THE-DESIRE-A-love-triangle-story-Full-Movie_
**Title: THE DESIRE: A Love Triangle Story**
**Description:**
In the heart of a bustling metropolis, *The Desire* unravels the intricate and emotionally charged tale of three individuals entangled in a web of love, ambition, and betrayal. At the center of this love triangle is Sarah (played by Emily Blunt), a talented and passionate artist struggling to make a name for herself in the competitive world of contemporary art. Her life takes a dramatic turn when she meets David (Ryan Gosling), a charismatic and successful art dealer who becomes infatuated with her work and her spirit.
As Sarah and David's professional relationship blossoms into a deep and consuming romance, their bond is tested by the arrival of Alex (Chris Hemsworth), Sarah's long-lost childhood friend and first love. Alex, now a renowned photographer with his own troubled past, rekindles old flames and awakens unresolved emotions in Sarah, forcing her to confront her deepest desires and fears.
Caught between two extraordinary men, each offering different paths and promises, Sarah must navigate the turbulent waters of love and self-discovery. David's unwavering support and ambition contrast with Alex's raw passion and shared history, leaving Sarah torn between her present and her past. As secrets are unveiled and loyalties are tested, *The Desire* explores the complexities of love, the sacrifices we make for it, and the quest for personal fulfillment.
Directed by acclaimed filmmaker Sofia Coppola, *The Desire* is a visually stunning and emotionally gripping narrative that delves into the depths of human connection and the choices that define us. With a stellar cast and a poignant storyline, this film captures the essence of love's transformative power and the heart-wrenching dilemmas that accompany it.
**Description:**
In the heart of a bustling metropolis, *The Desire* unravels the intricate and emotionally charged tale of three individuals entangled in a web of love, ambition, and betrayal. At the center of this love triangle is Sarah (played by Emily Blunt), a talented and passionate artist struggling to make a name for herself in the competitive world of contemporary art. Her life takes a dramatic turn when she meets David (Ryan Gosling), a charismatic and successful art dealer who becomes infatuated with her work and her spirit.
As Sarah and David's professional relationship blossoms into a deep and consuming romance, their bond is tested by the arrival of Alex (Chris Hemsworth), Sarah's long-lost childhood friend and first love. Alex, now a renowned photographer with his own troubled past, rekindles old flames and awakens unresolved emotions in Sarah, forcing her to confront her deepest desires and fears.
Caught between two extraordinary men, each offering different paths and promises, Sarah must navigate the turbulent waters of love and self-discovery. David's unwavering support and ambition contrast with Alex's raw passion and shared history, leaving Sarah torn between her present and her past. As secrets are unveiled and loyalties are tested, *The Desire* explores the complexities of love, the sacrifices we make for it, and the quest for personal fulfillment.
Directed by acclaimed filmmaker Sofia Coppola, *The Desire* is a visually stunning and emotionally gripping narrative that delves into the depths of human connection and the choices that define us. With a stellar cast and a poignant storyline, this film captures the essence of love's transformative power and the heart-wrenching dilemmas that accompany it.
Transcript
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00:03:00Well, we're here.
00:03:03Yes, now we walk.
00:03:05Mm-hmm.
00:03:12Listen, the last time you did this, you walked in right after me.
00:03:16However, this time, you need to wait here.
00:03:19Come in a bit later.
00:03:22♪
00:03:24All right.
00:03:26♪
00:03:31♪
00:03:36♪
00:03:41Vera! Vera!
00:03:43♪
00:03:48♪
00:03:54Come on.
00:03:59Stop it. Come on.
00:04:01♪
00:04:06♪
00:04:11No, no.
00:04:14Welcome to tonight's show.
00:04:16Ladies and gentlemen, we have our contestants lined up at the front.
00:04:19So, down, stand up, whatever you'd like to do.
00:04:22Hello.
00:04:23Well, finally, the prodigal daughter returns.
00:04:28What's wrong with your eyes?
00:04:29Nothing, I'm okay.
00:04:31I'm tired.
00:04:32Work's busy.
00:04:34Why are you staring?
00:04:36It's like you haven't seen me in years.
00:04:38You know, for a mother, two days can feel like two years.
00:04:43When I was younger, I went to go see my grandmother.
00:04:48But my grandmother always made a notch on the door frame.
00:04:52One day I asked her why she didn't just use a measuring tape.
00:04:55And do you know what she said?
00:04:57She said that whenever I walked through the door, she'd pat me on the head.
00:05:00Therefore, she knew exactly how tall I was every time.
00:05:07I know exactly what happened to you.
00:05:10What's that?
00:05:11While you're freezing, didn't I tell you to bundle up?
00:05:15What about the fur coat your sister bought?
00:05:17Mom, that's enough.
00:05:19I'm just saying, it's not just a fur coat.
00:05:22It's a gift from your own sister.
00:05:24Yes, she's been saving her scholarship money.
00:05:27She and her husband share a budget.
00:05:29What's wrong with that?
00:05:30He loves her so much, he bought her a fur coat for his sister.
00:05:34Mom, what are your reasons for telling me this?
00:05:36So that you don't leave the house in a thin coat.
00:05:39Hi there.
00:05:40Mom, what time is dinner?
00:05:42Just hold on.
00:05:44A new dress?
00:05:46No, don't you remember?
00:05:47I wore that dress to your birthday.
00:05:51How's that?
00:05:52Does it suit me?
00:05:53Too short.
00:05:54Mom.
00:05:55I think it looks quite nice.
00:05:57Well, come on you two.
00:05:58Hurry, I'm busy warming up dinner.
00:06:02Why don't you keep it?
00:06:04Really?
00:06:06Mom?
00:06:17Mom?
00:06:40You always do this to me.
00:06:42I'm not who you think I am.
00:06:44Who are you then?
00:07:14Hi sweetie.
00:07:35You're home late tonight.
00:07:37I wondered when you would be home.
00:07:41Aren't you cold?
00:07:43I'm not cold.
00:07:44We're practically heading into spring.
00:08:13I'm not cold.
00:08:14I'm not cold.
00:08:15I'm not cold.
00:08:16I'm not cold.
00:08:17I'm not cold.
00:08:18I'm not cold.
00:08:19I'm not cold.
00:08:20I'm not cold.
00:08:21I'm not cold.
00:08:22I'm not cold.
00:08:23I'm not cold.
00:08:24I'm not cold.
00:08:25I'm not cold.
00:08:26I'm not cold.
00:08:27I'm not cold.
00:08:28I'm not cold.
00:08:29I'm not cold.
00:08:30I'm not cold.
00:08:31I'm not cold.
00:08:32I'm not cold.
00:08:33I'm not cold.
00:08:34I'm not cold.
00:08:35I'm not cold.
00:08:36I'm not cold.
00:08:37I'm not cold.
00:08:38I'm not cold.
00:08:39I'm not cold.
00:08:40I'm not cold.
00:08:41I'm not cold.
00:08:42I'm not cold.
00:08:43I'm not cold.
00:08:44I'm not cold.
00:08:45I'm not cold.
00:08:46I'm not cold.
00:08:47I'm not cold.
00:08:48I'm not cold.
00:08:49I'm not cold.
00:08:50I'm not cold.
00:08:51I'm not cold.
00:08:52I'm not cold.
00:08:53I'm not cold.
00:08:54I'm not cold.
00:08:55I'm not cold.
00:08:56I'm not cold.
00:08:57I'm not cold.
00:08:58I'm not cold.
00:08:59I'm not cold.
00:09:00I'm not cold.
00:09:01I'm not cold.
00:09:02I'm not cold.
00:09:03I'm not cold.
00:09:04I'm not cold.
00:09:05I'm not cold.
00:09:06I'm not cold.
00:09:07I'm not cold.
00:09:08I'm not cold.
00:09:09I'm not cold.
00:09:10I'm not cold.
00:09:11I'm not cold.
00:09:12I'm not cold.
00:09:13I'm not cold.
00:09:14I'm not cold.
00:09:15I'm not cold.
00:09:16I'm not cold.
00:09:17I'm not cold.
00:09:18I'm not cold.
00:09:19I'm not cold.
00:09:20I'm not cold.
00:09:21I'm not cold.
00:09:22I'm not cold.
00:09:23I'm not cold.
00:09:24I'm not cold.
00:09:25I'm not cold.
00:09:26I'm not cold.
00:09:27I'm not cold.
00:09:28I'm not cold.
00:09:29I'm not cold.
00:09:30I'm not cold.
00:09:31I'm not cold.
00:09:32I'm not cold.
00:09:33I'm not cold.
00:09:34I'm not cold.
00:09:35I'm not cold.
00:09:36I'm not cold.
00:09:37I'm not cold.
00:09:38I'm not cold.
00:09:40I've really got to head out.
00:09:42Where are you going?
