• 4 ay önce
La Historia de Juana Cap 15 Completo
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00:00We found this video in the area where they have the newborn babies.
00:04That's the girl who was mistakenly inseminated.
00:07The future mother of her child.
00:21It's incredible!
00:22That we found her?
00:24Well, I'm a very stubborn engineer.
00:26And I honestly don't know what the three of them were doing in that area of the hospital, but there they are.
00:30It's the area of the newborn babies.
00:32They were probably talking about the forced pregnancy.
00:35Forced pregnancy.
00:37I mean, the insemination was not desired.
00:42Poor girl.
00:45Can you pass me the video again, please?
00:50Are you sure it's her?
00:52Didn't she come for a checkup or because she has a problem?
00:54I'm sure.
00:55It's her.
00:56I reviewed all the videos with the spoken portrait that was made.
00:59The one I left in the office.
01:01It's her.
01:03You've been working here since today.
01:06Who hired you?
01:08Where are you working?
01:10I applied for the position of graphic designer and I understand that Enriqueta's license
01:16reviewed my application and selected me among several candidates.
01:20And Gabriel knows about this?
01:22He got you to work here.
01:23David and Enriqueta chose Juana, so anything with them.
01:29It's really impressive how shameless you are.
01:34How far are you going to get?
01:36Because I warn you that Gabriel's wife is very fond of you.
01:40But if nothing happened between Gabriel and me...
01:42Oh, please.
01:44Not with me.
01:45I'm not a fool.
01:47I saw them walking through the gardens of the mansion.
01:49Very in love, by the way, they looked.
01:52It's obvious.
01:53What's going on between you two?
01:56Why don't you leave and let us work?
01:58Allow me.
02:00First, I'm going to make things very clear to this scoundrel.
02:03Let's see, I'm not a scoundrel.
02:05And it's better that you let me insult or...
02:08Okay.
02:09Are you going to tell Gabriel to come defend you?
02:13Look.
02:15Photographer of Quinta.
02:17It's better that you focus the lens of your camera and your life
02:21away from Gabriel's life.
02:24You're not the only one who tried to work here.
02:27Me too.
02:28You're going to be very checked.
02:34Don't listen to her, don't listen to her.
02:36Sit down.
02:38Oh, everyone heard.
02:39Look, don't go anywhere.
02:40This old woman is a poisonous snake, yes, yes.
02:43If she bites, I'm sure she'll kill herself.
02:45Don't listen to her.
02:48Did you realize how I can't even deny Gabriel?
02:52Why did I stop like a fool?
02:56Remind me why I took this job.
02:58Why?
03:00Take the money.
03:01You need it.
03:06I know this girl.
03:08What?
03:09Really?
03:10Yes, she even...
03:13She even works for me.
03:14No, no, no, wait.
03:16Could this have been planned on purpose?
03:18An extortion against you?
03:20Do you think she wants to blackmail you with this?
03:22No, no.
03:23She doesn't know I'm in an insimilation process.
03:27It's just...
03:28It's incredible.
03:32This is a play on fate that is making us, Juana and me.
03:35Her name is Juana?
03:37What happened to that child's father?
03:39What's going on?
03:40No, no, I already told you that he doesn't know
03:41and this has to stay that way.
03:43I mean, if you want me to help you,
03:45you can share me.
03:46Because it's very difficult to explain
03:48and he didn't want this to happen
03:50and I didn't want this to happen either.
03:54God, now I understand everything.
03:57The gas stations don't exist, engineer.
03:59Are you sure it wasn't planned on purpose
04:01to then blackmail you?
04:03You can keep investigating if you want.
04:05No, no, no.
04:06Elias, from this moment on,
04:08your job is over.
04:11I'm just going to ask you one thing.
04:13Never
04:15tell Paula anything about this.
04:17Don't worry, engineer.
04:19Silence is part of my contract.
04:22You decide what to do with the information
04:23that I'm about to give you.
04:35And I, who put my hands in the fire
04:36for Mrs. Porfirio.
04:38No, Tania, it's just a matter of couples.
04:40You don't have to put your hands in the fire for anyone.
04:43Yes, but how is it possible
04:45that Mrs. Porfirio would do that dirty thing to Mr. Gabriel?
04:47Well...
04:49No, in one of those...
04:52I don't know, she's not the only one
04:53who's making tamales for him.
04:55Oh, how can you believe that?
04:57Don't come to me with the search for Porfirio.
04:59In the escort team,
05:01they say things.
05:03No, for me, the engineer
05:05has already put his eyes on someone else.
05:07But yes, just a few months ago,
05:09they married for the social magazine.
05:11Like the couple of the year.
05:13No, I don't believe this about perfect couples
05:15on social media.
05:16And the pictures of the boss' model record label?
05:20I don't even have time for her
05:21and you know I don't have a sweet tooth.
05:24I've been away from her since the wedding night.
05:28Oh, Porfirio.
05:30I'm really worried.
05:31What's going to happen in this house?
05:34Don't worry.
05:35Salmon doesn't work for me.
05:46Salmon doesn't work for me.
