The Comic Strip Presents - 21 - The Yob [couchtripper][U]
Transcript
00:00Patrick! Patrick! Hang on, Patrick.
00:25Chris, you're late. How did it go with the account?
00:28OK, we do need the Bowie job.
00:30Listen, we're gonna get the Bowie job, don't worry.
00:32Corky Taylor's been on the phone all week.
00:34No way, Chris. Absolutely no way. It's out of the question.
00:37We're guaranteed the job. It's a £75,000 budget
00:40and you'll be 40 years still in the international band.
00:42Hi, Derek. Oh, hello. How are you?
00:44Listen, we're gonna get this job.
00:46It's a £300,000 budget and Bowie is my ticket to a first feature.
00:58MUSIC CONTINUES
01:29MUSIC CONTINUES
01:43There's 1,000 dead Vietnamese children, Bowie in a Chevrolet,
01:47doing some crime shit, and then...
01:49Small world.
01:51How you doing, mate? Great, let's start.
01:53It's what Bowie wants, you know, it's what Bowie needs, for Christ's sake.
01:57These guys will hurry up, Chris.
01:59Corky Taylor's just arrived.
02:01Oh, God, no.
02:06Corky, nice, nice, nice. How you doing, guy?
02:09Hi, Chris. Corky, not good, Pat.
02:11I've been trying to get you all morning.
02:13No way, Corky, I'm just too busy.
02:15Oh, come on, Pat, we really need you for this.
02:17No way, guy.
02:19Look, between me and you, the new single's not quite what it should be.
02:23The band Baden need a change of image.
02:25I'd make a brilliant video to sell it.
02:27I'd love to help you out, Corky, I really would, but I can't.
02:30Excuse me, sir, a phone call? Thank you.
02:32I mean, I loved UB40, yeah? One of my favourite bands. Barry!
02:35I grew up with it. Where are you?
02:37Can you think of anybody else that might be able to do it?
02:40A complete image change, yeah?
02:42Yeah, the record company want them as far away from the street as possible.
02:46Got it. See these two guys over here behind me? Yeah.
02:49They've got a little production company called Stylehouse,
02:52very enthusiastic, young, new ideas, Corky.
02:54Go and give those guys a break, yeah?
02:56Cheers, Pat. I owe you one.
02:58I see.
03:00Well, I find that very surprising.
03:03I was under the impression David liked the ideas.
03:06Oh, no, I'm not upset.
03:09I just said, convenience, that's all.
03:11OK, Barry, yes, see you.
03:14Oh, love to the kids.
03:18What's that all about? What's happening?
03:21David's changed the title of the song.
03:23Oh, God almighty, no.
03:25What's it called now, Chris?
03:27Money Hurts.
03:29That is brilliant.
03:31Check it out.
03:33That is going to fit the burning dollar shop, Chris.
03:36Money Hurts.
03:38He's shooting it in black and white, on Super 8.
03:40For £75,000.
03:42£75,000?
03:44There's absolutely no way that I'm going to shoot David Bowie in Vietnam on 75 Grand, man.
03:49There is absolutely no way. It's out of the question.
03:52You're not doing it, Patrick.
03:54What?
03:55You're not doing it.
03:57Why?
03:58I don't know.
03:59All I do know is, we need another job.
04:02Cheers, Pat. Thanks for the tip.
04:04Corky.
04:06They going to do it?
04:07No, no, they're too busy.
04:09They're doing the Bowie video.
04:20Corky!
04:23Corky!
04:27Corky!
04:29Corky!
04:31Jesus Christ.
04:33Oh.
04:35Oh.
04:37You all right?
04:38Fine.
04:40Hit me, Corky. Hit me.
04:42Why?
04:44Because you're looking at an idiot.
04:47I've been too long listening to Chris, you know.
04:49Big names, big bands, big money.
04:52Forget fame, Corky. That's not what this game's about.
04:55This game's about integrity.
04:57It's about your integrity, my integrity.
05:00It's about the band's integrity, yeah.
05:02You going to do it?
05:03Corky, you tried to stop me, man.
05:06And it was something you said that made me change my mind.
05:09Wicked scene!
05:17GRUNTING
05:31Put your hands together
05:33and give a big warm welcome
05:35to the greatest rock'n'roll band in the world,
05:38UB40!
05:46You'd be in bloody 40.
06:05We could be in Georgios by now.
06:07Yeah, well, we need the money, Lucy, you know.
06:11It's on the church bell and count.
