• 5 months ago
فيلم تركى
بهترين فيلم تركى
سايت فيلم تركى
فيلم تركى رعب
فيلم تركى رومانسى كوميدى
فيلم تركى حزين
فيلم تركى رومانسى حزين
فيلم تركى كوميدى
فيلم تركى حلو
فيلم تركى الهوس
فيلم تركي annem
فيلم تركي aile
فيلم تركي ashes
فيلم تركي annem مترجم
فيلم تركي ayla
فيلم تركي sonsuz ask
فيلم تركي mahalleden arkadaslar
فيلم رعب تركي kabir azabi
فيلم تركي حزين
فيلم تركي bergen
فيلم تركي benden ne olur مترجم
فيلم تركي benden ne olur
فيلم تركي benim dunyam
فيلم تركي bihter
فيلم تركي brother in love
فيلم تركي bir ask iki hayat
فيلم تركي brother in love مترجم
فيلم تركي birlesen yollar
فيلم تركي blind love
فيلم تركي cici
فيلم تركي champion
فيلم cello تركي ال الشيخ
فيلم رعب تركي el cin

Category

🚗
Motor
Transcript
00:00:00Translated by Murat Dülcek
00:00:15What is the truth and what is a sham?
00:00:20I think life is deceiving us all.
00:00:23Can't the truth be a lie faked by someone?
00:00:26Who knows, maybe we're all living in someone's imagination.
00:00:56TURKEY
00:01:16Thank you all for coming.
00:01:18I don't like to talk like this, you know.
00:01:2240 years ago, when my father was building the house of Urkan Yayin...
00:01:26...we had a lot of friends, a lot of writers we trusted...
00:01:30...and thousands of people who read books.
00:01:33Our first raid was Hayat Denizi.
00:01:35Taner, we have so many memories and ideas from those days to today, haven't we?
00:01:40Yes.
00:01:41However, there are no more people who read books.
00:01:46And in a very important part of this adventure, my dear wife was with me.
00:01:51She is still the first to read the books sent to the house of Yayin...
00:01:54...and I always trust her feelings.
00:01:56Today is our 10th wedding anniversary.
00:02:01Gokce, I'm glad you're here. I'm glad we're here.
00:02:06I'm cutting this boring conversation right away. I'm glad you came, friends.
00:02:10Thank you.
00:02:26I'm saying this as your friend.
00:02:28I think you shouldn't write about yourself anymore.
00:02:30Try something else.
00:02:32Gokce, look.
00:02:34You know, my husband doesn't like what I write anymore.
00:02:37He thinks I should write about something else.
00:02:40Okay, how about this?
00:02:42I saw a news recently.
00:02:44In Maltepe, Istanbul...
00:02:46...an ordinary tailor believes that Anna Karenina really exists.
00:02:50Not only does he believe it...
00:02:52...but he leaves his family and goes to Russia.
00:02:54How?
00:02:55He saw it in a TV series or a movie.
00:02:56You won't believe it.
00:02:57He believed it.
00:03:10I love you.
00:03:40I love you.
00:03:52It's easy when it doesn't burn.
00:03:54It's a torch left behind by a burning love.
00:04:02You can never compare it to someone who doesn't exist.
00:04:10You can never compare it to someone who doesn't exist.
00:04:16You can never compare it to someone who doesn't exist.
00:04:40You can never compare it to someone who doesn't exist.
00:05:10You can never compare it to someone who doesn't exist.
00:05:24Whoever hears these words...
00:05:26...will have their fate written in the first place.
00:05:41I'm starting by saying goodbye to myself.
00:05:43Good morning, Zohra.
00:05:45We didn't want this to burn.
00:05:47We didn't want it to burn.
00:05:48Yes.
00:05:49I can't remember anyone I know or anyone who left without saying goodbye to me.
00:05:59I remember all those faces.
00:06:03Hello.
00:06:04Welcome.
00:06:05Thank you.
00:06:06Welcome.
00:06:07Hello.
00:06:08Welcome.
00:06:09Thank you.
00:06:10Mom.
00:06:14Turkish?
00:06:15Yes.
00:06:17I'm leaving everything behind...
00:06:19...and starting a new life.
00:06:21So that someone can witness what I've been through.
00:06:31Everyone who reads this book...
00:06:34...will find out that I'm the only person...
00:06:36...who caused the accidents that happened to me.
00:06:40The person whose name I couldn't finish...
00:06:43...is Me.
00:06:45Every street in Balat seems to point to her.
00:06:51Me's scary aggression...
00:06:53...and mysterious silence...
00:06:55...were drawing me in.
00:06:58The ring on my right arm is the ring of life...
00:07:01...and there's a bird's shadow on my neck.
00:07:04Everything begins...
00:07:06...in a small bakery in Balat.
00:07:10This bakery...
00:07:11...was going to meet a memory...
00:07:13...that would take us both to the unknown...
00:07:15...with Me's secret.
00:07:18I'm the only one who sees...
00:07:20...the ordinary ashes...
00:07:22...that turn this place into a miracle.
00:07:35The signs seemed to show me the way...
00:07:38...and brought me to Uşvigal Hospital every time.
00:08:05Hello.
00:08:06Good morning.
00:08:07Good morning, dear.
00:08:08How are you?
00:08:09I'm fine.
00:08:10What brings you here so early?
00:08:12I have a good offer for you.
00:08:34Thank you.
00:08:57This is it.
00:08:58Where's the door?
00:08:59It's over there. Come on.
00:09:05Hello.
00:09:06Hello.
00:09:07Hello.
00:09:08Welcome.
00:09:09Thank you.
00:09:14Have a seat.
00:09:15Don't stand there.
00:09:17Gokce, I don't understand where you found this place.
00:09:22I came across it in one of the books...
00:09:24...that came to our publishing house.
00:09:26I was talking about this bakery.
00:09:28What kind of place?
00:09:30The main character buys baguettes from here every morning.
00:09:33He's a guy named M.
00:09:34M?
