're inhuman!
42:32What a surprise!
42:33But what is that, you idiot?
42:36Ah, excuse me, old man.
42:37Fierita, I'm stuttering on the trip.
42:41I'm very upset.
42:42Excuse me.
42:43But why did you come back so soon?
42:45Did you get bored of the mines?
42:46Who gets bored of the mines?
42:48That's the least of it.
42:49No.
42:51Franklin saw my face one more time.
42:53Did he speak well?
42:54Yes.
42:56He tricked me into the tour.
42:58Joel, I don't understand.
42:59Weren't you going to sing?
43:00Yes, that was supposed to be the plan, but in the end it wasn't.
43:03Did he keep your money?
43:04No, it's not that.
43:05He took me to a TV show, yes, but...
43:08It was a joke.
43:09What do you mean, what do you mean?
43:10No, I'd rather not go into details, uncle, because...
43:13I feel really bad, you know?
43:14But, brother, so they made fun of your music?
43:16It can't be, brother, if your music is great, how are they going to make fun of you?
43:19That's what I'm saying.
43:20You see, you were very famous in those lands.
43:23And I'm very famous, you see?
43:24And?
43:25Ra.
43:26But they make fun, they make fun of what I do.
43:29They say I'm a laughable piece of crap.
43:31Can you believe it?
43:32What else, brother?
43:33What else, what happened?
43:34They wanted me to be a telonero, yes, they wanted me to be a telonero,
43:36but I couldn't sing because of so much shame.
43:38You know I'm not a buffoon at all.
43:41You know, we're with you.
43:43Yes.
43:44Thank you, old man.
43:45You will always be my idol, brother.
43:47You are my role model to follow.
43:48Thank you, but, skinny, that's my duty.
43:50Well, well.
43:51I want you to know that you, you are a prophet in your land.
43:54Hey, re-prophet.
43:55Re-prophet.
43:56Well, well.
43:58I only have one thing to tell you, Joel.
44:01Tell me.
44:03What did you bring us?
44:05Yes.
44:06Alfajores, dulce de leche, and some soccer keys.
44:09Distribute them, but leave them for the others.
44:12Thank you, Joelito.
44:13I'll keep this key for the bus.
44:15Now that Tere is not here, the dulce de leche is not going to run out in half an hour.
44:18Tito.
44:20But it's the truth, Don Gil.
44:22Do I speak ill of your absent daughter?
44:25Well, but I don't want to cover the sun with a finger either, Don Gil, okay?
44:28Since Tere is not here, there is plenty of food in the fridge, okay?
44:30Since she's not here, I have an emptiness in my heart.
44:35Cut it out, buddy.
44:37It's okay.
44:38Forgive me, Don Gil, okay?
44:39Forgive me.
44:40You are forgiven.
44:42But you should put yourself in the other person's shoes from time to time.
44:47Yes, yes.
44:48And well, I'm going to rest.
44:49Wait, wait.
44:50No, no, no.
44:51Something very important that I have to tell you.
44:53The Spaniard deceives you.
44:54Mother is still here.
45:01I spoke with my friend David.
45:03He tells me that they will call you very soon for an interview.
45:05I assure you nothing.
45:06I assure you nothing.
45:07But it is the GHB hotel chain.
45:11What?
45:12GHB.
45:13GHB?
45:14The multinational?
45:15The one of the luxury hotels?
45:16Yes, yes, yes.
45:17Oh!
45:18Perfect!
45:19Oh, how delicious!
45:22How can I help you, Maldini Bamba?
45:23Let's see.
45:24More respect.
45:25Nothing of Maldini Bamba.
45:26You know that I am unique and original.
45:29What do you need?
45:31My car.
45:32It's making a strange sound.
45:34Oh, again with that story?
45:35That's true.
45:37A lot of money for you, see?
45:39It's a lot for you.
45:41Stop.
45:42Stop, stop.
45:44Stop, why are you making fun of me?
45:46What do I tell you?
45:47What do I tell you?
45:51Another one that has to stop eating before going to sleep.
45:59Can you explain to me why there is no attention?
46:02Mateo, a waiter.
46:03What?