Mój syn mordercą 1973
Transcript
00:00:00I'm going to have to get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I
00:00:30before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you
00:01:00out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before
00:01:30I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out of here before I get you out
00:02:00He is still young. He will change.
00:02:02Oh, he will change. He has already changed, sir.
00:02:06He was such a good child since his death, ma'am, as if the devil had stepped into him.
00:02:10Oh, Leora, leave him alone. You know how he survived. He was only 15 years old.
00:02:14Oh, sir, do I know? After all, I was with him when you came back from California.
00:02:19Oh, my God, I remember how Bill came from this weekend and here the house is full of police.
00:02:24Oh, my God.
00:02:27Sir, but what does he want from you?
00:02:31It's not your fault that you...
00:02:33Leora, stop it.
00:02:35When Bill comes, let him in.
00:02:38It's not my house and it's not my business.
00:02:41Oh, there he is, my dear son.
00:02:45Come in.
00:02:50Hi, Grandma.
00:02:52Hi.
00:02:57I see you're working.
00:03:00You see, you see, you see well.
00:03:02Ron has not yet returned the whole publishing house to my head.
00:03:07May I?
00:03:09Go, go.
00:03:11And what about you, how do you live in a new apartment?
00:03:14Not bad.
00:03:18And what about your story?
00:03:20All right.
00:03:22All right.
00:03:26And you're not going back to the university, are you?
00:03:28No, it's a waste of time.
00:03:30Listen.
00:03:31I met a girl.
00:03:33A real talent, Sylvia Reimer.
00:03:35She wrote a story, Ron read it.
00:03:38Anyway, it was not enough to publish it.
00:03:40She is fantastic.
00:03:42A few of her poems have already been printed.
00:03:45Sylvia got a scholarship, she's going to Rome.
00:03:47What?
00:03:48Yes, in a few weeks.
00:03:50Listen.
00:03:52Let me go, too.
00:03:54It's just a matter of a few hundred dollars.
00:03:56You can afford it.
00:03:58Listen.
00:03:59I know I wasn't a very good son.
00:04:01We supported each other.
00:04:02Excuse me.
00:04:04What?
00:04:05Telegram.
00:04:13Bill is coming back.
00:04:16Heh.
00:04:18Ron is coming back.
00:04:20Ron.
00:04:24Depesha from Ron.
00:04:25Ron is getting married.
00:04:26Do you understand?
00:04:27Ron is getting married.
00:04:30I'll be there in a few minutes.
00:04:31What am I supposed to do, huh?
00:04:32I have to get dressed.
00:04:34Ron, Ron, Ron.
00:04:36My God.
00:04:37I come to you with the most important matter of my life.
00:04:39And you can only think about your great Ron.
00:04:42You have to rush to the airport
00:04:44and greet your great Ron.
00:04:46But Ron, Ron is coming back.
00:04:48My common friend.
00:04:49What am I supposed to do, huh?
00:04:51According to me?
00:04:52I think you should know yourself.
00:04:54I have to go to Rome.
00:04:56For God's sake, can't you think of something right away?
00:04:59And what do you think I am, devil?
00:05:01A machine that throws dollars
00:05:03at your idiotic whims, huh?
00:05:06So how much time do you have to think?
00:05:08How can I know?
00:05:10But Sylwia wants to know.
00:05:13So Sylwia, my dear, will have to wait a little longer.
00:05:16Let her write a few verses.
00:05:23All right, all right.
00:05:24I don't have time now.
00:05:25Write me your phone number.
00:05:27I'll call you.
00:05:33What are you doing, devil?
00:05:34Please.
00:05:35In the meantime,
00:05:36send my regards to your dearest friend.
00:05:39To Ron, Hitler, Napoleon, Casanova, Sheldon.
00:05:58Angie!
00:05:59How are you?
00:06:00How are you, Jake?
00:06:01You must have gotten depression too.
00:06:03I did, I did.
00:06:04Look what a surprise.
00:06:05You'll finally have a brother.
00:06:08But who did he finally decide on?
00:06:10I have no idea.
00:06:11He hasn't written to me since he left.
00:06:14I won't give him anything like that.
00:06:19Angie, my dear!
00:06:23Jake, my old man!
00:06:25Oh, here you are.
00:06:26This is my mother-in-law, Nora Light.
00:06:29She comes straight from Shropshire
00:06:30and is convinced that in America,
00:06:32if a man is not careful,
00:06:33they'll scalp him at the medicine shop.
00:06:37Ron always talks to me like that.
00:06:40And here they are.
00:06:42This is my mother-in-law,
00:06:43Basil Lighton.
00:06:46This is Lady Phyllis Brent.
00:06:49And this is...
00:06:52Jane.
00:06:55This is Mrs. Sheldon.
00:06:57This is Angie, my sister,
00:06:59and my friend and partner,
00:07:01Jake Duris.
00:07:02You see, Jake,
00:07:03the Lightons are walking around here.
00:07:05They're so fascinating,
00:07:06I can't resist them.
00:07:08Listen, Angie, my dear.
00:07:09You'll prepare a place for them
00:07:11in the old apartment,
00:07:12where they live, right?
00:07:13Good.
00:07:14And now, come on,
00:07:15we all have to pour champagne
00:07:16for my new family.
00:07:17Come on, quickly, quickly.
00:07:18Quickly.
00:07:28It's simply incredible.
00:07:29Amazing, Jake.
00:07:30Look at this man.
00:07:32He wrote three stories.
00:07:34Three most surprising,
00:07:35most subtle books
00:07:36I've ever read.
00:07:37And this man,
00:07:38a real genius,
00:07:39was starving
00:07:40with his women
00:07:41in some lost
00:07:42village hut
00:07:43under a roof.
00:07:46But that's over now.
00:07:47Now Sheldon and Duris
00:07:48publish a new Lawrence.
00:07:51Yes,
00:07:52the greatest talent in England
00:07:54needed an American
00:07:55to get to know it.
00:07:57You know, Jake, come on.
00:07:58I have a surprise for you.
00:08:00Well?
00:08:01Basil wrote a play.
00:08:02Oh.
00:08:03The Endless Night of Death.
00:08:05It's a masterpiece.
00:08:06Don't you think
00:08:07your brother, Peter,
00:08:08should get to know it?
00:08:09Of course.
00:08:10Especially now
00:08:11that he's looking for
00:08:12a play for his theater.
00:08:13It's a great opportunity.
00:08:14Oh, very good.
00:08:15And we
00:08:16should probably
00:08:17thank you.
00:08:18Oh.
00:08:19We'll have to
00:08:20take care of the house.
00:08:22Yes, I'll take care of everything.
00:08:23You'll be able
00:08:24to start working
00:08:25in two or three hours.
00:08:27Right away?
00:08:28Today?
00:08:29Of course.
00:08:30Basil's finishing
00:08:31a new chapter
00:08:32in his life.
00:08:33And the rhythm of his work
00:08:34is the most important thing,
00:08:35sir.
00:08:37Wait a minute.
00:08:44Who is this?
00:08:45Phyllis Ronnie.
00:08:47She's one of those
00:08:48wonderful British products.
00:08:50An old lady
00:08:51who devotes herself
00:08:52to genius.
00:08:54She's the daughter of the Lord.
00:08:56And years ago
00:08:57she fell in love
00:08:58with the first story of Basil.
00:09:00She's quite dangerous,
00:09:01but she has a golden heart
00:09:02and Basil can't work
00:09:03without her.
00:09:05And they're wonderful,
00:09:06all of them,
00:09:07without exception.
00:09:08And she has her own capital
00:09:09from which the whole family
00:09:10came to life.
00:09:11Jane seems
00:09:12very nice to me.
00:09:13And you know,
00:09:14she's really
00:09:15very beautiful.
00:09:17Beautiful, right?
00:09:18Yes.
00:09:19And I've already
00:09:20taken care of Basil.
00:09:21I'll give him an apartment
00:09:23and I guarantee
00:09:24$1,000 a month
00:09:25for 10 years.