00:09:43To work.
00:09:44To work?
00:09:45I told you that my mother was going out to celebrate with her friends.
00:09:49Okay, and?
00:09:51Don't tell me you've forgotten what day it is today.
00:09:54What is it?
00:09:58You are unbelievable.
00:09:59Oh, really?
00:10:01Exactly one year ago today,
00:10:05you came to the institute to give a lecture.
00:10:09And I spent the whole lecture asking you questions.
00:10:13And then I told you I'd answer them later in private.
00:10:16Yes.
00:10:17Can you believe it was exactly one year ago to this very day that I planned
00:10:21Hold on.
00:10:22a private conversation.
00:10:24No, Valia.
00:10:25Hold on.
00:10:26No.
00:10:28No.
00:10:31What if it's an important call?
00:10:32No, what about me?
00:10:36I have to answer this.
00:10:37What if it's important?
00:10:44Well, we'll say we were asleep.
00:10:47Huh?
00:10:58What if it's something important?
00:11:00What?
00:11:01It's all right.
00:11:03We're still asleep.
00:11:04No, what if it's something important?
00:11:06We're pretending we're asleep.
00:11:08What if it's something important?
00:11:09No way, no way.
00:11:12Okay, hold on.
00:11:13Hold on.
00:11:16Who's that?
00:11:21Hello?
00:11:22Hello?
00:11:23Yes, hello Sergei.
00:11:25Hi Victor, were you still asleep?
00:11:26Oh no, I was in the shower.
00:11:28Well it's about time you picked up the phone.
00:11:30Listen, Vadim has agreed.
00:11:32He called and asked for you to come over and sign the contract.
00:11:34Really?
00:11:35Well, yes.
00:11:36Get over here now.
00:11:37He's already prepared in advance.
00:11:39In advance?
00:11:40That changes things.
00:11:41I'm at the office.
00:11:43I'll be there, I'll be there.
00:11:44All right.
00:11:45Yes, okay.
00:11:46Okay, I'll see you.
00:11:49Where are you going?
00:11:51I'm needed at the office.
00:11:54Belle.
00:11:55Vic, I've been reminding you all week.
00:11:57This is supposed to be our day.
00:11:59Well, I won't be long.
00:12:04Don't hate me.
00:12:05I don't hate you.
00:12:06Go on.
00:12:09At least I'll be early today.
00:12:10See?
00:12:12I'll be quick, okay?
00:12:13Sure.
00:12:15I should go.
00:12:33Where are we going?
00:12:36I realize that you haven't seen our home yet.
00:12:42Yours.
00:12:45Yours, mine.
00:12:46What's the difference, really?
00:12:50I have no business there.
00:12:53Well, you won't have to do anything there.
00:12:55It'll all be done by the workers.
00:12:57All you have to do is drink wine on the balcony.
00:13:00You can look out over Moscow and take in the views.
00:13:04That's it.
00:13:07And when we finally move out there,
00:13:09we'll get ourselves a couple of children.
00:13:13You get a dog.
00:13:15Okay, we'll get a dog first, and then have kids.
00:13:18So you'll move there with your wife and live happily ever after?
00:13:22Just you, your wife, and the family dog.
00:13:24One big, happy family.
00:13:26Yes, exactly.
00:13:27With you.
00:13:28And the family dog.
00:13:30You can consider this my official proposal.
00:13:35Why are you laughing?
00:13:40That's not exactly a proposal.
00:13:42All right.
00:13:44Then let's go now.
00:13:46I'll tell everyone...
00:13:49that I'm leaving Valia to be with you.
00:13:52No, you won't do that.
00:13:59We'll see.
00:14:09Victor, can you turn over there?
00:14:12At the traffic light.
00:14:15What for?
00:14:17I forgot I had a doctor's appointment.
00:14:19Which doctor?
00:14:23I need a prescription for glasses.
00:14:27Do you wear glasses?
00:14:28Yes.
00:14:30When I'm working on the computer, just turn over there, please.
00:14:33Okay.
00:14:34Do you wear glasses?
00:14:35Yes.
00:14:37When I'm working on the computer, just turn over there, please.
00:14:52Promise you won't say anything.
00:14:55I can't do that.
00:14:58Then say you won't do it today.
00:15:01When, then?
00:15:04Maybe when I'm ready for that conversation.
00:15:08Okay, I promise, on one condition.
00:15:11That we do it before the New Year.
00:15:34Here you go, ma'am.
00:15:35Thank you so much.
00:15:45Is this the queue?
00:15:47It's just you?
00:15:49You have to make an appointment.
00:15:51Mine is for 3.30.
00:15:52Yes, but she sees patients until 4pm.
00:15:55Yes, I believe so.
00:15:57Katerina Mikulovna is in there now.
00:16:01Why don't you have a seat?
00:16:04Thank you.
00:16:06Are you nervous?
00:16:09No.
00:16:11Oh, all right, then. Just checking.
00:16:13I always tell myself that I shouldn't be nervous.
00:16:15It's part of being a mother.
00:16:18And Katerina is a very good doctor.
00:16:20Really?
00:16:21She's helped so many mothers.
00:16:26Want some candy?
00:16:28It's good.
00:16:30No.
00:16:31Go ahead.
00:16:32No, thank you.
00:16:33You know, I've been Snow Maiden for 20 years.
00:16:36How crazy.
00:16:38I've brought so much happiness.
00:16:42What about my happiness?
00:16:45I finally said enough.
00:16:47And I made my own wish.
00:16:50I wish to fall pregnant.
00:16:55Did you ask Santa Claus?
00:16:57Why would I do that?
00:16:59I have a husband.
00:17:01I apologize.
00:17:03Why are you so worked up?
00:17:05Try to relax.
00:17:07You are very beautiful.
00:17:08You're going to be just fine.
00:17:09You'll see.
00:17:10Just calm down.
00:17:11I promise you.
00:17:24What are you hoping for?
00:17:26A little boy or girl?
00:17:29I do not know.
00:17:30I haven't given it very much thought.
00:17:33Well, you should.
00:17:34Do you know what the most important thing is?
00:17:36You must clearly formulate your wish.
00:17:39Then it will surely come true.
00:17:40I'm telling you this as an expert.
00:17:42Yeah.
00:17:44If only it were that simple.
00:17:54You know what?
00:17:55If you ever need any help making your wishes come true,
00:17:57then I suggest that.
00:18:00You take my business card and call me.
00:18:04Thank you so much.
00:18:05Just call me.
00:18:07Thank you.
00:18:08You're welcome.
00:18:20I had an important meeting.
00:18:22It ran late.
00:18:23Sorry about that.
00:18:25Don't be such a baby.
00:18:27I know it's the weekend.
00:18:28This is my job.
00:18:29I'm working.
00:18:32Thank you so much for everything.
00:18:33You're amazing.
00:18:34Thank you.
00:18:35No worries.
00:18:36You're welcome.
00:18:37Thank you.
00:18:38Have a good day.
00:18:39Goodbye.
00:18:40Goodbye.
00:18:41Goodbye.
00:18:45How's it going?
00:18:46Ah, there you are.
00:18:47I haven't seen you in ages.
00:18:49Come here.
00:18:50Hello.
00:18:52Do you have an appointment?
00:18:53No, I'm here as a friend.
00:18:55That's great.
00:18:56Then let's head out before someone else comes in
00:18:58for a last-minute appointment.
00:19:00The Snow Maiden was my last.
00:19:02That Snow Maiden is very funny.
00:19:04Yes.
00:19:05She handed me her business card out there
00:19:06and told me she would fulfill my wish.
00:19:10Really?
00:19:11Come to me instead.
00:19:12Don't forget that you're almost 30.
00:19:15Hey, let's not forget that you and I were in the same grade.
00:19:18I'm working on it.
00:19:19I got married, didn't I?
00:19:20That's got to count for something.
00:19:22Well, isn't that nice?
00:19:24Don't forget your hat.
00:19:25Thanks for the reminder.
00:19:26Of course.
00:19:27Okay, let's go, let's go, let's go, let's go.
00:19:29All right.
00:19:30Okay, I think that's everything.
00:19:35Well, good.
00:19:37Okay.
00:19:38Well, stop it.
00:19:41Yes, I'll try not to be too late.
00:19:43Yes, I promise I'll try.
00:19:45That's great.
00:19:46Thank you.
00:19:47Okay.
00:19:49All right.
00:19:50Yes, sure.
00:19:51All right, then.
00:19:52Bye.
00:19:53Welcome back.
00:19:54Maybe you can do some work?
00:19:55That would be a change.
00:19:57Maybe.
00:19:58I'll see how I feel.
00:20:04I think we should celebrate this little get-together with a drink.
00:20:08We've barely had a chance to see one another, you know?
00:20:11When was it?
00:20:13The first of September.
