Kh7hd
  • 6 months ago
Transcript
00:00:00I'm going to the doctor's in a minute, I'll be right back.
00:01:00I'm going to the doctor's in a minute, I'll be right back.
00:01:20I'm going to the doctor's in a minute, I'll be right back.
00:01:51No!
00:01:52No!
00:01:53No!
00:02:20I'm going to the doctor's in a minute, I'll be right back.
00:02:49Minimart is open 24 hours a day.
00:02:53Minimart? I'm here to buy my boyfriend.
00:02:57Bye.
00:02:59Bye.
00:03:07Ladies and gentlemen,
00:03:09what you don't see or what you've never seen
00:03:12doesn't mean it doesn't exist.
00:03:14It's the old saying,
00:03:17don't believe it, don't miss it.
00:03:21That's all for today.
00:03:24Goodbye.
00:03:28Cut.
00:03:30Okay, cut.
00:03:32Damn it.
00:03:34Def, who wrote this script?
00:03:37It's not about don't miss it.
00:03:39It's a 2000-year-old script.
00:03:41What the hell are you talking about?
00:03:43It's not about don't miss it.
00:03:45It's a 2000-year-old script.
00:03:47Damn it.
00:03:49P'Leo.
00:03:51P'Leo.
00:03:53P'Leo.
00:03:55P'Leo.
00:03:57P'Leo.
00:03:59P'Leo.
00:04:01P'Leo.
00:04:03P'Leo.
00:04:05P'Leo.
00:04:07P'Leo.
00:04:08I don't want to scold you.
00:04:11Let's go somewhere else.
00:04:14Def, can I check the footage?
00:04:17The one we shot just now?
00:04:20P'Fu, this scene is done.
00:04:23What the hell? It's real.
00:04:26Are you kidding?
00:04:28How stupid do you think we are?
00:04:31No, it's real.
00:04:33We have to clear it.
00:04:35P'Pan, take a picture for me.
00:04:36Come on.
00:04:38Hold on.
00:04:40I'll take care of it.
00:04:42One, two, three.
00:04:48It's real.
00:04:53I have a show called Ghost Hunter.
00:04:57It's my secret show.
00:05:01P'Koi told me about it.
00:05:03That's good.
00:05:04What did you graduate from?
00:05:06TV or film?
00:05:08Accounting.
00:05:11But I've talked to him.
00:05:14He can be on the set.
00:05:16It's not expensive.
00:05:18But if it doesn't work, I won't do it.
00:05:21Okay.
00:05:23I've never been on the set like this.
00:05:25I don't know if you can take care of me.
00:05:28Hey.
00:05:31I'm not afraid of ghosts.
00:05:34I'm not afraid.
00:05:41There are a lot of stuff on the set.
00:06:05P'Phu.
00:06:07P'Nam.
00:06:09Hey, P'Nam.
00:06:11P'Nam, the director.
00:06:13Hi.
00:06:15You're not free?
00:06:17No, I'm not.
00:06:19I was busy with something.
00:06:21Are you ready?
00:06:23Let's go.
00:06:25I'll let you edit and film a little bit.
00:06:28I have a lot of work to do.
00:06:30Where are we going to shoot?
00:06:31Where are we going?
00:06:32Follow me. You'll find out.
00:07:01This is the place.
00:07:23They say there's a prisoner here.
00:07:25He was hanged to death by four or five people.
00:07:27Have you heard of him?
00:07:38Koi came here once.
00:07:41But he didn't have enough footage.
00:07:43So I asked him to come again.
00:07:46It's nothing.
00:07:51Let's go.
00:08:12Follow me.
00:08:14I think we should start from the stairs.
00:08:17Okay, let's go.
00:08:33It stinks.
00:08:44This is where it happened.
00:08:47A prisoner was hanged to death.
00:08:49Prisoners in this room are usually in trouble.
00:08:52If you don't help them in time, they'll die.
00:09:04It's locked.
00:09:20It looks like a cell.
00:09:22Did you hear something?
00:09:26What's that sound?
00:09:42I'm scared.
00:10:03Piang!
00:10:11Why are you so scared?
00:10:17Koi, did you hear that?
00:10:20Talk to him.
00:10:22If you can't do it, don't waste your time.
00:10:27Okay, I got it.
00:10:33I'll take a picture.
00:10:34Okay.
00:10:42He wants someone who is good at acting.
00:10:44So he can work easily.
00:10:47But did you really see it?
00:10:52I'm not sure.
00:10:55I think the atmosphere was too much.
00:11:03You can park here.
00:11:08I'll take a picture of you.
00:11:30Come here, Piang.
00:11:32Put your hand here.
00:11:33I'll open it for you.
00:11:36It's straight.
00:11:41Which button should I press?
00:11:43You can press any button you want.
00:11:45Okay.
00:11:47I'm here to take a picture of you.
00:11:49You can be a new emcee.
00:11:51Or you can be my salary.
00:11:53It's up to you.
00:11:54We're at Hong Roi Sok.
00:11:56There's an accident here.
00:12:00It happened in the middle of the road.
00:12:02Many people got hurt.
00:12:05Please drive carefully.
00:12:15Piang, are you okay?
00:12:20Piang.
00:12:23Piang, talk to me.
00:12:26Piang.
00:12:28Piang.
00:12:38Can you hear me?
00:12:42Piang.
00:12:54What do you want?
00:12:57Are you free now?
00:13:24What did he say?
00:13:28I don't know.
00:13:30I don't have any comment.
00:13:32But if it's acting,
00:13:34I think he's smooth.
00:13:36I don't know what it is.
00:13:38But I think the audience would like to see something like this.
