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00:00♪♪
00:30¿Pero no presupongas nada romántico?
00:32Nadie va a hablar con la Guardia Civil por ahora.
00:35Es que si lo hubiéramos denunciado en su momento,
00:37nos hubiéramos ahorrado todo esto.
00:39¿Pero qué es lo que quieres?
00:40¿Qué quieres, ver a mi hija en un calabozo?
00:42Si el juez lo determina así, sí.
00:46¿Y si no me quiere volver a ver?
00:48Pero no digas enormidades.
00:50Martina sabe de sobra el amor que le tienes.
00:52El amor que no le he sabido demostrar.
00:55Y entendería que quisiera poner tierra de por medio.
00:59¿A qué se debe esa obsesión por el señorito Curro?
01:02¿No te has enterado de que Martina se ha escapado del sanatorio?
01:05¿Acaso sospechas que guardé relación con esa huida?
01:10¿Alguien lo ha visto?
01:12Entiendo que sí.
01:13Pero si quieres puedo interrogar a mis criadas por obviedades.
01:18Ninguna de las doncellas sospecha la ausencia del señorito.
01:21Yo mismo me he encargado de subirle la comida al señorito Curro
01:24para que parezca que sigue comiendo como de costumbre.
01:26También me he encargado de deshacerle la cama todas las mañanas
01:29y desordenarle un poco el cuarto.
01:31Tu generosidad para conmigo ha sido infinita.
01:34¿Me estás echando de la promesa?
01:36No. Jamás.
01:39Tú sabes que las puertas de mi casa estarán siempre abiertas para ti.
01:43Pero no puedo pretender que abandones tu vida para hacerte cargo de la mía.
01:47Es el último favor que te pido, amiga.
01:50Quiero que sepas que me opongo totalmente a la decisión de la Márquez.
01:54También me da pena irte y perder la oportunidad de conocernos en la ciudad.
02:04Una pena que Cruz quiera separar nuestros caminos justo ahora que empezaban a unirse.
02:11Si os he hecho venir es para deciros que seguimos adelante con lo de las mermeladas.
02:16¿Entonces Virtudes ha cambiado de opinión?
02:18Mi hija ni pincha ni corta. Esto es una cosa nuestra.
02:22Cruz y tú tenéis que hacer las paces.
02:24Esa mujer me odia, como también odiaba a Tomás.
02:29Solo se portó bien al principio, como estrategia para conseguir lo que quería, que era casarse con usted.
02:34Virtudes, digas lo que digas, vamos a vender mermeladas hasta conseguir la última peseta
02:38que necesitas para recuperar a tu hijo y te puedas ir a vivir con él.
02:41Bien dicho, Lope. Así que vamos a dejar de perder el tiempo hablando y...
02:46coge un cucharón y ponte a rellenar tarro.
02:50¿Recuerdas el revuelo que se montó por la mujer que no estaba invitada a la dichosa merienda?
02:56Sí.
02:57Pues...
03:00Esa mujer, la duquesa de Carril, es mi madre.
03:07Piénselo bien, ¿qué sentido tiene que yo quiera invitar a nadie a una merienda de la señora Margarita?
03:13Tienes razón. Esto ha tenido que ser alguien que quisiera arruinar esa merienda.
03:20Aunque todos insistan en mirar para otro lado, yo...
03:24tengo la firme determinación de averiguar qué pasó con la quinta invitada a la merienda de doña Margarita.
03:31Dime, Vera.
03:33¿Qué sabes tú de la duquesa de Carril?
03:40¿La duquesa de Carril?
03:42¿Yo qué sé qué puede pasar con esa señora?
03:44Vamos, Vera. No te hagas la tonta.
03:46Estoy diciendo la verdad, señor Arcos. No sé por qué me pregunta a mí por ella.
03:50Pues porque la duquesa de Carril se presentó en la promesa a la merienda de doña Margarita.
03:54Y nadie sabe cómo recibe esa invitación.
03:57¿Y debería saberlo yo? ¿Que soy una simple doncella?
04:00Sí. Una doncella que estuvo presente en la merienda.
04:05Sí. ¿Y?
04:07Pues que no me creo que no oyeras nada.
04:11Porque la duquesa de Carril comentaría algo sobre su invitación si todo resultó ser tan raro.
04:15No. No dijo nada. Al menos no delante de mí.
04:18¿Segura?
04:20Se lo garantizo, señor Arcos.
04:22Lo único que sé es que esa duquesa recibió una invitación, como todas las demás,
04:26y que la señora Margarita no quiso decir nada durante la merienda para evitar situaciones incómodas.
04:31Ya. Pues alguien tuvo que enviar esa invitación, puesto que la duquesa la recibió.
04:36Como usted bien sabe, yo me dedico a limpiar y a planchar. No a mandar invitaciones.
04:41Ya. Y dudo mucho que alguna vez realices una tarea de tanta responsabilidad.
04:49Mira, ¿tú sabes si Santos y la duquesa de Carril se conocían de antes?
04:55Que yo sepa, ¿no? ¿A qué viene esa pregunta?
04:58No, a nada.
05:00Algo habrá venido, ¿no?
05:02Solo estaba reflexionando en voz alta.
05:04Fue Santos el encargado de enviar esas invitaciones.
05:09¿Cómo en quién las envió Santos?
05:12Lo que he dicho.
05:16Bueno, en todo caso, señora Arcos, no sé por qué le da tantas vueltas al asunto.
05:20A mi parecer no es un asunto tan importante y la señora Margarita y el señor Baeza decidieron dejarlo correr.
05:25Te he pedido yo tu opinión.
05:27Y para que lo sepas, el asunto sí es muy grave.
05:30Es que no pasó nada, pero podría haber pasado.
05:32No comprendo por qué.
05:34¿Y tú qué vas a comprender?
