MHN ARIZEIS TH MOURMOURA | S11 - EPS. 50 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 50 HD
MHN ARIZEIS TH MOURMOURA | S11 - EPS. 50 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 50 HD
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00:00[♪ Mourmoura by Eleni Anagnostopoulou ♪ ♪ music playing ♪♪♪♪♪♪♪♪♪♪♪♪♪
00:30♪♪♪
00:40♪♪♪
00:50♪♪♪
01:01I'm not well.
01:02What am I going to do?
01:03What am I going to do?
01:04WHAT AM I GOING TO DO?
01:05First of all, you're going to stop your nonsense
01:07and you and your father, because you've broken my nerves.
01:09What did I do?
01:10You follow her like a dog and you annoy her more, Babis.
01:12It's my fault again.
01:13What's wrong with you, dad?
01:14I'm an incompetent, useless...
01:16Please, please.
01:17You're neither incompetent nor useless.
01:19You're right. I'm a failure.
01:21Come here, come here.
01:22Why are you a failure?
01:23Why, my love?
01:24Because you don't have a job in the office yet.
01:26Calm down, my child. Be patient.
01:27Customers will come.
01:28They're not customers.
01:29You're right, my child. They're not customers.
01:30Learn Greek.
01:31And what are they?
01:32They're patients.
01:33They're patients.
01:34It's okay, kids.
01:35Whatever their name is, we're going to ruin them now.
01:36Your father is right.
01:37Be a little patient.
01:38At first, it's hard.
01:39Yes, my love.
01:40Don't worry.
01:41Everything will be fine.
01:42Be patient.
01:43Why should I not worry, dad?
01:44I've been open for so many months
01:45and I've only had three patients.
01:46Okay, okay.
01:47Listen to me.
01:48When Litsa opened the bar,
01:49she drank coffee for six months.
01:50She drank all day.
01:51Now why are you telling me this?
01:52To make me lose my mind?
01:53Of course, because Litsa
01:54at the moment we're talking, she's going crazy.
01:56Listen to me, Litsa.
01:57Look at me.
01:58When I was a kid,
01:59the first year I opened a driving school,
02:00I had ten students.
02:01And then what happened?
02:02Then I was successful.
02:03Because ten students
02:04got their diplomas with honors.
02:06So where do we end up?
02:07Where do we end up?
02:08That I'm a bad psychologist.
02:10We want the same things, my love.
02:12Patience.
02:13It takes a little time
02:14for people to see you.
02:15That's all.
02:16Yes, but the expenses run, mom.
02:17Every month.
02:18Forget the expenses.
02:19Here we are.
02:20No, dad.
02:21I don't accept it.
02:22Why?
02:23Because you've already done a lot for me.
02:24And at some point,
02:25you're going to stop.
02:26Until the sun goes down.
02:28Concentrate, mom.
02:29You sent Ilias on a hunt
02:31with Anipsios in Brilis.
02:33I repeat.
02:34With Anipsios in Brilis.
02:35With the four girls.
02:37Yes.
02:38He's been chasing him
02:39since the morning.
02:40I'm going to put him in jail,
02:41my boys.
02:42What am I going to do?
02:43What can I say, mom?
02:44I call you at night
02:45and he doesn't answer.
02:46What am I going to do?
02:47Mom, let me tell you.
02:48They left for Colombia.
02:51Yes, mom.
02:52I talked to Soy.
02:53Leave me alone.
02:54Leave me alone, please.
02:55Oh, my God.
02:56What am I going to do?
02:57What am I going to do?
02:58What am I going to do?
02:59Oh, my God.
03:04Brilis Theoulis?
03:06Who's Brilis?
03:07Anipsios, my mother?
03:08And your brother.
03:09And I hope very soon,
03:10my friend.
03:11Who gave you these words?
03:12Brilis.
03:13This boy.
03:14Just by looking at him,
03:15you realize that he's a human being.
03:17A little soul.
03:18Did you understand everything?
03:20Immediately.
03:21My son, Brilis.
03:22You are looking for a criminal,
03:23and you are looking for a thief.
03:24And your name is not Brilis.
03:25Because my name is Boulis,
03:26what does it mean?
03:27Am I also a criminal?
03:28Why don't you answer the phone?
03:30I have it on mute,
03:31unbiased law,
03:32because you're chasing.
03:33I see.
03:34And you went up the mountain
03:35and you became a hunter.
03:36I won't be a hunter
03:37because I don't carry weapons.
03:38As Brilis also told me,
03:39I don't carry them.
03:40But this boy is so sensitive.
03:42That's what Brilis told you.
03:43He doesn't carry weapons.
03:44He doesn't carry them.
03:45Yes, that's right.
03:46Revsitoula.
03:47Yes.
03:48We climbed this hill.
03:49We walked this mountain.
03:50What a mess! We haven't seen the wild boar.
03:53We haven't seen the wild boar because it's not hunting season.
03:56Now we're going fishing.
03:57You don't know how to hunt.
03:58What is a hunter?
04:00There's a bar with a trident.
04:02A trident.
04:04You met the trident?
04:06We became friends.
04:07Oh, you became friends.
04:08Nice.
04:10I know you're jealous because I found friends.
04:14I would have told you to come.
04:16But now we're a couple.
04:18We call each other Ala.
04:19Please tell me exactly what you call each other.
04:23Ala.
04:24Come on, tell me. I want to hear it.
04:26Come on, you won't understand.
04:28Why?
04:30If you knew where I came from to bring you this, you wouldn't be talking now.
04:34Thank you very much.
04:35You're welcome.
04:36Nice.
04:37Let me tell you.
04:38Is there someone else in the company?
04:41Yes, there's Brylis, Triantafyllos, Alekaras.
