1981 The Survivor FULL HOT MOVIE - Roll Studio
The film follows an airline pilot who, after surviving a mysterious crash that killed all of his passengers, is contacted by a clairvoyant who claims to be in contact with the victims. It is based on the 1976 novel of the same name by James Herbert.
Category
🎥
Short filmTranscript
00:00:00 [Music]
00:00:02 [Music]
00:00:04 [Music]
00:00:06 [Music]
00:00:08 (dramatic music)
00:00:10 (dramatic music)
00:00:13 (dramatic music)
00:00:16 (dramatic music)
00:00:19 (dramatic music)
00:00:21 (dramatic music)
00:00:24 (dramatic music)
00:00:27 (dramatic music)
00:00:30 (dramatic music)
00:00:32 (dramatic music)
00:00:43 (dramatic music)
00:00:52 (dramatic music)
00:01:00 (dramatic music)
00:01:03 (dramatic music)
00:01:10 (dramatic music)
00:01:18 (dramatic music)
00:01:26 (dramatic music)
00:01:29 (dramatic music)
00:01:34 - Good evening, Mr. Ogilvy.
00:01:55 - Good evening.
00:01:56 - How do you do, sir?
00:01:56 - That's good, yes.
00:01:57 (people chattering)
00:02:00 - Why don't you put this on?
00:02:06 You're not frightened, are you?
00:02:08 - Annunciators?
00:02:09 - Check.
00:02:10 - Check.
00:02:11 - Check.
00:02:12 - Landing gear?
00:02:13 - Lever down three greens.
00:02:14 - Lever down three greens.
00:02:15 - Radios and radar?
00:02:17 - Checked and set.
00:02:18 - Check and set.
00:02:20 - Flap lever?
00:02:20 - Check with gauges.
00:02:22 (dramatic music)
00:02:26 (dramatic music)
00:02:29 (dramatic music)
00:02:34 (dramatic music)
00:02:39 (dramatic music)
00:02:48 (dramatic music)
00:02:51 (people chattering)
00:02:59 (people chattering)
00:03:10 (dramatic music)
00:03:16 (dramatic music)
00:03:18 - B1.
00:03:32 B2.
00:03:35 Rotate.
00:03:38 (dramatic music)
00:03:42 (dramatic music)
00:03:45 (people chattering)
00:04:00 (dramatic music)
00:04:03 - What do you think?
00:04:15 - I don't know.
00:04:16 (people chattering)
00:04:29 (dramatic music)
00:04:32 (dramatic music)
00:04:50 (people chattering)
00:04:53 (dramatic music)
00:04:55 (explosion booms)
00:05:10 (people screaming)
00:05:13 (dramatic music)
00:05:20 (people screaming)
00:05:23 - What about maximum weight?
00:05:26 - Start dumping fuel and keep me advised
00:05:29 as to fuel remaining.
00:05:30 (dramatic music)
00:05:33 (people screaming)
00:05:38 (dramatic music)
00:05:45 (people screaming)
00:05:48 (explosion booms)
00:05:54 (people screaming)
00:05:57 (people screaming)
00:06:07 (dramatic music)
00:06:09 - What the hell was that?
00:06:24 (people screaming)
00:06:29 (people screaming)
00:06:32 - Get the body cameras.
00:06:52 Get the cameras.
00:06:53 - And the bag?
00:06:54 - As much film as you can find.
00:06:57 (people screaming)
00:07:00 - Susan, Susan!
00:07:04 We definitely need more film.
00:07:07 - Got it.
00:07:08 - All in the bag.
00:07:11 - Good, come on.
00:07:12 Come on.
00:07:14 (explosion booms)
00:07:19 (people screaming)
00:07:22 (explosion booms)
00:07:25 (people screaming)
00:07:30 - The plane's crashed!