06:16Take him over there.
06:18Take this moron.
06:19I won't let this thing get past me, man.
06:21Oh, yes.
06:22Yes.
06:23Drop your bullets, man.
06:24Yes.
06:25Drop the arrows.
06:26Kill him.
06:27Kill him.
06:28Cut me out.
06:29Cut me out.
06:30Blast him.
06:31Take this place and bolts.
06:32Bloody rascals.
06:33Oh, you fucker.
06:34You lot.
06:35You fucking cowards.
06:36Let's go.
06:40I've got to go.
06:41I'm taking him.
06:42Bombards.
06:46Shh!
06:50Patrick Church, Church Bell Productions.
06:56Oh for God's sake, hurry up!
06:57Church, Patrick Church, plus one.
07:02There's no church down here.
07:04I'm not paying.
07:06Well you won't get in then, will you?
07:07What?
07:08You sold me!
07:09You sold me!
07:11You lot!
07:12You lot!
07:13You lot!
07:14You are the Erisun Dex!
07:15Hey, here he is, Gordon Arden!
07:18Excuse me. That's six pounds each.
07:20Twelve bloody quid. That's a lot of money, you know.
07:23You're lucky I had it, aren't you?
07:25Get out of here! Get out of here!
07:27Get out of here!
07:28Get out of here!
07:29I hate you all! Leave me!
07:32You see, that's when you need a super-eight camera for that kind of thing.
07:35Patrick! The gig's going great.
07:37Nice, nice.
07:39You just want a push?
07:40Uh, no.
07:41Well, I'm on your bike anyway.
07:43Did you get in all right?
07:46Yeah. No.
07:47We weren't on the guest list.
07:48Oh, I'm sorry.
07:50It's OK. It's OK. It's all right.
07:53What was...?
07:54Uh, see you, Winston.
07:57Come on, come on, let's go!
08:01Listen, have the band done their number yet?
08:03No, about another 20 minutes, yeah.
08:04OK, cool. I'm gonna go to the toilet, yeah?
08:07The toilet?
08:11Do you want a drink?
08:13No, I'm good.
08:35What a woman
08:36What a good boy
08:38What a mad boy
08:39What a bum woman
08:41Yeah, he's a good-looking, a fearsome warrior, sir.
08:51Jesus Christ, what's my coat on?
08:53God, no!
08:54Here, mate! You got an umbrella?
08:56Ha-ha-ha!
08:58Ha-ha-ha!
09:01Oh, my God.
09:11Oh, my God.
09:21Do you have to drink?
09:22I'm nervous.
09:24Yeah.
09:26So am I.
09:28We're going to have to account for the voltage.
09:32Contact.
09:41Contact.
09:53If Dr Matthias finds out we're dabbling in this...
09:56We are not dabbling, Michael.
09:58We are exploring the possibility of cerebral teleportation.
10:03Probably won't work, anyway.
10:05Well, in a way, I hope it doesn't.
10:07It's only a test.
10:11Let's go.
10:39My, um...
10:40My flatmate, Clive, has gone on a Yugoslavian exchange.
10:44Preset to level four.
10:47And, uh, the Yugoslavian he's exchanged with, uh,
10:51doesn't like our flat, and he's left.
10:55Take part one to standby.
10:57So it gets pretty lonely.
10:59Take part two to standby.
11:01I was wondering whether you'd fancy, you know, um...
11:05Part two to standby, Michael.
11:11Lights.
11:16It's...
11:18It's quite romantic, isn't it?
11:20Concentrate.
11:24Doors.
11:31Michael?
11:33Vanessa.
11:36Standby master.
11:40And activate.
12:11Oh, my God!
12:27The system seems to work.
12:29Success! Success!
12:31Let's go back to my flat and celebrate.
12:34Computer check.
12:36We could pick up some wine on the way.
12:40Wow.
13:02No. No.
13:05That can't be right.
13:10It works.
13:12Shh!
13:23If you're very good,
13:26I'll cook you breakfast.
13:31No.
13:33No.
13:34No.
13:40No.
13:49No.
13:51No, nothing.
13:55We'd better get a cab train.
13:59We're doing a Jules Polaron collection to the musical, Janet.
14:03Of course.
14:04What we should have been doing was the Jules Polaron collection to the musical.
14:08You'll be 40.
14:09Right.
14:10Who the hell's Jules Palamond?
14:12Jules Polaron.
14:13Oh, God.
14:15Who's Corky?