00:09:26That's for starters.
00:09:27Then I'll give him more.
00:09:29He's the real
00:09:30talent
00:09:31I've been looking for
00:09:32all my life.
00:09:33How did you
00:09:34actually find him?
00:09:35Yes.
00:09:37Thanks to a knife.
00:09:39He came to me
00:09:40one day
00:09:41and said,
00:09:42Ivan,
00:09:43I'm probably
00:09:57too old
00:09:58for this.
00:09:59And I said,
00:10:00no,
00:10:01no,
00:10:02no,
00:10:03no,
00:10:04no,
00:10:05no,
00:10:06no,
00:10:07no,
00:10:08no,
00:10:09no,
00:10:10no,
00:10:11no,
00:10:12no,
00:10:13no,
00:10:14no,
00:10:15no,
00:10:16no,
00:10:17no,
00:10:18no,
00:10:19no,
00:10:20no,
00:10:21no,
00:10:22no,
00:10:23no,
00:10:24no,
00:10:26no,
00:10:27no,
00:10:28no,
00:10:29no,
00:10:30no,
00:10:31no.
00:10:32I think we can finally say it.
00:10:40Felicia was never really worth you.
00:11:02I think we can finally say it.
00:11:32I think we can finally say it.
00:12:02I think we can finally say it.
00:12:32Excuse me, sir.
00:12:33Excuse me, sir.
00:12:34Excuse me, sir.
00:12:35Excuse me, sir.
00:12:36Excuse me, sir.
00:12:37Excuse me, sir.
00:12:38Excuse me, sir.
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00:12:52Excuse me, sir.
00:12:53Excuse me, sir.
00:12:54Excuse me, sir.
00:12:55Excuse me, sir.
00:12:56Excuse me, sir.
00:12:57Excuse me, sir.
00:12:58Excuse me, sir.
00:12:59Excuse me, sir.
00:13:00Excuse me, sir.
00:13:01Excuse me, sir.
00:13:02Excuse me, sir.
00:13:03Excuse me, sir.
00:13:04Excuse me, sir.
00:13:05Excuse me, sir.
00:13:06Excuse me, sir.
00:13:07Excuse me, sir.
00:13:08Excuse me, sir.
00:13:09Excuse me, sir.
00:13:10Excuse me, sir.
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00:13:12Excuse me, sir.
00:13:13Excuse me, sir.
00:13:14Excuse me, sir.
00:13:15Excuse me, sir.
00:13:16Excuse me, sir.
00:13:17Excuse me, sir.
00:13:18Excuse me, sir.
00:13:19Excuse me, sir.
00:13:20Excuse me, sir.
00:13:21Excuse me, sir.
00:13:22Excuse me, sir.
00:13:23Excuse me, sir.
00:13:24Excuse me, sir.
00:13:25Excuse me, sir.
00:13:26Excuse me, sir.
00:13:27Excuse me, sir.
00:13:28Excuse me, sir.
00:13:29Excuse me, sir.
00:13:30Excuse me, sir.
00:13:32Excuse me, sir.
00:13:33Excuse me, sir.
00:13:59I don't know what to do with him.
00:14:07I have something to do too.
00:14:09Wait.
00:14:10We were supposed to talk.
00:14:13About your trip.
00:14:15What trip?
00:14:16The trip to Rome.
00:14:18I don't even want to agree to your trip.
00:14:20Of course, of course.
00:14:21But we'll talk about it later.
00:14:23Goodbye.
00:14:30Oh!
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00:20:07Oh!
00:20:08Oh!
00:20:09Oh!
00:20:10Oh!
00:20:11Oh!
00:20:12Oh!
00:20:13Oh!
00:20:14Oh!
00:20:15Oh!
00:20:16Oh!
00:20:17Oh!
00:20:18Oh!
00:20:19Oh!
00:20:20Oh!
00:20:21Oh!
00:20:22Oh!
00:20:23Oh!
00:20:24Oh!
00:20:25Oh!
00:20:26Oh!
00:20:27Oh!
00:20:28Oh!
00:20:29Oh!
00:20:30Oh!
00:20:31Oh!
00:20:32Oh!
00:20:33Oh!
00:20:34Oh!
00:20:35Oh!
00:20:36Oh!
00:20:37Oh!
00:20:38Oh!
00:20:39Oh!
00:20:40Oh!
00:20:41Oh!
00:20:42Oh!
00:20:43Oh!
00:20:44Oh!
00:20:45Oh!
00:20:46Oh!
00:20:47Oh!
00:20:48Oh!
00:20:49Oh!
00:20:50Oh!
00:20:51Oh!
00:20:52Oh!
00:20:53Oh!
00:20:54Oh!
00:20:55Oh!
00:20:56Oh!
00:20:57Oh!
00:20:58Oh!
00:20:59Oh!
00:21:00Oh!
00:21:01Oh!
00:21:02Oh!
00:21:03Oh!
00:21:04Oh!
00:21:05Oh!
00:21:06Oh!
00:21:07Oh!
00:21:08Oh!
00:21:09Oh!
00:21:10Oh!
00:21:11Oh!
00:21:12Oh!
00:21:13Oh!
00:21:14Oh!
00:21:15No, no, it's not me who's genius, it's you who's not smart enough.
00:21:18Bill, tell him. Please, tell him right now.
00:21:22And what am I supposed to tell him?
00:21:24What do you mean, what? The truth.
00:21:26You've got pepper, don't you?
00:21:28Bill.
00:21:29Good, good.
00:21:32You can take her away from here.
00:21:35It was me who seduced her here under the pretext of a ride.
00:21:39You can call her the Queen of Snots.
00:21:42Well, take her, nanny.
00:21:45Leave her to your lord and ruler.
00:21:50Let's go, Jane. The car is waiting.
00:21:53I'm staying here.
00:21:54I could have accidentally touched her in the car.
00:21:57Bill, do you hate me?
00:22:02Sweetheart.
00:22:12Sweetheart.
00:22:42Thank you.
00:23:13I'd like to...
00:23:17I'd like to be able to explain it to you.
00:23:22It's all right, it's all right.
00:23:26You're so kind.
00:23:28You're just like my mother.
00:23:32Don't worry.
00:23:34Everything will be all right.
00:23:38Everything will be all right.
00:23:43Yes.
00:23:46But, Jane, there's only one way to make it all right.
00:23:54Right?
00:23:56Yes.
00:24:00What?
00:24:03I left my bag in the summer house.
00:24:09But I don't have the key.
00:24:15It's half past eleven and Andy is asleep.
00:24:18It's all right, don't worry, I'll let him go.
00:24:21I have the key. He gave it to me once.
00:24:27Thank you.
00:24:32Thank you.
00:25:02Thank you.
00:25:25Finally!
00:25:27I have this new book.
00:25:30Do you know what she wrote?
00:25:32Yes.
00:25:33God, what a witch!
00:25:35For two days she had spiders in her hair.
00:25:37No.
00:25:38I saw a spider in her hair.
00:25:40I swear.
00:25:41How's my wife? I haven't been home yet.
00:25:44Great.
00:25:45Bill, are you trying to break her?
00:25:47We all did.
00:25:48What about Basil? Is he still polishing his pen?
00:25:50He's writing, he's writing.
00:25:52Gwendoline read all his books.
00:25:54She's crazy about him.
00:25:56Smiley Lytton, huh?
00:25:58Sometimes I do something crazy, don't I?
00:26:01Here you go.
00:26:03Read it.
00:26:05You'll be disgusted with your common merchant taste.
00:26:09But for the sake of order, read it.
00:26:11Oh, one more thing.
00:26:13If she calls from Madame Gwendoline's hotel,
00:26:18without any unnecessary allusions to Mrs. Sheldon,
00:26:22everything will be explained in due time
00:26:24by the faithful and devoted Ronaldo Sheldon,
00:26:27the genius coach.
00:26:29That's right.
00:26:30Here it is.
00:26:31Go on.
00:26:54Go on.
00:27:17Hello?
00:27:21Come here. Right now.
