Winter Evening in Gagra Full Movie Musical HD
Winter Evening in Gagra Full Movie Musical HD
Category
🎥
Short filmTranscript
00:00:00The film was shot in the Soviet Union.
00:00:04It was shot in the Soviet Union.
00:00:08It was shot in the Soviet Union.
00:00:12It was shot in the Soviet Union.
00:00:18Attention! Get ready for shooting.
00:00:22Quiet!
00:00:26Camera ready.
00:00:30Camera.
00:00:34Stop! The camera didn't start.
00:00:40Lower the camera.
00:00:44What do you have here?
00:00:48Actors, 5 minutes break.
00:00:56Laughter.
00:01:00Laughter.
00:01:04Music.
00:01:08Music.
00:01:12Music.
00:01:16Music.
00:01:20Music.
00:01:24Music.
00:01:28Music.
00:01:32Music.
00:01:36Music.
00:01:40Music.
00:01:44Music.
00:01:48Music.
00:01:52Music.
00:01:56Music.
00:02:00Music.
00:02:08Music.
00:02:12Music.
00:02:16Music.
00:02:20♪
00:02:50♪
00:03:20♪
00:03:30♪
00:03:40♪
00:03:50♪
00:04:00♪
00:04:10Camera ready?
00:04:11Camera ready.
00:04:13Ready?
00:04:14Ready for shooting.
00:04:15Shooting.
00:04:16Ready?
00:04:17Shooting.
00:04:18Camera?
00:04:19Camera.
00:04:20Motor?
00:04:21Motor.
00:04:24Camera?
00:04:25Camera.
00:04:26Camera, one, take one.
00:04:39So.
00:04:41One, two, three.
00:04:43Crocodile?
00:04:44Ready?
00:04:45One, two, three.
00:04:47Go.
00:04:50Good afternoon, Mr. President.
00:05:03Nina, come on, come on!
00:05:16Stop!
00:05:20Stop!
00:05:24Stop!
00:05:27Stop!
00:05:30Let's go!
00:05:31Nina, a little higher!
00:05:41Nina, a little higher!
00:05:42A little higher!
00:05:43A little higher!
00:05:47A little higher!
00:05:51Let's go, Nina!
00:06:06What is estrada?
00:06:08Some people believe that it is an entertainment.
00:06:12Others say that an estrada should educate the children.
00:06:16Others just don't know anything.
00:06:18But for me, an opera house is my life.
00:06:24And the last question. Your plans for the future.
00:06:30The program we're working on now is about an opera house.
00:06:37About our life.
00:06:39It's called EVM, Electronic Computing Machine.
00:06:42I'm sorry, I don't understand.
00:06:44I thought so.
00:06:45What is there in common between EVM and an opera house?
00:06:50EVM is an image.
00:06:51An image of the trends we face every day.
00:06:56Machinery, programming, standardization.
00:07:00So we decided to challenge EVM with an opera house
00:07:05and see what we can make of it.
00:07:07I wish you good luck. Thank you.
00:08:15EVM is an image of the trends we face every day.
00:08:20It's an image of the trends we face every day.
00:08:25It's an image of the trends we face every day.
00:08:30It's an image of the trends we face every day.
00:08:35It's an image of the trends we face every day.
00:08:40EVM is an image of the trends we face every day.
00:08:48Don't smoke here. Don't!
00:08:56Hi, Oleg.
00:08:57Hi.
00:09:02Did you watch TV yesterday?
00:09:05No, I didn't.
00:09:06The man and the law were talking about a director of a shop.
00:09:11He found 100,000 gold and diamonds.
00:09:16In 10 years, he'll be drunk as hell.
00:09:19Maybe he'll get all 15.
00:09:21I'm still surprised at how shameless people are.
00:09:25Well?
00:09:27Kozlov, how do you do batman?
00:09:29Like Koryaga.
00:09:31This is batman, understand? Batman!
00:09:33So, batman, do it right.
00:09:44Hello.
00:09:45Hello.
00:09:46Did you study?
00:09:47Yes, sir.
00:09:48Hello.
00:09:54Hello.
00:09:57Let's go over what we've done.
00:10:00Let's work on the first part.
00:10:02Chaos and the birth of EBM.
00:10:08Music, please.
00:10:09Music!
00:10:32music only
00:11:02electric guitar solo
00:11:32electric guitar solo
00:11:41electric guitar solo
00:11:47electric guitar solo
00:11:49I'll smoke, if anything.
00:11:51Hey, Lyosha, don't get lost.
00:12:03Wait a minute.
00:12:06Give me a cigarette.
00:12:10Here.
00:12:11Thank you.
00:12:13Hi, Fedor.
00:12:14Hi.
00:12:15What do you have to drink?
00:12:17Pepsi, Fanta, Mineralka, beer.
00:12:21Mineralka?
00:12:23Or Fanta?
00:12:25And how much beer?
00:12:27What do you care?
00:12:29One or two?
00:12:30One.
00:12:33Did you watch TV yesterday?
00:12:35No.
00:12:37You shouldn't have.
00:12:38They were showing a program,
00:12:40The Man and the Law.
00:12:42One barman was arrested there.
00:12:44Gold and diamonds for 100,000 rubles.
00:12:49So what?
00:12:50What do you mean, what?
00:12:52He was given 20 years.
00:12:54With full confiscation.
00:12:57Listen, why are you calling me?
00:13:00He comes here and calls me.
00:13:03Why does he come here and call me?
00:13:06I have two heart attacks.
00:13:08I can't get out of the hospital.
00:13:10I can't sleep until 4 a.m.
00:13:12I think and think.
00:13:13And he comes here and calls me.
00:13:15Why does he do that?
00:13:18You, Beglov,
00:13:21I...
00:13:22I...
00:13:29Arkadiy Grachev.
00:13:34You see, Alexei Ivanovich,
00:13:36here's the thing.
00:13:39I did some research.
00:13:42And I found out that you were a teetotaler.
00:13:45And that besides you,
00:13:47no one knows about teetotaling.
00:13:49That's right.
00:13:51I'm the only real one left.
00:13:55Teach me teetotaling.
00:13:57And where do you dance?
00:14:00I don't dance.
00:14:02I work in a circus.
00:14:04In what number?
