Gelin Capitulo 32 (en Español) LA NOVIA
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🎥
Short filmTranscript
00:00Thank you so much for joining us and we'll see you next time.
00:30Thank you so much for joining us and we'll see you next time.
01:00Thank you so much for joining us and we'll see you next time.
01:30Thank you so much for joining us and we'll see you next time.
02:00I'm here.
02:24I told him. The dagger is on the way.
02:31Who is this man?
02:33He came all the way to the mansion.
02:35What does he have to do with the dagger?
02:47Yes, who are you looking for?
02:50I'm here to settle Cemil's debt.
02:52Your brother has no pay, got it.
02:55You will pay now.
02:56You will pay now.
03:00Okay, I'll pay. I promise.
03:02But I can't pay right now.
03:04You need to give me a little more time.
03:06Are you kidding me?
03:08Did I come here for nothing?
03:11Look, I don't have any money to give you right now.
03:14I promise, I'll pay.
03:16But you need to give me a little more time, please.
03:18You're sitting in the mansion.
03:20You're still crying because you don't have any money.
03:22Okay.
03:24I'll go to your husband then.
03:26Don't do this, please.
03:28My husband should never hear this, please.
03:37I'll pay you, I promise.
03:40I'm sick of this game now.
03:42It's your brother's debt.
03:56Where is my aunt?
03:58In her room.
04:00Did something happen to her?
04:02No, but it's going to happen.
04:04It's going to be a disaster in this house.
04:06A disaster.
04:16Did you drink with a broken glass?
04:18No, I didn't drink with a broken glass.
04:20I didn't drink with a broken glass.
04:22I didn't drink with a broken glass.
04:24Did you drink with a broken glass?
04:28I don't understand.
04:30The glass is broken, don't you see?
04:33I'm so sorry, I'll change it right away.
04:35I didn't notice.
04:37That's the point anyway.
04:39You don't notice.
04:41Who is good, who is right, who is respected, who is not.
04:46You don't notice.
04:50Aunt, I saw something like that.
04:53What?
04:59Take it, I don't want it.
05:04And close the door.
05:12It's done.
05:14New bride.
05:16Her departure will be as fast as her arrival.
05:24New bride.
05:35God, what am I going to do?
05:37How will I get rid of these debts?
05:40I'm sinking, I'm sinking.
05:48God damn it.
05:50You're on my side now.
05:54Who's calling now?
05:59It's started.
06:03Hello.
06:05Hello.
06:07Aunt, my brother-in-law's suitcase came all the way to the door.
06:11So?
06:13Where did he find the address?
06:15If you ask him, he'll show you, right?
06:18He wants the money tomorrow.
06:20If you don't give it, he'll ask your husband.
06:21How am I going to stop this man?
06:23He must have found his way.
06:25The one who comes home goes to the company.
06:27Aunt, help me, for God's sake.
06:29What am I going to do?
06:31How am I going to get rid of this man?
06:33If your daughter is so afraid, you will act before her.
06:36How?
06:38Go tell your husband.
06:40My brother is sick, I have a debt.
06:42He will give the money because he will hear it.
06:46Never.
06:48I'd rather die.
06:49Never.
06:51I'd rather die, I don't want anything like that.
06:53It's not like that.
06:55If you don't want to be smart, why are you calling me?
06:57I told you how to get that money in the evening.
07:00If you have a mind, you can get that 5 million without him bothering you.
07:10This place is disgraceful.
07:20Men are waiting at the door of your son.
07:24It's a disaster.
07:26It's good if he just waits.
07:28He's threatening.
07:30He says I'll tell your husband, I heard it with my ears.
07:32He's begging me not to tell him.
07:35Whatever he's hiding from the world.
07:37It's obvious.
07:39He's been dragged from where he went to here.
07:42He's been dragged from where he went to here.
07:48But the point is not to make it public.
07:53The world won't believe us anymore.
08:02We have to figure out how to convince him.
08:13There was no account, but with this excuse, we both passed the check, Cemil.
08:18What an intention, what a fate, son-in-law.
08:21But don't tell anyone anything, they'll be worried.
08:24Okay?
08:26Okay, especially the dagger.
08:28He's very fond of you, he'll be upset.
08:30Once the checks come out, we'll talk.
