MHN ARIZEIS TH MOURMOURA | S11 - EPS. 52 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 52 HD
MHN ARIZEIS TH MOURMOURA | S11 - EPS. 52 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 52 HD
Transcript
00:00🎵 Mourmoura 🎵
00:30🎵 Mourmoura 🎵
01:00🎵 Mourmoura 🎵
01:30🎵 Mourmoura 🎵
02:00All teams should make an advertisement against gang violence.
02:04That's a very good idea.
02:05Each team will make their own advertisement, but the concept will be the same.
02:08And what will be the concept?
02:09The concept will be the following, look here.
02:11There will be some kids who will watch the adults watching a derby,
02:14facing the opposing team.
02:16And which team will FIFA be?
02:17Pauk!
02:18Paukara!
02:19Paukara, man!
02:21Say FIFA.
02:22Pauk!
02:23Pauk!
02:24Pauk!
02:30What's up, baby?
02:32He's killing his time here.
02:35How was work?
02:36Terrible.
02:37Ever since Roula left, everything is a mess.
02:40Who's Roula?
02:42The gym teacher, right?
02:44She left and all the departments are full.
02:46I don't have time for other departments, there are only two people.
02:49Why doesn't she take the other girls?
02:51She's looking, but the boss is demanding.
02:54I'm sorry, what does he want?
02:55A postgraduate degree to shut up?
02:57Look, baby, she's paying 1,200 euros for a postgraduate degree.
03:00How much?
03:01Yes, yes, yes, Vangelas is a large.
03:04And why did Roula leave?
03:06No, no, she went to Santorini with her boyfriend.
03:09Didn't you find another girl?
03:11Look, she's seen some.
03:12But what, they don't like her?
03:14I don't know, baby, I'll make you laugh.
03:15For now, the position is vacant and the departments are full.
03:18I see.
03:20So, tell me, what's your schedule there?
03:23No, no, no, baby, it's continuous, we're talking about killing time.
03:26What do you mean, continuous?
03:28You go home, you leave, you come back.
03:30In Ikaria, baby, this would never happen.
03:33Yes, baby, because in Ikaria you need five minutes to go home.
03:36Here you need at least half an hour.
03:37That's true, but again, after five hours, you're not productive, baby.
03:42They don't work for five hours in Finland.
03:45Let me ask you something else.
03:47Does he pay you on time?
03:49What do you care? Do you have anything on your mind?
03:52No, no, it's just a conversation.
03:55I'm going for a swim. Find something nice to watch.
03:57Here, let me tell you something.
03:59Cannabino is playing.
04:00Concentrate on all your questions.
04:02We'll write them down on a piece of paper and I'll go to Vagelis tomorrow to give them to him, right?
04:14The first album is for 30 people.
04:17You'll write the name Ioannis on it.
04:22Of course I want the full recipe, but not the condensed ones.
04:27The other album is for 50 people.
04:31Yes, yes, yes, yes. Nine days.
04:34You'll write the name Friderikos Papardelakis on it.
04:39People asked us, baby, because there's a Friderikos cousin
04:44with a different surname. It's a misunderstanding.
04:47Not Rikos, baby. People used to call him Friderikos.
04:52You'll write it down on a piece of paper and I'll go to Vagelis tomorrow to give them the full recipe.
04:58What? You'll need 5 kilos of meat?
05:00Let it be.
05:01We'll change the name of the person because you're Tsikounis Resaki.
05:06Ok, ok, ok. You're not Tsikounis.
05:09The transfer will take place at 10.
05:12Bye.
05:13No, no, no. Why are you hanging up?
05:15What can I do?
05:16The order was for Koliva, wasn't it?
05:19Yes, I was talking to the workshop.
05:21And you're not going to order for me?
05:24Koliva?
05:25Yes.
05:26What, are we going to make you a souvenir?
05:29Tsk, tsk, tsk. Get out of your position.
05:31You've been bringing me stuff from the previous week.
05:34I didn't have a souvenir.
05:35That's why I'm saying. Now that you have one, order a few more.
05:39Let them be there, you know how much I like them.
05:42Ok, baby, I'll bring you some.
05:44What are you going to bring me? A bag?
05:47Do you want more?
05:49Of course. You know, I love them.
05:52It's just that I don't try them, you know.
05:56How many more?
05:58I don't know. Order a CD for me too.
06:02A whole CD?
06:03Ok, now don't imagine, let's say, some 50 people.
06:09Have you been thinking about feeding only with Koliva?
06:12I'll give it to Mitsos. He likes it a lot too.
06:17And will you eat 25 servings each?
06:20Well, if you don't want me to pressure you.
06:27It's Mitsos.
06:29Hi, Mitsos. Yes, yes, yes.
06:31Look, I have news.
06:34Our Zouzouna is going to bring us some Koliva.
06:38The nice ones, the good ones.
06:40Look, she's happy.
06:42Pick up the phone, come on.
06:44Yes, come on. Tomorrow.
06:46Tomorrow Mitsos will bring them to us.
06:48I told you, Mitsos. Tomorrow.
06:53Come on, Saki.
06:55I want to add another order. Make a CD for 50 people.
07:01Slowly, slowly, slowly.
07:03Take it, Petrakis, take it.