00:14:05Well, in what?
00:14:08Well, I clean up in cages.
00:14:12I run after the kvass for the trainers.
00:14:15Why do you need a step?
00:14:17What step?
00:14:19Teetotaling is called a step.
00:14:21I see.
00:14:23I want to perform on the stage.
00:14:25Now no one works with teetotaling.
00:14:27You can get in trouble right away.
00:14:30You know, I probably won't be able to help you.
00:14:35I've never done this.
00:14:37Private lessons.
00:14:39And then I'm terribly busy.
00:14:42So many things, you know, just...
00:14:45My head is spinning.
00:14:49You see, Alexei Ivanovich,
00:14:51the thing is, I have excellent data.
00:14:53Just excellent.
00:14:55I can become an artist like no one has ever been.
00:14:58I'm from Vorkuta.
00:14:59One very smart man told me there,
00:15:01he said, Arkady, you have amazing skills.
00:15:03Just unique.
00:15:04You can become an artist like no one has ever been.
00:15:06You need to go on stage. Don't blow up your talent.
00:15:09I gave up everything.
00:15:10I came here to Moscow. I worked here, there, everywhere.
00:15:13But I need to go on stage.
00:15:14I need to become an artist.
00:15:15Because time is ticking.
00:15:16And I have excellent data.
00:15:18I see you're a very good guy.
00:15:20And maybe I'm not arguing that you have excellent data,
00:15:23but you need to understand me, too.
00:15:25I'm a very busy man.
00:15:27I have so many things to do.
00:15:28My head is spinning.
00:15:29I'm running out of time.
00:15:30All the time I have some important things to do.
00:15:32Here and there.
00:15:34Well, what can I do?
00:15:36I'll pay you money.
00:15:38I'll pay you five rubles for the lessons.
00:15:41That's very good.
00:15:42But you're not a millionaire.
00:15:44Won't this money be too much for you?
00:15:46No, I really need the money.
00:15:48I found a sofa here at the commission office.
00:15:51It's a good thing.
00:15:53A great sofa.
00:15:5460 rubles.
00:15:55They don't make such things anymore.
00:15:57You can buy anything for such money.
00:15:59If you like the thing, you have money.
00:16:01Let's go to the store and buy it.
00:16:02I have everything.
00:16:03I need a sofa.
00:16:04Well, buy yourself a sofa, damn it.
00:16:07I don't know.
00:16:09You're giving me a hard time.
00:16:13What kind of person are you?
00:16:15You have money in your hands.
00:16:17You need to take advantage of the moment.
00:16:18Every person has a chance in life.
00:16:19And you're doubting.
00:16:20Why do you need it?
00:16:24Wait.
00:16:29Okay, let's try.
00:16:32Come to the pavilion at five today.
00:16:34You know where we work.
00:16:36Listen, if we made a deal,
00:16:40could you give me a small advance?
00:16:45How much?
00:16:48I don't know.
00:16:51Five rubles, if you don't mind.
00:16:59Here you are.
00:17:01Come to the pavilion at five today.
00:17:08My dear friends,
00:17:09I am pleased to present to you
00:17:11our charming star,
00:17:13Irina Melnikova.
00:17:23I think, and I think you will agree with me,
00:17:26that Irina will certainly decorate our program.
00:17:30I am grateful to Irina
00:17:32that she kindly agreed
00:17:33to take part in our performance.
00:17:49Come on, go through.
00:17:58Enough.
00:18:03Do it like this.
00:18:04Heel-toe, heel-toe.
00:18:09Come on.
00:18:16Well.
00:18:18A blow.
00:18:20A blow.
00:18:21There should be a blow.
00:18:22The main blow in the step.
00:18:23Like a drummer.
00:18:24But instead of sticks, legs.
00:18:34Come on.
00:18:39And the toe?
00:18:41Why don't you hit with the toe?
00:18:42Raise the toe higher.
00:18:45I can't raise the toe.
00:18:46Why?
00:18:47My leg is broken in two places.
00:18:51I see.
00:18:52What?
00:18:53Nothing.
00:18:54But I have a good hearing.
00:18:56The hearing is not the most important thing for a drummer.
00:18:58The main thing is to feel the rhythm.
00:18:59By the way, let's check you.
00:19:04Repeat.
00:19:13You were in a hurry.
00:19:14That's how it should be.
00:19:19Listen, am I all right with my head?
00:19:24It seems to be all right.
00:19:25And what?
00:19:26Only an idiot can want to learn the step with such a feeling of rhythm,
00:19:31with broken legs and such a walk as you have.
00:19:34You know what?
00:19:35I pay you money to teach me.
00:19:37So teach me.
00:19:38How can I teach you such a thing?
00:19:40So you think I can't be taught?
00:19:42Well, you can teach a goat to play the drum.
00:19:45Well, if I can, then teach me.
00:19:47Do you know where to go?
00:19:50I won't teach you.
00:19:53You won't?
00:19:54I won't.
00:19:56Then give me five rubles.
00:19:58What five rubles?
00:19:59Advance.
00:20:02Here you are.
00:20:03Four, then one.
00:20:04Don't do it later.
00:20:05Let's do it now.
00:20:06I don't have it now.
00:20:07Then teach me.
00:20:08As you said.
00:20:10Heel, toe, toe, heel.
00:20:11How are you doing?
00:20:14What a dog.
00:20:15How far will you go?
00:20:17Okay, stop talking.
00:20:18Teach me.
00:20:21Don't walk on your hips.
00:20:22Don't walk on your hips, you bugger.
00:20:32Misha, give me your coat.
00:20:35I'll throw your coat away next time.
00:20:38Okay, okay, okay, okay.
00:20:41I've been standing here all day.
00:20:43And you're sitting here like a cursed one.
00:20:47You should have written a dissertation here.
00:20:49You would have been an academic by now.
00:20:52In America, they put one man in prison,
00:20:55so he became a Nobel Prize winner.
00:20:58I have enough of my own salary.
00:21:00I'm not talking about that.
00:21:03Are you tired?
00:21:11You're not going to make it anyway.
00:21:13You're just suffering in vain.
00:21:16It's none of your business.
00:21:18Of course it's not.
00:21:20Do you know why you won't make it?
00:21:22Because you don't have the courage.