00:13:50Why do you have to go home so late?
00:13:54I have to work with the boss.
00:13:56The staff at the office are not available during the day.
00:14:01Tian, are you free now?
00:14:03Can you dig a hole for Tam?
00:14:06He's in trouble.
00:14:07Okay.
00:14:08I'll beat you to death.
00:14:11I don't want to kill animals.
00:14:15Let's go.
00:14:18Piang, don't forget to tell your mother what we're doing.
00:14:23And don't do anything that's too cruel.
00:14:28Your mother is worried about you.
00:14:33This is a high-speed road.
00:14:35Accidents often kill people.
00:14:38Most of them happen at high speed.
00:14:40The driver is not sure which way to go.
00:14:43It's a dead end.
00:14:49I see.
00:14:50The car is about to hit the ground.
00:14:58Most of the drivers are dead.
00:15:02I can feel it.
00:15:05The dead spirits are the spirits of the dead.
00:15:11The villagers believe that the dead spirits are the spirits of the dead.
00:15:18Without the dead spirits, they can't be reborn.
00:15:23So the dead spirits have to be found.
00:15:28The dead spirits are the spirits of the dead.
00:15:35We have to go now.
00:15:40Goodbye.
00:15:44Cut.
00:15:45Okay.
00:15:46Cut.
00:15:49Tam, are you okay?
00:15:50Yes.
00:15:55Are you okay?
00:15:59Do you see the water?
00:16:02No.
00:16:07Pia, the water is here.
00:16:08Okay.
00:16:13Here you are.
00:16:14Thank you.
00:16:18I think we should go up there.
00:16:20I agree.
00:16:21Let's go.
00:16:22P'Leo, let's go up there.
00:16:25Okay.
00:16:26Let's go.
00:16:27Pia, help him.
00:16:29Okay.
00:16:37Koi.
00:16:38Yes?
00:16:39Do you see anything?
00:16:41It's so bright.
00:16:44If the ghosts come out, they will turn into fried bananas.
00:16:48Fried bananas?
00:16:50One more thing.
00:16:51I won't go to the club tonight.
00:16:54What?
00:16:55You have to go with the script.
00:16:57Okay.
00:16:58You have to go with the director.
00:17:00I have to go to the event.
00:17:03Okay.
00:17:05Don't forget to watch it.
00:17:06Okay.
00:17:07Watch it for me.
00:17:08Okay.
00:17:09Let's go.
00:17:10Okay.
00:17:25Pia.
00:17:44Let's go.
00:17:45Okay.
00:17:49Go to the front door.
00:17:50Okay.
00:18:25And then we'll have a melt-in-a-bucket event.
00:18:28Okay.
00:18:30Our mission for today is...
00:18:32We're going to slowly clean up the mess around the house.
00:18:36And then...
00:18:40Pia.
00:18:42Pia.
00:18:55Pia.
00:19:12Hey, come back.
00:19:14Come back.
00:19:16Move.
00:19:21You okay?
00:19:26Pia.
00:19:37Do you have water?
00:19:38Go get it, Pia.
00:19:41No.
00:19:55I'm okay.
00:20:12There's not only four bodies, Pia.
00:20:25Pia.
00:20:47Pia.
00:20:55Pia.
00:21:25Pia.
00:21:32How are you, Koi?
00:21:34Are you okay?
00:21:38I really saw it.
00:21:43You really saw it?
00:21:45You're such a ghost.
00:21:47If it's like this all night,
00:21:49we won't be able to finish filming.
00:21:52I didn't follow the script at all.
00:21:54Koi, what are you doing?
00:21:56Are you a movie star?
00:21:58Pia.
00:22:00The place we filmed,
00:22:02we got another one.
00:22:04Do you want to edit it first?
00:22:06Tonight,
00:22:08we have to go somewhere else.
00:22:11Are you okay, Pia?
00:22:13Or do you want to go home first?
00:22:17That's good.
00:22:19We can't do our job.
00:22:23Who can do it?
00:22:29Koi.
00:22:31I can do it.
00:22:33Let me go with you.
00:22:35I don't want to work.
00:22:37Let's go.
00:22:39I can do it.
00:22:41I can do it.
00:22:49I can do it.
00:23:05Koi.
00:23:07I think
00:23:09we can stay here.
00:23:11It's a bit messy inside.
00:23:13And we can use the toilet.
00:23:15Let's go.
00:23:17Let's go.
00:23:21You can wait here.
00:23:23So you can rest.
00:23:25Close everything and lock it.
00:23:27I'll be right back.
00:23:29It should be fine.
00:23:31Okay.
00:23:41Did you leave him in the car alone?
00:23:43He didn't call me.
00:23:45I left him alone.
00:23:47If this industry isn't strong,
00:23:49it's hard to live.
00:23:51Look at me.
00:23:53I'm a K4 driver.
00:23:55I have to be stronger.
00:23:57I have to be strong
00:23:59to do this show.
00:24:01I have to practice.
00:24:13I have to practice.
00:24:43I have to practice.
00:25:13Okay.
00:25:43Okay.
00:26:13Okay.
00:26:43Koi.
00:26:45Koi.
00:26:47Koi.
00:26:49Koi.
00:26:51Koi.
00:26:53Koi.
00:26:55Koi.
00:26:57Koi.
00:26:59Koi.
00:27:01Koi.
00:27:03Koi.
00:27:05Koi.
00:27:07Koi.
00:27:09Koi.
00:27:11Koi.
00:27:13Piang.
00:27:17I didn't see you in the car.
00:27:19What are you doing here?
00:27:27Who are you looking at?