08:32We'll talk, we'll talk.
08:34So what are we going to do now?
08:36I say we have lunch.
08:38A new restaurant has opened nearby.
08:40I've been wanting to go for a long time.
08:42Their food is very delicious.
08:45I mean, I didn't know now.
08:48What happened?
08:50Did something happen?
08:52No, nothing happened.
08:54I can't be comfortable in such places.
08:56It's gloomy, it's so bright.
08:59The chair I sit on sinks to me.
09:01I know myself.
09:03Brother Cemil.
09:05Can I tell you something?
09:07Me too.
09:09Let's do this then.
09:11Let's go somewhere we can both relax.
09:13Let's do that.
09:15Come on.
09:24How was she to you, Cihan?
09:26She doesn't even look at my face.
09:32But I know.
09:34I'm upset.
09:35When that girl is gone, we'll be fine on our own.
09:38Cihan is just a little confused.
09:41Cihan would have seen the real man instead of you.
09:45Then he would have come to his senses.
09:48He can still see.
09:50How?
09:52Didn't the man go?
09:54Camera recordings.
09:56Bahçeli's camera.
09:58He must have recorded everything, right?
10:00But your father said it was broken.
10:02I wonder if it was done recently.
10:03I'll call my father right now.
10:05He should find out.
10:07Wait, wait. Don't rush.
10:09Are we going to wait?
10:11Aren't we going to reveal the real face of that girl?
10:13No, we're not going to wait.
10:15But if he does something wrong this time,
10:17we'll go to that girl's place.
10:19So?
10:21Are we going to keep quiet?
10:23Are we going to wait for Cihan to find out?
10:25No, he'll find out.
10:33Not from you.
10:46Are you comfortable now?
10:48I swear, he's such a great son-in-law.
10:51Thank you.
10:56Thank you.
10:58Thank you.
11:01Do we drink ayran?
11:03Of course.
11:05Sir, two ayrans, please.
11:07Right away, sir.
11:13Now I'm comfortable.
11:17You understand human knowledge.
11:20I entrusted my brother to the right person.
11:27Thank you.
11:29We look a lot like each other with the dagger.
11:32He doesn't care about luxury either.
11:35My sister can be satisfied with a little.
11:38For years,
11:40we've been through a lot.
11:42We've been through a lot.
11:44That girl didn't even say off once.
11:49When my grandmother died,
11:52the dagger was 10-12 years old.
11:56It was gone.
11:58I worked.
12:00She cooked.
12:02She washed.
12:04She fixed.
12:06It wasn't enough.
12:08She took care of me.
12:10It's not easy to deal with me.
12:12My understanding is a little poor.
12:15She always turned us into daggers.
12:17She didn't smile.
12:19That's why I sometimes call her little mother.
12:22The value of my brother
12:24is priceless to me.
12:26I mean,
12:28my brother is different.
12:31That's why
12:33I rejected him at first.
12:35But when he came
12:37and said he loved me a lot...
12:42Did he say that?
12:44Yes.
12:46He said the same thing.
12:48I have a thin neck
12:50against love.
12:52I know the dagger.
12:53If he didn't love me,
12:55this wouldn't happen in this world.
12:57If two worlds came together,
12:59it wouldn't happen in life.
13:02But thank God,
13:08one of them was enough for us.
13:12When he said that,
13:14I got emotional.
13:16I wish my dagger was here.
13:19One day, we'll go out together.
13:21It's easy.
13:23Let's make a phone call.
13:25Is it necessary?
13:27We'll say hello.
13:29Don't worry.
13:31I don't talk about doctor stuff.
13:33We'll say we're going out.
13:35Maybe he's not available.
13:37If he's not available, he won't answer.
13:39Let's call him.
13:41But I don't have a phone.
13:43Are we going to call him from me?
13:45Aren't you his husband?
13:53No.
14:09Go to Yayıldiveli's mansion.
14:13Your dagger will be on sale soon.
14:23Let's go.
14:54He's not answering.
14:56It's obvious he's not available.
14:59Give it to me.
15:02I'll get the phone.
15:05Yes?
15:07Brother?
15:09His brother's daughter.
15:11How are you?
15:13Say hello.
15:15Hello.
15:17Your brother insisted,
15:19so we had to call.
