Enderr per nje karrige
Transcript
00:00:00This is a work of fiction. Any resemblance to actual persons, living or dead, is coincidental and unintentional.
00:00:30This is a work of fiction. Any resemblance to actual persons, living or dead, is coincidental and unintentional.
00:01:00This is a work of fiction. Any resemblance to actual persons, living or dead, is coincidental and unintentional.
00:01:30This is a work of fiction. Any resemblance to actual persons, living or dead, is coincidental and unintentional.
00:02:00This is a work of fiction.
00:02:30This is a work of fiction.
00:03:00What are you doing?
00:03:02I don't have two minutes of work.
00:03:04Why did you come here?
00:03:06I was looking for my brother.
00:03:08What are you doing here?
00:03:10What are you doing here?
00:03:12What are you doing here?
00:03:14What are you doing here?
00:03:16What are you doing here?
00:03:18What are you doing here?
00:03:20What are you doing here?
00:03:22What are you doing here?
00:03:24What are you doing here?
00:03:26What are you doing here?
00:03:28Look at the door, sir.
00:03:30Look at the door, sir.
00:03:44This is very bureaucratic, isn't it, dear?
00:03:46This is the deal that will be a normal common property.
00:03:48Oh yes.
00:03:50You'll be more beautiful than her.
00:03:57What are you doing?
00:04:02Thank you, Turgut.
00:04:04You're welcome.
00:04:18Hey, young man.
00:04:20Do you work for the administration or for the law?
00:04:22Why don't you just go to the circus?
00:04:24Should I go now or later?
00:04:26You should go now.
00:04:28Do you know where Matana is?
00:04:30No, I don't.
00:04:32I'm sorry, Samita.
00:04:34I'm in a hurry.
00:04:36I'm Loza.
00:04:38I'm sorry, Samina.
00:04:40I didn't see you.
00:04:42I was in the middle of a plan.
00:04:44What are you doing, Tovask?
00:04:46We're here to get you out.
00:04:48Where is he?
00:04:50He's here.
00:04:52You're the director's son-in-law.
00:04:54You should be ashamed.
00:04:56What happened?
00:04:58Where is he?
00:05:00I don't know.
00:05:10What is he doing?
00:05:12He's the director's son-in-law.
00:05:14He didn't get it.
00:05:16What?
00:05:18He was such a good son-in-law.
00:05:20Yes, yes.
00:05:22I'm sorry.
00:05:24With pleasure.
00:05:26Consumers!
00:05:28What is it?
00:05:30What is it?
00:05:32He didn't get it.
00:05:34What did he get?
00:05:36For the director.
00:05:38What happened to the director?
00:05:40I don't know.
00:05:42Necrology.
00:05:48A new administrator was alerted.
00:05:50At the same time,
00:05:52we were preparing for the director's retirement ceremony.
00:05:54A new administrator?
00:05:56What is it?
00:05:58I don't know.
00:06:04Who is it?
00:06:06Come in.
00:06:10Mr. Coli,
00:06:12this is for Mr. Ducian.
00:06:14No, it's for us.
00:06:16How come?
00:06:18Come with me.
00:06:20He came to thank you.
00:06:22Because for the director's retirement,
00:06:24he worked like a slave.
00:06:26He's right, but...
00:06:28I don't want to work.
00:06:30I want to see Mr. Ducian.
00:06:32I don't want to work.
00:06:34Mr. Coli,
00:06:36it's not the first time
00:06:38you've come to thank me.
00:06:40Mr. Viola,
00:06:42it's not the first time
00:06:44you've come to thank me.
00:06:46The triple-tender
00:06:48was paid in cash.
00:06:50It's good that we're still in the government.
00:06:52We don't have to accept
00:06:54to be in the government.
00:06:56We don't make the parade of success.
00:06:58We don't have to be in the euphoria.
00:07:00We don't have any money,
00:07:02but we have the money to work
00:07:04as a public servant.
00:07:06And as citizens, we must be united
00:07:08and support the other rights.
00:07:10We don't have the money to buy a car.
00:07:12We don't have the money to buy a car.
00:07:14We didn't get the money from Ambulifications.
00:07:16Why did you come to work as zamificators?
00:07:18Why are you here, Mr. Coli?
00:07:20You'll work harder
00:07:22to defend our rights.
00:07:24Why agonize with other people,
00:07:26but you're neither human nor innocent.
00:07:28We wanted work!
00:07:30The government doesn't do anything.
00:07:32What do you mean?
00:07:34We've started to work for about three months.
00:07:36You mean what?
00:07:38We work.
00:07:40We work!
00:07:423 months, 6 months, 9 months.
00:07:44Samir is right, Shokya.
00:07:46This is the key to our success.
00:07:48No, Shokukoli.
00:07:49Moza is right, as well as the consumer demand.
00:07:52Why do you say that Shokya Monda is not right?
00:07:55Moza.
00:07:57We don't say that Shokya Monda is not right.
00:07:59We mean Monda and Moza.
00:08:00Monda, of course.
00:08:01But even Moza and Samir are right, Shokukoli.
00:08:04Yes, even Moza and Samir are right.
00:08:06Because they have the right, like Sven, to rule the world.
00:08:09You have the right, Samir, and Monda.
00:08:11Moza has the right to rule the world.
00:08:13We don't want to hear any more nonsense.
00:08:15Shokukoli, if Shokya is right,
00:08:18then Samir will rule the world.
00:08:20Samir will rule the world?
00:08:22Yes.
00:08:23Moza will rule the world.
00:08:25Moza.
00:08:26What about you, Samir?
00:08:27Moza will rule the world.
00:08:29If he has a problem,
00:08:30he will fix it himself and Shokukoli.