00:20:14Who knows what year it was?
00:20:16This isn't a joke.
00:20:18We haven't seen each other since last summer.
00:20:20That must mean that you...
00:20:21have a lot of things to catch me up on.
00:20:24So, tell me.
00:20:27Let's hear it.
00:20:31There's nothing to tell.
00:20:35You've become so secretive, Vera.
00:20:37You tell your best friend everything, and now you're clamming up.
00:20:42Well, does the guy love you?
00:20:46Mm-hmm.
00:20:48Mm-hmm.
00:20:54Do you love him?
00:20:55Yes, I do.
00:20:57Then why are you saying everything with such a sad tone?
00:21:00Are you filling out a patient form?
00:21:02Then what is there to even fill out?
00:21:04Doctors are simple people.
00:21:06As far as I'm concerned, the patient's either dead or alive.
00:21:09And your man is either married or a player.
00:21:13Married.
00:21:14And he doesn't want to get divorced?
00:21:15Hmm.
00:21:17Problem is, he does.
00:21:20How is that a problem?
00:21:23Hmm?
00:21:25I'm confused, Katya.
00:21:29I know what I'm doing is disgusting and wrong.
00:21:33But I just can't stop.
00:21:36Hmm.
00:21:38It's disgusting if he doesn't go ahead with the divorce.
00:21:42It's only an affair.
00:21:43While he's still married.
00:21:45But if he does get divorced,
00:21:47then he's yours.
00:21:49It's simple.
00:21:52And believe me,
00:21:54as a married woman,
00:21:56there's nothing wrong with marrying a divorced man.
00:22:01You don't understand.
00:22:04We need to stop what we're doing.
00:22:06You know, many doctors have this theory that love is a...
00:22:10actually a...
00:22:12a...
00:22:14endogenous drug addiction.
00:22:17A what now?
00:22:19In layman's terms,
00:22:21it's like a...
00:22:23like an internal drug addiction.
00:22:27Endorphins.
00:22:29Endorphins that are only produced when in contact with a certain person.
00:22:34Nobody knows exactly why that is.
00:22:35So what should I do?
00:22:37Okay.
00:22:39So the two of you are in love.
00:22:42But you think it needs to stop immediately.
00:22:47In my professional opinion,
00:22:49I can't help.
00:22:51I'm just...
00:22:53an ordinary gynecologist.
00:22:55You!
00:22:57Who's a gynecologist?
00:22:59Hey, Vera.
00:23:01I'm a gynecologist.
00:23:02Who's a gynecologist?
00:23:04Hey, Vera.
00:23:05You cooking?
00:23:06Yes.
00:23:08You're not a gynecologist.
00:23:09You're not.
00:23:11You're a...
00:23:12You're a wild canary.
00:23:14Dahlia, I've been meaning to ask you for a while.
00:23:16Why do you call her your wild canary, huh?
00:23:19Because everything that's cooked in this house is cooked by me.
00:23:22And I...
00:23:23Oh, me. I cook too.
00:23:24She just talks.
00:23:26Of course, yes. And her...
00:23:28my wild canary,
00:23:29she just sits here and sings while the rest of us cook meals for her.
00:23:32You know I've got my PhD, right?
00:23:34That's exactly what a wild canary would say.
00:23:36All right.
00:23:37I think it's time that I went home.
00:23:40Back to your hostel?
00:23:41Dahlia!
00:23:42Am I wrong?
00:23:43Have you seen how many people this woman lives with?
00:23:46You're being rude.
00:23:50Vera, why don't you just stay with us?
00:23:54What, forever?
00:23:55Yeah.
00:23:56We're not going to force you to stay here,
00:23:57but you might as well just stay until Monday.
00:23:59Dahlia here's having a birthday party.
00:24:02He's invited...
00:24:03the entire surgical unit.
00:24:06It's not just the surgical staff.
00:24:07It's the therapy unit, too.
00:24:09It's just a few more people.
00:24:11You only 39 once, you know.
00:24:13You have to celebrate it, all right?
00:24:15I didn't get a gift.
00:24:17You don't need a gift.
00:24:19Right?
00:24:23You can get one on Monday.
00:24:28Victor, let me go home.
00:24:31I'm a single man, and I need to go home.
00:24:34Another half hour.
00:24:44Now, be honest.
00:24:46Are you waiting for your mother-in-law to go to bed?
00:24:49What do you mean by that?
00:24:51She's a well-mannered person.
00:24:53Almost like...
00:24:54Marie Sklodowska-Carey.
00:24:59That's not it.
00:25:01I can't look my wife in the eyes.
00:25:04You ashamed?
00:25:07Concerned.
00:25:11I assure you that it's all been planned out.
00:25:13Remember, it's my birthday, so we have to do what I want.
00:25:16It's true. He really did.
00:25:21Is this okay?
00:25:22Yes.
00:25:24I'm actually quite fond of the smell of tobacco.
00:25:28It says that it's food poisoning, and that we should send him home.
00:25:32But the poor guy doesn't really have a home to speak of,
00:25:34so we sent him to intensive care.
00:25:36Just to get him out of the way.
00:25:38Want some champagne or some wine?
00:25:42I don't drink.
00:25:43I have work tomorrow.
00:25:46Then vodka.
00:25:48Then vodka.
00:25:52Let's assume I appreciate your sense of humor.
00:25:58And let me tell you all that our friend, Tolik,
00:26:01immediately lands on a diagnosis perotinitis.
00:26:05Well, he's a professional. To the professionals!
00:26:17Come here.
00:26:18These people are all my friends. Even Shurik is my friend.
00:26:21I need to go get the meat.
00:26:35What do you think of him?
00:26:38Melodya.
00:26:40I don't know.
00:26:41Just keep in mind that he's an absolute menace around women,
00:26:44even when he's in public.
00:26:48And what makes you say that?
00:26:51He can't say no to women. He's a proper ladies' man.
00:27:00You know what?
00:27:01Everyone in our surgery is good, but Volodya is like a machine.
00:27:05Even I like to watch him.
00:27:07It's like a ballet.
00:27:08It's a ballet.
00:27:10And the rumor around the hospital is he's going to be promoted.
00:27:15So what?
00:27:17Are you setting me up with him?
00:27:18Me? No. No. No.
00:27:21Actually, consider this my warning to not succumb to that man's charms.
00:27:27Now, where did that cake go? I just had it.
00:27:37Can I help?
00:27:38You're just in time. Volodya, please, grab the cake for me.
00:27:40Vera, do you think you could add the candles?
00:27:47There you go.
00:27:53I thought that you ran away.
00:27:59You're flattering yourself, Volodya.
00:28:04What did I do?
00:28:08You didn't do anything. It's not you.
00:28:12I'm in a bad mood. I'm irritable.
00:28:17Well, then, in that case, you should call me sometime.
00:28:28All right, Volodya, will you turn off the light, please?
00:28:32Just for the ambiance, you know?
00:28:35That looks great. Is it ready? Come, let's go.
00:28:38Okay.
00:28:42Okay, let's go.
00:28:47Wasn't that fun?
00:28:56Thanks. Thank you. Thank you so much.
00:29:16Vera!
00:29:19Vera. Vera, what's going on? Where have you been?
00:29:22Nowhere.
00:29:23You couldn't have sent a text? I was so worried.
00:29:25Are you jealous?
00:29:27Am I jealous?
00:29:28You're jealous.
00:29:29Am I jealous?
00:29:30Uh-huh.
00:29:31Jealous?
00:29:32Yes.
00:29:33You think I'm jealous? Ridiculous. Come, let's go now.
00:29:35I'm not jealous.
00:29:36Stop it. Put me down.
00:29:37Who do you think you are, exactly?
00:29:38Why can't you just behave like a normal person?
00:29:40I'm not jealous.
00:29:41I'm not jealous.
00:29:42I'm not jealous.
00:29:43I'm not jealous.
00:29:44Who do you think you are, exactly?
00:29:45Why can't you just behave like a normal man?
00:29:46Come on. Who do you think I am?
00:29:47I wish I could be the normal man. In your wildest dreams. Oh, you wish.
00:29:50You will.
00:29:51And get married.
00:29:52You will marry me and live happily ever after.
00:29:54Goodness.
00:29:55Like normal people.
00:30:02Okay.
00:30:15Wonderful.
00:30:16Hello.
00:30:18What are you reading, my lady?
00:30:21It's my language book for a test.
00:30:25And what language?
00:30:27It's English. What else could it be?
00:30:29I was told that it's better to learn German.
00:30:31Well, did you learn German?
00:30:33I didn't learn either language.
00:30:35I believe a real architect should be able to speak with line work and volume.
00:30:41Line work and volume.
00:30:44Lines and volumes don't seem to be your forte either.
00:30:46Well, I'm sorry that I didn't manage to marry a famous architect then.