00:27:31Don't tell me you saw another one.
00:27:41I'm sorry.
00:27:51I'm sorry.
00:28:01I'm sorry.
00:28:07It's a bad idea.
00:28:09But I think it's fun.
00:28:11If it's like this,
00:28:13we have to change the concept.
00:28:15I'll think about it.
00:28:19But...
00:28:23Well...
00:28:25It's up to you.
00:28:27It's your show.
00:28:39Piang.
00:28:51Piang.
00:28:53Can I ask you something?
00:28:55Have you ever experienced death?
00:28:59Or something like this?
00:29:03I...
00:29:05I don't know if it's related.
00:29:09I remember that I was very young.
00:29:19Come with me.
00:29:23I'll take you with me.
00:29:29Are you sure it's interesting?
00:29:33I don't know who he is.
00:29:35I don't know his family.
00:29:37Isn't it too risky?
00:29:39But I'm sure
00:29:41he has something.
00:29:43I want to try.
00:29:49You know
00:29:51that the rating of each season
00:29:53is decreasing.
00:29:55How about this?
00:29:59You can try anything.
00:30:01But you have to understand
00:30:03that this season
00:30:05is not easy.
00:30:09Where is he?
00:30:13Hello.
00:30:15Hello, P'Leo.
00:30:17Hey, Koi.
00:30:19Why are you still up?
00:30:21Not yet.
00:30:23I'm waiting for the shooting.
00:30:25Wow.
00:30:27You're so hardworking.
00:30:29I want to ask you something.
00:30:31Have you posted a video
00:30:33about the shooting?
00:30:35Yes. What's the matter?
00:30:37I want to change it.
00:30:39I want a new location
00:30:41that no one has ever been to.
00:30:43The studio in Nattasee?
00:30:45Yes.
00:30:47Koi, listen to me.
00:30:49I won't post the video.
00:30:51Go to the studio
00:30:53in front of the studio.
00:30:55Tell it to Kang Fu.
00:30:57He won't be mad.
00:31:03Hi.
00:31:05Hi.
00:31:19Do you really want to do this?
00:31:21Why?
00:31:23Why do you want me to write all night?
00:31:29How about this?
00:31:31Why don't you do the shooting by yourself?
00:31:33Really?
00:31:35Yes.
00:31:39If you don't want my part,
00:31:41you can hire me
00:31:43as a creative.
00:31:45Tell P'Leo
00:31:47that he has to hire me
00:31:49for the next project.
00:31:55Find a new driver.
00:31:57Come on.
00:31:59Are you serious?
00:32:11Say something.
00:32:13What should I say?
00:32:15Say something cute.
00:32:17What should I say?
00:32:21Nothing.
00:32:27What should I say, Koi?
00:32:29I'm so mad.
00:32:31Forget it.
00:32:33I'll do it myself.
00:32:57I'm so mad.
00:33:27I'm so mad.
00:33:57I'm so mad.
00:34:27I'm so mad.
00:34:57I'm so mad.
00:35:27I'm so mad.
00:35:29I'm so mad.
00:35:57I'm so mad.
00:36:27I'm so mad.
00:36:29I'm so mad.
00:36:31I'm so mad.
00:36:57I'm so mad.
00:37:01I'm so mad.
00:37:31I'm so mad.
00:37:37He's over there.
00:37:41He's downstairs.
00:38:01I'm so mad.
00:38:11Don't hurt us.
00:38:13Let us go.
00:38:31He left.
00:38:37But he's still around.
00:39:01How is it, Goy?
00:39:03Oh, it's awesome!
00:39:06It's perfect!
00:39:07It's perfect!
00:39:08Right?
00:39:09Yeah.
00:39:10I have something to tell you.
00:39:12Do you remember the house with 4 dead bodies?
00:39:15There's a dead body of the owner of the house.
00:39:17The police confirmed it.
00:39:18So, there are 5 dead bodies.
00:39:20But only 4 people are missing.
00:39:22It means that Pia is real.
00:39:25Goy!
00:39:26Yeah.
00:39:27Here.
00:39:28I'm going to talk to the inspector.
00:39:30You can interview him.
00:39:33Somlek said that you can be a media.
00:39:35And I'll help you promote it.
00:39:38Goy, prepare yourself.
00:39:41That's all.
00:39:42Yes, sir.
00:39:45Please come in.
00:39:46This way?
00:39:47Yes.
00:39:58Thank you.
00:40:58But there's a picture in there.
00:41:01It's said that the wife was waiting for her husband.
00:41:04But he left her.
00:41:06And he didn't come back.
00:41:07So, she committed suicide.
00:41:16Please come in, Goy.
00:41:17Goy.
00:41:23Sigh.
00:41:27When you applied for a job at this company,
00:41:30don't you know what kind of show we're shooting?
00:41:33If you want to shoot a beautiful travel show
00:41:35in a good place
00:41:36and eat delicious food,
00:41:38you don't have to go in.
00:41:42I'll help you.
00:41:44Prepare a monitor for him to sit comfortably outside.
00:41:46You don't have to go in.
00:41:47Goy,
00:41:49please ask him
00:41:51if we really have to go in.
00:41:53It won't take long.
00:41:55Okay?
00:42:16Don't worry.
00:42:19Okay.
00:42:41Sia,
00:42:42come and sit here.
00:42:47Here you go.
00:42:49Uncle, can I have a lighter?
00:42:53Goy, Goy.
00:42:57178, right?
00:43:03I think we have to write it in front of the house.
00:43:06Then you can go in.
00:43:08Goy, there's nothing in front of the house.
00:43:09You can go in.
00:43:12Let me do it.