00:08:33You are right.
00:08:34Because you said both of them are wrong.
00:08:42What are you doing in the gallery, Mege?
00:08:44I'm looking for the horses, Shokukoli.
00:08:46Hurry up, Shokukoli.
00:08:47We have to go to the ceremony of giving the right to retire.
00:09:05Where can we find the right to retire, Shokukoli?
00:09:07There are a lot of people who want to retire, Mege.
00:09:09Do you know where to find them, Mege?
00:09:11No, I don't know, Shokukoli.
00:09:13I would like to go back to the collective, that's why.
00:09:15You said it yourself, who would deserve it?
00:09:17Maybe for me, Vjolca.
00:09:22Who are you looking for?
00:09:23I'm not looking for anyone.
00:09:25You know I'm a meteorologist.
00:09:27I've heard a lot about you.
00:09:29I'm not looking for anyone.
00:09:32I'm looking for my horse.
00:09:34You know better than me.
00:09:40What's going on?
00:09:42What's going on?
00:09:44Can we go to the city hall?
00:09:46Let's go to the city hall.
00:10:05Excuse me, do you know Shokukoli?
00:10:07Oh, Shokukoli.
00:10:08How are you, Shokukoli?
00:10:10How are you?
00:10:12Mege will come and we'll talk about the explosive problem.
00:10:15But first, I have to talk to Shokun Sali.
00:10:18Come on, Shokukoli.
00:10:19Hurry up.
00:10:20I'll call you later, Shokun Sali.
00:10:22You're in a hurry, aren't you?
00:10:23You're right.
00:10:25Hurry up, I'm not in a hurry.
00:10:34Come on, Shokukoli.
00:10:35I have a problem.
00:10:36About Shokun Sali?
00:10:37I don't know.
00:11:07Shokun Sali
00:11:38Do you want to buy a horse?
00:11:41I'd like to buy a horse.
00:11:43How much does it cost?
00:11:45I'd like to buy a horse.
00:11:47This one?
00:11:48No, I don't like this one.
00:11:49You don't like this one?
00:11:51No, I don't like it.
00:11:52Who gave it to you?
00:11:53Her.
00:11:54Why don't you sell it to her?
00:11:56She's older than me.
00:11:58Is she older than you?
00:11:59No, she's three years older than me.
00:12:00Do you have a horse?
00:12:01No, we don't.
00:12:02Do you have a horse?
00:12:04Yes.
00:12:05Do you have a horse?
00:12:06Do you have a horse?
00:12:07Yes, we do.
00:12:08Where did you get it?
00:12:16Thank you.
00:12:20Thank you.
00:12:21Why are you so happy?
00:12:22I'm very happy.
00:12:23Where did you buy it?
00:12:25Here, at the fruit shop.
00:12:26How?
00:12:27Here, here.
00:12:28How much was it?
00:12:292000 metres.
00:12:31What?
00:12:322000 metres.
00:12:332000?
00:12:34Thank you for buying it.
00:12:35You're welcome.
00:12:46Aren't you going to take this?
00:12:47No, no, I'm not going to take it.
00:12:49I came here first,
00:12:52out of curiosity.
00:12:56Tell me, what are you going to take?
00:12:58Nothing.
00:12:59I came here first,
00:13:02out of curiosity.
00:13:05Have a nice day and thank you.
00:13:06Have a nice day.
00:13:07A carriage, please.
00:13:09A carriage?
00:13:11Is this one?
00:13:12No, no, the bigger one.
00:13:13It's a girl's carriage.
00:13:14No, no, I don't think so.
00:13:16Look, another one.
00:13:17Have a nice day.
00:13:19Why aren't you wearing this hat?
00:13:22I'm feeling very well.
00:13:23No, no, I'm talking about my horse.
00:13:25I told you about the horse.
00:13:27Look, it's time for the horse.
00:13:29I don't know what to do with you.
00:13:34Why are you doing this for me, Meche?
00:13:36Yes, yes, for you.
00:13:37And I'm sorry,
00:13:39that I didn't take you to this party.
00:13:41I have to thank you,
00:13:43for everything you're doing for me.
00:13:45But why did you take my bag, Meche?
00:13:47For a simple reason.
00:13:49No big deal.
00:13:50I'm fine.
00:13:51But how are we?
00:13:52Meche!
00:13:53Meche!
00:13:54What?
00:13:55Aren't you going to come with me?
00:13:56I'll show you your bag,
00:13:58Meche.
00:13:59Meche,
00:14:00do you have a bag?
00:14:01No, I don't.
00:14:05Wow!
00:14:06You have a bag!
00:14:07Thank you.
00:14:09I thank you, Meche,
00:14:10for your help.
00:14:11By concluding this short discussion,
00:14:13we will approve the director's
00:14:15pension plan.
00:14:17At the same time,
00:14:18we will approve the plans
00:14:20in the name of Sali's plan.
00:14:22Because our government,
00:14:23as with the director,
00:14:24and without the director,
00:14:25will implement all of them.
00:14:27And we will approve the plan
00:14:28in the name of Sali's plan,
00:14:29without any delay.
00:14:32But,
00:14:33I have to go now,
00:14:34my dear.
00:14:35Why?
00:14:36Because I don't want this
00:14:37nightmare to continue.
00:14:40Thank you, Vasco.
00:14:41You're welcome.
00:14:42But such a statement
00:14:43by a director in this nightmare
00:14:44has no history with us.
00:14:46No, Shiro.
00:14:47Let's get out of here, Vasco.
00:14:48Yes.
00:14:49Let's go.
00:14:50Let's go.
00:14:57Let's go.
00:15:13Hello, Shoko.
00:15:14Hey, what's up?