00:27:24Ronny, what happened?
00:27:26Don't ask stupid questions.
00:27:28Come here!
00:27:44I was in the hall when Johnson let Bill go.
00:27:47He said he wanted to see Jimmy.
00:27:49Ronny has a grudge against me.
00:27:52It's terrible. I've been going out all evening.
00:28:02I came back to my own house.
00:28:05I opened the door with my own key.
00:28:08I went into my own apartment.
00:28:11And I found my wife in your son's arms.
00:28:16I want you to know that I threw him out of the house.
00:28:19I told Johnson to call the police
00:28:22if he ever shows his dirty face here.
00:28:25Now I'm waiting for you to tell me what to do to protect you.
00:28:30Do you hear me?
00:28:32I'm waiting for you to tell me what to do.
00:28:35Why, devil?
00:28:37I'm supposed to have something to say.
00:28:40This is your gratitude.
00:28:43I'm taking you out of a gloomy existence.
00:28:46I'm buying you a publishing house.
00:28:49I'm developing the company with my own money and ideas.
00:28:53And you're giving me a reward
00:28:55for turning myself in to my wife.
00:28:59Tomorrow I'm withdrawing all my shares.
00:29:02Ronny!
00:29:03Jane, don't get involved.
00:29:05Bill behaved badly.
00:29:07Please, sir.
00:29:08I won't condemn Bill.
00:29:10He came to say goodbye to me.
00:29:13He apologized for everything.
00:29:15We were just trying to say goodbye.
00:29:17Goodbye? Why?
00:29:18For nothing, Ronny.
00:29:20Nothing happened between us.
00:29:22I already told you.
00:29:23What did you tell me?
00:29:24Bill loves me.
00:29:27I can't do anything about it.
00:29:29It's not a crime, is it?
00:29:33I behaved stupidly.
00:29:35I don't know how to deal with these things.
00:29:37You don't know how to deal with these things.
00:29:39No one told you that young couples
00:29:41shouldn't have lovers
00:29:43in the first month of their marriage.
00:29:44But nothing happened between us.
00:29:46Why are you making a scene?
00:29:47Why am I making a scene?
00:29:48Because I found you in the arms of some flirt.
00:29:51We kissed only to say goodbye.
00:29:53Why should I believe you?
00:29:54Because I'm telling you.
00:29:56Bitch.
00:29:57Leave her alone, Ronny.
00:29:58Who?
00:29:59You got involved in her, too.
00:30:01How dare you talk to Mr. Julius like that?
00:30:04You dare ask me how I laugh?
00:30:07Ronny, I warn you.
00:30:09Before you tell me the truth
00:30:11that you left me for money.
00:30:12Ronny.
00:30:13Wait.
00:30:14I'll punish you all.
00:30:16I'll make a deal with all the
00:30:18disgusting, hellish,
00:30:19whores,
00:30:20whores,
00:30:21parasites.
00:30:22Ronny.
00:30:23Ronny.
00:30:24Ronny.
00:30:25Ronny.
00:30:26Ronny.
00:30:27Ronny.
00:30:28Ronny.
00:30:29Ronny.
00:30:30Ronny.
00:30:31Ronny.
00:30:32Ronny.
00:30:33Ronny.
00:30:34Ronny.
00:30:35Ronny.
00:30:36Ronny.
00:30:37Ronny.
00:30:38Ronny.
00:30:39You will marry your ruler's wife,
00:30:41go back to your home
00:30:43and arrange your life
00:30:45and then
00:30:46take your cleaning up to do.
00:30:56Good evening.
00:30:57Good evening.
00:30:58Is Mr. Jacques coming?
00:31:00Sure, he is.
00:31:02Hello, Jacques.
00:31:03Hello, Yves.
00:31:04It's so nice that you came.
00:31:05Good evening. Is Bill here?
00:31:07No, he's not.
00:31:08Do you know where he could be?
00:31:10I don't know. Did something happen?
00:31:12No, but he was here before noon. He looked a bit strange.
00:31:16I thought he was on the gas.
00:31:18After he left, I noticed that my revolver was missing.
00:31:23Damn it.
00:31:24We rarely look into that drawer. Someone else could have taken it.
00:31:28Listen, man.
00:31:29What's going on here? I'm your brother. I'd like to help you.
00:31:33You see, Bill fell in love with Jane.
00:31:37Ronnie found out about it.
00:31:40He threw Bill out of the car.
00:31:42Do you think Bill took my revolver?
00:31:46I don't know. Did he know it was there?
00:31:48Yes, he used to help me look for something in the drawer, so he knew.
00:31:51Excuse me.
00:31:54Hello.
00:31:55Jane, I see.
00:31:56What? No.
00:31:59No, what are you talking about?
00:32:01Wait, I'll be with you in a minute.
00:32:03Jane, what's going on?
00:32:05Listen, Jane is locked in her room. She heard gunshots.
00:32:09I have to go there.
00:32:10Wait, we'll go with you.
00:32:12Come on, quickly.
00:33:04She's not alive.
00:33:08It's my revolver.
00:33:15We have to call the police.
00:33:17But, Jake, if you call the police, they'll arrest Bill.
00:33:20Who else could have done it?
00:33:22But, Jake, it's my...
00:33:23It's my son, right?
00:33:24Your godson, the blood of our blood. Is that what you want to say?
00:33:27And a child.
00:33:28A pretty child.
00:33:29Let's at least help Jane. Maybe she'll tell us something.
00:33:31Wait, there must be fingerprints on the door handle.
00:33:35He locked Jane in there.
00:33:36Maybe we'll help you.
00:33:38Why? So she'll know her husband is dead?
00:33:39She'll find out anyway.
00:33:40No, it's all gone too far.
00:33:43Wait, Jake.
00:33:45Let me.
00:33:47What can we do in this situation?
00:33:49I know one policeman.
00:33:53Lieutenant Trent?
00:33:55Yes.
00:34:02Come in.
00:34:17Lieutenant, this is my brother, Jake.
00:34:20I think I should let you go before you start investigating.
00:34:25Where is Mr. Sheldon?
00:34:26I told you, he's in his room. He can't leave by himself.
00:34:29so let's go
00:34:31I'll tell her what happened
00:34:33here you are
00:34:35one moment
00:34:53here you are
00:34:55here you are
00:34:59I'll come back later
00:35:07what happened?
00:35:09Angie, listen
00:35:11Roni is dead
00:35:13please go upstairs
00:35:19he died between 9 and 9.30
00:35:21I'll bring you the photos
00:35:23I'll bring them right now
00:35:25thank you
00:35:27you're right
00:35:29Mrs. Sheldon heard the shots
00:35:31and called me at 9.20
00:35:33here you are
00:35:39you're the co-owner
00:35:41of Sheldon & Ulysses?
00:35:43yes
00:35:45are you married?
00:35:47my wife is long dead
00:35:49thank you
00:35:51let me remind you
00:35:53you have a son, I think
00:35:55he's about 19
00:35:57yes
00:36:01could you tell me
00:36:03why Mrs. Sheldon was locked up in her room?
00:36:05Roni locked her up
00:36:07I know, but why?
00:36:09they had a fight
00:36:11over what?
00:36:13over my son
00:36:15Roni found them kissing in the living room
00:36:17he dumped Bill
00:36:19then he called me
00:36:21he made a big deal
00:36:23he shouted, he revenged
00:36:25he threatened you with the company?
00:36:27yes
00:36:29what were you thinking
00:36:31when you said he revenged?
00:36:33he made everything up
00:36:35he went mad
00:36:37because his wife fell in love with your son?
00:36:39I didn't say that
00:36:41so why did she let him kiss her?
00:36:43how can I know?
00:36:45I'm not an expert in psychology
00:36:47Jake, please
00:36:49what's the difference?
00:36:53a man was murdered
00:36:57ok, go on
00:36:59thank you
00:37:03do you think your son
00:37:05shot Mrs. Sheldon?
00:37:09yes
00:37:11I think so
00:37:13why are you so happy?