00:07:32 (people screaming)
00:07:35 (people screaming)
00:07:48 (explosion booms)
00:07:51 (explosion booms)
00:08:07 (people screaming)
00:08:11 (people screaming)
00:08:14 (people screaming)
00:08:38 (people screaming)
00:08:41 (siren wailing)
00:08:43 (explosion booms)
00:08:48 (people screaming)
00:09:10 (siren wailing)
00:09:12 (people screaming)
00:09:25 (people screaming)
00:09:28 (siren wailing)
00:09:49 (plane engine roaring)
00:09:54 (people screaming)
00:09:56 (people screaming)
00:10:21 (people screaming)
00:10:24 (siren wailing)
00:10:43 (people screaming)
00:10:46 (people screaming)
00:10:48 (people screaming)
00:10:51 (people screaming)
00:10:54 (people screaming)
00:10:57 (people screaming)
00:11:00 (people screaming)
00:11:03 (people screaming)
00:11:06 (people screaming)
00:11:09 (dramatic music)
00:11:36 (people screaming)
00:11:38 (dramatic music)
00:11:41 (plane engine roaring)
00:12:03 (dramatic music)
00:12:06 (people screaming)
00:12:09 (dramatic music)
00:12:12 (plane engine roaring)
00:12:15 (dramatic music)
00:12:20 (people screaming)
00:12:41 (dramatic music)
00:12:44 (people screaming)
00:12:47 (dramatic music)
00:12:50 (people screaming)
00:12:53 (dramatic music)
00:12:56 (people screaming)
00:12:59 (dramatic music)
00:13:02 (birds chirping)
00:13:05 (dramatic music)
00:13:07 (birds chirping)
00:13:10 - Several burns and minor contusions
00:13:37 to the base of the skull, not bad at all.
00:13:38 - I've been allocated this awesome task
00:13:40 of fitting this mess together,
00:13:42 the pieces, controlling.
00:13:44 Keller's physical condition is minor, is that it?
00:13:48 - Yes.
00:13:49 - His retrograde amnesia, is that permanent?
00:13:51 Is it likely to be?
00:13:54 - Mr. Slater, I know the pressure you people
00:13:57 are going to be under, but Captain Keller's recovery
00:13:59 is something that's going to have to take its course.
00:14:02 I'm sorry, but this is a busy hospital.
00:14:04 - Forgive me, I wasn't actually concerning myself
00:14:06 with a public inquiry.
00:14:08 There will be one, of course.
00:14:11 I was concerned for his sake.
00:14:14 The man has been through quite an experience.
00:14:16 Miraculous, worthy.
00:14:18 - Not quite.
00:14:20 I am saying there are no shortcuts.
00:14:22 But he's fit enough, and he's bloody lucky,
00:14:24 to be with us at all.
00:14:25 We both agree on that.
00:14:26 - As you say, as you say.
00:14:28 Indelible stamp on the will, sir, bye.
00:14:31 Thank you, Doctor.
00:14:32 (train rumbling)
00:14:34 - Nurse!
00:14:42 - Calling Dr. Gibson, Dr. Gibson,
00:14:47 please contact the switchboard.
00:14:49 - Thanks for coming, Harry.
00:14:59 - Don't be crazy.
00:15:00 The company stuck me on the first available plane.
00:15:02 Excuse us, fellas.
00:15:03 - Thank you.
00:15:04 - Come on, get us through, please.
00:15:06 - Would you like me to drive?
00:15:08 - No, it's okay.
00:15:08 (train horn blaring)
00:15:13 - Yes, maybe you better.
00:15:15 - Been pumping me full of drugs and stuff.
00:15:24 (car door slams)
00:15:26 (Harry sighs)
00:15:33 (train rumbling)
00:15:36 - Beth is here, obviously.
00:15:41 She's on her way up to the house.
00:15:44 - I want to see the plane.
00:15:46 How's she taking it?
00:15:52 - She wants to see you.
00:15:53 (indistinct chatter)
00:15:58 - For allowance, please move back.
00:16:01 (metal clanking)
00:16:04 (metal clanking)
00:16:06 (indistinct chatter)
00:16:09 (train horn blaring)
00:16:35 (metal clanking)
00:16:38 (indistinct chatter)
00:16:45 (metal clanking)
00:16:57 (indistinct chatter)
00:17:03 - Pull out.
00:17:04 (metal clanking)
00:17:17 (metal clanking)
00:17:21 (metal clanking)
00:17:24 - Hey, what are you doing?
00:17:35 Drop it.
00:17:38 Go on, drop it.
00:17:39 (metal clanking)
00:17:43 (train horn blaring)
00:17:49 (train horn blaring)
00:17:52 - I want to know everything they find, every detail.
00:18:05 Anything that they come up with.
