Igra sudbine 1139 Epizoda - Igra sudbine 1139 Epizoda
Igra sudbine 1139 Epizoda - Igra sudbine 1139 Epizoda
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00:00TREVANOVIĆ'S SON-IN-LAW
00:06Thank you, son-in-law. I have to admit, I'm satisfied with your work today.
00:11You're a great worker.
00:13Great, Milan.
00:15Really great.
00:17What?
00:18You worked hard.
00:19I worked hard. I see, I see.
00:21My dear Trevanović, we all work hard, but only women succeed.
00:27Yes.
00:29Okay.
00:31Hey, Mido.
00:34We can say that's it, right?
00:36What is it?
00:37Well, I cut down half a tree, like in the woods,
00:40so I feel like I threw it away.
00:42So, that's it.
00:43Come on, go away.
00:45If I hadn't cut down the whole forest, cut down half a tree,
00:48I would have pooped.
00:49And look, what if it rains?
00:51What?
00:52Who's going to take it?
00:53It has to go to the baker.
00:55Don't do anything to me.
00:57Do it.
00:58Do it, and you win.
01:00Don't be a kid.
01:01Don't be a kid to me.
01:05Hey, Mido.
01:06What is it?
01:07I'm begging you.
01:08What do you want?
01:09I'm begging you, just give me some water.
01:11I'll pour you some water.
01:12Get out of here.
01:13Get out of here.
01:14There's a bar over there, go there and drink.
01:16Get out of here.
01:17God, help me.
01:19I've never seen a man cut down half a tree like this.
01:23I thought he was taking you to the king.
01:27What?
01:28What?
01:29To the king.
01:30What do you mean, to the king?
01:32Who's going to bring those pigs?
01:34You have to bring them by load.
01:36Love, love must be earned with work, with respect for work.
01:41And we can't make him angry.
01:43Tambur, he's your boss after all.
01:45Go to hell.
01:48I'm begging you.
01:49What?
01:50No, no, no.
01:51You're right, you're right.
01:53It's all true.
01:54I'm going, I'm going, I'm going.
01:55Just give me some water.
01:57You're going to die here, man.
01:59No, you're not going to die.
02:01You know what we're going to do?
02:03You go to Belgrade and you stay there for two days.
02:06Thank you.
02:07In two days, I'll get a truckload of wood.
02:10Which needs to be cut down, cut up, put together,
02:14and ready for the kiln.
02:16Is that clear?
02:17Clear, clear.
02:18So I can go?
02:19Thank you.
02:20I love you so much.
02:22Thank you so much.
02:24Nothing, nothing.
02:25I'll see you in two days.
02:27I have to go.
02:28I'm going to get a gun and some leaves.
02:30That's all.
02:31Wait, wait a minute.
02:32Where's your gun?
02:33It's over there, next to the wood.
02:35Where?
02:36Next to the wood.
02:37Why do you need a gun?
02:38It's normal.
02:39Don't worry about it.
02:40He knows where my gun is.
02:41Really?
02:42It's okay.
02:43Come on, come on.
02:44See you.
02:45Come on.
02:50Why are you looking at me like that?
02:55Honey, all my life, I've been advising you,
03:00helping you, feeding you.
03:04And there's nothing to regret.
03:07Why are you scaring me now?
03:10I'm begging you now.
03:12Never, never, never be a bitch.
03:17What do you mean?
03:19If you don't plan to go to the end with Kaja,
03:23don't drag her into a long relationship.
03:26What do you mean?
03:29Kaja is a good girl.
03:36Yes?
03:37You can come in.
03:39Dad, I didn't expect you.
03:42I hope I'm welcome.
03:44Always.
03:46Where's Trivanović?
03:48He has to go to Belgrade.
03:50He'll be back soon.
03:52When are we going to Belgrade?
03:54Don't worry.
03:55We'll be back soon.
03:56He just needs a few more weeks and we're gone.
03:59I'm so happy we're going to Belgrade.
04:01I know, honey.
04:02I think we'll have a great time there.
04:04Of course.
04:05And now I have a boyfriend.