15:21But I guess you're not available.
15:24I'm in the garden.
15:28We're just walking around.
15:30We came to the chicken rice shop.
15:32Your son-in-law's lover
15:34took his wife out for a walk.
15:36Well done.
15:38But...
15:40Bon appetit.
15:42How did you meet?
15:44You came the other day.
15:46We made a promise there.
15:48Forget it.
15:50It doesn't matter.
15:51Your brother insisted,
15:53so we had to call.
15:55But I guess you're not available.
15:57Okay.
15:59I'll kiss you.
16:01We'll talk later.
16:03I'll turn off the speaker and give it to your son-in-law.
16:05You must have something to talk about.
16:07I can't hear you.
16:13If you need anything,
16:15let me know.
16:17No, I have everything.
16:19Don't be late.
16:22Okay.
16:29God, please show me a way out.
16:36How is it?
16:38Did you like the rice?
16:40He's a great son-in-law.
16:42He's as good as you said.
16:44We'll come again one day.
16:46Sure.
16:48We'll have a son-in-law day.
16:51Okay.
16:57Good luck.
16:59Where are my mother and Beyza?
17:01They just left.
17:03Where to?
17:05I don't know.
17:07But Beyza came out in a hurry.
17:09They stood up a little bit.
17:11Then they lined up and left.
17:14It wasn't a hurry.
17:16She was in a different mood.
17:19What do you mean?
17:21I don't mean to be a gossip.
17:23Don't get me wrong.
17:25I was worried about that, too.
17:27What were you worried about?
17:29He said the world will end in this house.
17:42Ms. Yonca.
17:44Mr. Musait.
17:46Excuse me.
17:48I was going to ask for a file,
17:49but I'll take it myself.
17:51No way.
17:53I'll delete it right away.
17:55It's not something to do at work anyway,
17:57but I'm sorry.
17:59No, no.
18:01You go on.
18:03Besides, this color suits you very well.
18:05Thank you.
18:07Somewhere in the evening?
18:09No, no.
18:11I like to take care of myself.
18:14Then this preparation is not in vain.
18:16You also put on the ready necklace.
18:17I'll take you somewhere in the evening.
18:19Sure.
18:25Nusret.
18:27Sister.
18:30What is it?
18:32Ms. Yonca just joined us.
18:39Come on in, sister.
18:45Welcome.
18:47Welcome, dear.
18:49Hi.
18:52As we discussed in the evening.
18:54Of course.
19:00Did you know he was working here?
19:03I just learned.
19:05What would you like to drink?
19:07I don't want anything.
19:09Wait, dear. Maybe your aunt will drink.
19:11It's a long story.
19:13I'll get a coffee.
19:14Let her make it for you.
19:16That's not her job.
19:18She brings tea.
19:23Bring me a cup of coffee.
19:27Well, it's good to see you like before.
19:30It's good.
19:33Well, they didn't waste it because it was there in the past.
19:37The wind turned the other way.
19:40What's up?
19:42We're getting rid of that girl called the dagger.
19:45But we need your help, dad.
20:07God.
20:19Did you see our apprentice closed the shop and left?
20:22We were embarrassed.
20:24Let's do this. I have a small pipe.
20:26Let me make a cup of tea.
20:28Thank you. It's late. I'll go.
20:30You know.
20:32Say hello to my dagger.
20:33But don't tell the doctor. He's among us.
20:36Of course. Don't worry. I remember.
20:39Thank you for everything, son-in-law.
20:42Go carefully.
20:45What's up, Yakup?
20:51Our son-in-law.
21:04God bless you.
21:25God.
21:27What happened to this shop?
21:33I don't know.
21:41It will come again tomorrow.
21:43The people in the mansion will hear.
21:45Everyone will hear.
21:50We're just wandering around, dear.
21:53We came to the chicken rice shop.
21:55Your son-in-law is going to wander around Kayınçosu.
21:59God bless you.
22:01I can't.
22:03I have to do it.
22:15That's the situation.
22:17You'll tell the rest.
22:19What are we going to do?
22:21I'm wondering about something else now.
22:23Didn't you ever investigate this girl?
22:27I did.
22:29But I don't know what she's up to.
22:30We trusted you.
22:32We got our daughter married to a street sweeper.