14:16I told him to step it up.
14:17He's coming over.
14:18I see.
14:19I thought you were more of a loser.
14:21This man is a genius.
14:23I thought he was.
14:24Nice. Nice to see you guys.
14:25Tell him what you told me, Patrick.
14:27That's an amazing number.
14:29Shh!
14:30I see Docklands, yeah?
14:32Desolation and a whole lot of danger.
14:36Danger.
14:37Sounds well-iery, boss.
14:40Yeah, wicked.
14:41We gonna make this for cheap?
14:43No.
14:45We're gonna make it for 75,000 pounds.
14:50For the geniuses.
14:51We're gonna make it look cheap, yeah?
14:54I thought you said we'd only spend 60,000.
14:57Yeah, well, Patrick needs the extra 15 grand
14:59to get that really horrible grainy effect.
15:01I've seen.
15:03Well, brilliant.
15:04Now we'll leave it up to Patrick, right?
15:07Sorry.
15:15Patrick Church. Hi.
15:17Hi.
15:18Hey, listen, good luck tomorrow night with the awards, yeah?
15:20What? Oh, that. Nice.
15:22Yeah, and good luck next week with the Bowie shoot, yeah?
15:26I turned it down.
15:28Why?
15:30What?
15:31Why not you turn the Bowie shoot down, eh?
15:34Who needs a Leonard, you know?
15:37Well, yeah, good for you, eh?
15:40Hey, listen, have you got my new number?
15:42Uh, no, hang on.
15:46It's 497-0096. You should give me a ring, yeah?
15:49Nice. I'll check you later, Leonard.
15:51Yeah, great.
15:52It's a lovely suit you got on.
16:07Arse.
16:13Arse.
16:15Arse.
16:17Arse.
16:20Arse.
16:22Arse, arse!
16:24Arse, arse!
16:34Hey.
16:35You what? You what? You what? You what? You what?
16:39Ha-ha-ha-ha-ha-ha!
16:43Oi! Ghost town!
16:45Give it up for me, son!
16:47Good Scott, the sooner you change your audience, the better.
16:51Ha-ha-ha-ha-ha-ha-ha!
16:57What's he doing in there?
16:59Oh, he ain't plumbed in yet.
17:01Oh, yeah.
17:03Here's a bit of paper.
17:05Here you are. This ain't no one's.
17:08Put it back.
17:10What's been left here, innit?
17:12It's mine, but I haven't finished reading it yet.
17:15What you reading that shit for?
17:19Good sports page.
17:21There's only one picture.
17:24Yeah, well, there ain't any on the letters page of Playboy, is there?
17:29Are you all right?
17:32And track.
17:38OK, stand by, everybody!
17:40And first positions, please!
17:45Do we have to wear these stupid hats?
17:47Looks great, boys. Just stay with it. It looks just right.
17:51Who's that twat?
17:53Record company.
17:55Sounds like an idiot, man.
17:57Right, is everybody ready?
17:59Stand by...
18:01and action!
18:08And cue the water.
18:14And go, Lucy.
18:20Longer strides, Lucy. Come on, love.
18:25And cue the old lady.
18:30What a wrinkled old bag, man. Look at him.
18:34And cut!
18:36Oh, what a prat. Lovely, thank you.
18:46Have you got any custard for the crumble?
18:48We've got some homemade.
18:50Oh, lovely, yes. With cream, you say?
18:52Yes.
18:54Yeah, Patrick, over here, man.
18:56OK, guys, we serve the director first, OK?
18:59Hey, Patrick, I'd go easy on the crumbly bar, would you?
19:02You putting a bit of flab on there, son?
19:04I've seen yesterday's footage, Patrick. Looks superb.
19:07You like it? I always thought that the Charlie Parker back projection,
19:10you know, with the band.
19:12You were right. Oh, he always is.
19:14Aren't you, darling?
19:16My God, Patrick, what have you done?
19:20It's nothing, you know. I fell over on the gravel at the back there.
19:24You should get some sausage on that, Patrick.
19:26Yeah, and a tissue Putnam, please.
19:28I'll have the rack of lamb with the haricot beans, please.
19:31What would you like for sweet?
19:33Oh, the blackcurrant sorbet. Looks fantastic.
19:36And what would you like? It's OK, I'll have cheese and biscuits, thanks.
19:39The director has just asked for a plate of whelks.
19:42We haven't got any whelks, but we do have sea bass,
19:46pot au feu with cherries and garlic, if you like seafood.