00:18:09 - I know exactly what you do, nothing.
00:18:11 Anyway, they consider me fairly secondary
00:18:15 to their operation, useless even.
00:18:17 - Like me.
00:18:19 You don't have to say that.
00:18:20 - I don't, do I?
00:18:24 After all, I've just killed 300 people in a field
00:18:28 and walked away without a scratch.
00:18:29 That makes me pretty special, doesn't it?
00:18:31 - You saved a hell of a lot more lives
00:18:32 by getting your aircraft away from the town.
00:18:34 - Come on, Harry.
00:18:38 We know better than that, don't we?
00:18:42 Buildings are a lot harder than grass, that's all.
00:18:46 (dramatic music)
00:18:49 - Bloody fire.
00:18:52 (sirens blaring)
00:18:55 - Female 45, G45.
00:18:57 I think we can start moving some of these
00:19:02 over the other side now, ready for take-off.
00:19:05 - Yes, sir.
00:19:05 - Here.
00:19:06 (indistinct chatter)
00:19:09 - Male G47.
00:19:10 G47, that's right.
00:19:15 - Male G47.
00:19:16 - Can you slip out and get about 35 more bags,
00:19:22 I think, for each wing.
00:19:24 Two by five, male.
00:19:29 - Male, be one.
00:19:30 - A45.
00:19:31 First class section, I think.
00:19:36 - Sorry, authorized person.
00:19:38 - Test the AIP.
00:19:39 This is David Keller, this is the pilot.
00:19:42 - Okay.
00:19:43 (wind whistling)
00:19:46 (wind whistling)
00:19:49 (wind whistling)
00:19:51 (wind whistling)
00:19:54 (indistinct chatter)
00:19:57 (engines roaring)
00:20:22 (wind whistling)
00:20:25 - I have to know why, Harry.
00:20:28 It'll be the usual bag of tricks, you know.
00:20:32 Probably take weeks.
00:20:33 The CVR might help.
00:20:35 - I'm gonna need a lot of help.
00:20:38 - I know.
00:20:41 (dramatic music)
00:20:46 (dramatic music)
00:20:49 - Quite-- - It's all right, it's all right.
00:21:03 It's fine.
00:21:04 Okay.
00:21:06 - When I heard, I thought maybe--
00:21:09 - So did I.
00:21:10 - I wanted to come and see you in hospital.
00:21:12 I thought it best--
00:21:13 - Quite right.
00:21:14 - How are you feeling?
00:21:18 Harry and I were told about you not remembering anything.
00:21:24 - Yes.
00:21:29 It's as if I wasn't there.
00:21:33 I remember takeoff.
00:21:36 And then nothing.
00:21:42 - Quite like old times, isn't it?
00:21:44 - Did you see him on the plane?
00:21:52 - Yes, he came on board with us.
00:21:55 - I told him, you know, about us.
00:22:01 - I thought so.
00:22:06 - David, I didn't mean it for you.
00:22:09 Do you understand?
00:22:11 - I know.
00:22:12 Jesus.
00:22:16 You little shit.
00:22:25 - David, don't!
00:22:27 - Get out of here.
00:22:30 - Damn it.
00:22:40 (waves crashing)
00:22:42 - Airline chairman killed in crash,
00:22:45 wife's lover, soaps bar.
00:22:46 (scoffs)
00:22:48 (dramatic music)
00:22:51 (dramatic music)
00:22:54 - Well, here we are.
00:23:16 The Predators picking off the remains.
00:23:19 (indistinct radio chatter)
00:23:22 - Have you got a set up?
00:23:23 - Yes.
00:23:24 Factory down the road.
00:23:26 Did you get to talk to Keller?
00:23:28 Impenetrable Captain K?
00:23:31 - Only generalities.
00:23:32 He's going to need time more than anything.
00:23:36 - Well, I trust he's well.
00:23:40 - He's at home.
00:23:41 - I thought it would be better if you went to pull him out.
00:23:45 Old pals and all that sort of thing.
00:23:47 - I guess I am a friend of his.
00:23:49 - Well, we finally found both of them.
00:23:59 CVR gave us a bit of trouble there.
00:24:01 - Good, we'll follow up.
00:24:02 I suppose we can count ourselves lucky
00:24:11 he didn't take the whole town with him.
