Insoector Mrose 02x02 - Last Seen Wearing | Subtitles English
Morse is drawn into the case of a schoolgirl missing for six months, when her wealthy father refuses to leave any stone unturned. The subsequent investigations uncover some unsavoury home truths about the private lives of both the girl's family and the staff at her school.
Transcript
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00:03:18I don't want those.
00:03:20It's the files on the Craven case.
00:03:22And?
00:03:24And so I thought you'd want them.
00:03:26Well, I don't.
00:03:29Lewis.
00:03:30Sir.
00:03:34When did she go missing?
00:03:36About six months ago.
00:03:37Yes, yes, the date.
00:03:39Well, I don't know exactly.
00:03:40I'd have to check in the file.
00:03:42What's all this about Flo, Lewis?
00:03:44I don't know.
00:03:45I don't know.
00:03:46I don't know.
00:03:47I don't know.
00:03:48I don't know.
00:03:49I don't know.
00:03:50I don't know.
00:03:51I don't know.
00:03:52I don't know.
00:03:53I don't know.
00:03:54I don't know.
00:03:55I don't know.
00:03:56I don't know.
00:03:57Lewis.
00:03:58I don't know, sir.
00:03:59I don't know, sir.
00:04:01Anything else?
00:04:03Yes.
00:04:04I'm sorry to disappoint you, nurse, but she's dead.
00:04:07How do you know?
00:04:08They put me under these things when they can smell a corpse.
00:04:11One file, anybody.
00:04:13Two files, Ainley.
00:04:15Or Mackay.
00:04:17I'm the three-file man.
00:04:19No.
00:04:20She's dead.
00:04:27She's dead.
00:04:48Cream of the country, eh?
00:04:50I wouldn't know, sir.
00:04:52Rich and sick.
00:04:54That's a bit unfair, isn't it?
00:04:56You wouldn't mind our Louise going to this school.
00:04:58She's not rich or thick.
00:05:02Have you ever thought about the person who designed the sports skirt?
00:05:06Somebody sat down and drew a fantasy and made it compulsory uniform.
00:05:13I could never watch Wimbledon without thanking that man.
00:05:17Shall we go in?
00:05:19In a minute.
00:05:20Keep it going towards the ball.
00:05:26Can I help you?
00:05:28Hello.
00:05:30This is private property.
00:05:32Are you parents?
00:05:33I'm not, no, but Sergeant Lewis is.
00:05:37I see.
00:05:39Do you have an appointment, Inspector Morse?
00:05:41I'm assuming you're here about Valerie Craven, yes?
00:05:44That's why I'm here, yes.
00:05:46I think Sergeant Lewis would like some information about your fees.
00:05:52An interesting girl. Bright. Quite bright.
00:05:55Wild, but I liked her. I taught her English.
00:05:58She left school on Thursday, 24th of March, at about 4.30.
00:06:02She's a day girl.
00:06:04And she waved goodbye to me, actually.
00:06:07Rather ironic.
00:06:09Just walked off, down the drive.
00:06:13No one's heard from her since.
00:06:15Wild is not fair, really. Spirit.
00:06:18I thought you people had given up?
00:06:21Oh, no.
00:06:22I expect you know her father through the police committee.
00:06:25I've never met the man. I am intimate with one of his cement mixers.
00:06:29I'm sorry?
00:06:30There's a lot of building going on across the way from me.
00:06:33Everywhere you look.
00:06:34That's right.
00:06:35And very ugly.
00:06:36That's right.
00:06:37Sorry, Miss Graves.
00:06:38He's a powerful man.
00:06:40Yes, that's why we're still trying to find his daughter.
00:06:42Your daughter?
00:06:43Your ordinary missing person gets about a week.
00:06:49Who do you think has happened to her?
00:06:51I've no idea.
00:06:52You should ask the head, really. He knows the family very well.
00:06:55George Craven is a school governor and so on.
00:06:58Was she happy, would you say?
00:07:00Yes, I should think so.
00:07:03I mean, slice any teenager in half, Inspector,
00:07:06and there's a great deal of melancholy and angst and rage,
00:07:09I would have said she was happy, yeah.
00:07:11Excuse me.
00:07:13Mrs Webb, it's the head around.
00:07:16There are a couple of police officers here who'd like a word with you.
00:07:20Sounds familiar, sir.
00:07:22What does?
00:07:24Well, you know, melancholy and rage and so on.
00:07:31What time is it?
00:07:34Coming up 2.40.
00:07:40My cousin is married to a woman who's 12 years younger than he is,
00:07:46which means when he was 20, she was 8.
00:07:51Did they know each other when she was 8?
00:07:54I don't know.
00:07:57I'm sorry to keep you waiting. The head's been delayed.
00:08:00He was at a headmaster's conference in London over the weekend.
00:08:03We'll make an appointment.
00:08:07Time, please, ladies and gentlemen. Time, please.
00:08:10Thank you.
00:08:12Two pints, please.
00:08:14Sorry, I've called time.
00:08:16When?
00:08:17Just now.
00:08:19Oh, come on. Two pints.
00:08:21Sorry.
00:08:22There are people still drinking.
00:08:25I'm sorry.
00:08:27I'm sorry.
00:08:29I'm sorry.
00:08:31I'm sorry.
00:08:33I'm sorry.
00:08:35I'm sorry.
00:08:49Thanks, sir.
00:08:51Otherwise I'd get shot.
00:08:54I got you these.
00:08:56It was all the heart.
00:08:58For me?
00:08:59Yes, sir.
00:09:01Undrinkable.
00:09:03No beer, you see. That's nothing to do with beer.
00:09:06Take it home, thanks. All the same.
00:09:08Right.
00:09:11Where are we going?
00:09:12To see the dad.
00:09:14You've got specific instructions not to disturb the family.
00:09:17That's right.
00:09:19The thing with you is, if somebody tells you you can't do something,
00:09:22you go right on and do it, don't you?
00:09:24I make it a rule.
00:09:34Another chap on leave, is he?
00:09:36No. Fresh legs, I think, is the idea.
00:09:39I can't say I liked him very much.
00:09:41Not much going on upstairs.
00:09:43A man doesn't have to be stupid because he hasn't found your daughter.
00:09:47You see, four months ago this was pasture where we're standing now.
00:09:51You know, a bit of a farm.
00:09:53And you go in and you get on with it.
00:09:55You make things happen.
00:09:57You sweat.
00:09:59You get results.
00:10:01You get results?
00:10:02Yes.
00:10:05I dredged the canals myself.
00:10:08My people.
00:10:10But I was there, personally.
00:10:13And the reservoir.
00:10:15I didn't want something going on about the cost.
00:10:18I put stuff in the newspaper and there's a reward.
00:10:22I hope you've got a few half-decent ideas.
00:10:25Not yet, no.
00:10:28Morse?
00:10:30Are you the drinker?
00:10:32I don't know. Are you the tyrant?
00:10:38See these shoes?
00:10:39Horrible, aren't they?
00:10:41Full of muck.
00:10:42I never buy good shoes because I spend my life wading through muck.
00:10:47My wife won't let me through the front door of the house.
00:10:50That's all you need to know about me.
00:10:53What do you think has happened to Valerie?
00:10:56She snapped, yet there was no phone call.
00:10:59Temper?
00:11:00You can't be angry for six months, can you?
00:11:03So I dredged the canal.
00:11:06I walked the woods behind my house with a rake in my hand.
00:11:09Has a temper, though, does she?
00:11:13Have you got any kids, Morse?
00:11:15No.
00:11:17No.
00:11:26Come towards me.
00:11:27What?
00:11:28Just come towards me.
00:11:30Take my arm.
00:11:46These are going to be compulsory at Homewood.
00:11:48I've ordered a thousand of them.
00:11:51So you've no idea why Valerie might have decided to leave Harlem.
00:11:55Man, quarrel.
00:11:57Read the files, Inspector.
00:11:59I'm not going to repeat myself.
00:12:01Get your feet dirty.
00:12:16What was that noise?
00:12:20I think that was a cry from the heart.
00:12:33Bye. See you tomorrow.
00:12:44Carol.
00:12:46I gather I missed a visit.
00:12:48That's right.
00:12:49And?
00:12:50Oh, I'm sure they'll be back.
00:12:52Prod, prod, poke, poke.
00:12:54They wanted to know if Valerie had ever confided in me about anything.
00:12:58If there was something on her mind.
00:12:59And you said?
00:13:00Oh, nothing much.
00:13:05Excuse me, Headmaster.
00:13:19Sit.
00:13:21Look at this.
00:13:23I'm fine, don't worry.
00:13:25I'm very happy and this is the right thing for me.
00:13:28I know you've been worrying and I want to tell you everything, but I can't.
00:13:31And please don't worry about me.
00:13:33Love and hugs, Valerie.
00:13:35What's all that about?
00:13:36Craven's got this this morning, through the Post.
00:13:39Postmark?
00:13:40London SW3, yesterday.
00:13:44Well, she's obviously alive.
00:13:46She's obviously alive and we can assume she's in London.
00:13:49I took her diary home with me last night.
00:13:52There's mention of a John Maguire boyfriend who lives in the SW3 area.
00:13:57I think she's there.
00:13:59Good.
00:14:00That's all right, then.
00:14:01It is.
00:14:02I think we should go and pay this Maguire a visit.
00:14:05You go.
00:14:09Did anybody read this diary before you, Lewis?
00:14:13Oh, yes, sir, of course.
00:14:14Chief Inspector Ainley interviewed the man on two separate occasions.
00:14:18Kept her under the bed, then.
00:14:24What's the matter?
