Découvrez l'intégralité de l'émission qui a coûté à koffi olomide
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00:01:00We are going to talk about the Lithuanian province, we pay a visit to Mr. Eli Akilimani,
00:01:22who does a lot of things for this province, the Lithuanian province.
00:01:27You saw with my Gabin today, a large mining company for the self-sufficiency of this province.
00:01:35Don't forget, I told you last Thursday, the basket is DNK, Dersim Gimbi, which is the DNK Challenge.
00:01:44We want to create employment.
00:01:47It is not enough just to watch the show, but also, thanks to this show, you can transform your ideas into business.
00:01:5520 million Congolese francs have been raised thanks to the DNK Dersim Gimbi Challenge.
00:02:05You have ideas, you want to create a business, go to Facebook on the page,
00:02:10Gathering of young patriots, and you can register.
00:02:13If your ideas manage to convince our jury, we will receive you on this platform,
00:02:19and you will win 20 million Congolese francs to create your business.
00:02:25We will talk about it with Dersim Gimbi, who is the DNK Challenge.
00:02:31It is our challenge that we launch.
00:02:33Come on, 11 o'clock in Kinshasa, 12 o'clock in Lubumbashi, 12 o'clock in Kabeakamanga.
00:02:40We announced it to you, the guest of this Saturday, July 7, 2024, is called Kofi Olomide.
00:02:48He accepted, he said he had things to say to you, and you replied that you also had things to say to him.
00:02:55Come on, he gets on this platform.
00:03:03Well, I'm waiting for the clip, he's coming, the first clip.
00:03:08Here he is, I'm going to join him to welcome him on this platform.
00:03:14We have a lot to say to each other.
00:03:39How are you?
00:03:41I'm doing very well, I'm doing very well.
00:03:43Everything is going very well.
00:03:44And you, how are you?
00:03:45Great.
00:03:46Have you been in America for a long time?
00:03:50No, we're here, we're in Kinshasa.
00:03:52I said, have you been in America for a long time?
00:03:54Yes, it's been a long time, but I don't have the money to go there.
00:03:57It's been a long time since you've been there, a long time.
00:04:00You're talking about my brother, right?
00:04:03I am.
00:04:04Kofi Olomide.
00:04:05Let's sit down.
00:04:06Thank you.
00:04:08I announced that… I can keep quiet, can't I?
00:04:11Yes, of course.
00:04:12You have to keep quiet.
00:04:13I have to do it.
00:04:14We announced on all our platforms that you were on this platform.
00:04:18We saw a lot of people, a lot of reactions, a lot of questions.
00:04:22First, I'm telling you, the little green papers in front of you are the questions from the viewers.
00:04:26We put them there.
00:04:27If you want, you can answer.
00:04:30You have the choice to answer them or not.
00:04:33We'll do it later.
00:04:35Later, okay.
00:04:36Later, that's just the background we set up.
00:04:39So, Kofi Olomide, legend.
00:04:44It was Kofi Olomide's last album.
00:04:47It was on this platform.
00:04:48I remember, it was at Momangebi, when you announced that you stopped with music,
00:04:52that it was the last album.
00:04:53But today, what is the news of Kofi Olomide?
00:04:55Yes, the news is very beautiful.
00:04:57That's why I agreed to come.
00:05:01Sometimes it's useless to come to your place.
00:05:04The men of the press, when there is no news.
00:05:07My news is this.
00:05:09The Platinum album.
00:05:12One of the most beautiful of Kofi.
00:05:14I say it like it is.
00:05:17And I invite people to get this album.
00:05:20Not only because the songs are frankly beautiful, varied and rich,
00:05:26but also because it will become a collector.
00:05:29In the sense that it is more than likely the last album of Kofi.
00:05:35I did not say the last recorded song of Kofi.
00:05:38Because afterwards I could do singles, things like that.
00:05:43But album, I think it's the last one.
00:05:45But Platinum is something that people did not expect.
00:05:48People expected legend, it was the end, but Platinum.
00:05:50And then, why did you call it Platinum?
00:05:52No, it's the second version of legend.
00:05:55It was called Platinum.
00:05:56We had announced it like that.
00:05:57Everyone knows it, so that's it, Platinum.
00:05:59So the continuation and end of the episode legend.
00:06:02So it's called Platinum.
00:06:04I really ask people to get this album.
00:06:07It's starting to be known.
00:06:09The songs are beautiful.
00:06:11Some more than others.
00:06:13And no one can tell us at the moment.
00:06:18It's only been a week.
00:06:20A week since it came out.
00:06:22I absolutely wanted it to come out as a CD.
00:06:24Because I had started music as a CD.
00:06:26Exactly, that was my question.
00:06:30Today, 2024.
00:06:32You are perhaps the rare Congolese musician today.
00:06:37To make a CD while everyone is on the platform,
00:06:40everyone is on the phone.
00:06:41Even the old man who arrives today.
00:06:43The CD did not exist.
00:06:44Why did you choose to make a CD?
00:06:46So that people can hold it in their hands.
00:06:49I make dedications.
00:06:51I'm going to have a dedication party.
00:06:55For people who already have their CD.
00:06:57I wanted to confirm that the CD is here.
00:07:01It is for sale.
00:07:03You can come to our HQ.
00:07:05The headquarters of the Atia Oshue district.
00:07:07We will find it at my daughter Minou's house.
00:07:09In the town of Baron Jacques Street.
00:07:11276, 276.
00:07:13Diagonal of TNB.
00:07:15The old bank of Kinshasa in town.
00:07:18Tombalbay.
00:07:20You can also find it there.
00:07:22Otherwise, you can contact us.
00:07:24I have friends.
00:07:26I really want people to have it.
00:07:28But it's on the platforms.
00:07:30But I said to myself,
00:07:32why let yourself be disarmed like that?
00:07:34We started with the CDs.
00:07:38And then, one morning,
00:07:42someone said that as soon as we finished our job,
00:07:47as soon as we left the studio,
00:07:49we made our songs.
00:07:51We have to deliver our work
00:07:53to a hand that we don't see.
00:07:55It's called Platforms.
00:07:57Platforms.
00:07:59I have a lot of things to refuse.
00:08:03To this system.
00:08:05But I'm alone today.
00:08:07Unfortunately, you risk being alone.
00:08:09Because even the greatest of these worlds,
00:08:11they played the games.
00:08:13They are on the platform.
00:08:15The CD there,
00:08:17from the 12th,
00:08:19Friday the 12th,
00:08:21it will be at the FNAC.
00:08:23The sale will start at all the FNACs in the world.
00:08:25From the 12th to July.
00:08:27People who are in the countries
00:08:29where there are FNACs
00:08:31can go there from the 12th.
00:08:33There is a link that we publish on the networks
00:08:35for people who want to order.
00:08:37It's on Amazon too.
00:08:39But, curiously and contrary to what you say,
00:08:41when you go to the FNAC,
00:08:43the CD is on sale.
00:08:45There is not only the CD of Kofi.
00:08:47There are many CDs.
00:08:49There are still cars with CDs.
00:08:51There are still CD readers.
00:08:53And why not?
00:08:55I would like that on this occasion
00:08:57we think again.
