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AmusantTranscription
00:00J'ai l'impression d'être dans un livre.
00:31Clancy, j'ai trouvé un planète que tu aimes.
00:33On verra.
00:35Norbo 8.
00:36Ce planète possède des rivières de vin et de fruits mescalins.
00:38Cet oiseau serait une bonne interview.
00:40Je suis désolée, peut-être que tu n'as pas entendu la chanson, mais...
00:43Je suis enlightenée.
00:44Je suis enlightenée.
00:45Je suis enlightenée.
00:47Qu'est-ce qu'il y a de Lenz or de Dur ?
00:48Le planète des parcs de waterslide et des trampolines et...
00:51Je suis enlightenée.
00:52OK. Qu'est-ce qu'il y a de Planet Blank Ball ?
00:54Parfait.
00:55J'ai fait des avatars débiles pour toi, Enlightened One.
00:57Merci.
01:00Tu les aimes ?
01:02Oui...
01:04J'en ai fait un qui ressemble à toi,
01:06sauf qu'il est fait de crème.
01:07C'est cool ?
01:09Oui.
01:10J'ai fait des avatars débiles pour toi, Enlightened One.
01:12Parfait.
01:13Comme tu veux.
01:14Merge avec le simulateur dans...
01:16Est-ce que tu goûtes du sucre ?
01:19Merci, maître.
01:20Je t'aime, mon amour.
01:212...
01:221...
01:30C'est vraiment juste un grand ballon blanc.
01:40Oh, mon Dieu.
01:41Merde.
01:42Allons-y !
01:49Salut, mec.
02:01Hey, mec.
02:02T'as une douche pour ça ?
02:03J'ai un peu faim.
02:06Tu veux parler ?
02:08OK, c'est cool.
02:09Il doit y en avoir une ici.
02:12Je dois juste me rappeler où je l'ai mis.
02:28Wow.
02:31Merde.
02:32C'est beaucoup de trucs.
02:36Qu'est-ce qu'il y a, bébé ?
02:39Qui est là ?
02:44Il faut poser des questions.
02:46Il y a tellement de mystères.
02:48Parfait.
02:494...
02:50Spacecast.
02:52Je suis la mort.
02:55C'est gentil de te rencontrer.
02:56Je m'appelle Clancy.
02:58Désolée, j'avais quelque chose dans la gorge.
03:03Hey, t'aimerais être interviewée pour mon Spacecast ?
03:05C'est un Spaceblast.
03:06Ça va dans l'espace.
03:07Je suppose.
03:08Mais avant de commencer,
03:09tu dois décrire ma forme
03:11pour que je puisse...
03:12se manifester.
03:13Hein ?
03:14Décris-moi.
03:15Que ressemble la mort à toi ?
03:16Euh...
03:17D'accord.
03:1814 pieds hauts, avec des beaux cheveux,
03:19un oeil amusant,
03:20un crab-claw avec un sac de fantôme,
03:21une flèche,
03:22une jambe de clown,
03:23et euh...
03:24Tout ça dans un wagon rouge.
03:25Est-ce que le wagon est une partie de moi ?
03:27Ouais.
03:28Et ton but est un rhino à l'arrière,
03:29avec un champ de force de nourriture,
03:30et les jambes du rhino
03:31sont toujours en poupée.
03:36Je pense qu'il faut simplifier ça.
03:38Ah, d'accord, d'accord.
03:39Perdre le milieu,
03:40et ce gros garçon
03:41avec les poignées devant ses mains,
03:42j'ai pas demandé ça.
03:47Essaye de remettre ce crab-claw,
03:48mais plus petit.
03:49Maintenant, tu peux pousser au sol.
03:51Ce n'est pas très pratique.
03:53D'accord.
03:54Et si tu fais un jet-pack ?
03:57Je ne suis pas la mort
03:58comme la mort étrange,
03:59je suis juste...
04:00D'accord.
04:01Comment tu te sens
04:02en tant que grim-reaper,
04:03mais en gardant
04:04cet oeil amusant ?
04:05Tu as l'air cool.
04:06Est-ce qu'on peut
04:07commencer l'interview ?
04:08Oh, ouais, ouais.
04:09Je vais commencer à enregistrer.
04:10Hey, c'est mon poignet !
04:16Merde !
04:17Ce petit tart-baker
04:18a pris mon poignet.
04:19Est-ce qu'on peut
04:20marcher et parler
04:21pour que je puisse
04:23D'accord.
04:28Est-ce que tu as des conseils
04:29pour les personnes
04:30qui se battent
04:31contre la mort dans leur vie ?
04:32Ouais, alors...
04:41Oui.
04:47Oui.