04:09Tell me, what was he like?
04:10Did he do everything you told him to?
04:12Him?
04:13Of course.
04:15Don't worry about him.
04:17He can't do anything.
04:19He's like a synthetic to you.
04:22You can't do anything to him.
04:26But you know what?
04:28He showed himself well.
04:30You know, strong.
04:32He showed his true nature.
04:36Wait, what will you do with the money?
04:39You don't have the money.
04:41I'll put it in my closet.
04:43My son.
04:45My son-in-law.
04:46He's so smart.
04:48He put it in your closet.
04:50Who will he think of to hide the money in your closet?
04:53Look at him.
05:04Did you hear what they're talking about?
05:07I'm sure some reliable information is coming to Milena.
05:12I'm sure it's coming, but I don't know where it's coming from.
05:16What do you mean?
05:17Do you know who brought her?
05:18Boba.
05:19Yes.
05:20It's not a coincidence.
05:21She's quiet.
05:22We know.
05:23They've known each other for a long time.
05:24Who knows what Boba told her?
05:25They know each other in private.
05:27Yes, who knows what that torturer told her?
05:29It's the same.
05:30It's the same.
05:31You don't know Boba.
05:32How?
05:33She'll be surprised when she finds out how much I know her.
05:35What are her plans?
05:36She fell into the water.
05:37I don't remember that.
05:38She's gone too far.
05:40Because she thinks Andrija is defending her.
05:42Who cares about Andrija?
05:43I think we should go back.
05:45I think we should go to a fast coffee shop.
05:48Let's wait.
05:49Let's go.
06:06What's so urgent?
06:08Who did you ask to call Ivana?
06:10I'm sorry?
06:11I didn't know I needed your permission.
06:13Besna called me.
06:15She said you threatened her.
06:16I'm Besna.
06:17We're all Besna.
06:18Please, don't do that.
06:19You're making the situation worse.
06:21Don't do that anymore.
06:22Okay, I'm sorry.
06:23Maybe I went a little too far.
06:25But the situation was bad anyway.
06:27Yes, maybe you should have been smarter.
06:29Don't blame this on me.
06:31The woman is trying to destroy my business.
06:33Let everything go to me.
06:34Let everything go to me.
06:35I'm begging you.
06:36Don't do that anymore.
06:39Don't make such decisions on your own.
06:43Okay?
06:45There's a chance you'll make the situation worse.
06:47Like you did now.
06:48Don't do that.
06:50Okay.
06:51And don't meddle in my private life.
06:55I'm probably your private life too.
06:58Okay.
06:59I'm going.
07:00See you in Bosnia.
07:01And don't forget
07:02we have a meeting in the studio tonight.
07:22I don't understand why Mom wanted to steal that money from you.
07:26You don't understand?
07:27Let me tell you.
07:29She thinks
07:30that if she stole the money
07:32she would tie me up
07:33and I wouldn't go anywhere.
07:35That's why.
07:36And that's not all.
07:38She tried to get that unfortunate Mrvica to work for her.
07:42You can think of an unfortunate man.
07:44What would his life be like with her?
07:47What would my future be like?
07:49Poor Mrvica.
07:51I don't think he'll ever get a doctor's degree.
07:54What doctor?
07:56He won't even have a medical sister.
07:58I think that's how it's written in the stars.
08:00He can just get lost in them
08:02and count them like this next to the stars.
08:05There you go.
08:06Good luck.
08:07Bye.
08:08Bye.
08:15Where did you go?
08:29I can't believe this is happening for no reason.
08:33It's like you don't know Jovana.
08:35She's going to ruin everything.
08:37She's shameless.
08:38She's accusing me of working for her through her husband.
08:41I could have told you about her earlier,
08:43but I'd rather keep quiet.
08:45I've been working for Star PR for years.
08:47Before that, while Khan Holding was here,
08:49I was also working.
08:50Una, please don't pay attention to her.
08:52She's going to try everything,
08:54and if she succeeds, she succeeds.
08:55I know.
08:56I know, I know.
08:57I just can't stay immune to her provocations.
