La vida prometida Cap 4
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TVTranskript
00:00:00I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
00:00:30Io ti cerco, ti invoco follemente, per dirti che ti amo appassionato
00:00:50Amapola, dolcissima amapola, la luce dei miei giorni splendente
00:01:08Fai fiorire la passione come il suono della mia canzone
00:01:39Eh, ten tan cuidado, no ve que esta embarazada
00:01:47Perdone, te ha hecho daño?
00:01:51Eh paisano, quieres cambiar money? Dolares americanos, eh?
00:01:54Tal vez, tal vez, gracias
00:01:56Una lira vale un centavo, un cent, do you understand?
00:01:59Si tienes trescientas liras, yo te doy tres dolares, eh?
00:02:02No, un dolar vale veinticinco liras
00:02:05¿Cómo que veinticinco liras?
00:02:06¿Qué dices largo?
00:02:08Le está engañando
00:02:09Eh, vete de una vez
00:02:11Eh, no se le ocurra tocar a este niño
00:02:14Volveos a vuestro país asquerosos, muertos de hambre, italianos sí
00:02:20Un dolar vale veinticinco liras, ¿verdad?
00:02:22Sí, así es
00:02:23¿Y tú puedes cambiarnos?
00:02:25No, yo no tengo dinero, pero conozco a una buena persona que sí puede
00:02:29Si quieren también les busca una casa, aunque a cambio de un pequeño porcentaje
00:02:35Una comisión
00:02:36¿Hemos venido hasta aquí para encontrarnos con lo mismo?
00:02:38Eh, el mundo es un pañuelo
00:02:40Venga, vamos
00:02:41Anda, vamos, sigamos al niño
00:02:50Amor
00:02:52No es nada, es que por un momento
00:02:54¿Qué ocurre?
00:02:56Solo estoy cansada
00:02:57Es normal, ven
00:02:58Ven, ven por aquí, buscaremos a alguien que nos eche un...
00:03:05Ya casi estamos
00:03:09Aprietense un poco más
00:03:11Tú también
00:03:12Quieto, quieto
00:03:13Ya estamos listos, ¿están todos?
00:03:15Me temo que no, falta Antonio
00:03:18Como siempre
00:03:20Ya estoy, ya estoy
00:03:21¿Has visto?
00:03:22Ah, por fin, vamos
00:03:23Perdón, perdón
00:03:28Júntense
00:03:29Siempre llega tarde
00:03:31Quietos
00:03:32Sonrían
00:03:36Venga, sonría
00:03:38Carmela, sonríe
00:03:40Por el fotógrafo al menos
00:03:44Sonrío
00:03:46Ah, por fin
00:03:55Qué hijos más guapos tengo
00:04:01Te echo de menos, Marí
00:04:04Y a ti, Duri
00:04:06Cuánto te echo de menos, Duri
00:04:31Now they go by the name of Rizzo
00:04:34They're under that name in the immigration register as well
00:04:39Rizzo
00:04:42Morín
00:04:43Yes
00:04:44Los hemos encontrado
00:04:45That's great
00:04:47Carmela Rizzo, 475 Monroe Street
00:04:51Su hijo Mikele trabaja en la fábrica Red Hook
00:04:54Su hijo Alfredo, Alfredino
00:04:56Va al colegio de las hermanas Cabrinianas
00:04:58Perfect
00:05:00Necesito que me hagas el favor de entregarle esta nota
00:05:03Okay
00:05:05A alguien que hable mi idioma
00:05:08Gracias, Morín
00:05:09I'll do it right away
00:05:11Right
00:05:27Not here, madam
00:05:28Use the back door
00:05:30No le entiendo
00:05:31Don't speak
00:05:32You must use the back entrance
00:05:33Hey, alma lady
00:05:34No me toque, eh
00:05:36Cómo se atreve
00:05:37I'm a friend of Mr. Ferry
00:05:39Look aquí
00:05:40Es italiana
00:05:41Mr. Ferry, oh
00:05:42Sí
00:05:43Welcome to the Walford Hotel, Ms. Carmela
00:05:46Thank you
00:05:48I'm a friend of Mr. Ferry
00:05:50Look aquí
00:05:51Es italiano
00:05:52Mr. Ferry, oh
00:05:53Sí
00:05:54Welcome to the Walford Hotel
00:05:55Ms. Carmela
00:05:56Thank you
00:05:57Welcome
00:06:09Good morning
00:06:10Who is this lady?
00:06:11No idea
00:06:17Sorry, I'll call you back
00:06:26Soy friend de Mr. Ferry
00:06:28Sure
00:06:29Mr. Ferry is waiting for you
00:06:31Please come in
00:06:32Thank you
00:06:33Please
00:06:36Doña Carmela, por fin
00:06:38Qué placer, Mr. Ferry
00:06:40Pase, pase, por favor
00:06:42Gracias, Morín
00:06:45Vaya, se ha instalado muy bien aquí
00:06:50I'm a friend of Mr. Ferry
00:06:52I'm a friend of Mr. Ferry
00:06:56¿Y usted ha podido instalarse bien?
00:06:59No me quejo
00:07:04Desde luego tiene buenas vistas
00:07:06Desde aquí se ve todo
00:07:08Lo bonito y lo feo
00:07:10Como me dijo aquel día en el barco
00:07:12Eso también pasa en Monroe Street
00:07:17Entonces, ¿vive usted en un hotel y trabaja aquí?
00:07:21Doña Carmela, mi casa es un baúl, un telégrafo, un teléfono
00:07:25Debo estar siempre listo para cambiar y partir
00:07:28Eso me ha enseñado la vida
00:07:31Pero veo que aún sigue llevando arrugadas las camisas
00:07:34Sí
00:07:38Por favor, siéntese
00:07:40Gracias
00:07:43Me ha costado mucho encontrarla, lo sabía
00:07:45Pero lo ha conseguido
00:07:47Sí, pero no ha sido fácil porque ha cambiado de apellido
00:07:49Ahora se apellida Rizzo Inisquiabón
00:07:52Que suena como apellido de noble
00:07:56Menudo varón mi marido, el de los cacahuetes
00:08:03¿Y sus hijos están bien?
