MHN ARIZEIS TH MOURMOURA | S11 - EPS. 58 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 58 HD
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00:00[♪ Mourmoura by Eleni Anagnostopoulou ♪ ♪ music playing ♪♪♪♪♪♪♪♪♪♪♪♪♪
00:30♪♪♪
00:40♪♪♪
00:50♪♪♪
01:01Here you are!
01:04Your shoe is ready!
01:06I can't believe it! You made me a shoe!
01:08How is that possible? I wouldn't let you go without a shoe!
01:10The tailor made it, he changed the shoes,
01:12just be careful, my girl, don't run and kill someone.
01:15Thank you very much, my love, you did it in a good way!
01:18Of course! I used to give it to you, and let's go to the concert.
01:20In a month, I booked for Malama.
01:22In a month?
01:23In a blink of an eye, I got the tickets.
01:24Yes, but in a month...
01:25Don't say it.
01:26Don't say it.
01:28Don't say it.
01:31Babis, thank you very much for everything you do for me.
01:33I know you're trying to convince me not to go to Germany,
01:36but I'm going, I'm not going back, I want to go with you!
01:38You said it, we're going, my girl, don't say it again!
01:40Please, please, let's not say it again!
01:42Please, you know how good this change will do us?
01:44I can't make the change, my dear.
01:46The time changes and I can't get used to it.
01:48And you're telling me to change country?
01:49Yes, my love, but you have a lot of ties,
01:50and this country is a wonderful country,
01:52you have a great reputation for the citizens.
01:53Yes, and paradise should be, I can't make the change!
01:56How could I not tell you?
01:57When we got married and I changed house,
01:59I had to get used to it for four years.
02:01Yes, but now you don't want to leave Kalamaria,
02:03you see it, you come to my words.
02:04My dear girl, my dear girl, why don't you understand me?
02:07When the big earthquake happened,
02:08we didn't leave our house in a hurry.
02:10Yes, why would you leave the house, such a problem?
02:12Because it would come to our heads, they had turned it yellow.
02:14And you would stay in this house?
02:16Yes, because my father couldn't stand the changes,
02:17he didn't want to change house.
02:18That's why I took it, you understand?
02:20Please, open your eyes, look at the great opportunity.
02:22My child, you know what, our house is closing in Apurgo.
02:25You fixed the house, and you didn't tell me anything.
02:28Well done, Xenia, well done!
02:40Welcome.
02:43Hello, Zouzou.
02:46I cut something.
02:48Well, Lilika will stay here tonight with us,
02:50she shouldn't be alone.
02:52Come on, Minas, I told you, she won't stay.
02:54I've decided it, and I won't object.
02:56Very good, no objection, but why?
03:00Well, I passed the beer,
03:02there was no reason for her to stand there,
03:04not even to see him, they didn't let her.
03:06Very good, but I still don't understand.
03:10Minas, Zouzou doesn't know.
03:13I don't know what?
03:15Of course, you're right, yes.
03:16Oh, look at this.
03:18Well, Manoussos went to the intensive care unit.
03:21Who's Manoussos, your husband?
03:23Yes.
03:24What happened?
03:25He had an episode, suddenly.
03:28Something bad.
03:29Oh, Lilika, oh, Lilika.
03:32Everything will be fine, everything will be fine.
03:34Of course, of course, everything.
03:35Manoussos is in charge.
03:37I don't know, I don't know, I'm afraid, I'm afraid.
03:40But why did I leave, what was I thinking?
03:42Sit down, my child.
03:44Sit down, my child, since Rajes told you,
03:46you can't help him, you can't see him.
03:48Tomorrow morning.
03:49Of course, you have to give me strength,
03:51what are you doing out there, you're not helping, are you?
03:53Excuse me, you said the same things to me.
03:56Yes, there is sleepiness in the team.
03:58Yes, but what if something happens and I'm not with him?
04:02If he comes, I'll call you right away.
04:04Yes, I didn't mean that.
04:07Nothing will happen, everything will be fine.
04:09So, have you eaten? I brought fakorizo.
04:12Yes, I'm hungry now.
04:13No, no, no, no, no.
04:15You will eat, even if by force.
04:17Let's go inside.
04:18Here you are.
04:19The general has spoken, go ahead.
04:24We won't make it.
04:25Hit the kid with the pillow, so he can relax.
04:28Why should he relax, is he a marenga?
04:30Okay, leave him, let's put him on the floor.
04:32Maybe you're a little over the top.
04:34Why didn't you tell me earlier that he was coming?
04:36I found out an hour ago.
04:37Okay, enough work now.
04:38Enough.
04:39Kid, you don't understand me.
04:40He will come to our house,
04:41one of the most successful influencers in the Balkans, you understand.
04:44And I haven't made a pie yet.
04:46Don't worry, Meini doesn't misunderstand.
04:48Yes, you will all be in this mess.
04:49What mess?
04:50Okay, everyone has trash in the kitchen.
04:52Yes, on the floor, kid, not on the floor.
04:54I made a dessert and they fell on me.
04:56They didn't fall on you, you threw them away.
04:58In the end, the dessert didn't come out like the day before yesterday.
05:00Yes, for your galaktobouriko, a little savory came out.
05:02Okay, enough work now.
05:04Is this the house now?
05:05For stories on social media?
05:06Because what does our house have?
05:08Our house?
05:09Your house, kid.
05:10I haven't chosen anything in here.
05:11We chose the bedroom together.
05:13Yes, but I don't have the courage
05:14to ask the girl to make a story in the bedroom.
05:16Because she has to make a story.
05:18What are you saying, kid?