00:09:35M. I mean, that's what he's called.
00:09:37I don't know his name.
00:09:38Anyway, this guy is a weirdo.
00:09:40He's a bit of a pervert.
00:09:42He has a lot of tattoos on his right arm and throat.
00:09:45He's trying to change the lives of the people in front of him.
00:09:49Gokce, are you okay?
00:09:51I'm fine, I'm fine.
00:09:52Okay, I'm fine.
00:09:53What you're reading is a novel.
00:09:54A fiction.
00:09:55You're aware, aren't you?
00:09:57Isn't the hospital real?
00:09:59The guy could be real.
00:10:00What's wrong with that?
00:10:01I don't believe you.
00:10:04No, I can't drink.
00:10:06Come on, honey.
00:10:07Come on, honey, please.
00:10:08Let's get out of here and drink our coffee in a proper place.
00:10:16You go, I'm going for a walk.
00:10:21Okay.
00:10:22You decide.
00:10:34Marangozhane is where Mr. Bey hides all his belongings.
00:10:38The end of the road I find with signs leads to this marangozhane, his temple.
00:11:03When I thought you were gone, the ashes brought me to his door.
00:11:12I realized that I had no choice but to follow the ashes.
00:11:34Marangozhane
00:11:45Okay.
00:11:46I'm going to send you an e-mail.
00:11:49Okay, I'm sending it to you now.
00:11:51Ms. Gokce, welcome.
00:11:52Thank you.
00:11:53Mr. Kenan is in an important meeting.
00:11:54Would you like to wait here?
00:11:55Okay.
00:11:56Would you like something to drink?
00:11:57Yes, thank you.
00:11:58Yes, that's right.
00:12:00Okay, then I'm waiting for an answer from you.
00:12:04Okay.
00:12:05Good luck.
00:12:13Hi.
00:12:14Hi.
00:12:17What's up, Gokce?
00:12:18Did something happen at this hour?
00:12:19No, I said we'd have coffee.
00:12:23Who's in the boutique?
00:12:24Ceylan.
00:12:25She doesn't have much to do anyway.
00:12:29Yes, you thought well.
00:12:31And it's a pretty busy day today.
00:12:37I forgot to send this e-mail.
00:12:39Should I go out?
00:12:40No, no, no need.
00:12:41There's a little thing.
00:12:42I have to send it again.
00:12:49Uğur Örtün and the others are here.
00:12:50Let's take this to the meeting room.
00:12:52Let's take it to the meeting room.
00:12:53I'll be right there.
00:12:55Yes.
00:12:57Yes.
00:12:59Okay.
00:13:02See you at home.
00:13:03Good luck.
00:13:04Thank you.
00:13:13This tall tower in the secret was just a god-like place for the two of us.
00:13:19Every time we went down a different road,
00:13:22the end of this tunnel opened to the sky with a door from the dark.
00:13:27When we opened this door, we were leaving our ordinary lives behind and taking a step into another universe.
00:13:33I didn't think about the past after that door.
00:13:36I wiped out all my life.
00:13:38He was my guide to take me to the sky.
00:13:57I don't know.
00:14:10Hello, welcome.
00:14:12Thank you.
00:14:13There's a tower around here. Do you know?
00:14:15Tower?
00:14:16I don't know anything about towers.
00:14:21Okay, I'll ask somewhere else.
00:14:23Hello.
00:14:24Hello.
00:14:28Can you give me three bagels, uncle?
00:14:30Hello.
00:14:31Three bagels.
00:14:32Yes, sir. I was going to call you.
00:14:36Yes, sir.
00:14:38Yes, there are missing pieces.
00:14:44No.
00:14:45No, not just the colors.
00:14:48The numbers on the bodies, too.
00:14:55Okay.
00:14:56Bring a few more bags.
00:15:00That's enough for this week.
00:15:01I have to hang up now. See you later, okay?
00:15:03We'll talk later.
00:15:26Okay.
00:15:56Hello.
00:16:17Are you looking for someone?
00:16:21Are you a carpenter?
00:16:24Yes, come in.
00:16:26What are you doing here?
00:16:31I was going to have a mirror made.
00:16:33I have a boutique in my shop.
00:16:35Where is it?
00:16:36Nişantaşı.
00:16:38Nişantaşı.
00:16:40Do you have any measurements? How will it be?
00:16:43No measurements.
00:16:44A wooden frame and a mirror.
00:16:49We'll take care of it.
00:16:50I actually want something simple.
00:16:53Do you have a hurry?
00:16:54No.
00:16:55Okay, I'll take care of it.
00:16:57What was your name?
00:16:59My name is Ali.
00:17:06I'll decide on the measurements. I'll come in the afternoon.
00:17:08Anytime you want.
00:17:09Metin Ali Soyka.
00:17:13Do you have a card?
00:17:17Identity card.
00:17:25Here you are.
00:17:30Did you forget something?
00:17:32I forgot to take your number.
00:17:48Metin Ali, right?
00:17:51They call him Ali, Metin. They don't know.
00:17:53I'm Gökçe.
00:17:55Nice to meet you.
00:17:59I'm looking for measurements.
00:18:07Is this place good for a mirror, Ceylan?
00:18:11I don't think a mirror is necessary.
00:18:14Bring me a meter.
00:18:18Come down.
00:18:21Down to the floor.
00:18:22Hello, Mr. Metin.
00:18:24Yes, yes, I'm Gökçe.
00:18:27I called for measurements.
00:18:3180 to 150.
00:18:33It will stand upright.
00:18:36Okay, see you.
00:18:39Goodbye.
00:18:53Love and war are the same.
00:18:56Both are like the fight of the wolves.
00:19:00When a man and a woman fight,
00:19:04they put their claws into each other's hearts.
00:19:08It's wild, ugly, and cruel.
00:19:11It's a war.
00:19:13It's a war.
00:19:15It's a war.
00:19:18It's a war.
00:19:20It's a war.
00:19:22It's a war.
00:19:24It's a war.