00:43:17I'll help you.
00:43:31Pia.
00:43:35Do you see anything?
00:43:37Do you see anything, Pia?
00:43:41I don't see him yet.
00:43:47We're going upstairs.
00:43:49Check if there's a picture of him left.
00:43:54The owner's body
00:43:55should be on the second or third floor.
00:44:17P'Goy, I have to be there.
00:44:24P'Fu, P'Fu, stop.
00:44:26Can you send an uncle to pick me up?
00:44:28I'm going with you.
00:44:31I'll pick you up.
00:44:47P'Fu, P'Fu.
00:44:48Ask P'Dum
00:44:49to turn the camera to the left again.
00:44:51To the left.
00:44:53Ask P'Dum to turn to the left.
00:44:58Pia, I don't see anything.
00:45:00I'm sorry, Pia.
00:45:01I don't see anything.
00:45:10P'Fu, P'Fu.
00:45:12P'Fu.
00:45:14P'Fu.
00:45:16P'Fu.
00:45:32P'Fu, P'Fu.
00:45:33In front of you.
00:45:34In front of the camera.
00:45:36In front of you.
00:45:44P'Fu, I don't see anything.
00:45:47P'Fu, get out of there.
00:45:49Get out of there.
00:45:50I told you to get out of there.
00:45:52P'Fu.
00:46:02P'Fu.
00:46:09P'Fu.
00:46:10P'Fu.
00:46:14P'Fu.
00:46:15I'm sorry, P'Fu.
00:46:16We have to go now.
00:46:17Please let us go.
00:46:19I'm sorry.
00:46:20I'm sorry.
00:46:21We have to go.
00:46:22Please, P'Fu.
00:46:23Please.
00:46:24Please.
00:46:28Please, P'Fu.
00:46:31I'm sorry.
00:46:33Let's go.
00:46:37We have to go.
00:46:38We have to go.
00:46:39Please, P'Fu.
00:46:41Let's go.
00:46:42No!
00:46:44Let me go!
00:46:45No!
00:47:09Next time,
00:47:11if you're not sure, just say so.
00:47:14Don't be stupid when you work.
00:47:19Got it?
00:47:43You don't have to worry about me.
00:47:46You've been working very hard.
00:47:49What else can I do?
00:47:51Just come to me.
00:47:53I'll help you.
00:47:55I'm always here for you.
00:47:57Let me help you.
00:47:59I'm the only one who's done nothing wrong.
00:48:13Hello. Yes, it's me.
00:48:29Insurance? I don't think so.
00:48:33He's a freelancer and he does a lot of things that I don't do.
00:48:38Yes, so I don't have any insurance for him.
00:48:43Oh, the hospital fee?
00:48:46Well, I can help him as much as I can.
00:48:50Yes, yes.
00:48:53Oh, if he doesn't have money, you can transfer him.
00:48:58You can transfer him to any hospital.
00:49:01This is your problem. It's none of my business.
00:49:05Huh? Yes.
00:49:07Yes, yes.
00:49:10Well, you don't have to call me anymore.
00:49:14It's none of my business.
00:49:17It's none of your business.
00:49:23Beer, coffee.
00:49:25Thank you.
00:49:28Don't think too much.
00:49:31There must be a mistake at work.
00:49:38Doing a TV show is like doing a show.
00:49:42The audience wants to see something fun.
00:49:45Entertainment, like watching a car race.
00:49:48Actually, we want to see a car crash.
00:49:53We do a ghost show. The audience wants to see a ghost.
00:49:58If you don't see a ghost, where will it be fun?
00:50:01Beer.
00:50:05But we're putting our team at risk.
00:50:08Hey, life is always at risk, Beer.
00:50:12People who work here know what they have to face.
00:50:16But if anything happens, I'll take care of it.
00:50:20Beer, listen to me.
00:50:24I'll be honest with you.
00:50:27You have a special ability.
00:50:29Other people don't have it.
00:50:31I want to have it, but I don't have it.
00:50:34And your special ability is suitable for our show.
00:50:40If you're afraid of risk, take another look.
00:50:45Having you in the team may reduce the risk of the team.
00:50:49Reduce the risk.
00:50:58No one will find out that we're looking for a murderer.
00:51:02Beer, our show is a ghost show.
00:51:06It's fun and entertaining.
00:51:08It's not a news show or a nonsense show.
00:51:10No one will find out.
00:51:12Even if there is, I don't care.
00:51:15I don't care.
00:51:16I don't care.
00:51:30Here.
00:51:32Beer.
00:51:34I told you I'd give it to you.
00:51:38Beer, we all work for money.
00:51:42Everyone is valuable.
00:51:43P'Koi and P'Dam are valuable.
00:51:46If Kang Poo is sick, you have to take care of him.
00:51:50And this is yours.
00:51:54Don't think too much.
00:52:09P'Leo.
00:52:11Take it.
00:52:13If you do it right, you'll get more money.
00:52:20Just one thing.
00:52:23Don't tell anyone.
00:52:25Not even P'Koi.
00:52:43P'Leo.
00:52:58Beer.
00:53:01Today, P'Leo is in charge of Phu's photoshoot.
00:53:04Do your best.
00:53:06Okay.
00:53:08Have you read it?
00:53:10Yes.
00:53:11Yes.
00:53:13I'm going to do my makeup.
00:53:15Let's go, Koi.
00:53:38Beer.
00:53:39Yes?
00:53:41I'm sorry.
00:53:43I was too harsh last time.
00:53:48It's okay.
00:53:50You were right. I helped you.
00:53:55I'll work harder from now on.
00:54:09P'Leo.