19:49Yeah, nice, I'll have the pot au feu. That would be lovely, thank you.
19:54Somebody said, what are you doing down there?
19:59Trying to make me believe it
20:03I'm not one to get my fair share
20:07I'm pleading but nobody's giving
20:11Maybe I promised I'd go to St. Clair
20:13But I know I won't be there through all these years
20:15I'll be back in the bay when I'm out there again
20:19Then I'll push it, work it
20:22Right until I hit it
20:24I'm gonna push it, I'm gonna work it
20:26Right until I hit it
20:28Push it, I'm gonna work it
20:30Right until I hit it
20:32I'm gonna push it, I'm gonna work it
20:35Right until I hit it
20:39All right for you, Nigel? Well, fine.
20:42And for you, Corky? Yeah, I'm happy.
20:45How about you, Dave? Yeah, I was really happy.
20:49It was very smooth past the tramps, nice on the scaffolding.
20:53I got nice framing on the band and ended up on the bass player.
21:00Sorry, everybody, we're gonna have to go again, I'm afraid.
21:03Bit more energy in the middle, please. Thank you. Sorry, Dave.
21:06You have to keep these stupid goats in. You touch?
21:09Stay with it, boys. It's looking brilliant. Just stay with it.
21:13Listen, Dave, same as before, but don't finish on the city.
21:18What?
21:21Same shot as before, but don't finish on the bass player.
21:24Finish mostly on the white guy, on the singer, on the lead singer.
21:28Exactly the same shot. Thank you very much, everybody.
21:31Last shot of the day. Weekend ahead, please. Come along.
21:34Push it, I'm gonna work it
21:36Right until I hit it
21:38I'm gonna push it, I'm gonna work it
21:40Right until I hit it
21:42Yes.
21:45Yes.
21:47Yes! Yes!
21:51Pretty good, I'd say.
21:53You've captured everything we asked for. It's off the street.
21:57And the black-and-white Super 8 endorsed with the Charlie Parker back projection is just colossal.
22:03It's got a sort of jazz reptile feel.
22:07I just know the kids are gonna go for it.
22:11I think it's great, Patrick.
22:13Listen, I gotta lunch.
22:21Me too.
22:23Yeah, well, I gotta stay behind and do a little bit of tweaking on the shots,
22:27you know, tightening the whole thing up, you know what I'm saying?
22:30You're the genius.
22:32Yeah, nice, nice. I'll check you later, yeah?
22:36What's that?
22:38It's a pile of shit, that's what it is.
22:44Yeah, hello? Can you get me the BBC Picture Library, please? Thank you very...
22:59Hello? Yeah, I want some footage of Charlie George, long hair geezer,
23:03scoring the winning goal for Arsenal against Liverpool 1971, please.
23:07And any stuff you've got of Henry Cooper knocking out the black geezer.
23:12Yeah, yeah, Cassius. No, not Mohammed Ali. Cassius Clay, that's his bleeding name, innit?
23:17Yeah, yeah, yeah. Thank you.
23:26Apparently the bass player's hung like a donkey.
23:29I thought you were into celibacy.
23:31No lemon, I'm afraid.
23:33Oh, no problem.
23:34Well, a girl can only take so little.
23:37A drink, Patrick!
23:39Bitter...
23:41...pint!
23:44Why he insists on drinking this rubbish, I don't know.
23:48Do you know, it's all he's drunk for the past few days.
23:51I'm sure there's something wrong with him.
23:54Don't be silly, Lucy. Lots of people drink bitter.
23:57Maybe.
24:00But this morning he did something very odd.
24:03Go on.
24:04Well, this morning he got up really early, which is unlike him.
24:09And I asked him what he was doing and he said the strangest thing.
24:13What?
24:15He said he was going out to work on the motor.
24:19What?
24:33Go on, son, be lucky.
24:37Go on, son, duck and dive, jab and weave.
24:38Be lucky, be first, go on, stick him, son!
24:40Go on, son.
24:49£5.40 on the two-dog, who wants it?
24:53£5.40 on the two-dog, who wants it?
24:55Come on, who wants it now?
24:57£5.40 on the two-dog, who wants it?
24:59Who?...
25:02Who am I?
25:04I'm Patrick Church.
25:06I'm Patrick.
25:08Patrick Church.