00:19:29If M hadn't taught me this,
00:19:31I would never have discovered this power in me.
00:19:52I love you.
00:20:22Gökçe?
00:20:52It's okay.
00:20:57It's okay.
00:21:22It's okay.
00:21:52It's okay.
00:22:15As the truth is hidden, it becomes a blind button.
00:22:18Can a heart love two people at once?
00:22:21When I found out that M was married, I became a wreck.
00:22:24A huge wreck.
00:22:26I wanted to leave myself to the hands of death with a broken heart.
00:22:30The only problem was who was going to do this.
00:22:34Look, he has a simpler model.
00:22:38Again, short.
00:22:40This color suits you very well.
00:22:41Yes, very nice.
00:22:46He has a model.
00:22:51Welcome.
00:22:54Let me download these materials.
00:22:57Güzel.
00:23:14Güzel.
00:23:15Ceylan, would you mind?
00:23:21It will be on that wall.
00:23:26I'll have to move these things.
00:23:29I hope I gave the right measurements.
00:23:33I hope so.
00:23:40While I was so attached to M,
00:23:42the only thing I could do was to forget that he was married.
00:23:50I'm sorry.
00:23:58It's done. Is it okay?
00:24:00I think so.
00:24:02I guess you didn't like it.
00:24:06Is it too low?
00:24:09Should we put it on the wall?
00:24:11It's made with the same foot.
00:24:13And it's heavy because it's made of wood.
00:24:16It won't hold on the wall.
00:24:17Let's try, but it won't hold.
00:24:19I think it will be better on the wall.
00:24:21What do you think, Ceylan?
00:24:23It's up to you, Gökçen.
00:24:25I think it's better on the wall, right?
00:24:29Then I'll have to remove the feet.
00:24:30It's a long job.
00:24:31Okay.
00:24:39A little higher.
00:24:41No, it's too high.
00:24:43A little lower.
00:24:44Like the middle.
00:24:45Lower.
00:24:47It's too much.
00:24:49A little to the left.
00:24:54Are you okay?
00:24:55I'm fine. I'm fine.
00:25:00It's a little sunken, but...
00:25:01Your hand?
00:25:02No, no, it's nothing important.
00:25:03Ceylan, get the X-ray.
00:25:04Your oxygen, the water bag.
00:25:06There's no need for that.
00:25:07Sit down, please.
00:25:08I'll get used to it.
00:25:09There's no problem.
00:25:10Really.
00:25:11Okay, sit down.
00:25:17Press this.
00:25:18Actually, if we press it like this...
00:25:20Right now, right?
00:25:22As soon as it comes, with this...
00:25:25I mean, of course, I couldn't have guessed
00:25:26that the mirror would fall out of these frames.
00:25:28I guessed the wall frame wouldn't hold.
00:25:31But of course, the mirror fell.
00:25:32No, I insisted.
00:25:33I couldn't squeeze the frame.
00:25:34I'm sorry.
00:25:35Love, I insisted.
00:25:36It wasn't because of me.
00:25:37I really insisted.
00:25:47That frame...
00:25:50That frame...
00:25:52I'll squeeze it again, but...
00:25:55It's just...
00:25:56We worked really hard.
00:25:57We ruined it.
00:25:59Love, it's not important at all.
00:26:01It's not possible.
00:26:02What's important?
00:26:03What's important?
00:26:13Did you drop your ring, I wonder?
00:26:16Over there.
00:26:18What do you mean?
00:26:22There's no alliance.
00:26:26Could it be because I'm single?
00:26:28Single?
00:26:31Yes, I'm single.
00:26:34You've never been married?
00:26:49That day, Kenan said
00:26:50you have a chance to print Taner's last book.
00:26:53Me?
00:26:55Why are you laughing now?
00:26:59I'm sorry.
00:27:00Something came to my mind.
00:27:03What came to your mind?
00:27:05I told you about the book.
00:27:08That Marangos.
00:27:11So?
00:27:13He came to Buti.
00:27:16Where did you find Buti?
00:27:18I found him.
00:27:20Did you follow a man you don't know?
00:27:24I feel like I know him.
00:27:26Give me the book.
00:27:27I'll give it to you.
00:27:58Mom, didn't you come to pick me up?
00:28:01I was waiting.
00:28:03Did you ring the bell?
00:28:04No.
00:28:06Come on.
00:28:28What are you doing?
00:28:30Son!
00:28:32What are you doing?
00:28:34What are you doing, my love?
00:28:37Did you sneak into my bag?
00:28:40Couldn't you find anything else to draw, Ege?
00:28:43Why?
00:28:45I'm playing a game.
00:28:47Gökçe.
00:28:49She's playing a game.
00:28:51You're playing a game with the book that came to İregin's house?
00:28:54I'm playing a game.
00:28:55What are you playing with?
00:28:57With one of the books that came to İregin's house.
00:28:59They're already broken.
00:29:01Why are you exaggerating?
00:29:04Because I haven't finished yet.
00:29:25I'm sorry.
00:29:28But don't do it again, okay?
00:29:30I'll do it.
00:29:37The lights that May lit up seemed to illuminate the whole city.
00:29:44All the rules here are invalid.
00:29:49I wonder if there's anyone around us who notices the flying ashes.
00:29:55I wonder if there's anyone around us who notices the flying ashes.
00:30:26İregin.
00:30:30İregin.
00:30:35Hello.
00:30:37Hello, welcome.
00:30:39I came to ask about the mirror.
00:30:43I didn't cut your mirror right away, but I had it in mind.
00:30:46I'll cut it and leave it for a while.
00:30:48Okay, no problem.
00:30:51How is your hand?
00:30:53Tea.
00:30:57Let's talk outside if you want.
00:31:00Of course.
00:31:22I'm sorry.
00:31:26I'm sorry.
00:31:29I'm sorry.
00:31:31I'm sorry.
00:31:33I'm sorry.
00:31:35I'm sorry.
00:31:37I'm sorry.
00:31:39I'm sorry.