04:49Oui.
04:53Oui.
04:55Oui.
04:59Oui.
05:11Oui.
05:23Oui.
05:28Oui.
05:33Oui.
05:35Oui.
05:43Oui.
05:46Oui.
05:48Oui.
05:52parts of yourself, that you're ashamed of, stuff you try to hide from yourself.
05:57You have to forgive them.
05:58Forgive them?
05:59Sure.
06:00This is a good icebreaker.
06:01So, during the American Civil War, you see the rise of embalming, which is chemically
06:08treating a dead body, which keeps it fresh a little longer, staves off decomposition
06:12a little longer.
06:13Was this because people were dying far away from home and they wanted to get them?
06:17Exactly.
06:18The idea was that you had all these northern soldiers going down to the south, dying on
06:22the battlefield.
06:23It was really important in the Protestant ethos of the time that you see the dead body.
06:28So the train conductors were getting all of these decomposing corpses on their train
06:33and they would go, nope, kick them out.
06:34We're not doing this anymore.
06:35You can't pile up your decomposing corpses in my train.
06:39Holy shit, a sax man!
06:42That's judgment.
06:43Wow, I was just thinking I wish there was a sax man around.
06:45So, you had these enterprising young men who were embalmers who would follow the battles,
06:52battlefield to battlefield, like ambulance chasers, going to the battles and setting
06:56up their tents.
06:57They would prop up abandoned bodies that they had embalmed from the battlefield to show
07:02their work as little advertisements, like window advertisements for their skills.
07:07And you would pay them to, basically at that time, disembowel the body, put some arsenic
07:12in the body to preserve the body.
07:15It's a preservative?
07:16Yeah, it's a preservative.
07:17They don't use it anymore because it's terrible, but now they use formaldehyde, but at the
07:21time they used arsenic.
07:22Hey, that's my hose.
07:23Grow up.
07:24So, what I was saying, it was a dangerous job and they would send the body back up
07:35north and it would preserve it for that period of travel, which it was an interesting innovation.
07:40I'm so sorry, I'm so sorry.
07:42This is a lot of information and it's really well-informated.
07:46That's the intro.
07:47We haven't even gotten to the explanation.
07:48Give me that.
07:49You're going to die after stepping on a ping-pong ball.
07:56Okay, okay.
07:57So, you would get, your uncle would come in a train, stuffed with arsenic?
08:02No, stuffed with sawdust, actually.
08:05At the time, the embalming was they would disembowel you, meaning they would remove
08:07all your internal organs because that's really where decomposition happens, is in the gooey
08:11middle part of your body.
08:13So, they would disembowel all your organs, they would stuff you with sawdust or something
08:17to keep your stomach extended and then they would fill your body, your circulatory system
08:24with some kind of preservative.
08:37They're doing this and it's actually sort of a sensible innovation for the time.
08:41They want their dead sons back and they get their dead sons back because of this process.
08:45Yes.
08:46But what happens is that these same men are going, wait a second, the war is over now,
08:50but this is my business, this is what I do now.
08:52So, we have to convince the rest of the country that embalming is the way to go.
08:57And so, these men set out, they go across the country, they're selling their wares.
09:01They're kind of like Amway salesmen at first.
09:03They're going town to town, holding three-day embalming courses saying, come on down, learn
09:08how to embalm.
09:12That makes sense.
09:13Yeah.
09:14I like this guy.
09:15The real trick of it, the real thing that really worked is at the turn of the 20th century,
09:19they really started to push the idea based on now very bad science and honestly it was
09:25already bad science at the time, is that the dead body is dangerous in some way.
09:30That's what I thought.
09:31Unless the person who died had Ebola or avian bird flu or one of these incredibly rare wildly
09:39infectious diseases, in which case the CDC would come collect them immediately and take
09:44them for cremation.
09:45They wouldn't be going to a normal hospital.
09:46Save some money that way.
09:47Yeah, exactly.
09:48Did your dad have Ebola?
09:50That sucks, but good news, government's going to take care of it.
09:53So unless that's the case, your body almost instantly becomes far more safe the second
10:00that it dies, because not only are the viruses and the bacteria dying off pretty quickly,
10:05those don't live in your body that long.
10:07Also the things that are infectious about a sick person or a dying person are what?
10:12Coughing, sneezing, pooping, all these things that get you, they stop doing that when they
10:18were dead.
10:19So that's a positive.
10:21As far as keeping your safety intact, but if you're able to say, keep your dad under
10:27hospice and wash him and dress him and do all these things, you know that he's completely
10:33safe.
10:34Right.
10:35And nothing changes when he dies.
10:37It's the same thing.
