Inside.No.9 S09E06
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01:20Hello, hello.
01:25Sorry, I got cornered by Anne-Marie.
01:27Oh, Christ.
01:31Have you been here ages?
01:33No, no, no.
01:35Twenty-five minutes.
01:37There's been three number ones and one number two,
01:40so I haven't exactly been bored.
01:44Well, do you want to keep an eye out?
01:46Of course, yes.
01:49Um...
01:55Busy out there?
01:56Yeah, yeah.
01:58Usual showbiz do.
02:00Everyone looking over your shoulder
02:02to see if there's anyone more famous to talk to.
02:04Yes, yes.
02:06I usually do two circuits,
02:07pretending I'm looking for someone, and then leave.
02:10I have nothing to say to these people.
02:14Oh, this will loosen you up a bit.
02:16Ooh, yes.
02:18Make me a bit more talkative.
02:20Although I have heard it can have a laxative effect.
02:24No.
02:25Just gives you confidence, that's all.
02:27Ooh, lovely.
02:29Have you not had it before?
02:31Oh, God, yeah.
02:32Well, no.
02:33I once tried to buy an e-tablet from a dealer at Latitude,
02:38but he came back with a second-hand iPad,
02:40so, misunderstanding.
02:42Have you seen Rhys or Steve yet?
02:44I saw Rhys, yeah.
02:46Surrounded by people blowing smoke up his arse.
02:48Oh, yuck.
02:50Not literally, Tim.
02:52No, I know.
02:53Still, you know, nine series.
02:56No, no, no, no, yes.
02:57Wowee.
02:58It is good, it is good.
02:59Yes.
03:00Fair play to them.
03:01Mm.
03:02I think it's right for them to end it now, don't you?
03:05That's got a bit of self-indulgence.
03:07Yeah, fuck them.
03:09I think they, um,
03:10leave from wanting more phasers behind them, isn't it?
03:14Although I did hear there was a bit of a drama
03:19on, um, Catherine Kelly's episode.
03:21Oh, yeah?
03:22Yes.
03:23She said that, um...
03:25Sorry.
03:26She said that, um, Steve was rushed away to hospital.
03:29Really?
03:30Steve Pemberton.
03:31Yeah, well, obviously.
03:32Yeah.
03:33Wow, well, that doesn't surprise me.
03:35No.
03:36Hardly the picture of health, is he?
03:39Steve.
03:40It won't be long before his face pops up
03:42in a bit of a memorial for Coldplay
03:44or some morgue in Shanghai.
03:46I think we're good to go.
03:47Yeah.
03:49Hey, Tim.
03:50How you doing?
03:51Fantastic.
03:53Um, this one, I think, is out of bounds.
03:55It's been a blockage pre-existing.
03:59Um, these are blockages.
04:02Yeah.
04:03So I should hold it, then?
04:04Yeah, keep a finger on the dike.
04:07What?
04:09OK.
04:10All the best.
04:11Have a wonderful day.
04:12Shall see you.
04:19Who's that?
04:20Katherine bloody Parkinson.
04:22Ah.
04:25I'm Katherine Parkinson.
04:28Yes, of course you are.
04:30The other one, then.
04:32Shall we assume the position?
04:33Yeah.
04:35Come on.
04:37Oh, Christ almighty.
04:42You got any cash on you?
04:43What do I owe you?
04:44No, I need a note.
04:45Oh.
04:47That any use?
04:48Or is that too, um, it's too wide, isn't it?
04:51Shall we just leave it?
04:52No.
04:53No.
04:54No.
04:55It's all right.
04:56I've got this body shop voucher.
04:57That'll do.
04:58Not your first rodeo.
05:00So have you been busy?
05:01Me?
05:02Yeah.
05:03Yeah.
05:04Lots of projects.
05:05Mines and fires.
05:06Any paid work?
05:08No.
05:09You must have auditioned for this divine comedy thing Amazon are doing.
05:13I have never heard of it.