00:15:15Are you in Tonga?
00:15:16No, I'm in Rumba.
00:15:17Where are you going?
00:15:18Oh, I'm going to the beach.
00:15:21I'll tell you a story, Meche.
00:15:22Come on, come on,
00:15:23don't make me laugh.
00:15:24But who was in the middle
00:15:25of the nightmare?
00:15:27Meche,
00:15:28did you see what happened to her?
00:15:29Who?
00:15:30That woman.
00:15:31She was naked
00:15:32and without any clothes.
00:15:33Aha.
00:15:34I don't believe
00:15:35that woman
00:15:36was three meters away.
00:15:37And you,
00:15:38did you see all that?
00:15:39Yes,
00:15:40I saw everything
00:15:41because I had a desire.
00:15:42As if you had
00:15:43a desire, Shiro.
00:15:44Of course.
00:15:45You're right.
00:15:48She gave me a kiss.
00:15:50Did she kiss you?
00:15:51No, I'm serious.
00:15:53She kissed me,
00:15:54and I kissed her.
00:15:56And she told me
00:15:57that she was naked.
00:16:00I thought
00:16:01that she was in love with me.
00:16:03What a solution!
00:16:04You made me laugh.
00:16:05But you were making me laugh.
00:16:06I told you to make me laugh.
00:16:08I told you not to take the internship,
00:16:09I told you not to take the school,
00:16:10I told you,
00:16:11I told you,
00:16:12I told you.
00:16:13I told you not to take a test.
00:16:14But I told you not to take that mother.
00:16:15But why, Meche?
00:16:16She's a woman
00:16:17who's been married for 15 years.
00:16:18Good.
00:16:19We also left her
00:16:20when we got retired.
00:16:21And then we should have
00:16:22gone to the university.
00:16:23We should have gone to the university.
00:16:24But why did you go to the university?
00:16:47How did you get to the university?
00:16:49I'm going to tell you, director.
00:16:51Why?
00:16:52Because of the money.
00:16:53We are here.
00:16:54Poso, don't tell me
00:16:55that I'm not telling you.
00:16:57It's too late, Saimir.
00:16:58All the paintings
00:16:59have been taken away
00:17:00from the gallery.
00:17:01Today,
00:17:02the paintings
00:17:03should be taken with great speed.
00:17:04My paintings are the best.
00:17:05It's too late, Saimir.
00:17:06No.
00:17:07Why did this chapel
00:17:08have to be taken away?
00:17:10It's Christ's chapel.
00:17:12I don't know this chapel.
00:17:13It's mine.
00:17:15It's huge.
00:17:16The little chairs
00:17:17in this chapel
00:17:18are as small as you want them to be.
00:17:19I thought you were coming here.
00:17:20Do you mind if I come here for a while?
00:17:22Yes, of course.
00:17:23When can we buy some of these for our shop?
00:17:24We'll buy them.
00:17:25No, not some, but all of them.
00:17:28But we'll buy as many as we need, Mr. Cocoli.
00:17:30No, this is a concept.
00:17:33The realization of the plan requires us to invest a lot of money.
00:17:35Let's see, Mr. Cocoli, but not only one article, but different articles.
00:17:39Yes.
00:17:44Be careful, Mr. Moza, be careful.
00:17:46We'll find a way, I'm sure of it.
00:17:48After all, I was born in London, like a parrot.
00:17:50Practical, but I know this for my own money.
00:17:53You've got a lot of money, Mr. Ligerov.
00:17:55But what are you going to do with all this money?
00:17:58I don't know, Mr. Cocoli.
00:17:59All this money means that I'm ready to die.
00:18:01What do you want from me?
00:18:03What do you want me to do with all this money?
00:18:05I have a lot of money for coffee.
00:18:07I have a lot of money for my daughter.
00:18:09We're in an exposition, I don't have any logic.
00:18:11Mr. Cocoli.
00:18:11What?
00:18:11I have a lot of money for my daughter.
00:18:11I have a lot of money for my daughter.
00:18:11I have a lot of money for my daughter.
00:18:12I have a lot of money for my daughter.
00:18:17With your permission, sir.
00:18:18With your permission, sir.
00:18:19Because I will ask you to make sure
00:18:22that there is no major change in these stocks.
00:18:24Hey!
00:18:25Stop the stocks!
00:18:26Mr. Cocoli!
00:18:29Mr. Cocoli!
00:18:30Mr. Cocoli!
00:18:31One minute, please.
00:18:32What do you want?
00:18:33I want to buy some coffee.
00:18:34I don't have time.
00:18:36You can't complain about the stocks.
00:18:37The banks have seen that you don't know how to advertise.
00:18:40They've seen that I'm worried about you, sir,
00:18:41that you don't work in the area regularly.
00:18:42Who is he?
00:18:43Do you want to be fired?
00:18:44Are you with all that you want?
00:18:44Yes, but how?
00:18:45Let's go and see.
00:18:46Yes.
00:18:46When we buy coffee, we'll buy a coffee.
00:18:48But I don't have time.
00:18:50You don't have much time for this job.
00:18:52You don't have much time for this job.
00:18:52You don't have much time for this job.
00:18:53You don't have much time for this job.
00:18:53You're not a new director.
00:18:54Get out of here!
00:18:55No, Zemra told us that you're not a director.
00:18:58You don't have to be a boss, but you're a meritorious one.
00:19:00Or you're not.
00:19:01Get out of here.
00:19:03You have to buy the cigar.
00:19:05I've already bought it.
00:19:06I don't have to pay for it.
00:19:07You have to tell me whether I have to buy it or not.
00:19:09I'll talk to you about the cigar.
00:19:16Oh, Egh-zof-shi, Eh-zof-shi.