07:05I don't want to live anymore.
07:07Sit here, sit here.
07:09Well done, my boy.
07:11I had her as a queen.
07:13And now you're going to jump from the bridge for Ornella?
07:16What am I going to do with my life without her?
07:18Mjouls Pedila wanted Petros to buy her from Thessaloniki.
07:23What's Mjouls?
07:24Shaggy shoes.
07:26Botox wanted Ornella.
07:28Me, Solariou, me.
07:30From the three of us in the bus, I wanted her.
07:32Ornella is a man.
07:34Do you know her? She works at the hospital.
07:36She's a whore.
07:37And if we take this soup ...
07:39Don't be a racist now.
07:41What did I give her?
07:43Did you want to give it to someone else?
07:45Stop it.
07:46Arta always said a lot about him.
07:48Yes, but didn't you listen to Arta?
07:50No, I didn't listen to her. Illidios.
07:53His boss, I say, takes care of his employees.
07:56Like his daughter, he has Ornella.
07:59Petrakis, I'm sorry. Maybe it's just a misunderstanding.
08:02I found them in our bed, miss.
08:04What did they do? They ate cheese!
08:07Look, now, a lot of things can be done by naked people.
08:09They can make bread.
08:11They can do sunbathing.
08:13Maybe they took pictures and the gynecologist saw her like a big cheese.
08:16Well, you, my son, you shouldn't normally be in the jumeirahs, in our hair.
08:20That's where these two got stuck.
08:22But there is a God.
08:24The rubber band broke in the garden and I didn't go.
08:26Where is there something to drink?
08:28Wait, wait, wait.
08:29I want to drink all the air I have.
08:33Don't drink it all, don't drink it all.
08:38Where can I find some oil to drink?
08:40Cologne, wine, something.
08:42I have a liqueur with cranberry.
08:44Stop it, you too.
08:46Look here.
08:48My mother is from here.
08:50And from there she is.
08:52I had her so tall.
08:54I know your mother somewhere.
08:56What are we going to do with him?
08:57What are we going to do with him?
08:58He will stay here.
08:59Can't you see how he is?
09:00Doesn't life worth living without you, Ornella?
09:02Look at me.
09:04Sit down, Petrakis.
09:06Sit down.
09:07I won't say it again.
09:08Sit down.
09:09When you become so arrogant, I don't know what to drink, honestly.
09:11Sit down, you too.
09:12Sit down.
09:14Quiet now.
09:15I'm going to bring a coffee to drink.
09:17Quiet.
09:18I'm going to bring a coffee to drink.
09:24She will get a lot of money from this ad.
09:27I don't care how much money she will get.
09:29Come on.
09:30You will go to Germany for the money.
09:31Don't you care about the money?
09:32I love Germany.
09:33I will go to Japan, because it's a dream.
09:35And it's not the same thing.
09:36You won't spend so much money abroad.
09:38You will pay the rent for her office.
09:39I will pay the rent for her office,
09:41so she can get the money out of her job,
09:42and not from her son.
09:43Yes.
09:44Yes, the same.
09:46Oh, Mr. Tsoutsis.
09:48How are you?
09:49Good, good, good.
09:52Today is the casting.
09:54When will the ad come out?
09:56Oh, now you are close.
09:58Nice.
09:59Perfect, perfect.
10:00Yes, look, there is a problem.
10:02I mean, not so much a problem.
10:04I haven't told Sofoula anything yet.
10:08But I will tell her, and then I will inform you.
10:11But you should know one thing.
10:13We agree, we are in.
10:15Yes, yes.
10:16It's done.
10:17Come on.
10:18I will bring Fipo.
10:19We will talk soon.
10:21Why do we agree?
10:22Why do you decide alone?
10:23Why? Who will say no?
10:24Me, I don't agree.
10:25I didn't ask you.
10:26Well, will you ask the mother of the child,
10:28or will you fire her too?
10:29Of course I will ask her.
10:30Come on, don't be shy.
10:31You decide alone, and we will talk soon.
10:32Are you sure they will take Fipo?
10:34Of course they will take him.
10:35Otherwise, Mr. Tsoutsis won't pick up the phone,
10:37and not only will they take him,
10:38Fipo will also be successful.
10:40Come on, do it.
10:41We will send it on time, and there will be an audition.
10:43What are you laughing at?
10:44Have you gone mad?
10:45The audition won't do the child any good.
10:47So many children advertise,
10:48nothing has happened.
10:49And how do you know that they may have psychological problems?
10:51Nothing has happened to anyone.
10:52So, it's over.
10:53Fipo won't go to the audition.
10:55Why do you decide?
10:56Who decides? You?
10:57The mother of the child.
10:59She decides.
11:04My love.
11:05The fries are ready.
11:06Well, I thought of something very serious,
11:08and I came to announce it to you.
11:10You don't want fries.
11:11Forget the fries.
11:12I found the solution to our problem.
11:14What?
11:15You will tell Ilias not to use our tofu cheese?
11:17Did you announce it?
11:18No, my CV.
11:19Good, my love.
11:20Now you will carry the CV in the morning.
11:21No, you will take it.
11:22No, no.
11:23Thank you very much.
11:24I have the custody from Agia Matrona.
11:25I'm fine.