05:14You're kidding.
05:15What?
05:16Every cunt with an equity card's been up for it.
05:18They want English actors, apparently.
05:20Fucking hell, are you serious?
05:22Yeah, it's like a Dungeons and Dragons type thing based on Dante's Inferno.
05:33Sounds dreadful, but they're paying people shitloads.
05:36Yeah, you should get your agent on to it.
05:38Yeah.
05:39Thanks for the tip, Amanda.
05:40Catherine.
05:41Catherine.
05:42Sorry.
05:43Catherine.
05:44Catherine Parkinson.
05:45Lovely.
05:47Merci.
05:49See you shortly.
05:54Okay.
05:55Wow.
05:57All right, you are.
06:00Timmy didn't have any.
06:02I did.
06:04I can feel a twinge.
06:05It's still there.
06:06Oh.
06:07I smelt it.
06:08That could be enough.
06:11Hello?
06:13Hello?
06:14Catherine, it's Anne Reed.
06:16Can you let me in?
06:17Fucking hell.
06:19Yeah.
06:20Hi, Anne.
06:21I hear you've scored some good snow from the dummy man on Deansgate.
06:25Any chance of a quick toot?
06:27Yeah.
06:28You're in luck.
06:29I've got a spare line.
06:30I hope you're tempered.
06:31Oh, bliss.
06:32Heavenly.
06:33Thank you.
06:34Hello, Anne.
06:35Lovely.
06:36Careful.
06:48Steve?
06:53Ah, here he is.
06:55Hello, my liege.
06:56How are we?
06:57Great to see you.
06:58Hi, Robin.
06:59It's absolutely heaving out there.
07:00What a turnout.
07:01I think I'm the only one I've never heard of.
07:04I don't mind gender-neutral toilets, do you?
07:07It's a quality.
07:08And you get to queue up with all the lovely ladies.
07:11Yeah.
07:12So, what's next for you both?
07:13What have you got lined up?
07:15Yes, actually, we're doing a comedy-drama thing for the BBC,
07:20playing detectives.
07:22It's called Plodding On.
07:24Oh, so you're really not doing any more number nines, then?
07:27No.
07:28No.
07:30They said we could do specials if we wanted.
07:33Oh, well, that's good,
07:34because people always came up talking to me about the bus episode.
07:37Yeah, I know.
07:38Some of the fans were disappointed we didn't actually do it.
07:41Exactly.
07:43So, I've been thinking about it.
07:45What?
07:46The bus episode.
07:47Hold on tight.
07:49This is what I think we do.
07:52You are the driver and Steve's the clippy.
07:55Right.
07:56Now, you're both working at the depot.
07:58So, Steve comes in with, like, a three-inch cleavage,
08:01and she says,
08:02''Oh, I don't know what route I'm on today.''
08:04And Steve says,
08:05''Oh, I think we can give you a ride.''
08:07You know, ride, like sex.
08:09And she says,
08:10''Oh, what number bus are you, then?''
08:13And you say,
08:14''69.''
08:15I mean, nine, like oral sex.
08:18Yeah?
08:19Then Steve says,
08:20''I think you'd better come up here, love,
08:22''and I'll take you out the back passage.''
08:24As in anal sex?
08:26What?
08:28Yeah.
08:29Now, listen.
08:30This is where I come on,
08:32as Mr. Cole, the posh geezer.
08:35Oh, the old full script?
08:37Oh, yeah.
08:38Yes.
08:39Now, you're showing around the bus,
08:41and I come on, as I say, as Mr. Cole,
08:43and I start reading the list of stops.
08:46Okay?
08:47Top of page four.
08:48Oh.
08:49Four.
08:50Yeah.
08:51Oh, uh,
08:52here, this way, darling.
08:53Come up to my cab and see my...
08:55Nelson's column.
08:56My steering wheel.
08:57Uh, when I'm up here driving,
08:59I sometimes get bored,
09:00so I like to have a little...
09:02Bank?
09:03...bite to eat.