00:19:23So good, such delicious bread.
00:19:26Do you want me to eat it?
00:19:28Eat it.
00:19:28Eat it.
00:19:29Eat it.
00:19:29Eat it.
00:19:30Here, honey.
00:19:30You don't eat meat?
00:19:31I do.
00:19:33You don't eat meat?
00:19:33I do.
00:19:33You don't eat meat?
00:19:34I work in a bar and I have to go to work every other day.
00:19:38Really?
00:19:38Thank you.
00:19:39Eh-zof-shi.
00:19:39Thank you.
00:19:39You don't work at your workplace?
00:19:41I'm not working at work.
00:19:42Even though I consider myself a citizen.
00:19:45I, too, as a citizen, would like to make a suggestion.
00:19:48What is it?
00:19:49I don't like this coat.
00:19:51Oh, you mean...
00:19:52Tell me, how does it look on you?
00:19:54You're a chick out of the standard.
00:19:57Wow!
00:19:58You're too much!
00:19:59You don't even know how to wash your own clothes.
00:20:02And I don't care about the real examples that nature creates.
00:20:05Like we're going to break the laws of nature?
00:20:07No...
00:20:08What do you think, Marika?
00:20:10It looks like a new model.
00:20:11So, you have a full shop?
00:20:13No, I don't even have old models.
00:20:15I only have models of the old ones.
00:20:17What are you talking about?
00:20:19We don't have fashion here.
00:20:21So what?
00:20:22Do the models of the old ones fill the shop?
00:20:24Do you understand what I'm saying?
00:20:25I do.
00:20:26I do, but...
00:20:27I know what I'm talking about.
00:20:29What are you talking about?
00:20:30What's going on in the back?
00:20:31I don't know.
00:20:32But you see, there's a big difference.
00:20:34The big difference is that we see the white.
00:20:36How?
00:20:37We start to see the white when the white is not seen.
00:20:40But we educate the white.
00:20:41How do we educate them?
00:20:43I don't know.
00:20:44I don't know.
00:20:45I don't know.
00:20:46I don't know.
00:20:47I don't know.
00:20:51No, no, no, no, no, no.
00:20:53The chapel.
00:20:54The chapel.
00:20:55Teuta, don't tell them what I told you.
00:20:57We'll see.
00:20:58No, we'll see.
00:20:59The rest of you...
00:21:00Come on, Roni.
00:21:01The chapel.
00:21:02Thank you.
00:21:03As long as we have a good plan,
00:21:05we don't have a chance to break the laws of nature.
00:21:07I'm sorry, Gerdan,
00:21:08that I didn't tell you about the plan.
00:21:10It was sent by us.
00:21:11I'm sorry, Mr. Shokokoli.
00:21:12But I'm afraid you're going to ruin the plan.
00:21:14I'm sorry, too.
00:21:15You've been asking for a long time
00:21:17to get the micro-purchases in the people.
00:21:19What do we have to do, Gerdan?
00:21:20We have to get the money.
00:21:21I have a deal with Lindia.
00:21:22Then I need another part.
00:21:24For the women, that's it.
00:21:25What do you mean?
00:21:26What do you mean?
00:21:27That's it.
00:21:28They will be interested in your promotion.
00:21:30The phone number is 4422.
00:21:32Don't forget about these women.
00:21:33You know they don't trust you.
00:21:34Yes, they know that Shokokoli doesn't trust me.
00:21:36Let's go to the store.
00:21:37We'll see what they have in store.
00:21:38We'll see.
00:21:39We'll see.
00:21:40What are you doing?
00:21:42Where are you going?
00:21:43Let's go.
00:21:44Didn't you hear what Gerdan told me?
00:21:47He said he'd get the money from these women.
00:21:50These women?
00:21:51Yes.
00:21:52The one with the white dress.
00:21:53The one with the long hair.
00:21:54You're talking nonsense.
00:21:56You're lying, Zami.
00:21:57That's what all the Shiks say about me.
00:21:59The Shiks don't want to risk this plan
00:22:01to get the money for the women and the children.
00:22:03We've been talking about Shokokoli for the last three months.
00:22:05Who's going to pay for these women?
00:22:07They will.
00:22:08We'll get a lot of money from these women.
00:22:11We can't trust these women.
00:22:13Of course we can.
00:22:14You're right.
00:22:15Don't tell me you won't do anything.
00:22:18No, I won't.
00:22:19But we'll have a drink.
00:22:21What kind of drink?
00:22:22A beer.
00:22:23A beer and a beer.
00:22:24We'll get drunk.
00:22:26Don't worry, Zami.
00:22:27We'll get drunk.
00:22:28Let's go.
00:22:29Let's go.
00:22:38SHOKOKOLI
00:22:51Hello, Vaska.
00:22:52Is that me?
00:22:54No, it's Peshko.
00:22:56What's up with you?
00:22:59Why are you looking at me like that?
00:23:02Why are you looking at me like that?
00:23:04Because I'm going to Shokokoli.
00:23:07I'm going to get drunk.
00:23:10Don't you get it?
00:23:12No one's going to pay for this.
00:23:14No one's going to pay for this.
00:23:21Don't tell me you won't do anything.
00:23:23What are you going to do?
00:23:24I'm going to do what I promised.
00:23:26Are you sure?
00:23:27I'm going to do this.
00:23:28What?
00:23:29I don't know.
00:23:31Have you heard of it?
00:23:33No, I remember a Shakespearean play.
00:23:35Shakespearean?
00:23:36Yes, Shakespearean.
00:23:38It's a play about electricity.
00:24:06Do you have electricity here?
00:24:08No, I don't.
00:24:09How do you know I don't have electricity?