00:21:24Hiking, riding on your feet, all this is nonsense.
00:21:28The main thing is courage.
00:21:30You can feel it.
00:21:32You can take a dip.
00:21:34And that's it.
00:21:35As if you can't live without it.
00:21:37If you don't take a dip now, you'll die.
00:21:40That's how it feels.
00:21:42It's even scary.
00:21:44What, you don't understand?
00:21:47What if you want to do something out of the blue?
00:21:52I don't know.
00:21:54To shout something.
00:21:58You're sitting here, there's no one around,
00:22:02and you want to shout something.
00:22:06Come on, shout.
00:22:08Come on.
00:22:13Come on.
00:22:23Because you're empty like a drum.
00:22:28Here's my daughter.
00:22:31She was three years old.
00:22:33And she already had the courage.
00:22:35And she beat Chichotka like a god.
00:22:38I wanted to make a number with her,
00:22:40so that we could perform together later.
00:22:44She was little and cunning.
00:22:47When she saw that I was angry,
00:22:49she beat Chichotka right away.
00:22:51She knew what to do with me.
00:22:53So what?
00:22:55Did you make a number?
00:22:57No.
00:22:59My wife and I got divorced a long time ago.
00:23:01My daughter stayed with her.
00:23:06She'll be healthy.
00:23:11She's studying at the Institute of International Diplomacy.
00:23:16And my ex-wife is a popular artist of the USSR, by the way.
00:23:20She sings very well.
00:23:22Do you know Soboleva?
00:23:24No, I don't.
00:23:26What about her?
00:23:28Did she flirt with you?
00:23:30She's a fool.
00:23:32We don't get along.
00:23:35With a popular artist of the USSR?
00:23:37Imagine that.
00:23:39I imagine.
00:23:40Go. See you on Wednesday.
00:23:53He imagines.
00:23:59Hey!
00:24:29How lovely!
00:24:47Yes.
00:24:49Who is this?
00:24:51This is Lesha Beglov.
00:24:54He was a true idol of the 1950s.
00:24:58A wonderful artist.
00:25:00Let's put him in our program.
00:25:02We'll show this video and invite Comrade Beglov.
00:25:05It'll be hard to do. He's dead.
00:25:07When?
00:25:09Ten years ago.
00:25:11Yes, I just came from Holland.
00:25:13It was my first time in Holland.
00:25:15And my wife told me that I was invited to a funeral.
00:25:19He was a wonderful guy. I knew him very well.
00:25:22I guess he died not so long ago.
00:25:24I'm forty years old now.
00:25:27Forty?
00:25:28Forty years.
00:25:30What can I do?
00:25:31I'm famous.
00:25:32I have friends.
00:25:34A heart attack.
00:25:36I have no one.
00:25:38Let's show this video.
00:25:40And you'll tell us about him.
00:25:45Interesting idea.
00:25:47Friends.
00:25:48Why don't we put in our program
00:25:50a permanent column
00:25:52with forgotten names?
00:25:54Let's start with Lyosha Beglov.
00:25:57Wonderful.
00:25:59Yes.
00:26:00He's definitely worthy of it.
00:26:09Here's the thing.
00:26:13They're going to make a mess of it.
00:26:17They'll cover it up.
00:26:19And they'll say,
00:26:21you've forgotten your job.
00:26:28Sergey,
00:26:29don't sell this couch to anyone.
00:26:32Who needs it?
00:26:34I don't know.
00:26:36You could move it
00:26:39to a secluded place.
00:26:41And I'll buy it
00:26:44and never forget you.
00:26:46Deal?
00:26:48Listen, Beglov.
00:26:49If you didn't hang out here,
00:26:51you'd be hanging out under your feet.
00:26:53Come on, Sergey.
00:26:54I just dropped by.
00:26:56To look around.
00:26:57I'm going home now.
00:26:58Bye.
00:27:01I'm going home now.
00:27:03That's all.
00:27:05Goodbye.
00:27:19Goodbye.
00:27:20Goodbye.
00:27:50Everything is as it was.
00:27:57Good luck, good luck.
00:27:59You and I are rich.
00:28:03But if fate
00:28:05decided otherwise,
00:28:09Goodbye and don't think
00:28:11that we won't laugh.
00:28:15There is a time for failure
00:28:17and a time for success.
00:28:19We're doing everything across the music.
00:28:21Good luck, probably.
00:28:23There's no other way.
00:28:25Sometimes it's easy,
00:28:27sometimes it's hard.
00:28:29Sometimes it's hard.
00:28:33And we're stupid
00:28:35because of sudden happiness.
00:28:37We lose everything
00:28:39that we have.
00:28:41Everything that we have.
00:28:47Everything that we have.
00:28:53What's the matter?
00:29:05I don't like this hat.
00:29:17You...
00:29:21Hello, Lesha.
00:29:23Hello.
00:29:25Alexey Ivanovich.
00:29:47Hello.
00:29:53So you think all this is a hat?
00:29:55A hat.
00:29:56So you think
00:29:57you can blame me for this?
00:30:00What the hell are you doing
00:30:02in the morning
00:30:03bringing me all this crap?
00:30:05I'm Irina Melnikova,
00:30:06not Chutkina.
00:30:07And I can't go on stage
00:30:09as a gardener.
00:30:11Get out of here.
00:30:13I'm telling you.
00:30:14Shut up.
00:30:16Who are you?
00:30:18You.
00:30:20Me?
00:30:21Yes, you.
00:30:23I don't understand.
00:30:24Who is he?
00:30:26He's our rehearser,
00:30:28Irina Pavlovna.
00:30:29Oh, a rehearser.
00:30:31First figure out
00:30:33who you need more,
00:30:34me or the rehearser.
00:30:47Well, Alexey Ivanovich,
00:30:49I have to ask you
00:30:51to make a statement.
00:30:55At your own discretion.
00:31:03You shouldn't have.
00:31:05Irina Pavlovna always shouts,
00:31:07then gets upset
00:31:08and gives a nice present.
00:31:11Good-bye.
00:31:17Good-bye.
00:31:19Good luck.
00:31:41Alexey Ivanovich.
00:31:46Hello.
00:31:48Are we going to practice?
00:31:50What practice?