09:04I, uh...
09:05In fact, I'm starving now.
09:07I'd really love to chow down on your...
09:09Shepherd's bush.
09:10...cheese and ham sandwich.
09:12That's funny.
09:14Now, listen.
09:15This is the next bit.
09:16You start looking at her tits,
09:17and I go,
09:19''St. Paul's Cathedral.''
09:22See, it's all clever wordplay like that,
09:24very much like David Renwick wrote for the Rons, you know?
09:27Right.
09:28Well, you've obviously thought a lot about it.
09:29Is there a twist, or...?
09:30Oh, well, that's where you and Steve come in.
09:32Oh, yes.
09:33You put in all the clever bits.
09:35You know, maybe they're all dead,
09:36or ghosts, or something like that.
09:38That's what you usually do, isn't it?
09:39We've done that three times.
09:40But...
09:4154 films.
09:42We've only done it three times.
09:43Well, I just think it would be great,
09:45because I was never in an actual episode,
09:47was I?
09:48No, suppose not.
09:49Well, I'll have a read.
09:50Oh, thank you, my liege.
09:51Oh, listen.
09:52What's this that happened on the latest series?
09:54I heard that Steve was taken off to hospital or something.
09:57Oh, yeah, no, that was serious.
09:58We were doing an episode set in an escape room,
10:01and he collapsed.
10:02He was having some sort of seizure.
10:03Shit!
10:04Is he all right?
10:05Yeah, he's all right.
10:06I mean, he was back the next morning.
10:07He was fine.
10:08But he was really scary.
10:09Oh, well, it must have been.
10:11Well, I'll give it to Steve, and we'll get back to you.
10:13You're a gentleman, sir.
10:14Now, listen to me.
10:15You enjoy this evening.
10:17You deserve it.
10:18Ha-ha!
10:19See you, Robin.
10:22Here, sugar tits.
10:24Pass me that rag so I can wipe my dipstick.
10:26There's a good girl.
10:29Oh, no, Amanda?
10:31Wait!
10:40My family has been wronged, Dante.
10:43Is this nothing?
10:45You call this nothing?
10:48You call this nothing?
10:50Sorry, Steve.
10:51The queue at the bar was horrendous.
10:53Yeah, well, we've worked with a lot of people.
10:55Now, I didn't know whether to get you a Diddle Diddle Daiquiri
10:58or a Bloody Merrily Merrily, so I got you both.
11:00Ah, good call.
11:01Cheers.
11:02Cheers.
11:03What did you get?
11:04Riddle of the Aperol Spritz.
11:06Oh, it's nice.
11:07Did you see Rhys?
11:08Yeah.
11:09Just saw him outside, actually.
11:10He was putting Anne Reid in a taxi.
11:12I hope she's OK.
11:13She was really grinding her teeth.
11:15Right, come on.
11:16What's the gossip?
11:17I'm not judging him.
11:18Have you fallen out?
11:19No, not really.
11:20Oh, come on, you can tell me.
11:21You know I won't tell anyone.
11:22Oh, yeah, right.
11:23I promise.
11:24OK, well, this is Andre New, yeah?
11:26Yeah.
11:27You must have heard about this Divine Comedy thing
11:30that Amazon are doing.
11:31Oh, God, yeah.
11:32No, I did a self-tape for it.
11:33It was awful.
11:34Really?
11:35What part?
11:36Oh, one of the fucking maids.
11:37I don't know.
11:38Well, I'd auditioned for the part of Virgil,
11:40who's obviously one of the main characters.
11:42Oh, you'd be so good at that.
11:43Thank you.
11:44Anyway, weeks went by and I didn't hear anything.
11:46Oh, of course.
11:47We started filming this, series nine.
11:49Then I get a call from my agent saying the showrunner's in town.
11:52He wants to meet me tomorrow.
11:53I said, I can't do it tomorrow.
11:54I'm doing a scene with Rhys.
11:56Here, shall I help you?
