Category
😹
FunTranscript
00:00Gliding today has developed into a sport that can be easily mastered by anyone, and it is
00:30with a desire to learn.
00:32Yeah, nothing to it.
00:34First, test the prevailing winds by means of the windsock.
00:38Then choose the proper terrain and make sure the takeoff is clear of all obstacles, particularly trees and telephone poles.
00:45Die, die, die, die, here goes my glider and I, bye-bye.
00:56Turn into the wind, wind up, test your equipment and take off!
01:02Faster, faster, more speed, more speed!
01:19Uh-huh, we did not attain sufficient altitude.
01:22Gosh.
01:27Now, the towing method.
01:29With a rope attached to the nose, the glider should be pulled rapidly along until it has attained the necessary speed to carry it into the air, somewhat in the manner of flying a kite.
01:43Uh-huh.
01:52Oh, aye, aye, over a tree we'll go.
02:04Don't let minor mishaps dampen your spirit.
02:09Keep cool and try more speed.
02:15Now, launching the glider by mechanical means.
02:19Greater speed can be attained by this method.
02:23However, the system can become involved.
02:32Hey, come back here, wait for me!
02:35Should an unforeseen emergency arise, never allow the craft to get out of hand.
02:40Whatever happens, don't give up the ship.
02:57With this method having proved somewhat unsuccessful, let us scan the book for a better method.
03:06The catapult is one of the most ingenious and scientific devices used in aerodynamics to project the craft with the speed of a bullet into the stratosphere.
03:22Oh, aye, aye, yep, we'll fly high.
03:31I'm brave, but I'm careful.
03:36To open parachute, jump, count to ten, and pull the string.
03:40Okay.
03:42Count to ten and pull string.
03:44Yeah.
03:45Count to ten, pull string.
03:47Count to ten, pull string.
03:50Count to ten and pull string.
04:01I made it, I made it.
04:04Yes, the catapult has the advantage of gaining altitude immediately.
04:14Oh.
04:30I'm glad this came up.
04:32Now don't forget to count ten and pull a string.
04:38One, two, three, four, five, six, seven, eight, nine, ten.
04:52Pull.
04:55We will take up how to land at a later date.
05:04I in the sky like the bird.
05:10Why.
05:20Well, here we go again.
05:23And now the spell that only birds can know.
05:26The sky above, the earth below.
05:30Aye, aye, dum-di-dee-die.
05:34Aye, yep, we fly like the birds in the sky.
05:38Like the birds in the sky.
05:42Like the birds.
05:44Birds.
05:53Hmm.
05:55Something wrong here.
06:05Oh.
06:33After the foregoing methods fail, through some unforeseen quirk of fate, then use your own ideas.
06:41For after all, launching a glider is really very easy.
06:45Just remember these simple fundamental facts.
06:48One, the initial impetus.
06:51Two, the low and high aspect ratio.
06:55Three, control of equilibrium.
06:57Four, theory of convection currents.
07:00Five, the principles of abstract aerostatics, and so forth, and so on, et cetera, et cetera.
07:20Truly, you can't keep a good man down.
07:32Aye, aye, yep, in the sky.
07:36Yep, we'll fly high.
07:38Come on now, everybody, sing.
07:41Aye, aye, up in the sky.
07:45Here goes my glider, bye-bye, bye-bye.
08:15Here goes my glider, bye-bye, bye-bye.
08:44Here goes my glider, bye-bye, bye-bye.
09:13Here goes my glider, bye-bye, bye-bye.
09:42Here goes my glider, bye-bye, bye-bye.
10:11Here goes my glider, bye-bye, bye-bye.
10:39Here goes my glider, bye-bye, bye-bye.
11:08Here goes my glider, bye-bye, bye-bye.
11:37Mmm, not bad.
12:07Are you feeling better, miss?
12:34Mmm.
12:41Mmm.
12:59Mmm.
13:29Mmm.
13:50Something wrong here.
14:21Mmm.
14:22Mmm.
14:23Mmm.
14:24Mmm.
14:25Mmm.
14:26Mmm.
14:27Mmm.
14:28Mmm.
14:29Mmm.
14:30Mmm.
14:31Mmm.
14:32Mmm.
14:33Mmm.
14:34Mmm.
14:35Mmm.
14:36Mmm.
14:37Mmm.
14:38Mmm.
14:39Mmm.
14:40Mmm.
14:41Mmm.
14:42Mmm.
14:44Mmm.
14:45Mmm.
14:46Mmm.
14:47Mmm.
14:48Mmm.
14:49Mmm.
14:50Mmm.
14:51Mmm.