00:24:11I don't know.
00:24:12Give me some electricity.
00:24:19Aren't you going to get drunk, Peshko?
00:24:23I'm not going to.
00:24:25You'll get drunk.
00:24:35You'll get drunk.
00:25:06After a year
00:25:19Don't you know Shokokoli?
00:25:20No, I don't know him.
00:25:21I don't know him either, but I know you're going to get drunk.
00:25:24I won't get drunk.
00:25:25I don't have enough money to buy a car.
00:25:27So I'm going to work.
00:25:29What's up, Girod?
00:25:34Girod?
00:25:36Girod, Vasca knows better than anyone.
00:25:39Well done.
00:25:40Let's gather the collective and we'll discuss Vasca's plans.
00:25:43But how are we going to get along with Vasca?
00:25:46Fairly.
00:25:47With the girls, with Vanessa at work,
00:25:49with Sorolati, with Girod in the bazaar.
00:25:52I'm talking about Girod's plan, not about the bazaar.
00:25:55Where is Vasca?
00:25:56In Girod's bazaar. He's covering the distance.
00:25:59I see.
00:26:00Don't worry.
00:26:01I'll write down the plan.
00:26:03What are your plans?
00:26:05Where is Vasca?
00:26:06He's here.
00:26:07Come here.
00:26:08How are you, Girod?
00:26:09I came to see you.
00:26:10Is he here?
00:26:11Yes.
00:26:12What are you doing here?
00:26:13What do you mean?
00:26:14Get out!
00:26:15Don't come here!
00:26:16Why are you bothering me?
00:26:18How are you, Girod?
00:26:20I'm fine.
00:26:21How can you be fine?
00:26:22Vasca is going to leave.
00:26:24I heard that...
00:26:26Me?
00:26:27Yes, you.
00:26:28You told me.
00:26:29Where was I?
00:26:30I'm not going anywhere.
00:26:31I'm fine.
00:26:32I brought some insurance for you.
00:26:34Did you bring insurance?
00:26:35No, I didn't.
00:26:36Let's go.
00:26:37Where were you today, Vasca?
00:26:39What?
00:26:40Where were you today?
00:26:41I don't know.
00:26:42I was at the bazaar.
00:26:43Thank you for coming.
00:26:45You're welcome.
00:26:46I'm glad you came.
00:26:47Let's go.
00:26:48Let's go.
00:26:49I'll take care of them.
00:26:51I'm asking you to go away without authority.
00:26:53Go away!
00:26:54I've been there.
00:26:55I've been there.
00:26:57Who told you that?
00:26:58You told me that...
00:26:59Go away!
00:27:00I'll take responsibility for them.
00:27:02I'm at fault.
00:27:03Go away!
00:27:04Get out!
00:27:05Go away!
00:27:06Go away!
00:27:07You told me…
00:27:08What are you talking about?
00:27:09I'm at fault, too.
00:27:10Go away!
00:27:11Who did this?
00:27:12I told you.
00:27:13No one.
00:27:14We're getting rid of them.
00:27:15No one is wrong.
00:27:16No...
00:27:17I don't know what to do.
00:27:19I don't know what to do.
00:27:21I don't know what to do.
00:27:23I don't know what to do.
00:27:25I don't know what to do.
00:27:27I don't know what to do.
00:27:29I don't know what to do.
00:27:31I don't know what to do.
00:27:33I don't know what to do.
00:27:35I don't know what to do.
00:27:37I don't know what to do.
00:27:39I don't know what to do.
00:27:41I don't know what to do.
00:27:43I don't know what to do.
00:27:45I don't know what to do.
00:27:47I don't know what to do.
00:27:49I don't know what to do.
00:27:51I don't know what to do.
00:27:53I don't know what to do.
00:27:55I don't know what to do.
00:27:57I don't know what to do.
00:27:59I don't know what to do.
00:28:01I don't know what to do.
00:28:03I don't know what to do.
00:28:05I don't know what to do.
00:28:07I don't know what to do.
00:28:09I don't know what to do.
00:28:11I don't know what to do.
00:28:13¶¶
00:28:23¶¶
00:28:33¶¶
00:28:43¶¶
00:28:53¶¶
00:29:03¶¶
00:29:13¶¶
00:29:23¶¶
00:29:33¶¶
00:29:43¶¶
00:29:53If you are tired, you may rest a little.
00:29:57If you are tired, you may rest a little.
00:30:01If you are tired, you may rest a little.
00:30:03If you are tired, you may rest a little.
00:30:05If you are tired, you may rest a little.
00:30:07If you are tired, you may rest a little.
00:30:09If you are tired, you may rest a little.
00:30:11If you are tired, you may rest a little.
00:30:13If you are tired, you may rest a little.
00:30:15If you are tired, you may rest a little.
00:30:17If you are tired, you may rest a little.
00:30:19If you are tired, you may rest a little.
00:30:21Bersani, I have a question.
00:30:23I don't know what to do with Agassi.
00:30:25He risks his life for mathematics.
00:30:27But we are in a hurry.
00:30:29Excuse me, Professor Merit.
00:30:31How can I help you?
00:30:33We will do something for you, Professor.
00:30:35Thank you, Merit.
00:30:37Thank you.
00:30:38Bersani, take this to your mother.
00:30:39No, I don't want to.
00:30:40Take it.
00:30:41No, I don't want to.
00:30:42I don't want to.
00:30:43Take it.
00:30:44Here.
00:30:45Take it.
00:30:47There he is.
00:30:48And Zil doesn't go out with authority.
00:30:50I'm coming.
00:30:51I'm coming.
00:30:55Let's continue.
00:30:58If you are tired, you may rest a little.