11:57Yeah, thanks.
11:58Anyway, in the end, I thought, fuck it.
12:00You only live once.
12:01So I said yes to the meeting.
12:03I pretended to be ill so I could be taken off set.
12:05What?
12:06What do you mean?
12:07Well, to begin with, I just, like, fainted.
12:09Then I threw up.
12:10Like you hadn't gone far enough.
12:12Exactly, yeah.
12:13So I started fitting as well.
12:15Oh, my God.
12:16I wish I'd seen that.
12:17I bet you were brilliant.
12:18I mean, I'd done all my bit.
12:20It was only Rhys's reverses to do.
12:22In the end, they put my wig on the producer and he sat in for me.
12:25No.
12:26Yeah, apparently there's one scene where if you look really closely,
12:28you can tell it's not me.
12:29Yeah.
12:30So, um, anyway, I did the meeting.
12:33We got on like a house on fire.
12:36I just found out a couple of hours ago I got the job.
12:40Oh, my God!
12:42Oh, my God, that is amazing!
12:44So, hang on, where's it filming?
12:45Uh, well, it's, uh, L.A. and Canada.
12:48So, you know, I've literally got to move out there.
12:50It's seven years' work.
12:52Unbelievable money, Rosie.
12:53Really?
12:54Unbelievable.
12:55Oh.
12:56Relocation package from a family that works.
12:58Oh, well, you so deserve it, Steve.
13:00You really do.
13:01Thank you.
13:02So, do you know who's playing the maid?
13:04No, I don't, but, um, I wanted to ask you, actually.
13:07Yeah.
13:08Have you got Monica Dolan's number?
13:10Because I think she'd be perfect.
13:12Yeah, she's great.
13:13Yeah, actually, I just saw her upstairs just past her ten-minute span.
13:16Oh, good, good, good.
13:17Can you get my shoes?
13:18Oh, yeah.
13:20Ah!
13:22Oh, no, no, no, that's, uh, that's just a present from Jack Whitehall.
13:25It's, uh, it's not real.
13:27Oh, Jesus!
13:28They're under the table.
13:29Oh, yeah.
13:30The problem is...
13:32Yeah?
13:33..in the meantime,
13:34Rhys has come up with this stupid detective comedy drama thing...
13:37Ooh!
13:38..which is BBC money.
13:39Pathetic.
13:40Mm.
13:41And now I'm not free to do it.
13:42Oh, well, I mean, he'll understand, surely, won't he?
13:45Mm.
13:46I mean, it's not like you go around using people all the time, is it?
13:49Exactly.
13:51I've been working with him for 25 years.
13:54Got to put myself first for once, aren't I?
14:02Jacket?
14:03Yeah.
14:05KNOCK ON DOOR
14:10Hello, pod fans.
14:11It's Nick Mohammed here with episode number 279
14:15of Mountain To Mohammed,
14:17where I get to scale the heights of a famous personality.
14:21Well, not always famous.
14:22We've had a nurse on, stuff like that,
14:24but, um, the numbers are never very good.
14:26Anyway, we start at the base camp of childhood,
14:29where, like me, they were very badly bullied,
14:32and work our way up to the summit to see what's next on the horizon.
14:35Now, I should say that I'm actually recording this in the toilets
14:39at the wrap party for series nine of Inside Number Nine,
14:42where Steve and Rhys have invited back a whole galaxy of stars
14:46from previous series, including little old me.
14:48So, Steve, welcome to Mountain To Mohammed.
14:51How's it all going out there?
14:52It's great, yeah, yeah.
14:54We've got so many old friends who have turned up,
14:56and, you know, it's just lovely to celebrate the past ten years.
14:59I feel like my whole life is flashing before my eyes.
15:01Now, look, tell me all about your upbringing.
15:03I want to know where you were brought up, where were you born?
15:05So, I was born in Blackburn in Lancashire.
15:07Now, that's interesting.