00:14:26Nothing, it's hot.
00:14:28No, I mean Valerie Craven. What's the matter?
00:14:33Valerie Craven is dead.
00:14:36Why do you want her to be dead?
00:14:38And if she is dead, how can she write this letter and post it?
00:14:42Is there a date on that letter?
00:14:44No.
00:14:45Well, let me look at it.
00:14:51How do we know this is Valerie Craven's handwriting?
00:14:55Well, I'm having it checked, but it matches the writing in her diary to an untrained eye.
00:15:01OK.
00:15:02So you're guessing it's a genuine letter.
00:15:05Doesn't mean it was written yesterday, does it?
00:15:08Doesn't mean she posted it herself.
00:15:12Doesn't mean it was actually written to her parents.
00:15:16And the envelope doesn't match particularly.
00:15:19And it may well be that this sheet of paper has lost its head.
00:15:22Dear who is what we should be asking ourselves.
00:15:26Dear who and when.
00:15:42He's not likely to be home this time of day, is he?
00:15:45Exactly. So if he's hiding around at the bed, we'll find out, won't we?
00:15:50You know this man, do you?
00:15:52Mr Maguire? I know who he is, yes.
00:15:56Don't know him in the sense of knowing him, no.
00:16:01I don't know him in the sense of knowing him, no.
00:16:05I don't know him in the sense of knowing him, no.
00:16:08Thanks.
00:16:10I should come in with you.
00:16:11I'd rather you kept an eye on our backs.
00:16:16I know before I meet Mr Maguire that I won't like him.
00:16:19What's that, sir?
00:16:20Nothing.
00:16:21Do you like London, Lewis?
00:16:23No, not much.
00:16:25Maguire's a country sort by the looks of it.
00:16:28You reckon?
00:16:32We ought to be able to arrest him for his theft.
00:16:36We ought to be able to arrest him for his taste, Lewis, but we can't.
00:16:42So, you know, has he paid his television licence?
00:16:49Is his telephone approved?
00:16:55Goes in for the gadgets.
00:16:59Owes his credit cards a lot of money.
00:17:02In fact, he owes his credit cards nearly as much as I earn in a year.
00:17:05Hateful, but not enough.
00:17:14What about this?
00:17:17These? No, no, no. Cross-dressing, it's legal.
00:17:20No, I mean Valerie.
00:17:24You see, if Valerie lived here, there'd be magazines, books, I don't know, something.
00:17:31If she died here, that's different.
00:17:58Interesting.
00:18:02I don't know.
00:18:15It will contain a unique mixture of residential and commercial accommodation.
00:18:19Mr Maguire, our negotiator, is upstairs in the show flat. Please walk up.
00:18:25What did she say about Maguire in her diary?
00:18:28Nothing very...
00:18:30No, I can't remember precisely to tell the truth. His name, obviously.
00:18:34Memorable stuff.
00:18:36Well, you know the men at the party.
00:18:39Oh, his star sign. She talks about his star sign.
00:18:42There's your motive, then. He murders anyone who asks him what his sign is.
00:18:46I like him better already.
00:18:53It's very sophisticated and very sensitive.
00:18:56And it means you can leave the door open and still be secure.
00:19:00Now, if someone could just be the burglar...
00:19:04No, hang on, I'll be the burglar.
00:19:06Would you be kind enough?
00:19:08Just press the buttons marked Police and Alarm on,
00:19:11and then off when I trigger the alarm, all right?
00:19:14On, then off. Great.
00:19:17So, here I am after your original Picasso,
00:19:21your Ming vase and the keys to your Porsche.
00:19:24I spend half an hour forcing the double turn lock,
00:19:27tiptoe in...
00:19:30And hey, presto.
00:19:33And it's also sounding downstairs at the Porter's Lodge.
00:19:37Thanks.
00:19:41Could you turn it off, please?
00:19:46Well done.
00:19:49Mr Maguire, could we have a word?
00:19:51Yeah, I'll answer any questions at the end, OK?
00:19:53Just a few minutes outside.
00:19:55Look, if you miss the start, we can go around again when I've finished.
00:19:58We're policemen.
00:20:02And?
00:20:03Would you like a brief word in private?
00:20:05What about? I'm working.
00:20:09Is this more about Valerie Crane?
00:20:13Give me a few seconds, will you? Just have a wander around.
00:20:16OK. Great.
00:20:17I've had it up to here with you people.
00:20:19Let's just go out on the balcony, shall we?
00:20:23I'm going to speak to my lawyer about this, because this is harassment.
00:20:26I'm sorry, sir. What is?
00:20:28I made a statement.
00:20:30I've been questioned about eight times.
00:20:32Not by us?
00:20:34Look, I met her at a party.
00:20:37I saw her once or twice.
00:20:39This is like months ago. End of subject.
00:20:41She writes about you in her diary?
00:20:43Yeah.
00:20:44Did she ever visit your flat?
00:20:46No. I met her in Oxford at a party.
00:20:48I don't know where she is or what happened to her.
00:20:51All right?
00:20:52Nice flat you've got.
00:20:54Say again?
00:20:56It's not quite in this league, but we thought it was very...
00:21:00What did we think it was, Sergeant?
00:21:02When did you go to my flat?
00:21:03Just now. Had a little look around.
00:21:05You what?
00:21:06You better have a search warrant, sunshine, because otherwise...
00:21:09Otherwise what?
00:21:13How's the nose?
00:21:15My nose is fine, thanks. How's yours?
00:21:17A bit sniffy.
00:21:21Don't try that one.
00:21:23There's nothing there. It's absolutely clean.
00:21:25It's very hard to be absolutely clean.
00:21:29Tell me.
00:21:31When did Valerie Craven tell you she was pregnant?
00:21:37Look, you better let me get rid of these.
00:21:39Go ahead.
00:21:46I didn't know she was pregnant.
00:21:48No, neither did I.
00:22:04OK.
00:22:06I've got Chief Inspector Morse and Sergeant Lewis here today
00:22:09to ask you some questions about Valerie.
00:22:13Now, I'm going to go.
00:22:15I think the officers are worried I might inhibit you,
00:22:18so don't spare them any of the dirt.
00:22:21The truth about Dooley.
00:22:24The caretaker.
00:22:26He's 103, but we've got our theories.
00:22:29Sergeant Lewis.
00:22:31Yes, sir?
00:22:33I've got a question for you.
00:22:35What is it?
00:22:37The caretaker. He's 103, but we've got our theories.
00:22:42So, they're all yours.
00:22:44If they bite, press the fire alarm.
00:22:46Or get them to press their personal alarms.
00:22:49Yes, we heard about them.
00:22:51Yes, we're all kitted out, aren't we?
00:23:01She was never short of men.
00:23:04Her school friend confided.
00:23:09She was always in love.
00:23:11Every five minutes, it was her best friend.
00:23:17Really wild.
00:23:19Another friend, et cetera, et cetera.
00:23:23So, is this true?
00:23:26Not really. I think it is, actually.
00:23:28It's ridiculous.
00:23:30The papers make things up. It's common knowledge.
00:23:32None of us talk to the press.
00:23:34They put words into your mouth.
00:23:36Did she ever mention the name of any boyfriend?
00:23:40John Maguire?
00:23:41I know about John Maguire,
00:23:43but only because we've had this before with some other people,
00:23:45other policemen, and they talked about her diary and stuff.
00:23:48But, you know, she might write something in her diary
00:23:51that wasn't even true.
00:23:53I've done that. I mean, your diary's personal, isn't it?
00:23:55I mean, it can be describing something
00:23:57you hope might happen or wanted to happen.
00:24:00I have a diary. I have a field day.
00:24:02What about boyfriends at the university?
00:24:05Possibly. I don't know.
00:24:07Well, there might have been.
00:24:09But what about crushes?
00:24:11Everybody has crushes. That's what we're trying to say to you.
00:24:13Everybody has crushes. Everybody has boyfriends.
00:24:16Or not, as the case may be.
00:24:20Crushes on teachers?
00:24:22Sure.
00:24:24Valerie?
00:24:25Everybody.
00:24:26There aren't that many male members of staff to choose from, are there?
00:24:29Who necessarily would have to be male?
00:24:31There's Dooley.
00:24:33Apart from Dooley.
00:24:34Ron.
00:24:35Who's Ron?
00:24:36Mr Ronald, classics.
00:24:38Is he nice?
00:24:40He's all right. And Mr Acom, but he's left.
00:24:43DPP?
00:24:44DPP?
00:24:46The head, Mr Philipson.
00:24:50We love this place. We love it.
00:24:52We both travel. We're both ambitious people, wouldn't you say?
00:24:55But we came here, and we came in autumn, I remember,
00:24:57and the leaves were shedding in great flocks, and it was beautiful.
00:25:00Remember that? Gosh.
00:25:02And I, well, I'm not intending to leave.
00:25:04They'll have to carry me out. It's very nice.
00:25:06It is.
00:25:07Becky, Inspector Morse needs chocolate.
00:25:09And it's wonderful for Sheila.
00:25:10She has a fellowship, you know, St Thomas'.
00:25:12She has the brains. I'm the domestic.
00:25:15That's lies on both counts.
00:25:17You going for these, Inspector?
00:25:18No.
00:25:19You should, you should.
00:25:20Three is perfect.
00:25:21Someone to bowl at, someone on the boundary, and someone to keep wicket.
00:25:24Don't take any notice of him.
00:25:25We never do.
00:25:27Does it bother you, living on the school grounds?
00:25:29Quite the contrary.
00:25:30I saunter over. I come home for lunch.
00:25:32I live like a lord.
00:25:33I have my wonderful school.