00:31:01If you are tired, you may rest a little.
00:31:04If you are tired, you may rest a little.
00:31:06Look at me.
00:31:07I will take you as per the rules.
00:31:08Who told you to change the rules?
00:31:10You can take a girl,
00:31:11and she can take the Professor's girl.
00:31:13Women can't make such decisions,
00:31:14and I don't care about being a director.
00:31:15Yes, you will.
00:31:16You will be a director.
00:31:17Agathie!
00:31:18No, you won't be a singer.
00:31:19You will be a director.
00:31:20Agathie!
00:31:21A conversation from the opposition forces
00:31:22can't be a figure.
00:31:23You will be a director.
00:31:24I don't want to be a director.
00:31:25You don't want to be a director.
00:31:26I'm tired.
00:31:27What do you want me to do?
00:31:28I will take you as a director.
00:31:29Agathie!
00:31:30If you are tired, you may rest a little.
00:31:33If you are tired, you may rest a little.
00:31:39Agathie,
00:31:40the landscape is more beautiful
00:31:41because the others can't hear you.
00:31:44It's not a problem.
00:31:45It's not a problem.
00:31:46Thank you.
00:31:47Welcome.
00:31:48Welcome.
00:31:49How are you?
00:31:50Professor,
00:31:51this is my daughter.
00:31:52How are you?
00:31:53Fine, fine.
00:31:54She's a diplomat.
00:31:55She's a diplomat.
00:31:56Don't worry,
00:31:57I'll do whatever it takes.
00:31:59Thank you very much, Collie.
00:32:00Thank you very much.
00:32:01I'll go get a orange.
00:32:02Where, Professor?
00:32:03Agathie, thank you very much,
00:32:04but the orange won't last a year
00:32:06because it's a reaction.
00:32:14Who are you?
00:32:15I don't remember.
00:32:16What don't you remember?
00:32:17In this case,
00:32:18when do we say goodbye
00:32:19before we leave, Collie?
00:32:20I don't know,
00:32:21because I have to go to work tomorrow.
00:32:23Even if they say goodbye,
00:32:24I'll say thank you
00:32:25but I have to go too.
00:32:27But you'll find someone else.
00:32:29They only offered me,
00:32:30but I don't know.
00:32:31But they also offered you
00:32:32the violin.
00:32:33The violin?
00:32:34Yes.
00:32:35I don't remember
00:32:36the violin being in there.
00:32:37I don't remember,
00:32:38because you told me
00:32:39that it's the only one
00:32:40and the only one prepared.
00:32:41Yes,
00:32:42it's the only one
00:32:43and the only one prepared.
00:32:44The violin is prepared by me.
00:32:46But why are you the only one
00:32:47preparing it?
00:32:48Yes, I am.
00:32:49And you?
00:32:50I'm the only one.
00:32:51You're the only one?
00:32:52Yes.
00:32:53When, Collie?
00:32:54It's too late, Agathie.
00:32:55Do you accept it?
00:32:58Yes, I do,
00:32:59but I have the right
00:33:00to accept it.
00:33:01But you'll accept it
00:33:02for your own sake,
00:33:03you'll accept it, Collie.
00:33:04That's fine,
00:33:05I'll accept it for my own sake,
00:33:06but I have to go now.
00:33:07What will you say?
00:33:08Thank you for your trust,
00:33:09I'll try to justify it.
00:33:10Do you want us to come?
00:33:16Don't rush me,
00:33:17move fast, faster!
00:33:20What's going on?
00:33:21Are you okay?
00:33:22Why do you look so hot?
00:33:23Wait a minute,
00:33:24I've got all this here!
00:33:25I can't go on like this.
00:33:26I have a lot of work.
00:33:27Too much firewood,
00:33:28too much firewood.
00:33:30Sometimes,
00:33:31sometimes,
00:33:32sometimes.
00:33:33Sometimes, sometimes.
00:33:34Are you crazy?
00:33:35Who's in charge
00:33:36here these days
00:33:37to come in?
00:33:38I can't,
00:33:39I'm not going to believe this.
00:33:41I'm going to kill you.
00:33:43No.
00:33:44I'm going to kill you.
00:33:46I'm going to kill you.
00:33:48I'm going to kill you.
00:34:09I'm going to kill you.
00:34:24I'm going to kill you.
00:34:30I'm going to kill you.
00:34:32I'm going to kill you.
00:34:34I'm going to kill you.
00:34:36I'm going to kill you.
00:34:38I'm going to kill you.
00:34:40I'm going to kill you.
00:34:42I'm going to kill you.
00:34:44I'm going to kill you.
00:34:46I'm going to kill you.
00:34:48I'm going to kill you.
00:34:50I'm going to kill you.
00:34:52I'm going to kill you.
00:34:54I'm going to kill you.
00:34:56I'm going to kill you.
00:34:58I'm going to kill you.
00:35:00I'm going to kill you.
00:35:02I'm going to kill you.
00:35:04I'm going to kill you.
00:35:06I'm going to kill you.
00:35:08I'm going to kill you.
00:35:10I'm going to kill you.
00:35:12I'm going to kill you.
00:35:14I'm going to kill you.
00:35:16I'm going to kill you.
00:35:18I'm going to kill you.
00:35:20I'm going to kill you.
00:35:22I'm going to kill you.
00:35:24I'm going to kill you.
00:35:26I'm going to kill you.
00:35:28I'm going to kill you.
00:35:30I'm going to kill you.
00:35:32I'm going to kill you.
00:35:34I'm going to kill you.
00:35:36I'm going to kill you.
00:35:38I'm going to kill you.
00:35:40I'm going to kill you.
00:35:42I'm going to kill you.
00:35:44I'm going to kill you.
