Red Dwarf S04 E01 - Camille
Transcript
00:00I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song, and then I'm going to play a little bit of this song,
00:30and then I'm going to play a little bit of this song, and then I'm going to play a little
00:43bit of this song.
00:46OK, let's try again.
00:49What is it?
00:50It's a banana.
00:51No, it isn't.
00:52Trying again.
00:53What is it?
00:54It's a banana.
00:55No, it isn't.
00:56What is it?
00:57It's an ooo.
00:58It's an ooo.
00:59It's no good, sir. I just can't do it.
01:01You can do it. I'm going to teach you how.
01:03Okay, what's this?
01:05It's an app.
01:06No, no, no. What is it?
01:08Oh, it's no good, sir. I just can't lie.
01:10I'm programmed always to tell the truth.
01:12It's easy. Look. An orange.
01:14A melon.
01:16A female aardvark.
01:18Oh, that is just so superb, sir.
01:20How do you do that?
01:22Especially calling a banana an aardvark.
01:24An aardvark isn't even a fruit.
01:26It's total genius.
01:29Let's start again.
01:31Sir, my head is spinning. We've been doing this all morning.
01:33Frightened? I am going to teach you how to lie and cheat.
01:35It is the last thing I do.
01:37I'm going to teach you to be unpleasant, cruel and sarcastic.
01:39It's the only way to break your programming, man.
01:41Make you independent.
01:43But I'm truly grateful, sir.
01:45Don't you think I'd love to be deceitful, unpleasant and offensive?
01:47Those are the human qualities I admire the most.
01:49But I just can't do it.
01:51You can.
01:53I can't.
01:55Look, what's this?
01:57Come on, what is it?
01:59It's a small off-duty Czechoslovakian traffic warden.
02:03Yes, you did it, you did it.
02:05What's this?
02:07It's a red and blue striped golfing umbrella.
02:09Yes, what's this?
02:11It's an apple.
02:13No, what is it?
02:15It's the Bolivian Navy on manoeuvres in the South Pacific.
02:17All right, man, you can do it.
02:19No, I can't.
02:21Oh, nice one.
02:23Well, I can't hang around here.
02:25I'm going for a walk.
02:27I can do it. I did it again. I can lie.
02:29Come here, come here. Check this, check this.
02:31Check what?
02:33Concentrate, Crichton.
02:35What's this?
02:37It's a banana.
02:39What's this?
02:41It's an orange.
02:43What's this?
02:45You taught him that?
02:47That's terrific.
02:49You two should audition for What's My Fruit.
02:51You did it wrong, man.
02:53I just can't do it.
02:55You can, you just did it.
02:57I just can't do it, not when there's someone else there.
02:59What's a suitable human analogy?
03:01It's like trying to urinate in a public lavatory
03:03when you're standing next to a man two foot taller than you.
03:05It's just not possible.
03:07What are you trying to do exactly?
03:09He's trying to teach me how to lie, sir.
03:11Any particular reason?
03:13Yeah, lying's a vital part of your psychological defence system.
03:15You're naked without it.
03:17If you can't lie, then you can't conceal
03:19your true intentions from other people.
03:21Sometimes that's essential.
03:23Take Nelson, when he put the telescope up to his blind eye
03:25and said, I see no chips.
03:27Or Humphrey Bogart at the end of Casablanca
03:29where he lies to Victor Laszlo
03:31to protect the guy's feelings.
03:33I understand the theory, sir.
03:35How many times have you made me watch that movie?
03:37I understand that it can be noble to lie.
03:39I just can't do it.
03:41You can't, look.
03:43What's this?
03:45It's a banana.
03:47It always has been a banana, it always will be a banana.
03:49It's a banana.
03:51Yes, sir, have you got Crichton there with you?
03:53Yeah, what's the prob?
03:55The problem is I've been waiting fully 20 minutes
03:57for him in the hangar.
03:59Oh, spin my nipple nuts and send me to Alaska.
04:01I'm supposed to take him asteroid spotting.
04:03I'll be right down, sir.
04:05You'd better be.
04:07Now, Crichton, remember yesterday's class?
04:09An introduction to insults?
04:11Now, how do we describe the gentleman
04:13who's just been on the screen?
04:15He's Mr...
04:17He's a...
04:19He's a...
04:21He's a...