00:37:15no one was going to hide it from you
00:37:17ask Peter
00:37:19ask him
00:37:21where Bill got the revolver
00:37:23he already knows
00:37:27I'm sorry
00:37:29why?
00:37:31because
00:37:33if there are no revelations
00:37:37I'll have to arrest your son
00:37:43yes
00:37:47I thought so
00:37:49can you tell me
00:37:51where your son is?
00:37:53I don't know
00:37:55maybe you know where he lives
00:37:57I don't know
00:37:59I understand
00:38:01I'll have to find him
00:38:03we just saw the light
00:38:05and we decided
00:38:07did something happen?
00:38:09listen
00:38:13Ronny was killed
00:38:35hello
00:38:37Mrs. Sylvia Reimer?
00:38:39yes
00:38:41is Bill here?
00:38:43what do you mean?
00:38:45I'd like to talk to him
00:38:47about what?
00:38:49the police are looking for him
00:38:51police?
00:38:53yes
00:38:55ok, come here
00:38:57thank you
00:38:59thank you
00:39:09here you go
00:39:11thank you
00:39:13where is he?
00:39:15in the bedroom
00:39:17what is he doing?
00:39:19you didn't tell me
00:39:21no
00:39:23Jane?
00:39:25you know
00:39:27what's going on with you?
00:39:29nothing
00:39:31tell me
00:39:33what did he do?
00:39:35he killed Ronny
00:39:43when?
00:39:47at 10.30
00:39:53he was here at 7
00:39:55he was with me all night
00:39:57I swear I'll stand by him
00:39:59even if they beat me
00:40:03he stole my brother's gun
00:40:05he left it by the corpses
00:40:07nothing will save him
00:40:09now I have to talk to him
00:40:11alone
00:40:13no, you can't do it without me
00:40:15why?
00:40:17because I love him
00:40:19I love you
00:40:25Bill
00:40:27where did you come from?
00:40:29I'm coming from Ronny
00:40:31you have to shut up
00:40:33Ronny sent you
00:40:35great
00:40:37you can tell him to get out
00:40:39and all of you
00:40:41Sylvia, be a good girl
00:40:43and get out of this house
00:40:45Ronny is dead
00:40:49no
00:40:55didn't you kill him?
00:40:57Ronny?
00:41:01he didn't
00:41:03he didn't do it
00:41:05he didn't kill Ronny
00:41:07what happened?
00:41:09Ronny was shot
00:41:11by Peter's revolver
00:41:15you stole it
00:41:17today
00:41:19yes
00:41:21and you told them everything
00:41:23about me and Jay
00:41:25I had to
00:41:27as a good father
00:41:29get away from him
00:41:31it's all because of him
00:41:33Sylvia, get out of this room
00:41:35and shut up
00:41:39and they're going to arrest me
00:41:41wait, wait
00:41:43don't worry
00:41:45I'll get a lawyer
00:41:47I don't accuse innocent people
00:41:49who said I'm innocent?
00:41:53no, you don't have to hide Jay
00:41:55she's fine, she has an alibi
00:41:57Ronny locked her up in his room
00:42:01man
00:42:03but you didn't do it, did you?
00:42:09wait, I'll call
00:42:11the lawyer
00:42:13Artur Fridland
00:42:27listen
00:42:29now I can tell you everything
00:42:35I came back around 4
00:42:37I parked the car in the garage
00:42:39I came back to Sylvia
00:42:43I felt so stupid
00:42:47Jay left her bag in the living room
00:42:49I had an excuse to go to her
00:42:51and try to apologize
00:42:55Johnson opened the door
00:42:57I think I met Angie in the hall
00:42:59Jay was in the living room
00:43:01she was crying
00:43:03I told her I'll always love her
00:43:05I kissed her
00:43:09and then Ronny came in
00:43:11he was screaming
00:43:13he was saying the most disgusting things about Jay
00:43:15about everyone
00:43:17I wanted to hit him
00:43:19but Jay didn't let me
00:43:21I didn't know what to do
00:43:25I had to get it out of someone
00:43:27I couldn't drag it into Sylvia
00:43:31I thought about Peter and Iris
00:43:33only they really liked me
00:43:35but I couldn't
00:43:39they just had dinner
00:43:41I realized
00:43:43I have to see Jay
00:43:47I have to go back
00:43:49to the 58th street
00:43:51I remembered about Peter's revolver
00:43:55I took it out of the drawer
00:43:57and put it in my pocket
00:43:59but I didn't want to use it
00:44:01Ronny opened the door
00:44:03he was screaming
00:44:05get out of here
00:44:07I was furious
00:44:09I pointed the revolver at him
00:44:11and I said I have to see Jay
00:44:13I have to take him from this
00:44:15rotting dumpster
00:44:17I was threatening him
00:44:19I pushed him into the living room
00:44:21when Jay saw me
00:44:23she took my revolver
00:44:25and then Ronny hit me
00:44:27I was so humiliated
00:44:29I couldn't even defend myself
00:44:33I wanted to hide
00:44:35somewhere in front of people
00:44:37I went to some cinema
00:44:39and then I came back here
00:44:47Listen, kid
00:44:49when did you leave Ronny?
00:44:55I don't remember
00:44:57I was there for a few minutes
00:44:59but you came back after 8, right?
00:45:01I think so
00:45:03what kind of cinema
00:45:05were you in?
00:45:07I don't remember
00:45:09there was some western
00:45:11at the 3rd avenue
00:45:13do you think they will believe me?
00:45:15they will believe you
00:45:17how can the police believe you
00:45:19if they found your revolver
00:45:21and your own father
00:45:23I'll open the door
00:45:25it's probably Arthur Friedland
00:45:27good evening
00:45:29good evening
00:45:31I expect I left your son here
00:45:33I told one of my people
00:45:35to follow you
00:45:37it was the easiest way
00:45:39to find your son
00:45:41this is lieutenant Trent
00:45:43good evening
00:45:45did you come to arrest Bill?
00:45:47I think so
00:45:49but he didn't do it
00:45:51how do you know?
00:45:53because he didn't do it
00:45:55he left an hour before the murder
00:45:57there is no proof
00:45:59but he definitely didn't do it
00:46:01when I told him about the murder
00:46:03he was stunned
00:46:05he was telling the truth
00:46:07I believe him
00:46:09it's easy to know when someone tells the truth
00:46:11I have a different experience
00:46:13I'm not a psychologist
00:46:19someone killed Mr. Sheldon
00:46:21don't say anything
00:46:23until the lawyer comes
00:46:25oh, you hired a lawyer
00:46:27yes
00:46:29do you have anything against it?
00:46:31no, I don't
00:46:33who did you call?
00:46:35Arthur Friedland
00:46:37he's Sheldon's lawyer
00:46:39so what?
00:46:41are you Sylvia Reimer?
00:46:43yes
00:46:47I think you don't want to say anything
00:46:49until the lawyer comes
00:46:51yes
00:46:53will you let me sit down?
00:46:55I'm a little tired
00:46:59I'll answer
00:47:01Arthur Friedland
00:47:03hello?
00:47:05yes
00:47:09I understand
00:47:11thank you
00:47:15Friedland refused to defend
00:47:19he called Sheldon
00:47:21I'm sorry
00:47:23maybe in the meantime
00:47:25you can answer
00:47:27only two questions
00:47:29yes, please
00:47:31your father claims
00:47:33that you left Sheldon
00:47:35an hour before the murder
00:47:37what did you do next?
00:47:39I was in the cinema
00:47:41which one?
00:47:43I don't remember
00:47:45yes
00:47:47and the second question
00:47:49do you know Arthur Johnson?
00:47:51Sheldon's lawyer
00:47:53yes
00:47:55are you on good terms with him?
00:47:57I think so
00:47:59because Johnson confessed
00:48:01that when you left Sheldon
00:48:03at 5 o'clock
00:48:05you said, I'll kill him
00:48:07even if it was the last thing
00:48:09I'd do in my life
00:48:11I'll kill him
00:48:13Bill
00:48:15did you say that?