00:25:35I have my little zoo here.
00:25:36I'm very lucky.
00:25:37Do you have any theories?
00:25:39Do you mind my talking about Valerie Craven while we're all...
00:25:41Absolutely.
00:25:42Go ahead.
00:25:43I mean, we make it a policy to talk as a family.
00:25:45Right.
00:25:46I just wondered what your thoughts were.
00:25:48What happened to Valerie?
00:25:51Well, I think it's probable...
00:25:53Well, you think...
00:25:54Sorry, darling. You carry on.
00:25:56No. Sorry, darling. Carry on.
00:25:57Yes.
00:25:58Well, until we heard she'd written to her parents,
00:26:01I think we'd come to imagine, hadn't we,
00:26:04that she was probably not going to turn up.
00:26:06I think that was certainly our...
00:26:08Yes.
00:26:09But obviously...
00:26:10Obviously.
00:26:11Since the letter, what can one think other than that she's...
00:26:13She's obviously alive, thank God.
00:26:16But where, and with whom?
00:26:19What are your theories so far?
00:26:21I don't seem to have theories.
00:26:23I have questions, which I don't have the answers to.
00:26:28Sergeant Lewis is the man with all the theories.
00:26:30Isn't that right, Sergeant?
00:26:33Well, I've always thought that Valerie was alive, I must say,
00:26:37and that we'll find her.
00:26:39I think we're on a trail.
00:26:40Mind you, Sergeant Lewis has some very far-fetched ideas.
00:26:43We've had Valerie having an affair with the caretaker, Dooley,
00:26:49and you.
00:26:50Dooley! Wonderful idea.
00:26:52And you.
00:26:53Oh, that's much more plausible.
00:26:55She was terribly pretty.
00:26:57Yes, I'm rather flattered by the idea.
00:26:59Donald, you know very well that half of Homewood has a huge crush on you.
00:27:03Half is an exaggeration.
00:27:05A third at most.
00:27:07And then he moved on, didn't you, Lewis?
00:27:10Mr Ronald's come and gone.
00:27:12And who's the man that left, the French teacher?
00:27:15Mm-hm.
00:27:16Oh, Acom, David Acom.
00:27:17Oh, now, he was nice.
00:27:19In fact, it's heresy, I know,
00:27:21but given his wife, who was a crushing stodge, it has to be said,
00:27:26he could be forgiven for having...
00:27:28No, he couldn't.
00:27:29No, he couldn't, and no, he didn't.
00:27:31He was much too...
00:27:32I mean, there are some people you can imagine jumping into bed,
00:27:35and there are others for whom the imagination will not leap.
00:27:38Where is he now?
00:27:39Reading, a comprehensive huge.
00:27:41Better money?
00:27:42Considerably less, I'd imagine.
00:27:44So?
00:27:45Who knows?
00:27:47It was a Catholic school he went to,
00:27:49although I don't think he was particularly religious himself.
00:27:52Bit of a chip, politics, pressure from the wife, I don't know.
00:27:55You must realise that some people look at a school like Homewood
00:27:58and every beautiful tree, each A-level result,
00:28:01every motivated, bright, alert student is an insult to them.
00:28:04Not that it was necessarily true of Acom,
00:28:07but he was a sort of...
00:28:10Morris Minor type.
00:28:16HORN BLOWS
00:28:26Just wait, I'll go.
00:28:46Mrs Acom.
00:28:48Chief Inspector Morse, Thames Valley.
00:28:50I think my sergeant will have phoned.
00:28:53I came on the off chance of seeing your husband. Is he in?
00:28:56No, no.
00:28:57He doesn't come home for lunch?
00:28:59No.
00:29:00Well, I'm sorry I've disturbed you, and obviously...
00:29:05Do those...
00:29:07I've always wondered, do those things hurt when they come off?
00:29:11No, they don't.
00:29:14Well, there you are. Learned something, anyway.
00:29:17Thanks.
00:29:37Of course I remember her.
00:29:39Has she turned up, then?
00:29:41No, but she's been writing letters.
00:29:43Really? Recently?
00:29:45A couple of days ago.
00:29:47That's good, isn't it? At least she's alive. Great.
00:29:50As far as we can gather, you must have been one of the last people to see her.
00:29:54Was I?
00:29:56This is her French exercise book.
00:30:01Valerie, please see me after the lesson.
00:30:04And French was the last lesson.
00:30:06And is that the day she went missing?
00:30:08March the 24th.
00:30:10Oh.
00:30:12I don't know what I'm thinking of, but either of you like one?
00:30:15No, thanks.
00:30:16You're very welcome.
00:30:17Positive.
00:30:19You're quite right.
00:30:21I make terrible sandwiches.
00:30:24I can't work out whether this is pate or peanut butter.
00:30:27So what would this have been about her?
00:30:30Valerie? Let me see.
00:30:33There was an exam coming up, I seem to remember.
00:30:36I probably wanted to have a word with her about it.
00:30:40What was the...
00:30:42I don't know, actually.
00:30:44It could have been about anything.
00:30:46March.
00:30:48Is it as long ago as that?
00:30:51Amazing.
00:30:52So, didn't you enjoy teaching young ladies?
00:30:55It was all right.
00:30:57Why move, then?
00:31:00I don't know.
00:31:02I wasn't very happy there, to tell you the truth.
00:31:05I don't know.
00:31:08School. Homewood.
00:31:11It's one of those places where you feel...
00:31:13Well, I expect you've been there.
00:31:16It's one of those places where you feel the sun shines all the time.
00:31:19All day. Every day. Sun.
00:31:23And you can't help remembering all the places where it's always cloudy.
00:31:27And then you start to think that the one place is sunny
00:31:30at the expense of the other place's cloud, and vice versa.
00:31:33I'm beginning to sound like the weather reporter.
00:31:39Well, I thought Egan was a nice bloke.
00:31:42The kiss of death saying that to me, Lewis,
00:31:45makes me very suspicious.
00:31:48It goes straight to the top of my list.
00:32:01What about the forensic labs at Aldermaston?
00:32:04I've seen it.
00:32:05And?
00:32:0690% probability in favour of her having written it.
00:32:10So what's the problem?
00:32:11She can't have Mac. She's dead.
00:32:14I'm positive.
00:32:16You mean about 90% positive?
00:32:21Look, Moss, I'm a pathologist.
00:32:23I'm not a handwriting expert.
00:32:25But?
00:32:26It could be forged. I don't know.
00:32:28I could probably forge that handwriting.
00:32:31But then I'm not your average bod in the street.
00:32:34Same again?
00:32:36No.
00:32:37Bitter, please.
00:32:40What's the matter with you?
00:32:42Nothing at all.
00:32:44A girl's gone missing.
00:32:45She writes a letter to her parents. That's good, isn't it?
00:32:48Why does she cut off the top of the paper?
00:32:51Printed address.
00:32:53Dear Mum and Dad?
00:32:55Maybe she doesn't think they are dear. I don't know.
00:33:00No. You see,
00:33:02I've spent the past week around all this money,
00:33:07all these beautiful places, things,
00:33:10people who tell me how happy they are,
00:33:13that they've got everything they want.
00:33:15Everyone is very polite, smiles at me.
00:33:20And I'm not convinced.
00:33:22I don't believe it.
00:33:24That's you, though, friend, isn't it?
00:33:27That's your problem.
00:33:28Is it?
00:33:29Just because the girl is from a well-off family
00:33:31doesn't make the pain any less for the parents.
00:33:34No, but if her dad wasn't on the police committee,
00:33:36we wouldn't know anything about it, would we?
00:33:38Only a man without children could talk the way you do.
00:33:42You know, imagine you've lost your only recording of the ring cycle
00:33:47and try and think some things might hurt even worse than that.
00:33:53Yes, but I've got it on cassette as well.
00:34:00MUSIC PLAYS
00:34:20No, I'll tell you how I met my husband.
00:34:23He came over to Ireland to hunt.
00:34:26I rode to hounds in those days.
00:34:29Anyway, George is a strong man,
00:34:31and he lifted me off my horse, literally.
00:34:34Were it possible, I think he would have carried me over
00:34:36to this country there and then,
00:34:38but as it was, he had to observe a few formalities.
00:34:41I was married to someone else at the time.
00:34:44So, will you have milk?
00:34:46Please, no sugar.
00:34:49What sort of relationship did you have with Valerie?
00:34:53I am her mother.
00:34:55We are very, very close.
00:34:57So, sometimes she hated me.
00:35:00Right, but you spoke.
00:35:03Oh, yes.
00:35:05Did she tell you she was pregnant?
00:35:07No, because she wasn't.
00:35:10We have reason to believe she was.
00:35:12Well, you're quite wrong. I would have known.
00:35:16The night she disappeared, were you expecting her home, as usual?
00:35:20Of course.
00:35:21Was she often late?
00:35:23Sometimes.
00:35:24Why?
00:35:25The usual things, you know.
00:35:27Something at school, visiting friends.
00:35:29I was never her jailer.
00:35:31These friends, would they be girlfriends or boyfriends?
00:35:35Oh, both, I would think, wouldn't you?
00:35:40I'm trying to work out why you didn't contact the police
00:35:43until the following morning.
00:35:46Because my husband was away.
00:35:50Because somehow I was expecting her to walk through that door any minute.
00:35:55Because somehow I still am.
00:35:58Because I don't know.
00:36:02That's fine.
00:36:07And is Valerie...
00:36:11Is your husband Valerie's father?
00:36:16No, he isn't.
00:36:18No, he isn't.
00:36:21He's always wanted us to have children, but
00:36:25somehow over the years
00:36:27people have assumed that she's his.