00:31:51I've been fired from my job.
00:31:53What do you mean?
00:31:54Why?
00:31:56Melnikov works
00:31:57in our program.
00:31:59You know,
00:32:00he's a star.
00:32:01So?
00:32:02He started shouting at the costumers,
00:32:04and I made a statement,
00:32:06and I was fired.
00:32:08I was fired.
00:32:10Who talked you into it?
00:32:11No one.
00:32:12Good-bye.
00:32:13Good-bye.
00:32:16What's there to worry about?
00:32:18You're fired,
00:32:19but you won't lose your job.
00:32:21We don't live under capitalism.
00:32:24I won't lose my job, of course.
00:32:29I've worked my whole life.
00:32:31How can I live without it?
00:32:34Apologize to her.
00:32:35No.
00:32:38Okay, I'll do it.
00:32:41How?
00:32:44Where does she live?
00:32:46I don't know.
00:32:57Who are you looking for?
00:32:59Rita Melnikova.
00:33:00I'll call her.
00:33:04What's your name?
00:33:09Celentano.
00:33:11Irina Pavlovna.
00:33:12Yes.
00:33:13Celentano is here.
00:33:14Who?
00:33:15Celentano.
00:33:16Who else?
00:33:18Adriano.
00:33:20Adriano?
00:33:38Alexei Ivanovich!
00:33:40Alexei Ivanovich!
00:33:41Get up!
00:33:46Come in, Alexei Ivanovich.
00:33:49Come in, come in.
00:33:54Wipe your feet.
00:33:58Give me your coat.
00:33:59Why?
00:34:00It's all right.
00:34:02Do you know where she lives?
00:34:03I don't know.
00:34:04I don't know.
00:34:05So what?
00:34:06It's all right.
00:34:08You know, she's a normal woman.
00:34:09Fomenko just called.
00:34:11She gave him a tip on the first day.
00:34:12For self-righteousness.
00:34:15She found out that you're a smuggler.
00:34:16She's on fire.
00:34:18She wants you to dance something now.
00:34:20How?
00:34:21Well, dance something.
00:34:23She's having guests now.
00:34:24Very decent people.
00:34:25Please.
00:34:31And here is Alexei Ivanovich Beglov.
00:34:33Hello.
00:34:35Good evening.
00:34:39Hello.
00:34:41Celentano told us that you're a great dancer.
00:34:44Yes, yes, he'll show you now.
00:34:49Well, come in.
00:34:51Adriano Celentano on the piano!
00:34:58What are you playing, Alexei Ivanovich?
00:35:05I don't know.
00:35:32Would you like something to drink?
00:35:33I don't drink.
00:35:35I had a heart attack.
00:35:56What's wrong?
00:35:58Nothing.
00:36:00Why did you leave?
00:36:02What happened?
00:36:03Nothing happened.
00:36:05But you didn't like something.
00:36:07I liked everything.
00:36:09No, you didn't like something.
00:36:12I liked everything.
00:36:15But I'm not a trained monkey.
00:36:18So I'm a monkey.
00:36:20And you're a monkey.
00:36:22Who are you?
00:36:27Get it together.
00:36:31Get it together.
00:36:32Get it together.
00:36:33Get it together.
00:37:00Where is Celentano the dancer?
00:37:03I don't know.
00:37:07Then you dance.
00:37:13Why are you laughing?
00:37:16Come on, dance.
00:37:18Stop it, Igor.
00:37:20Stop what?
00:37:22Why do we need him here?
00:37:25I'm here because I'm your friend.
00:37:28Friend.
00:37:32Oleg is a model who dresses you.
00:37:35Milochka is his girlfriend.
00:37:38But Chika...
00:37:40I don't know who Chika is.
00:37:42But he's always here.
00:37:45You can't get away from him.
00:37:47And who is this?
00:37:49Stop it.
00:37:53I want to know who he is and what he's doing here.
00:37:58Or maybe he's your...
00:38:01Stop it!
00:38:11No, who are you?
00:38:14He's Celentano.
00:38:18What's your name, by the way?
00:38:26Adriano.
00:38:28Adriano.
00:38:45Get ready.
00:38:49Get ready.
00:38:55Action.
00:38:58Action.
00:39:29Get ready.
00:39:32Get ready.
00:39:34Get ready.
00:39:36Get ready.
00:39:38Get ready.
00:39:40Get ready.
00:39:42Get ready.
00:39:44Get ready.
00:39:46Get ready.
00:39:48Get ready.
00:39:50Get ready.
00:39:52Get ready.
00:39:54Get ready.
00:39:56Get ready.
00:39:58Get ready.
00:40:00Get ready.
00:40:02Get ready.
00:40:04Get ready.
00:40:06Get ready.
00:40:08Get ready.
00:40:10Get ready.
00:40:12Get ready.
00:40:14Get ready.
00:40:16Get ready.
00:40:18Get ready.
00:40:20Get ready.
00:40:22Get ready.
00:40:24Get ready.
00:40:26Get ready.
00:40:28Get ready.
00:40:30Get ready.
00:40:32Get ready.
00:40:34Get ready.
00:40:36Get ready.
00:40:38Get ready.
00:40:40Get ready.
00:40:42Get ready.
00:40:44Get ready.
00:40:46Get ready.
00:40:48Get ready.
00:40:50Get ready.
00:40:52Get ready.
00:40:54Get ready.
00:40:56Get ready.
00:40:58Get ready.
00:41:00Get ready.
00:41:02Get ready.
00:41:04Get ready.
00:41:06Get ready.
00:41:08Get ready.
00:41:10Get ready.
00:41:12Get ready.
00:41:14Get ready.
00:41:16Get ready.
00:41:18Get ready.
00:41:20Stop.
00:41:21Very good.
00:41:23That's enough for today.
00:41:25Thank you all very much.
00:41:26I'll see you tomorrow.
00:41:28Like today.
00:41:56So, let's get started.
00:42:20Did you drink?
00:42:22Beglov, teach me how to drink tea.
00:42:27How can I teach you in this state?
00:42:29Please, teach me.
00:42:45I'm not a monkey!
00:42:57Get up, you drunkard!
00:42:58Wait!
00:43:29How did I end up here?
00:43:33Ais brought you tea.