14:52Mmm.
14:53Mmm.
14:54Mmm.
14:55Mmm.
14:56Mmm.
14:57Mmm.
14:58Mmm.
14:59Mmm.
15:00Mmm.
15:01Mmm.
15:02Mmm.
15:03Mmm.
15:04Mmm.
15:05Mmm.
15:06Mmm.
15:07Mmm.
15:08Mmm.
15:09Mmm.
15:10Mmm.
15:11Mmm.
15:12Mmm.
15:13Mmm.
15:14Mmm.
15:15Mmm.
15:16Mmm.
15:17Mmm.
15:18Mmm.
15:19Mmm.
15:20Mmm.
15:21Mmm.
15:22Mmm.
15:23Mmm.
15:24Mmm.
15:25Mmm.
15:26Mmm.
15:27Mmm.
15:28Mmm.
15:29Mmm.
15:30Mmm.
15:31Mmm.
15:32Mmm.
15:33Mmm.
15:34Mmm.
15:35Mmm.
15:36Mmm.
15:37Mmm.
15:38Mmm.
15:39Mmm.
15:40Mmm.
15:41Mmm.
15:42Mmm.
15:43Mmm.
15:44Mmm.
15:45Mmm.
15:46Mmm.
15:47Mmm.
15:48Mmm.
15:49Mmm.
15:50Mmm.
15:51Mmm.
15:52Mmm.
15:53Mmm.
15:54Mmm.
15:55Mmm.
15:56Mmm.
15:57Mmm.
15:58Mmm.
15:59Mmm.
16:00Mmm.
16:01Mmm.
16:02Mmm.
16:03Mmm.
16:04Mmm.
16:05Mmm.
16:06Mmm.
16:07Mmm.
16:08Mmm.
16:09Hmm, not me!
16:17Constant reference of the blueprints is necessary in order to facilitate the building and fabrication of the many complex and minute items of structural simplicity.
16:39🎵
16:58Hmm!
17:09The
17:30confident craftsman must check and recheck for the spirit level. This accurate and sensitive
17:35instrument assures precision of construction.
18:05While setting the window glass, or glazing, extreme care and delicate handling must be
18:19exercised at all times.
19:35Painting as a finishing touch to any house. Paint applied to reflect the owner's personality.
19:44Also covers a multitude of surfaces.
21:06And when at last his dreams have been transformed by wood, metal and masonry into solid reality,
21:14the happy homeowner is proud to extend the warmth and hospitality of his home.
21:35There's no place like home.
22:06Dancing has always been man's way of expressing his emotions. He danced to bring the rains.
22:13He danced to frighten evil spirits. To bring in his crops. Tribal tales were told with
22:20the slightest movement of the hands. The dance has always had its romantic aspect.
22:27He danced to bring the rains. He danced to frighten evil spirits. To bring in his crops.
22:41Tribal tales were told with the slightest movement of the hands. The dance has always
22:49had its romantic aspects. Even today, dancing is still enjoyed by many. But there are those
22:57who have become so inhibited they no longer have the ability or instinct to dance away
23:01their cares.
23:03Come on, George. Let's dance.
23:10Are you forced to offer some feeble excuse for not dancing? Are you left holding the
23:16bags and stuck with the check while others enjoy themselves? Do you have two left feet?
23:24Of course. Do you feel like a wallflower alone in a world of laughter and dancing feet? Well,
23:30you can learn to dance. All done.
23:35Dancing is as easy as one, two, three and A, B, C. Example. A being the right foot is
23:41placed at numeral one. B, the left foot, at numeral two. Now C equals motion, therefore
23:46A or the right foot, if the student is a lady, or B, the left foot, if you're a man, glides
23:51to numeral three. Logically, of course, the right foot follows the left and vice versa
23:55into the simple patterns that follow.
23:59Thus we find in this simple design the basis for the dance. It's merely a matter of following
24:05the diagrams.
24:36You are now ready for a partner.
24:40Why, Mr. Keefe, come right in. Now don't forget, return it tomorrow.
24:47Plan your approach carefully. Be polite, even courteous. Be suave. Suggest refreshments.
25:06If your partner seems to tire, suggest some fresh air.
25:13For sitting out a dance on a moonlit terrace can be a most delightful part of your evening.
25:19Ouch! And remember, always be the gentleman.
25:27But with the ice broken, on with the dance.
25:35What a gal!
26:02If you have trouble with self-instruction, you can attend an accredited dancing school
26:07and master a dance for every occasion.
26:12Ouch!
26:34Time passes quickly.
26:43And one day you find yourself a past master of the dance. You graduate.