15:08So, I was born in Leeds,
15:10which is obviously the other side of the Pennines,
15:12before going on up to Durham to read geophysics,
15:14so I'm not actually that familiar with Blackpool.
15:17Blackburn.
15:19Yes.
15:20Sorry. Um...
15:23I'm so sorry, what was the question again?
15:25I think you asked me where I was born.
15:27Yes, that's right.
15:29And the answer was, remind me, it was...
15:33Blackburn.
15:34Blackburn. Amazing.
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15:57I'm so sorry.
15:58I've got to do two every minute or something like that.
16:00Sponsors, it's really annoying.
16:02Ahem!
16:03I'm back with Steve Pemberton.
16:05So, Steve, you started off at the Edinburgh Fringe, didn't you?
16:09Now, that was in 19...
16:1196.
16:12Right, OK.
16:13So, I was...
16:14Well, I was there last 2018.
16:16That was with Mr Swallow and the Vanishing Elephant.
16:18But I...
16:19God, that was my 12th show? Was it my 12th?
16:21So, there was Hello, It's Mr Swallow,
16:23Mr Swallow The Musical, Mr Swallow's Christmas Carol.
16:25That was...
16:26Yes, so, Steve, we have reached the summit.
16:28What's next for you?
16:30Well, this has only just been confirmed, actually.
16:33So, it's hot off the press, but...
16:35Yeah, I'm going to be playing a part, quite a big part,
16:38in a major new series for Amazon.
16:40So, I'm going to be heading out to Los Angeles,
16:42where I'm going to be there for, yeah, about seven years.
16:45So, that sounds like quite a big commitment then,
16:47because I thought, weren't you and Rhys working on a new show for the BBC?
16:50Well, no, I mean, I'm not going to be doing that now.
16:52But, to be honest, I was never really sure
16:54it was the right project for us to be...
16:58..to be doing.
16:59But, yeah, you know, I never say never,
17:01and there's always new ways of communicating with...
17:06..with emails and Zoom.
17:08So, yeah, hopefully we can carry on developing new projects.
17:12Well, as luck would have it,
17:14I am actually joined by your partner in crime, Rhys Shearsmith.
17:17Rhys, welcome to Mountington, Hammond.
17:19What do you make of Steve's new job?
17:21Yeah, it's great news, yeah.
17:22I've not really heard much about it.
17:23I can't wait for him to explain it all to me.
17:25Mm, well, there's nothing to explain.
17:27You know, you go for an audition, you don't know if you're going to get it,
17:30and on this occasion, I got it.
17:32So, it's all whims, isn't it?
17:34It is all whims. I mean, we're not auditioning for Lasso.
17:36But you don't audition for things when you've got your own project
17:38green-lit and ready to go, though, do you?
17:40It wasn't green-lit.
17:41We were commissioned to write a script, which we'd barely even started.
17:44Barely started? We'd been working on it for six months.
17:47Guys.
17:48Guys.
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18:04When did you go for this audition anyway? You never told me.
18:07Um...
18:09I can't remember.
18:10I can tell you exactly when it was, cos I saw you there, didn't I?
18:13We were laughing cos you still had make-up on your face from filming.
18:16It was December the 15th.
18:19December the 15th? Mm.
18:21The afternoon of December the 15th.
18:23So, was this audition before or after you were rushed to hospital
18:26with a suspected brain aneurysm?
18:32So, we're here celebrating nine series of Inside No. 9.
18:37It is an incredible achievement, guys.
18:39You must be over the moon. Could you put it into words?
18:43No, I've probably got enough. I can build it in the edit anyway.
18:46It is so nice to see you both.
18:51I hope you're not going to smash his head in with a rafter.
18:58You lying fucking monster.
19:00You actually saying that to me or are you doing an Inside No. 9 quote?
19:03Both.
19:04OK, well, look, I'm sorry I lied to you.
19:06I just didn't think you'd understand.
19:08No, I don't understand. Please clarify the situation for me.
19:11OK, look, we both know we've reached the end of the road with this project.