00:43:37Are you a pig?
00:43:39Are you a wolf?
00:43:43Don't you have an ear?
00:43:46You have.
00:43:48But why?
00:43:50Because I was hungry.
00:43:55And were you?
00:43:58You started drinking when you had to, you scoundrel.
00:44:01Come on, I'm already shaking.
00:44:04What do you mean, come on?
00:44:06I don't understand who needs this steppe, you or me.
00:44:09Thank God, I ate a dog on it.
00:44:12And what kind of philosophy is this?
00:44:16And what kind of attitude to life do you modern youth have?
00:44:22I... I remember myself in your years.
00:44:26I worked day and night.
00:44:28In the morning at the factory, in the evening at the steppe.
00:44:31And here's the result.
00:44:33And you got used to it, you see, to the ready-made stuff.
00:44:36You just need to work less and get more.
00:44:41You started drinking again.
00:44:43This is the very last thing.
00:44:46Remember, art and this disgrace are incompatible.
00:44:51What's gotten into you? Are you at a meeting?
00:44:55I can't understand one thing.
00:44:58Are you really like this, or are you pretending?
00:45:02What do you mean, like this?
00:45:04Like this, indifferent.
00:45:06Listen, move away, it's already hard for me.
00:45:08Hard? Why is it so hard for you?
00:45:11Have you been restoring progress?
00:45:15Or have you been digging the Karakum Canal?
00:45:17Or have you been building the Moscow State University?
00:45:21It's hard for him, you see, he didn't hit a finger.
00:45:24It's hard for him.
00:45:26That's why they're chasing you for kvass.
00:45:30Everyone is lazy, but you're running.
00:45:32And you'll be running all your life.
00:45:37Go away.
00:45:42Look at you.
00:45:44You're a scoundrel.
00:45:51Let's move on to the next page.
00:45:53This is a new page.
00:45:56It's called Forgotten Names.
00:45:58It's dedicated to the famous artists of the past.
00:46:23Forgotten Names
00:46:29Mother of God, it's me.
00:46:34Friends, you've just seen a rare film
00:46:37that captured the amazing art
00:46:41of the remarkable artist and poet
00:46:44Alexei Ivanovich Beglov.
00:46:47Well, the viewers of my, so to speak, older generation
00:46:51certainly remember this legendary artist.
00:46:55I'd say he was the idol of the 1950s.
00:46:59Unfortunately,
00:47:01Alexei Ivanovich died
00:47:03at the height of his artistic abilities.
00:47:06And somehow, you know,
00:47:09along with him, the art of dance
00:47:12disappeared unnoticed.
00:47:15How did he die?
00:47:18What are you talking about?
00:47:20Let's move on to the next page.
00:47:22Forgotten Names
00:47:25Give me the film, please.
00:47:28Hey, wait!
00:47:32We're all in a hurry for miracles
00:47:36But there's nothing more wonderful
00:47:40Than the Earth beneath the skies
00:47:44Where is the roof of your house?
00:47:48Where is the roof of your house?
00:47:55Hello?
00:47:59Hello, Tatyana Sergeyevna.
00:48:02She's in the theater. Who's asking?
00:48:04Her ex-husband, Beglov.
00:48:08Hello, Alexei Ivanovich. It's me, her husband.
00:48:10Do you have anything to say?
00:48:13No.
00:48:15There was a program on TV about me.
00:48:18Really?
00:48:20Yes. They said I was dead.
00:48:22Really? Which program?
00:48:24The first one.
00:48:27They'll repeat it tomorrow. We'll definitely watch it.
00:48:30Thank you.
00:48:32No, you don't have to.
00:48:34I'm alive. Do you understand?
00:48:36I understand, I understand.
00:48:38What should we do?
00:48:41Nothing. Just keep in mind that I'm alive and well.
00:48:44I understand. I'll tell them everything.
00:49:02Arkady, did you watch TV?
00:49:04No.
00:49:06They just said I was dead.
00:49:08I'm not dead.
00:49:14Are you a member of the government?
00:49:16I swear I'm not dead. Can you imagine?
00:49:19Maybe.
00:49:22Maybe what?
00:49:24You restored Dneprogas, dug up Karakumy,
00:49:26built up MGU, and now you're dead.
00:49:28What's so surprising?
00:49:30I swear, I'm not joking.
00:49:33What should we do?
00:49:35Order yourself a monument.
00:49:37I swear, I'm not joking.
00:49:39You left, and now they're showing me
00:49:41on TV.
00:49:43And now they say I'm dead.
00:49:46Can you imagine?
00:49:48Are you out of your mind?
00:49:50Have you touched the soil of the great mania?
00:49:52What mania? What should we do?
00:49:54Comrade Klimenko,
00:49:57ask all the participants of the last musical panorama to come to me.
00:50:00This is a drunken incident.
00:50:02We've never had such a situation.
00:50:04We'll take the strictest measures
00:50:06and I'm sure it won't happen again.
00:50:08What about him?
00:50:11What about him?
00:50:13What do you mean? He's dead, and he's still alive.
00:50:15Comrade Beglov,
00:50:17we're deeply sorry.
00:50:19In the next program we'll repeat his material
00:50:22and announce that there was a misunderstanding,
00:50:24that Comrade Beglov is alive and well,
00:50:26and I'm sure everyone will be very happy.
00:50:28By the way, Alexei Ivanovich,
00:50:30you'll live a long life.
00:50:33There's a saying,
00:50:35if a man is buried, he lives a long life.
00:50:37Thank you.
00:50:44Where are you going now, Arkasha?
00:50:46Home.
00:50:48Let's go and sit somewhere
00:50:51and celebrate my second birth.
00:50:53You're such a chameleon.
00:50:55You make me laugh with your last words,
00:50:57so let's sit down.
00:51:05Let's go.
00:51:36Hello, Lena.
00:51:38Hello, Dad.
00:51:40How are you?
00:51:42Fine.
00:51:44Do you remember when we used to drink tea together?
00:51:47Of course.
00:51:49Maybe we should meet and have a chat?
00:51:51Dad, are you crazy?
00:51:53Why?
00:51:55I have an exam tomorrow, and you have a chat.
00:51:58I'm sorry. How's Mom?
00:52:00She's at the country house.