05:19Do you want me to tell you a story?
05:20To become the most famous computer scientist in Epirus?
05:22I hadn't thought of that.
05:24Do you want me to make a story to promote acne?
05:26Acne, acne.
05:28Acne, acne.
05:30Not seeds, only soul.
05:32Day by day you scare me more.
05:34Nice, you have talent, bravo, bravo.
05:36Now I got what I wanted.
05:38Come on, don't bother me now.
05:39We have work to do.
05:40Go get the covers from the fan.
05:41Where should I hang them?
05:42Hang them on his car window.
05:44He's coming, he's coming, he's coming.
05:46Will he recognize me?
05:47Calm down, calm down.
05:48I'll try.
05:49Focus.
05:50I'll try.
05:55Oh my God!
05:57I'm the best!
05:58I'll pass!
05:59I'll pass!
06:00Oh my God!
06:03Oh my God, oh my God.
06:04What happened?
06:05Oh my God.
06:11Do you want to play apple?
06:12No.
06:18Long hair?
06:19No.
06:21Little statues?
06:22No.
06:23Little statues?
06:24No.
06:25Can I tell you something?
06:26You have become very boring lately.
06:28More than you were.
06:29I'm doing fine.
06:30What do you mean you're doing fine?
06:31Stasio writes it clearly.
06:33You have to calm me down.
06:35Stasio writes that we have to leave the house empty.
06:37What are you talking about?
06:38Who wrote that?
06:39He's crazy.
06:40I can't stand the smell of Boia.
06:41It makes me sick.
06:42And now that you said it, I want to vomit.
06:44Vomit me.
06:46Tell me, what are you going to eat?
06:47What are you talking about?
06:48Kostas.
06:49Did you bring the truffles, the truffles, the meatballs and the babyrocks?
06:51Or is he still weak?
06:52Weak.
06:53Ok, two potatoes, that's enough.
06:56Can you go ask the fan what he's going to eat?
06:58We're waiting for Kosmos.
06:59Fotis.
07:00Oh yes, Fotis.
07:01Where did he go?
07:02Where did he go?
07:03He has a personal video call.
07:04With the pregnant guy again?
07:05I don't know, Ilia.
07:06Are you going to go now?
07:07No, I'm not going.
07:08You go.
07:09I can't stand the smell of the pregnant guy from the video call.
07:10He doesn't want me.
07:11He's jealous of me.
07:19I'm not well.
07:21I can't stand this situation anymore.
07:23But hiding in the room to talk is ridiculous.
07:28I've been thinking about breaking up.
07:29No, no, no.
07:30I'm not saying it like that.
07:31I'm saying it seriously.
07:34I can't break up with her yet.
07:35No, no.
07:37Everything is pressuring me.
07:38And most of all, life is not financially independent.
07:42Yes.
07:43I've been thinking about that too.
07:50So, he's finally got the pregnant guy?
07:52Yes.
07:54Yes.
07:55What is he going to eat?
07:56The pregnant guy?
07:58Don't worry, you idiot.
07:59What is Fotis going to eat?
08:00Nothing.
08:01What do you mean nothing?
08:02Isn't he hungry?
08:03I'm not hungry.
08:04I lost my appetite.
08:06I'm not going to order.
08:07If you want, you can take it.
08:09You're not well?
08:13What is he going to eat?
08:14Yachts, yachts.
08:16I'm getting late.
08:18Ameletita?
08:20I'm going to eat them.
08:28Gabi?
08:30Why are you lying down here?
08:32I was bothered by the flies.
08:34Come on, let's go inside and lie down.
08:35No, I'm fine here.
08:36I'm not going anywhere.
08:38Why, my love?
08:39Why are you doing this?
08:41Come on now.
08:42We've been together for 24 years.
08:43We've never slept for years.
08:44Why are you doing this now?
08:45And where else?
08:46What do you want to say?
08:47This is just the beginning.
08:48The way we eat it, the end is coming.
08:50It's killing me.
08:51What did you say?
08:52It's killing me.
08:53The end, I say.
08:54It's killing me.
08:55What are you saying, Babis?
08:56What do you mean you want to break up?
08:57Turn around.
08:58I don't know what you're talking about.
08:59You're telling me you want to break up.
09:00You in Germany, me here.
09:01How can you say that?
09:02Because we in Dubai, we say,
09:03he took us and took us away.
09:04We're going crazy.
09:05Do you know how we say it?
09:06That you're a dick.
09:07You're a dick.
09:08People don't break up like that.
09:09I'm not ashamed of you.
09:10I'm not ashamed of you at all.
09:11Why?
09:12You go and lock your house in Hamburg
09:13without knowing anything
09:14and you talk to me from above.
09:15I haven't locked the house.
09:16I haven't locked the house.
09:17How many times do I have to tell you?
09:18My friend showed it to me on the internet.
09:19I liked it and I said,
09:20I'll keep an eye on it.
09:21This friend of mine,
09:29Listen to me.
09:30I'm listening.
09:31Such a proposal, my love,
09:32to take over the management
09:33of a model school
09:34is not going to happen
09:35to me in the rest of my life.
09:36Fine.
09:37You found what you're going to do.
09:38I know what I'm going to do.
09:39I'll tell you, I'll tell you.
09:40I've been thinking.
09:41I've been thinking.
09:42For starters, right?
09:43For starters, yes.
09:44You could be, I don't know,
09:45a driver, a taxi,
09:46a bus.
09:47Portuguese.
09:48Pascal.
09:49Why are you acting like this?
09:50I'm sorry.
09:51Half a minute.
09:52Half a minute.
