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00:00The following is a work of fiction. Any resemblance to actual persons, living or dead, is entirely coincidental.
00:10The following is a work of fiction. Any resemblance to actual persons, living or dead, is entirely coincidental.
00:16A long time ago, there was a great war.
00:32The famous warriors kept fighting with their faith and ambition,
00:38but there was no winner.
00:42Twenty-one swords, deciding the fate of the world, scattered in the land of the Far East.
00:56This story begins with a man obtaining a single sword.
01:13A long time ago, there was a great war.
01:19The famous warriors kept fighting with their faith and ambition,
01:25but there was no winner.
01:30Twenty-one swords, deciding the fate of the world, scattered in the land of the Far East.
01:42A long time ago, there was a great war.
01:47The famous warriors kept fighting with their faith and ambition,
01:53but there was no winner.
01:58Twenty-one swords, deciding the fate of the world, scattered in the land of the Far East.
02:12A long time ago, there was a great war.
02:17The famous warriors kept fighting with their faith and ambition,
02:22but there was no winner.
02:27Twenty-one swords, deciding the fate of the world, scattered in the land of the Far East.
02:34A long time ago, there was a great war.
02:39The famous warriors kept fighting with their faith and ambition,
02:44but there was no winner.
03:18A long time ago, there was a great war.
03:23The famous warriors kept fighting with their faith and ambition,
03:28but there was no winner.
03:33The famous warriors kept fighting with their faith and ambition,
03:38but there was no winner.
03:44This story is fiction.
03:56That's enough. Take a ten-minute break.
04:13Kuroko, can I talk to you for a moment?
04:15Yes.
04:27Four months have passed since the first live broadcast of Shinsei B. Komachi.
04:33Since then, we have held several small live broadcasts,
04:37and the number of fans has increased little by little.
04:43Onii-chan says he doesn't want to be an actor, but he's got a lot of work to do.
04:49To be honest, I don't know what he's thinking.
04:54Oh, right. Onii-chan has a cute girlfriend now.
05:00He started dating her because of the program,
05:02and it seems that he will also act in the stage where his senior will appear next time.
05:08He says he's just a lover of work.
05:12I think he's an enemy of women.
05:19I'm doing well now.
05:23I will continue to be an idol until the day I stand on the stage of the dome that my mother couldn't build.
05:33Watch me, Mom.
05:40Tokyo Blade, a popular manga with more than 50 million volumes,
05:45is a street battle story in which teams from all over Japan spread out and deepen their friendship and love for each other.
05:53Arima belongs to the Shinjuku Cluster of the protagonists,
05:57and the Shibuya Cluster, which Akane and I belong to, stands up as an enemy.
06:02In this play, the scenario unfolds on the pillars of the Shibuya Cluster, where these two teams fight.
06:09Is the co-star with Arima the last one?
06:12It's a shame that there aren't many scenes with Kana-chan.
06:16She seems to get along with Kana-chan.
06:18She came with me when we met.
06:21No, it's the other way around.
06:23When it comes to acting, she's too passionate and scary.
06:27It's helpful that she doesn't complain when she's on stage.
06:32That's right.
06:34But isn't it fun to talk about acting?
06:36I can do it infinitely.
06:38Give me a break.
06:40Only people who have a passion for acting can understand that.
06:44Don't you have a passion?
06:46I don't.
06:49People who stand on stage basically like acting and are serious about acting.
06:58I'm different.
07:00Acting is a means to get closer to the truth of love.
07:04Kandaichi Toshiro, representative of the troupe LALALAI.
07:07It's a means to get closer to this man who has the potential to influence love.
07:15It's almost time to take a break.
07:17Yeah, wait a minute.
07:26Let's go.
07:34Shinjuku, which has always been a lawless area, seems to have been unified by one man.
07:40His name is Blade.
07:42Interesting.
07:44I'll see what kind of person he is.
07:47Don't try to start a fight without thinking.
07:52No one is bad this time.
07:58It's natural that Arima-chan, who has a long career, and LALALAI's Menmen can act.
08:03I was wondering what Meld-kun would do when he saw Kyouama's performance, but he did a good job.
08:09I heard that Aqua-kun is new to the stage, but I can see the surroundings and there is no difference.
08:14When Kaburaya sends people elsewhere, it's a tough battle.
08:18Arima-chan and Akane-chan's generation-to-generation young genius confrontation is also hot.
08:24The way they enter the role and the way they adapt to the surrounding performance is also symmetrical.
08:32It looks like Akane-chan is one step ahead.
08:36I hope Arima-chan doesn't lose.
08:39I don't know.
08:41This sword is too white for a country samurai.
08:46I have Himekawa.
08:54Huh?
09:02Arima, right?
09:04You don't have to worry about it.
09:10Do you want to fight me?
09:13It doesn't look like you can solve it by talking.
09:17The stronger one will be your partner.
09:20How about that?