04:23He's a...
04:25He's a...
04:27I did it!
04:29Brutal.
04:31Now, the ultimate test.
04:33Can you say it to him in person?
04:35Ah, Crichton, at last.
04:37Glad you could make it this millennium.
04:39Smirk.
04:43Smirk.
04:45Smirk.
04:47What?
04:49You're a smirk.
04:51Oh, forget it.
04:57Crichton, is there any possibility
04:59we can go just a little bit faster?
05:01I mean, so we're not being overtaken
05:03by stationary objects?
05:05Sir, you're a smirk.
05:09A smirk.
05:11A smirk.
05:13A smirk.
05:15A complete and total one.
05:17Hang about.
05:19I'm picking something up. Some kind of distress beacon.
05:21I copy that, Hull.
05:23A quadrant four, niner, seven. What is it?
05:25Hard to tell, but whatever it is,
05:27it appears to be marooned on a planet
05:29in decaying orbit. What's the safety margin?
05:31The planet will explode in about two hours.
05:33Forget it. It's too dangerous. Crichton, head for home.
05:35We can't just leave them there, sir.
05:37There may be survivors.
05:39Leave it, Crichton. That's an order.
05:43What are you doing?
05:45I'm not plotting a course, sir. Nor am I taking her down.
05:47Yes, you are.
05:49Neither am I rendezvousing with the crashed vessel,
05:51nor seeking for survivors.
05:53Crichton, you are committing an act of mutiny.
05:55I could have you dismantled for this.
05:57Smeagol!
05:59Oh, damn my programming.
06:01We're not back yet?
06:03It could have been hours.
06:05No sign. What are you watching?
06:07Just a vid. This is a classic, man.
06:09What is it?
06:11Tales of the Riverbank, the next generation.
06:13Oh, right. I've seen this.
06:15It's not as good as the original.
06:17Well, they never really found anyone to replace
06:19Hammy Hamster, did they?
06:21No, couldn't they? The dude was a diva.
06:23He smouldered. The camera loved him.
06:25Yeah.
06:27Well, I don't know.
06:29The camera loved him.
06:31Yeah. He was Rodan's equivalence of Marlon Brando.
06:33Whatever happened?
06:35Whatever happened to old Hammy?
06:37One minute he's a huge star running around on his own personalised gold wheel,
06:39with as much E-dam as he could hold in his little cheeks.
06:41The next?
06:43Obscurity.
06:45Everyone on the slide.
06:47The series ended. Couldn't find any more work.
06:49And then the ultimate humiliation.
06:51Hamstergrams.
06:55Well, thanks a bunch.
06:57That's a smegging buncheroonie.
06:59Rimmer, where are you?
07:01That idiot droid has endangered this entire vessel
07:03by landing on a planet that's about to explode,
07:05thanks to your foundation course
07:07in advanced rebellion.
07:09Why?
07:11So he can go and search some starship escape vessel
07:13because there's a million to one chance
07:15there may be a survivor.
07:17What, and you let him go off on his own?
07:19Of course I let him go on his own.
07:21I was glad to get rid of him. He's flipped.
07:23He's got mad droid disease.
07:25Well, he's got a female aardvark.
07:27Ah, well,
07:29you'd better get after him then, hadn't you?
07:31He might need some help.
07:33Lister, this is all your fault.
07:39Hello?
07:41Is there anyone here?
07:43Can anyone read me?
07:45Oh dear,
07:47what a terrible mess.
07:55Oh,
07:57Mr. Rimmer, sir.
07:59Sir?
08:11I thank you from the very bottom
08:13of my rehydration units.
08:15You saved my life.
08:17You responded to my distress call. You saved mine.
08:19My name is Kryton.
08:21They call me Camille. Pleased to make your acquaintance.
08:23You're the 4000 series?
08:25Yes, I'm the 4000 series GTI.
08:27GTI? Oh, wow.
08:29I'm just the plain old 4000 series.
08:31You've got all the luxury extras,
08:33like realistic toes and a slide-back sunroof head.
08:37Why are you looking at me like that? Is there something wrong?
08:39Sorry.
08:41Stare mode cancel. It's just you have
08:43really amazing eyes.
08:45Well, they're just the old
08:47579s with the automatic
08:4915 F-stop cornea.
08:51If you wanted them out, you could borrow them.