25:10Are you sure you slag you weren't you nonsense, which you are Ponson
25:40You're okay, all right
25:46Just hold yourself together Patrick, you're right
25:53All right now, all right
26:02Yeah, come in love be down in just a minute
26:11Coming up in the lift. He stops in between floors
26:15And goes absolutely berserk
26:19Serious, you know, you know that um, Pierre Cardin skirt and top and the black one blue
26:27His hands all over my ass grabbing for Christ's sake I've got a swimwear session next week
26:32My Janet Rager Knicks ripped to pieces
26:35And I'm wrapped up against
26:38And then he said the strangest thing go
26:42he said
26:43You love it, don't you?
26:46You dirty cow
26:49Somehow didn't sound like Patrick. No, it doesn't
27:07What are you doing getting some cigarettes Patrick darling, can you give me 20 some time?
27:20No, make it 40 and I'll pay you later. Thanks, sweetheart
27:25For Christ's sake hurry up Patrick. Look, there's Timmy Conrad that pig tail. God, what a prat
27:32We're gonna be late
27:37I
28:07Can't get killed over there, right?
28:16Meet Jerome Jerome, this is Patrick. Hi Jerome
28:20Nice to meet you Patrick Church. You're a very very lucky man. I think so
28:26Get a voice
28:31What's the matter with you boys
28:37Oh
28:45More tea Vika
28:49What a future we got
29:08I'm sorry. I'm really sorry
29:15Christ sake what's the matter with you? Nothing. Do you know him or something? Yeah. Well, I know he's kind don't I?
29:25Sorry, Simon, that's all right. I'm sure it's just an accident. I don't know what's the matter with him
29:30Do you want me to go and see if he's all right?
29:32Yes
29:37I
30:07I
30:37I
31:07I
31:37Do you see Lucy there?
31:51All right loose
31:58Get rid of her Patrick. I'll give you a belt tomorrow. That's right. Yeah
32:04You're coming pictures
32:06Now I'll phone the boys later
32:11Yeah, thank you. Oh
32:16Ain't you lucky
32:22Come for a bit go
32:28You're angry yeah
32:31Don't be she don't mean nothing saucy little but nice tits
32:44I'll tell you what
32:46how about
32:48Don't go all soft and soppy or nothing like that, right?
32:50But how about me and you know the boys nothing like that nip out for tandoori?
32:54Patrick I'm nipping out of your life forever
33:00I
33:03Just give you six and a half of the best months of my life
33:06Why because I fell hopelessly in love with you. I gave you everything not on the first night you never
33:14You've let us all down me Chris. So what he's your partner. He's a
33:19Pecky
33:22The entire Soho community is laughing at you
33:24It
33:31Took weeks for your father to give you the money for your first project
33:36Better you struggle Patrick you struggle to become this this thing this creature this job
33:46Bloody smart well Patrick bloody church on the rubber Palmer shoot. I had an affair with a lighting cameraman
33:55I
34:03Thought you'd be pleased just thinking about you good try on love you got the legs for gear. I hate you
34:15They were my clothes Patrick
34:24I really hate you
34:54I
35:24I
35:54I
36:25I
36:30First clue was the bone structure indented forehead slightly Neanderthal brain casing squarish jaw all hereditary signs of the introduction of Norman blood into
36:38The Anglo-Saxon strain 1066 were in the Conqueror. They settled in London. They were the first modern Londoners really after that
36:45It was relatively simple by scraping the faeces that were left in the pod and taking samples from the London sewage plant
36:51We were able to discern the exact district that he came from Barnett
36:55So we knew we were looking for a yard from Barnett brilliant. Not really just the
37:01Appliance of science, and how did you find Patrick? Oh we saw his picture in Vogue magazine?