00:30:52You see, I like girls.
00:30:54Don't be a jerk.
00:30:55Valya does everything herself, by the way.
00:30:58And I'm a Chinese pilot.
00:31:00Hasta la vista, baby.
00:31:03You know, speaking of your husband.
00:31:06My mom told me she saw him out with a pretty young lady.
00:31:10And that the two of them looked very cozy.
00:31:12Where?
00:31:14Trebanier Café.
00:31:16Oh, that's where he meets all of his clients.
00:31:18Are you sure, though?
00:31:20She said he was so engrossed in this woman, he did not even notice her.
00:31:23And he's her favorite student.
00:31:26What was your mother doing there?
00:31:28She was there with a customer.
00:31:30And so was he. I told you he was there with a client.
00:31:40TREBANIER CAFÉ
00:31:50All right, are you ready?
00:31:52Two, three.
00:31:56Yeah.
00:32:08Look right over there.
00:32:11See it?
00:32:13That's where we're going to live.
00:32:15You like it?
00:32:18I've seen it before.
00:32:21I walked up the embankment over there to look at it.
00:32:26It's just a pity I didn't think of coming to the bridge.
00:32:29Did you know that as soon as they showed me the place, I immediately knew?
00:32:35That's where I wanted to live.
00:32:38Where I want to live with my loved one.
00:32:41With you.
00:32:42I can't do that.
00:32:45No.
00:32:46You think I don't feel bad?
00:32:50That I'm not suffering?
00:32:54It's been five months.
00:32:56And I know I can't go on like this.
00:33:02This is all my fault.
00:33:03I shouldn't have started in the first place.
00:33:08Please don't do this to me.
00:33:11Please don't do this to me.
00:33:13When you're by my side, I lose control like I'm sleepwalking.
00:33:26See you.
00:33:27So I put a jar in the water.
00:33:29It was barely ankle deep.
00:33:32And um...
00:33:33These small crucian carp and sometimes roaches would swim right in.
00:33:38But they had no idea how to swim out again.
00:33:40Tucker's mother would fry them up for us.
00:33:42Mom, why don't you tell us about the time you went to the island?
00:33:46I've told you 40 times already.
00:33:48But you've told us about the jars 40 times.
00:33:51I'll just keep quiet.
00:33:54No mom, it's just that the fish story makes me feel kind of sad for them.
00:33:59Yet you'll happily eat the fish I made you for dinner.
00:34:08Thank you.
00:34:16Thank you for dinner, mom. The fish was delicious.
00:34:18Well, why don't you have some more then?
00:34:21Hello.
00:34:25I'd love some dinner. How are you, Galena?
00:34:27I'm fine, thanks.
00:34:28Hello.
00:34:35Thank you.
00:34:38Oh, it's fish.
00:34:46You're late again.
00:34:47You come home late every day.
00:34:49Oh, I have been working.
00:34:54At Café Trubnaya?
00:34:56Yes, at Café Trubnaya.
00:34:59As well as Café Tverskoy, at Café Kolokolny Lane and Café Arbat.
00:35:04You know I have very hungry customers a lot of the time.
00:35:08Well, I don't think it's too much to ask that my husband spend one day with me.
00:35:12What did I do?
00:35:14What did I do? I stopped by a jewelry store on my way.
00:35:17I brought a small New Year's gift for the most beautiful woman I know.
00:35:21Here you go.
00:35:37How beautiful.
00:35:41Are they real diamonds?
00:35:43They are. Those are all 100% real diamonds.
00:35:47Victor!
00:35:49Thank you.
00:35:52And what is this?
00:35:54Oh, this?
00:35:57You know, I've decided to buy this for your sister.
00:36:02So that she doesn't feel left out.
00:36:10Mom! Vic!
00:36:12Vera! Vera! Vera, come quickly!
00:36:14Vera!
00:36:16Get up! Why are you getting up so early? Let's go!
00:36:19What's wrong?
00:36:20Vera, it's a surprise.
00:36:21Don't answer that.
00:36:23For my sake, please get up. I have a headache.
00:36:25Let's go, let's go, let's go.
00:36:27Alright.
00:36:28Close your eyes.
00:36:30I don't want to.
00:36:31Please, it's a surprise.
00:36:33What for?
00:36:35Vic, come on!
00:36:36Come on, Vic!
00:36:37Vic!
00:36:40Come!
00:36:43Well...
00:36:44Just wait, just wait.
00:36:51Who's this for?
00:36:56It's for me?
00:36:57Yes.
00:37:01You like it?
00:37:04It's wonderful.
00:37:10I also got a butterfly.
00:37:14Victor.
00:37:16Tell me when the renovations will be done.
00:37:21They're going to be done soon, Galena.
00:37:24I'm off to bed.
00:37:50Good night.
00:38:20Good night.
00:38:51Yes.
00:38:52Beautiful.
00:38:54They don't build them like this.
00:38:56They used to name these houses.
00:38:59For example,
00:39:00they used to be named
00:39:02Prokofiev
00:39:04or the
00:39:06Dunayevsky House.
00:39:08And the legend is, they all lived here.
00:39:10Ah, excuse me, but Prokofiev,
00:39:12you mean?
00:39:13Yes.
00:39:14Prokofiev.
00:39:15Prokofiev.
00:39:16Prokofiev.
00:39:18Prokofiev.
00:39:19Excuse me, but Prokofiev
00:39:21simply couldn't have lived in this house.
00:39:23The oldest house you have here is from 1956.
00:39:26Well...
00:39:27And he died in 1953.
00:39:29Really?
00:39:30Yes.
00:39:32Well, none of that matters.
00:39:34Everything will be new here.
00:39:35High-end luxury.
00:39:37But it will look as though
00:39:39Tchaikovsky lived here.
00:39:41Not Prokofiev.
00:39:43Tchaikovsky, okay?
00:39:46All right.
00:40:00They're just uniquely talented.
00:40:02These are talented individuals
00:40:04with so much promise in their field.
00:40:05Hello.
00:40:06Hello.
00:40:07Good afternoon.
00:40:08Hello.
00:40:09Hello.
00:40:10I'd like to introduce you to Vera Andreevna,
00:40:12our general sponsor from Logos.
00:40:15Thank you for having me.
00:40:17Let's go over here.
00:40:18Dear Miss Vera Andreevna,
00:40:20from all of us here at the music school,
00:40:22we have unanimously chosen
00:40:24you as our snowmaiden.
00:40:26Oh, it's for me?
00:40:28Yes.
00:40:29Thank you.
00:40:34We would like to present,
00:40:35as a token of gratitude,
00:40:37a traditional English song.
00:40:39It is called
00:40:40Twelve Days of Christmas.
00:40:42applause
00:40:49On the seventh day of Christmas
00:40:51One, two, three, four, five, six
00:40:53One, two, three, four, five, six
00:40:55On the seventh day of Christmas
00:40:57One, two, three, four, five, six
00:40:59One, two, three, four, five, six
00:41:01One, two, three, four, five, six
00:41:03Hello.
00:41:05I'm at a concert at the music school.
00:41:07I'll call back.
00:41:10One, two, three, four, five, six
00:41:12One, two, three, four, five, six
00:41:14One, two, three, four, five, six
00:41:16One, two, three, four, five, six
00:41:18One, two, three, four, five, six
00:41:20I want to preserve its spirit.
00:41:22The spirit of the house
00:41:24and of music.
00:41:26So individual modest houses
00:41:28are lost among all the trees.
00:41:30And the feeling that you
00:41:32will bump into Shostakovich
00:41:34with a basket of mushrooms
00:41:36at the edge of the forest
00:41:38but still luxurious.
00:41:40That's a great idea.
00:41:42Well, the main thing to do is to triple the usable area.
00:41:44Of course.
00:41:46By the way, I found some beautiful furniture up in Spain.
00:41:48As I understand, you want to do this
00:41:50without increasing the stories.
00:41:52Of course, yes.
00:41:54This is a 19th century architectural monument.
00:41:56The living room will have a fireplace,
00:41:58luxurious bedrooms, an office,
00:42:00and we'll likely add a dining room.
00:42:02That should be easy.
00:42:04A dining room will be easy, however.
00:42:06You'll probably have a bit of trouble
00:42:08finding Shostakovich and his basket of mushrooms.
00:42:10And why is that?
00:42:12Because without increasing
00:42:14the number of stories here,
00:42:16we'll have to build up this birch edge of yours
00:42:18so much that you'll not find a blade of grass here.
00:42:22That's why I invited you here.
00:42:24To solve this problem for me.
00:42:26As pro-architects.
00:42:28My main concern
00:42:30is to preserve the house's spirit.
00:42:32So can you?
00:42:34Of course. Be careful.
00:42:36There's a puddle.