19:14I just wanted to see what else is out there.
19:16This project? What am I, a science experiment?
19:18No, but it is the perfect time for us to try and do new things
19:21independent of each other. We're not joined at the hip, are we?
19:24No, I never said we were, but this is bigger than that.
19:26This feels like a statement. I knew you'd make things difficult.
19:29Why can't you just be pleased for me? Everyone else is.
19:32I am pleased for you.
19:33I'm very happy that you're going to go off and work with exciting new people
19:36and earn lots and lots of money. It must feel very important.
19:39Well done. But at the end of the day, Steve, it's just a television programme.
19:42It will be on and then it won't be on.
19:44Like you've always said, it'll just be another line on your CV.
19:47OK. OK, well, I don't want to spoil tonight.
19:50Oh, you don't want to spoil tonight? Well, I'm afraid that ship has already sailed.
19:53If you want to know the truth, Rhys, I feel like you've been holding me back.
19:57Oh, you fucking what?
19:58How are you?
19:59Not now, Amanda.
20:00For fuck's sake, I'm growing a monkey tail here.
20:03I just feel, as an actor, I've not been free to give certain performances.
20:06Oh, that's rubbish.
20:07It's not rubbish.
20:08I get overlooked for so many things because we come as a package.
20:11The boys, Steve and Rhys.
20:13I want to be me in something in my own right.
20:15You did Death In Paradise.
20:17I'm not talking about fucking Death In Paradise.
20:19I'm talking about big American things with a seven-series character arc,
20:24not these little half-hour nothings.
20:26Every fourth one a dud.
20:28Look, I told you I don't begrudge you that. I don't care about the job.
20:31I care about me and you, if you can imagine that.
20:33I'm not going to see you for seven years.
20:35That's all I'm thinking about.
20:36Who am I going to stay in a stupid little office and have a laugh with?
20:39When I come in in the morning with two coffees
20:41and you're lying on the floor with a pen sticking out your ear
20:43pretending to be dead and we cry laughing about it for ten minutes,
20:46I'm going to miss that.
20:47Yeah, well, that joke hasn't been funny for years, not since Psychoville.
20:51Whatever. I'm just saying I'm going to miss you.
20:54You're my best friend.
20:55You're quoting Merrily Merrily now.
20:57No, I mean it.
20:59I was so frightened when you collapsed.
21:02Or fucking pretended to collapse.
21:06I thought you were going to die and I was going to lose you.
21:08And now I am going to lose you
21:10and I've barely got any real friends as it is.
21:16Rhys, we've been working together so long now.
21:21I don't even know if we are friends anymore.
21:28Oh, there you are.
21:31Oh, sorry, am I interrupting something?
21:33No.
21:35Doesn't matter.
21:36Just to let you know, we're watching the film now, so if you want to...
21:39Sure. Yeah, thanks.
22:00Oh
22:04Time to say goodbye
22:11Oh
22:38I'm just going to grab a drink.
22:40Oh, no, this isn't right. She's charged me for two comedies.
22:43Hi, Rhys.
22:46Congratulations.
22:48I mean, about the Divine Comedy, you must be thrilled.
22:51Who told you about that?
22:52Oh, Rosie Cavalier.
22:54No, no, I am. I am excited. It's a new start and all that.
22:58No, the Yanks, they're so driven. You're going to love it out there.
23:01I mean, you have to pay for your own cars, but I know the skin.
23:05You can claim it back.
23:06Really?
23:08Hello?
23:13Goodbye, everyone.
23:28Plodding on.
23:31Oh, no, no, no, no.
23:33The next project's focus is a detective drama called Plodding On.
23:44Well...
24:00Oh
24:08Hello?
24:10Sorry, say again?
24:12No, I'm done. I can't hear you.
24:30Oh
24:35Steve, Steve.
24:37Yeah, one second. Just give me one second.
24:39I'll come back to you in a sec.
24:54Oh, good riddance.
24:56Good riddance.