00:08:04Sí, sí, están muy bien
00:08:06He sabido que Alfredo estudia y es muy aplicado
00:08:09Sí
00:08:11No le di las gracias por lo que hizo usted por mí
00:08:15En la oficina de inmigración por Rocco
00:08:20Señor Ferri, ¿puedo pedirle al conductor que te espere para su apuntamiento con el señor Brady?
00:08:25Ah, tiene un apuntamiento
00:08:28Está ocupado, está ocupado
00:08:30¿Se defiende en inglés?
00:08:33Sí, sí, voy
00:08:38Lo lamento
00:08:39No, tranquilo, el trabajo es el trabajo
00:08:42Ah, por cierto, he sabido que buscan personal en la lavandería del Walford
00:08:47Si está usted buscando trabajo, es una posibilidad
00:08:51¿Habla en serio?
00:08:52Sí
00:08:53Ah, qué bien
00:08:55Al menos alguien cuidará de que no tenga las camisas arrugadas
00:08:59Bien, gracias
00:09:02Ahora me marcho
00:09:04Yo la acompaño
00:09:12Goodbye
00:09:13Bye, bye
00:09:17Gracias
00:09:48No work, no pay
00:09:52Es que no lo puedo soportar
00:09:58Mr. Ferri
00:10:07Un trabajo así por cinco dólares a la semana
00:10:09¿Cómo iba a decir que no?
00:10:11Comida no nos falta
00:10:13Yo traigo dinero a casa, Mikele trabaja y Antonio también
00:10:16Todos juntos ganáis cinco dólares a la semana
00:10:22Quiero lo mejor para mis hijos
00:10:24¿Y qué problema? Yo me ocupo
00:10:26Ya estamos
00:10:27¿Ya estamos con qué?
00:10:30¿Te crees que no soy capaz?
00:10:32¿Eso crees? ¿Crees que soy un pobre idiota?
00:10:35Cuando llegué tenía 20 liras en el bolsillo
00:10:37Y con lo de los cacahuetes me compré la bodea
00:10:40Luego la perdiste
00:10:41La perdí
00:10:42¿Y qué has hecho tú para ayudarme a recuperarla?
00:10:44Nada, solo tus hijos, siempre tus hijos
00:10:47Para ti no existo, solo existen ellos
00:10:49¿Y dónde están ahora tus hijos?
00:10:51En la casa de Italia bailando
00:10:53Todos menos el que está arriba tocando la flauta
00:10:56Tus hijos
00:10:58Mírame
00:10:59Pero hazme caso
00:11:01Estoy aquí
00:11:03Muy bien, ya te miro
00:11:04Te miro, dime
00:11:05Dime
00:11:06Yo por tu amor lo he aceptado todo
00:11:08Hasta que me acusaran de tener aquí a un chivato
00:11:10Antonio
00:11:11Que mandó a salvo al reformatorio
00:11:13Él hizo lo correcto
00:11:14Tú a mis hijos ni los toques
00:11:16¿Queda claro?
00:11:17Y tampoco me puedes decir esas cosas
00:11:19Si no te las digo a ti, ¿a quién se las digo?
00:11:21Además, es la verdad
00:11:23¡Es la verdad!
00:11:31¿Sabes una cosa?
00:11:32Que no voy a dejar ese trabajo
00:11:34¡No pienso dejarlo!
00:11:36¡Y punto!
00:11:44¡Rocco!
00:11:45¡Mete esa pierna! ¡Anda!
00:11:47Hazme el favor
00:11:48Ven dentro, que es peligroso
00:11:50Mete esa pierna, por favor
00:11:52¡Venga!
00:11:55Ven aquí
00:11:57¡Venga!
00:11:58¡Venga!
00:11:59¡Venga!
00:12:00¡Venga!
00:12:01¡Venga!
00:12:02¡Venga!
00:12:03¡Venga!
00:12:04¡Venga!
00:12:05¡Venga!
00:12:06¡Venga!
00:12:07¡Venga!
00:12:08¡Venga!
00:12:09¡Venga!
00:12:10¡Venga!
00:12:11¡Venga!
00:12:12¡Venga!
00:12:16¿Te gustan las palomas?
00:12:19Era la pasión de mi mujer
00:12:22Les puso nombre
00:12:23La grande y negra es Nerón
00:12:25Porque es mala
00:12:26Otra Rodolfo Valentino
00:12:29Como el actor
00:12:31Rosa es su pareja de siempre
00:12:37¿Sabes que cuando eligen una pareja
00:12:39Les son fieles toda la vida?
00:12:41Hasta la muerte
00:12:52Esquiabón
00:12:54¿Qué es lo que te pasa, Esquiabón?
00:13:00¿Qué es lo que me pasa?
00:13:04Pues...
00:13:12Es muy largo
00:13:14Y muy difícil
00:13:16Es muy largo
00:13:18Y muy difícil
00:13:20Toca
00:13:41Orgullo
00:13:55Hey, ¿Has visto?
00:13:56Sí
00:14:05Ese es mi hermano
00:14:07Pues baila de maravilla
00:14:11Chiro told me about you, and me about you.
00:14:14He told me that you're in the syndicate.
00:14:17You know, my father also defended the workers.
00:14:22Then he was a good Christian.
00:14:25We're organizing a strike at the Red Hood Foundation, where you work.
00:14:30It will be the first real protest against the bosses, the biggest of all.
00:14:34There's Xiao.
00:14:35We'll be there, right?
00:14:36I told you that Miquel was a good boy.