11:26Come on, Fanny.
11:27I'm serious.
11:28I think it's better if you give it.
11:29Yes, my love.
11:30Yes, yes.
11:31I will give it.
11:32But where will I give it?
11:33Wherever I can give it.
11:34No, my son.
11:35To Vangelis.
11:36Because you want it.
11:37In the office.
11:38What?
11:39What?
11:40Are you kidding me?
11:41Where are you going now?
11:42Maybe because I'm unemployed, I'm looking for a job...
11:44and the phone hasn't ringed.
11:45Do you understand?
11:46Yes, but are you an architect?
11:47And do you think that as an architect...
11:49I have ever taken 1,200 euros?
11:50What do I want to say?
11:51Come on, my son.
11:52What is the problem now?
11:55It's not a very good idea.
11:57Why?
11:59Because, my love, this job...
12:02is very difficult and tiring.
12:05To sit down and close a date for a client.
12:07Yes, yes, of course.
12:08Don't underestimate it at all.
12:09It's very difficult.
12:10Ask Roula.
12:11Why do you think Roula left?
12:13For a season in Santorini.
12:14That was the excuse.
12:16The girl can't take it anymore.
12:17It's not funny at all...
12:18to be every crazy man in your head.
12:20It doesn't matter.
12:21I'm exhausted.
12:22I've worked at my aunt's pizzeria.
12:24And I'm sorry, my love.
12:25I'm sorry.
12:26Now, are you ready to abandon...
12:28everything you've built all these years?
12:30So many courses.
12:31So much pre-service.
12:32So many achievements.
12:34All right, my dear.
12:35Let me make a proposal...
12:36to an architectural office...
12:37and we'll see then.
12:38And what?
12:39We'll see that gyms...
12:40become professional again?
12:41This is not professionalism.
12:42This is not professionalism.
12:43Not at all.
12:44We're looking for a girl...
12:46with a dream of life.
12:47To close a date...
12:48for a lifetime...
12:49for body pam and booty express.
12:50Yes.
12:51No.
12:52I mean...
12:53Vanni, please.
12:54It's a job.
12:55And I need it.
12:56Will you give it to my CV or not?
12:59If that's what you want.
13:01Thank you.
13:02Mehmet, don't forget to come by the studio.
13:05No, no, no,
13:06Kouveliski can't.
13:07Let me tell you.
13:08I have three CDs.
13:10Yes, my child.
13:11I know we have two CDs.
13:12The third one is for Fovele.
13:14I'll get it in the evening.
13:17And let me tell you, Mehmet.
13:18Whatever you need,
13:19don't give it to me.
13:20We won't talk all day long on the phone.
13:23Bye.
13:25Do you have a CD for Fovele?
13:27No, no.
13:28It's for the house.
13:29For Alioula?
13:30For Vangelis.
13:32What about Vangelis?
13:33He asked me for a CD.
13:34I'll give it to him as a gift.
13:35It doesn't make sense.
13:36It's a conversation.
13:38Good morning.
13:40Good morning.
13:41You'll live a long time.
13:42We were talking about you,
13:43about your pigtails.
13:45Don't talk like that.
13:46My cousin
13:48and the years with the pigtails
13:50don't go well together.
13:51My child,
13:52do you want them or not?
13:53I've ordered them.
13:54Of course.
13:55I'm crazy about haircuts.
13:56But as you said,
13:57the hair grew on my back.
14:00There's no breakfast for me.
14:02We didn't expect you so early.
14:04I have a lot of work today.
14:07What did she say?
14:09Work.
14:10I see.
14:11We heard that too.
14:15Did you say something?
14:16No, Kamara.
14:17No, no.
14:18Come, come, come.
14:19Sit down.
14:21Sit down so you can eat too.
14:23Something.
14:24Don't tell me you're tired
14:26because you woke up early.
14:34Okay, mom.
14:35I'll go.
14:36What do you care now?
14:37He didn't take it very well.
14:40Ornella
14:42doesn't like me
14:43with pretentiousness.
14:45What does pretentiousness mean?
14:47It's Albanian.
14:48Ornella is from Albania.
14:49Yes.
14:50Yes, but I know
14:51that everyone knows
14:52that she's a pervert.
14:53Mom, I'll get rid of them.
14:54Come on, mom.
14:55Come on, shut up.
14:56Come on, come on.
14:57She must love her a lot.
14:59You don't know how hard it was
15:00to dump her.
15:01It was a long time together.
15:02Five months,
15:03but we got married.
15:05I don't see him
15:06going to work on his own.
15:08He's probably
15:09alone today.
15:11And where is he?
15:13I'm sorry
15:14I brought him here,
15:15but he and his father
15:16didn't fight at home.
15:17Could you not go
15:18to the office today
15:19and take care of him?
15:20I don't want to leave him alone.
15:21I'm worried.
15:22What am I going to do?
15:23You're a man now.
15:24Don't say anything manly.
15:25I'll probably sleep all day
15:26with how much he drank.
15:27My head hurts.
15:29My head hurts.
15:34Why am I here?
15:36You're here
15:37because you're not anywhere else.
15:38And your head hurts
15:39because you drank a little more
15:40and you hit your head
15:41here in the closet.
15:43I have to get the animals out.
