Key & Lock | 1995
Transcript
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00:02:00Get up!
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00:02:41All right, Zelda, out the back!
00:02:48I hope you stay out of solitary this time, Zelda.
00:02:51Wash up, you got two minutes.
00:03:11She picks up.
00:03:25Hey.
00:03:28Sorry?
00:03:29I didn't see you there.
00:03:32Get that broom away from me before I stick it down your throat.
00:03:40Get your fucking hands...
00:04:11Hi, Sarah.
00:04:14What are you reading, dear?
00:04:16It's called a book, and it doesn't have any pictures in it,
00:04:18so you wouldn't be interested.
00:04:21There's something I want to talk to you about.
00:04:23I'm not interested.
00:04:25Oh? I think you will be.
00:04:29Where is he?
00:04:30I think you will be.
00:04:32Where is he?
00:04:43Man, all this tea!
00:04:45Come on, it's the beginning!
00:04:47Come on!
00:04:48♪♪♪
00:04:58♪♪♪
00:05:07Hey!
00:05:24Tell me where...
00:05:26Mom?
00:05:27Mom!
00:05:43Shit.
00:05:57Break it up, birds!
00:05:59Break it up!
00:06:00Break it up!
00:06:01Stop it!
00:06:02That's enough!
00:06:03Break it up!
00:06:04Break it up!
00:06:05Break it up!
00:06:06That's enough!
00:06:08That's enough!
00:06:09Break it up!
00:06:10Where's Zelda?
00:06:11I haven't seen her.
00:06:13Shit.
00:06:14All right, that's it.
00:06:19Get her, Ty!
00:06:22Get her!
00:06:24My girls...
00:06:25Break it up!
00:06:26Break it up!
00:06:31All right, who started it?
00:06:32She did it.
00:06:33Bitch started hitting on me for no reason.
00:06:35I did not!
00:06:36Shut up!
00:06:37Get that crazy bitch away from me!
00:06:38Shut up!
00:06:39Sarah, who started it?
00:06:40I don't care.
00:06:41Put them all in solitary.
00:06:44Good idea.
00:06:45Let's go.
00:06:46Move it!
00:06:48Come on, move it.
00:06:49There.
00:06:52You, there.
00:06:56Get over there.
00:07:01Move it, Dot.
00:07:06Quit fooling around and get in the cell.
00:07:08You, there.
00:07:09I hate you.
00:07:10Shut up.
00:07:11I hate you.
00:07:12I hate you.
00:07:13I hate you.
00:07:14I hate you.
00:07:15I hate you.
00:07:16Shut up, Zelda.
00:07:18Bitch.
00:07:19Get in the cell, Peters.
00:07:20Look, they were trying to kill Sarah.
00:07:21Yeah, I heard it before.
00:07:22Get in the cell.
00:07:24They had a knife.
00:07:25Look, Peters.
00:07:27I don't like troublemakers.
00:07:28I'm not!
00:07:29Shut up and sit down.
00:07:31And if you're a real good girl,
00:07:32I might let you out in a week or two.
00:07:43You're a bitch.
00:07:46You're a bitch.
00:07:55Sarah?
00:07:58You okay?
00:08:03What happened out there?
00:08:05Nothing.
00:08:16I don't know.
00:08:47Cell 17.
00:09:00What?
00:09:17Cell 17.
00:09:26What?
00:09:27Message for you.
00:09:46Okay.
00:10:17The warden says you got yourself a new roommate.
00:10:22Peters.
00:10:24I don't know why,
00:10:25but the warden thinks you're something special.
00:10:27Well, I don't,
00:10:28and while you're on my cell block,
00:10:29you do exactly as I say.
00:10:30You got that?
00:10:32Yeah.
00:10:36Good luck.
00:10:47They weren't going to kill me.
00:10:48Oh, yeah?
00:10:49What makes you so sure?
00:10:51All they wanted was...
00:10:54Forget it.
00:11:08If...
00:11:09If it makes you feel any better,
00:11:11thanks.
00:11:13Go to sleep.
00:11:24Fuck!
00:11:36Are you okay?
00:11:43I thought I warned you.
00:11:44No more illegal searches.
00:11:46Look, Tina.
00:11:47Drugs are getting in here,
00:11:48but not on my shift.
00:11:49That's bullshit!
00:11:50I am sick of you
00:11:51and your disgusting little searches.
00:11:54Screw you.
00:11:55Get out of my way.
00:11:58My arm.
00:11:59You're breaking my arm.
00:12:00If I wanted to break it,
00:12:01you'd have heard it snap already.
00:12:03Now lay off the prisoners,
00:12:05especially Sarah.
00:12:06I don't care.
00:12:07I don't care.
00:12:08I don't care.
00:12:09I don't care.
00:12:10I don't care.
00:12:11Especially Sarah.
00:12:12You got that?
00:12:14And if I don't?
00:12:16All right.
00:12:17All right, understood.
00:12:18Just let me go.
00:12:22Are we clear now?
00:12:23Everything's got to be
00:12:24by the book with you,
00:12:25lamb, doesn't it?
00:12:26That's right.
00:12:27That way nobody gets hurt.
00:12:42Go now.
00:12:43You got that?
00:12:44All right.
00:12:45All right.
00:12:46All right.
00:12:47Okay.
00:12:48Look, if I get some more of your stuff,
00:12:49I'll let you know.
00:12:50Okay?
00:12:51Thank you very much.
00:12:52I appreciate it.
00:13:02Hi Nicholas.
00:13:04This your first conjugal visit?
00:13:06Um, yes.
00:13:07Well, these are the rules.
00:13:08You and the prisoner you're visiting
00:13:09You and the prisoner you're visiting are confined to the room at all times their guard stationed outside
00:13:14So don't try anything stupid
00:13:17If you have an emergency of any kind just call out if you wish to leave call out
00:13:22If we hear anything suspicious, we will come in for inspection
00:13:26If we hear any fighting violence or anything out of the ordinary again, we will come in for inspection. Is this understood?
00:13:39Your wife will be here in a minute
00:13:58Hi
00:14:01So, what do you think
00:14:05What are you doing
00:14:08Take off your clothes what take off your clothes
00:14:12Why?
00:14:13Take off your clothes get under the covers if they were looking in on us. You gotta make this look good for me
00:14:18Are you telling me they're gonna be watching?