00:14:38Because the more people, the stronger we'll be.
00:14:45What's the matter with you? Are you still thinking about Miquel?
00:14:47What do you care?
00:14:48Then tell me, what do you think about me?
00:14:52Go away, your mouth still smells like milk. You're a brat.
00:14:55What do you mean, brat? There are good things down here.
00:14:59How dare you?
00:15:02One, two, three.
00:15:07Look how many girls are coming.
00:15:12Joan.
00:15:13Hi.
00:15:14How are you?
00:15:15Fine, and you?
00:15:16Fine, fine. Come.
00:15:17Hi.
00:15:18Carlo and Miquel.
00:15:20Hi, this is Beth, this is Sofia, and this is Pat.
00:15:24Nice to meet you.
00:15:25Nice to meet you.
00:15:27Chiro.
00:15:28You know we have a thing for Italian boys.
00:15:32Understand, Miquel.
00:15:33These Americans love Italians, understand?
00:15:38What, are we all going to dance?
00:15:40Hey, you speak our language very well.
00:15:42I study melodramas.
00:15:44Your lyrical operas are beautiful.
00:15:47Verdi, Puccini.
00:15:48Who are those?
00:15:51Miquel.
00:15:52Miquel, are you going to make me dance or are you going to spend the night looking at me?
00:15:58What do you say?
00:15:59Embobado.
00:16:00Embobado.
00:16:02Go.
00:16:04Girl dance.
00:16:06How do you say, let's dance?
00:16:08Miquel, how do you say it?
00:16:10Miqueluzo, let's go.
00:16:11Let's go.
00:16:22Very good.
00:16:23Let's see what you have down there.
00:16:30Peanuts.
00:16:31Toasted peanuts.
00:16:34Roasted peanuts.
00:16:35Fresh roasted peanuts.
00:16:39Peanuts.
00:16:40Cents, please.
00:16:44Thank you.
00:16:46Sir?
00:16:51Sir!
00:16:52My chains!
00:16:59Good morning, Mr. Ferry.
00:17:01How are you?
00:17:02And the work?
00:17:03Good, good.
00:17:04Are your shirts ready?
00:17:10Yes.
00:17:18I just found out that there is a strike at the foundation.
00:17:22A strike at the foundation?
00:17:24I don't want to scare you, Carmela.
00:17:26But apparently the police intend to charge against the strikers.
00:17:31My God.
00:17:32It would be better if Miquel did not participate.
00:17:34He promised me that he would not be fooled by politics like his father and he promised me.
00:17:39I have to warn you, but what do I do with the work?
00:17:42That Chinese is a hyena and she won't give me permission.
00:17:46Don't worry, Carmela.
00:17:47I'll talk to your boss.
00:17:49Let's go together.
00:18:09Come on, everybody!
00:18:10All together!
00:18:11Come on!
00:18:12Come on!
00:18:13Come on!
00:18:14Come on!
00:18:15Come on!
00:18:16Come on!
00:18:17Come on!
00:18:18Come on!
00:18:19Come on!
00:18:20Come on!
00:18:21Come on!
00:18:22Come on!
00:18:23Come on!
00:18:24Come on!
00:18:25Hey!
00:18:26What are you doing?
00:18:27Let go of all that, man!
00:18:28Chiro, what are you doing?
00:18:29Get out of the way, Miquel.
00:18:30Chiro, they are provoking us.
00:18:31If we fall, it's over.
00:18:32What do you mean provoking?
00:18:33Carlos, they won't take long to load.
00:18:34We are a lot.
00:18:35They don't want to either.
00:18:36Who is provoking?
00:18:37We will load them before they load.
00:18:38Come on, let's go after them.
00:18:39What are you doing, mother?
00:18:40Are you crazy or what?
00:18:41Miquel!
00:18:42Mom, go away.
00:18:43Get in there.
00:18:44Come on, come on, get in there.
00:18:45Come on.
00:18:46With one person that gets in there, everything will be over.
00:18:47You have to go to work.
00:18:48You have to get in.
00:18:49But we have the right to strike.
00:18:50But what right, Miquel, what right?
00:18:51The poor have no rights.
00:18:52Even my son.
00:18:53And if he goes to work, he'll get in there.
00:18:54We have to go to work.
00:18:55You have to go to work.
00:18:56But we have the right to strike.
00:18:57But what right, Miquel, what right?
00:18:58The poor have no rights.
00:18:59Even my son.
00:19:01You have to go to work.
00:19:02But we have the right to strike.
00:19:03But what right, Miquel, what right?
00:19:04The poor have no rights.
00:19:05Even my son.
00:19:06And if they're saying yes, it's because they're lying to you.
00:19:07Get in there.
00:19:08Mom, Mrs. Carmela, calm down.
00:19:09Those are beasts.
00:19:10Come on.
00:19:11You have to go.
00:19:12This is not a place for women.
00:19:13Go away.
00:19:14Come on.
00:19:15Mom.
00:19:16Mom, go away.
00:19:17They're going to load.
00:19:18Come on.
00:19:19Mom, go away.
00:19:20What are you doing?
00:19:21What are you doing?
00:19:22Come on.
00:19:23Come on.
00:19:24Hold on.
00:19:25Hold on.
00:19:26You have to resist.
00:19:27Come on, Miquel.
00:19:28Come with me.
00:19:29You're forcing me to go in.
00:19:30You're in danger here, Mom.
00:19:31Chiro.
00:19:32Chiro, no.
00:19:33Chiro.
00:19:34Chiro.
00:19:35No, Miquel.
00:19:36Chiro.
00:19:37No, leave him.
00:19:38No.
00:19:39Chiro, no.
00:19:40No.
00:19:41No.
00:19:42No.
00:19:43No.
00:19:44No.
00:19:45No.
00:19:46No.
00:19:47No.