00:42:38And the wonderful idea for the dining room
00:42:40is to decorate it Rococo style.
00:42:48Why'd you insist
00:42:50on saying that Prokofiev thing?
00:42:52We could lose his business.
00:42:54Well, so be it.
00:42:56I'm tired of these orders.
00:43:00He found furniture in Spain
00:43:02and slept on.
00:43:04Sergei, do you know what it means
00:43:06to triple the usable area?
00:43:08Victor, I understand the amount of work he is demanding.
00:43:10But he won't spare any expenses.
00:43:12Money, money.
00:43:16I hate this.
00:43:18What?
00:43:20Ah, damn it.
00:43:22Hey, give me your phone. Mine's buggy.
00:43:24Here you go.
00:43:26Thank you.
00:43:28You know, Vic,
00:43:30I don't know what to say,
00:43:32but you shouldn't ask for trouble.
00:43:34We don't choose the client.
00:43:36They choose us.
00:43:40Yes, that's right.
00:43:42Right.
00:43:44Those are the words of a real man.
00:43:46Like you'd know.
00:43:54Who would have thought that
00:43:56Valya would get married so young,
00:43:58so attuned towards everything.
00:44:00It seems to me that they still
00:44:02don't understand their husband and wife.
00:44:04They live like students.
00:44:06Come home, eat, run away.
00:44:08They don't have a sense of home.
00:44:10I'm sure it'll happen eventually.
00:44:14He could have rented an apartment.
00:44:16Just let them stay here.
00:44:18They're both quiet.
00:44:20And you?
00:44:22You're tense all the time. You're always so stressed.
00:44:24What can I do?
00:44:26Anything.
00:44:32It's not about me.
00:44:36If they live alone, it will become clearer.
00:44:38What?
00:44:42That they don't belong together.
00:44:46But she loves him.
00:44:50What if he belongs with someone else?
00:44:56Well...
00:44:58Do you remember when you were in second grade
00:45:00and your father went on that business trip?
00:45:02Yes, I remember.
00:45:04He also sent me a Santa Claus
00:45:06with...
00:45:08I think it was pine cones?
00:45:10He didn't go anywhere.
00:45:12He wasn't away on business.
00:45:14He was living on Solyanka Street
00:45:16with a lady from the planning department
00:45:18named Margarita Alexandrovna.
00:45:20Why, though?
00:45:22I don't know.
00:45:24For love?
00:45:26Or lust?
00:45:28Call it what you will.
00:45:32I hid it from you, Vera.
00:45:34Because I wanted to give him time to think
00:45:36and forbade him to come here and see either of us.
00:45:38So a year later,
00:45:40he came back.
00:45:42I don't know.
00:45:44Maybe his passion had died down
00:45:46or maybe Margo kicked him out.
00:45:48I don't know.
00:45:50Maybe his passion had died down
00:45:52or maybe Margo kicked him out.
00:45:56And then I gave birth to Valya.
00:45:58He loved the two of you.
00:46:08Did you forgive him?
00:46:14Hello, Mom. Hello, Vera.
00:46:16I'm glad you're here. Drink up.
00:46:18We've been waiting for you.
00:46:20I helped Natasha with her project.
00:46:22You helped her last week, didn't you?
00:46:24No, I helped Vinokurov last week.
00:46:28By the way, the project was great.
00:46:30Vera, we need to go.
00:46:32Look, go to the store alone.
00:46:34Vera's very tired and I need to talk to her.
00:46:36Mom.
00:46:38No, it's fine. I'll go to the store.
00:46:42Okay, then. Bye, Mom.
00:46:48Bye.
00:47:18Vera, would you take a look at this?
00:47:22Nice.
00:47:24I think it's called a light curtain.
00:47:26Let's just go home.
00:47:28What do you mean, go home?
00:47:30What will you give to your boss?
00:47:32He already has everything he wants.
00:47:34Are you in trouble at work?
00:47:36Is that why you're like this?
00:47:38What do you mean?
00:47:42You're unhappy.
00:47:44Unhappy?
00:47:48Well, maybe I don't deserve to be happy.
00:47:50What?
00:47:52Huh? No, nothing.
00:47:56Do you remember what Dad told us?
00:47:58He always used to say that we were smart and beautiful
00:48:00even though we were just little girls.
00:48:02Yes.
00:48:06I wish we could go back to being little girls
00:48:08and having no responsibility,
00:48:10never have to make decisions.
00:48:12And I'd still have that little diamond bike you gave me.
00:48:16You bought me
00:48:18so many gorgeous little trinkets.
00:48:20But now I'm lucky enough to have a husband
00:48:22who buys me real diamonds.
00:48:24He's so kind.
00:48:26My legs are starting to hurt.
00:48:30Let's go sit down for a while.
00:48:34Hello.
00:48:36Hello.
00:48:38Hello.
00:48:40Are you okay?
00:48:42No, it's nothing.
00:48:44You sure?
00:48:46No, no, no. I'm all right.
00:48:48Maybe I should get Victor
00:48:50a nice new shirt.
00:48:52Do you like this?
00:48:54It's lovely.
00:48:56What are you giving him?
00:48:58Who?
00:49:00Victor.
00:49:02I don't know.
00:49:04Why don't we both get him a new shirt?
00:49:06Let's get him one each.
00:49:08Then he'll have two.
00:49:10Two brand new button-ups.
00:49:12He has enough.
00:49:14He doesn't need more shirts.
00:49:16Of course he does.
00:49:18You can never have too many shirts.
00:49:20Tell me what size you're interested in.
00:49:22Well,
00:49:24I do not know.
00:49:26About the same as yours.
00:49:28It's 42.
00:49:30Ah, 42.
00:49:32Okay.
00:49:37Thank you.
00:49:39That was almost embarrassing.
00:49:41Here you go. How's this?
00:49:43Oh, thanks so much.
00:49:45Vera, I'll put it up against you.
00:49:47You are about the same height.
00:49:49Oh, please, Vera.
00:49:51It's great.
00:49:53It's perfect.
00:49:55Can this one be from me?
00:49:57There's no need to worry.
00:49:59I can assure you,
00:50:01we'll be doing this for your husband soon.
00:50:03Yes, we'll take it.
00:50:06Vera, wait. Is something wrong?
00:50:08No, nothing.
00:50:10My head is just spinning.
00:50:12Oh, goodness. Did I say something wrong?
00:50:15I'm sorry you're in trouble at work,
00:50:17and I'm annoying you with my stuff.
00:50:19Maybe you should go somewhere to relax.
00:50:21Excuse me.
00:50:23Are you going to buy the other one?
00:50:25What?
00:50:27Should I pack up the second shirt?
00:50:36When was the last trolleybus?
00:50:41A while.
00:50:43Why didn't you get on it then?
00:50:45Where were you going to?
00:50:55I have no idea where I need to go.
00:50:57I'm sorry, Vera.
00:50:59I'm sorry.
00:51:01I'm sorry.
00:51:03I have no idea where I need to go.
00:51:09Then what are you doing at the bus stop?
00:51:13I'm waiting for a trolleybus.
00:51:18You need a therapist.
00:51:26Yes, I do.
00:51:33Yes, I do.
00:51:47Volodya.
00:51:59Yes?
00:52:01This is Vera. Remember me?
00:52:03You gave me your number at Tolia's birthday party.
00:52:05Oh, yes.
00:52:08Volodya, can I come and see you?
00:52:12Yes, but...
00:52:15Are you busy?
00:52:17No, no.
00:52:19Check my address.
00:52:22That's fine. I'll remember it.
00:52:26Thanks so much.
00:52:31Bye.
00:53:01Okay.
00:53:09Okay.
00:53:15Cabbage.
00:53:18Onions.
00:53:27Okay.
00:53:30Okay.
00:53:42Look.
00:53:44I'm sorry about all the mess.
00:53:46I just moved.
00:53:48And I'm still busy unpacking.
00:53:53No, I should be sorry.
00:53:55I dropped in last minute.
00:53:58I should have given warning.
00:54:00It's a nice surprise.
00:54:03I never thought that bank managers could be so young and good-looking.
00:54:08But you are.
00:54:14I'm not...
00:54:16coming here as a...
00:54:19young bank manager.
00:54:21Then how?
00:54:23As a...
00:54:26As a single woman, I guess.
00:54:32Well, that's fine too.
00:54:34How about a drink?
00:54:36What can I get you?
00:54:38I have wine, champagne, and cognac.
00:54:41How about vodka?
00:54:44Oh.
00:54:55Oh, I'm sorry.
00:54:57What are you sorry for, huh?
00:54:59Okay.
00:55:01Thanks so much.
00:55:06So...
00:55:08what shall we drink a toast to?
00:55:11Yes.
00:55:13Please excuse me, I'm completely...
00:55:18I don't know why I came here.