00:36:30So, there's no need for him to know we've discussed this.
00:36:35I'm not saying he's an easy man,
00:36:37but he worships her.
00:36:40Yes.
00:36:41And when we got the letter,
00:36:44well, you can imagine.
00:36:48Yeah.
00:37:13That's it.
00:37:15That's it.
00:37:16That's it.
00:37:18Where are the Craven files?
00:37:20I've got them.
00:37:21Well, bring them in.
00:37:22Right.
00:37:24Did you say you'd read that diary?
00:37:26I did, yes.
00:37:27What did she say about her dad?
00:37:30I don't know, nothing I can remember.
00:37:32Well, just get it.
00:37:37It's funny looking at this.
00:37:39Makes you feel sad, doesn't it?
00:37:42What, because she's dead, you mean?
00:37:44No, sir, I don't think she is dead.
00:37:47So, you keep saying.
00:37:48She wrote a letter.
00:37:51The path lab confirmed it was her handwriting.
00:37:53Okay, she wrote a letter, she's alive,
00:37:55she's in London and quite happy where she is,
00:37:58thank you very much, fine.
00:38:01We've still got to find her.
00:38:02Why?
00:38:04So we can drag her back home,
00:38:05tell her what a naughty girl she's been?
00:38:07Yeah, if we have to.
00:38:09It is a missing persons case,
00:38:11so we find the person that's missing.
00:38:14It's no case if she wrote the letter.
00:38:17Okay.
00:38:18But the fact is, she's dead,
00:38:20it isn't missing persons, it's murder.
00:38:26Yes?
00:38:27The chief super thought you ought to see this, sir.
00:38:29Just arrived, no print.
00:38:45I hear you're trying to find me.
00:38:47I don't want you to,
00:38:48because I don't want to go back home.
00:38:50I'm very happy.
00:38:51Yours truly, Valerie Craven.
00:38:56It's me.
00:38:57I know, I'm sorry.
00:38:59It's just the police called,
00:39:01they've had another letter from Valerie.
00:39:04I know.
00:39:09She said,
00:39:10she didn't ever want to come home.
00:39:14Look, I really need to see you.
00:39:17I keep having these terrible dreams.
00:39:21I'm sorry.
00:39:24Yes, I'll go.
00:39:27Okay.
00:39:29Okay.
00:39:31Okay.
00:39:33Okay.
00:39:53You sent for me?
00:39:54Yes.
00:39:57Is something the matter?
00:39:58I don't know.
00:39:59I had a phone call from the police this morning.
00:40:01They've received a letter from Valerie.
00:40:03But they can't have.
00:40:28Thank you.
00:40:29I know it's late.
00:40:30Is it too late?
00:40:32Well, actually it is.
00:40:34Right.
00:40:35I'm not going to turn you away.
00:40:38Then I won't go.
00:40:51Here.
00:40:52Thank you.
00:40:58Is this a professional call?
00:41:00I think so, yes.
00:41:02Cheers.
00:41:03Cheers.
00:41:08So.
00:41:11I'll tell you.
00:41:13I can't think in straight lines, you see.
00:41:17So, sometimes I bash into the answers
00:41:22and sometimes I walk straight past them.
00:41:26Is that a mixed metaphor?
00:41:28Yes, probably.
00:41:32So, you see, I've had some thoughts
00:41:35and I wanted your opinion.
00:41:37Although probably what will happen,
00:41:39it'll be like that board game
00:41:41where the last person you thought had done it,
00:41:43had done it.
00:41:44Done what?
00:41:46Whatever it is.
00:41:48Well, I'm lost, but
00:41:50don't let that stop you.
00:41:52You live alone?
00:41:56Two cats?
00:41:59Anyway, I don't think that direction constitutes professional, so...
00:42:06Tell me about Mr. Philipson.
00:42:08The head.
00:42:11Very charming.
00:42:13You've met him.
00:42:15Very charming.
00:42:16Do you like him?
00:42:18Pass.
00:42:20Is he a good headmaster?
00:42:22I'm sure he is.
00:42:25I'm not writing this down.
00:42:27You don't need to.
00:42:29Isn't it the function of the deputy
00:42:31to see the problems of the head?
00:42:34Probably.
00:42:36Look, I'll tell you a story about Donald Philipson.
00:42:40Last summer at the sports day,
00:42:43we have a sports day which is quite a grand affair.
00:42:46Lots of pretty dresses and hats and homemade jam,
00:42:49but quite serious as well, you know,
00:42:51house teams, a cup.
00:42:54Anyway, at the end of it, for light relief,
00:42:57there was a race for the parents.
00:42:59Some teachers joined in, but mostly it was the dads,
00:43:02you know, pulling off their jackets and
00:43:05borrowing the wrong size plimsolls, falling over.
00:43:10Donald entered.
00:43:12He appeared in kit
00:43:15and wearing running spikes.
00:43:18He won.
00:43:21Right.
00:43:23Whenever I think about him, I
00:43:26remember the spikes.
00:43:28Yes.
00:43:31Men in their shoes.
00:43:33I'm sorry?
00:43:35Nothing.
00:43:39Yes?
00:43:46Shall I give you a moment?
00:43:49You look very nice.
00:43:51So?
00:43:53Moose.
00:43:54He came over to my house last night.
00:43:56And?
00:43:57Now he'd like to meet us together tomorrow.
00:43:59Why is that, do you think?
00:44:01I've no idea.
00:44:04Chief Inspector rather reminds me of a dog my parents once had.
00:44:08There was nowhere in the house I could go where he wouldn't find me.
00:44:11He was blind, the dog, and I don't think he was anything,
00:44:14no pedigree or anything,
00:44:15but in the end he would always blunder in.
00:44:19Do you follow?
00:44:20Oh, I think so, Headmaster.
00:44:23You're requesting that I keep my mouth shut.
00:44:26You must have a lesson.
00:44:33A headmaster having an affair with one of his own schoolgirls.
00:44:37He's not such a fool, surely?
00:44:39Who knows? He wouldn't be the first.
00:44:43So, the child,
00:44:45if she was pregnant, Valerie,
00:44:47it would have been hit?
00:44:49Yes.
00:44:51Not a very attractive picture.
00:44:53It's not a very attractive world.
00:44:56I know it's to do with power,
00:44:58the world these people live in.
00:45:00Power is what matters,
00:45:02not sex, not money.
00:45:06Of course, Valerie could just be out there somewhere this minute, couldn't she?
00:45:10Just sitting there.
00:45:12She could be, yes.
00:45:14Then the question is where?
00:45:16SW3?
00:45:18Or West 1, where the second letter was posted.
00:45:22I wouldn't bother too much about the second letter.
00:45:25In fact, I wouldn't bother about it at all.
00:45:28I wrote the second letter myself.
00:45:30£18.53.
00:45:32What?
00:45:33£18.53.
00:45:48£18.53.
00:45:50£18.53.
00:45:52£18.53.
00:45:54£18.53.
00:45:56£18.53.
00:45:58£18.53.
00:46:00£18.53.
00:46:02£18.53.
00:46:04£18.53.
00:46:06£18.53.
00:46:08£18.53.
00:46:10£18.53.
00:46:12£18.53.
00:46:14£18.53.
00:46:16£18.53.
00:46:18£18.53.
00:46:20£18.53.
00:46:22£18.53.
00:46:24£18.53.
00:46:26£18.53.
00:46:28£18.53.
00:46:30£18.53.
00:46:32£18.53.
00:46:34Oh, it's you.
00:46:36I suppose you'd better come in.
00:46:47CLICKING
00:46:50Get back in here, that's you. Get out.
00:46:53I said, get out of my house!
00:46:55Don't touch me!
00:46:57Let me go, you're hurting me!
00:46:59I said, let me go!
00:47:01No!
00:47:08No sign of Miss Banger?
00:47:10None. Do you want me to give her a ring?
00:47:12Yes, yes, I think perhaps we'd better.
00:47:14She was all right yesterday, wasn't she?
00:47:16I think so, yes.
00:47:18Yes, do. Telephone.
00:47:44CLICKING
00:47:50Whoosh, whoosh, whoosh.
00:47:53SCREAMING
00:47:55SCREAMING
00:47:57SCREAMING
00:47:59SCREAMING
00:48:01SCREAMING
00:48:03SCREAMING
00:48:05MUSIC PLAYS
00:48:14MUSIC FADES
00:48:39How long?
00:48:41Difficult to say.
00:48:43Last night?
00:48:45After eight o'clock, probably.
00:48:47And before one or two in the morning.
00:48:50Pushed?
00:48:52Can't tell.
00:48:54Not easy to fall by accident.
00:48:56I don't know.
00:48:58Lewis, did you knew her?
00:49:01Knew is an exaggeration.
00:49:04Can they move her?
00:49:06I think so. All right.
00:49:14KNOCKING
00:49:16Anything missing?
00:49:18Don't know yet.
00:49:20I'll check upstairs.
00:49:22Frank's is upstairs.
00:49:24So?
00:49:26I'm just saying.
00:49:28Did you get a statement from the cleaning lady?
00:49:31Yes.
00:49:33Well, you've got your body, sir.
00:49:37What?
00:49:39You were so keen to have a murder.
00:49:41You should be happy.
00:49:45Right.
00:49:54What's interesting is that nine times out of ten you'd survive a fall like that.
00:49:58The angle of her head.
00:50:00The nature of the surface.
00:50:03She was very unlucky.
00:50:05Poor thing.
00:50:07Pretty girl as well.
00:50:10Fine.
00:50:12I'll get a report.
00:50:14Thanks.