22:36Okay, dad.
22:38My aunt just found out.
22:41We made a mistake.
22:43We're looking for a way out of our mistake.
22:46Are you going to put a stone?
22:48Are you going to stretch your hand?
22:50Tell me. I'll sit according to that.
22:52Never mind.
22:56Look, she's looking at me.
22:57She won't hold that hand other than me.
23:00What's your order? Tell me.
23:04We're in the lead now.
23:06If we show Cihan these images, he'll never believe it.
23:10That's why you have to show him.
23:24Okay.
23:25Okay.
23:27I got it.
23:29I'll say, I saw it while checking the cameras.
23:32I'll say, who's the man next to this woman?
23:36But first, let's call the technical service.
23:39They'll send us the images.
23:47This is something Cihan will never accept.
23:50Trading secretly with a stranger.
23:53This may be the only way to send the girl.
24:23What's up?
24:47What happened? Why did you come?
24:49You told me not to be late.
24:50I thought you'd be late.
24:52I didn't want my brother to be with him.
24:59I'm aware. Don't worry.
25:01I talked to him like that because he was with him.
25:05Were you going to say something?
25:09Thank you.
25:11You volunteered tonight.
25:13You didn't ask for the copyright from Engin.
25:16It's a nice move.
25:18You surprised me.
25:21Didn't you expect it from me?
25:25You said it wasn't a bribe.
25:28It's very nice of you to appreciate what you've done.
25:31But don't worry.
25:33I'll make good use of that money for you.
25:37No, I don't think there's a need for that.
25:41No, there isn't.
25:43We both don't need that money.
25:45You know that.
25:46That's why I'll donate it to the Child Abuse Foundation on your behalf.
25:54I guess you didn't talk to Engin.
25:58Are you done?
26:00What happened? Did something happen?
26:05I...
26:11I asked Engin for the copyright.
26:13I got it from Engin.
26:15Is that so?
26:20So he couldn't call you when the phone was off.
26:25It's your right.
26:27I offered Engin anyway.
26:32I'm going to ask you something.
26:36Why did you change your mind?
26:39I had to.
26:43I had to.
26:50I'll report it to the accounting department.
26:52It'll be in your account tomorrow.
26:59I'm going to ask you something.
27:01I'm sorry.
27:05Either answer me or don't.
27:08You're free to do that.
27:10But is there anything else you won't sell in this life?
27:25Yes.
27:27But I can't tell you that.
27:30I don't think you're me.
27:33I hope you are.
27:39I hope you are.
28:09I hope you are.
28:40Welcome, Cihan.
28:46Aysu?
28:48Who's here?
28:50Cihan is here.
28:52He went upstairs.
28:54Put the cake you just made on a plate.
28:57Take it to him.
28:59You'll thank him.
29:01Okay.
29:09Okay.
29:26What's going on?
29:28You shouldn't have come so early, Cihan.
29:30I think it's good that he came early.
29:35I haven't seen my son since this tragedy.
29:39He's changed a lot.
29:41But don't worry.
29:44When he learns all his talents,
29:46he won't be able to take his shoes off.
30:04I'm going to do this for you.
30:07I'm telling my daughter that you've made a great contribution.
30:10To my day as a trader.
30:15Cihan?
30:17Come, Aysu.
30:24I made a cake today.
30:26I wanted to bring it to you.
30:28I wanted to thank you.
30:32We've had a lot of trouble lately.
30:36But my mother and I are grateful to you.
30:42It's over.
30:44It's not worth talking about.
30:46If you really want to thank me,
30:48thank your mother.
30:50Okay?
30:52You can bring a cake once in a while.
30:54It may be unimportant for you,
30:56but it's not for us.
30:58You stood behind us.
31:00You trusted us.
31:02Most importantly,
31:03you were like a brother to us.
31:05You're such a good person
31:07that God gave you five like you.
31:09They call it a soul mate.
31:11Just like you two.
31:13You and sister Hancer.
31:19Aysu.
31:21You're a very good-natured girl.
31:23But I recommend you to be a brother.
31:26Keep your ears closed.
31:28Nothing in life looks good from the outside.
31:30Be yourself.
31:31Don't trust anyone without knowing them.
31:38Otherwise, they'll kill you.