04:45Alekaras, Alekaras.
04:47Nice.
04:48You have such cousins and you never introduce them to me.
04:51Brylis, Triantafyllos, Alekaras and Boulis.
04:56And from what I hear, Boulis doesn't fit.
04:59What am I going to do?
05:01Find a vase with flowers.
05:03And stop being jealous.
05:05Come on, you're jealous.
05:08Oh, my God.
05:11Wow, wow, wow.
05:13Are you going to give me away?
05:15To give you the game?
05:17It's gone.
05:18What's gone?
05:19My beret.
05:20It's gone in the morning when I was washing my hands in the office.
05:24Oh, you've lost a couple of pounds and your fingers are getting stronger.
05:27I don't think I'm getting stronger.
05:29You'll see.
05:31I just don't understand.
05:32That I've lost a pound? Me too, Simon.
05:34No.
05:35That you keep wearing your beret.
05:37And why doesn't he wear it?
05:39Because he's not married anymore. He's a pauper.
05:41But he was married for almost 50 years.
05:44Vangelis is right.
05:45Boulis and I have been together for a lifetime.
05:48It was the last year.
05:50This belongs to the past.
05:52It's our past that has brought us here.
05:55We don't record it.
05:57Did I say records?
05:59Don't put things I haven't said in my mouth.
06:01Don't show up anywhere.
06:03Boulis' ghost and Grigores' nonsense.
06:06I have her as a guardian.
06:08I feel that she's close and that she's watching over me.
06:11You're doing well, my dear.
06:13She has the energy of a witch.
06:16I would never tell you to take her out.
06:20Where are you going? We're almost done.
06:22The conversation?
06:23The party.
06:24In the bathroom.
06:25Can I go or should we finish the party first?
06:27I'm going.
06:29I'm going.
06:34You did the right thing.
06:36You'll count that a lot in a month.
06:38But I mean it.
06:39What do you mean?
06:40Doesn't it bother you that he's wearing the clothes of another woman?
06:43Vangelis.
06:44The fact that I love him doesn't mean that he should deny his past.
06:48If I don't accept it, it means that I don't accept him.
06:52Oh, my dear Zouzouna.
06:54Oh, oh, oh.
06:55Did you hear his nonsense?
06:57What nonsense?
06:59Oh, thanks.
07:01You're welcome.
07:29I don't think he'll worry.
07:31I don't think I can see him now.
07:33I mean, I don't think I can see him at all.
07:37Maybe it's not what you think.
07:39And what is it?
07:40A play?
07:41Maybe he was in a theater group and they were forced to kiss.
07:45Yes.
07:46I don't see them kissing a lot.
07:47Yes.
07:48They're very good actors for that.
07:49Come on, Fanny.
07:50You're my mother.
07:51You've seen her.
07:52How can you not understand what they're doing?
07:53Oh, my dear.
07:54How can I recognize her 30 years ago and tell you the truth?
07:56She looks a lot like your mother.
07:57It seems that Mr. Makis has a specific type of woman.
08:01That's him.
08:02That's him.
08:03I'm going to open the door.
08:05Fanny.
08:06To the third floor.
08:09Why did you do that?
08:10Why?
08:11Why did you open the door?
08:12What are we going to do?
08:13Are we going to leave him in the basement?
08:14Of course.
08:15He has to go to the airport.
08:16What are you talking about?
08:17Do you love your father?
08:18Yes, yes.
08:19Before I learn his tricks.
08:20Maybe it's all a misunderstanding.
08:21Fanny, what misunderstanding?
08:22My father is kissing my mother in the mouth.
08:24Of course.
08:25What misunderstanding?
08:26What misunderstanding?
08:27Not in a photo.
08:28What do you mean?
08:29What else should I see?
08:30What if there's something else to see?
08:31No, no.
08:32We're not going to look now.
08:33No.
08:34Okay.
08:35Listen.
08:36You're going to tell him that I'm sick.
08:37And you're going to give him the keys.
08:38So he can sleep next to me.
08:39Yes.
08:40And no one is going to come in to see how you are.
08:41No.
08:42Because you're going to prevent him.
08:43Okay.
08:44Maybe I'll tie him up and everything.
08:45Come on, Fanny.
08:46Tell him that I have something contagious.
08:47What are you saying?
08:48The man doesn't even know that we're together.
08:49And I'm going to prevent him from coming to see my daughter and me.
08:50Yes.
08:51Because you're going to make it.
08:52You're going to convince him and he's going to leave.
08:53Because he's amazing.
08:54And he's going to be proud of you.
08:55And he's going to make a plan.
08:56No, no, no.
08:57You're going to just wait for me here.
08:58Just here.
08:59Wait.
09:00Hello.
09:01Fanny, my good child.
09:02How are you?
09:03Very well, very well.
09:04Don't worry, Mr. Makis.
09:07And my little sweatshirt.
09:08Where is it?
09:09It's not here.
09:10Yes, it's here.
09:11It's inside.
09:12It's kind of unused.
09:13It will drive me crazy.
09:14No, no, no.
09:15Don't be crazy, Mr. Makis.
09:16It's not something serious.
09:17If it's not something serious, why isn't he here to greet me?
09:18If it's not serious, why isn't she here to say goodbye?
09:20I called her, but she didn't pick up.
09:22She'll be here. She'll be here at some point.
09:25Don't tell me that, Vannis.
09:26At some point, she'll be here, right now.
09:30Where is she? What's she doing?
09:31I'm getting nervous.
09:32I mean, she's inside and she's asleep.
09:35Isn't it a shame to wake her up?
09:37Do you want us to go next to her, so you can get used to her?
09:39I hope she'll come to life at some point.
09:41We do, we do.