00:52:03Have you seen anything like this on TV?
00:52:05No. What could it be?
00:52:07Nothing special.
00:52:09But I'm alive and well.
00:52:12Good.
00:52:14Bye.
00:52:33Hey!
00:52:37Hey!
00:53:02Hey!
00:53:32Hey!
00:54:02Hey!
00:54:04Hey!
00:54:06Hey!
00:54:08Hey!
00:54:11Hey!
00:54:13Hey!
00:54:15Hey!
00:54:17Hey!
00:54:19Hey!
00:54:22Hey!
00:54:24Hey!
00:54:26Hey!
00:54:28Hey!
00:54:30Hey!
00:54:32Hey!
00:54:35Hey!
00:54:37Hey!
00:54:39Hey!
00:54:41Hey!
00:54:43Hey!
00:54:46Hey!
00:54:48Hey!
00:54:50Hey!
00:54:52Hey!
00:54:54Hey!
00:54:57Hey!
00:54:59Hey!
00:55:01Hey!
00:55:03Hey!
00:55:05Hey!
00:55:07Hey!
00:55:10Hey!
00:55:12Hey!
00:55:14Hey!
00:55:16Hey!
00:55:18Hey!
00:55:21Hey!
00:55:23Hey!
00:55:25Hey!
00:55:27Hey!
00:55:29Hey!
00:55:31Hey!
00:55:34Hey!
00:55:36Hey!
00:55:38Hey!
00:55:40Hey!
00:55:42Hey!
00:55:45Hey!
00:55:47Hey!
00:55:49Hey!
00:55:51Hey!
00:55:53Hey!
00:55:55Hey!
00:55:58Hey!
00:56:00Hey!
00:56:02Hey!
00:56:04Hey!
00:56:06Hey!
00:56:09Hey!
00:56:11Hey!
00:56:13Hey!
00:56:15Hey!
00:56:17Hey!
00:56:20Hey!
00:56:22Hey!
00:56:24Hey!
00:56:26Hey!
00:56:28Hey!
00:56:30Hey!
00:56:33Hey!
00:56:35Hey!
00:56:37Hey!
00:56:39Hey!
00:56:41Hey!
00:56:44Hey!
00:56:46Hey!
00:56:48Hey!
00:56:50Hey!
00:56:52Hey!
00:56:54Hey!
00:56:57Hey!
00:56:59Hey!
00:57:01Hey!
00:57:03Hey!
00:57:05Hey!
00:57:08Hey!
00:57:10Hey!
00:57:12Hey!
00:57:14Hey!
00:57:16Hey!
00:57:19Hey!
00:57:21Hey!
00:57:23Hello, Arkady.
00:57:26Hello.
00:57:28Can I have a minute with you?
00:57:39Hi, Arkady.
00:57:43I have business with you.
00:57:45What business?
00:57:47Do you understand?
00:57:50Our baritone wants to restore my number.
00:57:53I thought maybe you would dance.
00:57:55You wanted me to make you a number.
00:57:57Hello.
00:57:59And now I don't want to.
00:58:02Why?
00:58:04I broke up with Stepa.
00:58:06Why did you decide to leave Stepa?
00:58:08You surprise me, to be honest.
00:58:10You yourself said that I would never be able to be Stepa.
00:58:14I didn't say that.
00:58:16You are a good man.
00:58:18You have a good sense of rhythm.
00:58:20I didn't say that you wouldn't be Stepa.
00:58:22And you didn't say anything about courage?
00:58:24I didn't say anything about courage.
00:58:27I don't have that courage.
00:58:29You'll have it, Arkady.
00:58:31Oh, come on.
00:58:33Will you be Stepa?
00:58:35Get out of here.
00:58:40Will you be Stepa?
00:58:42I won't.
00:58:44Will you be Stepa?
00:58:46Oh, come on.
00:58:48You are so young.
00:58:51Huh.
00:59:13Beglov!
00:59:18Alexei Ivanovich!
00:59:20Alexei Ivanovich!
00:59:50The grass is thick.
00:59:52There are caterpillars with longing behind it.
00:59:57Everything crawls, hastening to its gaze
01:00:01On the bee and the vastness.
01:00:04And, burning with passion,
01:00:07She said with tears,
01:00:11I love you, bee, answer me,
01:00:14How can I fly with you?
01:00:20How can I fly with you?
01:00:50Lena?
01:00:52Hello, Dad. Didn't I wake you up?
01:00:55Come in.
01:01:03I didn't expect you.
01:01:09Come in. I'll be right out.
01:01:11I'll be right out.
01:01:13Come in.
01:01:16I'll be right out.
01:01:18Come in.
01:01:20I'll be right out.
01:01:37I came to see you last night.
01:01:41Yes, I wasn't here.
01:01:45I was doing the cleaning.
01:01:50Will you have breakfast with me?
01:01:53No, I'll be right out.
01:01:55What do you mean, you'll be right out?
01:01:57You've come a long way, and you'll be right out?
01:01:59No.
01:02:01I won't let you go without breakfast.
01:02:04Next time, Dad.
01:02:10You know, I'm getting married.
01:02:12Married? To whom?
01:02:14He's a journalist. I'll introduce you to him.
01:02:17I'll introduce you to him.
01:02:19What do you mean, married?
01:02:22You're surprised as if you don't know
01:02:24that a woman is getting married.
01:02:26No, I'm just...
01:02:30Is he a good man?
01:02:35How do I know? We haven't lived together yet.
01:02:38Do you love him?
01:02:39I like him.
01:02:40What do you mean, you like him? Do you love him or not?
01:02:43I love him. I love him.
01:02:45Congratulations.
01:02:52When is the wedding?
01:02:54You see, that's what I wanted to talk to you about.
01:02:58Don't worry. I'll do everything I can.
01:03:02That's not the point, Dad.
01:03:05You see, at such a moment...
01:03:08I don't even know how to tell you.
01:03:10Tell me, tell me.
01:03:16Well, maybe you won't come to the wedding.
01:03:20What do you mean?
01:03:24How will it work?
01:03:27Dmitry Vasilievich and you...
01:03:31He brought me up.
01:03:33I'll be singing for my parents.
01:03:36After all, he's the father of all guests.
01:03:40Well, Dad...