00:48:19won't you answer this question?
00:48:21I want to arrest you
00:48:29unfortunately
00:48:31yes
00:48:33yes
00:48:39I think I should get dressed
00:48:41of course
00:48:43excuse me
00:48:47excuse me
00:48:53I'm sorry
00:48:55why are you sorry?
00:48:59the fate doesn't favor you
00:49:01it does
00:49:03you're arresting my son
00:49:05my innocent son
00:49:07if I thought he was innocent
00:49:09I wouldn't arrest him
00:49:13I know
00:49:15the best lawyer in New York
00:49:19do you want me to call him?
00:49:21I hate
00:49:23pitiful policemen
00:49:27but call him
00:49:29thank you
00:49:43good morning
00:49:51good morning Johnson
00:49:53what a misfortune
00:49:55they arrested
00:49:57Mr. Chabila
00:49:59I can't believe it
00:50:01yes, they arrested him
00:50:03I told them something
00:50:05about Mr. Chabila
00:50:07I had to
00:50:09it doesn't matter
00:50:11he's here
00:50:13thank you
00:50:21Angie
00:50:23I loved Ron so much
00:50:25you were his best friend
00:50:27not better than him
00:50:29listen Angie
00:50:31I wanted to tell you
00:50:33that you shouldn't judge
00:50:35Bill too harshly
00:50:37it's terrible what he did
00:50:39he didn't do it
00:50:41believe me
00:50:43I want him to be innocent
00:50:45life shouldn't be so cruel
00:50:47to deprive you of everything
00:50:49listen
00:50:51I'd like to talk to Jane
00:50:53Jane is at her parents'
00:50:55Nora took her to her
00:50:57thank you
00:51:03I'm sorry
00:51:05for Mr. Chabila and Jane
00:51:07I can't accept this marriage
00:51:09Jane is so young
00:51:11what are you doing here?
00:51:13Mr. Duris came to see Jane
00:51:15beautiful father
00:51:17this is it
00:51:19famous
00:51:21progressive American upbringing
00:51:23give her everything she wants
00:51:25not excluding her friend's wife
00:51:27you knew about everything
00:51:29why didn't you stop them?
00:51:31why didn't you inform us?
00:51:33we would have killed Jane in 5 seconds
00:51:35please
00:51:37Mr. Duris tried
00:51:39yes he did
00:51:41and now
00:51:43when Basil started his book
00:51:45Jane will ask you
00:51:47yes
00:51:49I'm so sorry
00:51:51you don't understand her
00:51:53Basil is her whole life
00:51:55she lived with her mother
00:51:57in the village
00:51:59with her father
00:52:01who despised her
00:52:03I'm so sorry
00:52:05Basil's work is for her
00:52:07Jane
00:52:09Mr. Duris came to see you
00:52:11mom
00:52:13leave us alone
00:52:15good
00:52:21did you see him?
00:52:23yes
00:52:25he was going through hard times
00:52:27but he told me the truth
00:52:29so he confessed
00:52:31how did he confess?
00:52:33you told me
00:52:35he told you everything
00:52:37yes
00:52:39he told me when he came with the gun
00:52:41when you told him to put it away
00:52:43when Ronnie threw it away
00:52:45he told me everything
00:52:47I understand
00:52:49and what?
00:52:51was it like that or not?
00:52:53yes
00:52:55and what happened after I left?
00:52:57Ronnie gave Johnson a day off
00:52:59he called his lawyer
00:53:01Artur Friedland
00:53:03yes, but Mr. Friedland wasn't there
00:53:05so he said
00:53:07please come to me as soon as he comes back
00:53:09I'm going to
00:53:11disband Sheldon Dulles
00:53:13and change the will
00:53:15then he looked at me
00:53:17and said
00:53:19I hope you're happy
00:53:21in a moment
00:53:23the Dulles family will be completely annihilated
00:53:25not a bad achievement
00:53:27I remember a girl
00:53:29who fed a chicken three weeks ago
00:53:31then I thought
00:53:33it's a monster
00:53:35I'll leave this house
00:53:37and I'll be with Bill
00:53:39I got up to go to him
00:53:41and then Bill came
00:53:43then I knew
00:53:45Ronnie was beating him
00:53:47I couldn't listen to it
00:53:49I ran to myself
00:53:51listen Jane
00:53:53but you heard
00:53:55I heard
00:53:57you heard
00:53:59you heard
00:54:01you heard
00:54:03you heard
00:54:05you heard
00:54:07you heard
00:54:09you heard
00:54:11you heard
00:54:13you heard
00:54:15you heard
00:54:17you heard
00:54:19you heard
00:54:21you heard
00:54:23you heard
00:54:25you heard
00:54:27you heard
00:54:29you heard
00:54:31you heard
00:54:33you heard
00:54:35you heard
00:54:37you heard
00:54:39you heard
00:54:41you heard
00:54:43you heard
00:54:45you heard
00:54:47you heard
00:54:49you heard
00:54:51you heard
00:54:53you heard
00:54:55you heard
00:54:57you heard
00:54:59you heard
00:55:01you heard
00:55:03you heard
00:55:05you heard
00:55:07you heard
00:55:09you heard
00:55:11you heard
00:55:13you heard
00:55:15you heard
00:55:17you heard
00:55:19you heard
00:55:21you heard
00:55:23you heard
00:55:25you heard
00:55:27you heard
00:55:29you heard
00:55:31you heard
00:55:33you heard
00:55:35you heard
00:55:37you heard
00:55:39you heard
00:55:41you heard
00:55:43you heard
00:55:45you heard
00:55:47you heard
00:55:49you heard
00:55:51you heard
00:55:53you heard
00:55:55you heard
00:55:57you heard
00:55:59you heard
00:56:01you heard
00:56:03you heard
00:56:05you heard
00:56:07you heard
00:56:09you heard
00:56:11you heard
00:56:13you heard
00:56:15you heard
00:56:17you heard
00:56:19you heard
00:56:21you heard
00:56:23you heard
00:56:25you heard
00:56:27you heard
00:56:29you heard
00:56:31you heard
00:56:33you heard
00:56:35you heard
00:56:37you heard
00:56:39you heard
00:56:41you heard
00:56:43you heard
00:56:45you heard
00:56:47you heard
00:56:49you heard
00:56:51you heard
00:56:53you heard
00:56:55you heard
00:56:57you heard
00:56:59you heard
00:57:01you heard
00:57:03you heard
00:57:05you heard
00:57:07you heard
00:57:09you heard
00:57:11you heard
00:57:13you heard
00:57:15you heard
00:57:17you heard
00:57:19you heard
00:57:21you heard
00:57:23you heard
00:57:25you heard
00:57:27you heard
00:57:29you heard
00:57:31you heard
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00:57:35you heard
00:57:37you heard
00:57:39you heard
00:57:41you heard
00:57:43you heard
00:57:45you heard
00:57:47you heard
00:57:49you heard
00:57:51you heard
00:57:53you heard
00:57:55you heard
00:57:57you heard
00:57:59you heard
00:58:01you heard
00:58:03you heard
00:58:05you heard
00:58:07you heard
00:58:09you heard
00:58:11you heard
00:58:13you heard
00:58:15you heard
00:58:17you heard
00:58:19you heard
00:58:21you heard
00:58:23you heard
00:58:25you heard
00:58:27you heard
00:58:29you heard
00:58:31you heard
00:58:33you heard
00:58:35you heard
00:58:37you heard
00:58:39you heard
00:58:41you heard
00:58:43you heard
00:58:45you heard
00:58:47you heard
00:58:49you heard
00:58:51you heard
00:58:53you heard
00:58:55you heard
00:58:57you heard
00:58:59you heard
00:59:01you heard
00:59:03you heard
00:59:05you heard
00:59:07you heard
00:59:09you heard
00:59:11you heard
00:59:13you heard
00:59:15you heard
00:59:17you heard
00:59:19you heard
00:59:21you heard
00:59:23you heard
00:59:25you heard
00:59:27you heard
00:59:29you heard
00:59:31you heard
00:59:33you heard
00:59:35you heard
00:59:37you heard
00:59:39you heard
00:59:41you heard
00:59:43you heard
00:59:45you heard
00:59:47you heard
00:59:49you heard
00:59:51you heard
00:59:53you heard
00:59:55you heard
00:59:57you heard
00:59:59you heard
01:00:01you heard
01:00:03you heard
01:00:05you heard
01:00:07you heard
01:00:09you heard
01:00:11you heard
01:00:13you heard
01:00:15you heard
01:00:17you heard
01:00:19you heard
01:00:21you heard
01:00:23you heard
01:00:25you heard
01:00:27Do you have any more questions?
