Aired (July 3, 2024): Masaya at nakakakilig na ibinahagi ng comedy stars na sina Arlene Muhlach at Al Tantay ang kanilang paparating na pelikula na “That Kind of Love” sa July 10, 2024. Alamin sa video kung paano nila nai-relate ang kanilang personal na experience sa pelikula na kanilang pinagbibidahan.
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00:00Welcome to Fast Talk with Boy Abunda.
00:25Please welcome to Fast Talk with Boy Abunda.
00:28To all the viewers on Facebook and YouTube, thank you very much.
00:31To all the listeners of Dizzy Dolby, welcome to the program.
00:36And to the 4,500 people in the studio today, thank you very, very much.
00:42Have a great afternoon.
00:45Now, please welcome our guests for today, Arlene Mulac and Altantay.
00:54Thank you.
00:55Thank you for having us.
00:56Thank you.
00:57Please, please, please.
00:59You know, and this is, you know, I already have to listen to this.
01:03We've been in the business for so long, but this is the first time I'm doing an interview with Arlene and Alt.
01:08Yes, for the first time.
01:10I cannot believe it.
01:12I can't believe it.
01:13And I said, aren't you in Lubong in any of those shows?
01:17In fact, I think I met you, this is the first time.
01:20Really?
01:21Yes.
01:22First time.
01:23It's nice to meet you.
01:24Really?
01:25But I'm really happy to be doing this interview.
01:27Thank you very, very, very much.
01:29Thank you very much.
01:30Thank you.
01:31Forgive me for what I said earlier.
01:32Because when Alt was introduced in the business, I remember that.
01:35You know, regal days.
01:37Joey Gusangfiao was the one who discovered you, right?
01:40Cloyd Robinson, actually.
01:41Ah, it's Cloyd.
01:42Okay.
01:43And then, I was managed by Cloyd.
01:45And then, after that, when I was already in the regal, it was Joey Gusangfiao.
01:49Okay.
01:50Okay.
01:51Because that's what I remember.
01:52Cloyd was an old friend.
01:53And funny guy, happy guy.
01:55And when Alt's career was launched,
01:58he would say,
01:59Mom, Dad, let the kids be.
02:01Give them some guidance.
02:02The word I used was,
02:03You're getting old.
02:06That's what he said.
02:07Until now, he's getting old.
02:09Look at him.
02:10Look good, Direk.
02:12No, you look good, Arlene.
02:13I mean, you know.
02:14Thank you.
02:15No, really.
02:16I mean, look good.
02:17Your son doesn't want to be an artist?
02:18Well, he wants to.
02:19Maybe after he finishes his studies.
02:22Why not?
02:23But he's getting older.
02:24What can I say?
02:25You're getting old.
02:26You can't stop that.
02:28But you have this movie,
02:29That Kind of Love.
02:31Talk about it.
02:32You play Polo and…
02:34What's her name?
02:35Helen.
02:36Helen.
02:37Polo and Helen.
02:38Parents of Barbie's character.
02:41Yes.
02:42Her name's Mila in the movie.
02:44I play a nurturing mother.
02:48Always supportive of anything and everything that she does.
02:51That's typical.
02:52Right.
02:53Are you that?
02:54As a mother?
02:55Oh, yeah.
02:56Although we have a bad cop, good cop.
02:58Good cop.
02:59Arrangement.
03:00Arrangement in the family.
03:01But of course, we're both, yes.
03:03We're both nurturing.
03:04But who's a bad cop and who's a good cop?
03:07I'm the bad cop.
03:09I'm the bad cop because I'm more confrontational.
03:13Not to get mad,
03:15but I speak out loud.
03:17I speak my thoughts.
03:18They know they'll get the truth from me.
03:21No…
03:22Filters.
03:23Filters.
03:24Exactly.
03:25That's the word.
03:26That Kind of Love.