08:53Heck, what a jerky thing to say.
08:55I don't believe you would ever
08:57say anything which I would consider jerky.
08:59Really? Really.
09:01Wow.
09:03Listen, I know this is going to sound like a corny line,
09:05but has anyone ever told you that the
09:07configuration and juxtaposition of your features
09:09is extraordinarily apposite?
09:11You really know all the lines, don't you?
09:13No, I really mean it.
09:15The way the light catches the angles in your head,
09:17it's enchanting.
09:19My name is Crichton. You already said.
09:21Oh, yes. Gosh, you must think me
09:23as stupid as a photocopier.
09:25So, where are the crew?
09:27What happened here?
09:29Crichton, do you believe in advanced mutual
09:31compatibility on the basis of
09:33a primary initial ident?
09:35You mean what humans call love at first sight?
09:37That would be an adequate synonym, yes.
09:39Well, up until a few moments ago,
09:41I would have said it had a probability of zero squared.
09:43And now?
09:45This gantry is unstable.
09:47I suggest you hang on to me.
09:49Oh, what is that fragrance?
09:51It smells divine.
09:53WD-40.
09:55I knew it. That's what I use
09:57on my neck hinges, too.
09:59Crichton, this shouldn't be happening.
10:01Do you feel it, too?
10:03Do you mean the 93.72% compatibility factor?
10:05I make it 93.75.
10:07Oh, yes. I forgot to carry the three.
10:09Then say it.
10:11I want to hear the words.
10:13Oh, but it sounds so ridiculous coming from a mechanoid.
10:15It's a machine language.
10:17Okay. In Z80012, using hex
10:19rather than binary and converting to a basic
10:21ASCII code, Camille,
10:23I think I E5 A9 O8
10:25B7 U.
10:27You really mean that?
10:29Camille, I'd do anything for you.
10:31I'd compute a three million digit prime
10:33number with prime roots if I thought it would make you happy.
10:35I'd evaluate pi to infinity
10:37if it would make you smile.
10:39Oh, Crichton, you make the most romantic calculations.
10:41Crichton, can you read me?
10:43What's happening?
10:45There are others?
10:47Yes. Why? What's wrong?
10:49I can't meet them.
10:51What do you mean?
10:53The two of us alone, we could make that work.
10:55Please don't ask me to explain.
10:57But, Camille, this whole planet is about to blow.
10:59There isn't time.
11:01Please, I can't meet your shipmates.
11:03Trust me.
11:05But you don't know them.
11:07You don't like them.
11:09Well, some of them.
11:11Crichton, please don't make me do this.
11:13I'm begging you.
11:15Now, just relax.
11:17Everything's going to be fine.
11:19Mr. Rimmer, sir.
11:21Where the smeg have you been?
11:23Mr. Rimmer, sir, this is Camille.
11:25Camille, this is Second Tech Rimmer.
11:27She saved my life, sir.
11:29Yes, well.
11:31Howdy.
11:33Howdy.
11:35You see?
11:37I told you.
11:39Howdy.
11:41You see? I knew you'd get along, didn't I tell you?
11:43Well, we haven't got much time.
11:45I better go and start up the engines and get us clear of the impact zone.
11:47I'll come with you.
11:49No, no, no, no. You wait here and get acquainted.
11:53Can I get you anything?
11:55Or anything?
11:57No, no, no, I'm fine, thanks.
11:59I just can't believe I've met another hologram after all these years.
12:01Yes.
12:03I'm a second technician aboard that crane.
12:05Second technician? That's what I am.
12:07I always wanted to go further,
12:09but I'm a real dope when it comes to exams.
12:11Me too.
12:13So, uh,
12:15what do they call you?
12:17Well, my first name's Arnold,
12:19but the guys just generally call me Duke.
12:23Duke?
12:25Yes, well, they don't call me Duke absolutely all the time.
12:27In fact, sometimes months can elapse
12:29and they won't call me Duke at all.
12:31So don't call me Duke in front of anyone,
12:33because they might have forgotten.
12:35You know that they call me Duke.
12:37Sorry, I'm blabbering. I'm not very good at small talk.
12:39I think you're perfectly charming.
12:41Do you?
12:43Well, thank you.
12:45No one's ever said I was charming before.
12:47They've said, Rimmer, you're a total git.