00:35:46I'm going to kill you.
00:35:48I'm going to kill you.
00:35:50I'm going to kill you.
00:35:52I'm going to kill you.
00:35:54I'm going to kill you.
00:35:56I'm going to kill you.
00:35:58I'm going to kill you.
00:36:00I'm going to kill you.
00:36:02I'm going to kill you.
00:36:04I'm going to kill you.
00:36:06I'm going to kill you.
00:36:08I'm going to kill you.
00:36:10I'm going to kill you.
00:36:12I'm going to kill you.
00:36:14I'm going to kill you.
00:36:16I'm going to kill you.
00:36:18I'm going to kill you.
00:36:20I'm going to kill you.
00:36:22I'm going to kill you.
00:36:24I'm going to kill you.
00:36:26I'm going to kill you.
00:36:28I'm going to kill you.
00:36:30I'm going to kill you.
00:36:32I'm going to kill you.
00:36:34I'm going to kill you.
00:36:36I'm going to kill you.
00:36:38I'm going to kill you.
00:36:40I'm going to kill you.
00:36:42I'm going to kill you.
00:36:44I'm going to kill you.
00:36:46I'm going to kill you.
00:36:48I'm going to kill you.
00:36:50I'm going to kill you.
00:36:52I'm going to kill you.
00:36:54I'm going to kill you.
00:36:56I'm going to kill you.
00:36:58I'm going to kill you.
00:37:00I'm going to kill you.
00:37:02I'm going to kill you.
00:37:04I'm going to kill you.
00:37:06I'm going to kill you.
00:37:08I'm going to kill you.
00:37:10I'm going to kill you.
00:37:12I'm going to kill you.
00:37:14I'm going to kill you.
00:37:16I'm going to kill you.
00:37:18What are you doing here?
00:37:20I'm guarding.
00:37:22Who told you to guard the director's office?
00:37:24No one.
00:37:26Why?
00:37:28I told you to guard it,
00:37:30so that when the director comes,
00:37:32you can get out first.
00:37:34You should have known better
00:37:36that the director would come.
00:37:38He will come.
00:37:40Why?
00:37:42What's wrong?
00:37:44Why?
00:37:46Why?
00:37:48Who told you to guard the director's office?
00:37:54What are you doing here?
00:37:56I told you to guard the director's office.
00:37:58What's your name?
00:38:00My name is Moza.
00:38:02Moza?
00:38:04Moza?
00:38:06Moza?
00:38:08Moza?
00:38:10Moza?
00:38:12Moza?
00:38:14Moza?
00:38:16Moza?
00:38:18Moza?
00:38:20Moza?
00:38:22Moza?
00:38:24Moza?
00:38:26Moza?
00:38:28Moza?
00:38:30Moza?
00:38:32Moza?
00:38:34Moza?
00:38:36Moza?
00:38:38Moza?
00:38:40Moza?
00:38:42Moza?
00:38:44Moza?
00:38:46Moza?
00:38:48Moza?
00:38:50Moza?
00:38:52Moza?
00:38:54Moza?
00:38:56Moza?
00:38:58Moza?
00:39:00Moza?
00:39:02Moza?
00:39:04Moza?
00:39:06Moza?
00:39:08Moza?
00:39:10Moza?
00:39:12Moza?
00:39:14I told you I don't know anything else!
00:39:16Watch out!
00:39:18He's coming!
00:39:40Oh
00:40:06Yeah, I'm gonna
00:40:10Yeah, I'm a phoenician
00:40:13Yeah, I'm a director
00:40:15Yeah, I'm no
00:40:19Boss man depression
00:40:23Even target for the funes burn for see
00:40:34For carousel, you're the vet invent are
00:40:40Got a set of mastic
00:40:45Push for you
00:40:48What's up, origami?
00:40:50Me, I'm Rasa Kukoli. Tamariva. She didn't a cushion aboard. That's the party. I'm a hero Zira
00:40:54I'm not ready to start a meeting. She's a chemist a puntera. Can we make a character operative?
00:41:00Must show me so I don't pursue that you may be in a privy trina
00:41:32Oh
00:42:02Hello
00:42:32I'm
00:43:02Gonna come to the second class
00:43:04But I'm gonna show me not too much. I think it's not easy to bury Jack. Oh, no, you got a balloon in your father
00:43:08I'm not gonna push it up a little more. I don't say made a shogun Salih
00:43:12And
00:43:17Mirage she's a director. She'll call you. She'll go call you. You'll you tell me fear. I'm Scott
00:43:21I'm gonna pass that you'll grab a car case. I'll go call you
00:43:23But if it's a garage, yes, and that's a car case. I asked and I did it by my brother
00:43:26Oh
00:44:56So Kusami directory in telephone directory
00:45:08Bobo
00:45:18Hello
00:45:26So
00:46:26I
00:46:56You
00:47:26You
00:47:56Conviction
00:48:26I
00:49:56Don't
00:50:26Oh
00:50:56Charlie
00:51:26Oh
00:51:56My friend
00:52:26Yeah
00:52:56But I didn't
00:53:26Oh
00:53:56Oh
00:54:26Oh
00:54:56I
00:55:26Oh
00:55:56Sure
00:56:26You
00:56:56Don't know
00:56:59Do Salada do Salada
00:57:03Yes, she
00:57:06Hadn't you boss? Yes
00:57:17So
00:57:26Oh
00:57:56I
00:58:26Oh
00:58:56Oh
00:59:26Oh
00:59:56So
01:00:26Oh
01:00:56Hey
01:01:26Oh
01:01:56Feel me
01:02:26We need a director, not a sportsman.
01:02:30Even football needs a manager.
01:02:40I don't think you should go to Shabusali today.