10:38It's the same thing, if not safer.
10:40So it's like...
10:41Oh my God, that is so creepy.
10:43And you know, keep in mind, humans were doing this, taking care of their own dead in this
10:47way for tens of thousands of years of human history.
10:50This is just the norm.
10:51It's only been in the last, honestly, 100, 120 years that what happened is that these
10:56embalmers, these same men we were talking about, were really able to push the idea
11:01that what they were doing by embalming the body is making it safe for the family, disinfecting
11:07it, making it acceptable and safe for the family to see.
11:11So whereas before it was mostly women who were in the home just washing the body and
11:17waking the body and laying it out, now all of a sudden you have men coming in who aren't
11:21part of the family, who are different professionals saying, it's not safe for you to do it
11:26We're going to need to come get the body, prepare it through this process of embalming
11:30and charge you for it.
11:31Holy shit.
11:32What did you say?
11:33Waking the body?
11:34Waking, meaning like viewing the body, laying it out for the family to come around and
11:38hang out with it, basically.
11:40So all of a sudden, it now starts to, in the early 20th century, move towards this financial
11:47model.
11:54Where was I?
11:56Oh, right.
11:57This capitalist model of death, where you have to turn your body over to a funeral home
12:02to take it, drain the blood, put in the chemicals, put on the makeup, put them in a suit and essentially
12:10sell your dad back to you.
12:13Wow.
12:14They can't necessarily let people know, and what I do primarily is I advocate for something
12:21called home funerals, which is not that complicated.
12:24It's just you taking more initiative with the death.
12:28Hey, you're going somewhere, can I come along with you?
12:31Hell yeah.
12:32Yeah, sure.
12:34I love this type of shit.
12:35Yeah.
12:36So, say your dad dies at home, on hospice.
12:38You don't have to call anyone right now.
12:40It's not an emergency.
12:41He's not decomposing immediately.
12:43He's not getting dangerous.
12:44Wait a second.
12:45I need a hug.
12:46He's dead now.
12:47He's going to be dead two hours from now.
12:48Everything is okay.
12:49It's not an emergency.
12:51And just to the degree that you feel comfortable sitting with that primal reality, as we said,
12:56sitting in that moment.
12:57Wow.
12:58Feeling the feelings that come up and only calling a funeral home when you feel ready.
13:03Well, it's kind of too late for me.
13:04Both my parents are friends of yours, I guess you could say.
13:12Come on.
13:13Get back here, you little host thief.
13:15You know, both time, both parents.
13:17Wow.
13:18Both parents passing, it was just very, it was not like this.
13:24That no one sat, interestingly, no one sat with us.
13:27I was like, listen, the body's not diseased.
13:30No, no one would sit with, no, no one would tell you this.
13:33No one.
13:38The body, you could just hang out with, you probably should hang out with her or him for a while.
13:43Just sit with him, it's okay.
13:44Really?
13:45No one said that.
13:46And also, it's not like there is some great desire in people to hang out with a dead body.
13:52Well, you know, that's complicated.
13:55And that's something that I'm always thinking about and negotiating,
13:58because the people who do it, the people who are given,
14:01who have some inkling that they might want to do it but aren't sure,
14:04and then they're given the permission,
14:06they end up having this magical transformative experience.
14:10I say it's like chocolate and puppies, like that's the kind of feedback that you get.
14:14People love it.
14:16And here's what happens.
14:18To so many people.
14:21By the time the dying person is ready to start talking about it,
14:26their mind is disintegrating.
14:28So they can't talk about it.
14:30They are not able to articulate exactly what it is they want.
14:34Right away, your mind goes.
14:36Like your mind is out of here, man.
14:38You're like fluctuating through the past, present.
14:40You're just going into the past.
14:41You're talking to your body.
14:43You know, it's totally different from a movie.
14:45You know in the movies, a guy is laying there and all of a sudden he's like,
14:47I'm dying!
14:49He just dies.
14:50He looks great.
14:51Like he just got a facial.
14:53And then it's like, alright, see you later.
14:55Kind of like looks over to the...
14:57I'm sorry I won't be able to make it to the ball.
14:59I'm out of the universe.
15:03Just literally like, oh, God, God.
15:05Like insane, insane.
15:07It's like, oh my God.
15:10So people see that shit and they just assume.
15:12Oh, you know, I'll start planning for this thing.
15:14When I start getting sick, you know, is when I'll start planning.
15:16You know, based on the statistical probability of my death,
15:18I've got some amount of time left to plan for the thing.
15:20This is absurdity.
15:22And you might have some moments of clarity,
15:24but when you have moments of clarity,
15:26your family wants to talk to you about how you are in the past.