00:14:20They might be watching this right now. Come on
00:14:24I've been in this
00:14:27What's wrong what I do what do you do it take you so long to come here to visit me
00:14:32I mean six months you could come two months ago
00:14:57Morning
00:15:02All right, how was it what do you think I guess you married her for a reason
00:15:10Do you want to know a little secret? Yeah, sure
00:15:15He's not really my husband get out of here the prison thinks that you're married
00:15:23My
00:15:24Husband is a forger. I mean he does like credit cards IDs screen cards wedding certificates. You name it
00:15:32Why we used to pull some scams together
00:15:35You know, I mean just small-time stuff, but still hey, it's what landed me in here. So I
00:15:42Don't know lucky bastard. He's still out there free though. I just I
00:15:47Just hope he's not, you know, like scamming on me with another dame on the side or
00:15:55So, how about you I mean you mentioned that you had a boyfriend the other day what's up with you and him
00:16:00You don't know who I am. Do you?
00:16:03Just another little cutie doll in here, I guess my boyfriend was Carlos Vega
00:16:11He's a drug dealer big-time
00:16:17You
00:16:18Shacked up with a drug dealer. What's so funny about that? I don't know. I mean
00:16:24I just expected you to be like living with your poetry teacher or something. I
00:16:31Guess I'm not the typical drug dealer's whore
00:16:34No, that's not
00:16:38Well
00:16:40You know how it goes sometimes
00:16:42When I was 16, I ran away from home and like a lot of other girls
00:16:48By the time I realized it was a mistake. I couldn't go back and
00:16:52I met Carlos at this party. I needed some money and a place to stay and he offered me both. I
00:16:59Knew how he made his money, but I took it
00:17:04So then what happened I finally came to my senses and I left believe me it wasn't easy
00:17:12But then I mean, how did you end up in here? I
00:17:16I
00:17:18Shot a man. He tried to rape me. I
00:17:22Was hiding out from Carlos and there was this man. I don't know who he was, but I think Carlos sent him
00:17:29So as Carlos trying to kill you not exactly I have something he wants back really bad
00:17:36Well, why don't you just give it back to him and maybe he'd leave you alone. It's my insurance without it. He'd have already killed me
00:17:46I'm
00:17:49Really beginning to wonder about you Peters you did it again
00:17:54Looks like you're gonna have some company when we transfer you tomorrow Sarah
00:17:59Danielle you're coming with me
00:18:02Good behavior. I don't belong in this joint. Anyway, I
00:18:07Can tell it's gonna be a real cozy ride tomorrow
00:18:11Get your stuff ready early
00:18:15I
00:18:19What is her problem
00:18:29What are you doing, where are you taking me?
00:18:32Me and transfer tomorrow. It's already been approved. Not quite
00:18:36I'm not so sure that you're fit for a transfer at this time. What are you talking about?
00:18:42You don't have the authority to keep me here
00:18:45The doctor does
00:18:48You got something you want to tell me maybe
00:18:53You are a stubborn little bitch, aren't you we'll just see what the doctor has to say
00:19:07Doctor this is the prisoner who needs evaluation for transfer as I told you
00:19:11She was in a fight the other day and was hurt and hasn't been well
00:19:14She was beaten badly by another prisoner
00:19:17She's unfit for transfer in my opinion
00:19:22Sarah Sands, is that right?
00:19:27Sarah your past medical history looks good, but you understand Sarah we can't transfer you without being certain about your condition
00:19:35It's something the state stipulates for its own protection. I feel fine doctor. I wasn't injured in the fight. I'm fine
00:19:45All right, sir, go ahead get undressed, please
00:19:52All right, get the hell out of here
00:20:14Hold it
00:20:26Stay on the yellow line
00:20:30Come on Peters don't hold it up
00:20:36Name and number Sarah Sands five four seven seven six
00:20:44Name and number name and number
00:20:57Name and number
00:21:14You
00:21:44You
00:22:14You
00:22:18Hey, so what the hell is this thing that Carlos wants back from you so bad. Oh
00:22:29Come on I mean it's been bugging me ever since you mentioned it yesterday
00:22:35What the hell is it
00:22:37It's a little black book filled with numbers and codes. That's all
00:22:41It's something that could put an end to Carlos's underworld dealings
00:22:47So that's why he wants it back so bad
00:22:50That's why as long as I have it somewhere. He won't dare kill me without it. I'd be dead already
00:22:55What makes you so sure? I'm still here, aren't I?
00:23:01Well, why don't you just go to the police with it are you crazy they can't protect me from Carlos
00:23:09Well, I hope you got that thing well hidden girl I do
00:23:14And I have a really good memory
00:23:30Hey, come on, are we there yet?
00:23:33Cool it Maggie you're on the second stop anyway
00:24:03I
00:24:34Know I'll check it out. Why don't you call our position and better call an ambulance, too
00:24:52Hey, this was gonna pull she's alive come in come in
00:24:55I
00:25:17Didn't bitch I'll just waste Ali in there and I mean it you wouldn't want that
00:25:21Come on, lady. You're sitting duck here
00:25:23Just give us Sarah and we'll be all right.
00:25:25Come on, let's be friends. Let's talk about it, okay?
00:25:28Hey, you wasted my best gal.
00:25:30Now I am willing to forgive and forget.
00:25:33Right.
00:25:34Give us Sarah and you can go on your merry way.
00:25:37Hey, man, I ain't got nothing to do with it, all right?
00:25:39She's right here. She's right here and I will help you.
00:25:42Ow!
00:25:43Ah!
00:25:46Oh, man, I'm sorry about that.
00:25:48I just couldn't resist. I hate loudmouths.
00:25:50Hope we can still be friends, huh?
00:25:52Quit fucking around and give us Sarah. I mean it.
00:25:57I can't do that.
00:25:59Why can't you do it? Are you afraid you're going to lose your job?
00:26:09You guys are late.
00:26:14Sorry, Slash. We had some problems.
00:26:22Listen, lady, I got party guests here and you're in a whole heap of trouble.
00:26:25Go!
00:26:26I suggest you leave.
00:26:29Oh, damn it!
00:26:32Come on, let's go get them!
00:26:53That bitch hit my tire.
00:26:55Well, don't just stand there. Go get some help, you idiot.
00:27:01Come on. Jesus, won't this thing go any faster?
00:27:03I'm trying. I'm trying.
00:27:06Damn it.
00:27:07Something's wrong.
00:27:09Oh, shit.
00:27:11We're going to have to go on foot.
00:27:13Come on.
00:27:14Come on, Sarah, let's go.
00:27:16Sarah?
00:27:17Sarah?
00:27:18Sarah?
00:27:19Sarah?
00:27:21Sarah?
00:27:23No!
00:27:25She's dead.
00:27:27Come on, Pierce.
00:27:29Come on, we've got to leave her.
00:27:31Let me out!
00:27:37Come on.