00:24:14 (truck engine roaring)
00:24:18 (wind whooshing)
00:24:20 (wind whooshing)
00:24:23 (metal clanking)
00:24:26 (wind whooshing)
00:24:29 (metal clanking)
00:24:31 (wind whooshing)
00:24:34 (wind whooshing)
00:24:37 (men chattering)
00:24:53 - I said it was stripped on impact.
00:25:03 - Because his casing's all split apart.
00:25:04 - Yes.
00:25:05 - The tape's all melted through.
00:25:06 - Yes, totally melted.
00:25:08 - Dammit.
00:25:09 - There's even one piece we could use.
00:25:11 - What about the FDR?
00:25:12 - Well, that seems to be okay.
00:25:15 We'll get it sent off for analysis, though,
00:25:16 as soon as possible.
00:25:17 - Well, that will tell us what the aircraft did.
00:25:19 - Yeah.
00:25:21 - But not necessarily why.
00:25:22 - Quite.
00:25:28 (wind whooshing)
00:25:31 (aircraft horn blaring)
00:25:46 (aircraft horn blaring)
00:25:55 (wind whooshing)
00:25:58 (aircraft horn blaring)
00:26:12 (wind whooshing)
00:26:15 (aircraft horn blaring)
00:26:34 (aircraft horn blaring)
00:26:38 (wind whooshing)
00:26:41 (aircraft horn blaring)
00:27:05 (aircraft horn blaring)
00:27:09 (aircraft horn blaring)
00:27:34 (aircraft horn blaring)
00:27:38 (gentle music)
00:28:00 (aircraft horn blaring)
00:28:03 (aircraft horn blaring)
00:28:07 (aircraft horn blaring)
00:28:23 (aircraft horn blaring)
00:28:26 - The press.
00:28:35 The gentlemen of the press, inked with charm.
00:28:38 I suppose you knew about this.
00:28:43 - Yes, I did.
00:28:44 I didn't think it was relevant.
00:28:45 - What do you mean it's not damned relevant?
00:28:48 The pilot's got the chairman on board his aircraft
00:28:50 and he's playing footsie with his wife.
00:28:52 That could be, could be a factor, damn it.
00:28:54 Did Mr. Rogan think it was relevant?
00:28:57 How do I know your normal concentration was not affected?
00:29:01 And if you knew about this,
00:29:02 it was your responsibility to tell us, not the press.
00:29:05 - So what's your theory then?
00:29:06 Pilot panics and loses control of his aircraft
00:29:08 because he's having an affair?
00:29:09 Dumps 287 people in a field?
00:29:11 - You know as well as I do that all factors are relevant.
00:29:14 - Good God, it was a casual affair.
00:29:16 It never even crossed my mind that you didn't know about it.
00:29:19 Everybody else seems to have known.
00:29:21 I'm not interested in what the relationship
00:29:23 between you and Mrs. Rogan amounts to, if anything.
00:29:26 But I'm not going to have you prejudice
00:29:28 this investigation in any way.
00:29:30 - And what is that supposed to mean?
00:29:31 - That as air safety officer,
00:29:33 you are co-opted to provide an objective assessment.
00:29:36 If you can't do that and can't provide us
00:29:38 with all the facts, you shouldn't be with us.
00:29:41 And if either of you have got any other eccentric pieces
00:29:44 of information that are likely to surprise us,
00:29:47 I'd like to hear about it first.
00:29:50 And please remember, both of you,
00:29:52 that you are here under sufferance.
00:29:54 And I would like you to see the personality assessment.
00:30:02 As is normal.
00:30:04 - It'd be a pleasure.
00:30:07 - Well?
00:30:16 - No problem.
00:30:17 He wants what we've got and he's willing
00:30:18 to pay what I want for them.
00:30:20 And he loves the shots.
00:30:21 - We finally made it.
00:30:22 How much?
00:30:23 Come on, Eddie, how much?
00:30:25 - Enough.
00:30:26 - Bastard.
00:30:27 Don't you think it's a bit callous
00:30:29 making money out of a thing like that?
00:30:32 - Oh, a bit maybe.
00:30:34 Anyway, I've never heard you complain about money before.
00:30:36 - Oh, I'm not complaining.
00:30:38 - Good.