00:19:48No.
00:19:49No.
00:19:50No.
00:19:51No.
00:19:52No.
00:19:53No.
00:19:54No.
00:19:55No.
00:19:56No.
00:19:57No.
00:19:58No.
00:19:59No.
00:20:00No.
00:20:01Chiro.
00:20:02No, Chiro.
00:20:03No.
00:20:04Chiro.
00:20:05Miquel.
00:20:06What did you force me to do, Mom?
00:20:07I was wrong.
00:20:08My mother was wrong too.
00:20:09She did it to protect me.
00:20:10Now I'm here.
00:20:11And maybe I can't even move.
00:20:12I'm here.
00:20:13I'm here.
00:20:14I'm here.
00:20:15I'm here.
00:20:16I'm here.
00:20:17I'm here.
00:20:18I'm here.
00:20:19I'm here.
00:20:20I'm here.
00:20:21I'm here.
00:20:22I'm here.
00:20:23I'm here.
00:20:24I'm here.
00:20:25I'm here.
00:20:26I'm here.
00:20:27I'm here.
00:20:28I'm here.
00:20:29I'm here.
00:20:30I'm here.
00:20:31I'm here.
00:20:32I'm here.
00:20:33I'm here.
00:20:34I'm here.
00:20:35I'm here.
00:20:36I'm here.
00:20:37I'm here.
00:20:38I'm here.
00:20:39I'm here.
00:20:40I'm here.
00:20:41I'm here.
00:20:42I'm here.
00:20:43I'm here.
00:20:44I'm here.
00:20:45I'm here.
00:20:46I'm here.
00:20:47I'm here.
00:20:48I'm here.
00:20:49I'm here.
00:20:50I'm here.
00:20:51I'm here.
00:20:52I'm here.
00:20:53I'm here.
00:20:54I'm here.
00:20:55I'm here.
00:20:56I'm here.
00:20:57I'm here.
00:20:58I'm here.
00:20:59I'm here.
00:21:00I'm here.
00:21:01I'm here.
00:21:02I'm here.
00:21:03No.
00:21:04Am I unreachable?
00:21:05You will be now.
00:21:06Mikele.
00:21:09You must go now.
00:21:10The police?
00:21:11Now I don't listen.
00:21:12Of course, let's go.
00:21:13It's useless to be the hero.
00:21:14Please.
00:21:15Come, let's go.
00:21:16Good bye, friend.
00:21:17We go.
00:21:18Amigo
00:21:31Doctor
00:21:33Doctor Wright, we are here for Chiro Malenti. It's too late. I'm sorry
00:21:54Please call the other nurse
00:22:33Mikele, where are you going at this hour? With all that, you're going to bed?
00:22:42I'm leaving
00:22:44You're leaving? Where? When are you coming back?
00:22:48I don't know
00:22:50Since when do you leave the family? Since when do you leave like this?
00:22:55I haven't given you any worries, mom. I've never asked you for anything
00:22:59I've always thought about you and the family. About you and the family
00:23:05But you can't treat me like a man when you feel good and like a kid when you feel bad
00:23:10Mikele, forgive me. Forgive me, Mikele. I was wrong. I was wrong. These are things that happen
00:23:17Chiro is dead, mom. These are things that happen
00:23:22He's dead? He's dead, poor thing. I'm sorry, Mikele. I'm sorry
00:23:30But don't you see that if I hadn't been wrong, now you could be in his place
00:23:35Maybe it would be better
00:23:44Thank you. It's easier this way
00:23:48Forgive me, son. Forgive me
00:23:55Mikele
00:24:18Are you all right?
00:24:30It's working
00:24:47Never, never
00:24:50Wow
00:24:52Let's do a test. If everything goes well, maybe the business will be yours again
00:24:57But it has to go well
00:24:59I don't know
00:25:01I don't know
00:25:03I don't know
00:25:05I don't know
00:25:07I don't know
00:25:09I don't know
00:25:11I don't know
00:25:13I don't know
00:25:15I don't know
00:25:17I don't know
00:25:19I don't know
00:25:21It has to go well
00:25:23Don't worry about anything. Everything will go well
00:25:28Here, take this. There you go
00:25:33Thank you
00:25:34Go, go
00:25:37Goodbye, Antonio
00:25:40Chivato!
00:25:42You're an idiot!
00:25:43What the hell are you doing?
00:25:45I've already cleaned everything
00:25:47I'm sorry, I'm sorry. I've already cleaned everything
00:25:49Sit down, Salvo. Come on
00:25:51It's all right
00:25:53It's part of the family
00:25:54They're all cowards
00:25:56And chivatos
00:25:57When did he leave?
00:25:58This morning
00:25:59Good. You know he left thanks to me
00:26:02I don't care
00:26:03I don't care
00:26:04I don't care
00:26:05I don't care
00:26:06I don't care
00:26:07I don't care
00:26:08I don't care
00:26:09I don't care
00:26:10I don't care
00:26:11I don't care
00:26:12I don't care
00:26:13I don't care
00:26:14I don't care
00:26:15I don't care
00:26:16I don't care
00:26:17I don't care
00:26:18I don't care
00:26:19I don't care
00:26:20I don't care
00:26:21I don't care
00:26:22I don't care
00:26:23I don't care
00:26:24I don't care
00:26:25I don't care
00:26:26I don't care
00:26:27I don't care
00:26:28I don't care
00:26:29I don't care
00:26:30I don't care
00:26:31I don't care
00:26:32I don't care
00:26:33I don't care
00:26:34I don't care
00:26:35Behave yourself at school
00:26:37Yes
00:26:44Good morning, mum
00:26:46Hello, Antonio
00:26:48Hey, is it true that Salvo has already left the reformatory?
00:26:52Oh, yes
00:26:54What a Christmas present
00:27:01Antonio, we're missing three dollars
00:27:03Are you telling me?