09:53Aren't you the one
09:54who goes to all the monasteries?
09:55In my country,
09:56I do whatever I want.
09:57Are you going to sleep here?
09:58Shut up!
10:00You should have seen the way
10:01Sota came in
10:02and hugged us.
10:04Yes, I did.
10:05What?
10:06What did she say?
10:07Yes.
10:08What?
10:09She said something
10:10about me.
10:11That I was jealous
10:12that I saw you hugging her.
10:14Not even.
10:15Not even.
10:16She was about to get hurt.
10:18Guys,
10:19I really appreciate
10:20the effort,
10:21the time,
10:22the attention,
10:23but it's not enough.
10:24Yes, my child.
10:25Get over it now.
10:26Manoussos is a bull.
10:27He doesn't need it.
10:28Yes,
10:29and why did they put him
10:30in the intensive care unit
10:31to change his air?
10:32Maybe they didn't have
10:33beds in the cellar?
10:36Don't look at me like that.
10:38Deep down, I'm blind.
10:39Not even the racist gets it.
10:41Look,
10:42they put him
10:43to be taken care of.
10:44You understand?
10:45To be taken care of better.
10:46Yes.
10:47Look,
10:48any heart attack
10:49can happen.
10:50The point is
10:51how to get over it.
10:52Yes,
10:53Manoussos
10:54doesn't have
10:55any smoking
10:56in his life.
10:57Do you know what a gift
10:58this is for his body?
10:59Really?
11:00How did this happen?
11:01Huh?
11:05He took a pill
11:07that
11:08reacted
11:09to the pill
11:10of
11:11pressure.
11:12Didn't the doctor
11:13tell him not to take them together?
11:14No,
11:15he didn't ask him.
11:16He took it himself.
11:17He took a pill
11:18without a prescription.
11:19Antonis Zournas
11:20gave it to him.
11:21He took
11:22a pill
11:23from Antonis Zournas?
11:25Who is Antonis Zournas?
11:27Someone I know.
11:28Oh,
11:29someone you know?
11:30He's a bit old,
11:31isn't he?
11:32The doctor's son.
11:33The doctor's son?
11:34I wouldn't take a pill
11:35from Antonis Zournas.
11:36How did Manoussos
11:37do that?
11:38Why did you
11:39do that, love?
11:44Here.
11:47Here?
11:48Here.
11:51Oh,
11:52here.
11:53Oh,
11:54I got it.
11:55I see.
11:56And you're not telling me
11:57they worked?
11:58Unfortunately,
11:59they didn't.
12:00That's why I took a pill
12:01and didn't want him
12:02to take it.
12:03That's a good lesson
12:04you've learned.
12:05Oh, Manoussos.
12:06Oh, Manoussos.
12:07I have to go now.
12:08It's time.
12:09Wait,
12:10I'll take you.
12:11Otherwise, I'll get off.
12:12Great.
12:13I'll go to the bathroom
12:14and we'll leave.
12:19Mina,
12:20if you don't have a job,
12:21stay with her
12:22at the hospital.
12:23Yes,
12:24yes,
12:25yes,
12:26of course.
12:27I'll see to it.
12:31A nymph,
12:32guys.
12:33You can't imagine.
12:35A trumpet
12:36and the whole bust
12:38covered in
12:39semi-precious clay.
12:40It's
12:41excellent,
12:42it's excellent.
12:43And I'm not saying
12:44the metaphors are good,
12:45but you're so clumsy.
12:46You leave it
12:47in its place,
12:48you don't leave it.
12:49If you don't leave it,
12:50that's what I'm saying.
12:51You're so clumsy.
12:52Yes,
12:53I eat bacon.
12:55And since I went
12:56to the hospital myself,
12:57I said,
12:58Mormeni,
12:59your boyfriend
13:00is half an hour late
13:01and I left.
13:02And you did very well.
13:04You know,
13:05I didn't mean to stay.
13:06I was just passing by.
13:07What are you saying,
13:08my dear?
13:09It's the first time
13:10you come to my house
13:11and I don't host you.
13:12You brought me
13:13pesces.
13:14Did you like my boyfriend?
13:15I liked him,
13:16but he fell asleep.
13:17I have to throw them away.
13:18And you?
13:19How did you sleep?
13:20I didn't sleep
13:21in a hotel room
13:22so perfectly.
13:23I'm sure
13:24you prepared them all.
13:25Oh, ma'am,
13:26for you,
13:27I was coming out
13:28of my bed
13:29and I just wanted
13:30to tell you
13:31that I really liked
13:32the change
13:33you made to your hair.
13:34Thank you.
13:35And I find
13:36that it highlights me.
13:37Don't tell me now,
13:38this cheese
13:39is genuine
13:40from Amfilochia?
13:41Stop it, dear,
13:42you said cheese.
13:43Leave it,
13:44it won't go anywhere.
13:45It's the first time
13:46you give me such a gift.
13:47Oh, my God!
13:48What?
13:49Don't tell me
13:50it's the cheese.
13:51The phone.
13:52Are you okay?
13:53Huh?
13:54She says it's the cheese.
13:55Oh.
13:56All right,
13:57pick it up.
13:58Where can I run now?
13:59It's without a tag.
14:00Oh, my fingers.
14:01It has a tag.
14:02Why don't you say it
14:03so early?
14:04I'm telling you
14:05so early,
14:06pick it up.
14:07I can't now,
14:08I'm eating.
14:09And if it's something urgent?
14:10I mean,
14:11if it's not even
14:12a little omelet,
14:13I can't put it
14:14on my stool?
14:16Oh,
14:17oh,
14:18oh,
14:19enough!