00:08:59Because ask the sound engineers.
00:09:01They will tell you that the fidelity of the CD sound
00:09:03is implacable,
00:09:05is indisputable,
00:09:07is unparalleled.
00:09:09And then I would say,
00:09:11you and me today,
00:09:13we have our phones,
00:09:15we have our smartphones.
00:09:17We spent a week
00:09:198,000.
00:09:218,000 and a few CDs, yes.
00:09:23People buy.
00:09:25It's good to have that.
00:09:27I don't see why.
00:09:29I thought about it.
00:09:31For example,
00:09:33if I make an album,
00:09:35we don't see it.
00:09:37It's virtual.
00:09:39Virtual, we see it,
00:09:41because we have it on our phones,
00:09:43on our smartphones.
00:09:45So we don't see it.
00:09:47Here, I see Kofi's album.
00:09:49Before, there were vinyls.
00:09:51We eliminated the vinyls,
00:09:53and then the CDs.
00:09:55I wanted to do it like that.
00:09:57Imagine that, for example,
00:09:59the head of state of my country
00:10:01receives his African counterparts,
00:10:03the president of all countries,
00:10:05and then he says,
00:10:07what do I want to do?
00:10:09I want to give them keys.
00:10:11I think it's elegant.
00:10:13It's very, very elegant
00:10:15that I sign that.
00:10:17I already told the president
00:10:19that I have his CD.
00:10:21The day he has time,
00:10:23because he is very busy,
00:10:25I come and I will be proud
00:10:27to sign for him,
00:10:29maybe for his wife and his family.
00:10:31I have nothing against that.
00:10:33And I put cars,
00:10:35I put CD collectors.
00:10:37You ask for a CD, we give you the CD.
00:10:39It's an option.
00:10:41Okay, we'll come back.
00:10:43We'll have a lot to say.
00:10:45Our team has thought about Kofi Olomide.
00:10:47These are the images we're going to show you.
00:10:49We're going to watch.
00:10:51It's already started.
00:10:53I saw Kofi guitarist.
00:10:55I was expecting everything.
00:10:57With you, I expect everything.
00:10:59Let's go.
00:11:01We're going to look at this screen
00:11:03Let's go.
00:11:33Kofi Olomide is a sculpted legend.
00:11:39With his real name,
00:11:41Antoine Agbe Pamomba,
00:11:43the nickname Papatope
00:11:45grew up in the Lemba commune,
00:11:47which he even nicknamed
00:11:49Latin Quarter,
00:11:51before settling in Linguala.
00:11:53The great Mo Pao
00:11:55reveals his artistic talents very early.
00:11:57From the age of 13,
00:11:59he learns to play the guitar
00:12:01and his spears
00:12:03in the 70s,
00:12:05in the composition of songs
00:12:07in dilettante.
00:12:09His talent as a lyricist
00:12:11will make him the most famous
00:12:13Zahid student.
00:12:19While Papa Oemba
00:12:21tries to get out of his mess
00:12:23with his former colleagues,
00:12:25the Zahiko Langa Langa
00:12:27and the Issy Filokole,
00:12:29the new orchestra
00:12:31that he has just set up
00:12:33in 1977
00:12:35is certainly
00:12:37one of his best lyricists,
00:12:39with in particular
00:12:41successful hits
00:12:43such as
00:12:45Mère Supérieure,
00:12:47Aïssa Nazoé,
00:12:49Ebalembongé and others.
00:12:59He finally decides
00:13:01to interpret
00:13:03his own compositions
00:13:05and goes on stage
00:13:07next to Papa Oemba.
00:13:09And the audience
00:13:11discovers a young man
00:13:13with a shy look
00:13:15who gives him very beautiful melodies
00:13:17such as Prince,
00:13:19Yasanza, Anibo,
00:13:21Ekoti Yanzube,
00:13:23Ellen Gambonda, Bien Aimé
00:13:25and others.
00:13:29In spite
00:13:31of his hesitations
00:13:33to trace
00:13:35his professional future,
00:13:37after obtaining
00:13:39his diploma
00:13:41in commercial science
00:13:43from the University of Bordeaux,
00:13:45he sees it irresistible
00:13:47the fate of the hap
00:13:49to impose it
00:13:51in his musical fields
00:13:53where he manages
00:13:55to raise the challenges
00:13:57of a Chinese audience
00:13:59known for its demands.
00:14:19First African black artist
00:14:21to fill the imposing palace
00:14:23at the Mini Sports of Bercy in Paris
00:14:25in 2000, his style
00:14:27of the crooners of the Congolese rumba
00:14:29will not be denied
00:14:31over time
00:14:33because his know-how
00:14:35never ceases to be confirmed.
00:14:37From the dawn of the 90s,
00:14:39Kofi Olomide takes off.
00:14:41Year after year,
00:14:43tube after tube,
00:14:45the successes never stop
00:14:47taking off.
00:14:49Kofi Olomide
00:14:51My name is Kofi Olomide
00:14:53From his first album
00:14:55until the last,
00:14:57Kofi Olomide embodies excellence
00:14:59and artistic innovation.
00:15:01This virtuoso of Congolese rumba
00:15:03has been able to conquer
00:15:05hearts and minds
00:15:07through his unquestionable talent
00:15:09and his inexhaustible passion
00:15:11for music.
00:15:19Thanks to him,
00:15:21the world knows today
00:15:23other stars of Congolese music
00:15:25in particular.
00:15:31Which is a product
00:15:33shaped by the Latin Quarter groups,
00:15:35this musical ensemble
00:15:37will total 38 years of existence
00:15:39in November next.
00:15:45These groups remain
00:15:47the patrimony par excellence
00:15:49of Congolese culture.
00:15:51While Kofi Olomide
00:15:53is at the top of the sonars,
00:15:55his brilliant career is also
00:15:57loved by Ambus and entrenched
00:15:59by judicial debauchery.
00:16:01He must face the defection in 2006
00:16:03of his collaborators,
00:16:05singers of the hot volcans
00:16:07Fali, Pupa, Ferregola
00:16:09and many other pillars of his orchestra
00:16:11that lead to its disintegration.
00:16:17It was a premiere for Kofi Olomide
00:16:19who had suffered such a viral shock
00:16:21in 1998
00:16:23when Burompela,
00:16:25Samchintu,
00:16:27Modogo Abarambua,
00:16:29Somono Dolce,
00:16:31Mochilipasa, Patibas,
00:16:33Les Bukabuya
00:16:35decide to stay in Europe
00:16:37and create the Academia groups.
00:16:47With an impressive discography,
00:16:49Kofi Olomide has recorded
00:16:5129 studio albums
00:16:53including 7 signed
00:16:55with the Latin Quarter,
00:16:571 in collaboration with Papawemba
00:16:59and 18 live albums
00:17:01for a total of more than
00:17:03340 songs.
00:17:09His work will earn him
00:17:117 COA Awards
00:17:13including 4 during the 2000 edition
00:17:15thanks to his album
00:17:17Efraka.
00:17:27Apart from these multiple distinctions,
00:17:29keep in mind that his album
00:17:31Outgam
00:17:33released in February 1992
00:17:35is now considered
00:17:37as a great classic of Congolese music
00:17:39and is one of the 101 albums
00:17:41to be listened
00:17:43to before dying.