03:27You play the role of Polo,
03:30a father who tells his son,
03:33I had a conversation with Barbie here on the show,
03:35that, son, love will find you.
03:38Stop looking for love.
03:40Do you believe that?
03:41Yes, I believe that.
03:42I believe that.
03:43Because,
03:44it's hard to see if you're really going to look for it.
03:47But, it's there.
03:48It will come.
03:51Maybe,
03:52I'm saying this from experience.
03:56You don't look for it.
03:57I don't look for it.
03:58Do you agree, Eileen?
03:59Yes, I do.
04:00Really?
04:01That love finds you.
04:02Sometimes, if you look for it too much, it disappears.
04:04Too much is the key word.
04:06Yes.
04:07You're pushing yourself to meet, date people.
04:10You just have to relax.
04:11Because, it will definitely come to you at the right time.
04:14Too much, I agree.
04:16But, I disagree that you don't also look for it.
04:20Because,
04:21you'll have to present yourself
04:23to the universe and to the world.
04:25It's not that hard.
04:26Don't be too aggressive.
04:28But, you have to make yourself felt in the universe.
04:31Lord,
04:32I'm here.
04:33I'm available.
04:34Because, not everything is set.
04:36How was it working with David?
04:38How was it working with Barbie?
04:40Well,
04:42Barbie and David are professionals.
04:45And,
04:46they're a good match.
04:48I get excited
04:50when they do their scenes.
04:51Honestly.
04:52And, I didn't even know that they had their own partners.
04:56Because, all the while, I was thinking,
04:58Oh, my God.
04:59They're like them.
05:00You were shipping them.
05:01You didn't know that they have their own partners.
05:02I didn't know.
05:03There was this video that we did.
05:05I made a mistake.
05:06So, I said,
05:08So, I just didn't know.
05:10What did you say?
05:11What did you say?
05:13Before answering the question,
05:14I said,
05:15Hey, is it you?
05:16I said,
05:17Tita!
05:18Welcome!
05:19I said,
05:21Oh,
05:22I didn't know.
05:23So, Devine is here next to me.
05:25I said,
05:26Ate,
05:27they have their own partners.
05:28I said,
05:29Sorry, I didn't know.
05:30I just get excited when I see them together.
05:32Okay.
05:33Let's move towards this thing.
05:36Al, Arlene,
05:37How is it working with the new batch of superstars?
05:41Because you guys have.
05:42Especially you.
05:43You've played mother to most of them.
05:45Anne Curtis,
05:47Sarah,
05:48Katherine,
05:49Danielle.
05:50Katherine was...
05:51Danielle.
05:52Now, Barbie.
05:53How are they, Al?
05:56This new generation of actors.
06:01Of course, we have children.
06:03I have a child.
06:04I have six.
06:05Okay.
06:06So,
06:07based on my experience with my children,
06:09I think I can apply how I can work with them.
06:13Alright.
06:14Yes.
06:15Arlene, how about you?
06:16They're all very respectful.
06:17That's what I see in all of them.
06:19They know.
06:20And when they're on the set,
06:21they know their lines.
06:22They know what to do.
06:23They're good.
06:24The actors are good.
06:26That's why,
06:27Wait a minute.
06:28Let me memorize this well.
06:30It's embarrassing for these kids
06:31because they are very professional in what they do.
06:34They love their job.
06:35You have endured.
06:36You have stayed in the business
06:38for a long, long time.
06:39All of us.
06:40They say,
06:41the true measure of success in this business
06:43is longevity.
06:44Right?
06:45Al,
06:46of all the people you've worked with,
06:48of all the people you've worked with
06:50in this industry,
06:52top of mind,
06:54one, two, three,
06:55who is the best person you've worked with?
07:00And why?
07:01One, two, three.
07:03One, two, three names.
07:07For me, all of them.
07:09They're all nice.
07:10No one is gossiping now.
07:12No, no, no.
07:13What I'm trying to say,
07:14not just now.