00:50:16What now? I thought you wanted a body.
00:50:18Oh, by the way.
00:50:20I have a bone to pick with you.
00:50:22Which is?
00:50:24What's this I hear about forged letters?
00:50:26No idea.
00:50:28Stir around, don't you?
00:50:30That's right.
00:50:40All right, Franks.
00:50:42I've had a good look, sir. I don't think there's anything in here.
00:50:46When you go downstairs, you'll find some scotch in a cupboard.
00:50:50Pour me a glass, will you?
00:50:52No, actually, put it in a mug and don't make a fuss about it.
00:50:57Sir.
00:50:59How do you know, sir, if you don't mind me asking?
00:51:01About the whiskey, I mean.
00:51:03Because I've drunk it before.
00:51:05Right.
00:51:09Thank you.
00:51:40Mummy!
00:51:42Mummy!
00:51:44Mummy!
00:51:48There you are.
00:51:50I've been shouting. I'll get a sore throat.
00:51:53George has fallen over.
00:51:55Mummy?
00:51:57It's all right, darling.
00:51:59Come in, sweetie.
00:52:09Come in.
00:52:24Some coffee?
00:52:26Mm.
00:52:30There's nothing down there.
00:52:33So what's next?
00:52:36I don't know.
00:52:39She collected first edition, some very nice ones.
00:52:45A Lawrence, Houseman, The Wasteland.
00:52:49Valuable.
00:52:54I expect, sir.
00:52:56No, I meant in the sense of it being possibly an aggravated burglary.
00:53:00It wasn't an aggravated burglary.
00:53:03She sent the first letter.
00:53:06Who? Miss Baint?
00:53:09Dear Julia.
00:53:11That's why she cut the top off.
00:53:14She sent the Cravens a letter that Valerie had written to someone else.
00:53:20P.S.
00:53:21Love to Bains.
00:53:23I don't follow. Who's Julia?
00:53:26We met a Julia at Valerie's class.
00:53:29And she was killed for this, you think?
00:53:32No idea.
00:53:35Perhaps she was going to tell us something.
00:53:37Although I gave her an opportunity, she didn't take it.
00:53:41I've no idea.
00:53:44Sir, I'm, er...
00:53:46I'm sorry about what I said earlier.
00:53:49About you wanting it.
00:53:51It was out of order.
00:53:54No.
00:53:56No, it wasn't.
00:54:00Come on, let's go and find who did it.
00:54:05Sir, it's the chief superintendent.
00:54:07Here?
00:54:08Sir.
00:54:10Terrific.
00:54:19Morse.
00:54:20Sergeant.
00:54:21Sir.
00:54:22Sir.
00:54:24Well?
00:54:26The deputy head at Homewood School.
00:54:29I know that.
00:54:31And?
00:54:33It looks as if somebody pushed her downstairs last night.
00:54:40Go and make yourself a coffee, Lewis.
00:54:45Sir.
00:54:57You can be a pret, can't you?
00:55:00I expect so.
00:55:04What's this about forging a letter?
00:55:07I forged a letter from the Craven girl.
00:55:10Brilliant.
00:55:13I was trying to make something happen.
00:55:15Well, something has happened.
00:55:18That's right.
00:55:20And what about the girl, anything?
00:55:25I say to you, don't bother the Craven family.
00:55:29The first thing you do is bother the Craven family.
00:55:32You sit in Oxford, forging letters and boozing,
00:55:36when the girl was last seen in London.
00:55:39You enter a flat without a warrant.
00:55:43And now the deputy head of the school has been bumped off.
00:55:47It's all a bit of a shambles, Morse, really, isn't it?
00:55:53Do you know who did this?
00:55:55No.
00:55:57No.
00:56:00Don't let me hear any more dirt on you, mate.
00:56:03Do I have to ask you to report to my desk every morning
00:56:06and breathe into my face?
00:56:08No, sir.
00:56:10Find the girl, find who did this, and don't prat about.
00:56:16Who told you about the letter?
00:56:19Look, I'm the chief super.
00:56:21If somebody asks for a whisky and a coffee mug,
00:56:24I know about it before he's even drunk it.
00:56:28That's my job.
00:56:30You do yours.
00:56:40Come on. We're out everywhere.
00:56:46I have absolutely no idea.
00:56:48Where were you, sir, yesterday evening?
00:56:50At the theatre, as it happens.
00:56:52Your wife with you?
00:56:54No, she wasn't keen. She babysat.
00:56:56What happens if you both go out?
00:56:58It depends. We might get one of the sixth form boarders.
00:57:01Sheila's mother lives nearby. She'll sometimes come over.
00:57:04It depends. No pattern.
00:57:06Am I a suspect?
00:57:08Yes.
00:57:10I see. Can I ask why?
00:57:12I've put this to you before. Now I want a proper answer.
00:57:15Were you having an affair with Valerie Craven?
00:57:17No.
00:57:19Have I ever had an affair with any of my pupils? No.
00:57:22With any of my colleagues? No.
00:57:24What time did the play finish?
00:57:26It was very long and not marvellous.
00:57:29I listened to the 11 o'clock news driving home.
00:57:31Did you pass Miss Bain's house on your journey?
00:57:34No.
00:57:36I have a staff meeting.
00:57:38My deputy head has just died.
00:57:40You've obviously learned to take murder in your stride.
00:57:42I haven't. Will there be anything else?
00:57:44Just a few details for Sergeant Lewis about your night out,
00:57:47and then we'll start nagging away at the theatre and the vicinity
00:57:51from where you parked your car
00:57:53till we are satisfied you were where you say you were.
00:57:56KNOCK AT DOOR
00:57:58Come in.
00:58:00I'm very sorry, Mr Phillipson, but I've got Julia Rosley outside.
00:58:03She says she must speak to Inspector Morse.
00:58:05Thank you, Pauline. Inspector, is there somewhere I can see her?
00:58:08Well, there's... Well, obviously there's Cheryl's room,
00:58:11or you could use Pauline.
00:58:13Miss Bain's room will be fine.
00:58:15Would you look after her and tell the staff I'll be a little delayed?
00:58:19Yes, sir.
00:58:21I'll leave it to you, Lewis.
00:58:23Mr Phillipson.
00:58:25Inspector.
00:58:27The play was terrible.
00:58:29I didn't stay.
00:58:33And?
00:58:35I met someone.
00:58:37Who?
00:58:39I can't say.
00:58:41I think you're going to have to.
00:58:43Oh.
00:58:45I was telling the truth
00:58:47when I said I wasn't having an affair with Valerie Craven.
00:58:50What I didn't say was that I was having an affair with her mother.
00:59:01She doesn't want to go in there.
00:59:03That's all right. There'll be water in there.
00:59:08Julia.
00:59:11Let's go for a walk, shall we?
00:59:23Miss Bain's was a very special person, wasn't she?
00:59:27Yes.
00:59:29Look, I'm very happy to talk about this another day.
00:59:33I loved her.
00:59:35Right. It was mutual. Yes.
00:59:37Although she couldn't express it, of course, because of her position.
00:59:40And could you?
00:59:42I'm not saying it, no.
00:59:44But I know she knew, and she knew I knew.
00:59:47And Valerie? Was Valerie special to her as well?
00:59:51Sort of. Yes.
00:59:53But you know Valerie, she's very...
00:59:55Well, she loves people being captivated.
00:59:58Right.
01:00:00Where is she now?
01:00:02I don't know.
01:00:03And what about when she wrote?
01:00:05He asked Miss Bainstone to see the envelope, but I'd thrown it away.
01:00:08Twit.
01:00:10Why do you think Miss Bain sent the letter to Valerie's mother?
01:00:14I don't know.
01:00:16She said it was, like, really important for Mrs Craven to know.
01:00:19She was very annoyed with Valerie
01:00:21for not saying where she'd gone to or who with,
01:00:23and I think she thought it wasn't fair on her mum.
01:00:28Good.
01:00:30This is the worst day of my life.
01:00:32It must be.
01:00:34She was such a fantastic person, so fantastic.
01:00:37Because you could tell her anything, she just understood.
01:00:40She understood everything.
01:00:42She was so beautiful.
01:00:44She'd never decorate herself for a man or anything,
01:00:47only for her own pleasure.
01:00:49I'm sorry.
01:00:51She showed me things.
01:00:53I went to her house and everything, she showed me books.
01:00:56She told me I must look, look, look.
01:01:04Look.
01:01:20Look, Moss.
01:01:22Look, look, look.
01:01:34Look.
01:01:52You will forgive me if I do this?
01:01:55Oh, no, carry on.
01:01:58You've changed your hair.
01:02:00Yes, this is my own colour, you know.
01:02:03The blonde was a phase.
01:02:05I'll have to see if I can be loved for myself alone
01:02:08and not for my yellow hair.
01:02:10Oh, that's Yeats, Inspector.
01:02:12Only God, my dear, could love you for yourself alone
01:02:15and not for your yellow hair.
01:02:17Yes.
01:02:19I don't think anyone else has noticed.
01:02:22Donald Philipson?
01:02:24No.
01:02:26No.
01:02:29Has it been your friendship,
01:02:32the details aren't my business,
01:02:34but is it a recent thing or...?
01:02:37Through all the yellow hair phase.
01:02:39Is there a connection?
01:02:41Oh, I would think so, wouldn't you?
01:02:43Does your husband...?
01:02:45No. No.
01:02:47Where were you last Tuesday evening?
01:02:50I think you already know that.
01:02:52If you wouldn't mind telling me.
01:02:54Donald went to a play, he telephoned me.
01:02:56Donald went to a play, he telephoned me
01:02:58and he wanted to meet.