01:02:42Why?
01:02:43I don't know, but I have an idea.
01:02:45What is it?
01:02:46I told you, Shabusali is no longer a tourist destination.
01:02:50What?
01:02:51Shabusali is no longer a tourist destination.
01:02:57Hello?
01:02:58Ugyenza?
01:03:01I can't hear you.
01:03:13Come, come, come.
01:03:17Oh, I missed you, I missed you.
01:03:21You didn't tell me you were coming.
01:03:22I was waiting for you.
01:03:23I was waiting for you.
01:03:24I was waiting for you.
01:03:25How are you?
01:03:27I'm fine.
01:03:28Fine?
01:03:28Yes, fine.
01:03:30Do you know Lule Kunguli?
01:03:31He told me that Shabusali is no longer a tourist destination
01:03:34because he was appointed as a minister.
01:03:36What's going on?
01:03:39Here comes Goya.
01:03:41Here comes Goya, the doctor.
01:03:43Doctor?
01:03:44Doctor.
01:03:50I don't know how he got here.
01:03:56Don't you know that I called you on the phone?
01:03:59No, no, no.
01:04:01We are from the GARA commission and we came to see how you are doing.
01:04:04What's your name?
01:04:05Agron Mola.
01:04:06He's the director of the commission here.
01:04:08He's the director of the commission here.
01:04:10Come on, let's go.
01:04:11He's the director.
01:04:12He's the director.
01:04:14He's the director.
01:04:15He's the director.
01:04:16He's the director.
01:04:17He's the director.
01:04:18Let's go.
01:04:26What's going on?
01:04:27Where's the doctor?
01:04:29The doctor?
01:04:30You've got a problem?
01:04:31There's no doctor here.
01:04:32Is he the director of the commission?
01:04:33Yes, he is.
01:04:35We called for a doctor, but he's not answering.
01:04:37No, we should have called the commission and the doctor.
01:04:41Do you know his number?
01:04:43I know his number.
01:04:44But we have to call him first.
01:04:49We could call him now.
01:04:50Why don't you know his number?
01:04:52Because we can't find him.
01:04:53Why didn't you tell us you were coming to see us?
01:05:53I'm sorry, I have to go.
01:05:59Uncle, son.
01:06:02Open the door.
01:06:04I won't.
01:06:06Why are you waiting for me?
01:06:09I won't, but I'm hungry.
01:06:11Don't tell them you're here.
01:06:14It's good that you're here.
01:06:23Where did you get this?
01:06:26I found it in the director's office.
01:06:29You'll have more money than a colleague.
01:06:33You'll work, but you'll leave first.
01:06:36I don't care, I'm tired.
01:06:38I don't want to die.
01:06:40You have the right to die, colleague.
01:06:42But you'll leave as soon as you can.
01:06:45I'll do as much as I can.
01:06:48I'll do as much as I can.
01:06:50I'll do as much as I can.
01:06:53I'll do as much as I can.
01:06:55I'm afraid you'll leave without paying.
01:06:58I'll do as much as I can.
01:07:05I'll do as much as I can.
01:07:16Colleague!
01:07:18Colleague!
01:07:20Colleague!
01:07:21Colleague!
01:07:22In the name of the Father, the Son and the Holy Spirit.
01:07:49I'm going to bed.
01:07:55Agathie, it's hard for you to go to work.
01:08:05You're wearing a helmet. You don't know where you're going, do you?
01:08:11You'd better go to bed, or you'll catch a cold.
01:08:14I didn't want to bother you, but it's hard for you to go to work.
01:08:24Agathie!
01:08:26What's the matter, Agathie?
01:08:29Agathie!
01:08:35I'll call the doctor.
01:08:41What's the matter?
01:08:43Agathie!
01:08:45You're wearing a helmet. You don't know where you're going, do you?
01:08:49Agathie!
01:08:51You're wearing a helmet. You don't know where you're going, do you?
01:08:54Agathie!
01:08:58I'm going to bed.
01:09:03Do you have a helmet?
01:09:04I don't have a helmet.
01:09:05I don't need to know where I'm going.
01:09:07What's the matter?
01:09:11You're wearing a helmet. You don't know where you're going, do you?
01:09:15I'm going to bed.
01:09:16Do you have a helmet?
01:09:17I don't have a helmet.
01:09:18I don't know where I'm going.
01:09:19I'm going to bed.
01:09:20Agathie!
01:09:21What's the matter?
01:09:22You're wearing a helmet. You don't know where you're going, do you?
01:09:26Agathie!
01:09:33What is it?
01:09:34Oh, my God, it's cold!
01:09:36Ah!
01:09:37Ah!
01:09:38Ah!
01:09:39Ah!
01:09:41Ah!
01:09:42Ah!
01:09:43Ah!
01:09:44Ah!
01:09:45Ah!
01:09:46I'll call Manekin.
01:09:47Manekin?
01:09:48He'll be here soon.
01:09:49Let's go.
01:09:50Wait.
01:09:51When did you buy this coat?
01:09:52A long time ago.
01:09:53A long time ago.
01:09:54Let's go.
01:10:07Shaggy, do you have a coat?
01:10:10A coat?
01:10:12Why are you always wearing brown?
01:10:15Wear a green one.
01:10:16I'll wear this.
01:10:21Buy a yellow one.
01:10:23Why?
01:10:27Why did you come here?
01:10:28Where have you been?
01:10:30I've caught you.
01:10:31Get him!
01:10:32Get him!
01:10:33Come on!
01:10:36Hey, wait!
01:10:37No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:11:07Oh
01:11:37You should
01:11:40Stop
01:11:42Rima should get it or is
01:12:44It
01:13:14You