09:01Please don't take it personally.
09:03Jovana doesn't like anyone.
09:06You're right.
09:10I'm going to the bathroom.
09:12Wait for me.
09:13I'll be back.
09:14Okay, bye.
09:24Hello?
09:26Andrija, you can't believe how chaotic this is.
09:28Where did you get the idea that I can't?
09:30Tell me.
09:31She's accusing me of everything.
09:33She's a milanese.
09:34She can't believe it.
09:35Well, you wanted to hang out.
09:37Next time.
09:38Mind what you do.
09:40Thank you so much, Andrija.
09:42Okay, see you. Bye.
09:49Here.
09:51We'll continue.
09:52Now we have to hold out until the end.
09:54Let's go.
10:11I'm asking you.
10:12I heard you, beautiful owl.
10:14I heard you.
10:15I heard you whisper in my ear.
10:17What do you care?
10:18I'm going.
10:19What do you want?
10:20Where did you get the money?
10:22Where did I get the money?
10:24I earned it, beautiful owl.
10:26With my workers' hands.
10:28From the baker, from the guest.
10:30What do you think?
10:31That I'm laundering the money?
10:33If the baker is the one who laundered the money,
10:35then it's my money.
10:37My money.
10:38My money.
10:39My money.
10:40My money.
10:41My money.
10:42My money.
10:43My money.
10:44My money.
10:45My money.
10:46My money.
10:47My money.
10:48My money.
10:49My money.
10:50My money.
10:51My money.
10:52I don't care about you, you understand?
10:53But remember one thing.
10:54This money is mine.
10:56And only mine.
10:57Is that clear?
10:58What are you talking about?
10:59What you heard.
11:00I'm telling the truth, beautiful owl.
11:04If it's yours,
11:06then why did you try to steal it from yourself?
11:09Huh?
11:10Come on.
11:11Is it?
11:22Huh?
11:25Login.
11:28Login.
11:31Where is it?
11:34Was it at home?
11:38Hey,
11:42what have you done?
11:47It has to be Ivica.
11:49That's right.
11:51That's right, Fido.
11:53You're an expert, my dear Fido.
11:56Nobody knows that.
11:58Fido! Fido!
12:00Fido, what are you doing here?
12:02Where did you go?
12:03I didn't try, but I went to take a shower.
12:06Do you know what happened? This is an emergency.
12:08Take it easy, take it easy.
12:10Come on, tell me, what happened?
12:12I don't have a gun.
12:14What are you talking about?
12:15I lost my gun.
12:16Idiot, you don't have a gun?
12:18Do you know how serious this is?
12:19I know, that's why I'm telling you.
12:21I don't know what happened,
12:22because I went to the bathroom,
12:23and I kissed...
12:24I mean, I thought of something, and...
12:26What's going on?
12:27What's going on?
12:28He doesn't have a gun.
12:30He's a stupid inspector.
12:32He's sleeping with someone else's gun.
12:34What do you mean, he doesn't have a gun?
12:35Where's your gun?
12:37I don't know, my dear, I don't know.
12:38I don't know.
12:39If I knew, I'd tell you, but I don't know.
12:41You don't know, do you?
12:42What are we going to do now?
12:44People, this is a very serious matter.
12:46I looked everywhere,
12:48there's no gun anywhere.
12:50My people, you're not normal.
12:52I can't believe what's going on,
12:54and it's all here in my apartment, right?
12:56And what are we going to...
12:57You know what?
12:58Buy some plastic.
12:59I don't care.
13:00What are we going to do now?
13:01I don't know what to do now.
13:02I just...
13:03I don't know, I don't know.
13:04I just have to find it.
13:06Do you realize that someone stole your gun?
13:14I don't know.
13:24Well, ladies and gentlemen,
13:25the situation is very serious.
13:27We're not even close to a solution.
13:29The lawyer says we have ten days to move.
13:33And that's against all legal rules
13:36and the tradition of normal business.
13:40We have to find a solution as soon as possible.
13:42It's all gone too far.