00:30:39 - Do you want to hang with the prince?
00:30:43 - No, I'll be all right.
00:30:44 (birds chirping)
00:30:47 - I'll be printing now, love.
00:31:04 (water dripping)
00:31:07 (water dripping)
00:31:10 (water dripping)
00:31:13 (water dripping)
00:31:33 (water dripping)
00:31:35 (water dripping)
00:31:38 (water dripping)
00:31:41 (water dripping)
00:31:52 (water dripping)
00:31:58 (water dripping)
00:32:01 (water dripping)
00:32:14 (water dripping)
00:32:24 (water dripping)
00:32:27 (water dripping)
00:32:50 (water dripping)
00:32:53 (water dripping)
00:33:11 (water dripping)
00:33:14 - Hello?
00:33:30 What is it?
00:33:34 Are you lost?
00:33:37 (birds chirping)
00:33:40 (water dripping)
00:34:04 (water dripping)
00:34:07 (door squeaking)
00:34:28 (door squeaking)
00:34:34 (birds chirping)
00:34:37 Hello?
00:35:02 (birds chirping)
00:35:05 (wind howling)
00:35:08 (birds chirping)
00:35:10 (wind howling)
00:35:35 (birds chirping)
00:35:37 Hello?
00:35:58 (doorbell ringing)
00:36:04 (wind howling)
00:36:07 (wind howling)
00:36:32 (birds chirping)
00:36:35 (wind howling)
00:37:00 (wind howling)
00:37:02 (crowd cheering)
00:37:10 (crowd cheering)
00:37:13 (crowd cheering)
00:37:25 (horn honking)
00:37:31 (crowd cheering)
00:37:35 (crowd cheering)
00:37:39 (crowd cheering)
00:37:41 (crowd cheering)
00:37:44 (electricity buzzing)
00:38:08 (wind howling)
00:38:10 (horn honking)
00:38:17 (bird squawking)
00:38:33 (birds chirping)
00:38:36 (birds chirping)
00:38:40 (bird squawking)
00:38:42 (birds chirping)
00:38:45 (bird squawking)
00:38:48 (water dripping)
00:39:15 (water dripping)
00:39:18 (ominous music)
00:39:43 (ominous music)
00:39:46 (birds chirping)
00:40:10 (ominous music)
00:40:12 (birds chirping)
00:40:35 (ominous music)
00:40:37 (ominous music)
00:41:00 (birds chirping)
00:41:03 (horn honking)
00:41:14 - The days of man are but his grass.
00:41:19 He flourishes like a flower in the field.
00:41:26 When the wind goes over it, it is gone.
00:41:30 And its place will know it no more.
00:41:33 But the merciful goodness of the Lord
00:41:39 endures forever and ever toward those that fear him.
00:41:44 And his righteousness upon their children's children.
00:41:49 In the name of the Father, the Son,
00:41:56 and the Holy Spirit.
00:41:58 Be with us all now and forevermore.
00:42:02 Amen.
00:42:05 - Relatives and friends who wish to place wreaths,
00:42:10 please move forward now.
00:42:12 Do not enter the areas marked with yellow flags.
00:42:16 Relatives and friends who wish to place wreaths,
00:42:19 please move forward now.
00:42:21 Do not enter the areas marked with yellow flags.
00:42:25 - See him, the pilot.
00:42:43 It's the one that walked away from it.
00:42:46 Kill all those women and children.
00:42:48 Kill all those people who just walked away from it.
00:42:51 My husband, my husband and little children.
00:42:54 And he just walked away from it.
00:42:56 Where's the justice in that?
00:42:58 You don't deserve it, you freak.
00:43:00 It was my husband, it was my husband you killed.
00:43:03 - You shouldn't be here, Dave.
00:43:04 There's no point in aggravating the situation.
00:43:06 - Where'd you expect me?
00:43:07 At home, staring into the middle distance.
00:43:09 I have to be here.
00:43:11 - Yes, I know, of course you do.
00:43:12 But there's nothing you can achieve here.
00:43:14 Not while this is going on, anyway.
00:43:16 - Look, I don't care what Slater says,
00:43:18 I don't care what you say.
00:43:19 I was the pilot, I am involved, end of story.
00:43:23 Now I shall be back later.
00:43:25 Be here.
00:43:26 Please.