00:31:41This is how it is, it's not clear when it will fall.
00:31:44Stop now.
00:31:48Sir.
00:31:50No, brother, there's nothing for me there.
00:31:54We delivered it safe and sound.
00:31:57You're going to see the company now, brother.
00:31:59There's nothing for us.
00:32:01Okay, I understand, the lid is broken.
00:32:07There's a very nice meatball place down there.
00:32:10He makes spicy lamb meatballs.
00:32:12Let's go eat meatballs there.
00:32:14Okay.
00:32:20It's nice.
00:32:22Meatballs are good.
00:32:25Did you grow up around here?
00:32:28I was born and raised in Balat.
00:32:31There's a place in our carpentry shop.
00:32:33This place is my world.
00:32:35The market, the Balat market.
00:32:37I saw it.
00:32:39The cake shop.
00:32:41I've been around a bit.
00:32:43You know, this is the first time I've been here.
00:32:49You're here now.
00:32:52I don't go out much either.
00:32:56I mean...
00:32:58Whatever.
00:33:00Send you some bread.
00:33:02Whatever.
00:33:05Can you tell me?
00:33:07I don't go out much either.
00:33:10I mean...
00:33:13I haven't gone out for a long time.
00:33:15I came to your shop last.
00:33:20I don't know.
00:33:22How is it like outside?
00:33:24I don't know.
00:33:28Shall we go to the tower?
00:33:31What tower?
00:33:33I don't know.
00:33:35There's a tower around here that everyone doesn't know about.
00:33:40How can I know a tower that everyone doesn't know about?
00:33:44I don't know. Maybe you know.
00:33:46I don't know.
00:33:48Did you hear from someone?
00:33:50How is it loaded? How is it carried? Where is it?
00:33:53Is there anyone else who knows?
00:33:55I don't know. I guess there is.
00:34:01They don't leave me alone.
00:34:07I'll go.
00:34:13I couldn't finish it.
00:34:17Thank you anyway.
00:34:20I'm glad your hand got better.
00:34:24See you.
00:34:35Hello?
00:34:37Gökçe, where are you?
00:34:39I'm on my way.
00:34:41Can you come home right now?
00:34:43What happened? Did something happen?
00:34:44We're waiting for you right now.
00:34:47Son, these are games, not real.
00:34:51Come on, go to your room now.
00:34:53Didn't you give me Game Boy?
00:34:54No Game Boy.
00:34:55Come on, go to your room.
00:34:58Honey?
00:35:04What happened?
00:35:05Ege had a fight with a boy at school today.
00:35:07It's not an ordinary fight.
00:35:09The boy bit his ear.
00:35:11They sewed it.
00:35:12His mother came to school.
00:35:14Of course, he became a complainant from Ege.
00:35:17The principal stood up.
00:35:18There were other parents who were complainants.
00:35:21They couldn't reach you.
00:35:22They reached me, of course.
00:35:23I had to leave my work and go.
00:35:28How is Ege?
00:35:30I learned there.
00:35:31This is not the first time.
00:35:32This is not the first crime.
00:35:34They think Ege has a problem with anger.
00:35:38I didn't know what to do.
00:35:39Thanks to Lale.
00:35:42Where were you, Gokce?
00:35:44How is the other boy?
00:35:45Is there anything we can do?
00:35:46No, honey.
00:35:47We talked to his family.
00:35:48We did everything.
00:35:50We did everything to be done.
00:35:51Don't worry.
00:35:53You weren't at the boutique.
00:35:54Where were you, Gokce?
00:35:56I had things to do outside.
00:35:58Why don't you answer your phone?
00:36:00You didn't hear.
00:36:01There's nothing you didn't hear, Gokce.
00:36:02You will hear.
00:36:04You will hear.
00:36:11Okay.
00:36:19Let me know if anything happens.
00:36:20Okay.
00:36:41Okay.
00:36:58Kenan, stomach.
00:37:01Maybe it will pass.
00:37:05Kenan, please.
00:37:11Kenan, please.
00:37:41Hi, honey.
00:37:42Are you going to work at the boutique early today?
00:37:49Okay, I can go straight to dinner.
00:37:52I can't pick you up.
00:37:54I'm sorry.
00:37:56I'm sorry.
00:37:58I'm sorry.
00:38:00I'm sorry.
00:38:02I'm sorry.
00:38:04I'm sorry.
00:38:06I'm sorry.
00:38:08I'm sorry.
00:38:09I can go straight to dinner.
00:38:10I can't pick you up.
00:38:16Okay.
00:38:17See you there, then.
00:38:18Don't be late, please.
00:38:21Bye-bye.
00:38:28Are we going to cover the other windows?
00:38:30Let me finish this.
00:38:34It's nice, isn't it?
00:38:36I think so.
00:38:37I couldn't be sure about the colors at first, but...
00:38:40...it looks nice when you look at the big picture.
00:38:43Should we do the big window in the back, too?
00:38:47Okay.
00:38:50No, honey.
00:38:51Can I move this book to the back?
00:38:52Give it to me.
00:38:55I scribbled a little, but it looks like an interesting book.
00:38:58What do you mean you scribbled?
00:38:59Did you read it?
00:39:01No, I didn't read it like that.
00:39:02I just looked at the pages.
00:39:04Why are you mixing up my things without permission?
00:39:06I was just curious.
00:39:07But believe me, I didn't read it.
00:39:12How much did you read?
00:39:14I just looked at the beginning.
00:39:17Have a nice day.
00:39:19Thank you.
00:39:22I brought the mirror.
00:39:24Let me finish the windows in the back.
00:39:37Do you want to see the tower?
00:39:41I do.
00:39:44I have a condition.
00:40:07Do you know him?
00:40:09No.
00:40:11He has a bad voice.
00:40:36I'm sorry.
00:41:06I'm sorry.
00:41:36I'm sorry.
00:42:07I'm sorry.
00:42:17My heart started to beat faster at every step.
00:42:21I stopped at the last step.