07:15All throughout your career,
07:16the people you will never forget,
07:18you look forward to being with them.
07:20Happy on set,
07:21helping,
07:22nurturing, to use your word.
07:23Who are the names that...
07:26That's a difficult question.
07:27Yes.
07:28I have one.
07:29Who?
07:30Irma Adlawan.
07:31I love her.
07:32I love her.
07:33Hi, Irma.
07:34Hi, Irma.
07:35I love her.
07:36We've done many shows,
07:38and in fact,
07:39we've become friends.
07:42She's very nurturing in the set.
07:44She helps you.
07:45She helps you cry.
07:46She gives you acting tips.
07:48Teacher.
07:49Yes.
07:50Teacher and friend.
07:52One of the queens of Dulaan UP.
07:55She's a great friend.
07:58But these are the people
07:59that you look forward to being with.
08:01Working with, also.
08:02Yes.
08:03What about you?
08:04Maybe Joey Goseng-Piau.
08:06Yes.
08:07Because he's serious.
08:09He's a vocalist.
08:11He helps me with my time.
08:14I'm an artist.
08:15I'm new.
08:16He really pushes me.
08:18He teaches me.
08:19That's it.
08:20Al, hypothetically,
08:23if you're a young star today,
08:25you're a young superstar today,
08:27who do you see in yourself?
08:30In young actors today?
08:32Yes.
08:33Top of mind.
08:38That's a difficult question.
08:41We're still live, Director.
08:43Because it's our first time
08:45talking to you.
08:46Oh my goodness.
08:48Our questions are difficult.
08:52I'll think about it.
08:53You can tell me later.
08:55What about you, Eileen?
08:56Kai Cortes.
08:57Kai Cortes.
08:58Only because I see myself
09:0110 years before,
09:03I was also like that,
09:04pleasantly plump, comedy.
09:07What's beautiful today,
09:08in the industry and in the world,
09:10my lens doesn't have
09:11height, height, size.
09:14I use a lens that
09:16we're all the same.
09:18Exactly.
09:19We're all the same.
09:20Same here.
09:21I like it that you girls
09:23celebrate who you are.
09:25Let's make it easier for the director.
09:28Chang Susan, come here.
09:30Let's do a scene.
09:31You know, we requested for this
09:32because you do comedy, right?
09:35I'm always amazed at how
09:38you guys make people laugh.
09:41Sometimes without knowing it.
09:43So there's a scene where
09:45Bonito Jelly, come here.
09:46So what's the scene like?
09:48I'm the barangay man.
09:51Oh, barangay man.
09:52I got you.
09:53And we're going to answer
09:55because the one holding the money
10:00is Arlene.
10:01Okay.
10:02I'm asking,
10:03she's denying.
10:04Yes.
10:05Our director is Direk Al.
10:06Okay, Direk, we're here.
10:08What are we doing?
10:09We're ready anytime.
10:10We're blocking.
10:11This is your house.
10:12Okay.
10:13I'm excited.
10:14It's outside.
10:15Okay.
10:16But of course...
10:18Are you going to knock
10:19or should I open the door?
10:20No.
10:21You'll recognize her voice.
10:24Oh.
10:25So if you recognize her voice,
10:27you know she's going to kiss you.
10:29Yes.
10:30You know you're behind her.
10:31Okay.
10:32So let's see what you're going to do
10:35to make Arlene disappear.
10:38You're not here.
10:39Ah, okay.
10:40She'll knock.
10:41But of course, the barangay men
10:43will force you to come in.
10:44Okay.
10:45In the latter part.
10:47Okay, that's our blocking.
10:48This is the door.
10:49Okay.
10:50You're going to knock.
10:51You're going to speak
10:52so she can hear your voice.
10:53Okay.
10:54Okay.
10:55Ready?
10:56I'm going to cook.
10:57Let's do our best.
10:58Direk Aldean.
10:59I'm going to cook.
11:00Okay.
11:01Okay, lights.