00:27:06I'm telling the one who bought a shirt and a new jacket this week
00:27:09Of course
00:27:10Because whenever something happens here, who is to blame?
00:27:13Antonio's criminal
00:27:16Because you always give me reasons
00:27:17But why?
00:27:18What have I done?
00:27:19I work, right?
00:27:20I make money, just like Mikele
00:27:22But he's your favourite, even if he's gone home
00:27:24But what are you saying?
00:27:26This time, you shouldn't look at me alone
00:27:29And who should I look at? Tell me
00:27:31We'd better leave it
00:27:32Who should I look at?
00:27:35Antonio
00:27:39Esquiabón
00:27:40Esquiabón?
00:27:46And what does he have to do with it?
00:27:49Do you know that he sold the cart?
00:27:51The cart?
00:27:53I think he wants to get the business back
00:27:56He's been talking to Matranga in the warehouse for a long time
00:27:59About the Black Hand
00:28:00What's that about the Black Hand? I'm also interested
00:28:02It's not about women, mum
00:28:04Antonio
00:28:05Antonio, where are you going?
00:28:07When we talk about something serious, you always leave
00:28:09Can you explain to me what's that about the Black Hand?
00:28:11Is it like a mafia?
00:28:13Have we crossed the ocean to meet again in the same situation?
00:28:17Can you explain it to me?
00:28:19Mum, forget it
00:28:21Antonio, you have to listen to me when I'm talking to you
00:28:24It's too long, mum
00:28:27It's, it's, it's very long
00:28:29And very, very difficult
00:28:31Difficult
00:28:34Pastorcillo
00:28:38Sheep
00:28:42Sorry!
00:28:43What are you doing? Are you always here?
00:28:47This is my place
00:28:49Where else would a fool like me be?
00:28:51To whom they insult and slap
00:28:53Come on, do you hit me too?
00:28:55Shut up, even if they want to slap you
00:29:02What's wrong now?
00:29:05Again, Matranga?
00:29:08No, no
00:29:10My mother
00:29:11What happened?
00:29:13Mikele is handsome and strong
00:29:15Alfredo, smart
00:29:17Rocco, a bastard
00:29:18And me?
00:29:19I'm a thief, a liar and a cheater
00:29:21Hey!
00:29:22How many things!
00:29:25I don't like good guys
00:29:28You know?
00:29:30And why do you like Mikele?
00:29:32I liked Mikele
00:29:34But he prefers the Americans
00:29:38Come here
00:29:39Come
00:29:43I think I'm going to make you a gift, boy
00:29:48A gift?
00:29:49Yes, it's almost Christmas
00:29:51Do you feel like it?
00:29:53Maybe
00:29:59Thank you
00:30:10Thank you
00:30:19Where's Antonio?
00:30:20He went out
00:30:25Where's Rocco?
00:30:26He's on the roof with the pigeons
00:30:30Very good
00:30:34And Alfredo?
00:30:35At school, like every morning
00:30:42And what is the pot of money doing here?
00:30:47I'm watching him
00:30:49Someone in this family has very long hands
00:30:52Really?
00:30:54Do you know something, Esquiavo?
00:30:56No, I don't
00:31:01Esquiavo, let's be clear
00:31:03I know it was you
00:31:05So tell me why you sold the cart
00:31:07And then you pretend to go to work
00:31:09Did you think I was stupid?
00:31:11What happened?
00:31:14Happened, happened
00:31:16Nothing happened
00:31:18I just want to get the business back
00:31:20The peanuts were provisional
00:31:22until God gave way
00:31:24And how?
00:31:26Business
00:31:28Business
00:31:29With whom?
00:31:31You can be calm
00:31:33I don't know what that is
00:31:35I want to know who you're doing business with
00:31:38I've already made money
00:31:40I've made money, look
00:31:42And I put it in the pot
00:31:44No, no, thank you
00:31:45Save it for the winery
00:31:46Who do you do business with?
00:31:48With the black hand?
00:31:51The black hand?
00:31:53The black hand doesn't exist
00:31:54It's a children's story
00:31:55The black hand?
00:31:57No, no
00:31:58No, you trust me
00:32:00In two months we'll get the winery back
00:32:03Mateo's word, Esquiavon
00:32:06I'll fix everything tonight
00:32:08I'm busy tonight
00:32:09I am busy
00:32:12You are busy
00:32:14The eggs are very good
00:32:45I'm sorry, Mr. Ferri
00:32:47Miss Rizzo is waiting for you in your office
00:32:50In my office?
00:32:51Yes
00:32:52Okay, thanks
00:33:02Mr. Ferri, can you explain to me what is that black hand that everyone is talking about?
00:33:06Something that is better to stay away from
00:33:09Kidnappings, extortions, homicides,
00:33:12smuggling
00:33:14It's a lot
00:33:16Today there is an article in La Voz d'Italia
00:33:20See you this afternoon, Mr. Ferri
00:33:22See you soon, ma'am
00:33:24Goodbye
00:33:26See you later, Maureen
00:33:30Look
00:33:32Michele Guarino
00:33:35The king of New York distilleries
00:33:38People like him
00:33:40dirty the reputation of the Italians
00:33:44I'm afraid that black hand has already entered my house
00:33:47That's why I've come to bother you
00:33:50Because if someone steals, he's in his house
00:33:53He has serious problems
00:33:55Who are you referring to?
00:33:57My husband, Esquiavon
00:33:59He says he's doing business
00:34:01But he doesn't look good
00:34:04And since you have so many friends
00:34:07Like that policeman
00:34:09Like that policeman who managed to find us
00:34:12I don't know if you could ask him to find out what that bastard is up to
00:34:17Don't worry, Carmela, I'll take care of it
00:34:20Thank you, he's a good friend
00:34:30Carmela
00:34:33Why don't you stay and eat with me?