14:21There.
14:22It's stopped.
14:23If it's a card game,
14:24I'll play it again.
14:28You must be very tired.
14:30I can't stand
14:31the afternoons, dear.
14:32Oh,
14:33you should go for a walk
14:34and take a selfie,
14:35my dear.
14:36Oh,
14:37now,
14:38I'll do a courage
14:39for you,
14:40my dear,
14:41and we'll go for a walk.
14:42Oh,
14:43bravo,
14:44because I want to
14:45buy some groceries
14:46and I definitely
14:47It's the least I can do.
14:49Will you come with us?
14:51I have work to do.
15:01Yes, police?
15:03It's me, Kanets. I want to report someone for causing a ruckus.
15:07It's not the time to worry. What are you saying?
15:11Come here.
15:12Who are you to give them a warning?
15:14Wait a minute. Stop it.
15:16Take it easy.
15:19Come on, guys. Stop it!
15:23What are you going to eat?
15:24I don't know. I'll make a salad with mousse, feta,
15:27spicy spinach, camembert,
15:29two or three bay leaves flavored with basil.
15:34Are you nervous? Don't you want to talk to me?
15:37No.
15:38Classic. Why did you wake me up?
15:41I didn't want to be alone.
15:42What do you mean? Fotis left.
15:44He's dead. Fotis, calm down.
15:46He has a toast for you. I'm going to make a salad.
15:48Where have you been all night?
15:49In the bathroom. I had some problems with my studies.
15:52I'm talking to you.
15:53What?
15:54You didn't come in.
15:56You're worried now?
15:57Did something happen?
15:59Nothing. I fell asleep on the couch and I was bored to come in.
16:02And you slept without brushing your teeth or putting on cream.
16:05But I did.
16:06Why do you put on cream? It doesn't look like it's working.
16:08Do you want me to suggest something?
16:10I'm going to make arakas for lunch.
16:11Wait. Are you going to make green or red arakas?
16:14Green. I don't know what I'm going to make.
16:16I'll be late. I have work.
16:17You're so busy. He's so busy.
16:20Do whatever you want.
16:21Eat when you're hungry. Don't eat at all.
16:23I'll do my own thing.
16:24Whoever wants it, wants it. Whoever doesn't...
16:26What does he want?
16:27I don't know. What do you want?
16:28What does it have to do with what?
16:29It has to do with anything. Do you know what you want?
16:31Do you know what I want?
16:32I want a Thessaloniki koulouri with spicy spinach,
16:34two or three...
16:36Look, I order twice and they write to me.
16:39We're talking about unauthorized service.
16:40Okay, Liliako. Don't give me any tips.
16:45So, I'm leaving.
16:48What did you say?
16:49Goodbye. Thank you so much, my love.
16:51I hope you have a good time.
16:55Where are you going, Mom?
16:57I'm meeting Fritz, my son.
16:58He's going to lock himself at home in Hamburg.
17:00He's locked himself at home?
17:01Is he a homeless person?
17:02You never told me that, Mom.
17:03Never, because he's locked us up.
17:05Don't listen to him, my love.
17:07I'm not going to lock anyone up.
17:10It's just that the German is here,
17:11he's in charge of the school, and we're going to talk.
17:13What's going to happen? Are you going to leave Germany with us?
17:15I can't do anything without your father.
17:17I'm not going anywhere.
17:18I see. You're upset again.
17:20And I came to ask you if you could keep Fyvo for me this afternoon.
17:23I wish I could, but I don't know how much he'll charge for the appointment.
17:25Why can't Haris?
17:26He has a gym. He's been stuck for years.
17:29And who's going to keep him now?
17:31I'm going.
17:33I'm going to keep him when he's little.
17:35Go! Go to your German!
17:37Why can't we go, my love? I have a doctor.
17:39A doctor?
17:40A psychologist.
17:41You can send him to a psychologist with what you're doing.
17:44Sofia, why do you want to go to a psychologist?
17:46No, Mom. We're all psychologists. We have to do therapy.
17:48And your mother needs therapy.
17:49You need therapy. She needs a lot of therapy, to be exact.
17:52She gives you the opportunity to change your life,
17:54and you say no.
17:55But you don't ask her to go to Larissa.
17:57I'm not going to Larissa.
17:58Do you see? Do you see how fat he is?
18:00I'm fat, I'm old, and I'm not going anywhere.
18:03And my other love is a V.I.R. from Thessaloniki,
18:05but they've had a great career abroad.
18:08Good luck writing to us.
18:09No, I'm going to stay here.
18:10I'm going to beg them to send Petrello to school.
18:12Come on, let's go.
18:13Let's go and see who's going to support this country.
18:16You!
18:23It's the first time I've seen her so determined.
18:25Me too.
18:28LILIKA
18:30Welcome, kids.
18:32Oh, you're here. When did you come?
18:34Just now. I was at my mom's.
18:36Were you at the hospital?
18:37Yes.
18:39We went together.
18:40I just came to see you.
18:42We were in the mood, we weren't in a hurry.
18:45Mina, are you okay?
18:47You don't see her, do you?
18:48Who?
18:49Nothing, never mind.
18:50She doesn't see me. Bye, Lilika.
18:53She doesn't see you, so you don't say goodbye.
18:54Mina, who are you talking to?
18:55Leave me alone.
18:57See, Mina?
18:59I'm not impolite this time.
19:01I was just wondering, did the parties end?
19:04What parties, kid?
19:06I'm talking, don't mind me.
19:08No, they didn't end.
19:09Tomorrow, we have canned food.
19:12I'm thinking about getting a drink.