00:42:24I was about to lose my courage.
00:42:27The door of a new world was right in front of me.
00:42:31My hand shrank in his hand.
00:42:32It melted.
00:42:33I realized that
00:42:36the other side of the door should have been better.
00:42:41Now everything is ready.
00:43:04I've been here before.
00:43:06I know this place.
00:43:11How do you know a place you haven't been before?
00:43:13My mind wandered around here before.
00:43:16Who was with you?
00:43:20I don't know.
00:43:22I don't know.
00:43:24I don't know.
00:43:26I don't know.
00:43:28I don't know.
00:43:30I don't know.
00:43:32I don't know.
00:43:34No one.
00:43:35There is no one but me in this house.
00:43:40Who drew the pictures below?
00:43:42Maybe you did.
00:44:01I don't know.
00:44:15One more time.
00:44:16One more time.
00:44:26You are tall.
00:44:31You are tall.
00:44:41Where did you hear this?
00:44:45I just heard.
00:44:47We both heard this from somewhere.
00:44:52That was our deal.
00:44:53We had promised.
00:44:55We were going to tell.
00:44:57They were talking in the hospital.
00:44:58I heard them from there.
00:45:01That's not true. We both know that.
00:45:08You wouldn't believe it if I told you.
00:45:10What?
00:45:12I saw this place.
00:45:17I saw it as if I was in another mind.
00:45:21Like a dream.
00:45:23A dream? Is it fated?
00:45:28Maybe.
00:45:37Do I need to see it to know where it is?
00:45:54The sun is setting.
00:45:59Let it set.
00:46:02That's what I was waiting for.
00:46:09Where to?
00:46:10How many books have you printed this season?
00:46:13Half of them, compared to last year.
00:46:15Really?
00:46:16Not many this season.
00:46:18It's digital.
00:46:20Our market share is increasing.
00:46:25Welcome, Mr. Kenan.
00:46:27Thank you.
00:46:28How are you?
00:46:29Thank you.
00:46:30Have fun.
00:46:31Thank you very much.
00:46:51Let me tell you a secret.
00:46:55Are you ready?
00:47:20I'm lighting up this city.
00:47:50I love you.
00:48:14I love you too.
00:48:16I love you too.
00:48:20I love you too.
00:48:39Welcome.
00:48:40Welcome.
00:48:41I hope you'll have a good time.
00:48:43I hope you'll have a good time.
00:48:45Your husband will come, right?
00:48:47Yes, I think he got stuck in traffic.
00:48:50Excuse me.
00:48:52How are you?
00:48:54Have fun.
00:49:18Do you light up every night?
00:49:24Not every night.
00:49:29I'd like to change everything right now.
00:49:34Myself, my life.
00:49:37The whole world.
00:49:43Wouldn't you like that?
00:49:48Maybe I did.
00:49:53Maybe I did.
00:50:17I never knew the end of the line.
00:50:22A world of just mine.
00:50:44Where have you been?
00:50:48I'm here.
00:50:51Where have you been, Gökçe?
00:50:53I've been here.
00:50:56I won't forget what you did.
00:51:01I won't forget either.
00:51:04You're kidding me, Gökçe.
00:51:06Pull yourself together.
00:51:08No, I'm not kidding.
00:51:11You haven't come to dinner for days.
00:51:13You didn't answer your phone.
00:51:15You disgraced me tonight.
00:51:17You didn't disgrace me, Kenan.
00:51:26You just didn't have a shadow with you.
00:51:28What?
00:51:29What's going on? I can't hear you.
00:51:32It's nothing, son.
00:51:34It's nothing.
00:51:35Gökçe.
00:51:36What's going on?
00:51:38I'm here, love.
00:51:45I'm here, love.
00:52:07I think orange suits you.
00:52:11I'll take the blue one.
00:52:13And I'll take a look at these.
00:52:16Welcome, Mr. Kenan.
00:52:17Hello, Ceylan. Is Gökçe not here?
00:52:19No, she left early.
00:52:22Is there anything I can do?
00:52:24Yes, there is.
00:52:27Did you make these new?
00:52:29Yes.
00:52:30Ms. Gökçe asked for a little change.
00:52:32And we had this mirror made, but we couldn't hang it.
00:52:34The master is still coming from Balat.
00:52:37What does Balat have to do with it?
00:52:39Ms. Gökçe was reading a book.
00:52:41That's what came to my mind.
00:52:45Which book?
00:52:47I think it's called Kuldu.
00:52:51Okay.
00:52:52Good luck.
00:52:54When did you say Gökçe was coming?
00:52:56I mean, I don't think she'll come after this time.
00:53:02Okay. Good luck.
00:53:08What are you doing in this neighborhood with that woman?
00:53:10What right do you have to ask me that?
00:53:13Does she know you're married?
00:53:16What's the fuss about? Are we married?
00:53:19We're married on paper.
00:53:21But you won't pay attention until you get divorced.
00:53:24Then I'll know.
00:53:25Get out of here!
00:53:29Everyone pays for their sins alone.
00:53:32So know your place and don't go any further.
00:53:40I love you.
00:54:11What was that?
00:54:14What was what?
00:54:16What was that just now? What happened?
00:54:18Nothing happened. It's nothing important.
00:54:22You told me you weren't married.
00:54:24Are you asking me for an account?
00:54:26What account are you asking me for?
00:54:28Aren't you the one who's actually married?
00:54:30I have to make a statement.
00:54:31What statement do you want from me?
00:54:33You're lying.
00:54:34What do you mean I'm lying? What are you saying?
00:54:36You say you don't know the woman.
00:54:38Who?
00:54:39She walks past us.
00:54:41You say you don't know her.
00:54:42You say you don't know her.
00:54:44You're lying.
00:54:45You're the one who's actually married.
00:54:47How do you know that? Tell me.
00:54:49I don't know you. Who are you?
00:54:51Who are you?
00:54:53Who are you?
00:54:55Tell me who you are.
00:54:57Who are you?
00:54:59Who are you?