00:34:36When you called me, I was in the restaurant
00:34:40For a moment, I got excited thinking you'd eat with me
00:34:45No, I can't
00:34:47I have to go home with my children
00:34:49Besides, my clothes aren't the right ones
00:34:52You're beautiful, Carmela
00:34:54Clothes are just an appearance
00:34:57But appearance doesn't matter
00:35:00I'm fine where I am
00:35:02Down, where the Lord put me
00:35:04Otherwise, it would be a mess
00:35:06I know
00:35:07But thank you
00:35:11Maybe tonight?
00:35:13My appearance will still be a problem
00:35:21See you later, Carmela
00:35:31Appearance
00:35:34Appearance
00:35:55Miss Rizzo?
00:35:56Yes, Rizzo Schiavone?
00:35:58Yes, this is for you, from Mr. Ferry
00:36:01For me?
00:36:02Yes
00:36:04This?
00:36:06He waits for you at 8 p.m.
00:36:08At the Walford Hotel
00:36:10I don't understand
00:36:11Tonight, 8 p.m.
00:36:13Ah, tonight!
00:36:15Yes, yes
00:36:16Ah, and what do I do with Schiavone?
00:36:19Ah, Schiavone works tonight
00:36:21He's busy, okay
00:36:23I'm sorry, I don't understand
00:36:25Doesn't matter
00:36:26Tell Mr. Ferry it's okay
00:36:29Okay
00:36:30Okay, thank you, bye
00:36:31Bye
00:36:32Hey, what's this?
00:36:34Is it a dress?
00:36:37Come on, hurry up!
00:36:38Pepe, come on, it's for today, come on!
00:36:41Let's see, take the state one for New Jersey
00:36:43Come on, be careful, be careful
00:36:45If there's a checkpoint
00:36:46You've already told me, I won't stop because I'll go slowly
00:36:49Schiavone, be careful, you have very valuable merchandise
00:36:53And above all, it's forbidden, have you told Matranga?
00:36:57Let me introduce you to Don Guarino
00:36:59He's in charge of all this, he's the boss
00:37:03It's an honor, thank you for your trust, Don Guarino
00:37:06Don't worry, now we do business together, right?
00:37:09That's right
00:37:10Come on, come on, come on, Mateo, move, come on
00:37:13Get to work, Mateo, get to work
00:37:16Hurry up, hurry up!
00:37:18He's a snitch, a rascal
00:37:20And we send him straight to the police
00:37:30This time bad luck won't stop me
00:37:34Everyone will see that the money is made, Schiavone
00:37:39And I'll get the business back, everyone will see
00:37:43Guys, hurry up, load another truck, come on
00:37:46Salvo, move, come on
00:37:48Come on, come on, come on, up, up, come on, come on
00:37:51Come on, come on, hurry up
00:37:54Come on, come on, come on, come on
00:37:58Come on, come on, hurry up
00:38:00This is the plan, Schiavone goes south and you go north
00:38:04In the right direction, move, come on, come on
00:38:27Mappola, dolcissima Mappola
00:38:42Padrona del mio cuore, sei tu sola
00:38:53Io ti cerco, ti invoco follemente
00:39:03Per dirti che ti amo appassionatamente
00:39:15Mappola, dolcissima Mappola
00:39:25La luce dei miei giorni splende in te
00:39:36Fai fiumire la passione
00:39:46Con il suono della mia canzone
00:40:00This time you won't stop me, I'm not afraid of you, I'm not afraid of anything
00:40:08Get back, get back
00:40:12Don't stop Mateo Schiavone, this time you won't be able to stop Mateo Schiavone
00:40:17Nobody can stop Mateo Schiavone, cowards
00:40:21Io ti cerco, ti invoco follemente
00:40:28Per dirti che ti amo appassionatamente
00:40:37Mappola, dolcissima Mappola
00:40:47Definitely a bootlegger, this crest must be full of tin
00:40:59Mateo, oh Christ, Mateo
00:41:03Captain O'Connor, what is it?
00:41:06I know this guy, conocí a este hombre, he was called Mateo Schiavone
00:41:12Era un buen hombre
00:41:16These fucking crates are empty, they really got us this time, didn't they?
00:41:22Has visto Mateo, nos han engañado a todos
00:41:46Giovanni?
00:41:59Doña Carmen
00:42:06Su marido
00:42:13Esperen un momento
00:42:16Debo cambiarme
00:42:35Mr. Ferrisi ha hecho tarde, ya me voy
00:42:38Antes, ¿podría cancelar el restaurante?
00:42:42¿Ni siquiera va a cenar usted?
00:42:44No, ni siquiera yo
00:42:49Gracias
00:43:07Veintinueve, veintinueve y cincuenta
00:43:15No, no tengo ni para el funeral
00:43:23¿Y esto?
00:43:26¿Cuánto hay?
00:43:27Más de veinte dólares, mamá
00:43:29Estaba ahorrando para el coles, pero tú lo necesitas más para el pobre Schiavone
00:43:36¡Virgen Santa!
00:43:37¿Cómo puede un niño al que he tenido que comprarle unas gafas de lo que estudia reunir tantísimo dinero?
00:43:45No, mamá, no es lo que crees, es todo legal, me lo he ganado
00:43:48¿Cómo?
00:43:49En el muelle, cuando llegan los italianos, yo les cambio moneda
00:43:53¿Engañas a esa gente que es como nosotros?
00:43:55No te da vergüenza
00:43:56¿Pero qué os he enseñado a vosotros?
00:43:58Antonio casi acaba en el reformatorio y tú te has convertido en un timador
00:44:02No, mamá, yo no soy ningún timador, de hecho ayudo a los pobres inmigrantes, me lo enseñó Milter Ferry, él también empezó así
00:44:09¿Milter Ferry?