13:44I've already called some people and some agencies
13:48and informed them that we are currently looking for business space.
13:52God forbid.
13:53No.
13:54But it will be hard to find something while the Milan Fashion Week is going on.
14:00Everything is...
14:01...overbooked.
14:03Well, no one normal is looking for space at this time.
14:05That's the problem.
14:07No one normal, you said it nicely.
14:09Well, there's no need to be jealous, we won't achieve anything.
14:14Okay.
14:16I hope you like what I have to say.
14:19Yes.
14:20Thank you for understanding and I want to apologize for...
14:25...all this chaos and the interference of private business.
14:28Everything is fine.
14:29It's not easy for you or for us.
14:31We have to stick to it.
14:33There's no other way, okay?
14:35Okay, I agree.
14:37Well, people, what can I say?
14:39I'm sorry, I'm really sorry.
14:42Especially because I feel like I'm directly responsible for all this.
14:48What I can promise you is that I will do my best to...
14:52...settle the situation as best I can.
15:07I hope you enjoyed the meeting with the women of Cannes Capital.
15:12I will enjoy it.
15:14No problem.
15:15Far from the fact that this is the hardest job in my life.
15:18I see.
15:19I see.
15:20And...
15:21...them?
15:23I'm not sure.
15:25The atmosphere is not good here.
15:27Well, I can conclude that myself.
15:33Well, I can conclude that myself.
15:37Yes.
15:39Do you know that camps have been created?
15:42Would you be aware of that?
15:45Well, not really.
15:47I mean, I don't know the details.
15:49Aha.
15:50It's hard for camps to be a detail.
15:53On the one hand, Jovan and Vanja.
15:56And on the other hand, Una, Boba, Senka.
16:02Interesting.
16:05Yes.
16:07That's how it will be.
16:10And what caused the creation of those parties?
16:16I mean, it's better for you to tell me than for me to conclude.
16:21Well, maybe you could guess for yourself.
16:27The arrival of Una to the job.
16:33Well, maybe Una is to blame for everything.
16:37Did I say that Una is to blame for everything?
16:39No, no, no.
16:41You are to blame.
16:44By bringing Una, you established nepotism and clan divisions in the job.
16:51Yes.
16:55Well, I didn't have any other choice.
16:59Then you had to be aware of it.
17:05Is there a chance that the situation is escalating in the wrong direction?
17:13That it gets worse and worse?
17:15Always.
17:17But the atmosphere is already alarming enough.
17:22Hmm.
17:25Okay.
17:29So I'm to blame, right?
17:34I mean, it's not just Una's presence that's to blame for all the conflicts.
17:41Well, okay, there's everything and everything.
17:46But you used your example to establish the knowledge that the employment code does not apply.
17:53Yes.
17:56Interesting.
17:59And you tell me, do you have a solution?
18:04What do you suggest?
18:17I really don't know how the gun could have disappeared just like that.
18:23Well, what you don't know and don't understand doesn't mean that it couldn't have happened.
18:27I know, people, but the water could have surrounded us now at the end of the summer, really.
18:31Three days before the end of the summer, instead of bathing in the pool, we are waiting for the police, because who knew it disappeared?
18:38What did I say something bad?
18:40Mila, let me tell you, I don't know how it is in your village, but in our city, when the Pandora disappears,
18:47it's a big problem.
18:50Okay, people, but Trivanović and Seljanović are already here, so we're not waiting for anyone.
18:54I said that.
18:55Enough talking.
18:57Come on, everyone, on your way, shake your rooms.
19:02Come on.
19:03What does that mean?
19:05You could have found a giraffe in the water until now.
19:08Now, like, we have to go.
19:10Now, like, three days before the end of the vacation, we have to go.
19:13Shut up, the less we talk, the sooner it will end.
19:15And that, God forbid, doesn't apply to the police.
19:17Come on, I'm waiting for you, come on.
19:19Okay, man, I'm going.
19:21Everyone in their rooms, come on.
19:23He's going for ours.
19:25Come on, get in.
19:27Man.
19:35Man.
19:44He won't be able to solve everything all at once.