26:50Relaxed and confident, you are ready for the final test. You're going dancing.
26:57Your personality has changed. You're sure of yourself.
27:02A suave, sophisticated, eager to display your Terpsichorean technique.
27:14And when the music starts...
27:21Ouch!
27:49Ah, yes. The intricate grace of a modern ballroom dance is a true reflection of our culture.
27:56From primitive man to modern man. Man, you've come a long way in only 10,000 years.
28:19Ouch!
28:46Somewhere within the crowded confines of the big city, there roams a lonesome man in need of companionship.
28:55But for every friendless man, there is always a dog, man's best friend.
29:02Fate, in its peculiar manner, brings these two together. A one-man dog and a one-dog man.
29:28Come on, Rover. Here's what. Fifi. Bowser. Bowser.
29:41A mutual feeling of understanding springs up between them, held together by a common bond.
29:55Soon, the puppy becomes accustomed to his new surroundings and makes himself at home in his master's house.
30:07Oh, I've got you!
30:09The out of doors is the best place to teach the dog his parlor tricks, and the best method is by illustration.
30:17He should be shown how to heel. Heel.
30:20How to sit up. Sit up.
30:22To roll over. Roll over.
30:24Lie down and point. Like this. Point!
30:29Dumb dog.
30:31When the pup has learned to obey these simple commands, he should be rewarded with a biscuit for his efforts.
30:38Take a bite, Bowser. Yow!
30:41A man and his dog, each for the other.
30:44Here, pal. Shake hands.
30:51After months of training, the young pup has grown into a one-man dog.
30:58The proud master enjoys a leisurely stroll with his pet.
31:02My, what a handsome dog.
31:04Oh, thank you, ma'am.
31:09Heel, Bowser. Heel!
31:11I said heel! Stop! Whoa! Heel!
31:21Bowser!
31:26Heel! Get off! Sit up! Roll over! Get up! Come on, roll over!
31:32Get up! Roll over!
31:34There is nothing closer in affection than a man and his dog.
31:46Bowser! Go home! Get away from them chickens!
31:49Beat it, Bowser! Get out of here!
31:51My watch!
31:53Get off of the flowers!
31:55Go home, you munch!
31:57He's eating my roast!
32:04Affectionately, the happy dog greets his master's return from a hard day's work.
32:13Ah, the comfort and companionship of dog and master.
32:18Sometimes the neighbors drop by for a friendly chat.
32:21Hey, Geese! Your dog busted my fence!
32:24I'm gonna sue!
32:25Scared my chicken!
32:26You owe me plenty!
32:27Who's gonna pay for my watch?
32:28Tore up my lawn!
32:29Pay up or else!
32:30Eat my roast!
32:31And keep that dog home!
32:35The kindly master cannot count the cost and money for the privilege of owning a pet.
32:48With a warm feeling of security, the master steps out for the evening.
32:52Good night, Bowser.
32:54Zip-a-dee-doo-dah, zip-a-dee-ay.
32:58My, oh, my, what a wonderful...
33:02Bowser! Out!
33:06Get, get, get, get, get! And stay there!
33:22Easy, boys. He's dangerous.
33:48Surround him, boys!
33:49You asked for it, copper!
33:51We're coming in shooting!
33:58Okay, I give up.
34:00Take him away, boys.
34:02It's up the river for you, Spike!
34:09The slightest noise is apt to arouse the watchful dog into instant action.
34:14Bowser! It's me! It's me, Bowser boy! Remember?
34:18Speak to me, Bowser!
34:21Doggedly, the pet protects his master's house, almost as if it were his very own.
34:27Good dog.
34:50Horse racing. Color, thrills, excitement.
35:08This is truly the sport of kings.
35:10Today, horse racing has become a science.
35:13A science to test the skill of the professional and unprofessional handicapper.
35:18The well-informed turf man must know the individual merits of the competing horses.
35:22He must consider all the elements.
35:24Wind velocity, humidity, rotation of the earth, time of day, temperature, drift indication, lay of the land.
35:32Racing horses are called thoroughbreds, all descending from pure Arabian stock,
35:38and are known to the fan as hayburners, goats, dogs, and bangtails.
35:51Ah, the system horse is snapshot the third.
35:54Now, to properly evaluate the fine points of a horse's conformation,
35:58first see that the quarter, stifle, hock, gaskin, and pastern are all in line.
36:02See that the cannon bone is due south and slightly to the rear of the coupling point of the hip.
36:06See that the loin throat latch is well sloped into the e pluribus unum of the maxillary hip joint muzzle at the turn of the fetlock, or t-bone.