00:27:38Quick, down here.
00:27:45Hold it!
00:27:46Give me the gun.
00:27:47What are you talking about?
00:27:49I don't know who you are, Peters.
00:27:50I'm not taking any chances now.
00:27:52Tina, I'm a federal agent.
00:27:54Special agent Danielle Peters with the FBI.
00:27:56FBI, my ass. Give me the gun.
00:27:58Unless you want your little prince back there to catch up to us.
00:28:02Here.
00:28:07Jesus Christ!
00:28:09Why don't you just try using the key?
00:28:11Because I don't have the keys back in the van.
00:28:13Now start running. You have French. Move it!
00:28:20God, this is bullshit.
00:28:22Fucking bullshit.
00:28:25Hey, Slash, you better see this.
00:28:27What is it?
00:28:28Sarah, she's dead.
00:28:30Oh, you stupid bitch!
00:28:32God damn it!
00:28:42Halt.
00:28:44Turn around.
00:28:46Slowly.
00:28:50Hold out your arms.
00:28:58Now cuff yourself to my wrist.
00:29:02Just to make sure you don't try anything funny.
00:29:04Tina, this is not necessary.
00:29:08That was the key.
00:29:09So if you're thinking of going anywhere without me, don't.
00:29:12Tina, I am not a convict.
00:29:14I am a federal agent working undercover, all right?
00:29:17Right.
00:29:18I was assigned to keep an eye on Sarah to find out what she knows and to protect her.
00:29:22Well, it doesn't look like you did such a great job then, does it?
00:29:25Well, it doesn't look like you did either, did you?
00:29:28You are my prisoner, Peters, so start walking.
00:29:31Move it.
00:29:32Fine.
00:29:37Hello?
00:29:39Can anybody hear me?
00:29:41Tina, we are in the middle of a deserted road.
00:29:44Do you really think anybody's going to hear you?
00:29:46Just step it, Peters.
00:29:47This way.
00:29:50Come on.
00:29:51Hang on.
00:29:52I got an itch.
00:29:54Are you finished?
00:29:55Yes, I'm finished.
00:29:56I had to handcuff myself to the biggest mouth in the prison.
00:30:01Hey, look, there's a telephone.
00:30:02Let me make a call.
00:30:05Why would I let you do that?
00:30:07I'll call the bureau.
00:30:08They'll send a car out and it'll be the proof that you need, okay?
00:30:11You just don't give up, do you, Peters?
00:30:13Tina, this is a federal investigation.
00:30:16And you know what?
00:30:17If you don't let me make a call,
00:30:19I'll see to it that you're sharing a cell with Zelda by tonight
00:30:22for interfering in a federal investigation.
00:30:25You got that?
00:30:28Okay, one call, but I'm watching you, Peters.
00:30:32Come on.
00:30:33Slow down.
00:30:34Speed up.
00:30:36Shit.
00:30:42God, now I can just remember my calling card number.
00:30:46Damn.
00:30:47Do you have a quarter?
00:30:48Do I look like a bank to you?
00:30:50No.
00:30:51Fine.
00:30:53What are you doing?
00:30:54I'm getting some change.
00:30:55You are not breaking into that phone booth
00:30:57while you were handcuffed to me, Peters.
00:31:00Fine.
00:31:01You're right.
00:31:02What have I done?
00:31:03I'm sorry.
00:31:05Don't you let her do that!
00:31:07Change!
00:31:31Carlos, what do you think?
00:31:36Turn around.
00:31:41Roberto, venga aca.
00:31:43Give me some stills right away.
00:31:45That's beautiful, baby, beautiful.
00:31:47Exactly what I want.
00:31:48We'll have dinner tonight.
00:31:50Thank you, Carlos.
00:31:51God damn it!
00:31:52Be careful with that fabric!
00:31:54Oh, I'm sorry, Mr. Vega.
00:31:56I apologize.
00:31:57I shouldn't yell at you like that.
00:31:59That fabric's for my show this weekend.
00:32:01Please, be careful with it.
00:32:05Thank you.
00:32:11Carlos.
00:32:13It didn't happen with the slushes in the bag.
00:32:15God damn it!
00:32:31Pendejo!
00:32:32Yeah, Carlos.
00:33:03What the fuck is this?
00:33:06Did I tell you to use these colors?
00:33:08Huh?
00:33:09Did I tell you to use these colors?
00:33:11No, Mr. Vega, no.
00:33:12Que cabeza.
00:33:16Slash.
00:33:27I heard a lot about you.
00:33:30I heard about the ambush.
00:33:33Very messy, Slash.
00:33:35Very messy.
00:33:39Oh, man, Carlos, I did everything just the way you said.
00:33:41I went in there.
00:33:42I was...
00:33:43It was so clean, man.
00:33:44I'm sorry.
00:33:46Sarah's dead.
00:33:48Well, then.
00:33:49I hope you found out where she hid the code book.
00:33:52See, that's the thing...
00:33:53Feds are closing in on me,
00:33:55and you come in here with that kind of fucking news?
00:33:58I'm very disappointed in you, Slash.
00:34:01Very disappointed.
00:34:03Oh, Carlos, man, I did everything right.
00:34:05Everything just the way you said.
00:34:07It wasn't me.
00:34:08It was this girl.
00:34:09She came out of nowhere.
00:34:10She started shooting.
00:34:11She ain't no regular prisoner, Carlos.
00:34:13She ain't no regular prisoner.
00:34:14Just give me one more shot, man.
00:34:16I know I can get her.
00:34:17I know I can.
00:34:19You know, Slash,
00:34:21I've always loved this country.
00:34:23My work, my women,
00:34:26but if this bitch turns out to be a fed,
00:34:28I'm gonna have to leave.
00:34:31I'm sorry, man.
00:34:32Just give me one more shot.
00:34:33I can do it.
00:34:34I'll make it real clean.
00:34:38Wait for me outside, Slash.
00:34:40Oh, come on.
00:34:41I'll just go in just a couple...
00:34:42Outside.
00:34:44Yeah, man.
00:34:45Let's go.
00:34:57Ferrario.
00:34:58Phone.
00:35:11Hello?
00:35:12Yeah.
00:35:13It's me.
00:35:14Si, senor.
00:35:15I want you to find out about a woman.
00:35:18Where she lives,
00:35:19who she lives with,
00:35:20everything.
00:35:22I don't care what it costs,
00:35:23what you gotta do.
00:35:25Just do it.
00:35:26Do it now.
00:35:27Right now.
00:35:28Yesterday.
00:35:29Si, senor.
00:35:30Comprende?
00:35:31Si.