06:11What happened, Camila?
06:13This girl came to work at the brewery.
06:16What?
06:17I'm going there right now.
06:19What?
06:20No, Paula, wait.
06:21Calm down.
06:23Think, for the love of God, think.
06:26You look for her.
06:27Surprise her at her house.
06:29But where am I going
06:30if I don't even know the address of that girl?
06:32I'll get you the address and I'll send it to you.
06:34You have to act fast.
06:35Paula.
06:37They're up to something.
06:39I swear to God, there's something going on between them.
06:44Here you go, Reni.
06:45Thanks, count your money.
06:46No, you don't pay today.
06:47The house invites you.
06:48How do you think?
06:49For the coffee.
06:50Didn't you know?
06:51They give us coffee to all the employees
06:52until noon.
06:53You have to read the ticket, son.
06:55Your ticket?
06:56What time is it?
06:57I spend it driving and delivering orders.
07:00But what a nice gesture from the engineer.
07:03Look, she looks just like her.
07:05Who, Camila?
07:06Now she's my new boss.
07:08She looks like a remnant of a girl
07:09I met in my neighborhood years ago.
07:12No, Reni, or not.
07:13That woman moves between the cream and cream
07:14of businessmen.
07:15In fact, she's the wife of the partner
07:18of Engineer Rubio.
07:20What?
07:20She doesn't even know where she is.
07:22Here's my wine.
07:23Thank you.
07:24Are you serious?
07:25I'm serious.
07:29Did you talk to the creature's father?
07:31The father doesn't know I'm pregnant
07:34and I don't want him to know.
07:40Engineer.
07:43Are you okay?
07:45I think I have to go to the marketing area
07:47to look for the new designer.
07:49Juana Bravo?
07:51I'll tell her.
07:52No, no, no.
07:53No, I'm going to look for her.
07:59Well, now that you're our new designer,
08:03I want you to help me with something
08:04that's shocking but not aggressive.
08:06That's very important.
08:07Yes, of course.
08:08No, it's just that the idea
08:09that I was developing
08:10from what you told me about the war
08:12with the beer...
08:14Astro.
08:15Astro, Astro.
08:16Yes, yes.
08:17We're on the same page.
08:18Great.
08:18And, precisely,
08:19Gabriel and I were talking about that yesterday.
08:21The truth is that you have
08:23a very important quality,
08:24which is that you see
08:26common and ordinary things
08:27and you give them a very special shine.
08:29The truth is that that's great, Juana.
08:31Gabriel said that?
08:33Well, it was more of a description of mine,
08:35but Gabriel agrees.
08:37Of course, but Gabriel has also seen my photos.
08:38Does he think the same?
08:40From what I see,
08:41it doesn't matter much what we're talking about.
08:42And we're going to end up
08:43always talking about Gabriel
08:44and not about work.
08:45No, no, no.
08:46It doesn't go that way.
08:47I said it because he's the boss
08:48and I care.
08:50Look, Juana.
08:51I think it's time
08:52that we talk about a topic
08:55that's a little uncomfortable
08:57and I want you to trust me
09:00and be 100% honest with me.
09:03Since when are you in love with Gabriel?
09:07Let's see, I'm not in love with Gabriel.
09:09I don't even know how to say it.
09:10First, Mrs. Camila comes to complain to me
09:12and then you...
09:13Juana, it doesn't matter if you deny it.
09:15Please.
09:16You're talking about him all the time.
09:17You're thinking about him all the time.
09:19Of course not.
09:20Then why does everyone believe it?
09:23I even talked to Gabriel about this.
09:27Sorry, did you talk to Gabriel?
09:28Yes, yes, yes.
09:29I complained to him.
09:30Did you complain to him?
09:31About having fallen in love
09:32when we got married.
09:33We came to the conclusion
09:35that you fell in love with Juana alone.
09:37And that's terrible.
09:38Gabriel thinks that of me?
09:40See?
09:41What does Gabriel think?
09:42What does Gabriel say?
09:43What does Gabriel do?
09:44Everything ends up being Gabriel.
09:46And you just have to see how you see it.
09:48You have to be blind not to realize it.
09:56Thank you.
09:58I'm not alone.
09:59Who told you I'm alone?
10:00That's how many suitors I have.
10:02And my mom, for your information,
10:04is not a widow.
10:05But it's as if she were.
10:07Because Ramon left more than 20 years ago.
10:11It's been confirmed.
10:13Mr. Francisco de Armas and his wife Camila
10:15stayed here.
10:17They just went to the manager
10:19so he could take care of us.
10:20How decisive the impact of parents
10:22on the lives of children, right?
10:25Are you saying that
10:26because of Camila de Armas' father?
10:28What?
10:30No.
10:31Camila de Armas' father?
10:32No, I was thinking of...
10:35another father.
10:38But now that you mention
10:39Camila de Armas' father,
10:41we have to investigate it.
10:43Are you done?
10:44Let's see, what else?
10:46The last digits
10:47with which the account was paid.
10:50Date and exact time of payment
10:51so we can trace it.
10:53Now you're Josefina Sousa de Bravo.