00:54:15Today, P'Leo's show
00:54:18will prove his strength.
00:54:21We're proud to present our guest.
00:54:25Pia.
00:54:29Hello.
00:54:30Pia, introduce yourself to the camera.
00:54:32Hello, I'm Pia.
00:54:34That's right.
00:54:35Pia is extraordinary.
00:54:36Because our show has proven
00:54:39that she can communicate with the spirit.
00:54:43Right?
00:54:45Yes.
00:54:47Let's watch the highlight clip.
00:55:07Pia, say something. Don't be quiet.
00:55:11You can explain.
00:55:14Okay.
00:55:17What you see here
00:55:21is probably the medicine counter.
00:55:25And...
00:55:27This is the examination room.
00:55:31This is the examination room.
00:55:35And in front...
00:55:47Did you hear a woman crying?
00:55:57P'Leo.
00:55:58Did you hear a woman crying?
00:56:01What are you talking about?
00:56:02I didn't hear anything.
00:56:04Go upstairs.
00:56:05Did you imagine it?
00:56:07Yes.
00:56:09I'm going upstairs.
00:56:12You'll find her there.
00:56:15I don't want to go upstairs.
00:56:16Really?
00:56:21We'll go upstairs.
00:56:23You go outside.
00:56:25Follow the door.
00:56:28Follow me.
00:56:59Let's go.
00:57:01Let's go.
00:57:07Are you okay?
00:57:11Yes.
00:57:13I'm going upstairs.
00:57:15Okay.
00:57:28Let's go.
00:57:40P'Leo.
00:57:42The sound came from the ICU.
00:57:44Open the door.
00:57:59Open the door.
00:58:07The sound came from this way.
00:58:28P'Leo.
00:58:34P'Leo.
00:58:35Open the door.
00:58:37P'Leo.
00:58:58P'Leo.
00:59:25I'm leaving.
00:59:26See you.
00:59:27See you.
00:59:28Bye.
00:59:29Okay.
00:59:41It's okay.
00:59:43It's okay.
00:59:44I'm fine.
00:59:47You'll be famous.
00:59:48You won't forget me.
00:59:51There's another one next to the car.
00:59:53Do you want to take it?
00:59:54Yes.
00:59:58Take this one.
00:59:59Do you have it?
01:00:00Yes.
01:00:03Look at this.
01:00:04The camera is on air.
01:00:07The internet is talking about you.
01:00:10I think it's a good thing.
01:00:12It's on air.
01:00:13People are talking about you.
01:00:16You're famous now.
01:00:19P'Leo just told me that you called.
01:00:24Yes.
01:00:25Yes.
01:00:27Who is P'Somlek?
01:00:29He's a big guy.
01:00:33Yes, he's a big guy.
01:00:35I'm sure of it.
01:00:36How about this?
01:00:38Wait.
01:00:39Be careful.
01:00:41Don't throw away the rest.
01:00:46You'll be famous.
01:00:48You can't use it.
01:00:50You can't use it.
01:00:52Just keep it.
01:00:53Get in the car.
01:00:55Let's go.
01:00:57Wait.
01:00:58Don't throw away the rest.
01:01:00You'll be famous.
01:01:01You can't use it.
01:01:02You want me to do it alone?
01:01:03Yes.
01:01:04Get in the car.
01:01:24Na.
01:01:34Na.
01:01:35Na.
01:01:36Na.
01:01:37Na.
01:01:38Na.
01:01:39Na.
01:01:40Na.
01:01:41Na.
01:01:42Na.
01:01:43Na.
01:01:44Na.
01:01:45Na.
01:01:46Na.
01:01:47Na.
01:01:48Hey.
01:01:49Hey.
01:01:50Wait.
01:01:51Wait.
01:01:52What's wrong with Chien?
01:01:54He keeps getting worse.
01:01:56He's having a fit.
01:01:58He's behind the car.
01:02:00I just caught him this morning.
01:02:04Hey.
01:02:05Hey.
01:02:07The police are coming to arrest him.
01:02:09These guys are asking for it.
01:02:11They're asking for it.
01:02:12Stop.
01:02:13Stop.
01:02:14Get in the car.
01:02:15Take him to the police station.
01:02:16They're coming.
01:02:17Go.
01:02:18Go.
01:02:19Go.
01:02:20Go.
01:02:21Go.
01:02:22Go.
01:02:23Go.
01:02:24Go.
01:02:25Go.
01:02:26Go.
01:02:27Go.
01:02:28Go.
01:02:29Go.
01:02:30Go.
01:02:31Go.
01:02:32Go.
01:02:33Go.
01:02:51Yaya.
01:02:53Yaya.
01:02:57Did you get the letter?
01:02:59I sent it to you last night.
01:03:02I'm sorry.
01:03:04It's okay.
01:03:05I'll tell you later.
01:03:07The owner of the house is an old woman.
01:03:10She's very worried about the property.
01:03:13One night,
01:03:14a thief came to her house and killed her.
01:03:17The news is out.
01:03:19The rating should be good.
01:03:21Even the old man, Pong,
01:03:23followed him around.
01:03:26So I decided to talk to him first.
01:03:28I'm going to make a two-year contract with him.
01:03:31I'll give him a special contract.
01:03:32He'll be happy with me.
01:03:33Hey.
01:03:34Please take care of him for me.
01:03:37Give me a two-year contract.
01:03:39And give me a half-year contract.
01:03:41Please take care of him for me.
01:03:43Well...
01:03:48Shit.
01:03:49What the hell is this?
01:03:53So he left the house like this.
01:03:59Yes.