00:44:10Entonces él también empezó mal
00:44:12Pero ha acabado bien
00:44:13Yo no quiero este dinero empapado de sudor y lágrimas de toda esa pobre gente
00:44:17Prefiero vender mis ojos, que con vosotros solo me sirven para llorar
00:44:22Voy a venderlo todo a la casa de empeños, me voy
00:44:25Mamá, ¿por qué no vas al barrio judío?
00:44:28Mamá, ¿por qué no vas al barrio judío?
00:44:32¿Y tú qué sabes?
00:44:33En el barrio judío se hacen buenos negocios
00:44:35Mira el money, Caco, guárdate el dinero para el college
00:44:40¡Vamos!
00:44:56Sorry, pawn shop?
00:44:58In the corner, there
00:45:00Thank you
00:45:11Good morning
00:45:16Good morning
00:45:19Yo no hablo English
00:45:21No se preocupe, señora, puede hablar en su idioma
00:45:25Ah, menos mal
00:45:27Soy de Nápoles
00:45:28Mi abuelo era de Nápoles
00:45:32Quería saber cuánto me da por esto
00:45:41Es oro de ocho kilates
00:45:43¿Y no es bueno?
00:45:45Digamos que no es de primera calidad
00:45:47Pero vamos a pasarlo
00:45:51¿Se puede abrir?
00:45:53Dentro de él hay dos fotografías
00:45:55Si se lo queda, me gustaría quedármelas
00:45:58Les tengo cariño
00:46:11¿Hay algún problema?
00:46:22Venga un momento, señora
00:46:28Pase, pase
00:46:30¿Me está usted preocupando?
00:46:31No, venga, siéntese
00:46:35¿Me siento aquí?
00:46:36Siéntese aquí
00:46:40Ahora vengo
00:46:43Oigan, ¿no será que es robado?
00:46:47Últimamente solo me pasan desgracias
00:46:58Ahora no seas usted
00:47:01Usted tranquila
00:47:02Yo estoy tranquila, pero me está preocupando
00:47:05No
00:47:10Mamá
00:47:13Mamá
00:47:17Mamá
00:47:19Mamá, soy yo, mamá
00:47:20María, eres María
00:47:23Mi hija
00:47:25Mi hija
00:47:29María
00:47:30María
00:47:31Soy yo, mamá
00:47:33Qué guapa estás
00:47:35Cuánto te he buscado
00:47:38Sabía que estabas viva
00:47:40Lo sabía, lo sentí aquí dentro
00:47:42Se lo decía a todos
00:47:43Les decía, María está viva, María está viva
00:47:46Porque María está viva
00:47:47Yo sabía que María estaba viva
00:47:50Mi hija
00:47:56Este pequeñín
00:47:58Es nuestro hijo, Salvatore
00:48:02Salvatore
00:48:07Salvatore
00:48:11Le has llamado como tu padre
00:48:16Ahora sí que me tengo que sentar
00:48:19Él es mi marido, José
00:48:21Un placer
00:48:22Igualmente
00:48:24Te dije que la encontraríamos, ¿no?
00:48:26Te lo dije
00:48:28Lo cierto es que nos ha encontrado ella
00:48:30Salvatore
00:48:34Hija mía
00:48:37Es la abuela, ¿eh?
00:48:45Esto me lo regaló cuando llegamos
00:48:50Doña Carmen, siento tener que interrogarla justo después del funeral del pobre Esquiabón
00:48:55Pero tenemos que investigar
00:48:56No se preocupe, lo entiendo
00:48:59Pero yo puedo contarle poco
00:49:02Porque no le hacía mucho caso al pobre Esquiabón
00:49:07Era buena persona, eso sí
00:49:10Y yo hice mal
00:49:12Porque nos ayudó mucho
00:49:15¿Y no cree que ahora podría ayudarle usted?
00:49:17¿Y cómo?
00:49:19Hay que descubrir quién le tendió la trampa
00:49:22Él me dijo que estaba haciendo cosas para recuperar el negocio
00:49:27Y que había vendido el carrito
00:49:28Seguramente le estaría haciendo un favor a alguien
00:49:32Pero no sé a quién
00:49:33Solo oigo rumores
00:49:35Matranga
00:49:37La Mano Negra
00:49:38¿Y qué sabe de eso?
00:49:39Solamente que también me lo han matado a él
00:49:43Ya podíamos habernos quedado donde estábamos
00:49:47¿Qué diferencia hay entre estos canallas y el asesino de mi pobre Turi?
00:49:51La diferencia es que aquí hacemos lo posible por castigar a los asesinos
00:49:54Yo voy a luchar contra Matranga, sus cómplices
00:49:58Y Guarino, el rey de las destilerías
00:50:01Mr. Ferry me habló de ese tal Guarino
00:50:04Estoy seguro de que hay una conexión entre los dos, seguro
00:50:08Confía en mí, Doña Carmen
00:50:10Vamos por buen camino
00:50:12Esta vez no tienen escapatoria
00:50:16Esperemos
00:50:18¡Ángela!
00:50:20¡Angelina!
00:50:34¡Ángela!
00:50:38¡Ángela!
00:50:43¿Qué pasa?
00:50:45¿Qué pasa?
00:50:47Angela!
00:50:48Ah, Hola.
00:50:49Que?
00:50:50Te estas meando encima?
00:50:52Pasa, ya esta libre.
00:50:55A el tambien le he echo un regalito.
00:51:02Anto, pero que creias?
00:51:04Que tu eras mi novio?
00:51:06Yo voy con quien quiero.
00:51:07A mi tampoco!
00:51:11Me importas una mierda!
00:51:15Give it to me.
00:51:20This was for you.
00:51:22You're so stupid.
00:51:26Anto, we have to talk.
00:51:30Today at Esquiabón's funeral, what did Ardigo want from your mother?
00:51:33I have no idea.