10:55And don't give me that look.
10:57You should be telling
10:58our family secrets
10:59to that cop.
11:01First of all,
11:02I tell my secrets
11:04to whoever I want.
11:06Second of all,
11:07he's not a cop.
11:09He's a detective.
11:11Detective Salvador Castillo,
11:13just so you know.
11:14And if you weren't so blind,
11:16so dumb in the head,
11:18you'd realize
11:19that he's a man
11:20who's worth having as a husband.
11:22Well, if you like him so much...
11:23Give me that finger!
11:25You keep it.
11:26He's perfect for you.
11:28Age doesn't matter.
11:30Get married.
11:31Wait, Mom.
11:32Wait, Mom.
11:33That's why you don't mature.
11:34That's why you go
11:35like you're going
11:36with pure good for nothing.
11:40What do you think, Dad?
11:41You're going to have to give it to me
11:43and hot.
11:44And not because you want it,
11:45but because I need it.
11:46Now, now.
11:47Respect me.
11:48The cross key,
11:49I'll put it down there, Mom.
11:50Hey, how's it going?
11:51Hey, beauties.
11:52Are you there?
11:53Oh, you're here.
11:54An angel, Dad.
11:55I'm here.
11:56I brought you a surprise.
11:58What are you doing here?
11:59Well, I was going
12:00to the aesthetics
12:01and I brought you
12:02a cocktail of seafood.
12:03Here, take it.
12:05No, no.
12:06You know what, Yadi?
12:07I'm sorry.
12:08I'm very sorry,
12:09but I'm a helicopter.
12:10The seafood comes out here
12:11and punctures all my cells.
12:12Yes, it gives it temperature
12:13and then it doesn't come to work.
12:14It burns my hand.
12:15It gets so hot.
12:16No, I didn't know.
12:17I'm sorry.
12:18I can leave it there
12:19so you can use it.
12:20Right now,
12:21Chimmy will take it.
12:22Thank you very much.
12:23And I'm sorry, really.
12:24I'm sorry.
12:25You did a great job.
12:26Bye, handsome.
12:27Take care.
12:28So you don't miss me.
12:29Whenever you want.
12:30I'll be out at 8.
12:31Chimmy.
12:32Shut up.
12:33But he said handsome
12:34to both of us.
12:35Champion.
12:37You're good, Sonsuman.
12:38If you don't want to pedal
12:39that bike,
12:40I do like seafood.
12:41Of course.
12:42You know how handsome he is.
12:44Don't you want to have a drink?
12:45He's gone.
12:46He's not going to notice.
12:47I'll take it.
12:49Administration.
12:50Yes.
12:51I am requesting
12:52the file
12:53of the transporter
12:54Reni Cabello.
12:57Yes.
12:58He is the one who requested
12:59the savings fund
13:00for the loan
13:01of his grandmother's operation.
13:03I already sent
13:04all the documents,
13:05but I want to review them too.
13:07Thank you.
13:15Raquita,
13:16I need to see Juana.
13:17I went to the marketing area
13:18and I didn't see her.
13:19She was with David.
13:20If you want, I'll look for her.
13:22Thank you.
13:25I didn't let myself go
13:27thinking I didn't feel
13:28anything for Gabriel,
13:29but I was wrong, right?
13:30Look, David.
13:32I clearly
13:33care about this job
13:34and I like it,
13:37but I'm not going to deny
13:38that I feel close
13:39to Gabriel.
13:41That's the closeness
13:42I feel with you.
13:44But
13:45we're friends.
13:47Is that clear?
13:48Well,
13:49coworkers.
13:50No, of course.
13:51It's the same with Gabriel.
13:52We're friends.
13:53No, it's not the same.
13:54Let's not say it's the same
13:55because it's not the same.
13:56How are you?
13:57How was your first day,
13:58friend?
14:00What's going on?
14:01Why are you so quiet?
14:04Oh, I know.
14:05They're planning
14:06the new strategy
14:07to destroy
14:08Estro's beer.
14:09It's a new campaign.
14:10They don't want to tell anyone.
14:12You already knew, right?
14:15That Juana is in love with Gabriel.
14:19David, what are you talking about?
14:20Oh, you didn't know.
14:23Let's see.
14:24What's going on with Juana
14:25and the blond engineer
14:26is that
14:27Juana is very grateful
14:28to me because
14:29I've helped her a lot.
14:30Right, Juana?
14:31Yes, Juana.
14:32Look,
14:33clearly I'm the laughingstock
14:34of this company,
14:35but I'm not going to be
14:36anyone's clown.
14:37Okay?
14:38So I think it's better
14:39to leave the job here.
14:40Thank you for the opportunity.
14:44Juana.
14:45Juana, let's see.
14:47Juana.
14:49You're being helped by angels,
14:50daddy.
14:51Angels.
14:52And one is begging
14:53nieces,
14:54crickets,
14:55seafood of love.
14:56Stop it.
14:58Seriously,
14:59I can't get it out of my head,
15:00Enriqueta.