09:43Let me tell you, she'll be fine.
09:45Yes, yes. She'll be fine.
09:48Please, leave her upstairs.
10:09I can't eat it. You eat it, I'm not feeling well.
10:11Why are you not feeling well?
10:12I'm not feeling well.
10:13What Sofoula told us last night upset me. I'm not feeling well.
10:17I'm not feeling well either. I'm really exhausted.
10:22What are we going to do?
10:23What are we going to do? I don't know.
10:25Anyway, between us, Greeks don't go to the psychologist.
10:27They don't. They don't.
10:29They don't. Period.
10:30While we're in Germany.
10:32I'm telling you, I'm fed up with Germany.
10:34You don't have to tell me.
10:35If I told you, I'd be honest.
10:36When Zofia was in Germany, she had a lot of work.
10:38I'm fed up with Germany. It's nonsense.
10:40But it's true. Greeks don't go to the psychologist.
10:43They don't go to the psychologist.
10:44They should go, but they don't. It's bad for people.
10:46I see them all day long, on the streets, having sex.
10:48They get drunk, they get drunk, they get drunk.
10:50They don't go, because they don't go. I don't get it.
10:53The lady went to the psychologist and said,
10:55Babe, since I went, we've been talking, I've found my girl.
10:57Of course, bravo.
10:59Tell me, where did she go?
11:00To a barbershop, she said.
11:01Come on.
11:02What?
11:02She went to a barbershop.
11:03Was it good?
11:04Top.
11:04Top.
11:05Really?
11:06Of course.
11:07How can he be a top and Sofoula be with three clients?
11:09I'm a therapist, please.
11:10How can Sofoula be with three therapists?
11:12Because the barbershop loves you for 60 years.
11:14What do you mean? She has a lot of experience.
11:15Sofoula has to be a therapist for 60 years to see a client.
11:17A therapist?
11:19No, she doesn't have to be a therapist for 60 years,
11:20but how can I tell you?
11:21For someone to go to a psychologist,
11:22you have to teach them, when you trust them.
11:25How can I teach Sofoula?
11:26By introducing them, my love.
11:28What do you mean by introducing them?
11:30You, for example.
11:31How did you go to the orthopedic surgeon?
11:33My mother had a problem with her knee and that's how I went.
11:35Very good. How did your mother go to him?
11:37I took her by car.
11:38Oh, my God.
11:39No, I mean, who told her to go to him?
11:41Her sister.
11:42Her sister had a problem with her knee and we're talking,
11:44he made it for her, she made a new one for her.
11:46Excellent. We communicated.
11:47So, she needs to be introduced, or she has to go to him.
11:50And that takes time.
11:51So, the point is, how can we trust her?
11:53Exactly. In a few words, how can we teach her?
11:55How can we teach her?
12:09Why did you say I have a therapist?
12:11Well, that's what I realized yesterday,
12:14when we were talking at night.
12:16You didn't call me a therapist.
12:17Me? When?
12:18And say, good morning, please.
12:20I want to fix my life.
12:22Don't put on a thermostat.
12:24She's the only woman on the planet
12:25who sleeps with a sock on her right foot.
12:28Winter, summer.
12:29What can I do, my love? If I put on a thermostat,
12:31if I don't put on a thermostat, what can I do?
12:33What's going on? Don't you think it's quite sexy?
12:35I think it's crazy.
12:36And I think it's crazy to hang out with them.
12:39It doesn't suit me, my child.
12:40Let me explain, Toula.
12:41Watch me. The way you adjust your body temperature,
12:44I want to adjust my life.
12:47And I'll find friends.
12:48You'll find them?
12:49I found them. I want them.
12:51I don't want anything to do with them.
12:52I'm sorry, Mom.
12:54Toula, calm down.
12:55Where else can I find them?
12:57Do you want me to take you to the dust?
12:59My child, don't you think I'm monotonous?
13:01Don't you think I'm grumpy? Don't you think I'm weird?
13:03I don't believe what's happening to me.
13:05Don't you think I don't do it for fun and entertainment?
13:08Hold on a second.
13:10A caretaker for his newborn.
13:12Everything a new mother should know.
13:14You're not working for me.
13:16And I remind you that Kokalo put me in the spotlight.
13:19Yes, because you're tall, too.
13:21I'm a role model, Toula.
13:23That's why everyone wants me to hang out with them.
13:25Can you calm down now?
13:26Okay. Tell me, Chinkounakos.
13:28Tell me what? Tell me, fire, burn me.
13:29Tell me to say I'm weird.
13:31No, to stick my tongue in the snow.
13:33I don't have the courage to do that.
13:36Thank God I can't talk,
13:37because my mother won't let me insult Soy.
13:39Come on, Toula. Accept it.
13:41Show some courage.
13:43Say, I'm sorry, I'm jealous.
13:46You found a partner and you're going out to have a good time.
13:49What are you talking about?
13:51No, I feel you. I understand and I respect you.
13:54You go to work all day and come back home and I'm not here.
13:56What are you going to do?
13:58There's a whole lot of people to find a partner, okay?
14:02Not them.
14:07Oh, my God.
14:11Brilli, what are you doing?
14:13Turn it off.
14:15Where are you?
14:16Turn it off. Don't get mad.
14:17Oh, it's Tretafilos. Where is he?
14:20I'll come over for a cup of coffee.
14:21Before I go to the office, let's go for a cup of coffee, okay?
14:25Take care. Bye.
14:31The rose is completely dry.
14:33In the backyard, right? Yes, I saw it.
14:37The tree is ugly.
14:39It's a very sad sight, a dry tree.
14:42It was small.
14:44Yes, Ivoula had planted it five years ago.
14:49I'll tell Vangelis to take it out and we'll plant something else in its place.