05:37Imagínate que la duquesa de Carril hubiera estado a malas con algunas de las invitadas.
05:43Ya, bueno, pero eso no pasó.
05:45Pero podría haber pasado.
05:47Y eso lo habría arruinado todo.
05:49A ver si te enteras de una vez que las cosas no se hacen en esta casa así.
05:53Supongo que tiene usted razón, señor Arcos.
05:55Ojalá pudiera ayudarla, pero no sé nada de esas invitaciones ni de esa duquesa.
06:00Anda, quítate de mi vista, que ya he perdido bastante tiempo contigo.
06:03Vamos.
06:07Vamos.
06:37Vamos.
06:39Vamos.
06:41Vamos.
06:43Vamos.
06:45Vamos.
06:47Vamos.
06:49Vamos.
06:51Vamos.
06:53Vamos.
06:55Vamos.
06:57Vamos.
06:59Vamos.
07:01Vamos.
07:03Vamos.
07:05Vamos.
07:07Vamos.
07:09Vamos.
07:11Vamos.
07:13Vamos.
07:15Vamos.
07:17Vamos.
07:19Vamos.
07:21Vamos.
07:23Vamos.
07:25Vamos.
07:27Vamos.
07:29Vamos.
07:31Vamos.
07:33Vamos.
07:35Vamos.
07:37Vamos.
07:41Vamos.
07:43Vamos.
07:46You'll be a matter of luck
07:56Do you have a lot of time with the newspaper?
07:59I'm finishing the ecos of society, I'll pass it to you right now
08:02I've been told that the governor of Alicante
08:04intends to retain all the wheat harvest in his province
08:07and I wanted to know if the press says anything about it
08:10And why does he want to do that?
08:12I understand that the producers can sell it
08:15but only within the province of Alicante
08:18Do you think they could force us to do something like that here?
08:21I wouldn't be surprised if our governor did something like that
08:25There's no right
08:27How can those people get their noses into who we sell what is ours?
08:31Everyone talks about freedom as long as they don't govern
08:33but as soon as they come to power, it's always the same story
08:35Yes
08:36In any case, all our cereal production goes to our neighbors
08:41So better tell me what the ecos of society say
08:44I don't want to get angry
08:45Well, not much, really
08:47For example, the princess of Sansan has arrived in Algeciras
08:50and the count of the corner is going to host her in his palace
08:53That man is very welcome to host
08:55especially ladies who travel alone
08:58Don't be malicious, Alonso
09:00He's going to give a recital in his honor
09:02Oh yeah?
09:03Very entertaining
09:06You know what? I don't think it's a bad idea
09:08In fact, we could do something similar
09:10to celebrate Manuel's return
09:12Wasn't the dinner you organized enough?
09:16You know that dinner ended like the Rosario de la Aurora
09:18And what guarantees us that this is not going to end the same?
09:21I'll make sure that Catalina doesn't feel like a starved corpse at the table
09:25Adriano is not a starved corpse
09:27He rents an important part of our lands
09:29We have to get along with those people
09:31Well, we can get along with them from a distance
09:34We don't need to have them close, suffocating us
09:37Cruz, get off your pedestal
09:39Why do you always take me the other way?
09:41Not always
09:43In fact, I've listened to you about my friend Maria Antonia
09:46And I agree that it's time to abandon the promise
09:49You're right, we've been to one
09:52This recital would not only serve to celebrate Manuel's return
09:56but also as a farewell to Maria Antonia
09:59Don't look for more reasons
10:00It's clear that you've got that recital in your head
10:03Maria Antonia deserves something more than a simple goodbye
10:07She came to help me when I needed her the most
10:09And I'm very grateful, aren't you?
10:12Yes, yes, of course
10:14Very well, no more talking
10:17We'll invite some friends and hire some musicians
10:21Come, I'll let Petraff know so we can get to work as soon as possible
10:27I don't know if I should tell Maria Antonia or let it be a surprise
10:33Whatever you say
10:34I'll leave you with your things
10:39BELL RINGS
11:10CLEARS THROAT
11:12Were you calling me, ma'am?
11:14Yes, I've thought of organising a recital to celebrate my son Manuel's return
11:19I think it's an excellent idea
11:21Me too
11:22But in order for it not to remain just an idea, we have to get to work on it actively
11:27Besides, the recital would not only serve to celebrate my son's return
11:31but also to say goodbye to my friend Maria Antonia, as she deserves
11:35I didn't know you were going to leave us, Mrs. Maria Antonia
11:39Well, it's time for her to return home
11:42And the promise is not a free hotel where she can stay for months
11:46Although some seem to believe it
11:48You're absolutely right, ma'am
11:51And have you thought about who you want to invite?
11:54I haven't decided yet
11:56I'll give you a list of guests in a while so you can send them a notice
12:00And you want me to call the musicians?
12:03Yes
12:05We could invite that music quartet that came two years ago for my birthday
12:09And any specific request for food?
12:11Because we'll also have to decide on the wines
12:13Petra, for God's sake, I did call you so you could take care of it, not to ask me everything
12:18I thought you wanted to take care of the details, like in previous occasions
12:23Well, no, you're going to take care of it. I'll pay you to work, not so you can show off
12:28Yes, ma'am
12:30So think about several menu proposals, look for several options for musicians to choose from
12:36And also tell me what dates you think would be the most appropriate
12:40And can I ask you if the lady wants the recital to be soon?
12:43As soon as possible
12:45You go thinking about options, you present them to me and I'll choose
12:49That's how I always worked, compadre
12:51And I never had to be above everything
12:53Be careful, ma'am
12:55I'll take care of it
12:56I hope so
12:57Let's see if now I'm going to have to miss a key lover like Mrs. Darre
13:01So come on, get to work
13:07And where do we put them, mother?