36:13Beware of a flexor perforatus imperfectly imbricated with an avicular cessum or front bone.
36:17Make doubly sure that the triangle formed by the withers, girth place, and flank prime ribs
36:21is an extreme opposite of the equilateral hexagon formed by the loin chuck, coronary withers, and girth place.
36:25Then check the withers, forearm brisket, against the pasterns and fetlock chestnut.
36:27Observe the shoulder width of the gaskin brisket throat as in Jorgensen's ratio of four to one.
36:30Compare the integration of the front latch cannon bone overly outstretched with the medium up and forward throat brisket flank inch length.
36:33So much for conformation.
36:36Now look at the pedigree of your horse.
36:38Snapshot the third, out of developer by hypodeveloper, out of bromide by flashbulb and hypo, out of tintype by negative.
36:46Since tintype the first, horses of this line have been noted for their burning speed.
36:51And they are also noted as camera muggers or lens lousers.
36:57Ah, weather clear, track fast.
37:01Once inside the clubhouse, you are instantly aware that you're rubbing elbows with the elite of the sporting world.
37:08You'll hear a good deal of discussion as to the respective merits of this horse or that,
37:12but you will not be tempted by the touts.
37:15You stick to your goodies.
37:17Snapshot the third.
37:19There are many systems of picking a winner.
37:21Some fans get their dope straight from the feedback.
37:25Others write from the horse's mouth.
37:28Listen, doc.
37:30There's a big filly in the toad that's looking pretty good to me.
37:38Horses are coming out on the track.
37:40Ah, what a sight.
37:46There's your horse, the favorite.
37:48Every inch a champion.
37:50Look at that conformation.
37:53It looks like our psychic friend is going to pick himself a horse.
37:57Eeny, meeny, miny, moe.
38:00Moe, moe.
38:03Moe, moe.
38:05That's it, old moe.
38:07The hundred to one shot.
38:23Two dollars on old moe, please.
38:26Horses are entering the starting gate.
38:28The atmosphere is electric.
38:30The cameramen are ready, the press is ready.
38:32The jockeys and mounts are keyed to the last notch of excited tenseness.
38:36Ah, this is a great moment.
38:38The crowd is hushed.
38:39High overhead, the judges are ready, and...
38:41And...
38:43And...
38:45And...
38:47And...
38:49And...
38:51And... they're off!
38:55At the start, it's Insomnia in front, by a head.
38:57Flannel Cake is second, by a half.
38:59Frank Case is third, by two lengths.
39:01Baker's Dozen is fourth, by a nose.
39:03Plumber's Friend, and old moe.
39:05Snapshot refused to break.
39:13Around the clubhouse turn, it's Flannel Cake on the rail, by four lengths.
39:16Insomnia's second, by a head.
39:18Frank Case is third, by a length and a half, and beeswax.
39:21Old moe is trailing.
39:31Turning into the back stretch, it's still Flannel Cake, by...
39:33And here comes Snapshot, closing very fast.
39:35Look at that horse come. He looks like a quarterback sneak.
39:37One interference, five, ten, fifteen yards.
39:40And he's smeared, smeared hard.
39:42He's trying to find an opening, but they've got him boxed in.
39:44No, he's away!
39:45Boy, oh boy, it's been a long time since we've seen a show like this.
39:48That horse has speed to burn.
39:50It's Snapshot on the way.
39:52He's just tiptoeing.
39:56Insomnia's second, by two lengths.
39:58Plumber's Friend is third, by a head.
40:00Porterhouse is fourth, by a nose.
40:01Snapshot broke down.
40:03Into the stretch, it's Insomnia in front, by a head.
40:06Plumber's Friend is second, by a neck.
40:08Cheeseburger is third, by one.
40:09Frank Case is fourth, by two lengths.
40:11K.O. Justice is fifth, by a head.
40:13Bath is sixth, by a length and a half.
40:15And Snapshot is coming again.
40:17He's fifth, he's fourth, he's third, he's second.
40:20And he takes the lead!
40:25And out of the pack comes Old Moe.
40:32It's Old Moe and Snapshot.
40:34It's Old Moe and Snapshot baffling it out, neck to neck.
40:37It's a driving finish. It's Old Moe and Snapshot.
40:41And now it's Snapshot by a nose.
40:43They're coming across the line of finish.
40:45And Snapshot.
40:46But wait, it's going to be a photo finish.
40:52And the winner, Old Moe.
40:55The hundred to one shot.
40:57Snapshot just couldn't resist the camera.
41:00Tough luck, old pal.
41:02You can't win every time.
41:04Or can you?