14:52Now you're saved.
14:54Why? Did he also comment on it the other day?
14:56Yes, what did he say?
14:58Zouzou has eaten a tree in the backyard.
15:03Very romantic, as Ivoula would say.
15:06I'll tell him to take it out today.
15:09You're optimistic.
15:11I'll leave it at my place to wake him up.
15:13And brave.
15:14Don't be ridiculous, it's not going to happen.
15:17Why is it so difficult to take out a dry tree?
15:20I told you to meet him yesterday.
15:23He can't do it with manual work.
15:26I was wondering what kind of work he can do.
15:29With all kinds of ice axes.
15:32He's never objected to anything I've asked him to do.
15:35Yes, you'll never hear him say no.
15:39And he's very willing.
15:40Of course.
15:42The point is, when will he do what he promises to do?
15:45Yes, there's a mystery there.
15:49I'll do it now, before I leave.
15:52Will you take out a dry tree?
15:53Yes, Alekos will open the office today.
15:56Nice.
15:58What do you want to plant in its place?
16:00I don't know, I don't know.
16:02Since Voula planted a rose,
16:05do you want us to plant a rose, too?
16:09Yes, that's a good idea.
16:15Thank you.
16:19You're welcome.
16:20You know what you're doing.
16:23You're welcome.
16:28You're still sleeping?
16:29What's the matter with you?
16:32I need to rest.
16:34Since when do you rest?
16:36I'm exhausted.
16:39Are you serious?
16:41Is my daughter okay?
16:43No, no, no. I mean, I came here.
16:45She's fine. She's crying.
16:49I'll ask you something, if you don't mind.
16:52Do you want marmalade and fries?
17:00I want you to take care of my daughter, my little lamb.
17:04Don't worry about that.
17:05How can I not worry, Fanny?
17:08You don't know what we went through with the other one.
17:10Vlaka.
17:12Who are you talking about?
17:13Who else? Christos.
17:16He's a doctor, a serious kid,
17:19and I don't like people like him.
17:21No, no. You can talk, Mr. Makis. What's on your mind?
17:25She's obsessed with her mother.
17:28Since you mentioned her, what's she doing?
17:31She's sending you her greetings.
17:32Nice, nice.
17:35With all due respect, Mr. Makis,
17:37you've been married for so many years.
17:39What do you fight for?
17:40What kind of question is that? Of course not.
17:43What do you fight for?
17:45I see.
17:46And if you don't mind, what do you do about it?
17:48Patience.
17:53And a lot of activities outside the house.
17:56So, you go to your parties.
18:00Not so much now, but back in the day...
18:02You were a hard worker, you know.
18:03I was a hard worker. Every Saturday I was somewhere else.
18:06I was in the car.
18:07Oh, in the car.
18:09Back there. Who was it?
18:11Mr. Kotsandoros. Who else?
18:14I mean, did you go to the parties by yourself?
18:18Of course. I'm telling you, it's all in my head.
18:21Ah!
18:24A frame.
18:25A frame that turns.
18:27And when the frame turns, life turns, and it shouts.
18:33You tell me.
18:34Because...
18:36you find them both, right?
18:38What can I tell you?
18:39I do everything differently.
18:41Life puts them in order.
18:43We complement each other.
18:44I wake up and I have to go to the photo studio.
18:47If you go, don't even think about it.
18:49And I don't see her at all.
18:51You'll see her.
18:52We'll see her? When will we see her?
18:54When you come back.
18:55Unless you want to leave for Nafplio right away.
18:57No, no, no. I have time. I'll come back for sure.
18:59Ah, nice.
19:00Where are you going?
19:02To the photo studio, I said.
19:03Sit down, sit down. Have your coffee.
19:06I'll have a cup of coffee.
19:07Yes.
19:08No, I mean, no.
19:09I mean...
19:11Do you want a fruit?
19:12They say...
19:13a fruit a day makes a doctor out of you.
19:16I don't drink.
19:18I think you're fine.
19:19Yes.
19:20I'm fine.
19:21It's just that I really like your company
19:23and I don't want you to leave now.
19:26I'll come back.
19:27We said I'll come back.
19:29I'll go get my bag now and then I'll come back.
19:31Do you understand?
19:33I understand. Nice.
19:35Where do I go?
19:36This way, Mr. Maketixia.
19:37This way.
19:42See you later.
19:49Oh, life.
19:50Come on, Babis.
19:51Come on, Babis. What the hell are you saying?
19:53How are we going to send people to Sofia?
19:54We're not going to send them to Saskia, Xenia.
19:56We're going to send our own people.
19:57How?
19:58Socrates.
19:59Socrates, Xenia, has a big problem.
20:01What problem?
20:02Socrates can't find a job.
20:03He'll go to Sofia to talk to her,
20:05and see if he can find a job.
20:06Why can't he find a job?
20:07If he can't find a job, he doesn't have to go.
20:09He's fat.
20:10No, Xenia, he's not fat.
20:11He's just very selective, you see?
20:13He'll talk to her, and see why he can't find a job.
20:16I see. And who else, for example?
20:17Yorikas.
20:18Yorikas?
20:19Yorikas is not well.
20:20What's wrong with Yorikas?
20:21He's doing what Thodora tells him to do.
20:24Has he told you that he feels oppressed?
20:26No, he doesn't need to tell me anything.
20:27I can see it. He's not a good person.
20:29He can't stand it.
20:30And what are you going to do?
20:31Tell him, you're not well, you can't stand it, I can see it.
20:33No, it's possible.
20:35These things need a way.
20:36Let me hear your way.
20:37I'll tell you.
20:38Go to Sofoula's office, she'll help you out.
20:42Of course, she's my cousin.