01:03:00And did you?
01:03:03We meet at Homewood,
01:03:05in the changing rooms.
01:03:07There are changing rooms beside the swimming pools,
01:03:09that's where we go.
01:03:11They're painted a sort of green colour,
01:03:13the wood, and it peels.
01:03:15Inside, I mean.
01:03:17The floor's concrete.
01:03:19We've been very organised.
01:03:21I have a duvet in the back of my car,
01:03:24and Donald has a cushion in his.
01:03:26Normally, his son sits on it.
01:03:30You can smell orange juice, you know.
01:03:33Iced lollies.
01:03:35Always with my head in it,
01:03:37I'm reminded of his children.
01:03:40And you were there on Tuesday evening?
01:03:44Yes.
01:03:49What...?
01:03:51Where was your husband
01:03:53while all this was going on?
01:03:55My husband is on committees.
01:03:57He's a great man for running things.
01:04:00He thinks I go out to learn
01:04:02how the Japanese arrange their flowers.
01:04:04Instead, I've learned how the English
01:04:06arrange their marriages.
01:04:08Aren't these lovely?
01:04:10Very.
01:04:12I love my garden.
01:04:16Did Valerie ever realise
01:04:18there was something between you?
01:04:20I don't think it had started
01:04:22before she left.
01:04:24So, in fact, it's been within the last few months?
01:04:26I should think so, then.
01:04:28I don't know.
01:04:30Perhaps your hairdresser will remember.
01:04:32I don't know.
01:04:34You realise you may have to testify
01:04:36on Donald Phillipson's behalf?
01:04:42Is that definite, then?
01:04:44No, and I hope you won't need to.
01:04:47That you won't have to.
01:04:49Thank you.
01:04:51Smell.
01:04:58I'll show you out.
01:05:00No, no, no. It's straight through, isn't it?
01:05:02Yes, that's right.
01:05:05Bye.
01:05:07Goodbye.
01:05:19Bye.
01:05:49Boss!
01:05:55What do you think you're doing?
01:05:57Do you know the damage you've done?
01:05:59All night, you were sobbing.
01:06:01Just lay there, awake, sobbing.
01:06:03Do you realise what you said?
01:06:05That our daughter didn't want to come home.
01:06:08Will you think about it?
01:06:11I don't know.
01:06:13I don't know.
01:06:15I don't know.
01:06:17Think about it.
01:06:19You just think.
01:06:21I only hope that you're here to apologise.
01:06:23And don't imagine for one minute I'm going to leave it here.
01:06:26I'm asking questions about you, Moss.
01:06:29Wherever I go, I ask questions.
01:06:31I'd like to ask you a question, Mr Craven.
01:06:34Where were you between 8 o'clock and midnight on Tuesday evening?
01:06:48I'm just going to speak to the Baines neighbour.
01:06:51Do you want to come?
01:06:53No, I want to catch Sheila Philipson.
01:06:55OK. How is Mrs Craven?
01:06:57She's had her hair dyed.
01:06:59She backs up Philipson.
01:07:01Says they were doing things to each other at the swimming pool.
01:07:04Well, guess what?
01:07:06According to his wife, David Aitken got home very late on Tuesday night.
01:07:09He was at a meeting in Oxford.
01:07:11George Craven was at the Masonic Lodge,
01:07:13ten minutes walk from Cheryl Baines.
01:07:15Witnesses as long as your arm.
01:07:18And the Masonic arm, as we know, is very long.
01:07:22HORN HONKS
01:07:24McGuire?
01:07:26At his mum's. Checked it out.
01:07:28Hard to imagine him having one.
01:07:30OK. See you later.
01:07:42No!
01:07:45PIANO MUSIC
01:07:54No.
01:07:56No. No!
01:08:02No!
01:08:09He's too tall, see? That's another problem.
01:08:14He was more the size of that other one.
01:08:18Oh, yeah, that's a woman police constable.
01:08:20She'd be a lot shorter than any of our men constables.
01:08:24Now, are you quite sure in your mind now that it was a man you saw?
01:08:28I told you.
01:08:32I'm worried about her cats.
01:08:35She loved those cats.
01:08:38Doted on them.
01:08:40Who's going to look after those poor things?
01:08:44Yes, could we try it now, please?
01:08:53Well, that's right.
01:08:55Bingo. Bingo!
01:08:57That's him, all right.
01:08:59Right coat, right size, right colour.
01:09:01Well done, Martha.
01:09:03Of course, I can't be definite. It was in the night-time.
01:09:06But...yes, that's him.
01:09:09That was a policewoman, Martha.
01:09:11And I think it was a woman you saw entering the premises on the night of the attack.
01:09:42Mrs Phillipson?
01:09:44Oh, I'm sorry. I startled you.
01:09:46No, I was miles away. Sorry.
01:09:48Inspector Moore, sorry.
01:09:54Thomas of Annerby?
01:09:56Yes, I'm doing him. He's my chap.
01:09:59I'm writing a little book about Annerby, which is...
01:10:02Well done.
01:10:04Well done.
01:10:06Yes, I'm doing him. He's my chap.
01:10:08I'm writing a little book about Annerby, which is where I was brought up.
01:10:11It's a village in Yorkshire, and Tom's my protagonist.
01:10:16Thirteen-something to thirteen-something.
01:10:19Seventy-two, probably.
01:10:23Have you come to see me?
01:10:25Yes.
01:10:27Would it be better if we went outside?
01:10:29No, no. Here's fine.
01:10:32So...
01:10:35You see, a girl has gone missing and a woman has died.
01:10:41And the connection is your husband's school.
01:10:44But a school can't be guilty of a crime, can it?
01:10:48At least not directly.
01:10:51So I'm trying to find the relationship between these two events.
01:10:56And I just thought I'd speak to you.
01:11:00I see.
01:11:03Research, detection.
01:11:07Similar trades, really.
01:11:10The old dirt, the relatively recent dirt.
01:11:16I know about my husband and Grace Craven, Inspector,
01:11:20if that is what you are trying to say.
01:11:22Well, I wasn't, but I'm...
01:11:27Right.
01:11:29Right.
01:11:33He told me yesterday evening.
01:11:37He'd brought me flowers, which is always an ominous sign.
01:11:42Presence and guilt. Someone should research that, Inspector.
01:11:46So...
01:11:48I knew anyway, but he told me yesterday.
01:11:52So it didn't come as a shock to you?
01:11:54No.
01:11:56No. Cheryl Baines was a shock, but Grace Craven...
01:12:03Look, when I met my husband, I was the most...
01:12:06Start again. When I say I was brought up in Andleby,
01:12:09actually, I'm a descendant. It's my family.
01:12:12When I met Donald, I think that was the most important thing about me
01:12:15as far as he was concerned.
01:12:18He wasn't bedding me. He was bedding a couple of hundred acres.
01:12:23I'm not saying he didn't love me or doesn't still love me.
01:12:28That's him. He has a great many qualities,
01:12:31but there are certain things that he finds quite sexy.
01:12:38George Craven is a very powerful man.
01:12:40I expect it was quite thrilling for Donald to get into his bed, that's all.
01:12:46I'm sorry.
01:12:48No.
01:12:50No, what's worse, to discover your husband's having an affair
01:12:53or that he's killed somebody?
01:12:55Let's go for the little stab, shall we,
01:12:58rather than the shove down the stairs.
01:13:00Why one or the other?
01:13:02Well, Donald also told me that you had him down as chief suspect.
01:13:05Is that right?
01:13:20I don't know.
01:13:50Sir!
01:14:21So, what time did you go to Miss Baines's house?
01:14:27About...
01:14:30nine o'clock. I'm not absolutely sure of the time.
01:14:34And if I was seen going in by this neighbour,
01:14:36then I assume you know what time, anyway.
01:14:42Anyway, Donald had the car, so I cycled.
01:14:46There was a light from the upstairs window,
01:14:48but when I got to the front door,
01:14:50I noticed it was already open,
01:14:52so I went in.
01:14:59I'm sorry.
01:15:01I'm sorry.
01:15:03I'm sorry.
01:15:05I'm sorry.
01:15:07I'm sorry.
01:15:09I'm sorry.
01:15:11I'm sorry.
01:15:14She was just lying there.
01:15:20Why did you go?
01:15:22I don't know, really.
01:15:26I wanted to confront her, I suppose.
01:15:28About?
01:15:30Donald.
01:15:32I thought she was blackmailing him.
01:15:34I don't mean money. I mean...
01:15:37There was obviously something going on.
01:15:40She hadn't always been deputy head, for instance.
01:15:42That was Donald's doing, and utterly uncharacteristic.
01:15:46Why do you say that?
01:15:49Cheryl Baines didn't go in for men, Inspector.
01:15:54With the Donalds of this world,
01:15:56women like that don't fare very well.
01:15:58But then suddenly, a few months ago,
01:16:00he makes her deputy head, and all sorts of other things,
01:16:03deferring to her on matters where he had very strong opinions.
01:16:07I don't know. I wanted to know what was going on.
01:16:12I had some thoughts, of course.
01:16:14Which were?
01:16:18I had a terrible fear that he was having an affair with Valerie Craven.
01:16:23Which is why you were relieved when he told you it was her mother.
01:16:26Yes, I suppose, yes.
01:16:28Probably.
01:16:32Relieved, I don't know.
01:16:34I know what it looks like, Inspector,
01:16:36but I didn't kill Miss Baines.
01:16:39I have no lover to vouch for me, but I didn't kill her.
01:16:42I turned and fled.
01:16:43Straight home?
01:16:44Yes.
01:16:46And you didn't see anyone else?