00:35:34Hey, there's the car.
00:35:35Come on, let's go.
00:35:39Ow!
00:35:42FBI.
00:35:43Don't shoot.
00:35:44All right.
00:35:45Get out of the car.
00:35:47Slowly.
00:35:52Keep your hands where I can see them.
00:35:55And let me see some ID.
00:36:01There.
00:36:02Are you satisfied now?
00:36:06Maybe.
00:36:08Oh, God.
00:36:09Come on.
00:36:10I'll go along with it for now.
00:36:11Shut up and get in.
00:36:17Let's go.
00:36:26Can we go get some ice cream?
00:36:28No, Jessica.
00:36:29You know we can't
00:36:30because it's getting late
00:36:31and you're going to have dinner soon.
00:36:33And besides,
00:36:34your mom wouldn't like it.
00:36:37Ah!
00:36:38Ah!
00:36:39Ah!
00:36:40Ah!
00:36:41Ah!
00:36:42Ah!
00:36:43Ah!
00:36:44Ah!
00:36:45Ah!
00:36:46Ah!
00:36:47Ah!
00:36:48Ah!
00:36:49Ah!
00:36:50Ah!
00:36:51Ah!
00:36:52Ah!
00:36:53Ah!
00:36:54Ah!
00:36:55Ah!
00:36:56Ah!
00:36:57Ah!
00:37:21Come in.
00:37:25Tina, this is my field supervisor, Jerry.
00:37:28Glad to meet you, Tina.
00:37:30Nice to meet you.
00:37:31Have a seat.
00:37:32Both of you.
00:37:38Thanks, John.
00:37:45I've got some bad news, Danielle.
00:37:48A few hours ago,
00:37:50someone kidnapped your daughter.
00:37:52There were two men.
00:37:53We don't know who they were,
00:37:55but we think they may have been hired by Carlos Vega.
00:37:59But why?
00:38:00I mean...
00:38:03If it was Vega,
00:38:04he probably thinks you found out
00:38:06where Sarah hid that code book.
00:38:08In which case,
00:38:09he's probably using Jessica
00:38:10to try to negotiate his freedom.
00:38:15I'm really sorry, Danielle.
00:38:17We're doing absolutely everything that we can.
00:38:19What about Mary?
00:38:20I mean, is she okay?
00:38:23Yeah, she's fine.
00:38:24She just got roughed up a little bit.
00:38:31If that son of a bitch hurts Jessica,
00:38:32I'll kill him.
00:38:33Listen, Dani,
00:38:34you can't be irresponsible right now.
00:38:37At present, we don't even know
00:38:38who was Vega that took Jessica.
00:38:41Sit down.
00:38:42Get yourself together.
00:38:44Listen, you're okay.
00:38:45You're okay.
00:38:47Listen, you're okay.
00:38:49I've got to ask you a couple questions.
00:38:54We've been busy since the time you called in.
00:38:56We covered the prison van,
00:38:58along with Sarah's body.
00:38:59We analyzed everything she's possessed that we know of,
00:39:01both in and outside the prison.
00:39:03Her clothes, her books, everything.
00:39:06But we came up empty.
00:39:08We've got no clue right now
00:39:10where she hid that damn code book.
00:39:12We're right back at square one.
00:39:14And we've got nothing on Carlos Vega.
00:39:17So I've got to ask you,
00:39:18is there anything you can tell us
00:39:20that can give us a lead on that damn code book?
00:39:24She just told me that in addition to hiding it,
00:39:27that she memorized it, but...
00:39:30That doesn't do us any good right now, does it?
00:39:33Excuse me.
00:39:34I mean, if you don't mind my asking,
00:39:36what is this code book?
00:39:39Vega is, um...
00:39:41Vega's a drug dealer that we've been after.
00:39:44And Sarah was his girlfriend.
00:39:48And when she felt that our life was in danger,
00:39:51she stole the code book.
00:39:53And it has all of his money laundering
00:39:56and his drug contacts in it.
00:39:59So that's what you were after then?
00:40:03Yeah.
00:40:04Listen, um, why don't you go on home?
00:40:07Try to get some rest.
00:40:09I'll keep you informed if anything develops.
00:40:13Wait a minute.
00:40:14You're taking me off the case?
00:40:17I'm sorry, Danielle.
00:40:18You know the rules.
00:40:19I can't have an agent be personally involved.
00:40:22We're talking about my daughter here.
00:40:25She is kidnapped because of me.
00:40:28And you expect me to believe that?
00:40:31She's kidnapped because of me.
00:40:33And you expect me to just go home
00:40:36and sit and wait while you keep me informed?
00:40:39I'm sorry, Jerry, I can't do that.
00:40:44Listen, I'll have somebody drive you home.
00:40:46Don't bother!
00:40:48I've got my own car here.
00:40:52Tina.
00:40:53Um, you haven't been properly debriefed.
00:40:57I'm gonna have to trust you
00:40:58not to repeat anything you've heard here.
00:41:00Not a word.
00:41:01Not to anyone.
00:41:03That's what I like about the government.
00:41:05All those little secrets.
00:41:23God, I really love your car.
00:41:26How fast does this thing go anyway?
00:41:28It does okay.
00:41:29Just don't try pegging the needles.
00:41:30I just paid it off, all right?
00:41:31Don't worry.
00:41:32You sure you don't want to come in for some coffee?
00:41:34No. It's been a long day.
00:41:36I have a friend who lives close by.
00:41:37She'll let me crash there.
00:41:39All right.
00:41:40Just bring it back in the morning.
00:41:41Okay.
00:41:42Don't worry.
00:41:44You sure you're gonna be all right?
00:41:48Well, nothing that a hot shower
00:41:50won't kill for the time being.
00:41:53Night.
00:41:54Night.
00:41:59Night.
00:42:29♪
00:42:59I'm sorry, Jess.
00:43:29♪
00:44:00So, at last we meet.
00:44:02Up close and personal,
00:44:04Miss Federal Agent.
00:44:07What do you want?
00:44:11It's such a silly question.
00:44:14But...
00:44:15I've got it.
00:44:16I've got it.
00:44:17I've got it.
00:44:18I've got it.
00:44:19I've got it.
00:44:20I've got it.
00:44:21I've got it.
00:44:22I've got it.
00:44:23I've got it.
00:44:24I've got it.
00:44:25I've got it.
00:44:26I've got it.
00:44:27I've got it.
00:44:28But to the point I guess,
00:44:31Carlos wanted me to tell you...
00:44:36Oh, yeah.
00:44:37He's got your little girl.
00:44:39Stupid!
00:44:40Siegfried!