01:00:29No, thank you
01:00:57Do you have any more questions?
01:01:09Did you visit the suspects?
01:01:13I'm afraid you weren't lucky
01:01:15I'm afraid you weren't lucky
01:01:17Everyone has alibis
01:01:21Did you see MacGyver?
01:01:23MacGyver?
01:01:25MacGyver?
01:01:27Your son's lawyer
01:01:29No
01:01:33What are you going to do now?
01:01:35And you?
01:01:39I came to talk to Mrs. Sheldon
01:01:43But I have to see your son first
01:01:47Do you want to come with me?
01:01:51I'd love to
01:01:53Thank you
01:01:55You're welcome
01:02:15Do you still think
01:02:17that your son is innocent?
01:02:19Yes
01:02:23But he had a motive
01:02:27Well
01:02:29She was going to
01:02:31leave Ron
01:02:33and stay with Bill
01:02:35So you admit
01:02:37that she loved him
01:02:39Yes, I admit
01:02:43But your son had a gun
01:02:47But he admitted
01:02:49that he wasn't going to use it
01:02:53Yes
01:03:13Bring Bill D'Ulis
01:03:15Please
01:03:23Please
01:03:27Please
01:03:37Sit down
01:03:41Thank you
01:03:47I'd like to explain a few things
01:03:49Bill
01:03:53Bill
01:04:01I found out
01:04:03that Mr. Sheldon
01:04:05didn't have time
01:04:07to change his will
01:04:09So I was interested
01:04:11in his content
01:04:13I won't bore you
01:04:15with the details
01:04:17Mrs. Angie Sheldon
01:04:19gets a small pension
01:04:21Mr. Sheldon
01:04:23saved all the money
01:04:25for his only son
01:04:27I mean you
01:04:31Did you know about it?
01:04:35No
01:04:37He didn't know
01:04:39Of course he didn't
01:04:41I didn't know about it either
01:04:43Mr. Friedland
01:04:45claims
01:04:47that about two years ago
01:04:51Mr. Sheldon invited you
01:04:53to his office
01:04:55to inform you
01:04:57that you're his heir
01:04:59Please
01:05:03Is it true?
01:05:05I never wanted his money
01:05:09But did you know about it?
01:05:11I told him I didn't want it
01:05:13I told him I'd never touch
01:05:15a penny of his stinky money
01:05:17But did you know about it?
01:05:19Yes
01:05:21Bill, why didn't you tell me about it?
01:05:23What was I supposed to tell you?
01:05:25I didn't expect
01:05:27to get involved
01:05:39Would you like
01:05:41to be alone with your father
01:05:43for a while?
01:05:45Yes, please
01:05:47Thank you
01:05:53Listen, Bill
01:05:55I'm not going to give up
01:05:57I'll prove you're innocent
01:06:01That lawyer was here
01:06:03He asked me a lot of questions
01:06:05as if I were crazy
01:06:07Listen, kid
01:06:09You have to remember
01:06:11what kind of cinema you were in
01:06:13What for?
01:06:15There was some western
01:06:17on the third avenue
01:06:19You have to know exactly
01:06:21You don't believe me
01:06:23You're the only one
01:06:27Yes, I believe you
01:06:31I would never have thought
01:06:33it was you
01:06:35Yes
01:06:37You see, I was a bad father
01:06:39No
01:06:41You tried
01:06:43Yes
01:06:45She loves you
01:06:47Why would she love me?
01:06:49Listen
01:06:51Jane told me about the key
01:06:53Tell me where it is
01:06:55The key?
01:06:57You can trust me
01:06:59I don't know what key you're talking about
01:07:01The one in her bag
01:07:03I don't know anything about any key
01:07:05I took her bag
01:07:07And you didn't take out any key?
01:07:09I didn't know it was there
01:07:11I swear
01:07:13Now
01:07:15Now I wouldn't lie
01:07:17Daddy
01:07:21Don't let them kill me
01:07:23Ok, mom
01:07:25Don't worry
01:07:27Everything will be fine
01:07:33Oh, it's Jack
01:07:35Hello, Peter
01:07:37What's up, man?
01:07:39Don't worry
01:07:41MacGyver is a great lawyer
01:07:43Leave MacGyver alone
01:07:45Peter, I'll tell him
01:07:47Listen, Jack
01:07:49MacGyver thinks
01:07:51What does he think?
01:07:53He needs your approval
01:07:55MacGyver thinks
01:07:57the best defense for Bill
01:07:59taking into account Felicia
01:08:01and his psychological balance
01:08:03What?
01:08:05What?
01:08:07Psychological balance?
01:08:09No, no, no
01:08:11I'd rather die
01:08:13I'd rather die on an electric chair
01:08:15Great, Jack
01:08:17That's what I was expecting
01:08:19We'll kick the lawyer out
01:08:21But what are we going to do next?
01:08:23We need to find a limit for Bill
01:08:25We need to find the cinema
01:08:27where Bill was that day
01:08:29We need to check what Johnson was doing
01:08:31during the weekend
01:08:33We need to talk to Stein
01:08:35I'm afraid of what you're going to do
01:08:37during that time
01:08:39I'm going to Sylvie Reimer
01:08:41All right, we'll meet
01:08:43and compare
01:08:45the results
01:08:55Yes, please
01:09:01Do you know anything new?
01:09:03No, I don't
01:09:05Have you seen him?
01:09:07Yes, I have
01:09:09I'm surprised
01:09:11I thought you spent the whole day
01:09:13lamenting Ron Sheldon's corpse
01:09:15Why don't you like me so much?
01:09:17Because I'm friends with Bill
01:09:19and he...
01:09:21He doesn't respect you, does he?
01:09:23How can he respect you
01:09:25when you spent your life
01:09:27licking Ron's shoes?
01:09:29Why don't you want that?
01:09:31He's my best friend
01:09:33Friend?
01:09:35What do you have to accuse him of?
01:09:37Do you want to know
01:09:39what I have to accuse Ron?
01:09:41Yes
01:09:43All right
01:09:45Do you want to know
01:09:47what he did to me?
01:09:49To you?
01:09:51You...
01:09:53Great, I'll tell you everything
01:09:55I was 21 when I came to New York
01:09:57I wrote this poem
01:09:59I sent it to all publishers
01:10:01without success
01:10:03Finally, it got to Sheldon & Duvis
01:10:05And here's the famous creator
01:10:07a genius, a millionaire
01:10:09He invited me to his office
01:10:11I flew like a kite
01:10:13The praises flowed out of him
01:10:15like hot beer from a bottle
01:10:17He invited me to dinner
01:10:19Great restaurant, great wine
01:10:21an intimate mood, an inevitable finale
01:10:23Let's go to my place
01:10:25I was in the 7th floor
01:10:27Your place?
01:10:29But you didn't have a house
01:10:31Of course, but it was about Ron
01:10:33We came to his place
01:10:57Who's here?
01:10:59Ron! Ron!
01:11:01Ron!
01:11:03Good evening, my love
01:11:05I completely forgot
01:11:07that it's our night
01:11:09Ron
01:11:11My dear, you're a world-famous woman
01:11:13and you understand that
01:11:15a man can even be a woman
01:11:17I'm sorry
01:11:19I'm sorry
01:11:21I'm sorry
01:11:23I'm sorry
01:11:25And you understand that
01:11:27a man in the most satisfying relationships
01:11:29must have a change from time to time
01:11:31a freshness of youth
01:11:41This will be a good lesson for her
01:11:43When she fell in love
01:11:45she acted like a wife
01:11:47like a wife
01:11:55He knew she was coming
01:11:57That's why he invited me
01:11:59It's only one of the reasons, my love
01:12:17Do you understand now?