00:55:01Who are you?
00:55:03Who are you?
00:55:05Who are you?
00:55:09Who are you?
00:55:39Ugh!
00:55:41Ugh!
00:55:43Ugh!
00:55:45Ugh!
00:55:47Ugh!
00:55:49Ugh!
00:55:51Ugh!
00:55:53Ugh!
00:55:55Ugh!
00:55:57Ugh!
00:55:59Ugh!
00:56:01Ugh!
00:56:03Ugh!
00:56:05Ugh!
00:56:07Ugh!
00:56:17Ugh!
00:56:21Ugh!
00:56:31Ugh!
00:56:37♪♪
00:56:47♪♪
00:57:07♪♪
00:57:37♪♪
00:57:47♪♪
00:57:57♪♪
00:58:07♪♪
00:58:17♪♪
00:58:27♪♪
00:58:37♪♪
00:58:47♪♪
00:58:57♪♪
00:59:07♪♪
00:59:17♪♪
00:59:27♪♪
00:59:37♪♪
00:59:47♪♪
00:59:57♪♪
01:00:07♪♪
01:00:17♪♪
01:00:27♪♪
01:00:37♪♪
01:00:47♪♪
01:00:57♪♪
01:01:07♪♪
01:01:17♪♪
01:01:27♪♪
01:01:37♪♪
01:01:48I'm done. It's not worth it.
01:01:53So you didn't like it?
01:01:55No. It's an exaggerated sensibility.
01:01:59It's not interesting at all in the finale.
01:02:02The idea was good, but the workmanship is very bad.
01:02:07If I know the writer's name, I'd like to talk to him.
01:02:12Okay, I'll ask.
01:02:17Okay.
01:02:24♪♪
01:02:34♪♪
01:02:44♪♪
01:02:54♪♪
01:03:04♪♪
01:03:14♪♪
01:03:24♪♪
01:03:34♪♪
01:03:44♪♪
01:03:54♪♪
01:04:04♪♪
01:04:14♪♪
01:04:24♪♪
01:04:34♪♪
01:04:44♪♪
01:04:54♪♪
01:05:04♪♪
01:05:14♪♪
01:05:24♪♪
01:05:34Where's Metin?
01:05:36Where's Metin?
01:05:37Who?
01:05:39Ali.
01:05:40He went to the bazaar.
01:05:43Do you want me to introduce him?
01:05:44No, it's okay.
01:05:46♪♪
01:05:56♪♪
01:06:06♪♪
01:06:16♪♪
01:06:26♪♪
01:06:36♪♪
01:06:46♪♪
01:06:56♪♪
01:07:06♪♪
01:07:17Please.
01:07:20Let's go, Gokce.
01:07:21Let's go, Gokce.
01:07:45Gokce, what would you say?
01:07:48Gokce.
01:07:49Who were those people next to you?
01:07:53No one.
01:07:57What are you hiding from me?
01:07:59What hiding, Gokce?
01:08:01There's nothing that concerns you.
01:08:02There's nothing that I should be worried about.
01:08:03None at all.
01:08:05How many women do you have?
01:08:07Gokce, what are you saying?
01:08:08What's going on?
01:08:18Look, I need to know everything about you.
01:08:21Okay?
01:08:23This is nothing for me right now.
01:08:27I'm clinging to you.
01:08:28Don't cling to me.
01:08:30Don't get used to me.
01:08:34Don't.
01:08:41Don't push me away.
01:08:43Don't push me away.
01:08:52You're pushing me away from you.
01:08:57I'm losing it. I'm losing my way.
01:09:00I'm not pushing anyone away.
01:09:01I'm not running away.
01:09:06Look.
01:09:08I'm not in a position to show anyone the way.
01:09:18Gokce, what's going on?
01:09:21Calm down.
01:09:24Gokce, what are you doing?
01:09:28Gokce.
01:09:29God.
01:09:32Gokce, what's going on with you?
01:09:38I'm...
01:09:41I'm...
01:10:07I'm...
01:10:24I'm closing my eyes.
01:10:28I'm in the tower.
01:10:30Like I'm flying.
01:10:38I want to scream.
01:10:44I have no voice.
01:10:46I don't know my name.
01:10:50I don't know my name.
01:10:54Is what I'm going through real?
01:11:01It's confusing.
01:11:03I'm confusing.
01:11:08Gokce, what are you doing?
01:11:15Push me away.
01:11:37I'm closing my eyes.
01:12:03We found Kendan's file.
01:12:05It was posted exactly a year ago.
01:12:07The address is Reyhan Alkaya.
01:12:09Send me the address.
01:12:11Okay.
01:12:35Reyhan Alkaya.
01:12:52Come in.
01:12:53Hello, Ms. Reyhan.
01:12:55I'm Urkan.
01:12:57I'm Kenan Urkan, the owner of the publishing house.
01:12:59I'm sorry.
01:13:01I interrupted you.
01:13:03I wanted to talk about the book you sent me.
01:13:07What book? I'm sorry.
01:13:09Kül.
01:13:11No, I don't know the book.
01:13:13I think you're mistaken.
01:13:15Look, this book was sent to our publishing house from this address.
01:13:17About a year ago.
01:13:19Do you live alone?
01:13:21Yes.
01:13:23Did you live alone a year ago?
01:13:25No.
01:13:27I had a sister, but...
01:13:29Okay, can I talk to your sister?
01:13:31We lost her.
01:13:33I'm sorry.
01:13:35I must have confused your sister's name.
01:13:37Duygu Akkaya.
01:13:39You're mistaken.
01:13:41Look, I know how your sister died.
01:13:43Your sister might have written this book.
01:13:45I don't think so.
01:13:47It's about a woman's love for a man named May.
01:13:49At the end of the book,
01:13:51this woman wrote that she was going to be killed by Marangoz.
01:13:53If you have any doubts about your sister's death,
01:13:55maybe this could be a clue.
01:13:57No doubt.
01:13:59I already told the police everything.
01:14:29Come on.