01:03:42Igor and I will come the next day.
01:03:47We'll go somewhere.
01:03:49We'll spend the whole day together.
01:03:53Dad, are you offended?
01:03:55No, I'm not.
01:03:59By the way, I can't be at the wedding.
01:04:04Of course I can't.
01:04:06We're going to Romania for a tour.
01:04:08How could I forget about Romania?
01:04:10We'll come as soon as you come back from Romania.
01:04:13Of course you can come.
01:04:20Well, I'll go.
01:04:23Of course you can.
01:04:36Bye.
01:04:42Bye.
01:04:48Say hello to everyone.
01:04:50Of course.
01:04:58This is a wonderful machine.
01:04:59It's a wonderful invention.
01:05:01You put a melody in it.
01:05:03Any melody you want.
01:05:04Chaykovsky, for example.
01:05:07Then you choose a program.
01:05:11If you want a symphonic performance,
01:05:14if you want jazz,
01:05:16it will arrange everything for you.
01:05:20Let's take, for example,
01:05:23the evenings in Moscow.
01:05:27Let's say I want a saxophone.
01:05:31A little jazz.
01:05:53Or something from your program.
01:05:57Or rock.
01:06:08Look at this.
01:06:10Who invented this?
01:06:12Japan? Mitsubishi?
01:06:14No one.
01:06:16No orchestra, no arrangers.
01:06:19Only you and the machine.
01:06:21Pure creativity.
01:06:28This is a wonderful machine.
01:06:30It's a wonderful invention.
01:06:32You put a melody in it.
01:06:34Any melody you want.
01:06:37Chaykovsky, for example.
01:06:39Then you choose a program.
01:06:41If you want jazz,
01:06:43it will arrange everything for you.
01:06:45Look at this.
01:06:48Who invented this?
01:06:50Japan? Mitsubishi?
01:06:52No orchestra, no arrangers.
01:06:54Only you and the machine.
01:06:56Look at this.
01:06:58Who invented this?
01:07:01Japan? Mitsubishi?
01:07:03No orchestra, no arrangers.
01:07:05Only you and the machine.
01:07:07Look at this.
01:07:09Who invented this?
01:07:12Japan? Mitsubishi?
01:07:14No orchestra, no arrangers.
01:07:16Only you and the machine.
01:07:18Look at this.
01:07:20Who invented this?
01:07:23Japan? Mitsubishi?
01:07:25Lyosha,
01:07:27I was asked to buy you a present.
01:07:30And I thought,
01:07:32how do I know what you want?
01:07:34Take the money
01:07:36and buy whatever you want.
01:07:55The rehearsal is over.
01:08:25Attention, please.
01:08:27Attention, please.
01:08:29What is it?
01:08:31Is it your birthday?
01:08:33No, I don't have a birthday.
01:08:36I just want to treat you.
01:08:38No, it won't take long.
01:08:40Only five minutes.
01:08:42It's an apple drink.
01:08:44You'll make it out of paper.
01:08:47It's an apple drink.
01:08:49You'll make it out of paper.
01:08:51It's an apple drink.
01:08:53You'll make it out of paper.
01:08:56Well, comrades,
01:08:58to Alexei Ivanovich's health!
01:09:09Guys,
01:09:12I want to sing you
01:09:14an old song.
01:09:16Maybe someone won't like it,
01:09:18but I love it very much.
01:09:21You know, it's a great song.
01:09:23Well?
01:09:26Do you agree?
01:09:29Play it for me, guys.
01:09:31Stepan, do you remember this song?
01:09:33It's about a bee.
01:09:35A bee on a warm spring day...
01:09:37Alexei Ivanovich,
01:09:40why do we need it?
01:09:42It's a great song.
01:09:44You played it yourself.
01:09:46I didn't play it.
01:09:48I liked the song too.
01:09:50It's a great song.
01:10:20I'm going to collect nectar.
01:10:23There's a thick grass below.
01:10:25There's a caterpillar with a board behind it.
01:10:27Everything crawls,
01:10:29striving for its gaze
01:10:31on the bee and the vastness.
01:10:34And burning with passion,
01:10:36she said with tears,
01:10:38I love you, bee,
01:10:40answer me.
01:10:42I'm going to collect nectar.
01:10:45There's a thick grass below.
01:10:47There's a caterpillar with a board behind it.
01:10:49Everything crawls,
01:10:51striving for its gaze
01:10:53on the bee and the vastness.
01:10:55And burning with passion,
01:10:58she said with tears,
01:11:00I love you, bee,
01:11:02answer me.
01:11:04I'm going to collect nectar.
01:11:06There's a thick grass below.
01:11:09There's a caterpillar with a board behind it.
01:11:11Everything crawls,
01:11:13striving for its gaze
01:11:15on the bee and the vastness.
01:11:17And burning with passion,
01:11:19she said with tears,
01:11:22I love you, bee,
01:11:24answer me.
01:11:26I'm going to collect nectar.
01:11:28There's a thick grass below.
01:11:30There's a caterpillar with a board behind it.
01:11:33Everything crawls,
01:11:35striving for its gaze
01:11:37on the bee and the vastness.
01:11:39And burning with passion,
01:11:41she said with tears,
01:11:44I love you, bee,
01:11:46answer me.
01:11:48I'm going to collect nectar.
01:11:50There's a thick grass below.
01:11:52There's a caterpillar with a board behind it.
01:11:54Everything crawls,
01:11:57striving for its gaze
01:11:59on the bee and the vastness.
01:12:01And burning with passion,
01:12:03she said with tears,
01:12:05I love you, bee,
01:12:08answer me.
01:12:10I'm going to collect nectar.
01:12:12There's a thick grass below.
01:12:14Let's shake hands
01:12:16with each other
01:12:18and go far
01:12:21for many years.
01:12:23We are so close
01:12:25that no words are needed
01:12:27to repeat
01:12:29to each other again
01:12:32that our tenderness
01:12:34and our friendship
01:12:36are stronger than passion,
01:12:38more than love.
01:12:40So
01:12:43the happy hour
01:12:45will come to us again.
01:12:47You will return
01:12:49then.
01:12:51Then we will give
01:12:54each other a word
01:12:56that we will be together,
01:12:58together forever.