15:01If I had felt that
15:02rush
15:03when we kissed
15:04in the elevator,
15:07I'm sure
15:08I didn't just feel it.
15:10What you felt
15:11is called hunger,
15:12because that day
15:13you were starving.
15:14I'm serious.
15:15I mean,
15:17I thought those things
15:18were only seen
15:19in the movies,
15:20but no,
15:21I did feel it.
15:22Let's see.
15:23Oh, my God.
15:24Let's see,
15:25what's the deal
15:26with Juana?
15:27Well, she's the
15:28top human resource.
15:29I mean,
15:30she's the boss
15:31of all the staff
15:32at the brewery
15:33where Dani works,
15:34and now Juana works there.
15:36But she's a girl,
15:37she plays with older girls,
15:38daddy.
15:39Older girls.
15:40No,
15:41you don't even get to
15:42the minors of La Colonia.
15:43They're all screwed.
15:44Well,
15:45you have to dream big,
15:46you have to dream big,
15:47right?
15:48Yes,
15:49but what's the point
15:50when you dream Mexican?
15:51Well, do it.
15:52Only when you want to
15:53achieve something,
15:54you have to dream big.
15:55So,
15:56how's my workshop going?
15:57Well,
15:58little by little,
15:59I bought a tool,
16:00here's the other one,
16:01and now,
16:02look,
16:03I have a workshop.
16:04Yes,
16:05we already have our workshop.
16:06Yes,
16:07we already have it,
16:08right?
16:09Uh-huh.
16:10Boss,
16:11let's go,
16:12let's work,
16:13okay?
16:14You're well paid there,
16:15look,
16:16all the money
16:17is in the crates.
16:18Let's go,
16:19I'll help you.
16:20You're more of a boss
16:21than I am.
16:22Let's go,
16:23let's work.
16:24I'm going to the graphic designer.
16:25She's there.
16:26If you need to talk to her,
16:27I just found her
16:28in the marketing department.
16:30No, no, honey,
16:31I'm not asking you about her,
16:32I'm asking you about
16:33her personal address.
16:35Ma'am,
16:36I'm sorry,
16:37but I don't have that information.
16:39You can look for her
16:40and send me a text message,
16:42okay?
16:44Ma'am,
16:45I'd love to be able
16:46to help you,
16:47but I only receive orders
16:48from my direct boss,
16:49Engineer Gabriel.
16:54Let's go.
17:00Juana,
17:01you don't have to be like this.
17:02Let's go.
17:03I love this job,
17:04I need this job,
17:05but I don't have to
17:06put up with this
17:07work environment
17:08that just wants to humiliate me.
17:09Leave your things.
17:10No, well,
17:11until I find them.
17:12I've been calling you
17:13and nothing.
17:14We were in the cafeteria
17:15and we left our cell phones here.
17:16What happened?
17:17The blond engineer
17:18wants to talk to Juana,
17:19he says it's something urgent.
17:20So, Juana,
17:21I'll wait for you in the office.
17:25But anyway,
17:26he has to know
17:27that he's going to be a father
17:28and that you're waiting
17:29for his son.
17:30No, that's a decision
17:31I've already made.
17:32He can't know, period.
17:33A son is born
17:34from the union of two people, Juana.
17:35He never wanted
17:36to have a son with me
17:37and I don't want him
17:38to come into my life now.
17:39This is between my baby and me.
17:41Are you sure?
17:42Yes, totally.
17:43In fact,
17:44if he finds out
17:45that I'm pregnant with him,
17:46I'm leaving right now
17:47and no one will hear from me again.
17:49Come in.
17:50Come in, of course.
17:51Hi.
17:52Hi.
17:54Enriqueta told me
17:55you wanted to talk to me.
17:56Yes.
17:58Yes, come.
17:59Sit down, please.
18:03Be careful.
18:12How are you?
18:15I'm fine.
18:17Good.
18:21Is there something
18:22I want to talk to you about?
18:23I think I know
18:24what you want to talk about.
18:26Really?
18:27And I want you to know
18:28that I didn't plan this.
18:30Me neither.
18:32But it seems
18:35that it's like
18:36a cruel game of fate
18:38and...
18:39Yes.
18:41Apparently,
18:42it comes to a point
18:43where you can't deny things.
18:44When did you find out?
18:45I don't know.
18:46I think I found out
18:47when I spent the night here,
18:48in this office.
18:49In the office?
18:50And believe me,
18:51I didn't...
18:54I had things very clear.
18:55I didn't understand
18:56what I was feeling.
18:58But I only know
18:59that when I woke up
19:00and I had your bag on me
19:04and I saw you sleeping
19:05in that chair,
19:06I approached you
19:07and I felt something
19:08that I haven't felt
19:09in all my life.
19:10And I know
19:11that there have been
19:12thousands of rumors
19:13about what happened
19:14and I hope you believe me
19:15that...
19:17that I've always made it clear
19:18that absolutely nothing
19:19happened between you and me.
19:20Yes, I've always said that too.
19:21But it seems
19:22that I have a sign
19:23on my forehead
19:24that everyone can see
19:26except me
19:27and...