00:55:22Or rather, I know...
00:55:25what I actually came here for.
00:55:30I don't know why I came here. I'm so sorry.
00:55:32I see. Got it.
00:55:35I'm off today, therefore...
00:55:38we can just...
00:55:40sit here for a bit.
00:55:42So let's drink.
00:55:44What to?
00:55:48To this date.
00:55:50To this meeting.
00:55:52To the meeting.
00:55:53Okay.
00:56:05What now?
00:56:06The phone.
00:56:07It's ringing.
00:56:08Ah, yes.
00:56:24You know what?
00:56:26I have this method...
00:56:28when I need to relax.
00:56:30To calm down.
00:56:32I go for a walk.
00:56:35Ah.
00:56:36I go on a mental health walk.
00:56:38I sit down and I have a drink.
00:56:42Mentally? Meaning?
00:56:44Well, it's entirely dependent.
00:56:46If it's before an important surgery,
00:56:48then of course...
00:56:50And if it's one of my days off,
00:56:52then I allow myself to have a real drink
00:56:54and a real walk around, so to speak.
00:56:56Cheers to that.
00:57:03Then let's go.
00:57:06Where to?
00:57:09A walk.
00:57:13Meaning?
00:57:16Meaning?
00:57:20Mentally.
00:57:21Mentally.
00:57:23Let's go.
00:57:26You know the ring road?
00:57:28Moscow is behind.
00:57:29The path is in front.
00:57:31We are...
00:57:33We're facing a former apple orchard.
00:57:36It's spring.
00:57:37Early, early evening.
00:57:40All the noise has disappeared.
00:57:42But all we can see is the apple blossoms.
00:57:45Shall we?
00:57:48Let's sit.
00:57:55Have a snack.
00:57:59Now you're leading.
00:58:01Am I leading?
00:58:04Oh.
00:58:05Okay, let me think.
00:58:09Behind the hill
00:58:11there's a pond.
00:58:13Or a lake.
00:58:15What lake?
00:58:18I think that perhaps they dug it out for fire safety.
00:58:24And the frogs in the pond
00:58:26are all croaking.
00:58:28Singing.
00:58:29Croaking.
00:58:32And they're...
00:58:34It's clean.
00:58:36I mean,
00:58:38there's no garbage.
00:58:40Untouched.
00:58:42Shall we sit down?
00:58:44In the grass?
00:58:48Let's sit.
00:58:50Shall we have a toast?
00:58:58To our love.
00:59:11You can't even imagine the nonsense he was talking.
00:59:15It's like going to a nature reserve and shooting all the animals.
00:59:19Then putting their stuffed corpses under the pine trees.
00:59:22Thinking you've preserved their spirits.
00:59:24Everyone prefers the inanimate to the living.
00:59:28It's more convenient.
00:59:30And simpler.
00:59:32How is it?
00:59:34Is Vera home?
00:59:36No.
00:59:39You know, when we hang out with Vera,
00:59:42it makes her feel old and hopeless.
00:59:44It's so difficult to find love if you feel old and hopeless.
00:59:47Why does she need to?
00:59:48What do you mean?
00:59:50She just turned 30.
00:59:53Why else do you think she's made such a stunning career within the past two years?
00:59:58Why is that?
01:00:03Oh, Victor.
01:00:06A woman's career thrives when she's lonely.
01:00:12Ah.
01:00:14According to mom.
01:00:18No.
01:00:28We'll take the seventh break.
01:00:30Then a blindfold.
01:00:33The sixth.
01:00:36Hold on.
01:00:37I was counting.
01:00:39It's the sixth.
01:00:40There.
01:00:41On the rocks.
01:00:44Slow down.
01:00:52Please.
01:00:56What's this?
01:00:58I want to lie down.
01:00:59Stop.
01:01:01I want to lie down.
01:01:02Vera, stop it.
01:01:05I want to lay down.
01:01:07Vera.
01:01:09Don't go.
01:01:10Okay.
01:01:11I'm scared.
01:01:12Why's that?
01:01:14I'm scared.
01:01:16Okay, okay.
01:01:20But why?
01:01:24That's not why you came here.
01:01:26Why else?
01:01:28I don't know why.
01:01:31When you called me, I thought...
01:01:36I've been waiting so long to meet someone like you, you know.
01:01:41Like you.
01:01:45If we do this,
01:01:49we'll never see each other again.
01:01:59Give me your kiss.
01:02:01Begging you, please, on my knees.
01:02:04Trouble my skin.
01:02:06What does it mean?
01:02:08I'll be forever your teen.
01:02:11Never mind.
01:02:12You'll be fine.
01:02:14We have tried.
01:02:17Oh, you can relax.
01:02:20I pick your bags.
01:02:22You call me easy like mice.
01:02:25What does it mean?
01:02:28I'll be forever your teen.
01:02:31Never mind.
01:02:33You'll be fine.
01:02:35We have tried.
01:02:55Why aren't you sleeping?
01:03:17It's late.
01:03:21I can't seem to sleep.
01:03:23You have to be up early tomorrow.
01:03:32You're drinking coffee, so...
01:03:35It'll be a miracle if you get to sleep now.
01:03:38Valya.
01:03:41Go to sleep.
01:03:43I need to be alone.
01:03:47You're in trouble at work, right?
01:03:53It's my life that's in trouble.
01:03:59That's okay.
01:04:01Almost everyone has troubles in life.
01:04:04It just means that next year everything's going to be all right.
01:04:08You know, I should have told you all this a long time ago.
01:04:11Don't tell me anything. I'm going back to bed. I need to go and sleep.
01:04:23I love you.
01:04:53I love you.
01:05:23Hello.
01:05:25Good morning.
01:05:26Good morning.
01:05:28Miss Andrevna, you have calls from the My Home Company.
01:05:31I'll get back to them this afternoon. I have a meeting now.
01:05:34The meeting was cancelled.
01:05:37By who?
01:05:39Dmitri Borosevich.
01:05:41But when?
01:05:42I called on Saturday, but your phone was switched off.
01:05:46I'm sorry.
01:05:49But when?
01:05:50I called on Saturday, but your phone was switched off.
01:05:55Yes, I see that.
01:05:58Is he in?
01:06:04Dima?
01:06:06What is this?
01:06:08I just got it as a New Year's present.
01:06:11I just couldn't refuse. How pretty.
01:06:14Not what I mean.
01:06:16Dear Andrevna, you should really calm down.
01:06:19I mean, New Year is nearly here.
01:06:23You cancelled the meeting I've been preparing for for a month.
01:06:27And you didn't even bother to let me know.
01:06:29Natasha said she'd call everyone.
01:06:31And I called you. About twenty times.
01:06:34You were clearly busy with something.
01:06:36We could have discussed it before making such a big decision.
01:06:40Why do I need to discuss this with you?
01:06:43I'm your boss, by the way.
01:06:45I think you have special privileges others don't.
01:06:47Sorry?
01:06:50Hello?
01:06:52I can't talk. I'm at work.
01:06:55And I'm at work all day today.
01:06:58Goodbye.
01:07:01Well, you and I used to discuss things.
01:07:04That's how we've always worked.
01:07:06Well, we used to do a lot of things together.
01:07:10So it's revenge?
01:07:12Come on, now. What revenge?
01:07:14It's just, we slept together.
01:07:17Walked around Ismailovsky Park three times.
01:07:20Twice.
01:07:22Ah, you're right. The third time was Tsebriyannibor.
01:07:25Then suddenly, you were just too busy.
01:07:28We talked about this.
01:07:30No, I just thought you were trying to get to know me.
01:07:33And then you refused to go to Crete with me.
01:07:36I went all alone. Alone like an idiot.
01:07:39I had to stay in this huge empty house for two weeks.
01:07:42There was an echo. An actual echo.
01:07:45There was an echo because you weren't there.
01:07:55Dima, that all happened a long time ago.
01:08:01I'm sorry.
01:08:05I made a huge mistake.
01:08:08A bank employee shouldn't make mistakes.
01:08:20Over here there'll be a spiral staircase that leads to the second floor.
01:08:24I think that'll be a wonderful addition.
01:08:27I'm not so sure.
01:08:29There are some beams and pillars sticking out.
01:08:32Right over here, do you see?
01:08:34Petrovich, they're not pillars.
01:08:36Petrovich, they're not pillars.
01:08:38They're supporting columns.
01:08:40And if we remove the beams, then we'll reduce the space.
01:08:43And this way, if we open them all, it'll be beautiful, like a French chalet.
01:08:47Well, I don't want it to be a country house.
01:08:50I need it to look like an actual house.
01:08:53It will be a house. I'm telling you that it will also be beautiful.
01:08:57I still have to get my wife's consent on this.
01:09:00Couldn't you at least draw the exterior?