00:17:45His latest project, Platinum,
00:17:47is available on the disc market
00:17:49since the sale of the last June.
00:18:01Who wrote these papers?
00:18:03Reaction?
00:18:05It's a dangerous exercise
00:18:07to want to talk about people,
00:18:09to go through
00:18:11those who know people's lives
00:18:13from A to Z.
00:18:15There is too much inaccuracy.
00:18:17You have to tell lies.
00:18:19First of all, I don't have a fake name.
00:18:21The guy started by saying
00:18:23Kofi is his real name.
00:18:25I only call myself Kofi Olomide.
00:18:27I don't have an official document
00:18:29where it's written something else.
00:18:31This is looking for problems
00:18:33in justice.
00:18:35On the official newspaper all over the world,
00:18:37I am only Kofi Olomide.
00:18:39Wait, wait, wait.
00:18:41You already did your duck.
00:18:43You told me if there is a salala.
00:18:45At the limit,
00:18:47I find it annoying.
00:18:49When you want to make a portrait of someone,
00:18:51you can call him
00:18:53to ask two or three questions
00:18:55to restore the reality of things.
00:18:57All children in Congo
00:18:59do not necessarily
00:19:01carry the name of their father.
00:19:03I am one of those.
00:19:05And it's not something extraordinary.
00:19:07First of all,
00:19:09to say that I have a real name
00:19:11means that I have a fake name.
00:19:13I don't like that at all.
00:19:15Sorry, I didn't mean to say
00:19:17that you have a fake name.
00:19:19Then people will take it
00:19:21and appreciate it.
00:19:23We had a little problem
00:19:25with your microphone.
00:19:27I had to change it.
00:19:29Every time I come here,
00:19:31it's the same thing.
00:19:33We'll keep the microphone aside.
00:19:35We didn't hear everything I said.
00:19:37They heard.
00:19:39It's a dangerous exercise.
00:19:41I think that humility
00:19:43and elegance
00:19:45is when you want to make a portrait
00:19:47of someone,
00:19:49to consult him a little.
00:19:51We thought about it.
00:19:53Correct what has to be corrected.
00:19:55Correct what has to be corrected.
00:19:57I have never been
00:19:59a singer of live music.
00:20:01I have to say it clearly.
00:20:03I have never played
00:20:05in any orchestra,
00:20:07except Historia,
00:20:09of babas,
00:20:11of which I was the boss,
00:20:13the president.
00:20:15I salute the memory of those babas.
00:20:17I don't like all that.
00:20:19I really like reality.
00:20:21I am known for that.
00:20:23There are many other things.
00:20:25For example,
00:20:27the people who stayed in Europe
00:20:29disappeared in Tanzania.
00:20:31We arrived in Tanzania
00:20:33and they disappeared.
00:20:35We had the concert the day they disappeared.
00:20:39There are many other little things.
00:20:41Frankly,
00:20:43I would like that,
00:20:45especially you,
00:20:47you know the esteem I have for you
00:20:49and the idea I have for you.
00:20:51It would be good
00:20:53if we could make a portrait
00:20:55of people like me
00:20:57and the judicial debauchery.
00:20:59That's it.
00:21:01It's done.
00:21:03Let's get in a good mood
00:21:05and smile.
00:21:07Today,
00:21:09more than 38 years,
00:21:11you said platinum.
00:21:13And he says I have 346 songs.
00:21:15It's incredible.
00:21:17How did he do to count?
00:21:19How did he do to count?
00:21:21How many songs do you have today?
00:21:23It's useless.
00:21:25When we love,
00:21:27and people love
00:21:29at least
00:21:3138 songs each.
00:21:33So it's useless.
00:21:35It's useless.
00:21:37Today, Kofi Olomide,
00:21:39after such a rich career,
00:21:41after going through
00:21:43practically all the generations,
00:21:45I see you as the most famous student
00:21:47of Isaïe at the time,
00:21:49until today,
00:21:51what have you not done?
00:21:53A lot of things.
00:21:55A lot of things.
00:21:57First,
00:21:59I regret not having
00:22:01sung with
00:22:03someone like Johnny Hallyday.
00:22:05There are a lot of things.
00:22:07I have incredible dreams.
00:22:09You can't imagine.
00:22:11I would like to
00:22:13meet someone like Celine Dion
00:22:15artistically one day.
00:22:17I would like to sing a Goldman song.
00:22:19There are a lot of things.
00:22:21I can't finish.
00:22:23But there are still
00:22:25things that
00:22:27happened to me.
00:22:29Not necessarily that I did,
00:22:31but that happened to me
00:22:33that I am quite proud of.
00:22:35For example,
00:22:37in South Africa,
00:22:39I was chosen by the public.
00:22:41I said by the public
00:22:43the African artist of the decade.
00:22:45You're talking about Cora.
00:22:47Cora. I was chosen by the public.
00:22:49We asked the public everywhere
00:22:51to choose the African artist
00:22:53of the decade.
00:22:55I went to him.
00:22:57While in competition there were
00:22:59eminent people like
00:23:01Youssou Ndour. I forgot the best.
00:23:03I was chosen.
00:23:05That will stay.
00:23:07I was told that it never happened
00:23:09that someone won four Coras
00:23:11in the same evening.
00:23:13It happened to me.
00:23:15Allow me to be proud.
00:23:17That's why I'm called
00:23:19Quadra Cora Man.
00:23:21It hasn't happened yet.
00:23:23These are things like that.
00:23:25Above all, I am proud of the Latin Quarter.
00:23:27I am proud to say that
00:23:29the most beautiful
00:23:31cellar
00:23:33for genitals,
00:23:35if I dare to say,
00:23:37is probably
00:23:39that of the Latin Quarter.
00:23:41Allow me to ask a question
00:23:43about the Latin Quarter.
00:23:45Since the Latin Quarter,
00:23:47the most beautiful cellar for the Latin Quarter,
00:23:49at the time, we knew people.
00:23:51We knew figures of the Latin Quarter.
00:23:53But for some time,
00:23:55the Latin Quarter has remained
00:23:57confined to the middle.
00:23:59You're done, so I can answer.
00:24:01Go ahead.
00:24:03I am proud to say what I say.
00:24:05There is no other orchestra
00:24:07where there is someone like Cindy Leclerc.
00:24:09There isn't.
00:24:11Today, there is someone called JR33.
00:24:13He sings with me
00:24:15the song that everyone already knows,
00:24:17the song Embouteillage.
00:24:19We also sang with him
00:24:21with Fabregas,
00:24:23Mamacit.
00:24:25There is also the young cowboy,
00:24:27Mamarufa.
00:24:29In any case,
00:24:33the problem of the Latin Quarter,
00:24:35we haven't been to Europe yet.
00:24:37Because it is when we come from Europe
00:24:39that the...
00:24:41The Latin Quarter is the current version.
00:24:43My chickens haven't been to Europe yet.
00:24:45Why haven't they been?
00:24:47Because I myself stayed 10 years without going to Europe
00:24:49because of false accusations.