20:43Why can't I talk to her openly?
20:44I don't think it's a good idea.
20:46Why?
20:47Because you don't know how she's going to take it.
20:48My girlfriend is very open, she'll take it one day.
20:49But our daughter is not open, and she'll get mad if she finds out.
20:52And how will she find out?
20:53Will Yorikas go and tell her that you sent him something?
20:55Babis, please, can you focus?
20:56What are you suggesting?
20:58Should we kick your friend's ass so he can find a job, Sofia?
21:01No, let's not kick his ass.
21:02Let's kick his ass.
21:04Pridis, what's going on between us?
21:07It's not the time to talk. It's noon.
21:08Tell him to shut up.
21:09Pridis, listen to me, please. Listen to me.
21:12Because I have a feeling that a wonderful friendship is about to begin.
21:15And to be honest...
21:19Your cousin broke a plate.
21:21I can't break his head.
21:23It's these women, man.
21:24What's the problem? He's been single since he was four.
21:26Yes, I can hear you.
21:28And of course I can shut down your store.
21:31It was a bar, wasn't it?
21:32What does Korleon's son-in-law want?
21:35Stop it, kid. I'm talking about a job with a man.
21:37What man? You're going to be a cook.
21:40Yes, they're playing.
21:41Yes, bravo. Collect all the papers and bring them to my office.
21:45Why not the office?
21:47Anyway, wherever you want. We won't get lost, man.
21:49Okay? Come on. Bye. Bye. Bye.
21:52What's wrong with you?
21:53What do you want to do to him?
21:54To shut down his bar. Don't you trust me?
21:57I trust you.
21:58Fine. Then what do you want?
22:00Do you know how many people looked at me when I was in the tower?
22:02Please. The kids are fine.
22:04They won't hurt you.
22:05They won't hurt me. Stop it.
22:07We shouldn't get involved in such things.
22:10I don't know what your kids have done in the past,
22:12but they all deserve a second chance.
22:14And I'm not saying this because they're my friends.
22:35FIVE MINUTES LATER
22:49What's up, man?
22:49You're late.
22:51Late for what?
22:53The way you say it.
22:55Is it time for you to wake up?
22:57Why? What's the matter?
22:59First of all, what time is it?
23:00It's almost 3 o'clock.
23:02Can you see it's dark?
23:04It's a good time.
23:07Did you lose something?
23:08Yes.
23:10My wife.
23:10Where?
23:11I opened the door and I found her.
23:14She fell off your finger yesterday.
23:16You should have taken her somewhere else.
23:18I'm thinking of taking her to the school.
23:20To another finger, I mean. To the internet.
23:23Let me find her first.
23:25Did you lose her at the office?
23:27No, I looked over there.
23:28I must have taken her out of the closet and put her down.
23:31Or did you tell me where I dug?
23:33Why did you dig?
23:34To find oil.
23:35Tell me, man. I want to help you.
23:37I dug up a dry tree in the backyard.
23:40That's it.
23:41What are we waiting for?
23:42Come on, we're going to look for her.
23:45Let's go.
23:46Stop, Minas.
23:47We'd better go through the front door.
23:48Why, Vangelis?
23:49From the balcony door we go straight to the yard.
23:52Yes, but there's a mountain of clothes in front of us.
23:54Where are we going now?
23:56Vangelis, you're not doing anything.
23:59At least, get your clothes together.
24:01It's my fault that I want to help you with the bag in your eye.
24:06And I haven't even had coffee yet.
24:12Hey, are you here?
24:14Yes, I'm here.
24:15I thought it was my dad. I didn't know he was a dog.
24:17Zoi, what did we talk about this morning?
24:19Chocolate milk. I got it. It's in the fridge.
24:21Okay, forget about the chocolate milk.
24:23We said you had to talk to Mr. Maki.
24:25It's urgent.
24:26Come on, he'll do his job. He'll be fine.
24:28Yes, but before he leaves, he'll come here.
24:30And what am I going to tell him? That you're sleeping?
24:31He'll think you've lost your mind.
24:34Yes, but what if I leave until he gets his things?
24:37He'll call you and if you don't pick up, he'll get mad at me again.
24:40And let me tell you something.
24:41If he wants to call the police this time, I won't stop him.
24:44Okay, stop it.
24:46I'll stay.
24:47But you know, I don't want to see him.
24:48Yes, baby, yes, baby. Okay, I know.
24:51But that's the right thing to do.
24:54Let me tell you something.
24:55Did you really get the chocolate milk?
24:57Go inside.
25:02Xenia, I called the first therapist.
25:04You called him? How did you do that? Did you make a phone call?
25:07I called Mr. Leonidas.
25:09You called the teacher at the training school?
25:11And you told him?
25:12I told him that we're not doing well.
25:14People are not doing well.
25:15I tell him, it's very violent, and not just in the stadium.
25:19We're not doing well.
25:19A lot of bad things are happening.
25:21I'm learning this from my daughter,
25:23who is a psychologist and has an office.
25:25I tell him, no one is doing well.
25:27And he tells me, I'm not doing well.
25:29I'm not in the ballpark.
25:31And you told him to go to Sofia?
25:33Of course, to go to Sofia,
25:34because it's not just our body that is sick.
25:37It's our soul that is sick.
25:38And what did you do? Did you get angry?
25:40No, no. He thanked me.
25:41Now I'm going to call George, then Socrates,
25:44and then I'm going to call Odysseus.
25:46My classmate from the training school
25:47has been depressed for two years without his wife.
25:50Baby, maybe I should make an effort too.
25:53I'm going to call my friends,
25:54because I'm looking for them.
25:56Call them.
25:56I'm going to call Argyro.
25:58What's wrong with Argyro?
25:58She has a serious problem with her husband.