12:51But never charming, no.
12:53Well, I think you're very charming.
12:55Really?
12:57Very, very charming.
12:59Well, thank you.
13:01Um, thank you.
13:03All right, he's getting off.
13:05Excusez-moi.
13:17She's quite something, isn't she, sir?
13:19She's enchanting.
13:21You think so?
13:23She's got everything. Style, taste, poise.
13:25She's absolutely lovely.
13:27Oh, I'm so glad you think so, sir.
13:29I don't mind telling you,
13:31there's some romance in the air.
13:33You sly old dog, Cridy.
13:35I think you're right.
13:37I'm sure her nose is a little loose,
13:39but to me, that's just cute.
13:43I'll tell you something.
13:45She's so like my sister-in-law, Janine, it's untrue.
13:47Camille looks like your sister-in-law?
13:49What happened?
13:51Was she involved in some kind of horrific car accident?
13:55Who, Janine?
13:57No, of course not. She was a model.
13:59She looks like Camille?
14:01Absolutely. The resemblance is uncanny.
14:03What did she model? Spark plugs?
14:05I happen to think she's very attractive.
14:07You do?
14:09Certainly.
14:11Do you think I'm attractive?
14:13You, of course not.
14:15I think you look like a giant, half-chewed, rubber-tipped pencil.
14:19Well, you can think what the heck you like,
14:21because there are some people in this big old wide cosmos
14:23who happen to think I'm pretty amazing-looking,
14:25especially in the eye department.
14:27Aye, thank you so very much.
14:41You're back ahead.
14:43Ah, sir, you haven't met our visitor, Camille.
14:45Hi.
14:47Well, if you'll excuse me, I'll go and prepare your quarters.
14:49The penthouse suite on A-deck should suffice.
14:51Yeah, well, this looks fine.
14:53If you'd just like to remove your clothes,
14:55we'll begin the examination.
14:57Sorry, Dave Lister, ship surgeon.
14:59You're a surgeon?
15:01Well, I'm not fully qualified,
15:03but I've seen every episode of St. Elsewhere.
15:05Still, if it makes you feel uncomfortable,
15:07you know, we can completely dispense
15:09with the physical examination
15:11and go straight for the malpractice.
15:13So just lie back, relax,
15:15and I'll go and turn on the laughing gas.
15:17What you want, giggles or guffaws,
15:19it's all the same to me.
15:21Something tells me you're not really a doctor.
15:23What gave it away?
15:25The fact that I've gone fully ten seconds without patronising you?
15:27This is...
15:29This is weird, you know.
15:31The last two human beings in an infinite cosmos
15:33who may have to bump into each other.
15:35Yeah, it is weird, isn't it?
15:37And you realise we have an awesome responsibility.
15:39We do?
15:41Yeah, sure we do. We've got to rebuild the human race
15:43as quickly as possible.
15:45Do you want to start now, or do you want to clean your teeth first?
15:49And they say romance is dead.
15:51Hey, the prospect of making love
15:53to a complete and total stranger
15:55is just as galling to me, you know.
15:57You've got to be completely professional about this.
15:59Totally clinical and unemotional.
16:01So just lie back, relax,
16:03and I'll go and slip into my Spider-Man costume.
16:05Ah, Listie,
16:07I see you've met our ravishing guest.
16:09Camille,
16:11have you seen Crichton?
16:13He went up to the penthouse meet on A-Day.
16:15Thanks muchly.
16:17Camille.
16:19It's just a silly thought, really,
16:21but I thought perhaps after you've settled in and you're feeling up to it,
16:23we could pop up to the projection room
16:25and I could talk you through my photo collection
16:27of 20th century telegraph poles.
16:29Yeah, or if you fancy a slightly more entertaining even,
16:31you could just let them take you outside
16:33and shoot you through the head.
16:35As it happens, Listie,
16:37Camille is into telegraph poles
16:39every bit as much as I am.
16:41Especially the 1952 Phase Fours
16:43with the triple reinforced wire.
16:45Listie, you're into telegraph poles?
16:47Of course not.
16:49You see, what did I tell you?
16:51And she's also a big fan of Reggie Wilson.
16:53What? You like Hammond organ music?
16:55It's mindless, Pap.
16:57Absolutely amazing, eh?