00:24:51And then, when we wanted to play
00:24:53in Reno,
00:24:55it was the Latin Quarter there.
00:24:57You know what happened.
00:24:59I don't want to go back there.
00:25:01But in 2025, there will be the Vincennes Hippodrome.
00:25:05Let's talk about the Hippodrome.
00:25:07Wait, let me finish answering.
00:25:09Go ahead.
00:25:11Let's stay on the Latin Quarter.
00:25:13The Latin Quarter will play
00:25:15at the Vincennes Hippodrome.
00:25:17It is one of my last
00:25:19gigantic concerts.
00:25:21There will be Cindy Leclerc,
00:25:23there will be the Latin Quarter.
00:25:25And then, I was just going to say
00:25:27that it is when Congolese artists
00:25:29come back from Europe
00:25:31that they interest people like Jessica Baccelli.
00:25:33But before going there,
00:25:35they don't interest anyone.
00:25:37Me, for example,
00:25:39personally, because of you,
00:25:41I don't know many artists.
00:25:43For example, Binafile.
00:25:45The other day, I was at the concert
00:25:47of Inos,
00:25:49the one I call
00:25:51the Michael Jackson of our country.
00:25:53It was the first time I saw him
00:25:55at a concert. I saw pictures, etc.
00:25:57I saw artists on stage
00:25:59who were interpreting all the songs
00:26:01that you and I know.
00:26:03But I don't know any of these artists
00:26:05because they have never been received anywhere.
00:26:07In short,
00:26:09the Latin Quarter,
00:26:11I'm telling you,
00:26:13there is
00:26:15the big concert
00:26:17that we are going to do in 2025.
00:26:19At the Hippodrome des Vincennes.
00:26:21I'm going to announce
00:26:23the date after September.
00:26:25The exact date.
00:26:27And then,
00:26:29the ticket will be open.
00:26:31So, I say that I am proud
00:26:33because in no orchestra
00:26:35there is someone like Cyndi.
00:26:37And Cyndi is even stronger
00:26:39than many orchestra bosses.
00:26:41So, wait.
00:26:43When you say,
00:26:45today it's Cyndi Leclerc.
00:26:47There is no Sonegal anywhere.
00:26:49It allows me to ask this question.
00:26:51Maybe it could be embarrassing.
00:26:53I don't know.
00:26:55But I ask it anyway.
00:26:57In our country,
00:26:59we have seen orchestras,
00:27:01as well as companies,
00:27:03disappear with their bosses.
00:27:05I'm going to give you some examples.
00:27:07Lombo Makiani,
00:27:09Toubou Sambou, OK Jazz,
00:27:11have practically disappeared.
00:27:13Viva la Musica,
00:27:15have practically disappeared.
00:27:17Emené Akester, King Kester,
00:27:19with Victor Eleson,
00:27:21have practically disappeared.
00:27:23Today, we don't wish it.
00:27:25We are proud to have you.
00:27:27We are happy to have you in concert.
00:27:29It's still a lot of years,
00:27:31but I don't know if people
00:27:33have noticed what I've done.
00:27:35I think I've seen some band rolls.
00:27:37Victor Eleson will play
00:27:39in a few days.
00:27:41I've seen Victor Eleson.
00:27:43I've also seen
00:27:45Banna Viva, something like that.
00:27:47When I talk about you,
00:27:49we know that in reality...
00:27:51No, no, no, don't talk about you.
00:27:53That's you.
00:27:55When you say that Victor Eleson,
00:27:57those who are still there
00:27:59have disappeared.
00:28:01I haven't finished.
00:28:03No, no, no, wait, wait.
00:28:05Wait, wait.
00:28:07But there's already a question.
00:28:09I haven't finished.
00:28:11It's not possible.
00:28:13Can I rephrase my question?
00:28:15No, but I understood it.
00:28:17You don't need to rephrase.
00:28:19The son of Luambo,
00:28:21who is called Emombo,
00:28:23whom I salute,
00:28:25when he hears you say
00:28:27that he's happy.
00:28:29When I hear that
00:28:31OK Jazz is going to play,
00:28:33this and that,
00:28:35I see that it's OK Jazz
00:28:37who's playing.
00:28:39Maybe...
00:28:41The successful concert
00:28:43that Papa Wemba
00:28:45and Viva La Musica
00:28:47did,
00:28:49the world tour,
00:28:51the successful concert
00:28:53that Emena Kinkester
00:28:55did, have you ever thought
00:28:57about the day when...
00:28:59I'll finish with my first answer.
00:29:01If you had told me
00:29:03that the Victoria and Viva orchestras
00:29:05were less successful, yes.
00:29:07And it's normal when
00:29:09Papa isn't there.
00:29:11Something doesn't work, necessarily.
00:29:13The children don't eat well at home.
00:29:15The children have difficulties at school.
00:29:17Maybe the mother
00:29:19will start to be
00:29:21bullied by people.
00:29:23Maybe with tears
00:29:25she'll end up
00:29:27being unfaithful.
00:29:29Because Papa isn't there,
00:29:31the father of the family.
00:29:33People like Emombo
00:29:35follow you,
00:29:37it doesn't exist anymore.
00:29:39I've seen Banderol, Victoria,
00:29:41there are people who play in Victoria.
00:29:43There's Joly Mubia,
00:29:45for example, Frédéric Ménière,
00:29:47there's Viva La Musica,
00:29:49we talk about it all the time,
00:29:51never that Viva isn't there
00:29:53or that Jazz isn't there, etc.
00:29:55I think that
00:29:57from where you are,
00:29:59Jesse, once again,
00:30:01you know the esteem I have for you,
00:30:03it's not cautious,
00:30:05it's dangerous, as I said
00:30:07about the person...
00:30:09I said it's dangerous to say
00:30:11things like that, it hurts
00:30:13the family of these people,
00:30:15the descendants, the progeny
00:30:17of Papa Ouemba, it's not cautious.
00:30:19As I said, the concert was a success
00:30:21and the other boom that happened
00:30:23didn't exist anymore.
00:30:25Certainly, Ophiolomide thinks the same.
00:30:27If I say today, Ketia,
00:30:29the Kou Koussampou isn't there anymore,
00:30:31the Othoumabangou isn't there anymore,
00:30:33the Kami Mbubela isn't there anymore,
00:30:35there's nothing left at the RTNC.
00:30:37How are you going to take that?
00:30:39There's you!
00:30:41There's you!
00:30:43There's Jacky Beto who isn't there,
00:30:45so the RTNC is over.
00:30:47If you're right, you're not right,
00:30:49it's not the same thing.
00:30:51So you're not right.
00:30:53Let's talk about Kofi Olomide.
00:30:55At one point,
00:30:57Kofi Olomide, this artist we love,
00:30:59a poor man,
00:31:01Kofi Olomide, candidate for senator.
00:31:03What happened?
00:31:05Everyone, everyone
00:31:07saw me as a senator.
00:31:09Everywhere I went,
00:31:11they saw me as a senator.
00:31:13It continues, it's not over.
00:31:15And then,
00:31:17because I spoke
00:31:19to very high-ranking officials,
00:31:21even to very high-ranking officials,
00:31:23not just from our country,
00:31:25I said to myself,
00:31:27I'm going to go, I have nothing to lose.