01:13:10Let's shake hands
01:13:12with each other
01:13:15and go far
01:13:17for many years.
01:13:40Very good!
01:13:54Thank you very much!
01:14:10I'm going to collect nectar.
01:14:12I love you, bee,
01:14:15answer me.
01:14:17I'm going to collect nectar.
01:14:19I love you, bee,
01:14:21answer me.
01:14:23I'm going to collect nectar.
01:14:38Seryoga,
01:14:40what are you staring at?
01:14:42They said you were dead.
01:14:45Nonsense.
01:14:47You see,
01:14:49there's no sofa.
01:14:51What do you mean?
01:14:53Sold.
01:14:56What do you mean, sold?
01:14:58What did you say?
01:15:00You promised.
01:15:02We made a deal.
01:15:04They said you were dead,
01:15:07but the buyer appeared.
01:15:09So we sold the sofa.
01:15:18Why do you need this junk?
01:15:20You can buy a toilet.
01:15:22Look at this great toilet.
01:15:24Or this one.
01:15:26This is a 19th century sofa.
01:15:29Beglov!
01:15:39Beglov!
01:15:41Beglov!
01:15:43Beglov!
01:16:05Beglov!
01:16:07Are you all right?
01:16:09Beglov, what's wrong?
01:16:12What happened?
01:16:14Wait a minute.
01:16:16Wait, Beglov!
01:16:37Beglov!
01:16:39Beglov!
01:16:42Beglov!
01:16:44Beglov!
01:16:46Beglov!
01:16:48Beglov!
01:16:50Beglov!
01:16:53Beglov!
01:16:55Beglov!
01:16:57Beglov!
01:16:59Beglov!
01:17:01Beglov!
01:17:04Beglov!
01:17:06Beglov!
01:17:08Beglov!
01:17:10Beglov!
01:17:12Beglov!
01:17:14Beglov!
01:17:17Beglov!
01:17:19Beglov!
01:17:21Beglov!
01:17:23Beglov!
01:17:25Beglov!
01:17:28Beglov!
01:17:30Beglov!
01:17:32Beglov!
01:17:35Beglov!
01:17:37Beglov!
01:17:39Oh, Papa, look, it's you!
01:17:46The stream flows over the green forest,
01:17:49A hundred-kilogram eye lies on the shore.
01:17:56The stream flows over the green forest,
01:17:59A hundred-kilogram eye lies on the shore.
01:18:02Welcome, comrade Beglov.
01:18:03Hello.
01:18:04And what kind of beautiful lady is this with you?
01:18:06What's your name?
01:18:07Vasya.
01:18:08Vasya?
01:18:09Vasya.
01:18:10Please.
01:18:38The stream flows over the green forest,
01:18:41A hundred-kilogram eye lies on the shore.
01:18:50Alyona, will you go to the concert with me or stay here?
01:18:54Papa, can I dance with you today?
01:18:59Papa, you said yourself that I dance very well.
01:19:04Well, Papa, please.
01:19:13Hello.
01:19:14Hello.
01:19:22Hello, Vladimir Mikhailovich. Hello.
01:19:24Hello.
01:19:32Hello.
01:19:34Hello.
01:19:37How are you feeling?
01:19:38Fine.
01:19:40I came to say goodbye. I'm leaving today.
01:19:42What, home?
01:19:43Yes, home, to Arkut.
01:19:47And this is for your memory, so that you don't get bored.
01:19:54Oh, TV.
01:19:57I don't like TV.
01:20:00No, thank you, of course.
01:20:02It's better to read a book.
01:20:05It's all right, it's all right.
01:20:07You'll watch football, movies, a movie panorama.
01:20:10Therefore, the ability to stay underwater for a long time
01:20:14depends on the volume of blood.
01:20:16Absolutely.
01:20:18That's exactly the point.
01:20:22A duck will store twice as much oxygen than a chicken.
01:20:26Very interesting.
01:20:28But, unfortunately, the time of our program has come to an end.
01:20:32See you again, dear friends.
01:20:35Watch what happens now.
01:20:43Dear friends, today I am especially happy to open our program.
01:20:47I think you will understand why.
01:20:50Last time, in the section of Forgotten Names,
01:20:53we told you and showed you the wonderful
01:20:58Alexey Beglov.
01:21:00A lot of letters came to us.
01:21:02It turns out that TV viewers remember and love Beglov.
01:21:06I am glad to inform you, friends,
01:21:08that Alexey Ivanovich is alive and well,
01:21:10and feels great.
01:21:13And now he is passing on his rich experience
01:21:16to young artists of the stage.
01:21:18I think in the next programs we will invite Alexey Ivanovich
01:21:22and talk to him, so to speak, live.
01:21:26And now look at the film we shot 25 years ago
01:21:32with the number Alexey Beglov.
01:21:49Listen, Alexey Ivanovich,
01:21:51you were a great dancer.
01:21:55Yes, I was a great steppist.
01:22:06You know, I still lived a very good life.
01:22:12I liked dancing.
01:22:16I liked dancing, I danced.
01:22:19There were a lot of people I loved.
01:22:22Many people loved me.
01:22:25I had fame, I had everything.
01:22:28And yet I remember only one evening,
01:22:31only one evening in my life.
01:22:36It was many years ago,
01:22:38in the winter, in Gagry.
01:22:41There was such a small stage,
01:22:44the season was over,
01:22:47and there were not many spectators.
01:22:50I was dancing that evening with my daughter.
01:22:54She asked me, and we danced together.
01:22:58I've never danced like that in my life.
01:23:03Never in my life.
01:23:08And you know,
01:23:11if I could go back to that evening for a moment,
01:23:19I would give everything,
01:23:24everything I had left to live.
01:23:41piano plays in bright rhythm
01:24:11louder piano plays in bright rhythm
01:24:35louder piano plays in bright rhythm
01:24:41louder piano plays in bright rhythm
01:25:01louder piano plays in bright rhythm
01:25:11louder piano plays in bright rhythm
01:25:41louder piano plays in bright rhythm
01:26:11louder piano plays in bright rhythm
01:26:41louder piano plays in bright rhythm
01:27:11louder piano plays in bright rhythm
01:27:41louder piano plays in bright rhythm
01:28:11louder piano plays in bright rhythm