01:04:01Pi,
01:04:03if you're not ready,
01:04:05whether you see it or not,
01:04:07just pretend you see it.
01:04:09Just follow the script.
01:04:11No one will know.
01:04:12It's true.
01:04:23Koi, listen to me.
01:04:25I'll order the doctor
01:04:27to tell you again.
01:04:31Pi, if you see anything,
01:04:33just tell me.
01:04:39Now,
01:04:41we're in the first room.
01:04:47This is a girl
01:04:49who may have slept here before.
01:04:52But what I can see clearly is
01:04:55that there are still
01:04:57mold and dust.
01:04:58And...
01:05:00maybe no one has ever been here.
01:05:08Let's go to the next room.
01:05:28Okay.
01:05:43Let's go and see
01:05:45where the owner's room is.
01:05:59This is also an empty room.
01:06:01There's just...
01:06:04a frame
01:06:06and a picture frame.
01:06:08That's all.
01:06:26Are you okay?
01:06:28The owner is worried about you.
01:06:30Koi, open the door.
01:06:33Okay.
01:06:35Really?
01:06:37Yes.
01:06:39Go and help him.
01:06:58Koi.
01:07:04Pi.
01:07:06I don't feel anything.
01:07:08There's no signal at all.
01:07:10Pi, do you see anything?
01:07:14What should we do?
01:07:16Let's do this.
01:07:18Koi,
01:07:20open it.
01:07:23Are you sure?
01:07:25Yes, open it.
01:07:26Don't be afraid.
01:07:29Pi,
01:07:32isn't it too much?
01:07:34I think it's broken.
01:07:36How can it be broken?
01:07:39It's broken.
01:07:41Pi said it's fine.
01:07:43Open it.
01:07:45Koi is there.
01:07:47Okay.
01:07:56Okay.
01:08:09What was that?
01:08:15Uh-oh.
01:08:26There's someone in there.
01:08:28There's no one in there, Pia.
01:08:36Pia!
01:08:38Pia!
01:08:42Come on.
01:08:44Let's go.
01:08:48I'll help you.
01:08:50I'll help you.
01:08:52I'm in the room.
01:08:54I'm in the room.
01:08:56P'Day!
01:09:06Uncle!
01:09:24Pia!
01:09:36Pia!
01:09:38Hey!
01:09:40How are you?
01:09:44He's quiet.
01:09:46Pia!
01:09:48How are you?
01:09:50Why do you care?
01:09:54What's wrong with you?
01:10:02Why?
01:10:04I think you've gone too far.
01:10:06It's dangerous.
01:10:10Damn!
01:10:12You've gone too far.
01:10:14You talk like you're not a TV producer.
01:10:20TV?
01:10:22My TV...
01:10:24I like to force people to do this and that.
01:10:28And I like to say that...
01:10:32People like to watch this and that.
01:10:34Look at me.
01:10:36Look at me.
01:10:38I'm lying face to face.
01:10:40What if something happens to him?
01:10:42What if something happens to us?
01:10:44How will you take responsibility?
01:10:48Why don't I think about it?
01:10:50Damn!
01:10:52What do you want to know?
01:10:54I'll tell you.
01:10:56I'm a sexist.
01:11:02Yes.
01:11:04I'm a sexist.
01:11:06My uncle and I are sexist.
01:11:08I don't know if Goy knows.
01:11:10But my uncle and I...
01:11:12We're sexist.
01:11:14I've been watching this show since morning.
01:11:16He's a sexist.
01:11:18He's a sexist.
01:11:20There's nothing sexist about him.
01:11:22Why do you have to make a show about sexist people?
01:11:24I'm creating a TV show.
01:11:26I'm a sexist.
01:11:28I'm a sexist.
01:11:30I'm a sexist.
01:11:32I'm a sexist.
01:11:36What about Piang?
01:11:40You want to know?
01:11:42Go ask her.
01:11:44P'Air, do you really see it?
01:12:01You want me to see it, don't you?
01:12:04If you want me to see it, I'll show it to you.
01:12:14You want me to see it, don't you?
01:12:16I'll show it to you.
01:12:46Chanting.
01:13:04Don't worry, Yom.
01:13:06You'll wake up in a while.
01:13:09Yes.
01:13:11Bless you.
01:13:17To feel, you have to be ready for both sides, Yom.
01:13:22If one side is ready, but the other side is not, it won't work.
01:13:28The nature of the two worlds is different.
01:13:35If you don't mess with them first, they won't mess with you.
01:13:39Oh, that's good.
01:13:42If I take your brother to death, you can't help me.
01:13:48At that time, something may come back to him.
01:13:53Every day, he may still be around you.
01:13:57But he won't do anything to you.
01:14:00You show mercy and give charity.
01:14:04When he is ready, he will go by himself.
01:14:15Yom takes this coin and chants every day.
01:14:19If you don't want to see it again, you have to keep it.
01:14:31Yes, sir.
01:14:33Yes, sir.
01:14:35Yes, sir.
01:14:37Yes, sir.
01:14:39Yes, sir.
01:14:41Yes, sir.
01:14:43Yes, sir.
01:14:45Yes, sir.
01:14:47Yes, sir.
01:14:49I will hurry to give it to his relatives.
01:14:53Thank you very much.
01:14:55Yes, sir.
01:15:00Koi.
01:15:05Koi, do you know about Uncle Chua?
01:15:09Did you know that he had a heart disease?
01:15:12Yes.
01:15:14Check it later.
01:15:16Yes.
01:15:18Follow his relatives to deal with the body.
01:15:22Don't tell his relatives what's wrong with him.
01:15:25Just tell them that he has a heart disease.