19:29they say
19:30that my eyes sparkle.
19:33That I can't hide it.
19:35What is it?
19:37It's obvious.
19:40Well, what I want to tell you...
19:41Do you want me
19:42to say it to you
19:43personally?
19:44Well...
19:46I shouldn't have.
19:47It wasn't right.
19:49I'm pregnant.
19:50You're a married man.
19:51You can't...
19:52I understand.
19:53The thing is that...
19:56I think I'm
19:58madly in love with you.
20:11Enriqueta,
20:12I thought I'd go
20:13to your office to see you.
20:14Did you need something?
20:15Yes, yes.
20:16I need access
20:17to the staff's data
20:18because I want to make a list
20:19with all the people
20:20that I'm going to be working with
20:21during my management.
20:22Okay.
20:23Well, if you want,
20:24I'll give you the key.
20:25With that you can access
20:26the staff's files.
20:27Yes.
20:28Write it down.
20:29It's BQ...
20:31R9...
20:3322...
20:35Let's see, my love.
20:36Why are you in such a hurry
20:37to see us here?
20:38The thing is that I need you
20:39to help me understand Gabriel
20:41before I go into crisis
20:42or I go crazy.
20:44What are you talking about?
20:45Well, about the new contracts
20:46that Aurelio
20:47had to do out of the blue.
20:49Well, if you're saying it
20:50because of Camila,
20:51it's what's best for the company.
20:52No, no, no, dad.
20:53Obviously I'm not saying it
20:54because of Camila.
20:55I'm saying it because
20:56of that photographer
20:57that he hired.
20:59Didn't you know?
21:03So, Carlos already told you
21:04about the mistake
21:05I made
21:06with Danila's friend?
21:07Yes.
21:08And that shows
21:09that he's jealous.
21:10He still feels
21:11something very important
21:12about you.
21:13Oh, please, Inés.
21:14I have a lot of work.
21:15I don't have time
21:16for romances.
21:17And on top of everything else,
21:18you have to help
21:19Mrs. Camila
21:20acclimatize, right?
21:21Well, I don't think
21:22it's that hard.
21:23She has a lot of desire.
21:25Desire?
21:26Of what?
21:29I'm sorry to tell you this,
21:30but I don't like
21:31that woman.
21:33Inés,
21:34you have to be very careful.
21:36Remember that she's
21:37the wife of one
21:38of the major shareholders
21:39of this company.
21:40And she's also
21:41a friend of the blondes.
21:42Yes, yes, I know.
21:45But believe me,
21:46that woman didn't come
21:47to do anything good
21:48to this company.
21:49We shouldn't take away
21:50her luxury.
21:51Listen to me.
21:54Juana,
21:55you and I
21:56get along very well.
21:57Look, I know
21:58my feelings
21:59don't correspond.
22:00Seriously.
22:01And probably
22:02me talking about it
22:03because I'm very impulsive
22:04will completely ruin
22:05our friendship.
22:06No, of course not.
22:07And I also know
22:08I've been a bad friend.
22:09I know...
22:10I know I let you down.
22:13That when Camila
22:14and David
22:16threw me
22:17in front of our relationship,
22:18I couldn't look them in the eye
22:20and tell them
22:21I don't feel anything for you.
22:22Listen to me.
22:23Listen to me.
22:24Listen to me, please.
22:26I don't care what people
22:27say or think.
22:29And what you're saying
22:30is that what you feel
22:31is wrong
22:32simply because
22:33you're pregnant.
22:34No, on the contrary.
22:36Your pregnancy
22:37was what brought us together.
22:40I respect very much
22:41what you feel.
22:42You don't have to say anything.
22:43Really, I know.
22:44I know.
22:45Yes, I know.
22:46No, no.
22:47Don't hurt me.
22:48That's all I ask of you.
22:49Please.
22:50But don't hurt me.
22:52Juana, I know.
22:54Hey, Juana.
22:55Juana, Juana.
22:56Please wait, Juana.
23:08I have the address
23:09of the photographer.
23:10I'll send you a message.
23:11Yes.
23:12Perfect, thank you very much.
23:13I'm on my way.
23:14Goodbye.
23:16Oh, Dad, I'm sorry.
23:18My manager called me.
23:19We need to urgently
23:20look into
23:21an advertising campaign.
23:22Will you forgive me?
23:23I know I asked you
23:24to meet here,
23:25but how can I say no?
23:27Don't worry.
23:29And if you feel
23:30that photographer
23:31is causing you
23:32a lot of trouble,
23:34don't doubt that I can
23:35help you
23:36get her out of the way.
23:38Really?
23:39Uh-huh.
23:40Oh, Dad, you're the best.
23:42I'm leaving.
23:43I love you.
23:44I love you too.
23:51Oh, my God.
23:54But, let's see,
23:55how did you let her go
23:56like that
23:57just because
23:58you were in love with her?
23:59Well, what do you think
24:00Dani did?
24:01Anyway, David
24:02already told her everything
24:03he was doing.
24:04He was doing the table
24:05and everything.
24:06Oh, I'm going to kill David.