15:28They don't want to talk to you about what your death plan is.
15:30And if you want to become a doctor,
15:32they don't want to talk to you about how you are in the future.
15:34They want to talk to you about how you are in the present.
15:36They don't want to talk to you about how you are in the future.
15:38They want to talk to you about how your death plan is.
15:40And if you want to be cremated.
15:42This was the cool thing about my dad.
15:44Because when he was dying, he, man, it was wild.
15:46Sometimes he would...
15:48Sorry, remind me, what did your dad die of?
15:50I killed trillions of beings per second.
15:52The slow fades.
15:54He stood under a horde shadow during the sector wars.
15:56A tiny bit of the shadow just seeped in.
15:58Struggled with his entire life.
16:00Eventually got in his lungs.
16:02He was a hero.
16:04Found out about all his medals after he died.
16:06Sometimes he would recognize me.
16:08Sometimes he thought that I was someone who was
16:10a soldier from the sector wars.
16:12Probably the bald head.
16:14That's a common thing for people at the end of life.
16:16He would be like, who is your commanding officer?
16:18He would say things like that. I was really interested.
16:20And so I was thinking,
16:22well, I probably won't see him again.
16:24Right now what I'm seeing is this sort of sleepwalker.
16:26I don't know that I'll see my dad again.
16:28And then...
16:30He popped back up?
16:32He popped right out of it.
16:34And he was...
16:36Because I have been taught
16:38to be honest with dying people.
16:40Thank God.
16:42He said, what's happening?
16:44And I'm like, oh, you're dying.
16:46And then he's like, oh, okay.
16:48Better go get a pen and a piece of paper.
16:50And then he starts telling me
16:52what to say to people.
16:54It was beautiful.
16:56It was wonderful.
16:58Including things which I still haven't done.
17:00I've got to do this.
17:02Wow.
17:08Yeah, you should send a lunch platter to the hospice.
17:10They'd love that.
17:32...
17:34...
17:36...
17:38...
17:40...
17:42...
17:44...
17:46...
17:48...
17:50...
17:52...
17:54...
17:56...
17:58...
18:00...
18:02...
18:04...
18:06...
18:08...
18:10...
18:12...
18:14...
18:16...
18:18...
18:20...
18:22...
18:24...
18:26...
18:28C'est pas possible !
18:38Arrête de te battre.
18:40Tu vas bien.
18:41Face le vide.
18:42Et en plus, tu vas pas mourir.
18:44Ça va être sur un chaisse-couche.
18:46Chaisse-couche...
18:48Chaise-couche !
18:59Hey, petit garçon.
19:00Oh, c'est mon chaise-couche.
19:05Qu'est-ce que tu es ?
19:06Est-ce que tu es une métaphore ?
19:15Tu veux glisser ?
19:18Ouais !
19:19Ouais !
19:20Ouais !
19:21Ouais !
19:22Ouais !
19:23Ouais !
19:24Ouais !
19:25Ouais !
19:26Ouais !
19:27Ouais !
19:28Ouais !
19:30Ouais !
19:34Ouais !
19:35Ouais !
19:38C'est la meilleure glisse jamais physique.
19:39J'y suis de plus en plus souvent.
19:42Je dois que tu re-gagnes le chaise-couche.
19:46Merci.
19:47Mode chaise-couche.
19:48Activez-la.
19:51On va à la maison.
19:57Au revoir, Blank Ball ! Tu m'as manqué !
20:01Elle a dit qu'elle allait me tuer.
20:03Je vais te tuer !
20:09Merde !
20:17Hey ! Merci, Clancy !
20:19C'est pas grave.
20:21Je vais te tuer.
20:24Hey ! Merci, Clancy !
20:26Vous êtes bienvenue.
20:32Alors, qu'est-ce que tu vas faire maintenant ?
20:34Méditer ou quelque chose ?
20:35Oh, putain, non. C'était embarrassant.
20:37Non, je ne suis plus enlightenée.
20:39Je n'étais pas enlightenée, ça n'a même pas de sens.
20:41Hey, Charlotte ! Je t'aimais aussi.
20:45Même si ta vie est hors tune,
20:49tu peux toujours chanter avec elle.
20:52Et c'est mieux d'être toi qui es hors tune
20:56que d'agir comme quelqu'un d'autre qui a trouvé l'enlightenment.
21:02Qu'est-ce que la mort ressemble à toi ?
21:04Un clown,
21:06un clown,
21:08à 14 pieds,
21:10un clown,
21:12un clown,
21:20un clown,
21:22un clown,
21:24à 14 pieds,
21:26un clown.
21:42Sous-titres réalisés para la communauté d'Amara.org