01:16:48Nothing that struck you as odd?
01:16:50No, I just cycled home.
01:16:52I don't know. I was...
01:16:56Well, of course, that was strange.
01:16:59Well, of course, that was strange.
01:17:01What was?
01:17:03Well, I was coming round the corner by the pub,
01:17:08and I noticed a man sitting in a car.
01:17:13And it was David Acom.
01:17:29David Acom.
01:17:42Don't throw that, that's not...
01:17:46Homework in English, that goes for everybody.
01:17:49Stephen, that goes for everybody.
01:18:00Inspector.
01:18:02Got a minute?
01:18:04A minute?
01:18:06Yeah, sure, but I'm on my way to another lesson.
01:18:08You'll have to walk with me, if that's OK.
01:18:10You know about Cheryl Baines?
01:18:14Yes, I saw it on the news.
01:18:17Terrible. It's incredible.
01:18:19I saw it on the news last night.
01:18:21We're treating her death as murder.
01:18:23You're joking.
01:18:25No joke.
01:18:26I can't believe it.
01:18:29Where were you on Tuesday evening?
01:18:32I was in Oxford.
01:18:34Well, you know that, you rang my home.
01:18:38I'm going to have to ask you to come to the station with me.
01:18:41But I can't, I'm teaching, I said.
01:18:43I can't just walk out of the school.
01:18:45Why can't you answer me these questions here, now?
01:18:48You know...
01:18:49Wait outside, you lot, come on!
01:18:52But why do I have to come down to the station all of a sudden?
01:18:55God!
01:18:56Because, Mr Aitken, we have a list of suspects.
01:18:59And you're at the top of it.
01:19:07Oh, Mr Maguire.
01:19:09Sergeant Lewis.
01:19:10Now what?
01:19:12Come on, now what have I done?
01:19:14Now what have I done?
01:19:16Now what have I done?
01:19:19Come on, now what have I done?
01:19:21I thought you'd just have a brief word.
01:19:23No, no way, I want a lawyer.
01:19:26Why is that, now, sir?
01:19:28Because you're on my case, you bastards, from morning till...
01:19:30Because I've got to turn round and find half a tonne of dope under my bed,
01:19:33and how did that get there, Mr Maguire?
01:19:35Oh, no.
01:19:36No, no, no, no.
01:19:37I was just wondering,
01:19:39in what way are you related to Valerie Craven?
01:19:42Say again?
01:19:44Would you rather talk upstairs?
01:19:46No.
01:19:48I'd rather get on with my life, you know.
01:19:50I've got clients waiting.
01:19:52And I'm going to get a ticket in a minute, unless I move my motor, so come on.
01:19:55What's all this garbage about Valerie Craven?
01:19:58Well, I've got a form in the car.
01:20:02And it's from a private hospital, as it happens, just around the corner.
01:20:07And it's for Valerie's termination.
01:20:10And on the form, as an ex of kin,
01:20:12she puts a Mr John Maguire of this address.
01:20:16So I'm assuming she meant you.
01:20:19Are you married?
01:20:21Stupid bitch, the stupid...
01:20:46Hello.
01:20:48I'm sorry, but we have...
01:20:52I had to come.
01:20:54We do need to speak.
01:20:58I'm sorry, can I come inside?
01:21:16Sit.
01:21:18Lewis, what's yours?
01:21:20No, I'm fine.
01:21:25So tell me.
01:21:27And don't look at me like that, Lewis.
01:21:29I'm thinking, and when I'm thinking, I get thirsty, so just...
01:21:32Right.
01:21:34Maguire.
01:21:36Oh, Mr Maguire.
01:21:39Actually, I think we'll just have a half.
01:21:41Half, please. Bit more.
01:21:43I think good for that.
01:21:45No, Maguire, very rat lot.
01:21:47Good.
01:21:49He did help Valerie, arranged for her to go to the clinic, lend her some money.
01:21:52So, yes, she was pregnant.
01:21:55And yes, she did stop with him for a couple of nights afterwards.
01:21:58But no, he wasn't the father, and no, she didn't tell him who was.
01:22:02Cheers.
01:22:04Said he hasn't seen or heard of her since.
01:22:06Well, he would, wouldn't he?
01:22:08Why did he lend her the money? He's not the charitable type, is he?
01:22:11No.
01:22:13I think, and I'm guessing here, but I got out my diary,
01:22:16and by my reckoning, she wouldn't quite have been 16
01:22:19when she and Maguire were...
01:22:22You know.
01:22:24Were, er...
01:22:26You know.
01:22:28You're such a prude, Lewis.
01:22:30Anyway, that's my guess.
01:22:32Mm.
01:22:34And why, if Maguire isn't the father,
01:22:37despite the, erm, you know...
01:22:40Why didn't the real father help her organise all this?
01:22:43Maguire didn't know, he says.
01:22:45But apparently, and this is Maguire's guess,
01:22:49he was under the impression that she thought
01:22:52that the real father wouldn't be too keen on her having a...
01:22:56That was his impression.
01:23:00When it comes to biology, it's a foreign language to you, isn't it?
01:23:04Anyway...
01:23:07Lewis, are you a Catholic?
01:23:09No, sir.
01:23:11Just the usual, you know.
01:23:13Ah, the usual.
01:23:15Right.
01:23:17Hey, but what about Aitken?
01:23:19Oh, I don't know.
01:23:22Catholic, you mean?
01:23:24No, sir, I meant, what's happening? Did you see him?
01:23:28Yes, oh, yes. Yes, I've got him down at the station.
01:23:31And?
01:23:33Can't imagine Aitken killing anybody, can you?
01:23:36I don't know.
01:23:38There's something not right, then.
01:23:42What do you know about St John Baptist de La Salle?
01:23:46Oh...
01:23:48Doesn't matter. Come on.
01:23:50Come on.
01:24:06You see, I think it might well have been an accident,
01:24:09or perhaps not so much an accident as a tussle.
01:24:13Do you know what I mean?
01:24:15A tussle at the top of the stairs.
01:24:18Struggle.
01:24:20An argument about something.
01:24:23An outburst.
01:24:25Temper.
01:24:27And then, without meaning to, without premeditation,
01:24:31the man, or the woman, whoever it was,
01:24:36suddenly has a dead body at the bottom of the stairs.
01:24:42Yes.
01:24:45Maybe I...
01:24:47I don't know.
01:24:50Maybe.
01:24:53Oh, God.
01:24:56Yes. You come to Oxford for the evening,
01:24:59for the first time, you say, since you stopped teaching at Homewood.
01:25:03Although why you stopped, we don't know.
01:25:06It's a nice posh school.
01:25:08Good money.
01:25:10Principals, you said to me, wasn't it?
01:25:13On principle.
01:25:17Yes, and then, one night,
01:25:21you come here,
01:25:23and the next thing we know,
01:25:25the teacher from the school is dead.
01:25:29And who is seen around the corner?
01:25:33You, David.
01:25:36So, tell us.
01:25:42I don't know.
01:25:47I don't know what to say.
01:25:50Well, you have a think, eh?
01:25:54Why don't you have just a little think on your own, OK?
01:25:58OK.
01:26:00Thanks.
01:26:03HE SIGHS
01:26:16So it was, Agham. Had me money on anyone except him.
01:26:20You might still be right.
01:26:22No, sir, I think you got it.
01:26:24About the pushing and shoving at the top of the stairs.
01:26:26A bit sad, really.
01:26:28Got a motive, have you, Lewis?
01:26:31Not really.
01:26:33Except I wondered whether there was anything between them.
01:26:36Some romantic thing?
01:26:38Possible?
01:26:40Then a falling out?
01:26:42I don't know.
01:26:44I'm driving Agham back to Reading. Do you want to come?
01:26:48Why's that?
01:26:50Catholics, Lewis.
01:26:53Catholics and faces.
01:26:56Who's that, would you say?
01:26:58Well, I don't know, sir.
01:27:00Why not?
01:27:02Well, I can't see her face now.
01:27:04Exactly.
01:27:06Exactly.
01:27:21Right.
01:27:24DOOR OPENS
01:27:28I'm very uncomfortable about being here, Grace.
01:27:31I hope it's... You hope it's what?
01:27:33I don't want you to tell me you've had a dream or whatever it was last time, I don't know.
01:27:37Obviously, at the moment, I'm just saying, you're not the only one who feels haunted.
01:27:41Ah, now, the last time we spoke on Wednesday morning, I think the need was all yours.
01:27:46OK. And at some point, I seem to remember, any time, any place was fine.
01:27:50Grace, please don't ask me to keep saying thank you. It wears me down. Please?
01:27:55OK.
01:27:57And I've got half an hour at the very most. I haven't even got that.
01:28:00I really wish we could have arranged a better... Anyway.
01:28:03Anyway.
01:28:09Hello, Donald.
01:28:12I'm happy you're catching a train.
01:28:14No, no, I brought you here. I'll take you home.
01:28:16But I'd prefer it, really.
01:28:18Guys, there are things we need to talk about with your wife.
01:28:23I don't know which of you instigated this, but I have to say, it can only be hurtful, can't it?
01:28:27It can only possibly be hurtful.
01:28:29Did you know that Grace and I have never had a conversation by ourselves before?
01:28:33Just the two of us. Really?
01:28:35Yes. What I've realised, because I don't think either of us is particularly stupid,
01:28:41although maybe we are, is how plausible you are. So very plausible.
01:28:46Is this going to lead somewhere, or are we just doing character assassination?
01:28:50In which case, I wonder if I might have a drink.
01:28:53You can have a drink. Thank you.
01:28:59Well. Well?