01:15:28Don't tell them that he ran inside.
01:15:30Yes.
01:15:32Koi, one more thing.
01:15:34Don't tell Piem about this.
01:15:37Let him finish his work first.
01:15:39Yes.
01:15:41Check it and bring it to me.
01:15:43That's all.
01:15:45Always.
01:15:52Piem.
01:15:53Yes.
01:15:54What should we do today?
01:15:55It's the last day.
01:15:57Piem.
01:15:59Are you coming?
01:16:02If I don't go today, you will be in trouble, right?
01:16:05Piem, think about it again.
01:16:07Don't forget to tell me.
01:16:09The staff at the factory will be here at noon.
01:16:12I will send you an email.
01:16:15Yes, Piem.
01:16:31Ten years ago,
01:16:33there was a huge gas explosion.
01:16:35Eighteen workers were killed.
01:16:39The bodies were scattered all over the factory.
01:16:42The owner, Mr. Ladda,
01:16:45was able to survive,
01:16:47but he couldn't stand the economic crisis
01:16:50and his debts.
01:16:52So he decided to hang himself.
01:17:06Pat.
01:17:09This is Dave.
01:17:11This is Tan.
01:17:12Hello.
01:17:14This is Piem.
01:17:15This is Jin.
01:17:17Prepare yourself.
01:17:19You will be touched.
01:17:22Two of them are here.
01:17:24Because P'Dam left last night.
01:17:27He left with you.
01:17:29Don't worry.
01:17:30Find a place to eat.
01:17:32I'll talk to him.
01:17:33Okay.
01:17:35Let's go.
01:17:41Let's go.
01:17:45Let's go.
01:17:49Let's go.
01:18:06Let's go.
01:18:09P'Joi.
01:18:10Mr. Ladda is the owner of this factory?
01:18:14Did he hang himself here?
01:18:17No.
01:18:18He hanged himself at the hospital.
01:18:22What's wrong, P'Piem?
01:18:25Did anyone come here before?
01:18:27No.
01:18:28It's been ten years.
01:18:31We sneaked in here.
01:18:33Let's go.
01:18:42P'Leo.
01:18:45P'Piem said that
01:18:47this place is different from other places we've been to.
01:18:51They don't want us to come in here.
01:18:54Really?
01:18:56Is there any place they want us to come in?
01:19:00No.
01:19:01It's more than that.
01:19:03There are people who died of natural causes.
01:19:06And...
01:19:08people who died of envy.
01:19:09Really?
01:19:10Yes.
01:19:11That's why I'm here.
01:19:15People who died of envy.
01:19:17Come here.
01:19:18Come here.
01:19:19The more, the better.
01:19:22Do you have anything else to say?
01:19:26P'Leo.
01:19:27You shouldn't do this.
01:19:29There must be people who are still worried about us.
01:19:32Especially when we haven't done anything yet.
01:19:34No one has come to release us yet.
01:19:36Really?
01:19:37That's even better.
01:19:39Our show will be exciting.
01:19:42You should know that
01:19:44your job is to communicate
01:19:47and ask for permission to come in.
01:19:51I think it's time.
01:19:55Pan.
01:19:56Def.
01:19:57Get ready.
01:19:58Come on.
01:20:01P'Leo.
01:20:02I really can't come in this time.
01:20:09Do you remember what I told you at the hospital?
01:20:15That's even better.
01:20:16Now you can talk to people.
01:20:19But P'Leo...
01:20:24You don't care about me, do you?
01:20:26You don't care about anyone, do you?
01:20:28What do you mean by that?
01:20:30P'Leo.
01:20:31How about this?
01:20:33Let Pia sit here.
01:20:36Wait here.
01:20:37Look at the monitor.
01:20:39If you see anything, tell me.
01:20:41I'll go by myself.
01:20:43Koi.
01:20:44How can you go?
01:20:45Will you communicate with the ghost?
01:20:47No.
01:20:48I'll...
01:20:49Huh?
01:20:50I'll record my feelings.
01:20:52Then I'll decide.
01:20:54Koi.
01:20:56Hey, Pia.
01:20:57It has to be this way.
01:20:58It has to be a different way.
01:20:59Otherwise, it won't end.
01:21:01Trust me.
01:21:02I'll go by myself.
01:21:03It's okay.
01:21:04Koi.
01:21:05You stay in front of the monitor.
01:21:06Tell me if you see anything.
01:21:07Okay?
01:21:08No, Koi.
01:21:09Come on, Pia.
01:21:11We have to go in and record.
01:21:13This is the best way for everyone.
01:21:16Let's go.
01:21:46Go.
01:21:47No one can hear you now.
01:21:48Answer me.
01:21:49You can do it.
01:21:50You can do it.
01:21:51You can do it.
01:21:52Guard him.
01:21:53No one will hear you anyway.
01:21:54Guard him.
01:21:55You speak so loudly, my ears hurt.
01:22:00Didn't you see anything?
01:22:01There he is.
01:22:02Go.
01:22:03I'll take care of the camera.
01:22:04Lock the door.
01:22:05Give the phone to him.
01:22:06Let him price us.
01:22:07Please.
01:22:08Out.
01:22:09We'll get there before they can.
01:22:10Oh, die or survive.
01:22:11Let's go.
01:22:12Lock the door.
01:22:13Open.
01:22:14Lock the door.
01:22:15You're a good boy.
01:22:19Hey, hey, hey!
01:22:24P'Ryu, is there another way out?
01:22:30Listen carefully.
01:22:33Find the evidence of Ladda.
01:22:45Find the evidence of Ladda.
01:22:56It's so smelly.