16:59Reggie Wilson, telegraph poles,
17:01it's uncanny how much we've got in common.
17:03Are you OK, Remy?
17:05Never better.
17:07Where is he? ADEC?
17:09Ciao for now.
17:11What was all that about?
17:13You know, you were saying one thing
17:15and Remy was hearing another.
17:17How do you do that?
17:19You'd probably have worked it out eventually.
17:21I'm a pleasure gelf.
17:33Hey, what's going on, buddy?
17:35A razorhead tells me she's a mechanoid
17:37and Captain Sadness makes out she's a hologram.
17:39Well, she's both of those and neither of those.
17:41She's a gelf.
17:43A genetically engineered life form.
17:45She's a pleasure gelf. Creates to be everyone's
17:47perfect companion.
17:49Everyone who looks at her perceives her differently.
17:51You see what you want to see, Guy.
17:53What you most desire.
17:55Are you telling me if I go into that room,
17:57I'll see my perfect mate?
17:59Yeah, and she'll fall instantly in love with you.
18:01What exquisite treasure of loveliness
18:03lies behind those doors?
18:05Well, no one knew a six-foot Valkyrie warrior maiden
18:07in scanty armour with a cleavage
18:09that you can ski down.
18:11It's damn uniquely dreadful.
18:13Well, here goes.
18:21Hi, buddy.
18:25Yo, Mickey.
18:27I only objected to my own valour.
18:29Can you think of anyone more deserving?
18:31Well, if you put it like that,
18:33I guess you're right. Damn my vanity.
18:39What did you see?
18:41Oh, just some gorgeous chunk of loveliness.
18:43Come on, what did you see?
18:45Oh, what a body.
18:47What did you see?
18:49My legs are still shaking.
18:51Someone get me a brandy.
18:59Well, I should have guessed.
19:01It was all a mighty bit too strange.
19:03I mean, actually meeting someone
19:05who didn't want to vomit all over me
19:07and complete loathing and disgust.
19:09I shouldn't take it so personally, sir.
19:11It's the same for all of us.
19:13We've all been made to feel foolish,
19:15used, chewed up and spat out.
19:17Look, she didn't mean us any harm.
19:19She can't control how we see her.
19:21She's a mirror for our obsessions.
19:23Holly, what did you see?
19:25I didn't see anything. I don't think I got any desires.
19:27Either that or me screen was foggy.
19:33I guess I owe you all an apology.
19:35Sorry, Dave.
19:39Sorry, Duke.
19:41Sorry, buddy.
19:43Heartbreaker!
19:45I told you it wouldn't work, right?
19:47And if there were others?
19:49You're the one who's hurt the most.
19:51You're not used to these emotions.
19:53Why did you lie to me?
19:55Because I felt something really special for you.
19:57Something I'd never felt before.
19:59I knew if you saw me as I really was,
20:01you'd be repelled.
20:03Turn away and I'll change.
20:05I'll change to what I really am.
20:11I'm ready.
20:19This is what I really look like.
20:21Oh.
20:23What do you think?
20:25Well, I think you look really nice.
20:27Nice?
20:29She looks like something that dropped out of the sphinx's nose.
20:33He's right.
20:35I'm just a huge green blob.
20:37True, but as huge green blobs go,
20:39I think you're really cute.
20:41I don't believe you.
20:43Okay, so you're never going to get on the cover of Vogue,
20:45but, hey, neither am I.
20:47I think you're really sweet.
20:49You're lying.
20:51I can't lie. I'm a mechanoid.
20:53You really don't think I'm repulsive?
20:55Of course not.
20:57There are some humans not as attractive as you.
20:59Take Carl Molden.
21:01And he was a famous actor.
21:03You think this changes anything?
21:05Camille, I'd be really grateful
21:07if you would join me for dinner tonight.
21:09You mean that?
21:11Parrot's Bar on G-Deck.
21:13I'll meet you there at eight.
21:15Flats or heels?
21:23I can't believe he's really going through with this.
21:27Look, if Crichton wants to take an amorphous green blob
21:29for a discreet teta tentacle,
21:31I say good luck to him.
21:33I mean, me too.
21:35I mean, we all react differently, don't we?
21:37When Steve McQueen met the blob, he tried to kill it.
21:39He probably never crossed his mind
21:41trying to take it out to a restaurant.