01:29:10I don't want to defend myself, but the woman is unbalanced.
01:29:14You've said this yourself.
01:29:16I'm not excusing myself. I haven't helped.
01:29:19I'm probably partly to blame for the girl going off, whatever.
01:29:22I'm just saying, the desire for revenge, for striking out, that's all.
01:29:28I've told you everything, Sheila.
01:29:31And I'm not proud.
01:29:33But I believe in our marriage.
01:29:37In our children.
01:29:40What has she said?
01:29:42The woman is unbalanced.
01:29:45Half the stuff she thinks has happened, she's actually dreamed. You realise that, don't you?
01:29:51Do you know what I did this morning?
01:29:54I bought you some perfume.
01:29:57I want you to come home and start again.
01:30:01As Sheila told you, my husband just called to tell me
01:30:05that David Acom is being detained by the police
01:30:07in connection with the murder of Cheryl Baines.
01:30:10Really? David Acom? I don't believe it.
01:30:14Well, that's what George told me, just now.
01:30:17How extraordinary. What possible reason could he have?
01:30:23Cheers.
01:30:30Cheers.
01:30:42Er...
01:30:44Can I just go on ahead?
01:30:46It's just my wife. I'd rather not...
01:30:49I don't want to confront her with two policemen without giving her some sort of...
01:30:52Fine, fine. Give us a shout as soon as you're ready.
01:30:55Thanks.
01:31:01He's not going to do a bunk, is he?
01:31:03Acom? No.
01:31:07You know what's happened, don't you?
01:31:10Yes, I think so.
01:31:12I think so.
01:31:14I think I probably do.
01:31:17I'm sorry, I can't find her. I think she must have gone out somewhere.
01:31:21Do you want to wait, or would you rather come back some other time?
01:31:25It's up to you, although, as I say, she could be...
01:31:27That's fine, we'll wait.
01:31:29OK, well, er...
01:31:31Come in.
01:31:41I'm sorry about the...
01:31:46Shall I make you a cup of tea or something?
01:31:48No, I don't think so.
01:31:56Sit down, please.
01:31:58Thanks.
01:32:08It's a bit ridiculous, though, isn't it?
01:32:11She could be ours.
01:32:13I don't know if she could be really late.
01:32:16Valerie!
01:32:18What?
01:32:20Valerie!
01:32:22She might as well come down.
01:32:24Sir?
01:32:26Valerie Craven!
01:32:28I know you're up there.
01:32:31Oh, God.
01:32:45Hello, Valerie.
01:32:48Well!
01:32:50After all that, it was Dee Acom.
01:32:53Which is good, because now you can tell Sheila what really happened on Tuesday evening.
01:32:57In what sense now?
01:32:59Well, she thinks we were together.
01:33:01And we were, Grace. I wish we weren't, but I can't see the point in denying it.
01:33:05I've told my wife everything.
01:33:07Donald, I have already explained to Sheila that I haven't seen you for months.
01:33:12That I tried to. That I tried very hard to.
01:33:16That I was beguiled.
01:33:18That I lost my daughter because of you.
01:33:20I've explained that.
01:33:22What can I say, Sheila?
01:33:28Sheila, he's lying.
01:33:30Why? What possible reason could I have for lying?
01:33:32I'm admitting to my wife I spent the evening with another woman.
01:33:40He's here.
01:33:43His car.
01:33:45Valerie!
01:33:47Leave her.
01:33:49Why do I need an alibi if the police have arrested David Acom?
01:33:52No. No more duplicity.
01:33:54I did something very wrong. I've done wrong.
01:33:57I've had to pay for it.
01:33:59I imagine I may have to leave home.
01:34:01Although I'm hoping you'll be generous enough not to push your husband into that.
01:34:04Because more than anything, I love my school.
01:34:07Now, I know you're very sensitive to your dreams.
01:34:11Tom. Valerie.
01:34:13Oh, my God. I thought you were dead.
01:34:15I'm back. I'm back now. I'm sorry.
01:34:17I'm so sorry.
01:34:19I think we should go, darling. This is a family time.
01:34:23Inspector, you brought Valerie?
01:34:25Yes.
01:34:26That's marvellous.
01:34:27Yes. Where did you find her?
01:34:29She's been in Reading, haven't you, Valerie?
01:34:31In Reading?
01:34:32Yes.
01:34:33She's been in Reading?
01:34:34Yes.
01:34:35She's been in Reading?
01:34:37Yes.
01:34:38She's been in Reading, haven't you, Valerie?
01:34:40In Reading. Have you?
01:34:44Oh, God, I can't believe you're back.
01:34:46Sheila, we really should...
01:34:48Yes?
01:34:49If you don't mind, I think I'd like you to stay for a few moments.
01:34:52Why's that?
01:34:53I think you know why, Mr. Philipson.
01:34:55Well, I'm sorry to disappoint you, but I haven't the faintest idea.
01:34:58I want you to tell me again where you were between 8 and midnight on Tuesday evening.
01:35:03Well, this is going to be impossible, because as it happens,
01:35:06I've just been discussing this with my wife and Mrs. Craven,
01:35:09and naturally, now that Valerie has come back,
01:35:12her mother is going to find it even more difficult to hang on to the truth of the situation.
01:35:17I was lying, Inspector.
01:35:19He wasn't with me.
01:35:21You see?
01:35:24The fact of the matter is that six months ago or so,
01:35:27Valerie came home early from school with a headache or some such problem,
01:35:31stomachache, whatever you choose to call it,
01:35:33and unfortunately discovered her mother and me together upstairs,
01:35:37and it was very painful, and...
01:35:41Well, the point is now, naturally, naturally, there are going to be denials.
01:35:46You weren't with Mum.
01:35:48You were at Miss Baines's house the night she was killed.
01:35:51No.
01:35:52I know you were, because I saw you there.
01:35:55I was there.
01:35:57I went to see Baines.
01:35:59I needed to talk to somebody about what was happening to me.
01:36:04I was getting homesick,
01:36:06and you know she told me to come home.
01:36:10I was leaving the house.
01:36:12I'd left the house,
01:36:15and I saw his car drop,
01:36:21and he went in.
01:36:24That's why David couldn't say anything.
01:36:27I was there.
01:36:28He would have had to have told you about me.
01:36:30These are women who are distressed.
01:36:32You'll know this.
01:36:33I run a school full of them.
01:36:34Their emotions constantly get the better of them.
01:36:37Tomorrow there'll be different stories.
01:36:38There's no logic.
01:36:39There's no logic.
01:36:41So Mrs Craven says you weren't with her,
01:36:44and Valerie says she saw you at the Baines house.
01:36:46I did.
01:36:47I thought you'd got your murderer.
01:36:49It's Acom, isn't it?
01:36:50David didn't kill Baines.
01:36:52David?
01:36:53Of course.
01:36:54Reading.
01:36:55She's gone off with D. Acom.
01:36:58Is that who you were with?
01:37:00Oh, God.
01:37:02Yes, I'm sorry.
01:37:04I should have come and talked to you,
01:37:05but I couldn't.
01:37:06I couldn't talk to you.
01:37:07Now I understand.
01:37:08We've got one of them lying to protect her own reputation
01:37:12and to stop her husband beating her up or something,
01:37:14and the daughter is lying to protect the boyfriend.
01:37:17Now I understand.
01:37:18Shut up. Shut up.
01:37:20Just stop for one second.
01:37:22Just stop lying.
01:37:25Please, Donald.
01:37:26Please stop lying, will you?
01:37:28It's so...
01:37:35Just stop, okay?
01:37:37Okay.
01:37:38Okay.
01:37:40Okay.
01:37:41Let's go, shall we?
01:37:43Certainly.
01:37:45I didn't actually push her, as it happens.
01:37:48Not that I expect anyone to believe me.
01:37:51There was a struggle, and she...
01:37:53It was actually very simple.
01:37:54She wanted me out, and I wanted her out.
01:37:57It's the school.
01:37:59It's very precious.
01:38:00She wanted it, and I had it.
01:38:03And it was true, what I said.
01:38:06It was nothing.
01:38:08It was...
01:38:09I don't know what it was.
01:38:12Not love, certainly.
01:38:15And then Valerie walks in and finds us in bed,
01:38:18tells Baines.
01:38:20Suddenly, at every corner, every decision,
01:38:25she's got her hand on the telephone to call George Craven.
01:38:28That's intolerable, isn't it?
01:38:30Let me tell you, it is intolerable.
01:38:32It was blackmail.
01:38:34Just because she didn't ask for money.
01:38:37It was my school.
01:38:40You see?
01:38:45You can come with your husband, Mrs. Philipson,
01:38:47or we can arrange for a car.
01:38:49Thank you. I have to pick up the children from school.
01:38:52Sir.
01:38:54We'll need to talk to you both, but not just yet.
01:38:58Thank you for finding my daughter.
01:39:01I'm sorry it took so long.
01:39:06Are you sure you're all right?
01:39:08Oh, yes. Quite all right. Thank you.
01:39:19Thank you.
01:39:50They don't know, do they?
01:39:52Acom, the Cravens.
01:39:54They don't know about Valerie, do they?
01:39:56No.
01:39:58That's why she went to Maguire.
01:40:01Her mother, Acom, both Catholics.
01:40:04She had to go somewhere, so she went to Maguire.
01:40:09Are we going to tell them?
01:40:11No.
01:40:13Nothing to do with us.
01:40:15No.
01:40:17Nothing to do with us.
01:40:19It was a missing persons case.
01:40:22We found her.
01:42:15Thank you.
01:42:45© BF-WATCH TV 2021
01:43:15© BF-WATCH TV 2021