37:08Thanks God you've come you from the social services Stephen Kendall
37:12It's got worse bill is that the psychiatrist from the SS stepdad's ever so worried about him
37:18Can we see Stephen please best go down? I
37:23God's sake be careful
37:33We'll wait here if there's any indication that the change is out of control then it's goodbye to my research grant
37:39Then we'll come in
37:41Good luck
37:48I
38:05Been expecting you
38:08Expecting me I
38:11Didn't think it would be him
38:14You know what happened I know
38:17something happened
38:19Well, I've assumed the identity of somebody else
38:23Somebody with a very beautiful girlfriend
38:27Thank you I
38:30Just can't believe that that thing back there that hey
38:34Yes
38:36That's really you
38:38Yeah
38:39That's really Patrick
38:44Patrick
38:47See offering you Lucy
38:50Think about it
38:52Spencer count meals with fading rock stars overpriced cocaine
38:57No, Lucy
38:59There's more
39:01much much more
39:05Don't you realize what's happened over the last week. I've done things the kids on this estate didn't even dream about
39:13I started hiring videos with subtitles
39:17Truffaut Goddard Breton
39:19Then I had this uncontrollable urge to join the Communist Party and sleep with well-spoken black girls
39:29But it was the meals Lucy
39:37Chinese Indian
39:40Italian
39:42Italian
39:47My god, they see the sea
39:54King-sized prawns
39:59Seabass Oh
40:01Honey
40:06All delivered to the door I
40:09Think it's alright. There's a slight increase in pretension, but it's basically Patrick's brain pattern
40:17I've come to question my relationship with my parents. I don't like them
40:23These these that call themselves my parents. What do you mean? Well, don't you see Lucy? They are of this earth. I am not
40:31In one week, he created the earth in one week. He created me
40:36He is my father. Oh my god
40:38It's out of control. We have to go in the second coming Lucy and he shall pass among you
40:47We've come to help you it's the beginning of a new age Lucy
40:52Compassion through fashion
40:55Move away slowly Lucy
40:58He that is not with me is against me
41:04We've got to find him soon
41:07Let us do a little bit of evil the good may come
41:16This night before the cock grows crows you shall deny me
41:21Three
41:24Three times
41:28Where would Steve normally go tonight? Mr. Kendall Imperial Crown regular as clockwork every Thursday
41:51All right, baby, yeah, you look a bit browned off
41:58Steve coming down easy
42:01Steve well, no, he's a he's a bit a bit under the weather. Oh, he's gonna miss a terrific
42:12What about you love yes fine, who's she
42:21Oh
42:37You're right for treats you are for sorting it out
42:40I
43:03Just come to realize what I was like
43:10Spritzer
43:41For a bottle of bells, let's hear it for Bobby
44:00It's second place for a whole bottle of vodka
44:04Oh
44:07Together for Dolly Parton better known around the estate is
44:24Take it over tonight a
44:28Bottle of scotch a crate of his choice and a 10-pound voucher for millets
44:34Oh
44:38First prize put your hands together. He's here tonight as a right stuck-up ponce and he does the boys
44:50Ladies and gentlemen Steve Kendall
44:54Oh
45:02Come on Steve Sebastian
45:11What you see before you here on stage is I suppose the essential difference between the
45:18NF and the NFT
45:21NFT
45:22What's that? They still film fair in it? Oh, yeah, how'd you know that it done the box selfies didn't I?
45:28I think it'll be easier if I draw you an analogy
45:43Possibilities are endless. No, Vanessa. We can't Michael. We've got to find Patrick
45:50Oh
46:10My god, it's out of control. I know that's not just a job
46:20I want to draw an analogy
46:51I
47:03Quickly put Steven in part two and God said let there be light Wow
47:21Oh
47:29Stay close to me and watch the monitor
47:32Don't nothing to go wrong, right? You might be a punch, but he's still my boy
47:36He's quiet little these people even clever than you. They're trying to think what they're trying. So let them think look Vanessa
47:42I think we might have a problem
47:44Everything. All right. Oh, yes. No
47:50I'm
47:51Patrick's original brain pattern has remained perfectly intact
47:56However, I've lost my Stevens brain part maybe no. No, we still have Stevie's original brain pattern
48:04Unfortunately, it's rather minimal. However, and it might be rather difficult to transmute
48:11It means that your Steve is a bit backward in that department from his very first fitting however, if we're all agreed
48:18There is a possibility that we confuse the two and make the perfect
48:27Son my Steve perfect our
48:36And you play better football, huh
48:41Go on go on you do it
48:48You
48:56Activate pod three to level four
49:18Contact
49:22Take part one stand by
49:28Take part two to stand by
49:30It's not nice houses. It's not nice cars. It's not nice food
49:35light
49:37start
49:47He's waking up doors
50:02I'm trying Akira Kurosawa
50:17Oh
50:43It's for the best
50:47Sure
51:17I
51:48I
52:01Open the door
52:05Whoever you are, whatever you are step forward
52:11I
52:16Trick
52:22Intellects control
52:41God beautiful boy
52:48He's magnificent
52:53I think this is what we can call a major success
53:11I
53:41I
54:11I
54:41I
55:11I
55:41I
56:11I
56:26Need a new life
56:41I
57:02Operate
57:12I'd be operating on that. I
57:17Need as much help
57:20As I can possibly get