21:43I have a great idea.
21:45They should go to a sushi bar.
21:47At least that way, the food won't look better than his date.
21:51Sir, I respect your sense of dress more than anything,
21:53and I'd really appreciate your opinion of this outfit.
21:55Crichton,
21:57if I was going out with a large bowl of green slime,
21:59that's how I'd dress.
22:01Thank you, sir. That means a lot to me.
22:03Well,
22:05don't wait up.
22:26Isn't this enchanting?
22:28Oh, Crichton.
22:30Do you think we can make it, you and I?
22:32It's the old, old story.
22:34Droid meets droid. Droid becomes chameleon.
22:36Droid loses chameleon. Chameleon becomes blob.
22:38Droid gets blob back again.
22:40It's a classic tale.
22:42A toast, my love.
22:44To us.
22:56Oh.
23:03Casablanca.
23:05What a movie.
23:07I must have seen it a thousand times.
23:09Lister used to use it as part of my course.
23:11It's littered with examples of how lying can be noble.
23:13From now on, my angel,
23:15Casablanca will be our movie.
23:17Sorry to gooseberry, Crichton,
23:19but we've got a visitor down in the hangar.
23:21He wants to see Camille.
23:23I was going to tell you, Crichton.
23:25Truly, I was.
23:27You have a husband?
23:29We're androgynous, but I suppose you could call him my husband.
23:31Hector has a brilliant mind.
23:33He's been working on an antidote for our condition for years.
23:35Hector's a blob, too?
23:37We're both blobs, Crichton.
23:39I left him a long time ago.
23:41I thought he'd given up looking.
23:43He must really think a lot of you.
23:45I guess.
23:47So what are you going to do?
23:49I'm going to tell him I met someone else.
23:51I'm going to tell him I'm staying here with you.
23:59Mr. Lister, sir, would you be so kind
24:01as to take Camille's bag on board?
24:03Say it to me, Crichton.
24:05Anything you say.
24:07Why my bag, Crichton?
24:09Because you're getting on that craft with Hector, where you belong.
24:11No, Crichton.
24:13Now, you've got to listen to me.
24:15Do you have any idea what you've got to look forward to if you stay here?
24:17You're saying this only to make me go.
24:19Both know you belong to Hector.
24:21You're part of his work. You're what keeps him going.
24:23If you're not on that craft when it leaves the hangar,
24:25you'll regret it. Maybe not today,
24:27maybe not tomorrow, but soon, for the rest of your life.
24:29What about us?
24:31We'll always have parents.
24:33Oh, Crichton.
24:35I'm no good at being noble, kid,
24:37but it's pretty obvious the problems of two blobs
24:39and a droid don't amount to a hill of beans
24:41in this crazy cosmos.
24:45Are you ready, Camille?
24:49I'm ready.
24:51Goodbye, Crichton. And bless you.
25:03You were lying, Crichton.
25:05Yes, it hurt to do it, but it was her best shot at happiness.
25:07It's the old, old story.
25:09Droid meets droid.
25:11Droid becomes chameleon.
25:13Droid loses chameleon. Chameleon turns into blob.
25:15Droid gets blob back again. Blob meets blob.
25:17Blob meets blob with blob.
25:19And droid loses blob, chameleon, and droid.
25:21How many times have we seen that story?
25:25I suppose you're going to blame me for all of this, aren't you?
25:27Yes, I am. Without your lessons,
25:29without your bananas and your movies and your aardvarks,
25:31none of this could have happened.
25:33You're a complete and total smeghead.
25:37Oh, Crichton, you just insulted me.
25:39Yes, I can lie, cheat, and be offensive now.
25:41Crichton,
25:43this could be the start of a beautiful friendship.
25:47It's cold outside.
25:49There's no kind of atmosphere.
25:51I'm all alone.
25:53More or less.
25:55But let me fly.
25:57I'm far away from here.
25:59Fun, fun, fun.
26:01It's fun,
26:03fun, fun.
26:05I want to live.
26:07Share the plexiglass with Toad.
26:09Drinking fresh mango juice.
26:11Goldfish shows.
26:13Dipping up my toes.
26:15Fun, fun, fun.
26:17It's fun,
26:19fun, fun.
26:21Fun,
26:23fun, fun.
26:25It's fun,
26:27fun, fun.