31:42They'll turn you into a merciless person.
31:57Mr. Cihan wasn't hungry.
31:59He didn't want to eat in his room either.
32:01Do you want me to serve him?
32:03Maybe he'll eat later
32:05since you didn't serve our soups.
32:09He hasn't come out since last night.
32:11Is he sick?
32:13Should we go and check?
32:15Didn't you hear? He's not hungry.
32:17If he's sick,
32:19he'll say he's sick, right?
32:26Oh, God.
32:28Whose dinner is it?
32:32Oh, Nusret. Welcome.
32:34Oh, dad.
32:36Aren't you going to say something?
32:41You didn't say welcome.
32:43At least serve him.
32:45I was going to ask.
32:47I won't sit.
32:49I came to see Cihan.
32:51Isn't he home yet?
32:53He's home.
32:55He's a little tired.
32:57He went to his room to rest.
32:59Then I'll go with him.
33:01It's about work anyway.
33:03Let's not bother you.
33:05Well, if that's the case,
33:07you talk, nephew.
33:09Come on.
33:26I said I wouldn't eat, Fatima.
33:27I said I wouldn't eat, Fatima.
33:30What is this tension, my lion?
33:36Was it you?
33:38What's up?
33:40Is it too complicated?
33:43We're working on a new series.
33:47Is this the new series?
33:50It's nice, but...
33:52it's different.
33:54Where did you find it?
33:55Who did you draw it for?
33:57It's pretty good.
33:59I saw it somewhere.
34:01We worked with the professionals in the workshop.
34:10I'm listening to you.
34:12Actually, I could meet you at the office tomorrow.
34:15But I didn't have time to wait.
34:18There's something I want to talk to you about.
34:21I guess it's important.
34:22I guess it's important.
34:24If it's only about Beyza.
34:26No, son.
34:28That subject is closed.
34:32It's not about Beyza.
34:35Look, Cihan.
34:37We're a family.
34:39We yell, we call.
34:41She comes back.
34:43We fight.
34:45But at the end of the day, she comes back.
34:47We put our backs against each other.
34:49The subject is different.
34:52What is it?
34:54The subject is...
34:56your new bride.
34:59I mean, your wife.
35:01I don't understand.
35:03Can you be more explicit?
35:06One of the employees at the center
35:08saw something while cleaning your outdoor images.
35:12She didn't let it get to her.
35:14She called me.
35:16She wanted to warn me that something might go wrong.
35:18Let me cut to the chase.
35:20See for yourself.
35:22You'll understand better when you watch what I say.
35:49Hello.
35:51I'm Cemil's sister.
35:53Send me your account number.
35:55I'll transfer the money to your account tomorrow morning.
35:57Don't you dare come to this mansion again.
36:01Do you understand?
36:10I mean...
36:12don't get me wrong.
36:14I'm not trying to hide anything.
36:16I brought these images so that nothing would go unnoticed.
36:20After all,
36:22she's one of our family now.
36:24She has your last name.
36:27Maybe she has a relative or an acquaintance.
36:31She knows me.
36:33She doesn't call anyone.
36:35Well, if you say so.
36:37After all, I did my uncle's job.
36:40I'm responsible now.
36:41She's out.
36:46I won't take up any more of your time.
36:48You get back to work.
36:50Good luck.
37:04Why hasn't my father come down yet?
37:07He'll only make you watch.
37:09He'll only tell you.
37:11What if they make a scene?
37:13Cihan, what if he gets up to defend Kondulu that night?
37:16Beysa, you're thinking about these things.
37:19And then you make me worry.
37:25Dad?
37:27What did Cihan say?
37:29Did he watch?
37:34Wait a minute, dear.
37:39Let's have some coffee, Nusret.
37:41Gülsüm.
37:47Three nice coffees for us.
37:50Right away.
37:53I mean, when he stood up so much,
37:55he said to us,
37:57I wonder if they had a fight.
37:59There wasn't anything wrong, was there?
38:01Just like we talked about.
38:03I said someone from our technical team saw it.
38:06When I opened the image,
38:08his voice was cut off.
38:09So, what did he say?
38:11Did he react?
38:13Wait a minute, dear.
38:15It's like you don't know your husband at all.
38:17When does Cihan start acting like a partner?