19:14And with the good Kalamboki.
19:17We laughed.
19:18Mina, I'm going to start freaking out.
19:19No, stop it. Don't mind me.
19:22Tell her that everything will be fine.
19:25And that she will be discharged today.
19:27Are you sure?
19:28Of course.
19:29Okay, so Manoussos will be discharged today.
19:33Standard.
19:35How can you be so sure all of a sudden?
19:37I have my source.
19:38I'm telling you.
19:40She won't believe me, kid.
19:42Mina, are you going to keep doing this?
19:45Did you see what you did?
19:46Show yourself, kid.
19:47Mina!
19:48I've told you a thousand times.
19:50It's not in her hands.
19:52Don't go.
19:55Are you okay?
19:56Give me the keys.
19:58I'll get you some water.
19:59No, I'm fine, Lilika.
20:01You're a grown-up, kid.
20:03Lilika!
20:06Yes, I'm ready.
20:07Thank you for the information.
20:09Take care. Kisses.
20:21And...
20:22Kisses, Lilika.
20:24No seeds, only souls.
20:27Welcome, welcome.
20:29Did you have a good time?
20:30Yes, Lili.
20:31What a beautiful city Arta is.
20:33And what a beautiful shop it has.
20:34Yes, kid. In every shop we went to,
20:36they would see us dressed up and give us gifts.
20:39How nice.
20:41Come on in, sit down.
20:42Come on, come on.
20:43Come on in, come on.
20:45Come on in, come on.
20:46Come on, my dear.
20:47Sit down, kid.
20:47Look at them, look at them, look at them.
20:50Come on, come on.
20:52Meni, why did you come here?
20:54Why are you asking that to a girl?
20:56You'll find out why you came here.
20:58Er...
21:00Sir, I told you, I wanted to give you the nymph.
21:03I don't believe you.
21:04It's bad, sir, since you know our little girl's job.
21:08Nymphs are very sensitive.
21:10You said she's a troubadour.
21:12Yes.
21:12Yes, you said she's a troubadour.
21:14I spoke to Keti.
21:15You did?
21:16You told her I was here?
21:17No, of course not,
21:17because I thought you wouldn't want to know I was here.
21:20And what did she say?
21:21That Meni didn't give anything to anyone.
21:25She's been in a coma for a week now.
21:27Sir, let me explain. I didn't...
21:29I'll ask you a question and I want you to be honest with me.
21:34Is the cheese really from Amphilochia?
21:38Sir, don't make it more difficult.
21:41Why, Meni, so many lies?
21:42Why, Meni, why?
21:44Look how beautiful this is.
21:47I'm sorry, you go on.
22:02You're back, Fanouri?
22:03Yes, I'm back.
22:05What are you doing out here?
22:07I filled the balcony with water to make it a swimming pool.
22:09Yes, the balcony has two water pipes,
22:11one on the left and one on the right, so it doesn't fill up.
22:13I know, Fanouri, I'm not stupid.
22:15I filled it up, but then what happened?
22:16I put the water in, I let the water fall from the pipe,
22:19and nothing happened. Only my shoes got wet.
22:22Good again.
22:24It's unacceptable that we don't have a swimming pool in the apartment.
22:26If I were a manager, I would have made three swimming pools
22:29so there wouldn't be an earthquake, you know?
22:32Do you know what else I would have made?
22:33A water tank that would start from the terrace
22:36and go to all the floors, so you could get to the entrance faster.
22:38Okay, let me tell you. Do you know where life is?
22:41Are you asking questions too?
22:42Why? Who else is asking questions?
22:44Everyone is asking me where life is.
22:47Life is running, Fanouri. Life is passing by and getting lost.
22:51Life is too short to not have a swimming pool in the apartment.
22:54Nice, nice. Where is Zeta?
22:56Zeta? I don't care about her.
22:58Do you want her to leave?
22:59I'm going to kiss her goodbye.
23:00I see.
23:02Oh, look who's here.
23:04You're all dressed up. Where have you been all this time?
23:06You fat, fat girl!
23:07Shut up!
23:08I have a lot to tell you.
23:10She's cooked. You'll see.
23:11She's a talentless, ungrateful, uneducated,
23:13basic, uneducated, uneducated.
23:16Tell me something.
23:17I don't know what you're talking about.
23:19Jesus.
23:20Hi.
23:22Where have you been?
23:23I had a job interview.
23:24Oh, and?
23:26I quit it.
23:27A five-year-old.
23:28Nice, nice. Where is she?
23:30Near here, in Fokionos.
23:31Damn.
23:32So, you're two steps away.
23:34Yes.
23:35Uninvited.
23:36Where is she exactly?
23:38Where is the French guy?
23:39Uninvited.
23:41Next to a psyllicanth.
23:43Yes, I remember.
23:43Ungrateful.
23:45Exactly next to the job.
23:46I'm sorry. Next to the psyllicanth is a psyllicanth?
23:50Yes.
23:50Ungrateful.
23:51What is it?
23:52That's my job.
23:54You'll design inside the psyllicanth?
23:56Oh, I get it.
23:57You mean the same apartment. You'll be upstairs.
23:59No, I mean inside the psyllicanth.
24:01And what will you do?
24:02Uninvited.
24:04I'll eat ice cream.
24:05Why?
24:06Because I found this job.
24:07Anyway, I'm going to wash up and then I'll come and cook.
24:10Uninvited.
24:11I said it. Uninvited.
24:12I don't remember.
24:14What don't you remember?
24:15Don't you watch?
24:17What?
24:18Where are you going, grandma?
24:20Where are you going, grandma? And you'll take my grandpa, too.