15:45No, no, Petraki.
15:46It's okay.
15:47I'll get them out.
15:48I saw you.
15:49Petraki, it's okay.
15:50You're going to stay here
15:51with Ilias, right?
15:52Let the kid go to work
15:53and have fun.
15:54If you want him to go to work,
15:55you want him to work, right?
15:56Petraki, let me tell you.
15:57We move on in life.
15:58I'll be here with Ilias.
15:59My dear.
16:00My dear.
16:01The doctor.
16:02Bye.
16:05Petraki.
16:07Do you want something to drink?
16:08To break?
16:12Ornela.
16:16Come on, my girl.
16:17I'll put you another one.
16:18I don't want to. I'll break.
16:19Why? Why?
16:20I made them for you.
16:21I don't want to.
16:22You don't want to?
16:23You're not going to eat?
16:24I'm not going to press you.
16:25No.
16:26Do you want me to put a beer?
16:27A cold one?
16:28I'll give you the coldest one.
16:29I have them in the back.
16:32What are you doing?
16:33Aren't you ashamed?
16:34I'll tell you what I'm doing.
16:35Sofia, do you know what he's doing?
16:36He's trying to get you, my love,
16:37to do the ad.
16:38Are you serious?
16:39Are you going to tell me
16:40that I'm cheating on the kid
16:41because I'm just taking care of him?
16:42Yes, that's exactly what I'm telling you.
16:43Please.
16:44Please, Poli.
16:45Sofoula,
16:46you should have seen
16:47those people from the casting
16:48how they did
16:49when they saw the movie.
16:50They went crazy.
16:51They liked it so much.
16:52They went crazy, I'm telling you.
16:53What a nice kid.
16:54What a nice kid.
16:55They went crazy.
16:56They went crazy.
16:57I got it without saffron.
16:58Without saffron, my love?
16:59Without saffron, I'll put you...
17:02Please, Poli.
17:03Please, Poli.
17:04Stop this thing.
17:05Stop it.
17:06No, I'm not going to stop it.
17:07Sofia, listen to me, my love.
17:08I,
17:09I,
17:10do not agree
17:11for Fifos to do this ad.
17:12Me neither, dad.
17:13I don't agree.
17:14What are you doing now?
17:15Ah, ah, ah.
17:16Listen to me.
17:17Listen to me, my child.
17:18This ad is for a good cause.
17:21Let Paok be quiet
17:22and I'll tell you
17:23about your good cause.
17:24I don't care about the teams.
17:25I want the message to get across.
17:26Then you should do the ad, my love.
17:28Of course.
17:29I'll do it.
17:30Because it has money?
17:31Of course it has money.
17:32How much?
17:33A lot of money.
17:34How much?
17:35No matter how much money it has,
17:36it's an ad for Fifos.
17:37He's right, mom.
17:38I'm going to put my child
17:39in the grave of money.
17:40I'm sorry.
17:41Thank you.
17:43All football teams
17:45will make an ad
17:47against fanatic violence.
17:49They want to show
17:50that fanaticism
17:51starts at such a young age
17:54and there's only one person
17:55responsible for it.
17:57The family.
18:07Hey, what's up?
18:09Everything's fine.
18:10I'm just a bit tired
18:11from work.
18:13No, did you give him
18:14his CV?
18:15Yes, yes, yes.
18:16I gave it to him.
18:17I mean,
18:18I left it
18:19with some other papers
18:20on the desk.
18:21Come on, Fanny.
18:22Why didn't you give it
18:23to Vangelis?
18:24I didn't see Vangelis.
18:25I had a lot of work.
18:26I had a lot of work.
18:27Fanny!
18:28Okay, okay.
18:29Since you insist,
18:30I explained it to you.
18:31It's a very good idea
18:32to come to the gym.
18:33Can I learn
18:34why?
18:36Look,
18:37the other day
18:38I read something.
18:39Some sports website?
18:40Yes.
18:41Besides that,
18:42I read a very worrying
18:43research.
18:44Was the research
18:45about me?
18:46Something like that.
18:47It was about couples
18:48who work together.
18:49It said that there are
18:50double chances
18:51What did it say?
18:52Yes, yes.
18:53Because they take
18:54the competitiveness
18:55from work
18:56and bring it home.
18:57Why would we take
18:58such a risk, my love?
18:59Fanny!
19:00Why don't you want
19:01to come to the gym?
19:02I told you.
19:03No, no, no.
19:04I wanted you to tell me
19:05the truth.
19:06What?
19:07Is there nothing
19:08going on in there?
19:09What?
19:10Why don't you want
19:11to help me?
19:12Okay.
19:13Since you insist,
19:14I'll tell you.
19:15Vangelis.
19:16What happened to Vangelis?
19:17Vangelis
19:18is a little
19:19too
19:20fat.
19:21It's okay, my child.
19:22I'm with my daughter.
19:23Yes, and you think
19:24Vangelis will be moved
19:25because you're my daughter.
19:26You're also blonde, aren't you?
19:27That's why Roulas left.
19:28Because if that's the case,
19:29he needs a lawyer.
19:30No, no, no, my love.
19:31Roulas really left
19:32because he went to Santorini
19:33with the boy of the season.