13:11We'll put them under the beds
13:14Not like Lope and Salvador, who have left them here in the middle
13:16Because if someone comes in, I don't know, he'll find them in a hurry
13:18And do you think they'll be safe here?
13:20Of course, daughter
13:21This is the private room of María Fernández and Hanna
13:24And they won't get angry when they come back and see that we've used their room as a warehouse?
13:28No, they won't
13:30They'll be very happy
13:31They won't be upset about something like that
13:33I see
13:35And if by chance Beta discovers the jam, she'll think it's her fault and I don't want her to...
13:40Daughter!
13:41Daughter, stop getting into the worst, okay?
13:44No one is going to find out anything
13:47Besides, it was Hanna herself who had the idea of looking for the money for you
13:51And I thank her
13:53I thank you
13:55I thank you
13:57I thank you
13:59I thank you
14:01And me, and everyone
14:02Because that girl, when she's not doing one person a favor, she's doing it to another
14:07I'm alive thanks to her
14:10I know, but tell me
14:12If I didn't come because I convinced Mr. Manuel to bring a friend of his, a doctor, and he did that novel thing to me
14:20I wouldn't be here now
14:23I couldn't even kiss you
14:28And I would never have met my grandson Adolfito
14:32Come on, let's put the boxes away
14:35The important thing is that the jams are sold
14:38And that you get the money to get your son back
14:41Because a child with whom he has to be, with whom he is best, is with his mother
14:47His plan has lagoons, mother
14:50That's the reality
14:52Have faith, daughter, have faith
14:55Come on, sit down, I'll walk you through
15:02In the back
15:26Catalina?
15:28Adriano?
15:30Wow, I'm glad you're welcoming me with such goodwill
15:34What a surprise
15:36I thought you wouldn't come to see me
15:38I would like us to go for a walk
15:42Where?
15:44We could go to see the lands that I have rented to your family
15:48After selling the jewelry and paying my debts, I listened to you
15:51I made improvements in the land
15:53I would like you to see them and tell me what you think
15:55Oh, so in addition to your management, you also want my opinion on your crops?
16:00My father had great esteem for you
16:02He said he knew a lot about agriculture
16:05He exaggerated, I don't know so much
16:07Don't be modest, he didn't speak for himself
16:10Okay
16:12Although I'm sure you've done a great job and I can't tell you that I helped you
16:16You never know
16:18Let's see, don't expect anything spectacular, I don't have any room left
16:21I also started to think about it
16:22I hope I don't have any room left
16:24I also started to manage the farm little by little
16:27If you only knew how much trouble we went through at the beginning
16:31Trouble?
16:33Yes, I didn't have money to pay Tadeo for the forage he sold us for the animals
16:37So I had to reach an agreement with him desperately
16:41I had understood that things were not going well, but I didn't know it was that bad
16:46Yes, it was a very bad time
16:48But little by little it got better and today the farm is doing well
16:52You only have to look at the crops
16:54Catalina, I don't want to be indiscreet, but what was the agreement you reached with Tadeo?
17:02For a while, Tadeo gave us the forage in exchange for a chess board
17:07And that I would play with him every week
17:12He gave you the forage in exchange for just playing a few chess games?
17:20That's right
17:23Tadeo is a good man and he wanted to help me
17:26You see, we both have a lot to thank him for the generosity of others
17:31And you saved the lands for which my father worked for years
17:36I will always be indebted to you
17:40Last night when I saw that you were not coming to visit me, I was a little distressed
17:47Some carpenters from the village came to fix the silo and I had to help them
17:52I was thinking about it and I thought you would still be upset about the dinner with my stepmother and the frac
18:00Well, a little upset, yes, I was, you know, but ...
18:06How was I not going to come to see you?
18:09I'm an impossible, it's the same as telling the earth not to ask for water
18:15I'm glad to see that you are no longer angry
18:18And me, that you will miss me
18:20Well, yes, one is alone and the days are very long
18:25Shall we take that walk?
18:27Yes, if you want, then we can go to my house to eat
18:31Well, it's humble, but no one will come to bother us
18:35Yes
18:36Yes
18:48Mrs. Arcos
18:58Mrs. Arcos, it's me, Santos, let me in
19:01No, you can't come in
19:06Didn't you hear me? I told you you couldn't come in
19:09I just want to know what's wrong with her
19:11I just saw her through the corridor like the devil's soul
19:14Nothing, nothing's wrong with me
19:17It is clear that something is happening to you
19:20And it must be serious because you have a lot of temper and you do not allow yourself to be disturbed at the first exchange
19:28The thing is that in this palace no one respects absolutely nothing
19:32It is true that I have had a lot
19:35And with whom have you had it now?
19:38With no one
19:41Maybe if you tell me, you'll be calmer
19:46You're right
19:48Maybe it's good for me to vent with someone
19:53The Marquise, who has treated me today as if I were a ...
19:56A rag to be taken off the floor
20:00The Marquise?
20:02And why?
20:03That's the worst
20:06He has not come to account
20:08He wants to organize a recital and ...
20:12He has been the most impertinent with me
20:14A recital? Well, I had not heard anything
20:17Because he had to happen to him today
20:20He intends to celebrate the return of his son Don Manuel and the departure of his friend Maria Antonia
20:26What I don't understand then is why he has taken her with you
20:29No, not me
20:30I intended that he would guess the thought to organize everything
20:34But she didn't even know what she wanted
20:36Not that you were divine
20:38No, I'm not
20:40And I need concrete orders
20:42As Diantres intends that I ...
20:44That I know the type of recital she wants when she does not explain herself
20:49And how has he gotten with me just to ask?
20:53He must have gotten like that for something other than the recital
20:56He has gotten angry and taken her with you
20:57The gentlemen always take her with the service
21:00You know that
21:02No, it's not me
21:04Mrs. Arcos, your work is impeccable
21:07And you can't even put half a hit
21:10You think?
21:12Of course, I think it and the rest of the service, although it is difficult for them to admit it
21:16Well, those ungrateful people, I know they would never give me a hand
21:20Pure envy, I tell you
21:23But don't listen to her, you just have to work
21:26And make deaf ears to the people around us
21:29I see that despite your youth you are ...
21:32Very smart and you can distinguish what matters and what does not
21:36I learn from the best
21:39Thank you, Santos, for worrying about me
21:43You have to give them
21:45Yes, you have to give them
21:47Because I have an education
21:48Because I have an education
21:50And because here nobody ...
21:52Nobody worries about me
21:54And for once someone does it, well ...
21:56Yes
21:58You have to thank him
22:15Good morning
22:16Good morning
22:18Sir, I didn't know you were coming
22:21I'll pick this up right now and leave it to you
22:24No, no, it's not necessary for you to leave, I just came to leave a few things
22:27Really, you don't mind?
22:29Really, you do yours
22:35Do I bother you in this corner?
22:37No, no, who is going to bother me, sir?
22:41I finish hitting on a parakeet
22:44There is no hurry
22:46Yes
22:56That yes
22:58I still have to clean the dust off the table
23:01But since you have it full of things, I didn't want to touch anything
23:07Do you see it very messy?
23:09I haven't said that, but ...
23:11Maybe yes
23:13Believe it or not, in all this chaos there is an order
23:17Or at least I know where everything is
23:20And it is clarified with so many papers?
23:23Yes
23:25You see, the ideas that have no future I leave them to the right
23:30Those that have a possible future I leave them to the left
23:33And then there are the ideas in which I am working right now
23:38And they are in the center
23:39I, the truth is that if you don't tell me anything
23:42I would have put everything together in a pile
23:46Anyway, don't think that I'm very organized
23:50My mother, every time she enters my room, she puts some glue
23:58Sure
24:04You are Simona's daughter
24:07You are Simona's daughter
24:13Likewise
24:15Virtues to serve her
24:18When she was very little she played with her sister Catalina
24:21And with her brother Tomás, may he rest in peace
24:25My mother always speaks wonders of Miss Catalina
24:29She loves her madly
24:32In this case we also love your mother very much
24:35And the promise wouldn't be the same without her
24:38Nor would she eat so well
24:40She has a good hand with the stoves, yes
24:43Yes
24:45And a golden heart
24:47And in this house we are very grateful to her
24:51And you, sir
24:54And me
24:56Thanks to you my mother is still alive
24:59Excuse me, what are you talking about?
25:00What are you talking about?
25:02About when you moved heaven and earth to heal my mother when she fell ill
25:09Ah, yes
25:11Yes, I remember
25:13Although in reality I only did what I had to do
25:16If your mother is alive and with us it's all thanks to Hanna
25:21She is the one who should take the credit, she didn't separate from your mother for a moment
25:25I know, and I thank her with my soul
25:27Thank you
25:30Virtudes, speaking of Hanna
25:33I have been told that she is out of the promise
25:35Yes, she and María Fernández are helping a friend of Mr. Marqués
25:42Something like that I've heard, yes
25:44And do you know if she'll be back soon?
25:47No, but I hope it's soon because I miss her a lot
25:54María Fernández is so funny, always with her sayings and her barbarities
25:59Yes, that girl talks nonsense
26:01And Hanna can't imagine the jewel that she is
26:07Yes, she seems like a good person
26:10She is, always willing to help with some sensible advice
26:17Well, I'm not surprised that you miss her
26:20It's to do it, sir, it's to do it
26:25Well
26:46So, Mrs. Candela, you are in charge of buying the sugar and the fruit
26:50Yes, I'm going to the village to make good use of it
26:53Perfect, we're going to need four bags of sugar, seasonal fruit, but it has to be ripe, but not too much
26:59It's enough, Lope
27:02Perfect, thank you
27:05The boy is the conductor and he doesn't want anything to escape
27:09I can put it in a jar if you want
27:14Yes, yes, of course
27:15Well, let's see if they are sold at a good price, because everything is having a lot of work
27:20Yes, yesterday we were a little late
27:23I don't know how we are going to thank you for everything you are doing for my virtues and my grandson
27:28We are doing it well at ease, Simona, don't worry
27:31The bad thing is that I don't know if it will be useful for something
27:34Don't say that, Cancina
27:36Of course it will be useful, Mrs. Simona
27:38If we follow this rhythm, we will arrive in time to gather the bodies
27:41Yeah, but it's not just the money, Lope, and you know it
27:43And the delivery
27:45Yes, but what are we left with?
27:48That what we earn more would be destined to virtues, so that she lives in peace for a while with her son
27:53Until she finds a job that can accompany her with her upbringing
27:57Yes, that's right, but how long can we be like this?
28:00As long as the girl is working to heal the people
28:03Of course, it won't be long
28:06Let's see, I can't find another solution
28:08I think the best thing is to keep going with the jams while we think about something else
28:13Yes, the best thing will be that we focus on putting together all the rooms and then we'll see how we do
28:18The important thing here is that Virtue is with her son as soon as possible
28:21Well, yes, because as the saying goes, step by step the rooster is stuck
28:25Yeah, but ...
28:27No buts, come on Simona, this is not the time to get into the worst
28:32That's it
28:34We are going to start making more jams to sell them as soon as possible
28:38Be careful so that Mr. Lorenzo doesn't find out about anything
28:42Yes, well, if we already know
28:44With the little money that the captain spends, as soon as he finds out what we are doing, he can mount the curtain
28:51López, do you think Tadeo will want to help us sell the jams?
28:57Of course, Mrs. Simona, first because he is a great person and second because the captain of the mat is not in the business
29:03Well, with Tadeo we are going to sell the jam until the last jar and I'm sure we'll put the rooms together soon
29:09I hope
29:11Trust that everything has a remedy except death
29:21Happy?