11:03Okay, camera.
11:06Action.
11:08Knock, knock, knock.
11:09Arlene!
11:10Arlene!
11:12You know what?
11:13The other day,
11:14when I came here,
11:15I kept shouting.
11:16Arlene!
11:17Arlene!
11:18She's there.
11:19Arlene!
11:20Arlene!
11:21She's there.
11:22We can smell
11:23what you're cooking.
11:24Don't be afraid.
11:25Who are they?
11:26My wife?
11:27Who are they?
11:28This is Boy.
11:29I'm just asking
11:30for my freedom.
11:31I need it.
11:32I need it.
11:33Arlene,
11:34my daughter will pay for this.
11:35Oh, no.
11:36Arlene is not here.
11:37She's at the market.
11:38I don't believe you.
11:39It's you, Arlene.
11:40It's you.
11:41Arlene, tell the truth.
11:42No, it's not me.
11:43It's not me.
11:44Help me.
11:45Come in.
11:46Cut, cut, cut.
11:47Okay.
11:48You'll let her in.
11:49I'll let her in?
11:50I have a choice.
11:51I'm so poor.
11:52But,
11:53you'll disguise yourself.
11:54Wow,
11:55it's hard.
11:56Okay, okay.
11:57You'll disguise yourself
11:58as if you're not Arlene.
12:00Oh.
12:01I'll force her.
12:02But,
12:03you won't recognize her.
12:04Oh.
12:05That's the scene.
12:06Okay.
12:07Ready?
12:08Okay.
12:09Okay.
12:10Okay.
12:11Let's change the angle.
12:12Okay.
12:13Here,
12:14and here.
12:15Ready?
12:16Okay.
12:175,
12:184,
12:193,
12:202,
12:21Action!
12:22Arlene,
12:23have mercy.
12:24Open the door.
12:25Let's talk.
12:26I need the camera.
12:27Here,
12:28here.
12:29Huh?
12:30What's the problem?
12:31You're Arlene, right?
12:32No,
12:33I'm Arlene.
12:34Arlene's not here.
12:35I'm Nadia Montenegro,
12:36her friend.
12:37She's waiting for me here
12:38because she's a bad person.
12:40She's an actress.
12:41Where is she?
12:42I don't know.
12:43I'm Nadia Montenegro.
12:44No,
12:45I'm not Nadia.
12:46What's the problem, Arlene?
12:47I'm not Nadia because
12:48I'm a direct person.
12:49Yes, I'm a direct person.
12:50Is that so?
12:51Yes.
12:52So, what's the problem?
12:53The problem is,
12:54the phone call.
12:55They should be giving me money,
12:56but they're hiding it from me.
12:58No,
12:59you're Arlene.
13:00No,
13:01I'm Nadia Montenegro.
13:02You don't know.
13:03Look at this.
13:04You know,
13:05people always make mistakes.
13:08Are you telling the truth?
13:10Yes.
13:11Always.
13:12Look,
13:13I'm from the Navy.
13:17You're so good.
13:18It's so hard to be an actress.
13:22That kind of love.
13:23When will you watch it?
13:24July 10.
13:25Wow.
13:26Let's look forward to it.
13:282024.
13:292024.
13:30Yes, 2024.
13:32Tomorrow is the premiere night.
13:34Let's support Arlene,
13:36Al,
13:37and of course,
13:38Barbie and David
13:39and all the other actors.
13:40And this is directed by?
13:42Cathy Camarillo.
13:43Wow.
13:44Congratulations.
13:45But we have to do fast talk.
13:47We can't not do this.
13:50Okay.
13:51This is Arlene first.
13:52Okay?
13:54Am I right?
13:55Yes.
13:56Okay, Arlene.
13:57Chesmosa or Banidosa?
13:58Banidosa.
13:59Sexy or pretty?
14:00Sexy.
14:01Fierce or fierce?
14:02Fierce.
14:03Smart or clumsy?