00:31:29And then,
00:31:31I started,
00:31:33I didn't know it would go the way I saw it.
00:31:35What did you see?
00:31:37I'm interested.
00:31:39I'm interested in answering you,
00:31:41I'm interested in answering you.
00:31:43You know that it was the provincial deputies
00:31:45in Europe, we call them councilors,
00:31:47municipalities, things like that,
00:31:49who voted.
00:31:51Me, in my head,
00:31:53you know, I'm a guy who loves freedom,
00:31:55who loves the rule of law as a person.
00:31:57And,
00:31:59I told myself that these people were choosing
00:32:01by looking at who is a candidate,
00:32:03and then looking at their profile, their background,
00:32:05and then choosing.
00:32:07No, it's not like that.
00:32:09I started to hear that no,
00:32:11the president is going to sanction all the deputies
00:32:13who are going to be corrupted to choose.
00:32:15I didn't understand.
00:32:17And then I said to myself,
00:32:19as long as here,
00:32:21everything is buyable,
00:32:23I don't know if the word exists,
00:32:25we can buy everything, but still.
00:32:27So,
00:32:29I went,
00:32:31I met these people,
00:32:33because you can't campaign
00:32:35for the whole population,
00:32:37you have to meet the provincial deputies.
00:32:39I was convinced, we talked,
00:32:41all that, really.
00:32:43He said, really, Kofi, you deserve it,
00:32:45you deserve it.
00:32:47And then,
00:32:49two or three days before the vote,
00:32:51I was told that,
00:32:53I'm only talking about where I was a candidate,
00:32:55I was in the south of Uganda.
00:32:57And,
00:32:59I was told that all the deputies,
00:33:01all the provincial deputies,
00:33:03are requisitioned,
00:33:05I dare not say sequestered,
00:33:07to a big boss
00:33:09of our country,
00:33:11in his residence.
00:33:13I didn't go in there
00:33:15to see, but
00:33:17everyone knew that.
00:33:19And when we called them,
00:33:21the phone was off, etc.
00:33:23And I had someone like that,
00:33:25who hurt my heart,
00:33:27who called me from there,
00:33:29talking to me in Surdi.
00:33:31Kofi, you deserve it,
00:33:33you deserve it.
00:33:35And even in the office of the vote,
00:33:37we will be accompanied by the military.
00:33:39What I'm saying,
00:33:41the people of Gimena can
00:33:43testify if I'm lying,
00:33:45or if it's true.
00:33:47That's what convinced you to let it go.
00:33:49In my place,
00:33:51what would you have done?
00:33:53In my place,
00:33:55what would you have done?
00:33:57I said, listen,
00:33:59I have enough of the notion of dignity
00:34:01that I received from my father,
00:34:03and I don't see myself,
00:34:05I don't know how.
00:34:07It's as if I was going to be
00:34:09confronted with something
00:34:11that I didn't want,
00:34:13that I didn't know,
00:34:15that I didn't want.
00:34:17But for the people who will elect
00:34:19the senators to be accompanied
00:34:21in the isoloirs,
00:34:23in the office of the vote,
00:34:25it's too serious.
00:34:27It's too serious.
00:34:29And so I made my message
00:34:31to say, listen,
00:34:33I have an adage that I invented.
00:34:35I say, all the fights
00:34:37that I'm not sure of winning,
00:34:39I don't deliver them.
00:34:41That's a little thing that I invented.
00:34:43Maybe someone,
00:34:45the people who will listen to us,
00:34:47will use it too, why not?
00:34:49All the fights that I'm not sure of winning,
00:34:51I don't deliver them.
00:34:53That's it.
00:34:55So that's it.
00:34:57What were your political ambitions?
00:34:59No, I didn't say that.
00:35:01If we say that the people
00:35:03will elect the president of Africa,
00:35:05I will be a candidate.
00:35:07The people of all the countries
00:35:09in Africa, if we let them
00:35:11free to elect the president
00:35:13of Africa, I will be a candidate.
00:35:23We are governed by the internet,
00:35:25by TikTok.
00:35:27Let's talk about the war.
00:35:29We talked about politics.
00:35:31You wanted to make a political career.
00:35:33Let's open a parenthesis.
00:35:35We'll come back to platinum very soon.
00:35:37Let's talk about the war in the East.
00:35:39Today, I even saw messages
00:35:41on social networks,
00:35:43saying that the Congolese musician,
00:35:45the Congolese stars,
00:35:47it's as if the commitment is not really...
00:35:49It's as if you don't feel
00:35:51that you also want to fight
00:35:53with your music.
00:35:55What war are you talking about?
00:35:57There is no war.
00:35:59Aggression.
00:36:01We are beaten.
00:36:03We are whipped.
00:36:05I saw trucks, people coming
00:36:07peacefully, quietly.
00:36:09There is nothing, no one to stop them.
00:36:11And then yesterday I saw that no.
00:36:17I had tears.
00:36:19There is no war.
00:36:21We are treated like children.
00:36:23With your music,
00:36:25you go everywhere in the world,
00:36:27you do concerts everywhere.
00:36:29It's as if you don't carry these messages.
00:36:31First of all, I noticed
00:36:33that we changed the Minister of Defense.
00:36:35I said to myself,
00:36:37maybe it's a sanction.
00:36:39Because no one has asked the question,
00:36:41supposedly, in a country of war.
00:36:43When we change the Minister of Defense,
00:36:45what does it mean?
00:36:49What does it mean?
00:36:51We remind ourselves
00:36:53that we are intelligent people.
00:36:55That we are standing.
00:36:57We are real men and women.
00:36:59We all say that we love our country.
00:37:01Why would we change
00:37:03the Minister of Defense
00:37:05in a period of war?
00:37:07Why do you say war?
00:37:09No, there is no war.
00:37:11War is when you shoot, I shoot.
00:37:13We are addressed.
00:37:15Recognize that we are addressed.
00:37:17But that's not war.
00:37:19War is war.
00:37:21Because the people
00:37:23of Ukraine, Zelensky,
00:37:25they manage all that.
00:37:27They also launch bombs.
00:37:29They have planes.
00:37:31We see it.
00:37:33We see what?
00:37:35When we saw
00:37:37two or three days ago,
00:37:39people entering these villages.
00:37:41I don't remember the names.
00:37:43I don't remember the names at all.
00:37:45When these people come here,
00:37:47impunity.
00:37:49And the inhabitants film.
00:37:51They are not at war.
00:37:53Because after filming,
00:37:55they go to the market.
00:37:57But we are busy.
00:37:59We are taken by our country.
00:38:01We are taken.
00:38:03That is to say, we are not at war.
00:38:05You know, earlier,
00:38:07I watched the show
00:38:09and I saw people's complaints.
00:38:11Because today there are only complaints.
00:38:13I wonder,
00:38:15is there something
00:38:17that they don't know?
00:38:19That these people don't know?
00:38:21When these mothers complain,
00:38:23when they say
00:38:25what they say,
00:38:27these mothers and these women,
00:38:29is there someone
00:38:31to listen to them today?