00:44:42Temper, temper.
00:44:43You don't want to lose your head over this now, do ya?
00:44:45Leave your little girl an orphan?
00:44:47I don't think so.
00:44:50If he hurts Jessica,
00:44:51he can bet I will personally see him dead.
00:44:54Relax.
00:44:55Your kid's gonna be okay.
00:44:58for as long as you cooperate.
00:45:01Well, if he's worried about his precious little code book.
00:45:05Just tell him he needn't be.
00:45:07Sarah didn't tell me anything before you so stupidly killed her.
00:45:12We got a problem there because, um,
00:45:15no matter what you tell us,
00:45:18how are we gonna believe you?
00:45:21So, here's the deal.
00:45:24If you or your federal agents come anywhere near Carlos,
00:45:28you just might find that little kid of yours
00:45:30just kind of floating upside down in a swimming pool.
00:45:33So, I would convince your friends
00:45:36just to lay off Carlos for a little while.
00:45:39Give him two weeks so he can get out of the country.
00:45:42And when he feels good and safe,
00:45:45you'll get your kid back.
00:45:48Yeah.
00:45:49And how can I be sure he'll do what he says, huh?
00:45:53Well, you got his word. See?
00:45:56You're holding all the cards.
00:45:58Carlos wanted me to make sure that you knew
00:46:01that the only reason that you and your little girl are alive
00:46:05is because you're gonna cooperate with us.
00:46:08Never!
00:46:10Ah!
00:46:12Ah!
00:46:14You know, personally, I would love to see you dead.
00:46:18I would love to kill you.
00:46:20But Carlos, he kind of wants you and Freddy here
00:46:24to kind of get to know each other a little better.
00:46:27Ah! Ah! Ah!
00:46:29Fuck!
00:46:31Ah!
00:46:33Ah!
00:46:37That's a book!
00:46:42Oh!
00:46:48What do I do with the body?
00:46:50I'll call a friend. He'll take care of it.
00:46:53Oh, God, I look terrible.
00:46:55Go ahead and sit. You got an antiseptic in here?
00:46:57Yeah.
00:46:59So how'd you learn to fight like that?
00:47:02To protect myself from prisoners like you.
00:47:05I'm really glad you came back.
00:47:07Yeah, I didn't think you should be alone tonight.
00:47:10It's my criminal. It's not too bad.
00:47:13Tina, I'm going after Carlos Fagan. I need your help.
00:47:16Uh-uh. You heard your boss. You're off the case.
00:47:19He's got my daughter. What am I supposed to do?
00:47:22The Bureau is never gonna get Carlos home.
00:47:24He'll be out of the country before they even figure out what they can pin him on.
00:47:27Danielle, I'm just a prison guard.
00:47:29I'm not trained for this kind of stuff.
00:47:31Well, what about Jesse, huh?
00:47:34I'm sorry, I really don't think that Carlos Fagan
00:47:36is taking Jessica out for ice cream in the park.
00:47:38The FBI's gonna handle it.
00:47:40The FBI?
00:47:42They're all tied up in their procedures and rules.
00:47:44They're never gonna be able to act fast enough.
00:47:47Look, Danielle, come on, I'd really like to help you,
00:47:51but, I mean, just the two of us?
00:47:53It's crazy. First, okay, we'd have to break every law in the book to get to Carlos.
00:47:58And second, minor detail here, we'll get killed.
00:48:01And if we don't get killed, we'll get locked up, at the very least.
00:48:05Look, Carlos Fagan is a cold-blooded killer,
00:48:08a ruthless convict, and the man has to be stopped.
00:48:11Hello?
00:48:13Hasn't what has happened in the last 24 hours convinced you of that?
00:48:18Tina, I've got to get Jesse back.
00:48:24I can at least have a shower first.
00:48:37Okay, so just take a second.
00:48:40I've got to bypass this logon password so you don't find it in the file.
00:48:43I don't know. I'm so not so sure we should be doing this.
00:48:46Tina, just trust me. Hurry up.
00:48:51There. I'm in.
00:48:53That's Carlos Fagan?
00:48:55Mm-hmm.
00:48:56Why does he look familiar?
00:48:58You know, Carlos Fagan, the fashion designer.
00:49:01You're kidding me. You mean the Fagan?
00:49:03God, he does some great stuff. I wish I could afford it.
00:49:06Yeah, me too. He used this business as a front.
00:49:10As far as we can tell, the business is totally legit,
00:49:13which makes it a great cover for all his drug dealings.
00:49:15Wait, wait.
00:49:18Looks like Jerry's investigation has narrowed it down to two locations
00:49:21that they think Carlos is holding Jesse.
00:49:24One's his mansion, and the other is this warehouse he's got under an assumed name.
00:49:30Hmm. His mansion's like a fortress.
00:49:33Heaven knows he'd be guarding it more heavily now.
00:49:36Yeah. What about this warehouse, though?
00:49:40You think Jesse might be in there?
00:49:44Could be.
00:50:04Well, that's the warehouse.
00:50:06We should probably go in on foot from here.
00:50:09Looks quiet.
00:50:11Yeah, it does.
00:50:32You know what to do, right?
00:50:34Go.
00:50:40You okay?
00:50:41I'm fine. Let's just do it.
00:50:43Excuse me.
00:50:44Look, this is gonna be real easy.
00:50:46All we're gonna do is go in, take a look around.
00:50:48I'll take the lead, but you can't want me to cover you now if the shit starts flying.
00:50:51Oh, that's comforting.
00:50:53Come on.
00:51:04Come on.
00:51:13I doubt if he'd just leave the door open for us.
00:51:15Do you think he was trying to hide something?
00:51:18Maybe that's exactly what he wants us to think, though.
00:51:21Come on. Let's go.
00:51:35Come here.
00:51:48Come on.
00:51:50Jeez.
00:51:54It's almost too quiet.
00:51:57I know.
00:51:59Come on. Let's go.
00:52:04Come on.
00:52:20All right, you stay here. I'm gonna go inside and check it out.
00:52:23Be careful.
00:52:34Come on.
00:53:04I can't believe there's nothing.
00:53:06Guess that means we're breaking and entering his mansion next.
00:53:09You bet your sweet ass.
00:53:10Drop your guns. Put your hands in the air.
00:53:14Come on. Do it now.
00:53:21Look, maybe we can work something out, huh?
00:53:24I'm serious, you guys.
00:53:26Look, we do something for you, you do something for us.
00:53:30You know what, Tina? I'm sorry. Look at these guys.
00:53:32They don't look like the kind of guys that that's gonna work with.
00:53:34Shut up.