26:00You can't imagine.
26:01Baby, they fight all day long.
26:02Go to Sofia to have a meeting.
26:04Go and find a man.
26:04That's what I'm going to tell you.
26:05And you know what else I'm going to call?
26:06Titula.
26:07What's wrong with Titula?
26:07She has a serious problem with men.
26:09With her eroticism.
26:09She can't find a man.
26:10She's having a bad relationship.
26:11It's a pity.
26:12Go to Sofia to have a meeting.
26:13Go and find a man.
26:14That's what I'm going to tell you.
26:15And you know what else I'm going to call?
26:16What's wrong with Malaktari?
26:17What's wrong with Malaktari?
26:17She has a serious problem with her appearance.
26:19You can't imagine.
26:20She says she's younger than me.
26:22She's not younger than you.
26:24Who's younger than me?
26:25Malaktari is not younger than you.
26:26Malaktari is 50 years old, baby.
26:28Come on, she looks younger than you.
26:29Yes, because she's had a mini-lift.
26:30If I had had a mini-lift,
26:32I would look 20 years older.
26:33And I'm going to call Matoula, the lawyer.
26:35We like her in Yonka.
26:36She has a serious problem with her profession.
26:37Come on, start.
26:37Okay.
26:38Is that all?
26:38I'm going to call more people.
26:39Let's start with them and then we'll call more people.
26:41Okay, it's done.
26:42Zokratis, how are you, sweetheart?
26:47We've lost each other.
26:48Eleni.
26:49Come on, my friend.
26:51Good evening.
26:52How are you?
26:53How are you with Thanasis?
26:55Are you okay?
26:57Oh, it's a pity.
27:04Who gave it to you?
27:0510 kilos of coins.
27:06We have to melt them so we can ring the bells.
27:07Come on, Toulas.
27:08What did you give me?
27:09The cards from the bar.
27:10They're not enough.
27:11Why are you so suspicious?
27:13Why didn't you bring them to the office?
27:14I didn't want to get caught in his computer.
27:16The old computer, which is right in front of my office.
27:19That's why I didn't want to bring them here.
27:21Triantafyllos will bring them,
27:23Alekaras will bring his own,
27:24so I can close them all at once.
27:25What if they don't lock you in first?
27:27Do you want to say something, Toulas?
27:28Come here.
27:29Why didn't you come with us, my girl?
27:31To go to the track, to see them up close,
27:33to talk to them, to get rid of your fear.
27:34Which track?
27:35To Pachikalamos.
27:37There's a karting track, we'll go there.
27:39Pachikalamos is 10 kilometers from here.
27:40Prillis will go there, because he ruined Alekaras' car.
27:44Today we'll go to the track with Kokkarou and our friends.
27:47Oops, today?
27:49I fought with Pedrakis to go there.
27:51You'll fire Prillis.
27:52No, I won't.
27:53You'll fire him.
27:53No, I won't.
27:54You'll fire Prillis.
27:55She's not that kind of person.
27:56And Dematakis will go back.
28:11AMBITION
28:24You came, Zounas!
28:25Oh, you scared me, Vangelis, you scared me so much!
28:28I thought you were not going to come.
28:31No, neither would I have come.
28:33I felt so bad,
28:35that I thought we'd go for a drink,
28:38but I'm not feeling up to it.
28:39Why?
28:40I died of exhaustion today.
28:42I dropped my slippers.
28:44A lot of work.
28:47Who came?
28:48I turned the garden around 50 times.
28:51Which garden?
28:52Our garden, back here.
28:55The backyard garden?
28:57Yes. I've been working on it, up and down, up and down, since noon.
29:01Come on, my boy.
29:03It's not the national garden with two grasslands. You've been walking all day.
29:07Yes, but I wasn't just walking.
29:10Don't tell me you asked Minas to take out the wild rose.
29:14No, he took it out on his own.
29:16He lost his feather.
29:18Oh, if that's why.
29:20And it has to be found, no matter what.
29:22No matter what.
29:23And why have you taken it so patriotic?
29:26Because...
29:28I need to find it.
29:31Will you help me?
29:37Welcome to the cold.
29:39Don't tell me you're still sleeping.
29:41No, I just woke up. Come in.
29:45My baby.
29:47My beautiful baby.
29:49Hello, dad.
29:51You're not going to hug me?
29:54No, because I'm upset.
29:57Should we go to the hospital?
29:59No, no, no. It's fine.
30:01It's fine. It's not fine.
30:03No, I'm fine. I'm just a little...
30:05cold.
30:07Should we go somewhere?
30:09Should we eat something?
30:11No. No, because I'm not hungry.
30:13I'm going to eat something.
30:15Should we go to a doctor?
30:17It's not good that you're not hungry.
30:19You haven't eaten anything today.
30:21Dad, I'm fine, I'm telling you.
30:23My heart.
30:25What's wrong? Why are you like this?
30:27Did someone upset you?
30:29Someone totally upset me.
30:31No, no, don't look at me.
30:33I don't see anyone else in here.
30:35Oh, don't tell me.
30:37Don't tell me that you're upset again.
30:39Not with the mirror.
30:41What? What are you saying?
30:43Christos.
30:44You remembered Christos.
30:46That's why you're not hungry.
30:48That's why you're locked up all day.
30:50And what are you doing? I'm going to pay for it now.
30:52Dad, Christos is not the problem.
30:54You're not going to tell me lies now.
30:56You want us to talk about lies, huh?
30:58Let's talk. Why not?
31:00Very well, then. I've told you a lie.
31:02No, I didn't understand it.
31:05Do you see a lot of people?
31:07Do you know my daughter?
31:09It seems so, since I'm invisible.
31:11I'm going to kill you.