01:14:43Ilyas, go inside.
01:14:45Master, can I bring the others?
01:14:47Go inside.
01:14:53What are you doing here?
01:14:55Stop, calm down.
01:14:57I don't want to see you.
01:14:59Wait, a man came.
01:15:01Who?
01:15:03I don't know.
01:15:05Don't mention his name.
01:15:07Why do you remind me?
01:15:09He told you.
01:15:11Did you come to drive me crazy?
01:15:13He wrote his own death.
01:15:15What are you talking about?
01:15:17He wrote that he was going to die.
01:15:19I don't know what else he wrote.
01:15:21Don't come here again.
01:15:23It's bad.
01:15:25Let's go.
01:15:55Let's go.
01:16:25Let's go.
01:16:39Why are you looking at me like that?
01:16:49I found the author of the book.
01:16:51A woman.
01:16:55Her name is Duygu Akkaya.
01:17:01It's a bit sad.
01:17:03The woman is dead.
01:17:07Or...
01:17:09Someone caused her death.
01:17:17It's weird, isn't it?
01:17:21The woman wrote her own death.
01:17:25She almost foresaw it.
01:17:33The boys in our broadcast found the girl's brother's number.
01:17:41Ege.
01:17:51Duygu.
01:17:59How did she die?
01:18:01Was she drowned or shot?
01:18:03How?
01:18:05I don't know.
01:18:11I hope she didn't suffer much.
01:18:15Ask yourself if you want.
01:18:17This is the address of the girl's brother.
01:18:21Ege.
01:18:23Ege.
01:18:25Ege.
01:18:27Ege.
01:18:29Ege.
01:18:31Ege.
01:18:33Ege.
01:18:35Ege.
01:18:37Ege.
01:18:39Ege.
01:18:41Ege.
01:18:43Ege.
01:18:45Ege.
01:18:47Ege.
01:18:49Ege.
01:18:51Ege.
01:18:53Ege.
01:18:55Ege.
01:18:57Ege.
01:18:59Ege.
01:19:01Ege.
01:19:03Ege.
01:19:05Ege.
01:19:07Ege.
01:19:09Ege.
01:19:11Ege.
01:19:13Ege.
01:19:15Ege.
01:19:17What's the big deal?
01:19:19What's the big deal that a man came into the house today?
01:19:21Well, that's it.
01:19:48Selam.
01:19:50Aleyküm selam.
01:19:52Buyurun.
01:19:55I was looking for a good carpenter around here. I heard about you.
01:19:58What is it?
01:20:00I want to have a book made.
01:20:02We'll take care of it. I'm coming.
01:20:18We'll take care of it. What do you want? What's on your mind?
01:20:21Not too big.
01:20:23Full tree color.
01:20:25A modern book.
01:20:29We'll take care of it. I didn't write the dimensions.
01:20:35The money is not important.
01:20:37I need it urgently.
01:20:42You'll get it this week.
01:20:44We'll get it in a week, master.
01:20:46It's not about the money, it's about time.
01:20:48But if you want, I can get you a little something from the materials I have.
01:20:51Okay.
01:20:55Okay.
01:20:57What else?
01:20:58I'm writing the address then.
01:21:16Okay.
01:21:47Why are you following me?
01:21:50Do you know Duygu Akkaya?
01:21:56Metin may have committed a crime.
01:21:58Yes, he did.
01:22:02I don't know who he is.
01:22:04I don't know who he is.
01:22:06I don't know who he is.
01:22:08I don't know who he is.
01:22:10I don't know who he is.
01:22:12I don't know who he is.
01:22:14I don't know who he is.
01:22:16It's a big crime to meet you.
01:22:18This is not the first time.
01:22:20Look, all of this is written somewhere up there.
01:22:24You're in on that crime now.
01:22:26What you think doesn't concern me at all right now.
01:22:28Is that so?
01:22:32Everyone lives what is written.
01:22:35God is great.
01:22:39I'm warning you for the first and last time.
01:22:41If you have a mind,
01:22:43stay away from here.
01:23:13Come on.
01:23:33Sorry for the trouble.
01:23:36Not at all.
01:23:38We won't send you hungry.
01:23:44Have you ever been here before?
01:23:48Not really.
01:23:55So this is your first time?
01:23:58First time.
01:24:05Are you married?
01:24:07No.
01:24:10Have you ever been married?
01:24:14Yes, I'm married.
01:24:20So it didn't work out.
01:24:23It's in the past now.
01:24:25Never mind.
01:24:37Welcome to my life.
01:24:39Come, the food is ready.
01:24:41And we have a guest.
01:24:47Look how it turned out.
01:24:51You had Buti make the mirror.
01:24:55My wife, Gokce.
01:24:59What a beautiful wife, right?
01:25:05The meat is ready.
01:25:08Come on, sit down.
01:25:10I'm coming to the table.
01:25:12The master will eat with us.
01:25:14My job is done.
01:25:16Pack my stuff and I'll leave.
01:25:19No, master.
01:25:21We said we wouldn't leave you hungry.
01:25:26Gokce.
01:25:37Master.
01:25:41Master.
01:25:44Come here.
01:25:49Thank you.
01:25:57Do you read?
01:26:01I don't have time.
01:26:04That's our job.
01:26:06Even Gokce reads the most.
01:26:08Gokce.
01:26:13You have to read.
01:26:16Even a book written hundreds of years ago...
01:26:20...can affect people today.
01:26:23Think about it.
01:26:25In the old days...
01:26:27...it was forbidden for girls to read love novels.
01:26:33Why?
01:26:35So that they wouldn't lose themselves.
01:26:41Like in Don Quixote.
01:26:43There were many people who thought they were knights.
01:26:50Don't make it cold, please.
01:26:58Have you ever heard of fictophilia?
01:27:02Taner mentioned it.
01:27:04You remember.
01:27:07It's a very interesting disease.
01:27:09Where is Ege?
01:27:11In his room.
01:27:13I took him to his room.