38:20Besides, a man wouldn't do that.
38:22Even if he had an uncle,
38:24he wouldn't let his pride get the best of him.
38:27Would he keep quiet to not let his pride get the best of him?
38:30Wouldn't he ask Varos for an account?
38:32He's not allowed to sit down.
38:35He's stuck.
38:37He's officially stuck on the chair.
38:39He's stuck on the chair.
38:44When I left the room,
38:46he had a look at the screen.
38:48We set the fuse.
38:50It's about to explode.
38:52I'll wait until the evening or morning.
38:54That's all I'll say.
39:10Here you go, Uncle.
39:12Wow.
39:14It's a full-fledged coffee.
39:18Enjoy it.
39:39I love you.
40:09But is there anything else you wouldn't sell in this life?
40:12I don't think you're me.
40:40That's how you escape your sleep, Mr. Cihan.
40:43And I'll sleep well for the first time tonight.
41:10Is there no one else?
41:12Mine made breakfast early to go to school.
41:15Ms. Sinem went to drop her off.
41:17She'll probably get off at the station now.
41:20Cihan, let her know.
41:22Mr. Cihan isn't here.
41:24He left early.
41:26Did he?
41:28At this hour?
41:30Yes, he did.
41:32What time did he leave?
41:34I don't know.
41:36I don't know either.
41:37Did he leave?
41:39At this hour?
41:41It was very dark.
41:43I got up early to knead the dough.
41:45I heard a car.
41:47I looked and Mr. Cihan was leaving.
41:49Anyway, okay.
41:51Go get the tea.
41:53I'm leaving, Fatima.
41:56Good morning, Ms. Sinem.
41:59Where are you going with this tray?
42:02To the old house.
42:04Fatima told me to get ready.
42:05Okay.
42:07I don't want it.
42:09Go and eat.
42:15I'm so sorry.
42:20It's been an hour.
42:22Why didn't you bring tea?
42:24Why are you whining early in the morning?
42:31Cihan got up.
42:33He went to work early in the morning.
42:35My father said so much.
42:37He doesn't care.
42:39The other one is set up there like a lady.
42:41He's carrying a tray on his feet.
42:43Let's be happy here.
42:45Is that the problem?
42:47Can't you see, aunt?
42:49The girl has her eyes and mouth tied.
42:52Men are coming to the door.
42:54She doesn't move her hair.
42:56She doesn't even wonder what they're talking about.
42:58When I fired Fatima,
43:00did she ever make a sound?
43:02Did she ever shout?
43:03What did she do?
43:05She threw her dresses in front of me.
43:07She did the same when I gave her the envelope.
43:11And in front of the household.
43:13The man who made you fall in love with me.
43:16Wasn't there a punishment for that night?
43:23You squeezed your teeth so much.
43:25Be a little more patient.
43:27Come on, sit down now.
43:29Let's have breakfast.
43:33Come on.
43:46Ms. Ancel, are you home?
43:53Ms. Ancel, I brought your breakfast.
44:04God.
44:06Where is this girl?
44:08Why doesn't she hear?
44:11Ms. Ancel.
44:15I'm sorry.
44:18I hope you didn't steal too much.
44:20It doesn't matter.
44:23You don't look well.
44:26Are you sick?
44:28No, I'm fine.
44:29I couldn't sleep last night.
44:31I guess that's why I got up a little early.
44:34I'm sorry I kept you waiting.
44:39Ms. Ancel.
44:41Did something happen?
44:43Mr. Cihan sent me, sir.
44:45He wants me to take you to the company.
44:47Why?
44:49Did he say anything?
44:51He didn't say anything.
44:53We just need to hurry.
44:59Okay.
45:13That woman is making me so uneasy.
45:15That snake called the dagger.
45:17She put an agent in us.
45:19Even if we breathe, she'll let us know.
45:21I'm sure of it.
45:23I don't know if she sees the new lady of the house anymore.
45:25I don't know.
45:27Don't think about it.
45:30It's a shame for you.
45:32When Cihan kicks that girl,
45:35he and his daughter will come to us.
45:41But then I'll kick him so hard
45:46that he won't forget his pain even if a year passes.
45:56Ma'am.
45:58There's news. News.
46:00Tell me what it is.