14:04Both.
14:05Flower or flower?
14:06Flower.
14:07Early or late at night?
14:08Early.
14:09Describe early as a sister.
14:10Kind.
14:11The richest among the flowers?
14:12Rich.
14:13The richest among the flowers?
14:14Amalia.
14:15The most intriguing life among the flowers?
14:17Early.
14:18The most beautiful among the flowers?
14:20Me.
14:22As long as it's a flower?
14:24A kind person.
14:25The actor who became your crush?
14:28Oh my gosh.
14:29Enrique Gil.
14:31The actor who became your boyfriend?
14:33Ronell…
14:34Ronell…
14:35Victor.
14:36Your best friend's actor?
14:38Nadia Montenegro.
14:39The actor you're jealous of?
14:41Nadia Montenegro.
14:43Family first, self first?
14:45Family first.
14:46Lights on, lights off?
14:47Oh my gosh, lights off.
14:49Happiness or chocolates?
14:50Happiness.
14:51Best time for happiness?
14:53With family.
14:54My kind of love is?
14:56A compromise.
14:57Oh, that's true.
14:59Thank you very, very much.
15:01We're going to do Fasak with Al in our comeback.
15:04You're very, very public, but with the both of you,
15:08you have managed to keep a large part of your lives private.
15:13How did you do that?
15:15And you're back in school.
15:16We're talking about it.
15:17In our comeback of Fast Talk with Boy.
15:30Back on the show with Arlene and Al.
15:34We've got to do Fast Talk.
15:36Hey, come on.
15:37Direct.
15:38I'm slow.
15:40Do you need fast?
15:41Fast, okay.
15:42Okay, let's eat this.
15:43You're good at directing.
15:45I'm nervous.
15:47Okay, Al.
15:49Equal or equal?
15:50Equal.
15:51Bigote or bald?
15:52Bigote.
15:53Thick bigote or thick hair?
15:55Bigote.
15:56Going nuts or going bananas?
15:57Bananas.
15:58Good or good?
15:59Good.
16:00Comedy or drama?
16:01Comedy.
16:02Actor or director?
16:03Director.
16:04Vida or contrabida?
16:05Vida.
16:06Showbiz before, showbiz now?
16:08Showbiz before.
16:09The best artist you've ever seen?
16:12Rioluksin.
16:14The most handsome artist you've ever seen?
16:21Yolo Pascual.
16:22The most daring thing you've done as an actor?
16:28Sex scenes.
16:29The most proud thing you've done as an artist?
16:32Being a director.
16:33Guilty or not guilty?
16:35Coming to the set drunk?
16:38Not guilty.
16:39Guilty or not guilty?
16:40Walking out of the set?
16:41Guilty.
16:42Guilty or not guilty?
16:43Shooting without a bath?
16:45Not guilty.
16:46Guilty or not guilty?
16:47Lying at your age?
16:49Not guilty.
16:50You're going to make a movie.
16:52What's the title?
16:54Tantay Tantay Tayong Lahat.
16:57Lights on or lights off?
16:59Lights on.
17:00Happiness or chocolates?
17:02Happiness.
17:03Best time for happiness?
17:04Now.
17:06My kind of love is?
17:08Upker.
17:12That's great.
17:14We're going to wait for Tantay Tantay Tayong Lahat.
17:17Eileen should join us.
17:19No one is poor, no one is rich.
17:21That's true.
17:22Tantay Tantay.
17:24You've remained private to a certain extent.
17:26Right?
17:27There's a part of your life that's mine.
17:29How did you do that?
17:33I really want to have a family of my own.
17:37That I can build.
17:39I've always wanted that since I was young.
17:42Actually, our family is already like that.
17:45That became my ambition.
17:50I need privacy.
17:53Because I'm building a family.
17:57Correct.
17:58Earlier, you mentioned that the most beautiful actress you've seen is Rhea Luxen.
18:00Are you and Rhea friends?