24:08Obviously, they're friends
24:09and they were going to tell each other.
24:10No, no,
24:11he's not going that way either.
24:13So, what did he tell you?
24:17I don't know.
24:18He really didn't say much.
24:19I didn't let him talk.
24:20Rather, I was
24:21talking and talking and talking
24:22and, well, what do I tell you?
24:23I ruined it.
24:24I ruined it, obviously,
24:25because I don't have experience
24:26in love
24:27and, obviously,
24:28I was going to screw her
24:29with someone I care about,
24:30with someone
24:31for whom I would have given
24:32everything I had in my life
24:33and...
24:34I mean, my mom is right.
24:35I don't know why I came here
24:36to accept a job
24:37knowing how I feel about him
24:38because I'm stupid, really.
24:42You know what, Dani?
24:43I...
24:46Please tell David and Enriqueta
24:48that thank you very much,
24:49that I really appreciate
24:51this opportunity,
24:52but
24:53please accept my resignation.
24:55No, Juana.
24:56Dani, that's better.
24:57What do you mean?
24:59Juana!
25:01Juana, no!
25:02Gabriel, you're worrying me.
25:03Do I look bad?
25:04Is everything okay?
25:07No.
25:08Everything is fine.
25:10The thing is that I hired
25:11a private investigator
25:12to find the girl
25:13who was put on my sample
25:14by mistake.
25:16And what happened?
25:17Did they find her?
25:18Yes.
25:20Yes, the doctor
25:22identified her
25:23in a security video
25:24from the clinic.
25:26And...
25:28Did you talk to her?
25:30Did what I told you happen?
25:32Did I interrupt the pregnancy?
25:33No.
25:36No, she's still pregnant.
25:39So...
25:41you already met her?
25:44Uncle, the woman
25:45who's pregnant with me
25:46is Juana Bravo.
25:49Let's see.
25:51Juana, the photographer?
25:53The one who came in
25:54to work here today?
25:55Yes, she was just
25:56in my office!
25:57Right now!
25:58And what happened?
25:59How did she react?
26:01I tried to tell her
26:02at the beginning.
26:03We started talking
26:04and I thought we were
26:05talking about the same thing
26:06and...
26:08she told me she was in love
26:09with me.
26:10And she left.
26:17Good.
26:19Let's see.
26:21The important thing here is
26:24that everything is clear
26:25with you.
26:26What do you feel about her?
26:28Are you in love with her?
26:31Yes.
26:39Honey, what happened?
26:41What happened to you, princess?
26:43Are you okay?
26:44What happened?
26:45You were right.
26:47I shouldn't have worked
26:48in the brewery.
26:50I couldn't control myself
26:51and I ended up
26:52confessing everything to Gabriel.
26:57Good.
26:58What happened?
26:59I didn't tell you.
27:00Good!
27:02Why did you knock on the door?
27:03It was Juana.
27:05She doesn't feel well.
27:06She has nausea,
27:07she's pregnant.
27:08I already told her
27:09to go to bed for a while.
27:10I'm going to make her
27:11a tea with salty cookies.
27:12No, Mom.
27:13It's not necessary.
27:14No?
27:15It's fine.
27:16I can sleep with that.
27:17Do you want to eat something?
27:19Make me a tea, honey.
27:20My tour is about to start.
27:21I'll take it to you right now.
27:22I'll take it to you right now.
27:23I'll take it to you right now.
27:26I'm so sorry.
27:27I'm so sorry.
27:28The only thing I know
27:29is that I've never felt
27:30what's happening to me
27:31with her.
27:32It's new to me.
27:34When I'm with her,
27:35I feel good.
27:37I feel...
27:39calm.
27:40I feel at peace.
27:41I have a good time.
27:42In fact,
27:44we laugh a lot.
27:46When I'm with her,
27:47I don't have to be anyone else.
27:48I feel free.
27:49It's as if life
27:50was different.
27:52Is that clear?
27:54Look,
27:55I'm your uncle.
27:56There's trust.
27:57We're family.
27:58Tell me,
28:00have you and her
28:01had anything beyond...
28:03No, no, no.
28:04Of course not, uncle.
28:07Sorry to bother you.
28:08Can I come in?
28:09Yes, of course.
28:10Inés told me you were here, Gabriel.
28:12What's going on?
28:13The thing is
28:15we have a situation.
28:17Daniela just told me
28:18that Juana Bravo
28:19just resigned.
28:20She thanked me
28:21and she doesn't want the job anymore.
28:22No, no, no.
28:23Tell her not to resign.
28:24I'm going to look for her at her house.
28:29Do you know what happened
28:30with that girl?
28:31She was very excited.
28:44What do you have?
28:45What are these?
28:46I don't have change.
28:47I'll pay you tomorrow.
28:49I'll pay you tomorrow.
28:55Hey, cutie.
28:56Do you want to buy some candy
28:57to sweeten your life?
28:58No, thank you.
28:59I don't want anything.
29:00Should I ask Juana
29:01for my money?
29:09Well, here it is.
29:10So,
29:11if you say so.
29:20I don't care
29:21what people say
29:22or think.
29:23And what you say
29:24is wrong.
29:25What you feel
29:26is simply because
29:27you're pregnant.
29:28No, on the contrary.
29:30Your pregnancy
29:32was what brought us together.
29:35I respect very much
29:36what you feel.
29:38But I don't feel the same for you.
29:40Shut up, stupid.
29:45Shut up, stupid.
29:49Shut up, stupid.
30:03Oh, it's so good.
30:06With this.
30:11There it is.
30:13If you're so nervous,
30:15it's because you're worried about Juana.
30:17Yes, of course.
30:18I'm worried, yes.
30:19Yes, I'm worried.
30:20Wouldn't it be better
30:21to take her to the hospital?
30:24Mom,
30:25Juana's problem
30:26is not medical.
30:27Anyway,
30:28we have to take her to the hospital
30:29because maybe
30:30it's a complication
30:31with her pregnancy.
30:32No, no, no.
30:33The pain she feels
30:34is not physical, mom.
30:37It's another kind of pain.
30:41How awful.
30:48Hello?
30:49Good afternoon.
30:50I'm here to talk to Juana Bravo.
31:02Nothing.
31:04Juana doesn't answer my calls,
31:06she doesn't answer my messages.
31:08No, me neither.
31:09I already told Enriqueta
31:10that she quit
31:11so I wouldn't tell her anything.
31:13No, no, no.
31:14I already told Enriqueta
31:15that she quit
31:16so I wouldn't tell her anything.
31:17I don't understand why she did that.
31:20You and Camila
31:21ruined her first day, Juana.
31:23I'm sorry.
31:24I didn't know Camila
31:25had told her the same thing.
31:26Juana told her later.
31:28I don't understand.
31:30You say you're her friend
31:31and you behave like a bad boy
31:32with her.
31:34Juana really needed this job.
31:36I already told you,
31:37I'm so sorry, Dani.
31:39We were working
31:40as usual
31:41and Juana kept calling
31:42Gabriel and Gabriel
31:43and Gabriel.
31:44All I did was ask
31:45if she was in love with him
31:46and that's it.
31:47That's all.
31:48With that attitude
31:49that characterizes you.
31:50Well, I'm really sorry.
31:51I feel terrible.
31:53I don't know what to do.
31:55For now, leave her alone.
31:57Don't go looking for her.
31:58You always do that
31:59and make things worse.
32:01Yeah, right.
32:03Let's see,
32:04when did I tell her
32:05because I love her, Dani?
32:07It's not good
32:08that she's in love alone
32:09with a married man.
32:11She deserves much more
32:12than that.
32:13I don't know.
32:14I hope she realizes
32:15in time
32:17and allows someone else
32:18to love her for real.
32:20Right?
32:22Someone like you?
32:25Why not?
32:29I'm Paula,
32:30I'm Rubio's older sister.
32:32Oh, yes.
32:34Yes.
32:35By chance,
32:36don't you work
32:38in the charity
32:39of orphan children?
32:40Father Jose's?
32:42Yes.
32:44Oh, I've seen you.
32:46I'm going to tell my daughter
32:47that you're here.
32:49Yes, but come in, please.
32:51Thank you.
32:53Sit down, sit down.
32:54Do you like some tea,
32:55some coffee?
32:57You can't miss
32:58the sweets I make.
33:00They're traditional
33:01and I personally make them
33:02by hand, look.
33:04So, what?
33:05Should I bring you some coffee?
33:07Hello.
33:09Where are you?
33:13Are you serious, Mom?
33:14Is Gabriela's wife there?
33:15Yes, it's Gabriela's wife.
33:16Do you know her?
33:17No, I saw her
33:18on her birthday,
33:19but I don't remember a word.
33:20Oh, well,
33:21the witch fell on us.
33:22What?
33:23What are you doing in the house?
33:24I don't understand.
33:25What did she say?
33:26I don't know.
33:27What did I tell her?
33:28I told her you were taking a shower.
33:29I don't know.
33:30You tell me.
33:31I don't know.
33:32I don't know.
33:33I don't know.
33:34I don't know.
33:35I told her you were taking a shower.
33:36I don't know.
33:37You tell me.
33:38What did I tell her?
33:39Nothing.
33:40Don't tell her anything.
33:42I'm going to hit her in the face.
33:45I think it's good.
33:46Yes, yes, yes.
33:47But fix yourself, right?
33:48Yes.
33:51Are you deaf?
33:52I don't understand.
33:53Did she speak Chinese?
33:54Where is Gabriela?
33:56I already told you I don't know.
33:57Of course you know where she is.
33:58You're the secretary.
34:00I'm not her secretary.
34:01I'm her executive assistant.
34:03But you're denying it.
34:04Look, ma'am.
34:05I already told you I don't know where my boss is.
34:08Excuse me.
34:09Is everything okay?
34:10Is something wrong, Camila?
34:11It's just that this executive assistant is denying Gabriel.
34:14And I need to talk to him.
34:16I need to tell him the plans I have for the corporate.
34:19Yes.
34:20Well, I don't think Inés is denying Gabriel.
34:22In fact, he left because he had a personal emergency.
34:24But if you want, I'll review your plans and you can tell me.
34:26Let's go to your office, okay?
34:28Thank you, Inés.
34:29Let's go.
34:32Let's go.
34:39It's my first job, Carlos.
34:41And I don't want to fail.
34:42That's why I'm looking for Gabriel so much.
34:45Well, when you don't know Gabriel, you can come to me.
34:49May I?
34:50Yes, of course.
34:51This is the list of our clients, right?
34:54Excuse me.
34:56Look, I suggest...
34:58...that you start by calling these people.
35:01Contact them.
35:03Introduce yourself.
35:04Let them know you.
35:06Okay.
35:07Thank you.
35:08Now I know that if Gabriel isn't here, I can come to you.
35:11Or Rogelio.
35:13He's the one who insisted the most that you come to work here.
35:18I knew that Rogelio and Francisco had a relationship as shareholders in the company,
35:24but I didn't know that you and him got along so well.
35:28Yes, yes, yes, yes.
35:29What happens is that...
35:30Look, I studied with Paula when I was in high school.
35:32I've known him since I was very young.
35:34I'm like a family to him.
35:35He's like a father to me.
35:42No matter how much money Mr. Rogelio has left, he was a major.
35:45I think it's an excessive kindness on his part to have paid the bill.
35:48Why do you say that?
35:49Because it would have been logical for the blond engineer to pay the bill.
35:52It would have made a difference for his friend, etc.
35:54But why would he have paid it?
35:57Unless...
35:59Unless he wanted to have a difference with Mr. Armas.
36:04Capi.
36:07Can I ask you an unofficial question?
36:09Of course.
36:11Everything okay?
36:12I've been feeling a little scattered for days.
36:19Jenny Bravo.
36:20Juana Bravo's mother was just thinking about her and I don't know why.
36:25And the truth is...
36:27I don't know how to get close to her.
36:32Capi.
36:33I'm surprised you don't miss me.
36:36What do you mean?
36:38Like in your job.
36:39The arrow goes straight.
36:41The bull by the horns.
36:43Three months.
36:45I need you here and now.
36:48I'm going to bring you a coffee.
36:49Thank you.
36:54I've come to see your sister and I'm very worried about her.
36:57She's totally destabilized because of Gabriel.
37:01I don't know why she still has problems with my sister-in-law.
37:04If it were up to me, I'd get her out of that house right away.
37:07But you know Paula wouldn't stand to be separated from Gabriel, Dad.
37:10Yes, I know, but I don't like to see her suffer.
37:13Now she has between her eyebrows that this photographer is to blame for all her evils.
37:19It looks like Gabriel hired her to work here at the ironworks.
37:22What do you know about that?
37:23Oh, well.
37:25From what I see, anyone can make convenient contracts in the company.
37:30The photographer, Camila...
37:31Stop the irony!
37:35Go find out if it's true.
37:49I'm sorry.
37:55You and Camila broke up on the first day, Juana.
37:58You say you're friends and you behave like a child.
38:01Juana really needed this job.
38:03You're getting all stupid, David.
38:06You ended up meeting Juana.
38:10Oh, no. No, no, no. We've already lost him. Now he's talking to himself.
38:15Do you know what happened just now?
38:16What?
38:17Enriqueta came looking for Juana because Engineer Rubio wanted to see her in his office.
38:21And guess what?
38:22What?
38:23Since then, no one has seen Juana.
38:26She disappeared.
38:37I think that elegant lady came to see Juana because Father Jose must have asked her to.
38:44Because she's also involved in the orphanage.
38:47Maybe she came to ask for Juana's help.
38:49Are you sure?
38:50That's why, isn't it?
38:51That's why.
38:53Let's go see my brother so you can talk.
38:56Why don't we go?
38:57No, let's go.
38:59But I wanted to tell you that I didn't know where Juana was.
39:03We were going to go to your brother's room.
39:07Your grandmother is so innocent that she thinks I'm here to talk to you about Father Jose's orphans.
39:13Um...
39:15Can you explain to me what you're doing in my house?
39:18Please, don't play dumb. You know very well what I'm doing here.
39:22Since you appeared in Gabriel's life, you've known how to mess with us with that face of not breaking a plate.
39:28Look, you even managed to work at the brewery.
39:31Well, I don't really work...
39:32You shut up and listen to me.
39:36I'm here to warn you that I won't have mercy on you if you don't disappear from our lives on your own.
39:43Gabriel Rubio is my husband.
39:46And he will be until the last day of his life.
39:49I assure you that nothing happened to Gabriel.
39:51Mr. Gabriel, for you.
39:54Yes, I know very well that he is your husband and you know that you don't have to worry because...
40:00I'm not going back to the brewery.
40:12Let's go.
40:18Julian.
40:20Isn't that Mrs. Paula's truck?
40:23There's Porfirio.
40:24Porfirio!
40:26What are they doing here?
40:29What are they doing here?
40:34Gabriel!
40:39What are you doing here?
40:40What are you doing here?