01:12:21Did Bill know about it?
01:12:23Of course
01:12:25He saw Ron earlier
01:12:27And you think he killed him?
01:12:29How can I know about it?
01:12:31If he did it
01:12:33he should be on Broadway
01:12:37I love him
01:12:39although I know
01:12:41I'll never have him for myself
01:12:43But someone has to love him
01:12:45Someone has to reward him
01:12:47with a crazy mother
01:12:49who jumps out of the window
01:12:51and a complete zero
01:12:53Why?
01:12:55Why didn't he tell me about it?
01:12:57About what?
01:12:59That Ron was such a...
01:13:01What do you mean?
01:13:03You didn't know about it?
01:13:05I'm sorry
01:13:07Ma'am
01:13:09Does the fact that I'm an idiot
01:13:11justify me in any way?
01:13:13I'm sorry
01:13:15To think that I came here
01:13:17only to accuse you of murder
01:13:19Me of murder?
01:13:21Yes, because of that key
01:13:23But let's not talk about it
01:13:25Let's not
01:13:27Let me tell you
01:13:29Let me do something
01:13:31You have nothing to help me
01:13:35There is this letter
01:13:37What letter?
01:13:39A letter from my mother
01:13:41A letter from Felicia to Bill?
01:13:43No, it was a letter to you
01:13:45Bill took it out of the box
01:13:47before you came back from California
01:13:49You read it?
01:13:51Of course
01:13:53It was Bill's biggest secret
01:13:55Then give me that letter
01:13:57I don't have it
01:13:59Bill took it
01:14:01Jamie took it
01:14:11I don't know
01:14:41I don't know
01:15:05What can I tell you?
01:15:07I know I can never
01:15:09explain it to you
01:15:11I don't understand it myself
01:15:13But I want to tell you
01:15:15my truth
01:15:17When we met
01:15:19I was in love with Ronnie
01:15:21He seemed enchanting to me
01:15:23hopelessly inaccessible
01:15:25Then I fell in love with you
01:15:27I fell in love with Bill
01:15:29I was happy
01:15:31Until one day
01:15:33he came to me and said
01:15:35that he was doing everything
01:15:37to get me out of his memory
01:15:39but he couldn't live any longer
01:15:41He was suffering for years
01:15:43And it happened, Jack
01:15:45My old fascination came to life
01:15:49We became lovers
01:15:53It was the fourth night
01:15:55We made a deal in his apartment
01:15:57He gave me the key
01:15:59I opened the door
01:16:07I opened the door
01:16:21I love you
01:16:23I completely forgot
01:16:25that it's our night
01:16:27My dear
01:16:29You are a woman of the world
01:16:31and you know that a man
01:16:33in even the most deplorable relationships
01:16:35It's a kind of a change, a freshness of youth.
01:16:56Hello, Jane?
01:16:57Yes, I'm listening.
01:16:59Look, Bill gave you a letter from my wife.
01:17:02What letter, sir?
01:17:04Bill didn't give me any letter.
01:17:06No?
01:17:07That's all right, thank you.
01:17:09I'm very sorry.
01:17:10You're welcome.
01:17:11Now I understand everything.
01:17:15Johnson.
01:17:17What did you do with the letter that my son gave you for Mrs. Sheldon?
01:17:23With what letter?
01:17:25You read it.
01:17:27You read it, and after learning the truth about Mr. Sheldon, you killed him.
01:17:33I... I didn't read it.
01:17:36I... I gave it to Mrs. Angie.
01:17:40I didn't do anything.
01:17:42Angie.
01:17:46I know what you want to ask me.
01:17:49Yes, I sent you that letter from Johnson.
01:17:57So?
01:17:58I wanted you to understand and finally stop thinking of Ronnie as a friend.
01:18:03And you read that letter before Ronnie died, and you claim that you went to Gwendolyn Smile, right?
01:18:09I do.
01:18:11Jake, my dear, you don't have to act like Lieutenant Trent told you everything himself.
01:18:18You know this well, that for 25 years, since the death of my fiancé, Louis,
01:18:24no one has existed for me except for Ronnie.
01:18:27Until yesterday.
01:18:29Until the moment I heard him inventing Bill and Jane.
01:18:33I know, it's not nice of me, but I hid on the stairs and heard everything.
01:18:39After a while, I saw Bill run out and leave a letter to Johnson.
01:18:44I went downstairs, took the letter from Johnson and read it.
01:18:50Then I heard Ronnie call Arthur Friedland to start a company.
01:18:55So I went to the salon and told Ronnie,
01:18:58call Arthur again and tell him not to come, because I will tell him what you did to Felicia.
01:19:06Are you crazy? he shouted.
01:19:08One day I will lose my wife and the house owner.
01:19:11It's hard, but I still managed to get these 25 years of service from you.
01:19:1725 years, I asked.
01:19:20And he said, it's been so many years since I paid off your gambler.
01:19:28You were running the house so well that I thought it was nonsense to lose you.
01:19:35It wasn't true, Jake.
01:19:37Louis wasn't a gambler.
01:19:40He wanted to marry me.
01:19:43I ran out of the house and went to Gwendolyn.
01:19:47Wait, Angie.
01:19:50Did Gwendolyn already know about Ronnie's marriage?
01:19:53Yes, she told me to come back and save the publishing house.
01:19:57And you came back?
01:19:58Yes.
01:19:59And you opened the door with your own key, right?
01:20:01Yes, Ronnie is no longer alive.
01:20:03And it was right after nine, right?
01:20:05No, much later.
01:20:07It was about half past ten.
01:20:10I came back to Gwendolyn.
01:20:12I told her everything.
01:20:14And we made an agreement about my alibi.
01:20:16Of course.
01:20:17To protect yourself from arrest.
01:20:21From arrest?
01:20:23Why?
01:20:27I wanted the police not to know I was here.
01:20:32You'll understand why in a moment.
01:20:36I found this in Ronnie's hand.
01:20:39Do you recognize it?
01:20:41It's a button from Bill's jacket.
01:20:44You have to look him in the eye, Jake.
01:20:47No.
01:20:49No, it's impossible.
01:20:52It's impossible.
01:20:53Bill didn't do it.
01:20:54Bill didn't do it.
01:20:55Bill didn't do it.
01:20:56He didn't kill me.
01:20:57Hey.
01:20:59It's good you're here.
01:21:02We were worried about you.
01:21:04Were you talking to MacGyver?
01:21:06No.
01:21:08Mrs. Sheldon told me about the key.
01:21:11The key?
01:21:12Yes.
01:21:13She heard the murderer open the door with the key at nine.
01:21:20Do you have the key from this house?
01:21:22Yes, I do.
01:21:24But I don't think you gave it to your son.
01:21:26Of course.
01:21:27With this key we opened the door after Ronnie's death.
01:21:31I thought so, too.
01:21:33It's the first fact that speaks in your son's favor.
01:21:38Let's go to Layton's.
01:21:40Please, Lieutenant.
01:21:47What do you want?
01:21:50I'd like to ask you a few questions.
01:21:53Basil is working now, sir.
01:21:55I understand, but maybe you'd like to take a break for a few minutes.
01:21:59Yes, I'll be right back.
01:22:01Thank you.
01:22:13Good evening, ladies and gentlemen.
01:22:16What can I do for you?
01:22:18Mr. Dulles has a few things he'd like to explain.
01:22:23I'll do everything I can.
01:22:26But Mr. Dulles...
01:22:29I don't see...
01:22:31I don't see why I should forbid him.
01:22:34If you say so.
01:22:36Thank you.
01:22:38If you don't mind, let's start with Alibi.
01:22:43You went to the theater at 8.30.
01:22:47You talked to Mrs. Staines.