18:02Now?
18:03Now?
18:04It's okay.
18:07It was just interesting.
18:09Eileen is smiling again.
18:11How did you ensure that some part of your life is private?
18:19Remain private.
18:20Because we learned from our parents.
18:22Before, my aunt Amalia, my dad, they all fought through media.
18:28The privacy of the Mula clan was lost.
18:31So we talked among ourselves, our generation.
18:33Now, we will not do that anymore.
18:35We will keep things private.
18:36If you and I fight, we will not go to the media to talk about it.
18:39We will work it out amongst ourselves.
18:42Wait.
18:43Are you deliberate?
18:44Are you conscious when you talk among yourselves?
18:45Yes.
18:46That's great.
18:47Me and Lamon, we will not do that.
18:48Their fights.
18:50At a young age.
18:51We won't do that.
18:52You know, some people call that family conferences.
18:55That's nice.
18:56Let's talk.
18:57These are the rules of engagement.
18:58When we fight, let's not go there.
19:00Let's talk.
19:01And no matter how difficult it is.
19:03You're back in school.
19:04Yes.
19:05In your alma mater.
19:06Philippine Women's University.
19:07Congratulations.
19:08Thank you.
19:09And you are graduating.
19:10Yes.
19:11On September 2.
19:12Yes.
19:13Although waiting for one group thesis on Saturday.
19:17You can do it.
19:18Thank you.
19:19It's a group thesis.
19:20Yes.
19:21Thank you.
19:22Look at your photo.
19:23Yes.
19:24Yes.
19:25To Doc Mumbai, our group thesis.
19:26Wow.
19:27Very proud.
19:28Yes.
19:29In Philippine Women's University.
19:30Congratulations.
19:31Thank you.
19:32Rufa Gutierrez is finishing her Master's thesis.
19:36Wow.
19:37Al, when it comes to the education of children.
19:40You have six children, you said.
19:42What are your requirements for them?
19:45Because, someone asked me if I don't have a child who wants to be an artist.
19:50Actually, I do.
19:51But I wasn't allowed until you finish college.
19:55So when you finish college, you can't continue to do showbiz.
20:00Because they have their own careers now.
20:03At least they finished.
20:04That's right.
20:05Yes.
20:06So let's invite everybody to be part of that kind of love.
20:10Okay.
20:11That kind of love.
20:12On July 10.
20:152024.
20:162024.
20:17Not 2025.
20:18Okay.
20:20Let's put our cellphones down.
20:22Come and watch us on the big screen.
20:25That's true.
20:26Family first.
20:27So put your cellphones down.
20:30And let's enjoy that kind of love.
20:33July 10.
20:34Don't forget.
20:35Please.
20:36That's a different experience.
20:37Thank you.
20:38Thank you so much.
20:39Thank you so much.
20:40You were saying, Al?
20:41Go ahead.
20:42This is a show in cinemas.
20:44That's true.
20:45No, what you're trying to say is it's a different experience when we watch it in cinemas.
20:48Exactly.
20:49So let's watch that kind of love.
20:51Thank you so much.
20:52Thank you.
20:53Thank you.
20:54Night Eye Kapuso.
20:55Thank you so much for continuing with us every day in your homes and hearts.
20:58Be kind.
20:59Make your Nana and Dada proud.
21:01Hashtag say thank you.
21:02And do one good thing a day and make this world a better place.
21:05Goodbye for now.
21:06God bless.
21:07Bye.
21:08Bye.
21:09Bye.
21:10Bye.
21:11Bye.
21:12Bye.
21:13Bye.
21:14Bye.
21:15Bye.
21:16Bye.
21:17Bye.
21:18Bye.
21:19Bye.
21:20Bye.
21:21Bye.
21:22Bye.
21:23Bye.
21:24Bye.
21:25Bye.
21:26Bye.
21:27Bye.
21:28Bye.
21:29Bye.
21:30Bye.
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