01:27:15Don't worry.
01:27:18Fictophilia.
01:27:21It's a fictional character...
01:27:23...who is in love.
01:27:25It doesn't seem to be a disease...
01:27:27...by the World Health Organization.
01:27:29But if you ask me...
01:27:31...it's a big discomfort.
01:27:35Thank you for the food.
01:27:38Good night.
01:27:40Gokce discovered a new writer.
01:27:46Duygu Akkaya.
01:27:53How do you know her?
01:27:55How do you know Duygu?
01:27:57Who are you?
01:28:03Duygu...
01:28:05...is the writer of this book.
01:28:07And in this book...
01:28:09...I'm talking about you.
01:28:11What are you talking about?
01:28:13Are you a book, Ege?
01:28:16Just a book?
01:28:18Is that so?
01:28:21Go on.
01:28:24Maybe Gokce wants to go on.
01:28:30Okay, then I'll go on.
01:28:33The main character of this book is M.
01:28:36Duygu, the writer of this book...
01:28:38...is in love with this M.
01:28:41And even though she knows she's going to die...
01:28:43...she's chasing her.
01:28:45The part that concerns you is this, master.
01:28:48This M is Balat.
01:28:50Master...
01:28:52...this M is a carpenter in Balat.
01:28:56And she's married.
01:28:59She meets Duygu.
01:29:02She falls madly in love with her.
01:29:07Then she sleeps with her brother.
01:29:10Whose story is this?
01:29:12Your story, master.
01:29:14Aren't you the M in the book?
01:29:17Wait a minute.
01:29:19What's your problem?
01:29:23What's your problem, man?
01:29:25This is one of my favorite places.
01:29:28The only person I entrust my secret to is M.
01:29:33A piece of my blood, my soul is R.
01:29:37The sum of the lies of the two...
01:29:39...is a single betrayal.
01:29:41There is no such thing!
01:29:43Between two brothers who love each other...
01:29:45...betrayal is born.
01:29:48Isn't that a perfect turn of events?
01:29:51I didn't betray Duygu or his brother Reyhan.
01:29:53Duygu was dependent on me. That's all.
01:29:55That's the whole story.
01:29:57Is that a lie, too?
01:29:58Give me the book, Gokce.
01:30:01Please.
01:30:07Here it is.
01:30:09The last meal the three of us ate...
01:30:11...left a betrayal on our table.
01:30:13M and R finally made you face each other.
01:30:17Why did they make you face each other?
01:30:19Could it be because you didn't tell Duygu?
01:30:21Speak properly, you son of a bitch!
01:30:23He's not saying anything.
01:30:25It's in the book.
01:30:26Is there anything else you know in this life...
01:30:28...other than books?
01:30:29For example, do you know anything about the outside world?
01:30:31Tell Gokce a little bit about the outside world.
01:30:34Do you know, Gokce...
01:30:36...is not aware of what is true and what is false.
01:30:39Because Gokce found you thanks to this book.
01:30:44She read this book...
01:30:46...and wanted to experience what was written in it.
01:30:49Is that how you found the right person, Gokce?
01:30:56It was real.
01:30:58What do you mean, it was real?
01:30:59Is that why we are here for you?
01:31:05Did you kill him?
01:31:09What?
01:31:11We will change this story now.
01:31:13What you experienced with Duygu...
01:31:15...and what you experienced with Reyhan.
01:31:17Everything that Gokce followed...
01:31:19...all the traces of Gokce...
01:31:21...we will destroy.
01:31:27There is only one thing we cannot change.
01:31:31And that is the fact that you killed Duygu.
01:31:35Do you know how many times Duygu committed suicide?
01:31:39How many drugs he was using?
01:31:41What happened to him when his medicine hours were over?
01:31:43Do you know?
01:31:45Do you know?
01:31:46Do you know?
01:31:48Do you know how many times Duygu committed suicide?
01:31:50Do you know?
01:31:51You don't know Duygu!
01:31:53You don't know Duygu!
01:31:55You don't know Duygu!
01:32:04You don't know Duygu!
01:32:34What have we done?
01:33:04What have we done?
01:33:34What have we done?
01:33:36What have we done?
01:33:38What have we done?
01:33:40What have we done?
01:33:42What have we done?
01:33:44What have we done?
01:33:46What have we done?
01:33:48What have we done?
01:33:50What have we done?
01:33:52What have we done?
01:33:54What have we done?
01:33:56What have we done?
01:33:58What have we done?
01:34:00What have we done?
01:34:02What have we done?
01:34:04What have we done?
01:34:06What have we done?
01:34:08What have we done?
01:34:10What have we done?
01:34:12What have we done?
01:34:14What have we done?
01:34:16What have we done?
01:34:18What have we done?
01:34:20What have we done?
01:34:22What have we done?
01:34:24What have we done?
01:34:26What have we done?
01:34:28What have we done?
01:34:30What have we done?
01:34:32What have we done?
01:34:34What have we done?
01:34:36What have we done?
01:34:38What have we done?
01:34:40What have we done?
01:34:42What have we done?
01:34:44What have we done?
01:34:46What have we done?
01:34:48What have we done?
01:34:50What have we done?
01:34:52What have we done?
01:34:54What have we done?
01:34:56What have we done?
01:34:58Yes, I built this similarity knowingly.
01:35:01I can't think of a more striking finale than ending his life like Anna Karenina.
01:35:06Of course, this finale is also a tribute to the great master Tolstoy.
01:35:11Here you are, sir.
01:35:13This book is very different from your other books.
01:35:15What kind of observation process did you go through?
01:35:17What sources did you feed on?
01:35:20I realized that I started to write a little too much.
01:35:26One day I said,
01:35:28Taner, please try different things now and stop writing your own life.
01:35:38Think that you are infiltrating someone's mind.
01:35:42And that you are looking at life through their eyes.
01:35:48That's how Kül came out.
01:35:51Thank you.
01:35:52Thank you all for coming.
01:35:55Thank you.
01:36:55Thank you.
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