19:47That's clear to me.
19:50It's clear to me.
19:54Do you have a chance to help us with all this?
20:01Well, first of all, they will have to help themselves.
20:06I won't always be there.
20:11That's a shame.
20:14I'm sorry, I have to go.
20:20Hello?
20:22Hello, this is Laura Djordjevic from Milan.
20:32What's going on?
20:43There's nothing here.
20:45What?
20:47Here.
20:52What is this?
20:54What do you care?
20:56This.
20:58What kind of document is this?
21:00Huh?
21:04What kind of document is this?
21:06I'm asking you.
21:08What do you care?
21:10What do I care?
21:12Do you know how to steal guns?
21:29Well, you...
21:31You didn't write to me.
21:44Laura Djordjevic, I assume you know each other, but my name doesn't mean anything.
21:50I was at your place ten years ago for a job interview.
21:53In Cannes, Capital.
21:56I don't remember.
21:58Yes, yes, at your and your ex-wife's place.
22:01I'm sorry, but ten years is a long time.
22:06We've had a lot of job interviews since then.
22:11I assume.
22:14Where did you get the number?
22:17From a mutual friend from Milan, Stojanovic. You know him.
22:21Good.
22:23And how can I help you?
22:26I work in the fashion industry.
22:29I'm currently working with Luka Kanacki and Aleksandar Ožeković.
22:34Go on, go on.
22:36I'm sorry.
22:46What kind of gun are you talking about?
22:48I've never seen a gun except for my grandma, but I've never touched a gun.
22:53Step back, step back.
22:56Don't interfere with an official's duties.
22:59I won't do it again.
23:00Wait, wait.
23:02It says here that this is your aunt's testament from Australia.
23:06A little bit more, man.
23:09What?
23:11It says...
23:13It says you'll inherit 500,000 Australian dollars if you marry in six months.
23:19Yes, but you shouldn't have seen that.
23:23So if you can, please, if I can ask you to just...
23:27Shut up.
23:30Seven percent, and I'll shut up when I pour.
23:33Seven?
23:34Seven.
23:35Seven percent, if I can.
23:37Here's one percent if I can.
23:39And if I can find that money, I'll give you one percent.
23:42Six.
23:45Three.
23:47Five.
23:48And not a dollar less.
23:51Five percent.
23:52Five percent.
23:53You know how much it is?
23:54One.
23:55Five.
23:56Five.
23:57Five percent, if I can.
23:59Five.
24:00Wait, wait, wait.
24:02I gave you five percent.
24:04Wait, man, stop.
24:06How are you going to find a wife in this dark?
24:11And Kaya?
24:13Why don't you want Kaya?
24:14I want her, but I can't.
24:16I don't have the courage to ask her for money right now.
24:21Okay, okay, I understand.
24:23Look.
24:24Look, I'll find you a woman.
24:27Really?
24:28I'll find you a woman?
24:29Just to get married?
24:30So the money doesn't go to waste?
24:31Well, just for the three of us.
24:33But then 20 percent, 20 percent is mine.
24:36Okay.
24:37What 20?
24:38Five.
24:39No, no, no.
24:40Look, look.
24:41Just to see something.
24:42Just to see something.
24:43I'm holding on, Kaya.
24:45These five percent are holding on to you.
24:47So don't worry about anything.
24:49And here.
24:50Thank you.
24:51Excuse me.
24:52Can you just give me this envelope?
24:54I think that's it.
24:56We made a deal.
24:57We made a deal.
24:58I just need to finish the search and that's it.
25:00Okay, okay.
25:04I put it all together.
25:09Do you understand?
25:11I understand.
25:12I understand everything.
25:13I won't tell anyone anything.
25:15Just put the gun down, please.
25:16Put the gun down, please.
25:18Why did you take it?
25:21You ask too many questions.
25:23I know, but everyone is looking for the gun.
25:25The police could come and arrest you.
25:27Do you understand?
25:28Don't make me cry.
25:30Besides, if they find out that the gun is here,
25:33you have to tell them that you took it.
25:35Me?
25:36Do you understand?