00:38:33Is there someone
00:38:35whose heart is moved,
00:38:37who is touched,
00:38:39and who can change something
00:38:41in the name of authority?
00:38:43Someone who has the fate
00:38:45of the Congolese in his hands?
00:38:47Because how long
00:38:49has it been like this?
00:38:51But look at the traffic.
00:38:53Look at it.
00:38:55I don't call it traffic jams.
00:38:57I call it road disorder.
00:38:59Road disorder.
00:39:01I spoke yesterday with someone
00:39:03who is a little high-ranking.
00:39:05I said, why isn't there someone
00:39:07who comes and says,
00:39:09I don't know.
00:39:11I don't know.
00:39:13Why?
00:39:15We said that.
00:39:17Why is it that everyone
00:39:19is acting
00:39:21according to the orders
00:39:23and the injunctions?
00:39:25There are some who will hesitate
00:39:27before taking certain
00:39:29illicit actions.
00:39:31But there is nothing.
00:39:33But at the time
00:39:35you sang Congo de l'amour.
00:39:37You preach with your songs.
00:39:39And I have a complaint
00:39:41to the music lovers,
00:39:43to the people who listen to this album.
00:39:45We talk about all the songs
00:39:47in this album.
00:39:49But there is a song
00:39:51called Elelo.
00:39:53I said, is it because
00:39:55you have diamonds, gold,
00:39:57copper, manganese, cotton,
00:39:59cobalt, etc.
00:40:01that the Congolese always have
00:40:03nothing, no goodness?
00:40:05No one talks about this song.
00:40:07It's called Elelo.
00:40:09We only talk about songs.
00:40:11It's good.
00:40:13The last one.
00:40:19It's good.
00:40:21But why is this song
00:40:23about our country, Elelo?
00:40:25It's in this album.
00:40:27No one talks about it.
00:40:29It's not because it's mine.
00:40:31It's one of the most beautiful songs
00:40:33of our country.
00:40:35It could be the first music video.
00:40:37Let's watch an excerpt
00:40:39from one of the Platinum songs.
00:40:41I'm talking about Elelo.
00:40:43I said it could be the first music video.
00:40:45It's been out for 3-4 years.
00:40:47You don't even know about it.
00:40:49It's not a love song.
00:40:51You don't know about it.
00:40:53But when Petit La Chante
00:40:55and Liboulou Mouine sing it,
00:40:57it concerns everyone.
00:40:59What a country we are.
00:41:01It's hypocrisy.
00:41:03We don't love our country.
00:41:05We don't love our country.
00:41:07We don't love our country.
00:41:09We don't love our country.
00:41:11When Liboulou Mouine sings it,
00:41:13no one talks about it.
00:41:15We only talk about it.
00:41:17Let's watch an excerpt from the music video.
00:41:19I like his punchlines.
00:41:21It's not a punchline.
00:41:23It's a love song.
00:41:25Let's watch an excerpt
00:41:27from the Platinum song.
00:41:29What message are you giving here?
00:41:31I saw you a week ago.
00:41:33We are being attacked.
00:41:35People are not honest with us.
00:41:37They are hypocrites against us.
00:41:39But I saw you a week ago
00:41:41at the Congo Plaza
00:41:43with a lot of big people.
00:41:45Do you carry this message
00:41:47when you come to a concert?
00:41:49Can you pass on the same message?
00:41:51Which message?
00:41:53The one you just said.
00:41:55This hypocrisy people have against us.
00:41:57People know me well,
00:41:59but they know me like this.
00:42:01I am like this. I am true.
00:42:03I don't need to lie.
00:42:05I don't feel the need to lie.
00:42:07From time to time,
00:42:09at home, I say
00:42:11I don't believe in Jesus,
00:42:13I don't believe in Edward.
00:42:15But I am not a liar.
00:42:17I don't use lies
00:42:19as a weapon.
00:42:21I am like this.
00:42:23Maybe it's my fault
00:42:25but I don't believe in the truth.
00:42:27So if someone like you
00:42:29asks me the question,
00:42:31I will tell him what I am about to say.
00:42:33I won't change.
00:42:35Let's take a breather
00:42:37with this excerpt from the album
00:42:39Platinum.
00:42:41We will be back in a few minutes.
00:42:55We will be back in a few minutes.
00:42:57We will be back in a few minutes.
00:42:59We will be back in a few minutes.
00:43:01We will be back in a few minutes.
00:43:03We will be back in a few minutes.
00:43:05We will be back in a few minutes.
00:43:07We will be back in a few minutes.
00:43:09We will be back in a few minutes.
00:43:11We will be back in a few minutes.
00:43:13We will be back in a few minutes.
00:43:15We will be back in a few minutes.
00:43:17We will be back in a few minutes.
00:43:19We will be back in a few minutes.
00:43:21We will be back in a few minutes.
00:43:23We will be back in a few minutes.
00:43:25We will be back in a few minutes.
00:43:27We will be back in a few minutes.
00:43:29We will be back in a few minutes.
00:43:31We will be back in a few minutes.
00:43:33We will be back in a few minutes.
00:43:35We will be back in a few minutes.
00:43:37We will be back in a few minutes.
00:43:39We will be back in a few minutes.
00:43:41We will be back in a few minutes.
00:43:43We will be back in a few minutes.
00:43:45We will be back in a few minutes.
00:43:47We will be back in a few minutes.
00:43:49We will be back in a few minutes.
00:43:51We will be back in a few minutes.
00:43:53We will be back in a few minutes.
00:43:55We will be back in a few minutes.
00:43:57We will be back in a few minutes.
00:43:59We will be back in a few minutes.
00:44:01We will be back in a few minutes.
00:44:03We will be back in a few minutes.
00:44:05We will be back in a few minutes.
00:44:07We will be back in a few minutes.
00:44:09We will be back in a few minutes.
00:44:11We will be back in a few minutes.
00:44:13We will be back in a few minutes.
00:44:15We will be back in a few minutes.
00:44:17We will be back in a few minutes.
00:44:19We will be back in a few minutes.
00:44:21We will be back in a few minutes.
00:44:23We will be back in a few minutes.
00:44:25We will be back in a few minutes.
00:44:27We will be back in a few minutes.
00:44:29We will be back in a few minutes.
00:44:31We will be back in a few minutes.
00:44:33We will be back in a few minutes.
00:44:35We will be back in a few minutes.
00:44:37We will be back in a few minutes.
00:44:39We will be back in a few minutes.
00:44:41We will be back in a few minutes.
00:44:43We will be back in a few minutes.
00:44:45We will be back in a few minutes.
00:44:47We will be back in a few minutes.
00:44:49We will be back in a few minutes.
00:44:51We will be back in a few minutes.
00:44:53We will be back in a few minutes.
00:44:55We will be back in a few minutes.
00:44:57We will be back in a few minutes.
00:44:59We will be back in a few minutes.
00:45:01We will be back in a few minutes.
00:45:03We will be back in a few minutes.
00:45:05We will be back in a few minutes.
00:45:07We will be back in a few minutes.
00:45:09We will be back in a few minutes.
00:45:11We will be back in a few minutes.
00:45:13We will be back in a few minutes.
00:45:15We will be back in a few minutes.