31:13Wait a minute.
31:15What did you do to my daughter?
31:17Me? Nothing.
31:19You?
31:21No.
31:23You, dad.
31:25Me?
31:27What did I do?
31:29Of course, you don't remember.
31:31I thought you were a scarecrow.
31:33Get lost.
31:43Here you go. And have a good stay.
31:45Wait, Zoe. Wait a minute.
31:47It's a bit noisy outside.
31:49What's that?
31:51I'm going to light a fire.
31:53Can I know why are you interfering with my work?
31:55We are having a good time.
31:57Did I interfere with your work?
31:59Mom!
32:01Did I interrupt your work?
32:02Mom!
32:03Who told you?
32:04All of them!
32:05Argyrou, Itoula, Malaktari.
32:06They all called me.
32:07Why are you doing this to me?
32:08It's not my fault.
32:09Why is it my fault?
32:10I was waiting.
32:11Don't put them next to me.
32:12Sit down.
32:13We agreed.
32:14Why are you turning me away?
32:15Yes, but I didn't want to agree.
32:16I didn't want to.
32:17You lied to me about Mr. Leonidas.
32:18Oh, right.
32:19Mr. Tsipis.
32:20He came to the office and made me a bargain.
32:21Mr. Leonidas is not Tsipis.
32:22He is a very large person.
32:23Large?
32:24Large.
32:25From 40 to 20 euros per hour.
32:26I told him and he didn't accept.
32:28What did we do?
32:29All my friends misunderstood me.
32:30And no one accepted you, Sofia.
32:31Yes, but they didn't remember me.
32:32Because I didn't say it like you did.
32:33I said it in a peripheral way.
32:34Oh, mom.
32:35She even diagnosed you.
32:36What nonsense are you talking about?
32:37Who told you this?
32:38Malaktari told me.
32:39Of course.
32:40Who?
32:41Is it possible to go and tell the woman
32:42that she wants a psychologist?
32:43I didn't say that.
32:44What did you say?
32:45I just said that all this issue
32:46that she has with her age
32:47and I say that she is younger than me
32:48has to do with emotion.
32:49Yes, and what about her?
32:50If she goes for a drink,
32:51she will show her emotion again.
32:52As if you are not ashamed.
32:53Should I be ashamed?
32:54She should be ashamed.
32:55Like you should be ashamed
32:56to look at your own wife
32:57and leave your own son-in-law.
32:58You are a good kid and you have a wife.
32:59I envy her.
33:00I envy her freedom.
33:01Why are you crying?
33:02I am ashamed.
33:03And don't blame me.
33:04Why should I blame you?
33:05Even Matoula, my lawyer,
33:06told me that I am angry
33:07because I didn't get a job in Germany
33:08and I am blaming her.
33:09Who told you this?
33:10I told her the truth.
33:11That this syndrome
33:12that is happening every time
33:13has to do with the fact
33:14that she doesn't love her job.
33:15I told you.
33:16She wants a way.
33:17She doesn't want a way.
33:18I didn't see it in your way.
33:19None of us have a way.
33:20I told you.
33:21She wants a way.
33:22She doesn't want a way.
33:23I didn't see it in your way.
33:24None of us have a way.
33:25I told you.
33:26None of us have a way.
33:27I didn't see it in your way.
33:28And why should they accept it?
33:29Why should they accept me
33:30because you told them to?
33:31The psychologist
33:32that wants to help himself
33:33decides to do it.
33:34That's why we do it,
33:35to help you.
33:36He doesn't want help.
33:37Not you,
33:38he wants help.
33:39Anyway,
33:40maybe the baby daddy is right.
33:41Maybe he doesn't want this kind of help.
33:42Maybe he wants another help.
33:43I don't want another help.
33:44Thank you.
33:45Wait until you hear this
33:46because I just had
33:47a great idea.
33:48I said,
33:49maybe you should
33:50Did you come from the radio station?
33:52Yes.
33:52Is your daughter coming?
33:53No.
33:53No?
33:54We were just talking about a psychologist.
33:56Very good.
33:57What time is it?
33:58I don't want to know where my daughter is.
33:59No, nothing.
34:00Why? Does it bother you?
34:01No, it doesn't bother me.
34:02Whatever I achieve, I want to achieve it on my own.
34:04But only if you achieve it.
34:05We will find a lot of documents and you will analyze them.
34:07I told you, no.
34:08And so the world will know you and you will have clients.
34:10They are being treated now.
34:11You have a lot of nerves for a psychologist.
34:13Why?
34:18Take it, take it, take it.
34:22What nerve!
34:23What nerve was that?
34:25Why didn't you speak?
34:27My hair came out of my mouth.
34:28Cut them off.
34:29They are liars.
34:31It's a circle.
34:33Why? Did I say they are liars?
34:34Yes, but you didn't say anything specific to understand it.
34:37How specific?
34:39I was so jealous of the policeman.
34:41I was so happy that the policeman came back and said,
34:43Mr. Harami, I understand you.
34:45Please.
34:48I would go to the office and I would have the package.
34:51The commercial.
34:52The commercial and the client would come in.
34:55Both synergy and commercial.
34:58Let me tell you something.
34:59I can't imagine Triantafyllos asking you for money.
35:02Excuse me?
35:03Did Triantafyllos ask you for money?
35:05Did Triantafyllos ask you for money?
35:06Triantafyllos?
35:07No.
35:08Ermos is going to ask for a loan.
35:10I don't think he is a loan shark.
35:12No, no.
35:14We haven't gone to the bank yet.
35:17Can I tell you something?
35:18Yes.
35:19Where is your car? I didn't see it outside.
35:20I told you I gave it to Alekara.
35:22You didn't take it.
35:23My car is gone.