00:53:35I'm trying to work something out here.
00:54:02Hold it right there. Nobody move.
00:54:09This time you're over the line.
00:54:11You almost killed two of my men.
00:54:12Well, they should have identified themselves.
00:54:14Don't you open your mouth. I'm not finished.
00:54:17You completely ignored the fact that I've taken you off this case.
00:54:21Not to mention Tina, who you've now got investigating in a top-level federal investigation
00:54:25with no security clearance of any kind.
00:54:28Did you even think of the danger you're putting her in?
00:54:30It was my choice. I was acting on my own.
00:54:32Oh, were you? Well, you're not an agent.
00:54:34You don't act on your own in a federal case.
00:54:37Well, I do.
00:54:39When it comes to my daughter's life,
00:54:40not you or the Bureau or anybody else is gonna stand in the way of that.
00:54:44Really? Were you thinking of your daughter's safety?
00:54:46Or are you just thinking about your own guilt?
00:54:48Don't fuck up this case just because you feel guilty about putting Jesse in danger.
00:54:52It's not your fault.
00:54:55Now sit down.
00:55:01Despite what you think, we have been doing all we can.
00:55:05We've been surveying Carlos' mansion and the warehouse.
00:55:08You could have really screwed things up at the warehouse,
00:55:11but I don't think his men saw what happened.
00:55:16I can't help but think that you have some information you're withholding from me.
00:55:20Has Carlos contacted you?
00:55:22Has he threatened to hurt Jessica?
00:55:28No.
00:55:31If you have any proof that he's holding her,
00:55:33I can get a search warrant in two hours.
00:55:36Oh, come on, Jerry.
00:55:38You know as well as I do that Carlos Vega would know about a search warrant
00:55:41before the ink even had a chance to dry.
00:55:44Do you have any better ideas?
00:55:49Listen, Danielle, I've been after Carlos Vega for a long time.
00:55:53I want him bad.
00:55:55Now with Jessica being kidnapped, I...
00:55:58But I can't just bust in there.
00:56:00We have to do this right or we're never going to hold him.
00:56:04I know, Jerry.
00:56:06Do you have any proof that he's got her?
00:56:11No.
00:56:15I have no choice but to suspend you.
00:56:17No! What?
00:56:19And, Tina, this is not your business. I suggest you go home.
00:56:27Okay.
00:56:38Hey, do you mind?
00:56:39Oh, no, go ahead. I'm starving.
00:56:43Chavaz is always such a fun guy.
00:56:46You know, as much as I hate to admit it,
00:56:48he was right about one thing.
00:56:51I was totally out of line asking for your help on this.
00:56:54Don't be ridiculous, Danielle.
00:56:56No, I'm serious. I had no right to get you involved.
00:56:59Will you give me a little credit? It was my decision.
00:57:04Thanks.
00:57:05You're welcome.
00:57:10You are still going after her, aren't you?
00:57:13I don't think I have much choice now, do I?
00:57:15Mm-mm.
00:57:16So, count me in.
00:57:19No.
00:57:21I cannot ask you for your help on this. It'll be too dangerous.
00:57:24Well, you're not asking me, are you? I'm telling you, you need me.
00:57:27And I'm telling you, no. It'll be too dangerous.
00:57:30Will you give me a little credit?
00:57:32I'm a prison guard. I can handle myself.
00:57:35Besides, I think I sort of have a knack for this job, don't you?
00:57:44All right.
00:57:47Pardner.
00:57:48Partner.
00:57:54Pardner.
00:58:03Excuse me. Jennifer, you have a phone call.
00:58:06Thank you.
00:58:08Hello?
00:58:09Jennifer.
00:58:10Hi.
00:58:11Danielle Peters.
00:58:13Oh, Danielle. Hi.
00:58:15Listen, um, I'm in a bit of a bind.
00:58:18I kind of need to see you.
00:58:20Yeah. Yeah, I'll be there.
00:58:22All right. I'll see you then.
00:58:24Okay. Bye-bye.
00:58:28Thank you.
00:58:29You're welcome.
00:58:36Hi, Jennifer. Come on in.
00:58:39Tina?
00:58:41May I introduce to you Jennifer Springer.
00:58:43Probably one of the most sought-after Paris models.
00:58:46I know.
00:58:47Hi, I'm Tina Lam.
00:58:48Hi, Tina.
00:58:49God, you're even prettier in person, I hate you.
00:58:52You know, I'm really sorry I had to drag you into all this, Jen.
00:58:55No problem. Trust me.
00:58:57I want to do all I can to help you, Danielle.
00:58:59Jennifer's not only a high fashion model,
00:59:01but she also works for several European secret service agencies on occasion.
00:59:05Really?
00:59:06And I guess it was, what, um, a couple of years ago we worked together on a case.
00:59:09Right, yeah.
00:59:10And at one point it got pretty hairy and...
00:59:12And basically she saved my ass.
00:59:15I don't know that it was nearly exciting or half as heroic as she makes it out to be.
00:59:20Hey, it was a close call.
00:59:23So here I am.
00:59:25Let's get down to business. What's the plan, boss?
00:59:28Well, I'm positive that Carlos has got Jesse somewhere in his mansion.
00:59:32Mm-hmm.
00:59:33He's got a fashion show coming up on Sunday.
00:59:35That's in two days, so we don't have much time.
00:59:38My guess is, as soon as that fashion show's over,
00:59:41he's gonna try and leave the country and take Jess with him.
00:59:43Right, so we have to do something before then.
00:59:45We're planning tomorrow night.
00:59:47Oh, his mansion's a really weird place.
00:59:50I mean, for his safety, he's built his own fashion business,
00:59:53including his garment factory in his backyard.
00:59:56Security's really tight around there, though, but he's real quirky about it,
01:00:00in that he relies more on armed guards and less on electronic surveillance.
01:00:05We may be able to use that to our advantage, then.
01:00:08Bingo.
01:00:09I do know a little bit about his habits.
01:00:11I know that he always prepares for his shows at his mansion.
01:00:15That means the models always go there first for the rehearsals and preparations.
01:00:19Then he wraps up and ships out to the show.
01:00:22Exactly. So Saturday night, the place should be teeming with models.
01:00:25Mm-hmm.
01:00:26And that's our opportunity to get in.
01:00:27Right.
01:00:28And that's where we need you, Jen.
01:00:30Wait a second. What about the FBI?
01:00:34Good old Jer is probably gonna have his men covering the mansion, won't he?
01:00:37Huh?
01:00:39We'll just have to hope that we find Jessica, or they find us.
01:00:44Let's give it a shot.
01:01:11Good evening, ladies.