00:45:17We will be back in a few minutes.
00:45:35Wow! What is your idea?
00:45:37Hey.
00:45:39I am an ambassador twittering.
00:45:41I am an ambassador twittering.
00:45:43anti-divorce, anti-divorce, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:46:13but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but,
00:46:18but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but,
00:46:22but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but,
00:46:26but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but,
00:46:29but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but,
00:46:32but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but,
00:46:35but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but,
00:46:38but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but,
00:46:41but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but,
00:46:44But, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:47:14but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:47:44but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:48:14but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:48:44but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:49:14but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:49:44but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:50:14but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:50:44but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:51:14but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:51:44but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:52:14but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:52:44but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:53:14but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:53:44but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but, but
00:54:14I can't read here
00:54:16What was your reaction after obtaining what?
00:54:23Gold disc
00:54:26Nothing? No reaction?
00:54:31There was no reaction
00:54:33What is the state of your current relationship with Félix?
00:54:42Nothing is happening, I'm calm
00:54:45I'm rejoicing
00:54:47Does Coffee have a particular problem with...
00:54:52No, I don't have a problem, otherwise it would be known
00:54:55Why don't you finish the question?
00:54:57It's finished, it's stopped
00:54:59Why did you change the title of this song, Mon Amour, to...
00:55:11There are three questions, the three questions are practically the same, you have to take the time
00:55:15Yes, yes, yes, you see, I answer
00:55:17Why did we change it? Well, I found it smarter
00:55:19Because it's not the same singer, it's Cindy Le Coeur who sang
00:55:24It's the same singer as Charlotte DiPanda
00:55:26Charlotte DiPanda, who will always have my gratitude, my sincere respect
00:55:31She's someone I love, I respect
00:55:33I really dreamed of singing one day with her, and it's done, so respect to her
00:55:38Cindy loves the song so much, so much, that she wanted to sing it too
00:55:43And so we preferred not to make any confusion
00:55:46And we took care of it, and people find it in a different way
00:55:51And so I say that this album really deserves that people buy it and listen to the songs
00:55:57So, why did you sing Mon Amour with DiPanda?
00:56:11I don't understand
00:56:13Why did you choose the same song?
00:56:17It's my song, I can even ask someone else to sing it, it's my song
00:56:24Maxime, you have 10 minutes
00:56:28According to Kofi, Cindy and Charlotte DiPanda's song gave more feelings
00:56:36Well, that's a provocative song, to please this guy, yes, Charlotte DiPanda
00:56:42That way she's satisfied, but listen to what Cindy did
00:56:46You see that people compare, they follow you and compare
00:56:51And you see that Kofi answers without looking for trouble
00:56:55So, why, there's only why, it's not possible
00:57:00Why did you change the title of the song Mon Amour?
00:57:05Your guy, you have to change it, twice the same question
00:57:08It's not me, it's not the guys, it's not our guy
00:57:11They're getting the questions like that, and we write them down
00:57:15So, what hides the arrows of the pants?
00:57:22The pocket, what's in the pocket of the pants?
00:57:25You know, I would like one day for a thief to come and visit my pockets
00:57:31Oh yes, because everyone looks at my pockets like that, but for a thief to come
00:57:35There's what I call the full pockets
00:57:39I want people to have full pockets
00:57:42What does it mean when you say you have full pockets?
00:57:45There's a lot of things in your pockets
00:57:48No, the expression is to have full pockets is to have money, to be rich
00:57:52I have full pockets, but when thieves come to visit
00:57:55That's why everyone asks the question, what hides the pockets of Kofi Olomide?
00:57:59What hides the full pockets?
00:58:01Money
00:58:02Thank you
00:58:03So, who do you answer to?
00:58:08What do you answer to those who say that Kofi Olomide is better?
00:58:17I said it the other day, being Kofi, being Kofi is not easy
00:58:26To have 26 albums
00:58:28I'm going to finish the question because you didn't finish it
00:58:30No, I read it, you told me it was for me
00:58:33To be Kofi, to be even equal to Kofi is not easy
00:58:3626 albums
00:58:38And then to have children, to have people that everyone knows
00:58:42Because to be Kofi, you have to have someone
00:58:46And then to have an orchestra
00:58:48When you don't even have an orchestra
00:58:50An orchestra of 30, how many? You said 38, 37, since 1986
00:58:53How much math will that make?
00:58:5538 tons
00:58:58We loved Aspirin, today we love Mamacita, we love Mon Amour, we love Mon Bois
00:59:03Kofi Olomide, you have to calculate it, you have to target it
00:59:07It's not easy
00:59:08And he's going to do the Hippodrome of Vincennes
00:59:10I ask all the Kofifils to do like Papa Rolls
00:59:14To do the marches, to march with bags on the back, with stories
00:59:18Until the day I announce the date of the concert
00:59:22I ask the Kofifils, the people, that everyone in all the countries
00:59:27Get up, face their challenge of their favorite songs
00:59:31And that they post it on TikTok
00:59:33We don't have time to waste
00:59:35We're going to do it like this
00:59:36To make sure that everyone understands who is Kofi
00:59:40And today who is Cindy LeCoeur
00:59:42Because at the Hippodrome, there will be three concerts in one
00:59:46I've never seen it
00:59:47Three concerts in one
00:59:48Yes, there will be the recital Cindy LeCoeur
00:59:51People are hungry for Cindy
00:59:54There is no artist in the Congo that we love like Cindy LeCoeur
00:59:58Today
00:59:59Without Cindy being a spokesperson
01:00:02Without Cindy being a journalist
01:00:06She doesn't do anything
01:00:08You sell her very well
01:00:10I don't like the word sell
01:00:12You promote her very well
01:00:14You know, I have esteem for my Jessica Basile
01:00:18I think you can avoid saying sell Cindy
01:00:22So if I have something that is not selling, it's Cindy
01:00:27So I say there will be three concerts in one
01:00:30The people who will make the departure
01:00:32I invite all the Kofifils from all the countries of Brazil, Argentina to Russia
01:00:36To book for this trip
01:00:40So there will be Cindy LeCoeur
01:00:43There will be Kofi Olomide
01:00:45And then there will be the Latin Quarter
01:00:47The last question
01:00:48The last question
01:00:49I think
01:00:50We are running out of time
01:00:51We have 10 minutes
01:00:52We have 10 minutes
01:00:53Thank you
01:00:54The minister
01:00:55I don't know
01:00:56I don't know
01:00:57Who is it?
01:00:58Who is it?
01:00:59There is the DG of the RTC
01:01:00Mrs. Sylvie Lengue
01:01:01Mama, mama, I get up
01:01:02Respect, mama, Sylvie Lengue
01:01:03There is no information
01:01:05Thank you for the 10 minutes
01:01:08Long life
01:01:10Good success, good success
01:01:12Thank you for the 10 minutes
01:01:13Thank you, Mrs. DG
01:01:14So you don't press me anymore
01:01:15We have 10 minutes
01:01:16I have to confirm
01:01:17Is it good?