19:34But Roulas wasn't blonde.
19:36Anyway,
19:37I don't think it's that bad.
19:38And in the end,
19:39if I feel uncomfortable,
19:40I'll put him in his place
19:41very gently.
19:42You won't make it.
19:43Why, my love?
19:44Will he attack me?
19:45No, my love.
19:46I'll attack him
19:47and we'll both be unemployed.
19:48No.
19:50I suggest
19:51we go to the gym
19:52together
19:53and Vangelis
19:54will introduce us
19:55to each other
19:56and we'll see how it goes.
19:57My child.
19:58My love.
19:59My doll.
20:00Since you've decided
20:01to work anywhere,
20:02why don't you look
20:03at the ads?
20:04Why should I look?
20:05And the best paid job
20:06is in a bakery
20:07with 793 euros
20:08a day.
20:09And in the end,
20:10I don't want Ilias
20:11to send me more ads.
20:12I can't.
20:13Ilias keeps sending them.
20:14Yes, he did.
20:15The other day,
20:16he left me a note
20:17telling me to go
20:18to Belgium
20:19so that I could
20:20push people
20:21into the train.
20:22My love,
20:23I prefer Belgium.
20:24Leave us alone.
20:25I didn't want you
20:26in Rhodes.
20:27Do you want to go to Belgium?
20:28So,
20:29let's see what we'll do.
20:30We'll go
20:31to the gym
20:32together today.
20:33That's it.
20:35Yes, okay.
20:36Perfect.
20:37I'll go serve.
20:49Thank you.
20:50It was hard
20:51to open it.
20:52You're welcome.
20:53What's this?
20:54Vangelis' hairpins.
20:55Vangelis?
20:57If he eats all of this,
20:59he'll go crazy.
21:02What?
21:03Did you give him a name?
21:04To make us laugh.
21:05I don't think
21:06he'll find it funny.
21:07Where is he?
21:08He flew somewhere.
21:09I think
21:10he got a call
21:11from Carambela's aunt.
21:12Oh.
21:13Oh.
21:14They ruined
21:15the sweets again.
21:16The day before,
21:17he kept them
21:18for a day
21:19and a night.
21:20So,
21:21when he comes back,
21:22he'll need something strong.
21:23He'll be fine
21:24with the hairpins.
21:25They're very strong.
21:26And Sakis makes them.
21:28He puts almonds,
21:29raisins,
21:30walnuts.
21:32So, he's a gourmet.
21:33Yes.
21:34And he has a secret.
21:36He puts parsley
21:37on his back set.
21:39Parsley on the hairpins?
21:40Yes.
21:41It works.
21:42Yes, of course.
21:44It's a symbol of life.
21:46And it gives
21:47coolness.
21:49When the time comes,
21:50let's suggest it.
21:52Suggest whatever you want, kid.
21:54You wrote his name
21:56on the hairpins
21:57for fun.
21:58I can't do humor.
21:59Yes.
22:00You can do whatever you want
22:01besides that.
22:03By the way,
22:04are you hungry?
22:06From time to time.
22:07Good.
22:08I brought spinach,
22:09fresh bread
22:10and feta.
22:12Let's go eat.
22:13Let's go.
22:18Tinkas didn't leave
22:19a girl for another girl.
22:21He was married
22:22to a dentist
22:23but he divorced her
22:24after two months.
22:25She was upset
22:26and had a baby with him.
22:29It's been years.
22:32Can you imagine
22:33the day his baby was born?
22:34They found him
22:35in the infirmary
22:36with a nurse
22:37taking his eyes out.
22:39His wife divorced him
22:40and took their son.
22:42Their son is in Athens now.
22:44He sounds gay.
22:45Be careful.
22:46I'm fine.
22:47I don't like
22:48to talk too much.
22:49I understand.
22:50Who knows
22:51what got into her.
22:52I wonder
22:53how she's doing
22:54because I know
22:55from the pharmacist
22:56Voula
22:57that she's a little
22:58clumsy
22:59with ST.
23:00That's not true.
23:01She's suffering.
23:02She has problems
23:03with her health.
23:04Where do you find them?
23:06You tell me.
23:07It's not random.
23:09His father was eating
23:10from the village
23:11in the good old days
23:12for 300,000 grannies
23:13and they built a house
23:14in Tsoumerka.
23:15That's how they opened
23:16the cheese factory.
23:17What do you think?
23:18The truth.
23:19No, no.
23:20I understand, I understand.
23:21He was collecting animals.
23:22He was collecting.
23:24Tinkas?
23:25Me.
23:26I was collecting milk
23:27twice a day
23:28and I was going
23:29to feed him.
23:30To be fresh,
23:31to be clean,
23:32to have no lumps.
23:33He won three awards
23:34with our milk
23:35for his cheese.
23:36If he sees milk
23:37from us again,
23:38write to me.
23:39Yes, I'll write to you
23:40but maybe
23:42calling Ornella
23:43might worry her.
23:45She's not answering.
23:47I'm telling you
23:48and you should know
23:49that he has
23:50cast a spell on her.
23:52He's also the grandson
23:53of Vlantena.
23:54That's what she says
23:55about me now.
23:56I'm excited.
23:57Welcome!
23:58Kiratoula!
23:59How are you?