25:00CHEERING
25:06So it would be like a different case every week, and we'd play the detectives.
25:10And there's a script already commissioned. It's pretty much greenlit.
25:13Right.
25:15Why aren't you doing it with Steve?
25:17Oh, well, you know, we're at the end of this project.
25:19We're not joined at the hip, are we?
25:21No, no.
25:23I'm just not sure I want to do another detective thing after, you know...
25:28Midsomer Murders?
25:29Sherlock.
25:30Oh, yeah, of course, yeah.
25:32Well, I just thought it would be lovely to work together again.
25:35You know, it could be really fun.
25:38Yeah, definitely.
25:41So what do you think?
25:43Tell you what.
25:45When I send it to my agent, then it all goes through the proper channels,
25:48and then it's a lot easier for me to...
25:51Say no.
25:53Yeah.
25:55OK.
25:56Anyway, I've got to go. Just had the call.
25:59Great talk to you, love.
26:00OK.
26:01Enjoy tonight.
26:02Will do. See you, Mark.
26:03Yeah. Bye.
26:07Fucking hell, that was a close call.
26:09Mark.
26:10Mark, you've not hung up properly.
26:27KNOCK AT DOOR
26:30What, you see you in there?
26:32I've taken some time away.
26:34Stop it.
26:36Are you coming out?
26:38No. My mum's ordered me a biryani.
26:41Just come out, please. I've got something to tell you.
26:45There's been a twist.
26:50Has it been seeded?
26:51Unfortunately not.
26:53Oh.
26:54Fortunately? It doesn't matter, does it?
26:56You've got your big massive American job to look forward to.
26:58Well, unfortunately, I've just had a call from my agent.
27:01Apparently, if I still want that job, I've got to go back in and re-audition.
27:05Some other actor's thrown his hat into the ring,
27:07and the director's really excited.
27:09Who?
27:10Fucking Tim Key.
27:12Oh! Well, he'll probably get it now.
27:14I know.
27:16What are you going to do?
27:18I don't know.
27:20I don't want to re-audition.
27:22I don't want to re-audition.
27:24The script was terrible.
27:26It was like a pig wrote it.
27:28Of course.
27:31What would you do?
27:32Oh, don't ask me.
27:34I'm just stuck here doing my little nothings, aren't I?
27:37Plodding on, Double D.
27:39Yep.
27:40Oh, I don't know.
27:42I'm not even sure about that anymore.
27:45I won't be the same doing it on my own.
27:52If you're going to cry...
27:55Don't cry.
27:56Sorry.
27:59I am sorry.
28:04So what shall we do, then?
28:09There is a third option.
28:12What?
28:22I don't know.
28:52I don't know.
28:53I don't know.
28:54I don't know.
28:55I don't know.
28:56I don't know.
28:57I don't know.
28:58I don't know.
28:59I don't know.
29:00I don't know.
29:01I don't know.
29:02I don't know.
29:03I don't know.
29:04I don't know.
29:05I don't know.
29:06I don't know.
29:07I don't know.
29:08I don't know.
29:09I don't know.
29:10I don't know.
29:11I don't know.
29:12I don't know.
29:13I don't know.
29:14I don't know.
29:15I don't know.
29:16I don't know.
29:17I don't know.
29:18I don't know.
29:19I don't know.
29:20I don't know.
29:21I don't know.
29:22I don't know.
29:23I don't know.
29:24I don't know.
29:25I don't know.
29:26I don't know.
29:27I don't know.
29:28I don't know.
29:29I don't know.
29:30I don't know.
29:31I don't know.
29:32I don't know.
29:33I don't know.
29:34I don't know.
29:35I don't know.
29:36I don't know.
29:37I don't know.
29:38I don't know.
29:39I don't know.
29:40I don't know.
29:41I don't know.
29:42I don't know.
29:43I don't know.
29:44I don't know.
29:45I don't know.
29:46I don't know.
29:47I don't know.
29:48I don't know.
29:49I don't know.