01:22:50You talked to Mrs. Staines, her husband, before you came in and during the entrance.
01:22:56Am I wrong?
01:22:57These are facts that are not subject to discussion.
01:23:00We have three tickets reserved for you.
01:23:03We usually reserve four tickets.
01:23:07And we gave the fourth one to Mr. Alden, who is a well-known Hollywood director.
01:23:15Mr. Alden claims that during the first act, the seat on his left hand was empty.
01:23:22And only in the second act, the man in the corner glasses took it.
01:23:28But that changes things completely.
01:23:30I think that Mr. Sheldon told Mr. Layton before he went to the theater
01:23:37that the whole family would be packed and sent to England.
01:23:41Mr. Layton went to the theater only to leave the theater during the first act
01:23:51and to murder Ronnie.
01:23:55Would you like to explain this to us?
01:23:59Yes.
01:24:02Well, Mr. Sheldon came to me before I went to the theater.
01:24:11He was in an accusation mood.
01:24:14He was throwing a thunderbolt.
01:24:16I told my ladies in the theater about this regrettable incident.
01:24:22But from this point on, your theatrical reconstruction completely goes with the truth.
01:24:31Yes.
01:24:32The director couldn't see me during the first act because I was sitting on a side chair.
01:24:38Next to me was Mrs. Brand.
01:24:41It was still an empty chair that my wife was supposed to take care of.
01:24:48Yes, lieutenant.
01:24:50My wife wasn't there at the time because she decided to go to Mr. Sheldon to soothe him.
01:24:58But she didn't kill him.
01:25:01When she came to 58th Street, Mr. Sheldon was already dead.
01:25:05But she noticed something in his clenched hand that interested her a lot.
01:25:13It was a button.
01:25:17A button from Bill's leather jacket.
01:25:24When he came and examined Sheldon's body, Mr. Sheldon was no longer alive and there was no button in his clenched hand.
01:25:35This proves that the gentlemen present here, in their stubborn and completely understandable pursuit to save Bill Dulles, probably removed this button.
01:25:46I'm very sorry, but when my wife's safety is at stake,
01:25:50I can't think of loyalty to others.
01:25:54Very reasonable, but unnecessary because Bill has an alibi.
01:25:59On the third alley, I found two ladies.
01:26:01A cashier from China who sold Bill a ticket for the 9.30 seance
01:26:06and a billiard girl who saw him at this seance.
01:26:10Yes.
01:26:15So, Lieutenant, is what Mr. Piotr Dulles says true?
01:26:25As far as I'm concerned, I would believe him without any objections.
01:26:29So, Bill Dulles is innocent?
01:26:34It would seem so.
01:26:39Noro!
01:26:41Noro!
01:26:43Oh, poor, unhappy Noro!
01:26:48Why did you lie to me?
01:26:51Why didn't you admit that you killed Mr. Sheldon?
01:26:57Calm down, Jake.
01:26:59Here is the program of the meeting in the city, the play you were at.
01:27:05The names are listed here in order of appearance.
01:27:10Would you please read the first name?
01:27:13Mom, please, do what Mr. Dulles asks you to do.
01:27:16Read the first name.
01:27:19Borden.
01:27:21Who was Borden, Mrs. Noro?
01:27:24No, no, no.
01:27:26Really, please calm down and remember.
01:27:29Please answer, who was Borden?
01:27:33Borden?
01:27:35Borden was a postman.
01:27:37He brought a letter.
01:27:40The hostess gave him a glass of tea,
01:27:44put some grass on his shoes and said,
01:27:47I'm a nobleman or something like that.
01:27:51And that's all. He only showed himself once.
01:27:53Yes, perfect.
01:27:55And maybe you want to read the third name now?
01:28:01Isabel Straton.
01:28:04Please tell us something about this character.
01:28:06She was a neighbor, a heroine's friend.
01:28:10She came to borrow some baking powder.
01:28:12And how was she dressed?
01:28:15She was wearing a blue apron,
01:28:18in a red dress,
01:28:20in a red mouse.
01:28:23Oh my God!
01:28:25Thank you very much, Mrs. Noro.
01:28:30And maybe you want to read the fourth name now?
01:28:36Unfortunately, I can't.
01:28:38Why?
01:28:39I don't have my glasses.
01:28:40Oh, if that's the case,
01:28:41maybe you want to bring your glasses?
01:28:44Does this man have the right to torture me, sir?
01:28:48I'd rather bring my glasses, Mrs. Noro.
01:28:58What do you want from me?
01:29:00Please read the fourth name.
01:29:05Marion Straton.
01:29:08Can you tell us something about this character?
01:29:10You know, sir,
01:29:12do you think I was even thinking about this nonsense?
01:29:15Who is Marion?
01:29:18Isn't this a character that can be easily forgotten?
01:29:22Why is that?
01:29:24How old was she?
01:29:26Was she a little girl or an adult woman?
01:29:30Well, she was a daughter
01:29:33of the neighbor Noro was talking about.
01:29:36Excellent!
01:29:37Yes, she was a little girl
01:29:39who came on stage crying,
01:29:41and at the end of the scene
01:29:43she made a big scream, right?
01:29:46Yes, she was screaming.
01:29:48But what was this terrible child saying
01:29:52and why did she come?
01:29:54I'm sorry, sir, but...
01:29:56Thank you.
01:29:59That's enough.
01:30:02Marion was not a little girl,
01:30:04but an adult 20-year-old man,
01:30:07the son of a neighbor.
01:30:09And besides,
01:30:10no one in the whole play screamed
01:30:13even though you remembered it so perfectly.
01:30:18Then this girl...
01:30:21Sir, there was not a single little girl in the whole play.
01:30:25The situation has changed, hasn't it?
01:30:27Mrs. Nora remembered perfectly
01:30:30what happened in the first act,
01:30:32but not very much.
01:30:37So you think
01:30:41that in the first act,
01:30:44not Mrs. Layton, but Mrs. Nobent came out of the theater?
01:30:47I am willing to adhere to this thesis.
01:30:50People will confirm the circumstances you have revealed here.
01:30:53This is very similar to you.
01:30:55You could not agree with the idea
01:30:57that Mrs. Nobent would go to Shropshire without a penny,
01:31:01even though you, Mrs. Layton, were behind it.
01:31:06How could you imagine
01:31:08that your wife would allow herself to be arrested
01:31:10even though she did not commit this crime?
01:31:12He certainly thought so.
01:31:14You can't even imagine what kind of house it is.
01:31:17This couple, father and Phyllis, tormented her.
01:31:20Do this, do that.
01:31:22It is your privilege to serve the genius.
01:31:25They told her that.
01:31:27They forced me to marry Ron.
01:31:32I think that every court of oaths
01:31:35will demand a severe punishment for you
01:31:38because you tried to blame your wife.
01:31:42Am I right, lieutenant?
01:31:45I think so.
01:31:48Lieutenant, I...
01:31:50Are you denying that you sent Mr. Nobent to kill Ron?
01:31:53I deny it.
01:31:54Did you find out about the murder later?
01:31:56I swear I did not know anything about it.
01:32:06Mrs. Nobent had to have the key. Where did she get it from?
01:32:12I don't know anything.
01:32:16Don't torture me anymore.
01:32:20I'll tell you.
01:32:22She took it from Jenny's bag
01:32:24to bring a few bottles of champagne for Basil from Ron's bar.
01:32:36Please take Mr. Nobent to the police station
01:32:40and Mr. Leighton as well.
01:32:54You have to report your testimony.
01:32:58Well, Jack.
01:33:02Jack, we won after all.
01:33:06Thanks to you and Peter.
01:33:07No, thanks to you, Jack.
01:33:09It was you who found the alibi for Bill.
01:33:12The story with the cashier and the bill was not true.
01:33:17You figured it out, didn't you, lieutenant?
01:33:20Of course I did.
01:33:39THE END
01:34:09© BF-WATCH TV 2021
01:34:39© BF-WATCH TV 2021
01:35:09© BF-WATCH TV 2021