01:01:12Hi, guys. How's it going?
01:01:14Fine, thank you.
01:01:15Uh, listen, we had a little bit of a problem with the bomb scare earlier,
01:01:18so we're having to check everybody in.
01:01:20I know it's a hassle, but I hope you don't mind.
01:01:24Well, we're very late already, so I hope it doesn't take long.
01:01:27No, it should just take a minute.
01:01:29Would you ladies step out of the car, please?
01:01:32Uh, yeah.
01:01:37A chance to get in the car?
01:01:40Sorry about this. Really.
01:01:49All right, I'll need your names.
01:01:52Jennifer Springer.
01:01:54Oh, yeah. I've seen your work.
01:01:57Oh, have you? That's great.
01:02:02Oh, this is Laurie. She does my hair and makeup.
01:02:05Hi.
01:02:06Hi.
01:02:08Oh, it's just makeup and stuff. It's okay.
01:02:12It seems we have a problem here. Your names aren't on the list.
01:02:16You've got to be kidding me.
01:02:18I cannot believe this.
01:02:20My agent just called me a few hours ago and told me to drop everything.
01:02:23I got here as soon as I could, and now this?
01:02:26Jen, do you mean to tell me that we came all the way over here for nothing?
01:02:29Look, I can call in. We can clear this up.
01:02:31Look, I'm sure they just didn't get a chance to put my name on the list yet.
01:02:34I mean, can't you just let us through? You know who I am.
01:02:37No. Are you girls trying to keep me from calling this in?
01:02:41No. We're late for rehearsal already, all right?
01:02:44You know how Carlos is about this.
01:02:54Way to go, Rambo.
01:02:56Hey, you guys were in trouble. I had to do something.
01:02:58Well, I know, but what about the plan?
01:03:00You think they're not going to realize these two guys are missing?
01:03:02Yeah, and the feds would spot what's happened if they haven't already.
01:03:05Did we abort?
01:03:06No. We're not going to get another chance.
01:03:09Thanks, Dani.
01:03:11Jennifer, you go in with me. Go around back.
01:03:14Okay.
01:03:15Hey, you could say thank you.
01:03:17Thanks.
01:03:33Jennifer.
01:03:34Yeah?
01:03:36Talk about money.
01:03:38God, this place is huge.
01:03:40Yeah, I know. I told you.
01:03:46Tina's going to go check out the warehouse.
01:03:48We should see what the garment factory is up to.
01:03:50Oh, all right.
01:03:51Bye.
01:03:52Bye.
01:03:53Bye.
01:03:54Bye.
01:03:55Bye.
01:03:56Bye.
01:03:57Bye.
01:03:58Bye.
01:03:59Bye.
01:04:01Oh, all right.
01:04:05Okay.
01:04:31This place is really huge. We've got a lot of ground to cover, kiddo.
01:04:34Yeah.
01:04:36You think Jessica's over there?
01:04:39I don't know. We'll check it out.
01:04:41Yeah, right.
01:05:01Hi.
01:05:02Hi.
01:05:10Hi.
01:05:14So now what do we do?
01:05:16Um, I think I'm going to go take a look around, okay?
01:05:20Okay.
01:05:30Okay.
01:06:00Okay.
01:06:31This is the dress and shoes that you'll be wearing this evening,
01:06:33if you'd like to go and slip those on.
01:06:35Thank you.
01:06:36Thank you.
01:07:00Okay.
01:07:31What's here?
01:07:35Nothing.
01:07:36So now what do we do?
01:07:39I don't know. I guess we just keep looking.
01:07:57Soap.
01:08:00We meet again, pretty lady.
01:08:06Mr. Bagger, we did the turquoise soy-cut evening gown.
01:08:09That's fine, fine. Terrific.
01:08:20That dress is just beautiful, beautiful on you.
01:08:23Well, of course, Carlos.
01:08:25It's one of your creations.
01:08:27Have we met? You look awfully familiar.
01:08:29Uh, yes.
01:08:30We were introduced a couple of years ago at another show.
01:08:32Um, Jennifer Springer.
01:08:34Ah, Jennifer Springer. Of course, I know the name.
01:08:37Glad to have you.
01:08:41Now that we've been introduced, who might this be?
01:08:45This is my, uh, personal makeup and hairstylist, Lori.
01:08:49Well, don't let me keep you then.
01:08:52Yes, Carlos.
01:09:00Oh, my God.
01:09:22Excuse me, ladies.
01:09:24I was just wondering if I might ask your opinion on something.
01:09:28Well, actually, it's more of a question rather than an opinion.
01:09:32You see, I was just wondering whether or not you've had any luck finding your kid.
01:09:40I'm sorry, son of a bitch.
01:09:43I'm waiting for an answer.
01:09:48Where is she?
01:09:51I can do it by myself.
01:10:08So what did you do with Tina?
01:10:10What?
01:10:11Tina.
01:10:12Ah, your pesky little friend.
01:10:15Not to worry. We're going to visit with her.
01:10:18They need you upstairs to approve the dresses.
01:10:21I don't give a fuck about no damn dresses right now.
01:10:24Can't you see the feds are closing in on me?
01:10:27You just get Roberto Carangelo on the phone.
01:10:30Tell him to transfer my money to the Swiss accounts.
01:10:33Tell him I said every last cent or I'll have Rosario blow his head off.
01:10:36Go ahead.
01:10:37Yes, Carlos.
01:10:38Ladies, I'm sorry.
01:10:40I'm sorry.
01:10:41I'm sorry.
01:10:42I'm sorry.
01:10:43I'm sorry.
01:10:44I'm sorry.
01:10:45I'm sorry.
01:10:46Ladies, your friend is waiting.
01:10:54All right, party time.
01:10:56Sit, bitch.
01:10:57Sit.
01:11:12Did you ladies actually think you could come into my house,
01:11:16La Casa de Carlo Vega,
01:11:19and fuck with me?
01:11:22Now, I thought we had an understanding, you and me.
01:11:25You know, I'm okay.
01:11:28Your kid's okay.
01:11:31So, with that in mind, tell me,
01:11:36why did the feds send you in here?
01:11:39I mean, what is it they're up to?
01:11:42They're not up to anything.
01:11:46We came in here on our own.
01:11:49Look, I want my daughter back.
01:11:51If you just give me my daughter and let my friends go,
01:11:55you can do whatever you want with me.
01:11:59And then what?
01:12:01The feds are going to let me just waltz out of here?
01:12:04Is that what you're telling me?
01:12:06Look, Sarah never told me anything about your stupid little code book.
01:12:11The feds don't have anything on you.
01:12:13Oh.