24:00How are you, Petragios?
24:01I hate you, Kiratoula.
24:02Did Ornella come?
24:03Did you learn anything?
24:04No, Petragios.
24:05What would I learn?
24:06I was working.
24:07I was running.
24:08I also brought chicken
24:09to eat.
24:10Where are you going?
24:11To the toilet.
24:13Great.
24:17Come on, Kiratoula.
24:18Come on, Kiratoula.
24:19She's surprised.
24:20She talks a lot.
24:21She doesn't talk a lot.
24:22She talks a lot.
24:23Ornella came
24:24and found me in the fields.
24:25I was calling her
24:26but she wasn't answering.
24:27What can I tell her?
24:28She's in love with Dikas.
24:29They've been dating for three months
24:31along with Petrakis.
24:32Oh, Petrakis
24:33is in a bad mood now.
24:35He's unlucky, Ermos.
24:36Unlucky.
24:37She's packing her things
24:38and she's going to the Jumeirahs
24:39to do something.
24:40With brides?
24:41How do you know?
24:42How do I know?
24:45Is Ornella in love with Dikas?
24:54Say no.
24:55I can't.
25:01We're here.
25:02Not from there.
25:03I told you.
25:04Not from there.
25:05I told you.
25:06Where are we going?
25:07Are we going to fly?
25:08Leave us alone, mom.
25:12Are you going to ask us
25:13where we're going?
25:14No.
25:15My poor boy.
25:16He's in a bad mood.
25:17Who knows what you did to them.
25:18It was a great time.
25:19I have to tell you.
25:20Come on, mom.
25:21You think it was a good time.
25:22The boy was fine.
25:23Come on, bravo.
25:24You were laughing all the time.
25:25What can I tell you?
25:26You, too, baby.
25:27What can I tell you?
25:28You're a mother.
25:29I never expected you
25:30to let your son
25:31do the advertisement.
25:32If you think
25:33I'm only doing it for money
25:34you're making a big mistake.
25:35What happened to us?
25:36Nothing.
25:37Advertise them.
25:38Come on, bravo.
25:39We only care about the ad.
25:40Nothing else.
25:41You saw him.
25:42He was very cooperative.
25:43Everyone said he did it.
25:44Dad, he was very good.
25:45The best.
25:46Okay, baby.
25:47The other kids were fine.
25:48They were fine
25:49but ours was the best.
25:50It's the truth
25:51and we have to say it.
25:52And he was very beautiful.
25:53Very beautiful.
25:54The other kids were beautiful.
25:55The other kids were beautiful
25:56but ours was
25:57something else, baby.
25:58What can we do now?
25:59He's a talent.
26:00He got it from his grandma.
26:01What are you saying?
26:02You're the family's talent.
26:03Yes, because you're the beautiful one
26:04who looks like Phoebus
26:05who is handsome.
26:06Oh, it was the bar.
26:07Yes.
26:08Guarantee.
26:09Look, look, look.
26:10I'm so nervous.
26:11We'll find out tomorrow.
26:12Feet!
26:27Where did you put it?
26:28Huh?
26:29Where are you going like this?
26:30Like a thief.
26:31Me?
26:32I wanted to get some fresh air.
26:34In the hallway?
26:35Yes, yes.
26:36Why not?
26:37And why did you take the bag with you?
26:39Did you find it?
26:40Yes.
26:41I opened it before
26:42and we're talking about a fight.
26:43Of course.
26:44From now on,
26:45we'll leave together.
26:46No one will leave.
26:47No, baby, it's not possible.
26:48I'm working in an hour.
26:49Perfect.
26:50So, we'll leave together.
26:51Zoi, why are you doing this
26:52to yourself?
26:53I told you, Vangelis...
26:54He's stupid.
26:55Yes, I know.
26:56And who told you
26:57that in any other job
26:58I wouldn't be fired?
26:59Yes, but we're talking
27:00about Stantarakis here.
27:01Fine.
27:02I know how to deal with him.
27:03It's not the first time it happens.
27:04Fine.
27:05So, you're going to mess with Vangelis
27:06and we're both going to be fired.
27:07You probably don't know Vangelis.
27:08It's a great opportunity to find out.
27:09Let's go.
27:11Zoi,
27:12I'm asking you for the last time.
27:13Are you absolutely sure
27:14that you want to go?
27:16Yes, I'm absolutely,
27:17absolutely sure.
27:18Let's go.
27:32Hey.
27:33Yes, Mitse.
27:34Yes.
27:35Yes.
27:36Come on.
27:37I just got back.
27:38Oh.
27:39Wow.
27:40He brought the Zouzou album.
27:43Wow.
27:44Wow.
27:45He wrote my name on it.
27:48Yes.
27:49Yes.
27:50Yes.
27:51Yes.
27:52Yes.
27:53Yes.
27:54Yes.
27:55Yes.
27:56Yes.
27:57Yes.
27:58Yes.
27:59Yes.
28:00Yes.
28:01Yes.
28:02Yes.
28:03So,
28:04I listen a lot to the sound of it.
28:05I'm actually into it.
28:06You should tell me.
28:07The contagions?
28:08Okay?
28:09Yeah.
28:10The spoons?
28:11Jet.
28:12Really?