01:09:03Just to try and persuade her to agree.
01:09:06I can draw you a picture on my computer.
01:09:08Yes?
01:09:09That she won't be able to resist.
01:09:11Oh, Vera Andreevna's going home.
01:09:15Vera!
01:09:17Vera!
01:09:32Oh, sorry, sorry, sorry.
01:09:34Okay.
01:09:47Okay.
01:10:18Oh, goodness, what time is it?
01:10:21I have no idea.
01:10:23It's time to go home.
01:10:27What for?
01:10:29Victor, I beg of you.
01:10:32Please don't start this again now.
01:10:36I'm feeling very good now.
01:10:40And you're gonna mess it up.
01:10:44Okay, let's go.
01:10:46But we need to make one pit stop.
01:10:51But where?
01:10:53It's a surprise.
01:11:06Oh, God.
01:11:10Oh.
01:11:12Let's hurry.
01:11:14Hello, Nikolai.
01:11:16Elevator's broken.
01:11:19No worries.
01:11:20I'm sorry, we'll have to walk.
01:11:22To the 11th floor?
01:11:24Maybe.
01:11:25If you stop and kiss me on every floor, it'll be much easier.
01:11:29I can guarantee it.
01:11:32Hmm?
01:11:34Hmm?
01:11:36Hmm?
01:11:38Hmm?
01:11:42Come in.
01:11:43Come in, come in, don't be shy.
01:11:46Well, here it is.
01:11:47Our little palace.
01:11:51Look at the stairs.
01:11:53Hello, Nikolai.
01:11:54Hello, Victor Sagivich.
01:11:56So, how's everything going?
01:11:57Well, I mean, you can see for yourself.
01:12:01Uh-huh.
01:12:02I just hope we don't repaint the nursery a fourth time.
01:12:06Oh, Nikolai, Nikolai, you know you're a real artist sometimes.
01:12:09Repaint 20 times over.
01:12:11Huh?
01:12:13You just need to find the right shade.
01:12:15Huh?
01:12:16Look at Monet.
01:12:17You know.
01:12:18Oh.
01:12:19So, are we going to repaint again?
01:12:21We'll see, we'll see.
01:12:22We'll look at everything and decide.
01:12:25Don't you think this apartment is beautiful?
01:12:29Once you have some children, it'll be warm and cozy.
01:12:33They'll love it.
01:12:34Do you like it?
01:12:35Did you find the right thing, Mr. Sagivich?
01:12:37Bringing your wife to see it.
01:12:39Hmm?
01:12:40It's overdue.
01:12:41She needs to have a look.
01:12:42Come, let me show you something else.
01:12:48There will be a nursery here.
01:12:50Come and have a look.
01:12:51You see?
01:12:52Come on.
01:12:54Come look.
01:12:56Huh?
01:12:57I'll paint the ceilings.
01:12:59It'll be a world map.
01:13:01The walls will be the same style.
01:13:03We'll paint lions and tigers and bears and ships.
01:13:06Then I'm going to have an English-style office.
01:13:09And the ceilings will be lit up at night.
01:13:13The stars will twinkle.
01:13:16Sound good?
01:13:20Ah.
01:13:21Yes, Nikolai.
01:13:22You know, my wife and I are going to discuss everything.
01:13:25Okay, sure.
01:13:26Thank you.
01:13:31Tell me.
01:13:34Why?
01:13:35Why did you bring me here?
01:13:38Tell me.
01:13:40Why did you even arrange all of this?
01:13:43Huh?
01:13:45You could have told a lie.
01:13:46Just a lie.
01:13:48And say that I'm a designer who's going to paint these ceilings.
01:13:56Huh?
01:13:57You didn't have to say that I'm your wife.
01:14:01But you are my wife.
01:14:05You are my real wife, Vera.
01:14:10Back in August, I realized.
01:14:12When we were alone and everyone was gone, I realized.
01:14:15I knew at once.
01:14:16You're my real wife, and I don't need anyone else's love.
01:14:19I don't need anyone else but you.
01:14:23God, what is all this nonsense for?
01:14:27When is all this nonsense going to end?
01:14:30This is the way it's supposed to be, because I love you.
01:14:33What about Vanya?
01:14:36I'll call her if you want.
01:14:38I will.
01:14:40No.
01:14:41Are you crazy?
01:14:42Then please, will you stop crying?
01:14:45I can't bear to watch you cry.
01:14:47I don't cry at all.
01:14:48No? You don't?
01:14:51Here.
01:14:53Call her.
01:15:21I found them.
01:15:45Your size.
01:15:46Try them.
01:15:48I haven't skated since school.
01:15:50Fine. We'll skate every day from here on out.
01:15:54What is this?
01:15:57The keys.
01:16:03To our new life?
01:16:08You agree?
01:16:12Shall we tell them?
01:16:15Huh?
01:16:16Soon.
01:16:17But when?
01:16:18Soon.
01:16:19Soon.
01:16:20But when?
01:16:21Soon.
01:16:22But when?
01:16:23Soon.
01:16:46Laura.
01:16:48Can we have a minute?
01:16:50Maybe tomorrow.
01:16:52Just a minute.
01:16:54We can talk tomorrow.
01:17:01Do you love him?
01:17:05Yes.
01:17:11He loves you?
01:17:14We decided to get married.
01:17:23Valya wants to talk.
01:17:26I think you should go to her room.
01:17:50Can I come in?
01:18:20He's so different.
01:18:29So different.
01:18:35I don't know how to explain but I feel it.
01:18:39He's becoming so distant now.
01:18:47I'm going to die without him.
01:18:49I think I will die.
01:18:51Do you remember?
01:18:53Remember you and dad taught me how to swim.
01:18:56I told you that I was going to drown and almost did.
01:19:01I'll die without him.
01:19:03I know myself.
01:19:05It's better to die.
01:19:07It's better to die right away.
01:19:09I don't know how else to say it but I have known for two weeks now.
01:19:13I don't know what to say to him.
01:19:15What?
01:19:17What have you known?
01:19:20We're going to have a baby.
01:19:27He doesn't even love me.
01:19:30How do I tell him?
01:19:32I don't know what to say to him.
01:19:34Get some sleep now.
01:19:36Get some sleep, okay?
01:19:40Okay.
01:19:50Vera, what happened?
01:19:51Vera, Vera.
01:19:53Vera, what's wrong?
01:19:54Vera.
01:19:57Vera, tell me what's happening.
01:19:59Open up.
01:20:01Vera, open.
01:20:02What's wrong?
01:20:03Valia, stand back.
01:20:04Galina, take her to her room.
01:20:05Valia, go to my room.
01:20:06Go, go.
01:20:08Vera, can you explain what happened to the normal person?
01:20:11Vic.
01:20:12I won't.
01:20:13Stop it.
01:20:14You're going to wake the neighbors.
01:20:15Just leave her.
01:20:16I won't go, Galina.
01:20:17I'm not going anywhere.
01:20:18This place is more like a circus than a home.
01:20:19Vera.
01:20:20Vera, enough already.
01:20:22Tell everyone at once.
01:20:24Come out and tell them.
01:20:25Stop keeping secrets, Vera.
01:20:28Vera.
01:21:07Here you go.
01:22:08I'm sorry.
01:22:11I'm sorry.
01:22:37I'm sorry.
01:23:07I'm sorry.
01:23:38Valia.
01:23:42Valia, are you all right?
01:23:44Valia.
01:23:47What?
01:23:50Did something happen?
01:23:51Nothing happened.
01:23:53Are you all right?
01:23:54It's all right, Mom.
01:23:55Everything's fine, okay?
01:24:03Valusia.
01:24:05Valia.
01:24:09Oh, Mom.
01:24:12Mommy, you know, I just can't take it anymore.
01:24:34Valia.
01:24:39Valia.
01:24:44Valia.
01:24:49Valia.
01:24:54Valia.
01:24:59Valia.
01:25:04Valia.
01:25:09Valia.
01:25:14Valia.
01:25:19Valia.
01:25:29Valia.
01:25:39Valia.
01:25:49Valia.
01:25:59Valia.
01:26:09Valia.
01:26:20Here you are, ma'am.
01:26:30Snow maiden Nadezhda Lokakova.
01:26:36Hello.
01:26:38Hello, sorry to disturb, but it's Vera from the hospital.
01:26:44Sorry, is this Nadezhda Lokakova?
01:27:14Valia, I think we should talk.
01:27:33There's something I want to talk to you about.
01:27:37All right, you go first.
01:27:40No, you go first.
01:27:43Can we talk like adults?
01:27:46All right, then.
01:27:51Oh, Mom.
01:27:52Yes?
01:27:53There's something I want to say, and I want everyone to be here for it.
01:27:55Oh.
01:27:56Vera.
01:27:57Vera, that's you?
01:27:58Come in here.