29:23Why should I be?
29:25Stop pretending Alonso, you know perfectly well what you're talking about
29:29No, I don't
29:31But if you insist, I'll say yes, so that we can have the party in peace
29:36Cruz has let me down very elegantly that it's time for me to leave the promise
29:40Ah, that's it
29:42I told you days ago that you were no longer necessary here
29:45And you told her too
29:47We share everything
29:49Everything? Really?
29:52Maria Antonia, I don't want to argue with you, so if you've only come for that, you can go
29:57Are you also kicking me out of this room?
30:00I'm fed up with trifles
30:03I wish you the best, really
30:06And for that you will come out of this house
30:09You will also be fine
30:11I tell you from the bottom of my heart, you have to go back to your routine, you have to look for your future and for that you have to be in your palace
30:17Sure, and stop bothering the poor Marquis, right?
30:20I thank you very much for everything you have done for Cruz, but this situation is no longer comfortable for anyone
30:25Well, thank goodness you are grateful
30:29I ask you to remember these days as something good and forget the friction we had
30:34Friction?
30:36Friction without importance that should not affect our friendship
30:39Maria Antonia, you are loved in the promise
30:42Maybe that's why you got confused and thought there was something that never existed
30:47Sure, and now I'm confused
30:50There was never anything else
30:53I love Cruz and I will continue to love her
30:58Maybe now it hurts you to leave, but soon you will understand that it is the best for everyone
31:08Hello Cruz
31:10We were talking about Maria Antonia's departure
31:13She has confirmed that she leaves us
31:15It has been a pleasure, but I think the time has come
31:19It's a shame, friend, but everything comes to an end
31:23Anyway, don't think you're going to leave just like that
31:28I'm planning a music recital to say goodbye
31:32Really?
31:34Come on, I'll tell you the details
31:37And if you have any idea, you tell me
31:40You see, I came up with the idea of the recital
31:43Because the count of the corner had a date with the princess of Sansan
31:49It does not stop going up everything, from wheat to coal
31:53Yes, nonsense, if the gentlemen do not raise the budget, we will not be able to reach the end of the month
31:58We will have to find something to save
32:00We will have to start by removing the oil lamps from the service and putting candles
32:04Yes, we will have to remind them to use them properly
32:06And forget to turn on the firewood stoves in the service area at night
32:10Well, from there we can save a few pesetas
32:13Yes
32:15Am I bothering you?
32:16No, on the contrary, come in, come in, Mrs. Martínez, you have arrived very timely
32:20We were talking about the need to make cuts, if this can actually affect the kitchens
32:26I imagine that, as always, to what the service eats
32:30Well, true, but you will also have to be very careful when taking advantage of that expense for the gentlemen
32:36It is already done, Mr. Baeza
32:38Well, we'll see how to earn a few pesetas here and there
32:41You tell me, Mrs. Martínez, what did you want?
32:44Speak, please
32:47The point is that so far we have kept it a secret, but this cannot continue like this
32:52Because you have every right to know
32:56What day are you talking about, Simona?
32:58Because, of course, if this is known later, it may harm you, which is not your fault
33:03It's not my fault, nor knowledge, if you haven't just explained yourself
33:07The point is that we are making jam here in the kitchen
33:11For the promise
33:13They are to sell them here in Lujan
33:16And get some money so that my virtues can recover my grandson
33:19Well, I don't think the gentlemen will find it funny
33:23And much less the captain of the Mata. What do you think, Mr. Baeza?
33:26And what products do you use to make those jams that we buy for the house?
33:32No, no, no, no. We are paying for the fruit and sugar with the money from the collection, as they are for the same cause
33:39And when do you prepare those jams?
33:41When we finish the work of the day
33:43I see
33:45Well, then I don't see any inconvenience
33:50Mr. Baeza, the captain of the Mata is going to become a basilisk if he finds out
33:55The service can do whatever it wants in its free hours
33:58Thank you very much, Mr. Baeza. You are very understanding
34:01But Mr. Pellicer is right. If this reaches the ears of the captain, it can be a problem
34:06And he will say that this directly harms his own jam business, and rightly so
34:11I don't think so
34:13We only intend to sell a few jars in the market in Lujan and in some surrounding village
34:18Even so?
34:20Well, no. The captain has a sale to the mayor. He sells to the Spanish army
34:23And they are just going to sell a few jars. They are not going to affect him at all
34:27That's what we think
34:29Yes, be careful. That way we avoid a disgust
34:36Thank you very much
34:42Lope, I have to talk to you
34:44Well, I have a lot of work to do and I have to go back to the kitchen
34:47Well, but I guess it's okay because you're a minute late, right?
34:50Yes
34:51Look, I think you were right when you told me that Santos was behind my mother's invitation
34:56Yeah
34:57This morning I spoke with Mrs. Arcos and she told me that he was in charge of sending the invitations
35:01White and in a bottle, right?
35:03Yes, I guess so
35:05I don't know. I don't know
35:06I'm sure he did. I'm sure he wanted my mother to come and find me
35:11Good
35:13Well, I have to go back to the kitchen
35:15Can you tell me what's wrong with you?
35:17Look, nothing's wrong with me. I have a lot of work to do
35:19Lope, don't lie to me
35:21Since I told you who I am, you don't stop avoiding me
35:24When we're in the same room, you don't even look me in the eyes
35:27Look, what's going to happen to me?
35:29What's going to happen to me?
35:31That your parents are dukes, that's what's going to happen to me
35:32What?