24:22Don't take my grandpa, grandma.
24:24Please, don't go. I don't want you to go.
24:27Why are you sitting and making the kid cry?
24:29I'm telling him that his grandma has to go.
24:31Oh.
24:32What are you doing? Where are you going? Don't go. Wait.
24:34You have to talk to your mom, smartass.
24:35I'll tell her, dad. She's not smart. She's already in Burgos.
24:38But she's not her dad. And mom doesn't leave without her dad.
24:40So, talk to her.
24:41Come on, smartass. You're the only one who can save the situation.
24:45Come on, come on, come on.
24:47Start talking. The kid is crying.
24:49Oh, my love.
24:52My sweetheart.
24:53Oh, how much you missed me.
24:56Hi, my baby.
24:57Come, come. Come to grandma.
25:00My doll. My doll.
25:02My little girl.
25:06Dad. Yes?
25:07I have a question. What are you going to do in Germany?
25:10I'm going to keep the bag of the director.
25:12What are you talking about? Don't believe him, son.
25:14Don't listen to him. Fritz is going to help us.
25:16He has a lot of connections in Germany.
25:17Fritz found us a house. He found us a job.
25:20Mom, look. I understand that you don't want to miss this opportunity.
25:24Of course, love. It's a great opportunity.
25:26Why are you interrupting?
25:27She wants to say something. She didn't finish.
25:29Did you finish, son? She didn't finish.
25:31Why did you interrupt? I didn't understand.
25:32I wanted to say something and finish.
25:33Do your job. I know very well what I want to say to my child.
25:36Because I feel... Sofia, this is a life dream for me.
25:39A life dream, you know.
25:40I have a lot of plans for this school.
25:43You will tell us.
25:44She wanted to say something, Sofia.
25:45Let her talk. What did you want to say, my child?
25:47Say something.
25:48Yes, I want to say something. I want to say something, dad.
25:50I'm sad that she's leaving.
25:52I don't want her to leave.
25:54What?
25:55I don't want her to leave, mom.
25:57Are you serious?
25:58Yes, mom.
25:59Ever since you said you were going to leave, I haven't been well.
26:03I haven't been able to sleep at night.
26:05I'm sorry, it's a bit selfish of me to tell you this,
26:07but I want her to leave.
26:09My love.
26:11My baby. Why?
26:12Why didn't you tell me so many days ago?
26:14I didn't want to upset you and affect you.
26:17Look what our child has done to you. Look what she has done.
26:19Stop it, son. Stop it, you too.
26:20Don't make your son feel worse. Stop it.
26:22Because I know, mom, I think I'm happy.
26:25I'm happy that I have my grandson.
26:28And I'm happy that I have my son.
26:29My son.
26:36And you were the only one who saw her?
26:37Yes.
26:38And now you know how she is.
26:39How can I not know?
26:41I saw you talking to yourself and I thought you had a fever.
26:45What did I do?
26:46You're hanging out with Vangelis a lot.
26:48No, no, no. I'm serious. I'm serious.
26:49I thought something had happened to you.
26:51Lilika saw it, too.
26:53And you didn't try to silence her.
26:56What? It's easy for you.
26:57No, no, no. It's not easy for me, but she has to find out.
27:03Okay. So, you want me to tell her?
27:07Yes. I want you to tell me.
27:10Oh, now, I see.
27:12Tell me. Is it about your mom?
27:14No, my child.
27:16Don't say no. Don't say no. I know. That's it.
27:18Did Ratzes tell you something? Is he dying?
27:21No, my child.
27:22Oh, my God. What do you mean, no? Is he dead?
27:24Shut up, my God.
27:25No, my child. He's fine.
27:29We weren't talking about your mom.
27:31We were talking about Voulia.
27:34What were you saying?
27:35Voulia, whatever happens, happens.
27:39What's wrong, guys? Why are you looking at me like that?
27:43Should I tell her?
27:44Tell her that we're here.
27:46Look, Lilika.
27:49You have to find out something about Voulia.
27:53You can't wait for me to believe it, can you?
27:57You have to believe it.
27:59Of course. Voulia told us that your mom will be fine.
28:04Oh, that's why you started telling me these stories.
28:09To comfort me.
28:11Mom, I'm losing you.
28:13Look, look. Look where he's going.
28:16No, no, no. No, my child. No, no, no.
28:18Look, Lilika. You have to find out something.
28:20Voulia is appearing.
28:23Some people see her and some people don't see her.
28:31So I got in the car and came here.
28:36It's a very good idea.
28:37The cheese is from Amphilochia.
28:40You and your cheese. Concentrate here.
28:42What can I say? With the money they give her,
28:44she won't get it back in Greece.
28:46Yes, but give it to your neighbor.
28:49Do you want to go?
28:50A lot, Mr. Ilias.
28:51To design clothes for a guy like this.
28:54Who wouldn't want it?
28:55Fine. So what's the problem?
28:57How can I leave our cat, Mr. Ilias?
28:59I don't know how to get out of someone's life
29:03for my own interests.
29:05That's why I came to you.
29:06What are you saying?
29:07He wants your advice, my love.
29:09No, I don't want his advice.
29:11I came to take him.
29:13Where are you taking him, Mrs. Meni?
29:15To the tower.
29:16Meni, where did you get the cheese from?
29:18Stop it with the cheese.
29:20Excuse me.
29:21What is Mr. Ilias doing at the tower, Mrs. Meni?
29:24I want to tell Keti I'm leaving.
29:27To tell the priest to come and read you?
29:29Why, Mr. Ilias?
29:30You've done it once.