01:01:18We have been given 10 minutes
01:01:19I have to confirm
01:01:20In the meantime
01:01:21As long as we confirm
01:01:22It's good
01:01:23Ok, that's it
01:01:24Mrs. Sylvie Lengue is given 10 minutes
01:01:25Your career has been marked by controversies and scandals
01:01:30How do you see your public image?
01:01:34My image, I am here
01:01:36I think the image of the basket today is the same
01:01:41After the show
01:01:42I recognize it
01:01:43The basket is not just any show
01:01:46We don't invite just anyone
01:01:48So if I didn't have a good image
01:01:50If I wasn't Kofi, I wouldn't have been invited
01:01:52And people wouldn't have waited
01:01:54As I know they are waiting all over the world
01:01:56It's like waiting for the final of the Euro
01:01:59So my image is good
01:02:01People know that Kofi Olomide is disturbing
01:02:05That the life of Kofi Olomide is disturbing
01:02:07There are a lot of people who are in a hurry
01:02:09That Kofi is no longer there
01:02:11But I am still here for at least 30 or 40 years
01:02:13That's what I'm telling you here today
01:02:15So these people who are in a hurry to change what God has planned
01:02:19Have already failed
01:02:21I have a song in this album called Superman
01:02:42I don't really know what to do
01:02:46I don't know what to do
01:02:49I don't know what to do
01:02:53I don't know what to do
01:02:57I don't know what to do
01:03:00In 30 years
01:03:0230 to 35 years
01:03:04I am tempted to ask you
01:03:06To ask you?
01:03:07We are tutors
01:03:08I am sorry
01:03:09I am tempted to ask you
01:03:11If we organized a Saturday morning like this
01:03:13We would remove all these chairs
01:03:14We would put a chair with your guitar
01:03:16I am tempted to ask you that
01:03:18I say yes, I agree
01:03:20But how much would the cashier be?
01:03:22That's the question
01:03:23I wouldn't have the money to pay you
01:03:26I wouldn't have the money to pay you
01:03:28I wouldn't have the money to pay you
01:03:30For the pleasure of your fans
01:03:32For the pleasure of your fans
01:03:34Can you do that for the pleasure of your fans?
01:03:36When I'm angry
01:03:38When I'm angry
01:03:40Yes, I agree
01:03:42It's like this
01:03:44Don't say that
01:03:46It's like this
01:03:48Sylvie Lengé
01:03:50Sylvie Lengé
01:03:52Sylvie Lengé
01:03:54This is the question
01:03:56Sylvie Lengé
01:03:58Sylvie Lengé
01:04:00What is the question?
01:04:02Sylvie Lengé
01:04:34I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't
01:05:04know, I don't know, I don't know, I don't know, I don't know
01:05:20There is a gift that we have prepared for you.
01:05:24Where is Jefferson?
01:05:25There is a gift.
01:05:26Ah, this question.
01:05:27I was embarrassed, sincerely.
01:05:28I told you that.
01:05:29Sincerely.
01:05:30It's a question that happened.
01:05:31I was embarrassed.
01:05:32I don't like to talk about private life.
01:05:33I told you that.
01:05:34No, no, no.
01:05:35I don't like to talk about private life.
01:05:36I was really embarrassed.
01:05:37We wrote it.
01:05:38Well, you're going to look at it.
01:05:39If you think that...
01:05:40The wide shot is too wide, I think.
01:05:41If I may.
01:05:42The one who makes the wide shot is too wide.
01:05:43Too.
01:05:44If you think that...
01:05:45You're going to answer.
01:05:46It depends on you.
01:05:47But I told you that.
01:05:48Sincerely.
01:05:49I was embarrassed.
01:05:50The gift for you is here.
01:05:51Oh, thank you very much.
01:05:52Thank you very much.
01:05:53This is the whole team.
01:05:54This is my team.
01:05:55Thank you very much.
01:05:56This is the whole team of the basket.
01:05:57Thank you very much.
01:05:58Who thought of you.
01:05:59Thank you.
01:06:00Thank you.
01:06:01That's it.
01:06:02Ah, my father.
01:06:03I have 26 albums in Congo.
01:06:04The only old one.
01:06:05Eh.
01:06:06I still have a lot.
01:06:07Twenty-six old albums.
01:06:08And the artist of the album is...
01:06:09The artist of the album is...
01:06:10The artist of the album is...
01:06:11The artist of the album is...
01:06:12The artist of the album is...
01:06:13The artist of the album is...
01:06:15He did this.
01:06:19Thank you so much.
01:06:40This picture...
01:06:41Does it remind you of something?
01:06:42Se Sibo did this.
01:06:43I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say
01:07:13I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what
01:07:43to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don't know what to say, I don
01:08:13don't know what to hide, I don't know what to hide.
01:08:59I would like to thank you for inviting me.
01:09:01So, in Congo, there is a lot of work to be done.
01:09:04Because today, I have the impression that Congo has a deficit in terms of work.
01:09:12And I know that there is a lot of work to be done in Zooland.
01:09:15I would like the Congolese to do a little more than they do or don't do.
01:09:20I would like the Congolese to give priority to their main and essential concern,
01:09:26which is the life of the Congolese.
01:09:28And I say this because it is not the case.
01:09:30People suffer in every way.
01:09:32For example, I asked for a salary from the Congolese,
01:09:37an Indian, Pakistani, Chinese salary.
01:09:40The salary in Zooland is much lower than in India.
01:09:45In India, for example, the salary in Congo is around 500 dollars per month.
01:09:51And that is doable.
01:09:53So, I would like the Congolese to do a little more than they do.
01:09:56Thank you very much.
01:09:58With tears in my eyes, I replied that the war is over, but we still have to suffer.
01:10:02We have to understand the meaning of this book.
01:10:04We have to attack each other.
01:10:06We have to fight each other.
01:10:08Are we going to continue like this?
01:10:10Are we going to continue like this?
01:10:12I would like the Congolese to do a little more than they do.
01:10:14I have my country, I say it.
01:10:16And above all, I have my album.
01:10:19And that's it.
01:10:21Very well done.
01:10:22We call it a box.
01:10:24Well done.
01:10:26Come on, it's a gift for me.
01:10:28We call it a box.
01:10:30We call it a box.
01:10:32We call it a box.
01:10:34We call it a box.
01:10:36We call it a box.
01:10:38We call it a box.
01:10:40We call it a box.
01:10:42You have a lot of memories.
01:10:44Thank you.
01:10:46I'm going to sign here.
01:10:48I'm signing here.
01:10:54Thank you.
01:11:04Thank you, Kofi Olomide.
01:11:06It was a pleasure to have you on this set.
01:11:08Thank you very much.
01:11:10Come on, come back when you want.
01:11:16The painting, you forgot it.
01:11:18Come on, come on.
01:11:22We're done for today.
01:11:24It was a pleasure to have Kofi Olomide on this set.
01:11:28The basket continues on social media,
01:11:30on all our live platforms.
01:11:32Follow us.
01:11:34And rendez-vous next Thursday at 6 o'clock
01:11:36for a new issue.
01:11:38And on Saturday, on this set,
01:11:40we will continue to talk about the life of the Democratic Republic of Congo.
01:11:42Many of you have been watching us.
01:11:44Thank you for your loyalty.
01:11:46Au revoir.