35:34What do you mean? You know it perfectly well
35:36Just as I knew this was going to be a problem between us
35:39That's why I decided not to tell you before
35:41Vera, it's a problem
35:43You're a noble and I'm just a simple cook
35:45But this doesn't change anything
35:47Vera, it changes everything
35:48Not for me
35:49For me, yes
35:51You can keep playing the maid for a few months
35:53But at the end of the day, you're a noble
35:55Lope, not anymore
35:57Now I'm Vera
35:59You'll always be the daughter of the dukes of Carrí
36:00Always
36:02And I'm a cook who earns four quarters a month
36:04Lope, but I don't care what you earn
36:06I've been happier with you than in all my life
36:09Maybe our relationship is not above all those titles, all that money
36:13Vera, we live in very different worlds
36:15Lope, I also believed it
36:17But together we have created another world
36:19A world in which we are only you and me
36:21In which we love each other and we don't care what people think
36:24I'm sorry
36:26I'm sorry
36:27I don't care what people think
36:30Listen to me, that sounds beautiful
36:32But it's impossible
36:34But why?
36:36If we love each other
36:38And that's the most important thing
36:40Vera, because when you get your life back from before
36:42You're going to wonder what you're doing with a cook from three to four
36:44No, don't talk about me because I would never say that
36:46Maybe you don't
36:48But your world will push you to it
36:50And I don't want to see it
36:52I don't want to suffer for that
36:54I don't want to see how you start looking at me with other eyes
36:55I don't want to go through that
36:59Lope, what do you mean?
37:02That you don't want to be with me?
37:06Lope, I love you
37:08I love you and I will always love you
37:13I need to think
37:25I need to think
37:39I don't understand, Lope
37:41You've always done what was right
37:43And you've always been very clear
37:45That it's right and it's not
37:47And this jam thing is not
37:49It can be
37:51So why are you going to let them keep going?
37:53You said it yourself
37:55I'm tired of it
37:57I've seen a lot of injustice
37:59And they always fall back on the service
38:01But that's not fair
38:03Wages of misery, sunny days, bad words
38:05I think the time has come for us to break the rules once in a while
38:09Do you remember the case I told you about?
38:11The one who died in a hunting accident
38:13Feliciano Arcos
38:15Doña Petra's son, right?
38:17Well, he didn't die in a mount
38:20He died here, in the palace
38:22Because the doctor of the gentlemen
38:23He didn't want to waste time
38:25Tending to a simple servant
38:27But he didn't tend to him
38:29No, yes, yes, he tended to him
38:31But since he was in a hurry
38:33He didn't do the surgery on condition
38:35A few days later, that boy caught an infection
38:37That takes him to another world
38:39Unfortunately, there is a way of thinking that abounds
38:42It is that one cares as much as the rooms they have
38:45I'm fed up, I'm very fed up
38:47You won't be mixing churras with marinas
38:50All I'm doing is giving that girl an opportunity
38:51So that she can recover her son
38:53And continue with her life
38:55If we don't give it to her, who will?
38:57Well, I guess no one
38:59She deserves it, she deserves to have hope
39:02You think you know someone
39:04But it always ends up surprising you
39:07Well, I guess that's where the charm lies
39:12Each person, we are a world
39:21A few days later
39:27There is still a lot of work ahead
39:29It is what the field has
39:31There is always something pending
39:33And you want to do it
39:35Although many times when I see that a storm is approaching
39:38It makes me tremble
39:40When one is dedicated to the field
39:42You have to assume that this is so
39:44For example, the sun
39:46It is necessary for the crop to mature
39:48But it can also crack
39:49Yes
39:51And the water makes the crop grow
39:53Although it can also flood the fields
39:57But hey, that's the life of the farmer
40:01Desiring anxiously the same things you have
40:06Yes, it's a paradox
40:11Do you know what it means?
40:13Yes, I know perfectly well what paradox means
40:15Paradox
40:17Sorry
40:19Sometimes I seem worse than my mother
40:21No, don't say that
40:23You talk to me with respect
40:25What I don't understand is how you can stand that I treat you so badly
40:29Habit
40:32You know, if it doesn't affect my business or other people
40:36It would seem funny to me, what he did to me
40:39Funny?
40:41Yes
40:42I don't like to be surprised by the ingenuity of the Spaniards
40:45When it comes to making fun of each other
40:47And ...
40:49Did you ever care that you were drawn that visa?
40:52Well, yes
40:54But one doesn't come out every day in the press
40:57Or they name it in the coplas of the Chirigotas
40:59Right?
41:01I would prefer to be anonymous
41:05It doesn't matter
41:07If it's not for one thing, it's for another
41:09Cruz always finds a way to attack me
41:12No, you're strong and you can take it
41:15I can take it, yes
41:17But because I'm surrounded by people like you
41:19That makes me even more resistant
41:43Manuel?
41:45Run!
41:50If you can know why it took you so long to come back
41:53You had me desperate
41:55I know, I know, and I'm sorry
41:57It's just that things got more complicated
41:59But the important thing is that everything is fine
42:02Are you sure?
42:04Yes
42:06Because they called the sanatorium saying that Martina had escaped
42:08Well, now Martina is in a safe place
42:10And she's safe and sound
42:12I thought you would have taken her straight to the promenade
42:14Yes, of course
42:16So that Conde Dayana could put her back in that sanatorium
42:18Or worse, so that she doesn't look like a civilian
42:21Yes, you're right
42:23For now it's better that she's far away
42:25Well, and how did you get her out of there?
42:27It wasn't difficult
42:29I entered at the time of the visits
42:31Like a family member
42:33And as soon as I entered, I left
42:35But with her
42:37I covered her with a long coat
42:38So that they couldn't see the sanatorium's clothes
42:41Except for the escape
42:43Then we fled through the forest in a hurry
42:46And no one noticed Martina's absence?
42:48Yes, I think so
42:50They followed us
42:52But we started running like devils
42:54And we managed to mislead them
42:56Normally
42:58I don't know what would have happened if they had caught us
43:00But the important thing is that everything is fine
43:03Everything is fine
43:07And...
43:09What are you doing here?
43:12Do you want a drink?