01:27:59Valia wants to announce something.
01:28:05All right.
01:28:07Victor.
01:28:15Get your opponent in here.
01:28:22Why are you so quiet?
01:28:26She just graduated with a present.
01:28:29Valia.
01:28:36Graduated with honors?
01:28:38Well, it is so happens that we have a special present for people who graduate with honors.
01:28:43Look what we've got for you over here.
01:28:45What is it?
01:28:46Open, open.
01:28:47What, what, what?
01:28:50The keys.
01:28:51The keys.
01:28:52The keys.
01:28:54Congratulations.
01:28:57Santa, that's great.
01:28:59That's great, Valia.
01:29:00What a great job you have done, Valia.
01:29:02Let's go, there's a carriage that you call a taxi that's waiting for you downstairs.
01:29:05Hurry, hurry, hurry.
01:29:06Put on something warm, boots and a warm hat.
01:29:08Come on, everyone, let's go.
01:29:10Come on, come on, come on.
01:29:11Let's all go.
01:29:35Let's go.
01:30:05Good evening.
01:30:06Hello.
01:30:07Wait.
01:30:08All right, we'll take the next elevator.
01:30:09On New Year's Eve, the last thing we need is to get all stuck in the elevator.
01:30:10We will see you.
01:30:11Really, Claudia.
01:30:12Why?
01:30:13Can't you see that those two need to talk?
01:30:14Why are you always picking on me?
01:30:15We can't disturb them like this.
01:30:16I'm sorry.
01:30:17I'm sorry.
01:30:18I'm sorry.
01:30:19I'm sorry.
01:30:20I'm sorry.
01:30:21I'm sorry.
01:30:22I'm sorry.
01:30:23I'm sorry.
01:30:24I'm sorry.
01:30:25I'm sorry.
01:30:26I'm sorry.
01:30:27I'm sorry.
01:30:28I'm sorry.
01:30:29I'm sorry.
01:30:30I'm sorry.
01:30:31I'm sorry.
01:30:32I'm sorry.
01:30:33I'm sorry.
01:30:34I'm sorry.
01:30:35I'm sorry.
01:30:36I'm sorry.
01:30:37I'm sorry.
01:30:38I'm sorry.
01:30:39I'm sorry.
01:30:40I'm sorry.
01:30:41I'm sorry.
01:30:42I'm sorry.
01:30:43I'm sorry.
01:30:44I'm sorry.
01:30:45I'm sorry.
01:30:46I'm sorry.
01:30:47I'm sorry.
01:30:48I'm sorry.
01:30:49I'm sorry.
01:30:50I'm sorry.
01:30:51I'm sorry.
01:30:52I'm sorry.
01:30:53I'm sorry.
01:30:54I'm sorry.
01:30:55I'm sorry.
01:30:56I'm sorry.
01:30:57I'm sorry.
01:30:58I'm sorry.
01:30:59I'm sorry.
01:31:00I'm sorry.
01:31:01I'm sorry.
01:31:02I'm sorry.
01:31:03I'm sorry.
01:31:04I'm sorry.
01:31:05I'm sorry.
01:31:06I'm sorry.
01:31:07I'm sorry.
01:31:08I'm sorry.
01:31:09I'm sorry.
01:31:10I'm sorry.
01:31:11I'm sorry.
01:31:12I'm sorry.
01:31:13I'm sorry.
01:31:14I'm sorry.
01:31:15I'm sorry.
01:31:16I'm sorry.
01:31:17I'm sorry.
01:31:18I'm sorry.
01:31:19I'm sorry.
01:31:20I'm sorry.
01:31:21I'm sorry.
01:31:22I'm sorry.
01:31:23I'm sorry.
01:31:24I'm sorry.
01:31:25I'm sorry.
01:31:26I'm sorry.
01:31:27I'm sorry.
01:31:28I'm sorry.
01:31:29I'm sorry.
01:31:30I'm sorry.
01:31:31I'm sorry.
01:31:32I'm sorry.
01:31:33I'm sorry.
01:31:34I'm sorry.
01:31:35I'm sorry.
01:31:36I'm sorry.
01:31:37I'm sorry.
01:31:38I'm sorry.
01:31:39I'm sorry.
01:31:40I'm sorry.
01:31:41I'm sorry.
01:31:42I'm sorry.
01:31:43I'm sorry.
01:31:44I'm sorry.
01:31:45I'm sorry.
01:31:46I'm sorry.
01:31:47I'm sorry.
01:31:48I'm sorry.
01:31:49I'm sorry.
01:31:50I'm sorry.
01:31:51I'm sorry.
01:31:52I'm sorry.
01:31:53I'm sorry.
01:31:54I'm sorry.
01:31:55I'm sorry.
01:31:56I'm sorry.
01:31:57I'm sorry.
01:31:58I'm sorry.
01:31:59I'm sorry.
01:32:00I'm sorry.
01:32:01I'm sorry.
01:32:02I'm sorry.
01:32:03I'm sorry.
01:32:04I'm sorry.
01:32:05I'm sorry.
01:32:06I'm sorry.
01:32:07I'm sorry.
01:32:08I'm sorry.
01:32:09I'm sorry.
01:32:10I'm sorry.
01:32:11I'm sorry.
01:32:12I'm sorry.
01:32:13I'm sorry.
01:32:14I'm sorry.
01:32:15I'm sorry.
01:32:16I'm sorry.
01:32:17I'm sorry.
01:32:18I'm sorry.
01:32:19I'm sorry.
01:32:20I'm sorry.
01:32:21I'm sorry.
01:32:22I'm sorry.
01:32:23I'm sorry.
01:32:24I'm sorry.
01:32:25I'm sorry.
01:32:26I'm sorry.
01:32:27I'm sorry.
01:32:28I'm sorry.
01:32:29I'm sorry.
01:32:30I'm sorry.
01:32:31I'm sorry.
01:32:32I'm sorry.
01:32:39Come in.
01:32:44my goodness, my goodness.
01:32:46Who are you?
01:32:47Happy New Year.
01:32:48Well give me the present,
01:32:49and I'll wish you a happy new year.
01:32:51Katja, what's the matter with you?
01:32:53Why are you crying?
01:32:56Take off her coat, give it to me.
01:32:58You see, he has a philosophy that you can't bring children into such an imperfect world.
01:33:04Here you are. This is for you.
01:33:09And I don't know when this world will be perfect for children.
01:33:12I mean, I'll probably have metaphors by then.
01:33:15Oh, goodness.
01:33:17If you've decided to have a baby, then do it.
01:33:22I told him I would have one anyway, and he left.
01:33:27Where did he go?
01:33:28He went back to the hospital.
01:33:31Damn it. I thought he was divorcing you.
01:33:34You don't understand.
01:33:37I dressed up nicely for the New Year, and he's gone.
01:33:42That's it. Then he's left me for good.
01:33:44And you said that we were a happy family.
01:33:49Where's your mom with the water? I could really use some water.
01:33:52Mom, can you bring some water here, please?
01:33:54I'm coming. I'm coming.
01:33:57You're leaving?
01:33:59Okay, you sit here and wait.
01:34:02He doesn't want children. A philosopher.
01:34:06I'm going to go get him back for you. Sit here and wait.
01:34:09Mother!
01:34:10Vera! Vera!
01:34:12If you bring him here, then I'll name my daughter after you. I promise you.
01:34:16Vera, do you hear me? I mean it. My first daughter will be named after you.
01:34:20Okay, stop it. Stop it. Quiet now, quiet. Have some water.
01:34:31Why on earth did I let you into the unit?
01:34:40You don't appreciate your happiness.
01:34:42Cheers.
01:34:43Come on. Let's drink to your wife.
01:34:50Cheers.
01:35:00Is anyone waiting for you?
01:35:03You're a fool.
01:35:05I just don't know who to choose.
01:35:08Just arrange a New Year's tour. To all the addresses.
01:35:13No way.
01:35:15A man should only have one woman. Especially tonight.
01:35:22Goodbye.
01:35:23Goodbye.
01:35:45Shh. Quiet. Quiet.
01:36:15Da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-
01:36:45Da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da
01:37:15Excuse me driver, do you know why we've stopped?
01:37:45Huh, no currents.
01:37:47And why is there no current?
01:37:51Huh, I could ask you the same thing. I've no idea. Do you perhaps work for the electrical plant?
01:37:57I don't.
01:38:00Shall I open the door?
01:38:15It's okay, don't worry.
01:38:29Good evening.
01:38:36Happy New Year.
01:38:37Thank you, same to you.
01:38:42Volodya.
01:38:45Hello.
01:38:49Hello.
01:38:52We don't have a current.
01:38:55We don't?
01:38:57Mm-hmm.
01:39:02Well, at least I'm here.
01:39:21Ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba
01:39:51Ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba