La Promesa - Cap 384
Category
📺
TVTranscripción
00:00♪
00:07Lope, what are you doing up?
00:09Come on, go back to bed.
00:11Didn't you hear what Jana told you?
00:13Yes, but I feel much better.
00:15Well, still.
00:16In fact, I slept on the floor last night
00:18without taking anything.
00:19And that's fine, but the last thing you should do
00:21now is rush.
00:22Vera, calm down. I'm not rushing.
00:24I'm just paying attention to my body.
00:25Yeah, and we're talking about the same body
00:28that was between life and death two days ago.
00:30My goodness.
00:32Well, come on.
00:33At least drink this broth that your cooks made for you.
00:35It's fine.
00:37Come on.
00:39Ah.
00:59This broth is from Mrs. Candela.
01:01And is it good or bad?
01:03It's not bad, but it's not as good as Mrs. Shimano's.
01:06And how are you able to detect it so quickly?
01:09Because it never fails.
01:10Mrs. Candela always goes over with the salt.
01:15Have you received a letter from Don Manuel?
01:20Very well.
01:21Don't you worry if it's good or bad?
01:26Yes, I do worry, but no one has forced him to go to the front.
01:30That was his decision.
01:32Well, it could be.
01:35But the important thing is that both are fine.
01:37Both Mr. Curro and him.
01:39I'm glad.
01:40The Marquise is radiant. She looks like someone else.
01:42I wish she didn't look like her and she really was.
01:45López, don't be mean.
01:48She hasn't slept for a few days and she has a dog-like sense of humor.
01:51But well, it seems that the good news has appeased her a bit.
01:54Well, it's better for everyone.
01:56When that woman is upset, she makes life impossible for all of us,
01:58practically without proposing it.
02:00And she always proposes it.
02:02Well ...
02:08Come on, López, don't be stupid and stay there.
02:12Vera, I'm telling you that I feel much better.
02:14I think I can start living a normal life.
02:16A normal life?
02:17Yes, that's what I said.
02:18Like the one you've been doing so far, wow.
02:20Vera ...
02:21Look, López, I hope that when you say a normal life,
02:23you're not referring to all this fighting and ...
02:25Vera, enough. Enough.
02:27I don't want you to get involved in my life.
02:29I thank you very much for everything you have done for me,
02:31but I don't need any more care unless you control me.
02:36I'm a grown man and I know what I'm doing.
02:39Take it.
02:59Miss.
03:01I know I don't have to clean today.
03:04You never have to clean.
03:06And you don't have to do it.
03:08I'm going to keep doing it anyway.
03:11I don't want to bother you, but ...
03:14I would like to give you the news that ...
03:17news from the front has arrived.
03:19And they are good.
03:21Thank you very much.
03:23I'm going to go.
03:26News from the front. And they are good.
03:28Thank God.
03:30His brother Manuel has written and ...
03:32he has said that both he and Mr. Itocurros are fine.
03:35Finally a letter has arrived and they are fine.
03:38Yes.
03:39I appreciate that you had the detail to come and tell me.
03:42The truth is that not having news about them was very worrying.
03:45Like everyone else, yes.
03:47Of course. You are also part of the family.
03:50But if you knew Manuel as much as I know him,
03:53you would understand my relief better.
03:55Manuel has always been a brave man.
03:57An intrepid.
03:59I don't know how to describe it.
04:01When he was little, he seemed to be not afraid of anything.
04:04Well, I guess that's not bad.
04:06I don't know if it's the most advisable thing in the war front,
04:08to have a fearful attitude.
04:11I see.
04:13I'm going to tell you something about my brother Manuel,
04:15so that you know him a little more.
04:18We were kids.
04:20Some more than others.
04:22Tomás and I were around the beginning of puberty.
04:24So Manuel was a dwarf.
04:27You see.
04:28One day we left the farm.
04:30And we went up to a mountain that had caught our attention for a long time.
04:33I guess without permission.
04:35I remember that it was a hot day.
04:37And that all the way smelled of rosemary, jara, spruce.
04:42I love the smell of the mountain.
04:44And I remember that in the middle of the forest,
04:46we found some rocks that formed a kind of cave.
04:49And we decided that this would be our fortress.
04:52And we stayed playing for hours and hours.
04:55We didn't get tired.
04:57The energy of children is insatiable.
05:00And what happens in the stories happened.
05:02It was done at night.
05:04A moonless night.
05:06And when we decided to go back, we got lost.
05:08I didn't want to get scared, but I did.
05:10Especially when I saw Tomás, who was also afraid.
05:13Poor thing.
05:15And then Manuel, who didn't seem to be nervous,
05:18took my hand and told me not to be afraid.
05:20Because he was by my side.
05:22Which is something that, coming from a kid,
05:24I shouldn't have taken it seriously.
05:26But the truth is that it calms me down.
05:28And what happened next?
05:30We decided not to walk anymore.
05:32For fear of getting lost.
05:34So we stayed waiting.
05:36Until the men that my father sent found us
05:38and returned us to the palace.
05:40Wow. What a story.
05:42Yes. And what a hero, Manuel.
05:44Right?
05:46Yes.
05:48He has always been.
05:50Intrepid, noble and protective.
05:52Well, I'm very happy for Mr. Curro.
05:54I think he's very lucky to have him by his side.
05:56And so lucky that he has it.
05:58Manuel would give his life for him.
06:00Without a doubt.
06:02If necessary.
06:04Let's hope it's not necessary.
06:06Let's hope.
06:18♪♪♪
06:20♪♪♪
06:22♪♪♪
06:24♪♪♪
06:26♪♪♪
06:28♪♪♪
06:30♪♪♪
06:32♪♪♪
06:34♪♪♪
06:36♪♪♪
06:38♪♪♪
06:40We have to get out of here.
06:42My brother doesn't have much time left.
06:44Yes, you're right.
06:46Yeah, you're right.
06:48EPIC MUSIC
06:50EPIC MUSIC
06:52EPIC MUSIC
06:54EPIC MUSIC
06:56EPIC MUSIC
06:58It would be worse to coordinate.
07:00EPIC MUSIC
07:02EPIC MUSIC
07:04We can't do anything.
07:06EPIC MUSIC
07:08EPIC MUSIC
07:10EPIC MUSIC
07:12EPIC MUSIC
07:14♪
07:17Yes.
07:20I'll go with you in your last hours.
07:23♪
07:33I won't let my brother die here in the middle of the forest.
07:36♪
07:40We have no other option.
07:43It's too dangerous. That German is still out there hunting.
07:46I'm not prepared to see him die, Manuel.
07:49♪
07:57Nobody.
08:00Nobody is prepared to see their brother die, José.
08:03♪
08:07But, nevertheless, it's what's going to happen.
08:10♪
08:16José Juan, listen to me.
08:19Listen to me.
08:21And you're going to need to go in peace.
08:25♪
08:34♪
08:44♪
08:47We're going back.
08:50We'll take him with us.
08:52Leave everything that's not necessary here.
08:54We'll walk at night.
08:56It'll be more complicated, but as we go slower, it'll be safer.
08:59Please be reasonable.
09:01We can't go back on our feet. It's too dangerous.
09:04Don't ask me to be reasonable!
09:07We're going to get out of here.
09:10My brother is going to get out of here and get married.
09:13Do you understand me?
09:14José Juan, I understand you perfectly.
09:17Just like me.
09:19And we'll do whatever you tell us.
09:21Do you agree?
09:24We're in this together, right?
09:26♪
09:29We'll leave at dusk.
09:31♪
09:36Then find some sticks.
09:39We'll make a stretcher.
09:42It'll be easier for us to transport him,
09:44and Paco will suffer less along the way.
09:47Thank you, friends.
09:49♪
09:54Curro.
09:56♪
09:58How is he?
10:00♪
10:03He's asleep, and it looks like the wound is bleeding less.
10:07♪
10:09That should be a good sign, right?
10:11♪
10:15I don't know him. I have no knowledge of medicine.
10:19Me neither.
10:23But he looks calm.
10:25♪
10:29Manuel, stay with him.
10:32Curro and I will make the stretcher to take him.
10:35♪
10:41Let's go.
10:43♪
10:49Curro.
10:52This is crazy.
10:54We shouldn't move Paco.
10:56I know. I know it's dangerous.
10:59But if you were the one with a bullet in your stomach,
11:03maybe you'd do the same as him.
11:05It's still crazy to go back to our steps.
11:08We owe Manuel.
11:10We won't leave him alone.
11:12And we won't do it, okay?
11:14♪
11:24Okay, we'll do it for Jose Juan.
11:27We'll do it for Paco.
11:29♪
11:39The thing is, according to what they say,
11:41that Felipa is going to have to go to her town for a few months
11:44because her father is sick and the man is alone.
11:47Felipa?
11:48Yes, yes.
11:49The woman who takes care of Mr. Fermin, the priest.
11:51Well, yes, I know who he is, but right now I can't face him.
11:54Well, maybe you can't face him because you don't have the face you have.
11:57You have a round, colorful, and a plate of pizza.
12:00I don't fit.
12:02Well, it doesn't matter.
12:03The thing is, who's going to take care of Mr. Fermin now?
12:06Because that man is not capable of doing anything.
12:08Let's see what the poor priest is going to eat now.
12:10Or how he doesn't eat.
12:11He's a bastard.
12:13Oh, oh, oh, look, look, look, look.
12:15What's wrong?
12:16There's a mouse.
12:17Oh, look.
12:19Oh, I'm going to run, I'm going to run.
12:21I'm going to run, I'm going to run.
12:23Run there.
12:24Look.
12:25Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
12:32Take him far away from here.
12:35Aren't you going to kill him?
12:37As you can see, you haven't read the little flowers of San Francisco.
12:41Neither have you.
12:42Come on, look how smart.
12:44I remind you that until recently we were not very pleased.
12:48Well, but I'm getting up to date.
12:50Come on.
12:51Isabelita, what are you trying to tell me?
12:54Well, that little mouse is a creature of the Lord.
12:57And he has the same right as you to live.
13:00For me, that creature of the Lord gives me a real headache.
13:03I don't even tell you.
13:04I don't want to see him in my kitchen.
13:05He's the third one I see around here in this month.
13:07And before there were no mice around here.
13:09Yes, it is true that cats are no longer seen in the gardens.
13:11That must be why.
13:12And what about the cats?
13:13Why is that?
13:14Well, I don't know.
13:15No idea.
13:16You see that I am imagining, with how expensive everything is now,
13:19I would not be surprised if in any of the houses of Luján
13:22they were giving free cats.
13:26You see that he is laughing at you, huh?
13:28That I was not lucky.
13:30Do you know that a cat is different from a rabbit once they have put it on your table?
13:35I don't even know.
13:36I don't even want to know.
13:37Don't be silly, huh?
13:38That some time now that you ask for a rabbit in a restaurant ...
13:40I'll ask for something, you say.
13:41Or worse, you put it on me.
13:42Enough, Candela.
13:43Look, the rabbit is different from the cat.
13:46The cat has rounder ribs.
13:48And the rabbit has them rounder.
13:50So you put it on me.
13:51Rounder.
13:52Do you understand?
13:55Look who's coming this way.
13:56Our Lopillo.
13:58How are you, boy?
14:00Like new.
14:01And you didn't rush to get up so soon, did you?
14:04I'm telling you I'm much better, Mrs. Candela.
14:07Eh, Lope.
14:08Until recently, you were unconscious and you were grinding sticks.
14:11Maybe you should have rested a little more.
14:14Man.
14:16Lope, how are you?
14:17How are you around here?
14:19I'm much better, yes.
14:21Yes, but what you have to be more careful, huh?
14:23Please, we don't want to find you like this again.
14:27Take care, please, Lope.
14:29And watch who you hang out with.
14:30Yes, yes.
14:32Especially if you have a problem, you need something, protection, money ...
14:38Tell us.
14:42Excuse me a moment.
14:47Hello.
14:48Lope.
14:50Eh?
14:51Did you have to go with everyone?
14:53What are you saying?
14:54That I thought I could trust you.
14:56But I see that you are just a gossip.
15:01Lope.
15:02What?
15:04That they are your family.
15:06And that everyone has helped you a lot to heal.
15:07And they have been very worried about you.
15:10I just thought they had a right to know.
15:12Well, you thought wrong.
15:14I just had to decide, not you.
15:39I love you.
15:51Beautiful, but sad at the same time.
15:56That's how I feel.
15:58It seems that you are going against the current.
16:01Why do you say that?
16:03Since Manuel's letter arrived, everyone else is a little less than euphoric.
16:07Except for those affected by the cicuta, you know?
16:13What's wrong?
16:16Leave it, Lorenzo.
16:18Why?
16:21Maybe I could alleviate your discomfort.
16:26All melancholy must have a cause.
16:31I appreciate it, but there is nothing you can do.
16:33Test me.
16:37María Antonia.
16:39I would love to be able to help you.
16:42As long as it is in my hands to do so.
16:44I really appreciate your willingness, but ...
16:47But it's not in your hands.
16:48I warn you that I am a soldier.
16:50Among my defects, there is no surrender.
16:56If I am sad, it is because soon I am going to leave the promise.
17:01And why is that march so sudden?
17:04You can't leave now.
17:05Now that we are just starting to get along.
17:10If I'm honest, it's not a decision I made.
17:14As if someone could decide that for you.
17:16That's exactly it, believe me.
17:19I don't know what you're talking about.
17:22If I'm leaving, it's because Alonso asked me to.
17:26What?
17:29Yes.
17:30Apparently he doesn't want me here anymore.
17:32Well ...
17:33It can be seen that I have already fulfilled my task.
17:35That he doesn't want you ...
17:36But ...
17:37What's the point of all this?
17:38What else does it matter?
17:40If that's his will, I'm not going to be the one to oppose it.
17:43This is his palace, he has every right in the world.
17:45God forbid.
17:47And when will you leave?
17:49I haven't decided yet, but ...
17:51Soon.
17:53Very soon.
17:55We'll see about that.
17:57Don't do anything, Lorenzo, please.
17:58Don't worry, I have everything under control.
18:00Lorenzo!
18:02Lorenzo!
18:33Hanna!
18:34Hanna!
18:35What's wrong with you?
18:36Why don't you guess the last news from the noble plant, huh?
18:39How am I going to guess if you don't tell me?
18:41They are going to poison Count Ayala.
18:43You have a choice.
18:44Don't deny it.
18:46María, but how is that going to be?
18:49Let's see, everyone knows that Count Ayala is not particularly nice,
18:52but from there to want to kill him, well ...
18:54There is a world.
18:55That's what the doctor said.
18:56Let's go.
18:57The one who examined them.
18:58Have you heard it?
18:59With these two ears here.
19:00Have you heard it?
19:01With these two ears that I was there.
19:05And who could have wanted to kill him?
19:08You'll see.
19:10You'll see, right?
19:11That there is a clear suspect.
19:12What?
19:14That it gives me the impression that everyone suspected Miss Martina.
19:19Well, let's see.
19:20María, it's no secret that Miss Martina doesn't swallow the count, but ...
19:23I don't think she wanted to kill him.
19:28Don't tell me you also suspect her.
19:30No, I don't.
19:31God forbid.
19:32So?
19:33I convinced you almost today.
19:34Come on, I have it clearer than the water from the fountain of Gorgorito.
19:37There is no clearer water.
19:39Let's see, why are you saying this?
19:41Because to begin with, Servidora spoke up and told Miss Martina
19:47that Doña Pía was not in town, but that she had taken her life.
19:51How dare you say that, María?
19:54Mr. Marquez forbade us to say it.
19:56Yes, but Doña Simona also told Miss Catalina and it didn't happen.
20:00Don't listen to that.
20:01Well, I shouldn't have told her, but I did.
20:04I couldn't help it.
20:06Because Miss Martina started asking me questions and I was in shock and I started crying.
20:11And she realized that something was going on and I had to tell her.
20:14That's it.
20:15María, my mother.
20:16Yes.
20:17The fact is that Miss Martina brought up the subject of the death of Doña Pía again.
20:23And it was very interesting to know how she had taken her life.
20:26And what did you tell her?
20:27The truth, Hanna.
20:28She had poisoned herself.
20:30Well, you shouldn't have said that.
20:32And that's not the worst part.
20:34I told her what poison I gave her.
20:36I named her Cicuta.
20:38And what does that have to do with it?
20:40Of course it has to do with it.
20:41When the doctor named her again.
20:42Who?
20:43Cicuta.
20:44That's what they gave to Count Dayala.
20:48To poison him.
20:49Don't you think it's too much of a coincidence?
20:52Too much?
20:54Yes.
20:55And of course, it makes me think that I gave the same idea to Miss Martina.
20:59And that this poisoning is my fault.
21:02And I, Hanna, have never stepped on an ant in my life.
21:20Careful.
21:25No.
21:29How are you feeling?
21:32Not very well, Manuel.
21:35This poison has affected me.
21:39Don't make an effort.
21:42I can't do it.
21:51And the others?
21:53No.
21:55You're getting on a stretcher with some sticks we picked up.
22:00We'll be back.
22:03Mother, where?
22:05With the French.
22:08But what are you saying?
22:13We'll leave at night. It'll be less dangerous.
22:18Here, what happened is nonsensical.
22:21Your brother?
22:24Of course.
22:30You know, you should be proud.
22:33Your brother is willing to do anything to save your life.
22:38Manuel.
22:40I'm not going to spend the night.
22:43Okay?
22:44What I'm going to do is useless.
22:47We have to go.
22:49We have to try.
22:53Tell José Juan to come. I need to talk to him.
22:57Please, do what I ask.
23:02Listen, Paco, your brother wants to see you.
23:04I don't have much time left.
23:07Please.
23:09Tell him to come.
23:16I'm here.
23:18I'm here.
23:44Why do you like books so much, miss?
23:47For me, reading is like travelling.
23:49Only the reader has an advantage over the traveller.
23:52Sure.
23:54Reading is cheaper.
23:55Travelling has to be very expensive.
23:58Yes, but that's not what I meant.
24:00The traveller, no matter how much money he has, needs time to reach his destination.
24:05The reader, however, opens the book and he's already there.
24:08In Paris, Buenos Aires, Madagascar.
24:12But you're not really there.
24:14No, but I am in his thoughts.
24:16And it's as if I were there.
24:19I suppose.
24:21Besides, the reader can travel from one time to another.
24:24And go to Vienna from two centuries ago or Egypt from two millennia ago.
24:31But he hasn't really arrived?
24:33No, but it's better.
24:36Don't you like reading?
24:39Not much.
24:40Books and I have never been good friends.
24:43But you went to school.
24:45Yes, of course.
24:46And did you like it?
24:48Not too much.
24:50Although the teacher thought I did, that I liked it.
24:53How come?
24:55Well, because of a method that I liked.
24:59A study method?
25:02On the contrary.
25:05What I did was that at first I studied a lot, a lot.
25:08But only at the beginning.
25:10Then the teacher asked something and raised his hand.
25:14And he always gave the correct answer.
25:17But that's not a method.
25:20It's just what you have to do when you go to school.
25:22Study.
25:23Yeah.
25:25But as I said, I only did it at the beginning.
25:28And I always asked something and always gave the correct answer.
25:32Until I got tired and asked other classmates.
25:35It was the perfect time to stop studying.
25:38So your method is like that saying,
25:40raise fame and go to sleep.
25:43I liked more how my grandmother explained it.
25:46May she rest in peace.
25:48Did your grandmother know what you were doing?
25:50She knew and celebrated it.
25:52She said that a smart one is worth twenty.
26:02I've been thinking about what you told me about going back to the palace.
26:05Wow.
26:06I'm so glad.
26:08Yes, but no, don't ring the bell on the flight.
26:10I've been thinking about it and I'm not going to do it.
26:13At least, not at the moment.
26:16I understand.
26:18There is a part of me that wants to do it, I will not deny it.
26:21But there is another that simply and fully feels completely unable to take that step.
26:28And why is that?
26:30I guess I don't feel prepared.
26:32Just thinking about living with my stepmother again,
26:35I get goosebumps.
26:38Because your stepmother has not been very good to you?
26:42My stepmother is only good to herself.
26:45And sometimes not even that.
26:48The point is that you've been thinking about it and you've decided not to go back.
26:51Isn't that it?
26:53That's exactly it, yes.
26:55Good.
26:57Well, I won't be the one to insist.
26:58Nothing better than knowing that you are taking the risk of your life.
27:20Paco.
27:25How are you?
27:27How are you?
27:31Sister.
27:35You came.
27:37And how was I not going to do it?
27:42I want you to listen to me carefully.
27:46I don't want us to go back.
27:50I have no strength left.
27:52But you have nothing to do.
27:53We will take you to the Netherlands.
27:55Like in the village.
27:57To Our Lady of Perpetual Aid.
28:02I'm not even for that, my brother.
28:05Don't say nonsense.
28:14I'm dying, brother.
28:18I'm dying.
28:21I'm crying.
28:23I'm dying.
28:27God has done what the body asks of you.
28:33We have to get out of here.
28:37I'm not going anywhere.
28:40I want to die here.
28:42In peace.
28:45I won't allow it.
28:49It's not something that's in your hands.
28:51No.
28:54I just want you to understand that I'm dying.
29:00And all I want is to spend these last moments with you.
29:03Don't say that, Paco.
29:09I really appreciate everything you've done for me.
29:15But all I want is for you to be with me
29:18in this last moment.
29:19In this last moment.
29:25Damn you!
29:29And damn the German who shot you.
29:36I swear I'll hunt him down and he'll pay for everything he's done to you.
29:41I beg you, José Juan.
29:44Don't put your life in danger just to take revenge on me.
29:48That bastard is hiding near here and I swear I'll find him.
29:55The stretcher is ready.
30:03I'm going to kill him.
30:05Don't do it, José Juan.
30:06There's no reason not to do it.
30:08Not being by your brother's side when he dies?
30:10Don't you think it's a good reason?
30:11My brother wouldn't be dying if it weren't for that bastard.
30:13Let's go.
30:17Stay with Paco.
30:18Take care of him.
30:19Where are you going?
30:20I'm going with you.
30:21He's outside.
30:43I suppose you're up to date.
30:45I haven't read the newspaper all afternoon.
30:47It was also in the morning edition.
30:50I haven't touched the newspaper all day.
30:53It would be a waste of time.
30:55Are you going to stop circling around me and tell me what's going on?
31:00The French infantry managed to take over the city.
31:03I'm not going to let that happen.
31:05I'm not going to let that happen.
31:07I'm not going to let that happen.
31:09I'm not going to let that happen.
31:10I'm not going to let that happen.
31:11The French infantry managed to reject all German counterattacks
31:15and preserve the recovered territory.
31:19To the north of Neville, the French have taken positions
31:23and have inflicted a good number of casualties on the enemy.
31:27That's good news.
31:28It is.
31:29One more.
31:31The Allies are on the move.
31:33First we have to confirm that this source is reliable, don't you think?
31:36I think it is.
31:37It's an undeniable gesture from the Allied side.
31:40If it is confirmed, I will be the first to applaud it.
31:43Lorenzo, you have the gift of enthusiasm.
31:45Whatever you do, this is a great feat.
31:48And there are many possibilities that our children have participated in it.
31:52By power.
31:53Although the truth is that mine is still a regrettable incoherence.
31:57Do you mean your existence in general or any aspect in particular?
32:00Don't be a moron.
32:02I mean, on the one hand, I'm terrified that they imprison them, hurt them,
32:05even kill them.
32:06But on the other hand, I am very proud of what they are doing.
32:09You have no idea what they are doing.
32:12Are you going to take away my desire for them to participate in feats like this?
32:15If it were so, Manuel y Curro would have little merit.
32:18Oh yeah? And why is that?
32:20Those feats, as you call them,
32:22must be attributed to the officers in command.
32:25Ah, to people like you.
32:26The Adalides of the cause.
32:27Yes.
32:28Remember the words of Alejandro Magno.
32:31It is preferable to an army of sheep led by a lion
32:33than an army of lions led by a lion.
32:36They are led by a sheep.
32:38Don't take away our children's merit.
32:39They have nothing to do with sheep.
32:41They have proven to be lions
32:42since they joined that contest without having to.
32:45If you say so.
32:46Yes, I say so.
32:49But you didn't come here to talk about this.
32:51Well, no.
32:52Precisely about this, no.
32:54Then what?
32:55More than talking, I have come to ask you for explanations.
32:58Ah.
32:59What things?
33:01Why did you demand Maria Antonia to abandon the promise?
33:04Why did you demand it?
33:06Lorenzo, leave it.
33:08I'm not going to leave it.
33:10What's going on, Alonso?
33:13Do you feel you have the right to ask me this?
33:14Yes.
33:15Well, you don't.
33:17I don't have to give you explanations
33:18about what I do or stop doing in my house.
33:20I knew you were going to say that.
33:21Well, then you could have saved yourself the question.
33:23And that does nothing but confirm my suspicions.
33:25You have suspicions?
33:26Yes.
33:27You want that woman to leave here
33:28because you are jealous.
33:31What?
33:32What you heard.
33:33What did I hear?
33:35Don't say it, Sández.
33:36Sández?
33:37I think I've hit the nail on the head.
33:40Do you mind that that woman and I agree,
33:42that a beautiful friendship has been created and that it goes further?
33:45My decision has nothing to do with you.
33:46Oh, no? And what does it have to do with?
33:47It doesn't concern you.
33:48I don't have to give you explanations.
33:52And now, if you'll excuse me,
33:53for my own health, I'm going to move away from you.
34:04And there you were.
34:08You don't know how happy I was when I heard you
34:10and I knew you were Spanish.
34:14No, no, there was happiness in me.
34:17And I had a boyfriend.
34:21And do you remember that sergeant?
34:23You didn't understand a word and you started imitating him.
34:28I don't feel anything, David.
34:31He was digging for two weeks.
34:33I don't feel anything.
34:39Paco, you have to hang in there.
34:42Your brother will be back soon.
34:44Remember?
34:47He'll be back.
34:49He'll be very good.
34:51Wait.
34:55Come here, Paco.
35:00Better?
35:01Better.
35:05I feel cold inside.
35:07I swear.
35:08Inside of me.
35:11I know, Paco. You have to hang in there.
35:23I'm going.
35:26I'm going.
35:31I can't.
35:36I just want to see her one more time.
35:44To kill her.
35:49But she's not here anymore.
35:54The photo.
35:56The photo.
35:58The pocket.
35:59Ma'am.
36:00Please.
36:02Ma'am.
36:08Ma'am.
36:15Here it is.
36:16Read it.
36:17Whatever you want.
36:21I can't.
36:26I can't, Guru.
36:29I can't.
36:31I can't, Guru.
36:35Listen to me.
36:37I want you to make me a promise.
36:42I want you to survive.
36:44I want you to be the one to read my message.
36:47Okay?
36:48Yes.
36:55Okay.
36:59Yes.
37:02Okay.
37:07Read it.
37:08Tell her that it's what I want most in this world.
37:15I've never told her.
37:17Because things that are truly important, we always forget to tell her.
37:25I had a purpose to change it.
37:30I've never loved anyone as much as I have in all my life, Guru.
37:42And I want her to be happy.
37:49And that she doesn't see black.
37:53And that red is the color that suits her best.
37:59And...
38:02That her perfume drives me crazy.
38:08That her skin is a map that you have to find.
38:13And that her voice will be my favorite music.
38:20And she doesn't owe me anything.
38:25And I want her to be happy.
38:30And that commitment...
38:32That commitment of ours that will never end in fashion.
38:37It will happen in this life.
38:43And I will be taking care of her from heaven.
38:49And that is what fills me with peace.
39:00I will tell her...
39:02Word for word everything you've told her, Paco.
39:07And...
39:09Don't forget to tell her that I love her.
39:13That...
39:14That...
39:30Paco.
39:32I love you.
39:34I love you so much.
39:35I love you so much.
39:36I love you.
40:06I love you.
40:36I love you.
40:46But nothing I do will help.
40:49Because today I realized...
40:50That your daughter has something against me.
40:52Something visceral. Something she can't control.
40:54Out of all logic.
40:58Margarita...
40:59Your daughter hates me.
41:01And she won't stop until she destroys me.
41:06Please.
41:08Please.
41:23Did you go to the Virgin Mary's rosary?
41:25No, I didn't.
41:26There were a lot of people there.
41:29No, I went to do some errands at the fabric store and the boutique.
41:33And nothing else.
41:34I see.
41:37I see.
41:51The thing is, Miss Martina brought up the subject of Mrs. Pia's death again.
41:57And it was very interesting to see how she had taken her own life.
42:00And what did you tell her?
42:01The truth, Hanna.
42:02She poisoned them.
42:04Well, you shouldn't have told her.
42:06And that's not the worst part.
42:07I told her with what poison.
42:09I named her Cicuta.
42:34The rest of the things are outside, Miss Expósito.
42:37Hanna!
42:39Where do you think you're going?
42:42I've already finished my shift, Mrs. Arcos.
42:44I haven't asked you about your shift, but where are you going and what's in that basket?
42:47What's in that basket is none of your business, Mrs. Arcos.
42:51Miss Expósito is going to the village to deliver a message for me.
42:55At this hour?
42:56Yes.
42:57At this hour.
42:58And what message can be so urgent to deliver at night, being able to wait until tomorrow?
43:01Well, one that doesn't concern you at all.
43:05Go, Miss Expósito.
43:11Good night, Mr. Arcos.
43:29Mmm.
43:50I don't have the strength to argue, daughter.
43:53I haven't come to argue.
43:56And what have you come for?
43:59I thought we could talk, just the two of us.
44:06Talk, not argue.
44:21What are you doing, daughter?
44:22When I saw you with the gardener, I thought I could help you with this.
44:27No, you don't have to. Really.
44:29I know, but I want to do it.
44:33Take it as a sign of goodwill.
44:38Okay.
44:53I think I would only follow my 13 mothers.
45:00You know I'm like a wall of Noria.
45:04But thanks to those two, Maria and Salvador, who are no less stubborn than me,
45:15based on insistence, I think they have opened their eyes to me.
45:29Forgive me, mother.
45:35Daughter.
45:38I've been making you suffer for a while and treating you like a harpy.
45:42I need you to forgive me.
45:45Of course I forgive you, daughter.
45:48And I hope you have forgiven me.
45:52Because I know you spoke to me out of resentment.
45:56A resentment that I deserve.
45:59For not listening to you, for not listening to you, for going to my daughter.
46:07I know you didn't understand my reasons, because I never gave them to you.
46:15I just wanted to impose myself.
46:19Out of fear.
46:24Out of revenge.
46:27Because I am ashamed that I have to see Adolfito in those circumstances.
46:31I am ashamed of not being a good mother, of not being up to you.
46:35No, no, no.
46:37Don't say that, daughter, because that's not true.
46:40Yes, it is.
46:43And the worst of all is that I don't let you be a good grandmother.
46:51But...
46:56From now on,
47:01I would like
47:04you
47:07and me
47:09to leave the past behind once and for all.
47:17It seems to me too.
47:21And...
47:23And here I am, by your side, in what you said.
47:39These days,
47:42remembering Doña Pia,
47:47I couldn't stop thinking about how much that woman fought to give her son a future.
47:56And I have faith in her.
47:59She had
48:01a son.
48:03And I have faith in her.
48:06She had
48:08the guts
48:10to face nothing less than Mrs. Marquesa,
48:14risking everything
48:16to get ahead
48:18of her little Diego.
48:22I want to follow in Doña Pia's footsteps,
48:25mother,
48:27and do whatever it takes
48:29to get my son back and keep him close.
48:33And I think I'm going to need your help.
48:43Here I am.
48:46Thank you, daughter.
48:49You have just made me the happiest woman in the world.
49:02Thank you.
49:13He was a just man
49:15and a very good man.
49:19So good, so good, that many took him for Blandengue and others.
49:24But they were wrong.
49:26The thing is, he didn't like to argue.
49:28That's why, instead of raising his voice, he preferred to lower his head.
49:36And thanks to that, he managed to contain his wife a little.
49:41She was the complete opposite.
49:43Hard as a rock.
49:45She may have had a heart, but she was so cold
49:48that she never showed herself to be kind or close.
49:52No one understood how that good man
49:55could have fallen for such a selfish woman.
49:59But the thing is, they decided to get married.
50:03And, in their own way, they formed a very solid couple.
50:07One could not be without the other.
50:16In fact,
50:19she once got very sick
50:22and had to go to a sanatorium for a season.
50:25No, to a retirement home.
50:28To a retirement home.
50:31And he suffered a lot from his absence.
50:37His absence.
50:40He couldn't live without her
50:42and he wandered around his palace like a soul in pain.
50:46Like a cow without a shed.
50:51His absence,
50:53I mean,
50:55you could say that they loved each other more in the distance than in the proximity,
50:59because when they were together,
51:01they wouldn't stop pulling each other's hair
51:03and fighting like the dog and the cat.
51:10Anyway,
51:12every love is a world
51:14and it's useless trying to understand it.
51:22This is how you plan to leave the palace?
51:52At night, and in a hurry.
51:56I told you my intention was to leave the promise, Cruz.
51:59But not right away. And not in this way, as if you were a thief.
52:03It's not about that, Cruz.
52:05Oh, no? And what is it about? Because it is clear that you were going to leave without saying goodbye to me.
52:12Have we treated you so badly?
52:14No. Quite the opposite.
52:16The treatment has been exquisite, as always.
52:18So?
52:21Forgive me, Cruz. Forgive me.
52:23It's true that I was going to leave without saying goodbye to anyone, and to you even less.
52:27But why?
52:28Because you already told me that you didn't want me to leave.
52:31It was going to be very difficult for me to say goodbye to you. I wasn't going to be able to.
52:35And besides, knowing you as I know you, I knew you weren't going to stop until you convinced me not to leave.
52:40Well, maybe because I still don't understand why you're leaving.
52:43I already explained it to you, Cruz.
52:45Yes? But I don't remember anything you told me.
52:48And I didn't believe you for a moment, just as I'm not believing you now.
52:52I want you to tell me why you're leaving so urgently and in secret.
52:56And I want you to tell me the truth this time, María Antonia.
52:58I told you the truth, Cruz.
53:00You're much better now. You don't need me by your side anymore.
53:03I said I want the truth.
53:08You're not going to like the truth, Cruz.
53:10Don't worry. Whatever it is, I'll fit in. I'm stronger than you think.
53:18It's okay.
53:48I love you.
54:18I love you.
54:34Hello?
54:38Hello?
54:49No. No.
54:54I don't know.
54:58Janos is fucking with me.
55:02I don't know.
55:05You have to be strong.
55:07I don't know. I don't know. I don't know, but I can't.
55:10I can't.
55:17Thank you very much, Vera.
55:19Without your help, I wouldn't have been able to bring him here.
55:21But Salvador, he's totally unconscious.
55:24What happened to him?
55:26I wanted your brother.
55:27Well, you had to be more aware of where we were and act accordingly.
55:31And it was you who made me come here.
55:33You're the one who had to be dead on the grass and not my brother.
55:36That's what you were looking for here.
55:40Miss Catalina, it's me, Adriano.
55:43One moment.
55:51You realize that all this is a bit strange, don't you?
55:53I know, Jana. Every time I have to explain it, it seems more absurd to me.
55:56But that's what Mr. Baeza told me.
55:58Hey, Mr. Baeza didn't tell me why he was in such a hurry when the incident with Lope happened.
56:04Salvador told me that you escaped.
56:06It's good that it's over.
56:07And it's not just because you've been so good, huh?
56:10There's other great news.
56:13What?
56:14One that has to do with a beautiful boy.
56:18Yesterday I heard your conversation with Jana about ...
56:23The cicuta.
56:25Do you think my daughter is capable of being guilty of poisoning?
56:31Let's find out.
56:33Come on.
56:34What are you doing here awake?
56:37We were talking about you.
56:39I hope it's good.
56:41Not exactly.
56:43Leave us alone, please.