43:14Yes
43:18Curro
43:22I'm not good at lying
43:25And I didn't know what to say when they asked me why
43:27I'm sorry
43:31It's been a lot of trouble
43:34I know
43:36And I'm sorry too
43:38I wanted to do it before, really
43:40But I couldn't
43:43Lies are the least of it
43:45You worried me
43:47I even went crazy looking for you
43:49Manuel
43:52I'm not a kid anymore
43:54You can't always be protecting me
43:58Let's see
44:00How does the family take it now?
44:03And how do they receive you?
44:05Because I kept saying that you were unwilling
44:08Well
44:10Don't worry, I don't care
44:13Now I have to see what to do with Martina
44:15She can't be hidden forever
44:17As if she were a criminal
44:19No
44:22We have to turn this situation around, Curro
44:25But I still don't know how
44:40They could have prepared some appetizers
44:43Like potato omelette, some croquettes, prawns with garlic
44:47But they'll have to give her something with more meat
44:50So that she doesn't starve
44:52So that she doesn't starve, that's the promise
44:55Sure, we could have a barbecue with garnish
44:58I don't know
45:00Why don't we serve her a fava, a stew?
45:04Candela
45:06The musicians have to give the recital, not the guests
45:10I like the idea of appetizers as appetizers
45:13If they get too full, they'll fall asleep during the recital
45:16What would you like to cook?
45:18Something that's not typical, Mrs. Simona
45:20No
45:22I was thinking of a foie gras empanada with caramelized apple
45:26Or some croquettes with bull's tail
45:28But everyone likes that
45:31Yes, Mrs. Candela, but it's not the usual
45:34I'm fine, no problem
45:36Let's see what Mrs. Petra and Mrs. Marquesa have to say
45:39The best thing is to prepare several appetizers and let them choose
45:44Miss, you're here again
45:47Would you like some buñuelos? I've just made them
45:48No, Simona, no. Whenever I come here, I don't come to eat
45:53Tell me what you've come to tell us, that you've finally left the hangar and you're going home
45:57For now, that's not in my plans
46:00I've come to ask you for a favor
46:02And I'll give you whatever you need
46:04Can you prepare me a dinner for tomorrow in the hangar?
46:08Something simple
46:10Sure, if it seems to you, first of all, a pipirrena, that you like a lot
46:13Of course, and if you prepare me a rabbit with garlic, that would be all
46:18And if you want, a good dessert, so that it stays with a sweet aftertaste
46:23Okay
46:27Miss Catalina, are you going to receive a visit to the hangar?
46:32Something like that, yes
46:35I'm sorry, I didn't mean to bother you
46:38I just asked you if you needed my help
46:40No, don't worry, and if I need anything, don't hesitate to let me know
46:45Of course, as you did when you wanted to know more about Miss Martina and the poisoning
46:52By the way, did my explanations help you?
46:56Well, yes, they were very useful
46:59I hope they find the culprit soon
47:03We all wish that
47:05Well, if you don't need anything from me, I'll leave you
47:10Thank you
47:17I think Mrs. Petra is going to give us these scares
47:21Has anyone heard her arrive?
47:23What are we going to hear?
47:25We'll have to put the cameras to know where she is
47:28Because I, in one of these, stay in the place of the scare
47:32Whatever I say
47:41Sit down, Mrs. Pia, be careful
47:54Maria, where have you been?
47:56To the fair in Lujanca, your uncle is alive
47:58Where were we going?
48:00We went for a walk, so he doesn't forget to walk
48:02I'm sorry to scare you, but I was scared when I woke up and saw that you weren't here
48:07I might have gone out
48:08We went for a walk, a little long, yes
48:11This cave is huge
48:13Are you going to tell me?
48:15We took a long time to find you when we came here with the marquis
48:18The good thing, if there is anything good, is that you can take long walks without having to go outside
48:24I'm too long, I would say
48:26Mrs. Pia, it seems very good to me that you walk, but you have to be careful
48:30It is very easy to get lost in these galleries
48:32Don't worry, I'm not going very far, if I can't with my soul
48:35Any effort seems to take my life away
48:39Well, that shouldn't be the case
48:41And I'm afraid that instead of getting better, I'm getting worse
48:44Well, maybe you're going the wrong way, Hanna
48:47Because lately I've been thinking
48:53that maybe I'll die here
48:55You're exaggerating, Mrs. Pia
48:57My mother used to say that everything sticks, except beauty
49:00Nobody is going to die here, Mrs. Pia, nobody, because I say so, period
49:05Maria is right, the only thing she has to do is hold on a little longer
49:12Mrs. Pia, I'm very sorry
49:14Why?
49:16Because all this has been my fault
49:19I thought that bringing her here and making her die was a good idea
49:23and I'm realizing right now that it wasn't a good idea
49:26No, Hanna, it wasn't
49:28My son is safe and far from Gregorio and that's the only important thing
49:33You did it with your best intentions, Hanna
49:36And all I want is for you to think about yourself
49:40I'm doing it, I'm thinking about myself
49:43And the plan is fine
49:45I'd rather die here
49:48than at Gregorio's hands
49:51What nonsense
49:53Nobody is going to die here
49:55Period
50:05Period
50:29Come in
50:31Excuse me, Mr. Pellicer
50:33Come in, come in, I'll give you some instructions right away
50:40Are you okay?
50:42Yes, yes, very well
50:44Well, your eyes are red
50:46Have you been crying?
50:48No, no, it's the allergy that I mixed with the ammonia to clean
50:53Are you sure?
50:55If there is something that has put you in this state,
50:57if there is something that has put you in this state,
51:00maybe if you tell me, I can help you
51:02No, nothing has happened to me
51:04You won't have any problems with Santos again, will you?