28:13Yeah.
28:14There are so many people at such a time?
28:15Super, bro.
28:16We're going to go crazy
28:17at the pole.
28:18Okay.
28:19Okay.
28:20Yes.
28:21Yes.
28:22Yes.
28:23Yes.
28:24I sounded like a cat.
28:25Hey, yeah, yeah.
28:26Welcome, bro!
28:27We're glad!
28:29Why are you in such a rush?
28:30I have a servant.
28:31And where are you going with the pigeons?
28:33Eh?
28:33To...
28:34To...
28:35To Mitso.
28:36He's got a stroke.
28:38And he's waiting for you to go from Fodeles to Heraklion to save him,
28:41so he doesn't eat a spoonful of honey.
28:43You're right.
28:45And I don't take answers.
28:46But you see, eh?
28:48I left Mitso's soul.
28:50I'm going now.
28:53Shhh.
28:55Oh.
29:00What is Lamoyos doing again?
29:11Petraki, leave your stuff and get out.
29:13Come on, the chicken will get cold.
29:15It's not worth it for a rooster.
29:17The rooster is my whole life.
29:19You've known it for 5,000,000 years.
29:20It doesn't make sense for me to live.
29:22Petraki, I'll break the door.
29:24Are you trying to do something stupid?
29:25Did we drink anything in there?
29:27The oil I put in my hair.
29:29Petraki, if you leave, I'll give you a ride to the jeep.
29:33Let me finish.
29:34You've been talking for so long, you didn't calm him down at all.
29:37He didn't let me say anything.
29:38Petraki, either you leave, or we'll say it.
29:41Control yourself.
29:43You're not worthy of my love, Petraki.
29:45Maybe I wasn't lucky.
29:47And when will my luck be mine?
29:49You're still young.
29:50I take pills for my cholesterol, I'm not young.
29:53What pills? You're beautiful.
29:55You're hard-working. You're stealing Petra.
29:57Stealing Petra? Stealing Petra!
29:59You have to find a woman who has style and principles.
30:03Where is she?
30:04We'll find her.
30:05You say that because you found her.
30:07I'll find you one, too.
30:08That's how we'll leave you.
30:11You're right.
30:12And I gave her a lot of value in the end.
30:14That's right, we should find her.
30:16I'm sorry I upset you.
30:18Don't say that again.
30:19I'm your sister, you know that.
30:21Don't do anything stupid.
30:23I won't.
30:24And I think I gave her a lot of value.
30:26I'll buy her a job now.
30:30Go to sleep, kid.
30:31Stay here.
30:40Come on, dad.
30:41The game is over.
30:42We have to go.
30:43Wait a minute.
30:44They might call.
30:45No way, dad.
30:46When will they call?
30:47Come on, kid.
30:48We're having fun.
30:49I don't want to go home, dad.
30:51I can't stay here.
30:52I can't.
30:53They might call.
30:54No, they won't.
30:55You're the best.
30:56Do you know how good the doors are?
30:58So what?
30:59Pau will show us the door.
31:00It's locked.
31:01Pau doesn't decide, dad.
31:02The announcer and the director have the final say.
31:04What happened?
31:05I can't see you celebrating.
31:06Didn't you get a call from the casting?
31:07Dad!
31:08Now you're the one in pain.
31:09I'm in pain, too.
31:10I see you're worried.
31:11We're not worried.
31:12You're worried.
31:13Not at all.
31:14I'm not worried, either.
31:15It's okay.
31:16They'll pick us up tomorrow.
31:17A call!
31:18A call!
31:19Quiet!
31:20Quiet!
31:21Quiet!
31:22Quiet!
31:23Yes?
31:24The same?
31:25Seriously?
31:26Thank you very, very much.
31:27Did they pick up?
31:28Did they pick up?
31:29Did they pick up?
31:30Yes, yes, yes.
31:31Tell me.
31:32Who?
31:33What is it?
31:34I don't understand.
31:35Oh.
31:36What is it?
31:37Stop it, dad.
31:38I can't hear you.
31:39No.
31:40What is it?
31:41We want to pass the message.
31:42We want to pass the message.
31:43Yes, I'm coming.
31:44I'm coming.
31:45When is the shoot?
31:46It's done.
31:47Thank you very much.
31:48Bye.
31:49Good night.
31:50Bye, bye, bye.
31:51What did she say?
31:52She said she's going to call the director to tell me when the shoot is.
31:55So you're really going to advertise Fivos?
31:57Of course I am.
31:58I'm going to advertise him.
31:59My little boy.
32:00My little boy.
32:01My little boy.
32:02Yes.
32:03And nothing will happen.
32:04Don't worry.
32:05Don't worry.
32:06Don't worry.
32:07Don't worry.
32:08Don't worry.
32:09Don't worry.
32:10Don't worry.
32:11Don't worry.
32:12Don't worry.
32:13So this advertisement is not from Paco's mother?
32:15And who is she?
32:16They didn't tell me.
32:17It's okay.
32:18It's okay.
32:19It's okay.
32:20It's okay.
32:21Seriously?
32:22You didn't want to advertise your kid and now it's okay?
32:23I said from the beginning that the idea of advertising was very good
32:26but Fivos didn't want it.
32:27But since he didn't do it, it's okay.