25:37I understand, I understand.
25:38It's just that I don't understand what's going to happen to that gun.
25:42I don't understand anything.
25:43How can you not understand?
25:45I can't let them take my money and my daughter from Belgrade.
25:49I can't.
25:58Tell me, what is this all about?
26:01I have a little problem.
26:02Your ex-wife sold me and Luka the fashion studio.
26:06Now she's turned him down.
26:08I know.
26:09I talked to Luka and Aleks.
26:11So you're in trouble.
26:13I got new information.
26:15It was supposed to be solved by now.
26:17The question is, what do you expect from me now?
26:20It's about the price.
26:22Okay, and?
26:24That goes against all business traditions.
26:26Well, I'm doing everything to make it work.
26:31Besides, it's not about me, it's about my ex-wife.
26:35Obviously, you're not doing enough.
26:37If you don't finish it in the shortest possible time
26:39and you don't allow me to use the studio,
26:42What's going to happen?
26:43I'm going to tell everyone in Milan
26:45that they shouldn't work with you or Jovan.
26:47I don't care about the price.
26:50And now this is turning into a price?
26:54You don't leave me a choice.
26:56You have two days.
27:01I see you're in big trouble, Andrija.
27:06Well, let God help me.
27:09Is it that bad?
27:11Yes.
27:15Women will look at me.
27:17They'll come to their senses.
27:19Anyway, thank you for all the information
27:22you shared with me in my call.
27:27I have to go.
27:42TRIVANOVIĆ
27:47Hey, boss.
27:49Trivanović here.
27:50I know who I was talking to.
27:52Are you still at Kosmajl?
27:54Yes, I am.
27:56You were in love with Seljanović
27:58and you wanted to start working with him tomorrow.
28:00Is that clear?
28:01Trust me, boss.
28:03I wanted to leave today.
28:05I was literally about to leave.
28:08But I had a little problem.
28:12I don't know how to tell you.
28:24I don't know if I should ask you
28:26how it was at the team building.
28:30Better not.
28:33Jovana provoked me with Vera.
28:37Unbelievable.
28:39Again?
28:40Not just me.
28:42All the women.
28:43But I really tried to stay away
28:46and sent her.
28:48Unbelievable.
29:02Who took my gun?
29:04I'll kill you.
29:06Instead of talking about that gun,
29:09I think we could talk about something nice.
29:12About our future, for example.
29:14About our plans.
29:20What's wrong?
29:22Ljubinka, honey.
29:24How can we think about a plan?
29:35I don't know, Inda.
29:37I really don't know.
29:39Who would steal a policeman's gun?
29:45I don't know.
29:47I don't get it.
29:49You have to be crazy
29:51to not understand the seriousness of the situation.
29:54How serious is that?
30:04I don't know.
30:17Tell me,
30:19why didn't you do what I asked you to do?
30:22Good afternoon, Andrija.
30:24You just entered my office without saying hello.
30:27I asked you something.
30:29I forgot something in the news.
30:31Don't play dumb.
30:34I'm not, Andrija.
30:36I'm not playing dumb.
30:38I'm not playing dumb.
30:40I'm not playing dumb.
30:42I'm not playing dumb.
30:45Friend,
30:47are you aware
30:49that stealing a gun
30:51is a serious criminal offense?
30:53Right?
30:55That seriously violates
30:57the reputation of both the police
30:59and this apartment.
31:01Okay.
31:03OK.
31:17I have to be here.
31:19What do you have to do?
31:20I have to be here because of the investigation about the missing gun.
31:24That's the procedure.
31:26OK, what does the gun have to do with me?
31:29It's everyone's fault until the opposite is proven.
31:32OK, I think they learned that from you.
31:34Tell me what you have or go.
31:50You have no idea who you're dealing with.
31:52Of course I have no idea.
31:54Unfortunately, I had to get to know him very well.
31:56He's a Bosnian.
31:58So I know very well who I'm dealing with.
32:02I was thinking about myself.
32:22Hi.
32:24Hi.
32:26Have you ever thought about leaving?
32:29Morning.