29:31What's the point of doing it a second time?
29:34There's no harm in that.
29:35Besides, my house is crazy.
29:37I'll get a bottle and we'll go, okay?
29:39No, no, no one's going anywhere.
29:41The truth is that the seller has a bad experience with this,
29:44but, Mr. Meni, it's not his problem, is it?
29:47Yes, the truth is that it isn't.
29:50Yes.
29:51That doesn't mean he can't help.
29:54Toula, should I tell the priest to come and read you?
29:56Hold on, my love. What is this feeling?
29:58Our friend is in a dead end.
30:01Cry a little.
30:02She's in a dead end.
30:04I'm desperate, Mr. Ilias. Will you help me?
30:11I don't want to see them.
30:13Well, they're not interested.
30:16I see.
30:18How did you decide to get a job at Pagodantzidikos?
30:21There's a profiterole.
30:22Yes, anyway, that's it.
30:24At some point, I had to find a job, too.
30:26Yes, but you didn't go to an architectural office
30:29if you didn't fill in a series of paperwork.
30:31Now, what happened and how did you end up at Pagodantzidikos?
30:33What can we do now?
30:34I didn't get a call from an office today, so...
30:36I see. And why did you have to find a job today?
30:38Because...
30:41That's it.
30:43I see.
30:44Is there something I should know?
30:46I don't know. Is there something I should know?
30:48Like what?
30:49You tell me.
30:51Have you made any decisions and that's why you're in a hurry to find a job?
30:54Have you made any decisions and you want to tell me?
30:57Should you stop asking me the questions I'm asking you?
30:59Why are you asking me questions instead of telling me what you're thinking?
31:01But I don't want to tell you anything.
31:02Oh, you're not ready yet.
31:05For what?
31:06You're going to tell me.
31:07But I don't have anything to tell you.
31:08Very well. I don't have anything to tell you either.
31:10I'm sorry. I'm going to wash my clothes. I'm working tomorrow.
31:12Very well.
31:25This German girl is going to make me an alcoholic.
31:29But let me tell you something.
31:31I didn't expect her to take it so seriously, Sofia.
31:34She took it very seriously.
31:35She took it seriously.
31:36When you left, she was crying.
31:37She was crying?
31:37She was crying a lot.
31:38A lot?
31:39Yes, she was crying non-stop.
31:40She was crying non-stop.
31:41Why? Why was she crying non-stop?
31:44We come here often.
31:45We don't come here often. It's Christmas and Easter.
31:47No, no, no. We come here only on Saturdays and Sundays.
31:50I can't live without my child. I can't leave her alone.
31:53So you're saying you're a good parent. I'm not.
31:56I'm only thinking about our child. Nothing else.
31:58Do you think she'll believe that I'm doing my job?
32:01Do you think she'll believe that I'm an optimistic,
32:03self-centered and sensitive mother?
32:04Maybe.
32:05Maybe?
32:06I just want to say that I'm not in her head. Maybe.
32:09But I don't want to hurt her.
32:11I don't want to hurt my child.
32:13What am I going to do?
32:17Hi!
32:18My child!
32:21What happened? Why is she crying?
32:23She got upset.
32:24Why? What did she say?
32:25She got upset. How could she get upset?
32:28I don't want her to get upset.
32:29Look into my eyes and tell me.
32:32Do you believe that I'm a good mother?
32:34Where's Phoebus?
32:35He's sleeping.
32:37Sophia, I want you to know that I'm sorry.
32:41I'm sorry.
32:43I'm sorry if I ever thought about myself.
32:47Mom, I've never thought about you since you were born.
32:49Why do you think about her?
32:50Because I'm not a mother, guys.
32:52I'm not a mother.
32:58So...
32:59So, that's it, Germania. That's it. I've made up my mind.
33:02I'm not going anywhere
33:03if my child doesn't recognize me as a mother.
33:05What do you think?
33:06Well done, Xenia. Finally, my girl!
33:08What do you mean, well done?
33:09I'm glad that our relationship is dependent.
33:12How did you know that we're so in love?
33:14We're not in love, dad. We're dependent.
33:15Is that what she told you?
33:17Yes, that's what she told me.
33:18Did you tell her about Germania?
33:19Yes, I told her and she said that she didn't want to leave
33:21and that this distance would help me.
33:23It would mature me and make me mature.
33:24Come on, sit down and listen to what she's saying.
33:27No, no, not at all. Not at all.
33:29Yes, yes, because it's good for you.
33:30Don't listen to her, don't listen to anything
33:32and change your mind.
33:33No, no, keep your mind.
33:35In one hour, she understood what's going on in this house
33:37for 24 years.
33:38Sofia, Sofia, look me in the eyes and tell me the truth.
33:41Are you okay if I leave for Germania?
33:44I'm okay, I'm calm, I'm fine.
33:46What are you going to do, dad?
33:48What are you going to do, Bambi?
34:00Tell her that wherever she is,
34:02I'll call her and tell her that she's here.
34:05Are you sure?
34:06The way I see her and she can't see me.
34:08Okay. Listen, your mother is here.
34:12They'll pick you up from the hospital in a bit to tell you.
34:14Don't tell me now. How do you know?
34:16Voula just told me.
34:18Come on.
34:20What's wrong with your mouth, my friend?
34:24What?
34:27Why are you stuck?
34:30Lilika?
34:32Is everything okay?
34:34Tell Anna to come and stay with us.
34:38Voula?
34:39Oops, we made eye contact.
34:42Voula!
34:43Lilika!
34:46They were telling the truth!
34:47Absolutely!
34:48How do I look?
34:50You look like a dead person.