35:24My car is gone.
35:25You are so cold, my child.
35:27Do you know how hard it was for me to ask him?
35:29Yes.
35:30He said, man, please.
35:32Let me tell you.
35:33Did you see Alekara anywhere?
35:35Is he there?
35:36Is he there?
35:37Yes.
35:38Where is he going?
35:39On a trip to Komotini?
35:40Let me tell you, mother.
35:42Tie him to the car.
35:43We are coming.
35:44Come on.
35:45Come on.
35:46Why should I tie a man to the car?
35:47Get up.
35:48If you want to see the car again, get up.
35:49What are you saying?
35:50You are the one who ties people to the car.
35:51Are you going to tie me too?
35:52You are looking for pieces of your car in Komotini.
35:54Get up.
35:55Get up.
35:56Get up.
35:57Run.
35:58Run.
35:59Run.
36:00Hurry up.
36:01Hurry up.
36:02Come on.
36:04What are you doing here?
36:05I was looking for my pig.
36:06I can't find it anywhere.
36:07Take the gothic stuff.
36:08Come on.
36:09Don't be scared.
36:10I found it.
36:11I found it.
36:12I found it.
36:13I found the pig.
36:14I found it.
36:15I found it.
36:16I found it.
36:17I found it.
36:18Oh, my God.
36:19What is this?
36:20It's a lot of hair.
36:21I am going to cut it.
36:22It has no hair.
36:23I can't find it anywhere.
36:24Take it.
36:25Take it.
36:26I found it.
36:27I found it.
36:28I found it.
36:29I found it.
36:30I found it.
36:31Take it.
36:32I've found it.
36:33Really?
36:34Where? When? Where?
36:36I found it by accident and I'm keeping it for a surprise.
36:39I'll give it to you next month at the table.
36:41Where is it?
36:42At the table?
36:43Inside. I've packed it.
36:44I've brought souffle and mushrooms.
36:46Great, Zouzou!
36:48Wait, wait, wait. Wait.
36:50Oops.
36:51You can't give it to him.
36:53Why?
36:54Why?
36:55Because...
36:57Because he'll think
37:00that you hid it because of this.
37:03Because you don't want him to see it and wear it.
37:06And why should I give it back to him?
37:08Because... out of jealousy.
37:10But suspicion will remain.
37:12Are you serious?
37:13Yes, I'm serious.
37:14That's why it's better if you give it to me than if I give it to him.
37:17So that you can rip off his underwear.
37:19That's different.
37:20This is... how do you say it?
37:22It's a double-edged sword.
37:24Oops, brother!
37:26Look at me.
37:27What?
37:28I found your underwear.
37:29Come here.
37:30Yes, yes, yes.
37:31Voila!
37:32Well done!
37:33Well done, brother!
37:35Well, he found my underwear.
37:37Well, what did you find?
37:39His secret profession.
37:41Great, thank you very much.
37:44Great, let's go eat now.
37:47Hey, brother.
37:48Come here.
37:49Let me tell you something.
37:50Did you forget...
37:52Mmm...
37:54Ah!
37:57Yes.
37:58So...
38:01Here you go.
38:03Thank you.
38:04You're welcome.
38:13Oh, don't do that, kid!
38:15It's full of germs!
38:16Don't worry, Rizou.
38:17I'll clean it up later.
38:19Have a nice day.
38:21Merci.
38:22Come on, let's go.
38:23I'm coming.
38:26Bye.
38:27Bye.
38:32Rizou!
38:35Come on, come on.
38:36We're out of squid.
38:39You're still here?
38:42Hey, kid, what do you want?
38:43Do you want me to put it on your feet?
38:44That's what you're supposed to do.
38:46Honey, let the man explain.
38:48No, it's okay.
38:49It's okay.
38:50Honey, honey.
38:51Do you need me?
38:53Come closer.
38:55I can hear you from here.
38:57Look, it's a fake.
38:58It's from her mother.
38:59Leave my mother alone!
39:00Look what you've done to her.
39:02I haven't done anything to my mother.
39:03Nothing.
39:04Nothing.
39:05Of course.
39:06Are you crazy?
39:07I'm sorry, but...
39:08I don't think you took the photos
39:09to erase all the evidence.
39:12Honey, I haven't lied to my mother.
39:14And what did you do to Nona?
39:16I'm sorry, but you were too shy.
39:17You couldn't find another woman.
39:18It's Nona.
39:19She's my mother's friend.
39:20She's...
39:21She's my biological mother.
39:26We had an affair with Nona.
39:27Oh, you admit it.
39:28Yes.
39:29No.
39:30Yes or no?
39:31We had an affair with Nona,
39:33but I'm not a fag.
39:35Excuse me?
39:36You're a mechanic, aren't you?
39:39He's my fiancé.
39:40Leave him alone.
39:41Explain to me what you mean.
39:43I've known Nona since I was a student.
39:45That's how I met your mother.
39:47I'm sorry, but that doesn't sound right.
39:49Your mother knew everything from before.
39:51Advanced stuff.
39:52More liberal times, more...
39:54Really, don't say that.
39:56Yes, honey.
39:58And this mechanic here.
40:00She found her siblings and brought her to Athens.
40:02I've seen her since Mitsotakis came to power.
40:06Mitsotakis came in the summer.
40:08Oh, for the 19th?
40:11And I'm asking you again.
40:13He's my fiancé.
40:14Excuse me?
40:15Excuse me?
40:16Did I raise 200 palms?
40:18Absolutely.
40:19Daddy!
40:20My little lamb!
40:25Excuse me, guys.
40:26So Mitsotakis is the prime minister again.
40:29There's a chance he'll be your fiancé.
40:32Don't think about it again.
40:33Bravo.