01:22:58P'Ryu, it's more smelly than before.
01:23:03I think there's another tunnel.
01:23:06I'm going to the middle.
01:23:15I'm going to the middle.
01:23:28Koi, tell me what's going on ahead.
01:23:30P'Ryu, I saw it.
01:23:51You saw it? Good.
01:23:54Go to the red light three times.
01:24:01P'Ryu, if you do that, I'll challenge him.
01:24:05So?
01:24:07Go to the red light three times.
01:24:15Hey, I think we'd better not.
01:24:20Are you afraid?
01:24:21I'm not afraid.
01:24:24P'Pan, go to the red light three times.
01:24:30I?
01:24:32Go to the red light three times.
01:24:35I?
01:24:37You're a good boy.
01:24:40Hey, take a picture of me.
01:24:43Don't show your face.
01:24:46I'll show you.
01:24:48One.
01:24:50Two.
01:24:52Koi, come out now.
01:24:56Three.
01:24:58It's so smelly.
01:25:00I can't do it.
01:25:11Please come out.
01:25:12I can't do it.
01:25:14Koi, turn right.
01:25:16Find out where the sound comes from.
01:25:29P'Jack, don't play with me.
01:25:39Koi, you don't have to come out.
01:25:40Hold the camera and walk into the bucket.
01:25:43No, you have to come out now.
01:25:46P'Jack, P'Pan, come out now.
01:25:48If anyone comes out, I'll kick him out.
01:25:50Don't come in. I'm your employer.
01:25:52You don't have to listen to others.
01:25:56The sound should be this way.
01:25:59Just walk in.
01:26:04Hey, where are you going?
01:26:05Where are you going?
01:26:09Koi.
01:26:11Koi.
01:26:18Koi.
01:26:23Koi.
01:26:26Koi, can you hear me?
01:26:29Koi.
01:26:31Koi, can you hear me?
01:26:33Koi.
01:26:35Koi.
01:26:37Koi.
01:26:39Koi.
01:26:41Koi.
01:26:43Koi.
01:26:45I don't know.
01:26:58Koi.
01:27:00Koi.
01:27:01Koi.
01:27:02Koi.
01:27:04Koi.
01:27:07Koi.
01:27:08Koi.
01:27:10Koi.
01:27:16Koi.
01:27:18Koi.
01:27:21Koi.
01:27:23Koi.
01:27:24Koi.
01:27:25Koi.
01:27:26Koi.
01:27:27Koi.
01:27:28Koi.
01:27:29Koi.
01:27:30Koi.
01:27:32Koi.
01:27:34Koi.
01:27:40Koi.
01:27:43Koi.
01:27:44Koi, can you hear me?
01:27:46Koi.
01:28:00You bitch! Where are you?
01:28:03Where are you?
01:28:05You wanted to see me, didn't you?
01:28:07You wanted to see me, didn't you?
01:28:10Where are you? Come out!
01:28:13Come out!
01:28:21Come out! I dare you to come out!
01:28:30Come out!
01:29:00I dare you to come out!
01:29:21Everything is a result of karma.
01:29:24Everything is a result of karma.
01:29:27When a person is born, no one wants to die.
01:29:31But when he dies,
01:29:33it's normal that some people are still worried,
01:29:37still grieved, still attached to something.
01:29:43If he meets someone he can communicate with,
01:29:47maybe he will show himself to us.
01:29:51We have to see if that person is the karma of karma
01:29:57or just a part of it.
01:30:02Sometimes he shows up because he wants us to pray for him.
01:30:08He wants to get merit.
01:30:11So he prays for the merit.
01:30:16Or if we can communicate,
01:30:18we ask him what he wants.
01:30:21If it's not more than what he wants,
01:30:24we do it for him.
01:30:26So that we don't become karma in this life.
01:30:40Hello.
01:30:41Hello.
01:30:42This is Mr. Red.
01:30:44How are you?
01:30:45Give him the document.
01:30:48Thank you.
01:30:52Wait a minute.
01:30:55Read it.
01:31:03I think it's a very good offer.
01:31:08And it's a good opportunity for the second season and the next season.
01:31:15What about P'Rieo's company?
01:31:19To be honest,
01:31:22if I don't sign the contract,
01:31:24I won't let P'Rieo's company do it.
01:31:29But don't worry about him.
01:31:31Because I have a lot of other things for him to do.
01:31:41What about the design of the show?
01:31:46Like the last tape at the abandoned factory, it's not bad.
01:31:51Do you know that the rating of that tape is very high?
01:31:59Or if you have a new idea,
01:32:04you can suggest it to me.
01:32:06You can consult with P'Koi.
01:32:12If I get you,
01:32:14I mean,
01:32:16if I get you,
01:32:19I won't be worried.
01:32:20And if we sign the contract today,
01:32:22we'll do it for many years.
01:32:27And I'll tell you,
01:32:29there are many things to come.
01:32:33Game show, TV show,
01:32:36event,
01:32:38show,
01:32:40publishing, interview,
01:32:42there are a lot of benefits for you.
01:32:47But don't worry about that part.
01:32:49I'll take care of it.
01:32:54And...
01:33:07That's the original number
01:33:09that we offer to you.
01:33:15Can you sign it?
01:33:26Do you feel better?
01:33:28No.
01:33:30I have to try again.
01:33:33That's good. So you don't have to worry.
01:33:39Thank you.
01:33:46P'Dum,
01:33:49if there's another show like this,
01:33:51would you like to do it?
01:33:54Another show like this?
01:33:57No.
01:34:09I'm sorry.
01:34:40I'm sorry.
01:34:41I'm sorry.
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