09:22It's easy to understand.
09:26Don't complain even if you die.
09:29You too.
09:34Is that all?
09:36I can't help it.
09:38Don't mess with me.
09:41What's wrong? Do you want to surrender?
09:43Don't talk to me like that.
09:46This is the end.
09:52What's wrong?
09:54You're strong.
09:56Get away from me.
10:07Arima, Kana. How about dinner after this?
10:10Okay. I have a lot of things to ask you.
10:14Melt, come here.
10:16Me too?
10:17It's natural because there are a lot of supporting scenes.
10:20Kana...
10:22A while ago, she wasn't the kind of girl who acted in front of me.
10:28She wasn't the kind of girl who acted in front of me.
10:34Confidence, determination.
10:36I got something from being an idol.
10:39She's been quiet lately.
10:42I thought it was necessary to stimulate her to receive 2.5 or cast from outside.
10:49That's why I don't want to lose to anyone.
10:53There's no way I don't feel anything when I see her.
10:57I have to think about how to fight her.
11:03If I'm an actor.
11:19The stage has a training period of about a month.
11:24It's 6 to 7 hours at night.
11:27There are a lot of busy people, so not many people gather.
11:32Especially the main cast often can't participate in other jobs.
11:37There are few cases where they hire a stand-in.
11:42But many actors like to act, so they try to participate at night.
11:52Arima, can I ask you something?
11:54What is it?
11:55How do you read this?
11:57Sakimori.
11:58I see.
11:59I thought this was Bōjin.
12:01Arima, you're smart.
12:03This is normal.
12:05Why are there so many people who can't read kanji?
12:08Why don't you read more books?
12:10I'm not good at reading books.
12:13I only watch movies.
12:14Oh, I know. I only read manga.
12:19On the third day, a group is formed at the rehearsal room.
12:24Main cast group.
12:26LaLaLai group and assistant group.
12:30And...
12:33My boyfriend is alone.
12:37I don't think he's good at getting along with people.
12:41The aura of the crowd is amazing.
12:46I feel a little close.
12:57Are you watching Kana-chan?
12:59Yeah.
13:01I'm just...
13:04Arima has a habit of acting according to the level of the people around her.
13:08It may be a strategy for Arima, who has lost her job in the past because of her strong desire to self-examination, to survive in this industry.
13:17Until now, she was surrounded by actors who didn't fit in, and she was acting that didn't fit in.
13:23But...
13:24The person next to me this time is the signboard actor of LaLaLai, Taiki Himekawa.
13:29If you come to that level...
13:32Akane.
13:33You want to beat Arima, don't you?
13:35At this rate, you'll lose.
13:37It's a big difference.
13:41Buku...
13:43Buku...
13:45If you're going to get angry, get angry.
13:46Emotional expression is childish.
13:48It's not the time to worry about people.
13:50Even Akaha-kun can't do this.
13:52I didn't want to win from the beginning.
13:56I don't think I can beat someone with talent.
14:02I'm sorry.
14:06Shinjuku guys...
14:08Everyone...
14:10Kill them all.
14:12Kurokawa, you can act a little stronger there.
14:15To match the tension around you.
14:17I understand.
14:19Stronger...
14:21A stronger performance...
14:23Is this right?
14:26Kill all the Shinjuku guys!
14:31Okay, let's go like that.
14:33Next, Shinjuku at the horse shop.
14:35From Arima.
14:36Yes.
14:37That was fine.
14:40Um, which one is Shibuya?
14:43You've never been there?
14:44That's not true!
14:46I've said it many times!
14:47Don't make fun of me!
14:48It's suspicious.
14:49This guy is sometimes nagging.
14:51Eh? He was nagging?
14:52When?
14:53Didn't you notice?
14:55I'm sorry.
14:59This time...
15:01I had a bad start.
15:04The reason is in this script.
15:07Sayahime, who plays me,
15:09doesn't have much of a role in the original.
15:12At first, she appeared as a heroine of the same period.
15:16However, her popularity with Tsurugi, who was the enemy, increased.
15:20As a result, she was eaten as a partner of the same period.
15:24In other words, she's a loser heroine.
15:28In the latest episode of the original,
15:30the character of Fugu, whose nickname is almost set to death.
15:35Men like a girl who has a lot of expressions like Tsurugi.
15:41That's right.
15:42Even in the original, I feel like I'm involved in it.
15:47If you're quiet, you'll be taken away by a girl like this.
15:51The fact that Sayahime doesn't have much of a role means that she doesn't have much material for character analysis.
15:57I have to create a character in myself by storing the pieces I drew in my delusion.
16:03However, it seems that my interpretation of the character and the interpretation of the script are quite different.
16:09Or rather, it's very different from the original!
16:12It's a very symbolic character!
16:15Originally, the princess was a kind girl who was determined to kill people.
16:21In order to reduce the scale of the stage, she has become quite forward in the fight.