01:12:15Oh.
01:12:17So then I should let you all go?
01:12:20Mm-mm-mm.
01:12:22Well, I don't think that's such a good idea.
01:12:26Slash, what do you think?
01:12:29I don't know.
01:12:31Little Miss Federal Agent hasn't been too nice to me.
01:12:34I wouldn't trust her.
01:12:36Si, si.
01:12:39Dorario, go play.
01:12:46Hey!
01:12:48Just let her go.
01:12:50Look, why are you doing this, huh?
01:12:52What do you want from us?
01:12:54Why don't you just tell us what the feds are up to outside, okay?
01:12:57We came in here on our own.
01:12:59They've taken me off the case.
01:13:01Yeah, well, why don't you tell us what you do know?
01:13:04I mean, just think of what you're doing to that poor friend of yours.
01:13:07Not to mention what you're doing to that poor little daughter of yours.
01:13:12Jesus Christ.
01:13:14I don't know anything.
01:13:17Just listen to her. She's telling you the truth.
01:13:20They don't have your code book, and I don't know what they're planning, all right?
01:13:24Okay, ladies, let's cut the fucking bullshit.
01:13:27Slash?
01:13:29Let's take them for a little walk.
01:13:34Come on, princess.
01:13:37Come on.
01:13:45Come on.
01:13:51Come on, get a little break.
01:13:53Smile. All the party guests coming in.
01:13:55Smile a little.
01:13:57Get all the party guests.
01:13:59Smile. Come on, smile.
01:14:01Look at all them. They're models, hon.
01:14:04You could be pretty, too, but you ain't gonna be, not after I'm done with you.
01:14:08You haven't seen my knife tricks, have you?
01:14:11It's all right, babe. It's my specialty.
01:14:14Really? I thought your specialty was being Carlos' pet bulldog.
01:14:19Bitch.
01:14:23Get out of here! Get down! Get down!
01:14:26Stay where you are!
01:14:30This is the FBI! Put down your weapon!
01:14:32I repeat, this is the FBI! You are surrounded!
01:14:42Come on, bitch. Come on.
01:14:45You think you got it? You come to me, bitch.
01:15:11How's about this? Take them off right now.
01:15:42FBI! Drop your weapon! Drop them!
01:15:55Freeze, you ingrate fuck! Drop your piece! Drop it!
01:16:12Bring me a casualty report right away.
01:16:19Let her go. Let her go. Let her go!
01:16:23Mommy!
01:16:24Congratulations, Miss FBI. You made it to the bonus round.
01:16:28Now, how do they say it?
01:16:30I could kill her now, or I could kill her later. You decide.
01:16:34Ow!
01:16:37You know what? You picked the wrong kid to kidnap.
01:16:45Danny!
01:16:49It's not worth it.
01:16:53Come on.
01:16:55I'm sorry.
01:16:57I'm sorry.
01:16:59I'm sorry.
01:17:01I'm sorry.
01:17:03I'm sorry.
01:17:06Come on.
01:17:08Back off, Danny.
01:17:11Get this dirt out of here.
01:17:13Nobody until I say so.
01:17:18You're okay.
01:17:21Jesse!
01:17:24Jesse, you're okay.
01:17:29Jennifer.
01:17:31Jennifer.
01:17:33Hi, everybody.
01:17:36Oh, Jed.
01:17:42Oh, Jerry, thanks for coming in after us.
01:17:45You didn't leave me much choice, did you?
01:17:47After the way you all busted into this place.
01:17:49Hey, I'm just glad Jessica's okay.
01:17:53I'm just sorry you didn't get Carlos.
01:17:55I don't think we have any problem holding him.
01:18:00The code book? That's it.
01:18:02But, I mean, how did you get it?
01:18:05Sarah.
01:18:07You know, she had a tattoo of a small black rose on her thigh.
01:18:10First, I didn't think anything about it.
01:18:12Because most inmates have tattoos of some kind.
01:18:14But it kept bugging me.
01:18:16So I did some rechecking.
01:18:18Turns out she has an aunt who lives in Texas.
01:18:20She's the only member of her family that Sarah stayed in touch with after she ran away from home.
01:18:24This aunt began growing black roses some years ago.
01:18:28She's actually quite well known for them.
01:18:30There's no such thing as a true black rose.
01:18:32So anything that even comes close is considered very rare.
01:18:35And this aunt sent Sarah black roses on her birthday.
01:18:38It's telling her how rare she was.
01:18:40And we found out that's where she sent the code book in case anything happened to her.
01:18:43Wow.
01:18:45She was definitely a rare breed.
01:18:47Looks like she told you what you wanted to know after all.
01:18:51Yeah.
01:18:52I also did some checking on you, Tina.
01:18:54What?
01:18:55I had to make sure you weren't a plant by Vega.
01:18:57Jerry.
01:18:58Give me a break.
01:19:00Well, I found out that you've applied to the Bureau a couple of times.
01:19:04You know about that?
01:19:06Yeah.
01:19:07You may not know this, but I can make sure appointments go through for specially qualified applicants.
01:19:14I told you I had a knack for this stuff.
01:19:17Yeah, and I need all the help I can get keeping an eye on a particular agent.
01:19:21I know what you mean.
01:19:22Hey!
01:19:23Do you have any idea the kind of trouble an agent that was on, say, suspension would be in
01:19:28if they were involved in the kind of activity going on here tonight?
01:19:31Fortunately, your suspension is going to begin after you come back to the office
01:19:36and do all the paperwork on this case.
01:19:39I think two weeks with Jessica should be about enough.
01:19:46Come on, Jess.
01:19:47Oh, Jerry, can it be three?
01:19:49God.
01:19:51Don't push it.
01:19:52Don't push it, Peters.
01:19:53Come on, let's get out of here.
01:19:56Oh, I was wrong.
01:19:57You are a fun guy.
01:19:58Oh, shut up.
01:20:00Come on, sweetie.
01:20:01I wish that the lab guys had this place.
01:20:20I know.
01:20:21I know.
01:20:22I know.
01:20:23I know.
01:20:24I know.
01:20:25I know.
01:20:26I know.
01:20:27I know.
01:20:28I know.
01:20:29I know.
01:20:30I know.
01:20:31I know.
01:20:32I know.
01:20:33I know.
01:20:34I know.
01:20:35I know.
01:20:36I know.
01:20:37I know.
01:20:38I know.
01:20:39I know.
01:20:40I know.
01:20:41I know.
01:20:42I know.
01:20:43I know.
01:20:44I know.
01:20:45I know.
01:20:46I know.
01:20:47I know.
01:20:48I know.