34:52The truth is that you look worse.
34:55Why are you laughing?
34:56It doesn't happen to me every day.
34:59I'm going crazy.
35:00Believe me, no.
35:02Do I see him in my sleep?
35:03No.
35:04How is it possible?
35:06Voula, how is it possible?
35:08I have no idea.
35:09It's possible.
35:11The phone?
35:15My God, it's from the hospital.
35:16They'll pick you up as soon as they see you.
35:18Really?
35:20She answered, my child. She answered.
35:22Yes.
35:23Yes.
35:24Yes.
35:25Yes.
35:26Thank you.
35:28Thank you very much.
35:29Thank you.
35:30No more.
35:31I'm coming. I'm coming.
35:33I'm coming.
35:34I'm coming.
35:35I'm coming, guys.
35:36I'm leaving.
35:37Voula.
35:38Go, go. We'll talk again later.
35:40Wait, I'll pick you up.
35:41Zouzou!
35:42Yes?
35:43Manouscha just called from the hospital.
35:47Perfect.
35:48That's what Voula told me.
35:50And you're here.
35:52The magician from Herakosti is missing.
35:55Shall we go?
35:56Go, you'll find me there.
35:57What?
35:58After I get there first.
36:00What are we living for, man?
36:04Let's go.
36:09In conclusion, I can't stay here any longer.
36:14It's time for me, like a bird, to fly to new skies with my own wings.
36:21Yes, my girl, I wish you all the best.
36:24What are you saying, Ratoula?
36:26That's what I said. You don't want to leave?
36:29That's right.
36:30Don't leave me, Eni! I'm going to be a pharmacist!
36:32Eni is a pharmacist, sir. I'm not going anywhere.
36:34That's not how it works.
36:36Yes, it's not. It's my fault for thinking you could help him.
36:38What more do you want me to do? I'll be a teacher and we'll see how he does it!
36:42Okay, guys, sit down.
36:43Keti, apart from being a good friend, is also an entrepreneur.
36:46And a very successful one.
36:48The woman doesn't know. She won't stand in the way.
36:50If that's really what you want to do.
36:52Oh, I want it, my dear. I want it very much.
36:55So, Meli, are you going to leave us?
36:58I'd better go inside.
37:00No, stay, my dear.
37:02Then I'll stay.
37:05My dear, when you truly love someone, you never leave their life.
37:13Okay, but what we shared won't be lost.
37:18We'll carry it with us forever.
37:21Certainly, a circle closes, but life doesn't stop.
37:29Amen.
37:31My dear.
37:34Was it good?
37:35What do you mean, good? Didn't you see it? It was great.
37:37You can't stand it.
37:40Hey!
37:56Are we going to watch something?
37:58I can't.
38:00When will you be able to?
38:01I don't know.
38:04When will you know?
38:10A little break.
38:14Zeta! Zeta! Zeta!
38:16Are we going to watch something?
38:17I don't think so.
38:18Okay, we're going to eat something.
38:19Because, Zeta, I didn't like those green apples at all.
38:22My dear, I'm going to lie down.
38:24No, not now!
38:26Can you sit down for a bit? I want to talk to you.
38:29Yes, of course.
38:30I see. It's that time again.
38:40Ah, nice.
38:42What have you prepared for us?
38:43Silence.
38:44He's concentrating now. He wants to play.
38:46Maybe I'm out of tune, but there are some things I find difficult to say, so...
38:50Oh, oh, oh, yes, he's not saying them. He's emotional.
38:53I feel that our relationship hasn't been going well lately,
38:57and that's why we're both at fault.
38:59Arthrosis. That's a big issue.
39:00Shut up, Mati.
39:01As much as I want to fix things between us,
39:04I'm not willing to give up right now.
39:07And I feel that in order for us to be okay, I have to do it all the time,
39:10which is wrong.
39:12You've prepared everything for us.
39:14Say whatever you want.
39:15Do you know what it means?
39:18What do you mean?
39:19What do I mean, Fanny?
39:20Why did you write that speech?
39:22You're going to end up somewhere.
39:23No, no, I don't want to end up somewhere.
39:25Come on, now, please.
39:26At least respect what we had.
39:27But I don't want to end up somewhere.
39:28But you did, my love.
39:29At some point, we expect people to play the role.
39:31There are people.
39:32I wanted to tell you what I was thinking,
39:34and I didn't know how to do it, so...
39:38Yes?
39:39She advised me to write them down, so I can have them more organized.
39:42Okay, we'll contact you.
39:44Who advised you?
39:46Does that matter now?
39:47Yes, yes, Mr. Fanny.
39:48Or...
39:50Or...
39:51Or...
39:52Or...
39:53Or...
39:54Or...
39:55Or...
39:56Or...
39:57Or...
39:58Or...
39:59Or...
40:00Or...
40:01Or...
40:02Or...
40:03Or...
40:04Or...
40:05Nope, nothing happened.
40:07Then?
40:08Not yesterday!
40:09Neither yesterday!
40:10When I told you I took a course.
40:13Yes!
40:14I had!
40:15You lied.
40:17I'd had a conference.
40:19Perfect!
40:20I'm telling you we're cold being here like this.
40:22Yes, I totally understand.
40:24Should we talk about this some other time?
40:26Yeah, yeah, as you wish.
40:28I would like to see self modeling, so you give me the sausage
40:32How does she feel?
40:33She feels like she needs some fresh air, so she's going for a walk.
40:38And I'm going to the kitchen to have a drink.
40:42Anything.
40:48Yes, Nina, I understand that you're not in the mood for a job.
40:51Leave me alone.