16:26This is a murder-loving crazy!
16:30It can't be helped to make some changes to drop the manga into a different media called drama.
16:36It's used so conveniently in the script.
16:40It's a pity, Sayahime.
16:42It's not the same in the original, but it's treated like this on stage.
16:48I like it.
16:50But it can't be helped.
16:53The original teacher gave me an OK with this.
16:57I have no choice but to do it with this.
17:05Yaho, I'm here.
17:07How's it going?
17:09The schedule of the script is messed up.
17:12I was told to fix it by morning.
17:16I'm sleepy.
17:17Goa-san of the script is here.
17:19Yes.
17:20It seems that the original author will come today, so it's a greeting.
17:25Hey, what do you think of this script?
17:28Hmm?
17:29It's a little different from the original, isn't it?
17:32Yes.
17:33But I think it's a script based on the original.
17:36Eh?
17:37It's 90 times better than the script of the drama I appeared in before.
17:41Kyo-Ama was terrible.
17:44If you have any questions, why don't you ask me directly?
17:47No.
17:48The direction of acting is received by the director.
17:51If many people say that, the actors will be confused, right?
17:56It's not good for Kindai-chi-san to have a bad relationship with other actors.
18:01Hmm.
18:03It seems that the performance of Smash Heaven will come.
18:06I think we can still prepare a seat.
18:08Yes.
18:09Excuse me.
18:10It seems that Kurokawa has a question about the script.
18:14Eh?
18:15Based on the opinion of Kindai-chi-san, I would like to ask you.
18:18Hey, Aku-Aku.
18:21If you ask both at the same time, you can get through, right?
18:23That's true, but...
18:25Hmm?
18:26What is it?
18:27Say it, Kurokawa.
18:30It's about Sayahime's character.
18:33How should I put it...
18:35I can't understand the character from the script.
18:39This intention...
18:41Ah, it's a lot more positive than the original.
18:44That's right.
18:46The original has more conflict.
18:48Well, I was also worried about that.
18:52However, when I converted the conflict into a play,
18:56There's nothing I can't do, but it's a little too long.
19:00In manga, you need a long performance to convey the feeling of being told by a large screen expression to a far-off audience from the top of the board.
19:09Even if it's free, there are a lot of characters,
19:12If you want to put a military drama with a variety of plots into a two-hour play,
19:17It is necessary to organize it simply.
19:20Otherwise, all the scenes will be full, and it will be a work that is difficult to convey to the audience.
19:26If you want to make everything the same as the original, you don't need to be a scriptwriter.
19:31You have to decide where to liven up and select the elements.
19:35I'm also a fan of the original, so I don't really want to get involved.
19:40I think that kind of dirty role is also part of my job.
19:45Because Kurokawa-san is the one who plays such a role.
19:48If there's something wrong with it, I'll fix it right now.
19:51Don't be spoiled.
19:53I also read the first few volumes of the original,
19:56If you put the feelings of Princess Saya in it, it will be noisy.
20:00By making it a more active character, the conflict structure becomes simpler,
20:04I was able to make it easier to understand what I wanted to show.
20:07As a writer, this judgment is not wrong, so I adopted it.
20:12Your role on this stage is not to show the depth of your feelings.
20:17Isn't it persuasive as a stage device to make it easier to understand the confrontation between people?
20:23I think so, but did you understand?
20:26Yeah.
20:31Make it easier to understand...
20:35Yes, good job! A special guest has arrived!
20:41Hello...
20:43I'm Abiko-sensei, the author of Tokyo Blade.
20:46And I'm Kichijoji-sensei.
20:49Kichijoji-sensei, it's been a while!
20:51Arima-san! It's been a while since the Kyoama party.
20:55Aqua-san, I'm glad to see you again.
20:58It's an honor.
21:00Sensei, good morning.
21:02Ah, hello.
21:04I know, but it's a little salty.
21:07Of course, you've been messing around with Kyoama.
21:11From the author's point of view, it's like avenging his parents.
21:14Well, yeah...
21:17Sensei, nice to meet you.
21:21Come on, Sensei, say hello properly.
21:24Handsome and beautiful...
21:26Just by looking into each other's eyes...
21:28Well, I understand.
21:30Please take your time.
21:33Thank you.
21:38The next day
21:44What do you think, Sensei?
21:46Everyone's good at acting.
21:49I think it'll be a good stage.
21:51Of course!
21:52There are only top-notch actors in La La Land.
21:56I'm sure everyone's been practicing a lot.
22:00Sensei, when you're on stage, you shouldn't say practice.
22:03You should say rehearsal.
22:05Oh, is that so?
22:07I'm sorry, I didn't know anything.
22:11That's amazing.
22:12I can't do it.
22:17That's why...
22:20I have to say it.
22:26The script...
22:28Can you fix it now?
22:32Of course, but...
22:34Which part?
22:36Which part...
22:38Well...
22:40Everything.