51:08I know you're not dating anymore
51:10I just hope you haven't tried anything
51:13No, Santos hasn't bothered me
51:16You don't have to protect him
51:18It's the truth, Santos has nothing to do with my tears
51:21And I suppose neither does the ammonia and the allergy
51:22It's just that I've been a little down for a few days and I cry for anything
51:28It's just that
51:30But well, did you call me for something?
51:33Yes, yes, this is urgent
51:35Go immediately to the upstairs floor where the Duchess of Carril is waiting for you
51:40The Duchess of Carril?
51:43And what do I do? Do I bring you a tea or some pastas?
51:47No, no, she doesn't want to drink anything
51:49It seems that a few days ago she lost some gloves and she says you gave it to her
51:52Does she have them?
51:54No, I don't know, I don't remember
51:57They may be in the closet where we keep the guests' clothes
52:01Very well, check it and meet with the Duchess as soon as possible
52:04Yes, I'm going right now
52:23Manuel, son, come here for a moment
52:30Mother, I hadn't seen you
52:34Sit down for a moment, I have something to tell you
52:38You will tell me
52:40Prepare one of your best suits
52:43I'm going to the palace, I'm going to the palace
52:46I'm going to the palace
52:48I'm going to the palace
52:49Manuel, prepare one of your best suits
52:52We are going to organize a recital in your honor
52:56And what have I done to deserve that recital?
52:59Return alive from the front, doesn't it seem little to you?
53:02Mother, we already celebrated that dinner, remember?
53:06No, that was a bad dinner
53:09Look, I've made a selection of the pieces that the musicians could play, let's see what you think
53:12What do you think?
53:17Yes, it's a great choice
53:22But I'm telling you from now on that I'm not going to go to that recital
53:27And if you can tell me why?
53:29Because I'm not going to celebrate my return while my sisters are locked up in the altar
53:34She is there of her own free will, she can return right now if she wants
53:38She thinks she won't be well received
53:40Excuses
53:42Good thing she came back before they took Martina to the sanatorium
53:45Or at your dinner, to sit that jerk at our table
53:48Yes, but she has gone again
53:50And all because of the problem you two have
53:52I don't have any problem
53:54Yes, you do
53:56And it is in your hand that Catalina returns
53:59Nonsense, you say
54:01How am I going to make her come back? Don't you know how stubborn she is?
54:04Mother, you know perfectly well what you have to do
54:06I can't erase the memory of everyone who saw those drawings
54:10With whom I apologize is enough
54:12Don't even talk
54:15You helped them make fun of Catalina, mother
54:18And that not only harmed her, but also your business
54:22Those are your exaggerations
54:25If you want her to go to that recital, you already know what you have to do
54:3612,000 euros in jewelry that have been taken from one of the best jewelry stores in Cordoba
54:41Have they caught the thieves?
54:44No, but there are suspects
54:46The owner of the jewelry store is convinced that it was two of his brothers helped by three Italians
54:51Apparently they entered at night and without forcing the lock, not even those of the safe
54:55Evidently someone knew the combinations
54:58Hence it is suspected that they were his brothers
55:00What do the Italians have to do with all this?
55:02There are many lately in these remote lands who do not want to fight in the war
55:08Blessed are the eyes, you finally appear
55:12Has he recovered you from your indisposition?
55:15He was not sick
55:19What do you say?
55:22I want to say that everything was a lie
55:24A lie?
55:28But then why have you been locked up in your room for so long?
55:32It is that he has not been in his room
55:34Wow, I see that someone suspected it
55:37You helped Martina escape the sanatorium, right?
55:40Of course I did
55:44The strange thing is not that Martina has escaped
55:46The strange thing is that once inside they have not left you locked up
55:49You are always so clever, father
55:51It is not the time for chances
55:53Your son has just confessed a crime
55:56Curro, do you know where Martina is?
56:01Of course I know
56:13It may be that this accidental error is not such, but a sabotage in every way
56:19Really?
56:20Yes, and with the aim of harming a colleague
56:23That's fine, I'm not to blame for all the evils that haunt this palace
56:27Not all, obviously, I'm talking about one in particular
56:30Mother, what are you doing here?
56:32Look, my daughter, I have not stopped thinking about you since I saw you the other day
56:36And that day I did not react well, I admit it, I was abrupt
56:42Mother, what has come?
56:44To ask you to come home, with me
56:47And now when a new priest comes, he will need a person to do the tasks
56:52And that's where the game comes in, the girl
56:55And don't you think that this priest and the other are going to tell each other all the secrets?
56:59And the theft of the chalice
57:01No, he won't say anything
57:03And how are you so sure?
57:05I find it interesting that you talk about those moments in life
57:08I also think there are moments to face changes
57:11And, I don't know, also to live another adventure
57:15Another adventure?
57:17That you and I can be something more than...
57:21Friends
57:24The quality and, above all, the flavor of our product has dropped dramatically
57:29And it seems that there are complaints about it
57:31I'm afraid that the drop in the quality of the jams is exclusively your responsibility
57:34Are you making fun of me?
57:36Curro only wants the best for Martín
57:38Look, I only say one thing
57:41Either you end this once and for all
57:43With all this
57:45Or your cousin can end up in jail
57:47Who has put you in a bad mood? Petra?
57:49No, it has nothing to do with Mrs. Petra
57:51It has to do with the captain of the Mata
57:53The captain?
57:55Yes, he fired me
57:57And Mrs. Candela, and you too
57:59Well, look, I agree with that
58:01But I prefer a thousand times than to go to Musarañas so that certain people are piling up here
58:06Catalina, I'm cured of fright and I assure you that I'm not here to argue
58:10That's what I don't understand
58:11What day has Andrés come then?
58:13I understand that everyone trusted the judgment of Conde Ayala
58:17We try to avoid a bigger evil
58:19Yes, that you don't call the civil guard and that you end up in jail
58:22Nothing will make me change my mind
58:24Well then Martina will not return the promise