32:29Now that he shouldn't, you say it's okay.
32:30It's okay Babi.
32:31Are we against Fanatic Violence and fanaticism?
32:33Yes, we are against it.
32:34So we don't care that Fivos is not going to advertise Paco?
32:36We do.
32:37We do, because it's important to pass the message.
32:40She wants to pass the message.
32:41Let's pass the message.
32:48Hey, honey.
32:49Hey, baby.
32:50Why don't you talk to me? What did I do wrong?
32:52You're wrong. You're wrong because you didn't prepare me.
32:54Me? I told you a hundred times not to come.
32:57Yes, but you didn't tell me how stupid you are.
32:59You don't believe me, do you?
33:01How can I imagine that?
33:03What do you want me to do, honey? Do you want me to go to the hospital?
33:05You don't have to. I'll do it myself.
33:07What do you mean?
33:08We were having a great conversation.
33:10And the truth is that we were having a great conversation.
33:12One day, he asked me if I had social media.
33:14Did he send you a nude photo?
33:16When I have time. He's right in front of me.
33:18If he wants, he has time for everything.
33:20He didn't send me anything.
33:21Then what happened? Why did you get mad?
33:23He entered my profile and started scrolling with great attention.
33:27And I said, okay, he's looking at my work.
33:29Because we had talked about architecture.
33:31And I realized that he had zoomed in on a photo of me
33:33from last summer in Souli and he's looking at it.
33:35What?
33:36He's looking at it right in front of you.
33:38Stop it. I'm going crazy. I'm going crazy.
33:40Sit down, honey. Where was I? Why didn't you call me?
33:42You were doing subgen hips at that time.
33:44And what does it matter, honey?
33:46I deal with the hips of men, and you're looking at my girl's hips?
33:48Anyway, I handled it myself.
33:50I just...
33:52What did you do? Did you hit him?
33:54No? Did you do it right, honey?
33:56Did you do it right?
33:57Let me tell you. Did you have the opportunity to call Ed and Pselis?
33:59I didn't hit him, Fanny.
34:01I just realized that I wasn't as cold as I thought I would be.
34:03And I served him something sweet.
34:06And you missed that, huh?
34:08That's a shame.
34:09At least, from now on, you're going to believe me.
34:11I can't deal with this crazy guy. He's driving me crazy.
34:15Job position number one.
34:17Message creator for the hips of Asian restaurants.
34:20Alternative job position number two.
34:22Professional pheasant in America for nymphs who don't have friends.
34:26Come on, honey. He's interested in you.
34:28Yes, he's interested in sending me as far as he can.
34:30Let me tell you something.
34:31That man-bird in Belgium was a good choice. It's close to Belgium.
34:40Welcome!
34:45Oh, you're here too, Fanny?
34:46Why not? Life is good.
34:48You liar!
34:50Oops, I didn't say it right.
34:52Aren't you ashamed at all?
34:54What did I do?
34:55I don't know what you did.
34:56Isn't it enough that you're flirting with Zuzu?
34:58Me? With Zuzu?
35:00Never!
35:01You flirted with the tourists.
35:04Is it possible to sell pheasants for fake sweets?
35:08And what an organization!
35:10In normal plates, with a spoon, 5 euros each.
35:14Really? Don't tell me that.
35:16What's up, Vangelis?
35:18Instead of praising me for offering a social project...
35:21What kind of project? Define it.
35:23I promote traditional recipes.
35:26To learn that there are other flavors.
35:29Not just raki and khokhli.
35:31I do it for their own good.
35:33Yes, but you get paid.
35:35Okay, I do it for my own good.
35:37What's wrong with you?
35:39No, no, think about it.
35:41We can do big business. We're talking about crazy expenses.
35:44We can go to other beaches.
35:46Crete, thank God, is surrounded by the sea.
35:49And tourists?
35:51They can eat chickens.
35:53What are you talking about?
35:55If they catch you without permission,
35:57they'll cut your...
35:59And I'm not going to pay to get you out of jail.
36:02Not for you, not for anyone else.
36:04I don't care.
36:06Don't expect me to cut you.
36:08I'm never going to talk to you again.
36:11Yes, we trusted you.
36:13No, no, I mean it.
36:15Stop diplomatic relations.
36:17Are you going to do us such a bad thing?
36:19So you're not going to eat today?
36:21With you? Never again.
36:23It's a shame, and I've brought moussaka.
36:31Okay, let's cut diplomatic relations,
36:34and a little later.
36:36It's tomorrow, brother.
36:38Let's go.
36:44Tomorrow is a new day, Petra.
36:46Think about that.
36:48And if you don't feel well, don't come to work.
36:50Okay, as you wish.
36:52Have a good night.
36:54Bye.
36:55Is she okay?
36:57She's calm, but I sent two workers to kill her.
37:00I hope she doesn't find me like this.
37:03What do you mean?
37:05I hope I find you in bed with someone else.
37:08What are you talking about?
37:10If you're thinking about something like this, tell me.
37:13Petra found us.
37:15Tell me everything.
37:17Okay, I'll tell you first.
37:19Let's go to bed.
37:21Can I tell you something?
37:23I'm in a lot of trouble today.
37:25Don't be so self-assertive.