00:51:36Esquiabón was set up and the police are doing their job.
00:51:40Come here.
00:51:42If you find out anything, tell me, okay?
00:51:46You're such a good boy.
00:51:48Yes, yes.
00:51:50It's good.
00:52:01Yes, my dear.
00:52:02I love this music.
00:52:04It's beautiful.
00:52:11Josephine, have you seen the Gaiteros?
00:52:15There.
00:52:17It's beautiful. When is dad coming?
00:52:20He's coming now.
00:52:22Then we'll go to Grandma's house for dinner, okay?
00:52:28I can't believe it.
00:52:30If it weren't for the death of poor Esquiabón,
00:52:32I would never have been able to find my Maria.
00:52:35And look at this.
00:52:36Look what she brought me.
00:52:39The alliances.
00:52:40One is mine and the other is your father's.
00:52:44And Mrs. Carmen, we've been looking for you.
00:52:46We haven't stopped.
00:52:47But how did you change your last name?
00:52:49No, no.
00:52:50That was a mistake from the immigration office.
00:52:52Grandma is beautiful.
00:52:54She's beautiful.
00:52:56Do you like Rocco's flute?
00:52:58Rocco will teach you all the songs.
00:53:00Grandma.
00:53:01I am Grandma Carmela.
00:53:04How do you say grandma in English?
00:53:06Grandmother.
00:53:07What?
00:53:08Grandmother.
00:53:10Too long.
00:53:11Very, very long.
00:53:12Very, very difficult.
00:53:13I've learned a new religion.
00:53:16And you, Mom, will learn English.
00:53:25Is it true that you celebrate Christmas twice because you're a Jew now?
00:53:29Hanukkah is not like Christmas, Alfred.
00:53:31But it's celebrated on the 24th.
00:53:33We've celebrated Hanukkah at lunchtime.
00:53:36And now we're here.
00:53:38But where's Antonio?
00:53:40We're about to sit down at the table.
00:53:42He went out to get a cake.
00:53:44He's always late.
00:53:46Come on, don't be like that.
00:53:47You'll see.
00:53:48We'll see when he comes back.
00:53:50Mom, are we expecting someone else?
00:53:52No.
00:53:53But weren't Conchita and the policeman coming?
00:53:56No, they're having dinner with their in-laws.
00:53:58Maybe it's a gift, Mom.
00:54:00A Christmas gift.
00:54:02Could be.
00:54:07What a surprise.
00:54:08Mrs. Carmela, I hope I'm not bothering you.
00:54:11You never bother me.
00:54:12It's a pleasure to have you here.
00:54:14Come in.
00:54:15Thank you.
00:54:17I brought you a panettone.
00:54:19Do you know what it is?
00:54:20No.
00:54:21It's a sweet that's eaten at Christmas in my homeland,
00:54:23in the north of Italy.
00:54:24Take it.
00:54:25Thank you.
00:54:26Alfredo, take it.
00:54:28I'll keep the coat for you.
00:54:30Thank you.
00:54:33You know, I found my daughter Maria.
00:54:37Yes.
00:54:38Alfredo told me.
00:54:40I invited him.
00:54:41Thank you, Alfredo.
00:54:43I'm very happy.
00:54:45It's clear that sometimes miracles happen.
00:54:49Yes, if you believe in them.
00:54:54I'm very happy that you have gathered.
00:54:56You have a beautiful family, Carmela.
00:54:59Family is important.
00:55:01Especially if you find the right person to train you.
00:55:07But please come in.
00:55:09Come in, Mr. Ferri.
00:55:11Thank you.
00:55:30Giovanni Ardigo!
00:55:40Antonio!
00:55:51Antonio, if you speak, your mother and you are dead.
00:55:53Do you understand? Shut up!
00:55:57Antonio.
00:55:59Antonio!
00:56:00It's Antonio!
00:56:01Stay with the girl, I'll be right back.
00:56:03Mom!
00:56:08Carmela, wait! Don't go anywhere near me.
00:56:11M-mom!
00:56:12Wait, I'll be right back!
00:56:15No!
00:56:16What happened?
00:56:18Giovanni!
00:56:19No!
00:56:20No!
00:56:21Why?
00:56:22Antonio, my son!
00:56:23No! No!
00:56:25No!
00:56:27Why?
00:56:31Antonio, my son.
00:56:33My son.
00:56:35You haven't seen anything.
00:56:36No, mom.
00:56:37You haven't seen who shot?
00:56:39No. I arrived later.
00:56:41I haven't seen anything, mom. You have to believe me.
00:56:43Carmela.
00:56:45There's nothing to see here. Let's go home.
00:56:47Let's go home.
00:56:48They killed my husband.
00:56:50They killed him.
00:56:52Poor Antigone.
00:56:54No!
00:56:58They killed him.
00:57:00No!
00:57:17I almost forgot how beautiful our land is.
00:57:22You like it, huh?
00:57:23And you want to go to New York?
00:57:25Are you sure you want to give up this paradise?
00:57:29For a bigger paradise, yes, cousin.
00:57:36But in America, I'm going to rule.
00:57:38I want you to know.
00:57:41I'll keep everything.
00:57:44You're so beautiful.
00:57:45You have to be mine.
00:57:47Only mine, Carmela.
00:57:48No!
00:57:49Help!
00:57:53That's up to you.
00:57:56And how willing you are to play, cousin.
00:57:58Because there, the stakes are high, Vince.
00:58:01Very high.
00:58:06Come on, your boss is here.
00:58:08Yes, but for a short time.
00:58:10For a short time.
00:58:20Sooner or later, all this will be mine.
00:58:24Baron, at your service.
00:58:30At your service, Baron.
00:58:40At your service, Baron.
01:00:10THE END
01:00:40© BF-WATCH TV 2021
01:01:10© BF-WATCH TV 2021