46:02I was taking the new bride to breakfast.
46:04He opened the door and there was a living corpse.
46:06I don't know what he's up to now.
46:09I did it in the morning.
46:11He said I didn't even blink.
46:16Anything else?
46:18Is that what you call news?
46:20No. I was just having breakfast.
46:22The driver came.
46:23Mr. Cihan called the company in a hurry.
46:25So much so that he sent the rest of the breakfast tray back.
46:35The day comes and goes.
46:39It's time for that snake to pay.
46:54The day comes and goes.
47:05Hancer.
47:07Hi, dear. Where are you going?
47:09I'm going to the company.
47:11To Cihan.
47:13There's no problem, is there?
47:15He said to come urgently.
47:17I don't know what happened.
47:19Oh my God.
47:24Okay, honey. I won't hold you. See you later.
47:48You should have poured water behind him.
47:50I just asked where.
48:02Where is it?
48:04Where will it be?
48:06His destination is clear now.
48:08To the right place.
48:15To the bridge.
48:19To the bridge.
48:20To the bridge.
48:48Hello.
48:51I know.
48:53I know. I'll be there.
48:56I promised.
48:59Let's talk when I get there.
49:01I'm somewhere else now.
49:10Will it take longer?
49:16Are you in a hurry?
49:18My brother is waiting.
49:21I don't think he's your brother.
49:27I won't ask who you're talking to.
49:29He doesn't care why you took the money.
49:33If you do something to stain my name and honor, the price will be very high.
49:39Staining?
49:41What do you mean?
49:43I'm saying around you.
49:44I know.
49:46Someone who believes that beauty will pay for it.
49:50Someone who benefits from it.
49:52Don't. Don't go on.
49:54What happened?
49:56Did it hurt?
49:58I just warned you.
50:00It's too much.
50:03I don't deserve this.
50:06Sell yourself to a million.
50:09I hope you have an explanation for what happened.
50:14Come in.
50:20Which floor did they come from?
50:23Take it in.
50:27Here you go.
50:44I'm sorry.
50:53Morning coffees were really good.
51:03Oh, foamy, foamy.
51:06Perfect coffee.
51:08Gülsün, when you're done with Fadime,
51:11go and pick up that girl's diapers.
51:15It'll be easy on the way.
51:17If you say so, ma'am.
51:19You know there's no key.
51:22Then put a suitcase in front of the door.
51:25If he's not stupid, he'll understand what we mean.
51:33Mom, where's the dagger going?
51:36Güya, you live with us in this house.
51:41Leave us alone.
51:43Don't you know the skills of your beloved?
51:47What does that mean?
51:49It means that one day everyone will return to where they came from.
51:54To the earth,
51:56to the river,
51:58to the garbage dump.
52:02Come on, drink your coffee.
52:11Come on.
52:23Sit down.
52:42What happened?
52:44Why did you call me all of a sudden?
52:48I'm going to ask the questions here today.
52:54Why are you looking at me like that?
52:58Have you ever lied to me?
53:02Where did this question come from?
53:06Never mind where it came from.
53:08Answer my question.
53:12No.
53:15Then I hope you won't tell me.
53:39Do you have an answer for this?
53:45Where did you find these images?
53:48Is this the first thing that comes to mind?
53:51Someone noticed and told me.
53:54Who saw it?
53:56It doesn't matter what he said.
53:58The result is important to me.
54:00Look, we're here.
54:02We're alone and we're side by side.
54:05You can talk.
54:06Tell me.
54:10Who is this man?
54:12What is what?
54:13Why did he come to my house?
54:15I want to know your name, your identity, everything.
54:26Come on.
54:28Answer me.
54:34I can't tell you.
54:37Okay.
54:39Let's put all these questions aside.
54:42There's something I'm curious about.
54:49I've been thinking about these images since last night.
54:54What did my wife talk to this man?
54:58I'm asking you one by one.
55:01You haven't lied so far.
55:04Now answer me.
55:06Tell me.
55:10Look.
55:15What is this man telling you here?
55:17Come on, tell me.
55:19Answer me.
55:24He says I told your husband.
55:28Okay.
55:30What did you say to me?
55:32It doesn't matter.
55:36My husband shouldn't hear.
56:06Okay.
56:36Okay.