00:43:29 (footsteps)
00:43:31 (eerie music)
00:43:52 (eerie music)
00:43:54 - Mr. Keller?
00:44:09 It is Mr. Keller, isn't it?
00:44:11 - Look, believe me, I'm sorry.
00:44:16 Yes.
00:44:19 There is no justice.
00:44:21 Yes.
00:44:23 It is totally unfair.
00:44:26 - I'm sorry, I don't like to intrude.
00:44:29 But I feel involved in some way.
00:44:34 I know you probably want to forget about it.
00:44:37 - I can't remember anything about it.
00:44:40 - I do.
00:44:46 Perhaps not in the way that you imagine.
00:44:49 It's difficult for me to explain.
00:44:51 No, wait, please.
00:44:54 Something's happening.
00:44:56 We must talk.
00:44:57 I believe it's desperately important.
00:45:01 Please take this.
00:45:03 My address is on it.
00:45:06 Please.
00:45:08 It is important.
00:45:10 I wouldn't trouble you otherwise.
00:45:14 Thank you, Mr. Keller, thank you.
00:45:17 Please get in touch with me.
00:45:19 You need help.
00:45:22 And I believe I do too.
00:45:25 (eerie music)
00:45:27 - This is irresponsible.
00:45:37 Totally bloody irresponsible.
00:45:40 My bloody license.
00:45:41 Look, let me fly it.
00:45:43 Or come along for the ride.
00:45:45 - No.
00:45:46 - David!
00:45:47 - No, I have to go alone.
00:45:49 - You need to spark something off.
00:45:51 Anyway, you've got clearance to fly over the crash site.
00:45:53 By the time it filters back through the works,
00:45:55 nobody will give a damn.
00:45:57 (door slams)
00:45:59 (door slams)
00:46:01 (eerie music)
00:46:06 - I'm sorry, I'm sorry.
00:46:08 (eerie music)
00:46:10 - I'll be back in 20 minutes.
00:46:13 I'll see you in the bar.
00:46:15 - I'll be in the tower.
00:46:17 - Suit yourself.
00:46:20 (engine starts)
00:46:23 (engine rumbles)
00:46:25 - Please be right back.
00:46:37 (engine rumbles)
00:46:39 (radio chatter)
00:46:43 (engine rumbles)
00:46:52 (eerie music)
00:47:07 (engine rumbles)
00:47:09 (engine rumbles)
00:47:15 (engine rumbles)
00:47:17 (eerie music)
00:47:38 (engine rumbles)
00:47:40 (engine rumbles)
00:47:50 (engine rumbles)
00:48:06 (engine rumbles)
00:48:08 (engine rumbles)
00:48:10 (engine rumbles)
00:48:12 (engine rumbles)
00:48:18 (engine rumbles)
00:48:24 (engine rumbles)
00:48:28 (engine rumbles)
00:48:32 (engine rumbles)
00:48:38 (engine rumbles)
00:48:40 (engine rumbles)
00:48:48 (engine rumbles)
00:49:06 (engine rumbles)
00:49:08 (engine rumbles)
00:49:10 (engine rumbles)
00:49:12 (engine rumbles)
00:49:16 (engine rumbles)
00:49:26 (engine rumbles)
00:49:36 (engine rumbles)
00:49:38 (engine rumbles)
00:49:44 (engine rumbles)
00:49:48 (engine rumbles)
00:49:52 (engine rumbles)
00:50:00 (engine rumbles)
00:50:04 (engine rumbles)
00:50:06 (grunts)
00:50:11 (engine rumbles)
00:50:16 - Bane?
00:50:20 (engine rumbles)
00:50:25 (engine rumbles)
00:50:33 (engine rumbles)
00:50:35 (engine rumbles)
00:51:01 (gunshot)
00:51:03 (grunts)
00:51:07 (gunshot)
00:51:14 (engine rumbles)
00:51:29 (engine rumbles)
00:51:31 - Harry, I'm sorry about this morning.
00:51:34 - Ah.
00:51:35 - Did they come up with anything?
00:51:36 - I'm not supposed to talk to you about this.
00:51:38 - Every detail, I said.
00:51:39 - Well, you haven't heard anything, remember?
00:51:41 My reputation with the AIB is diminishing rapidly.
00:51:44 - Stop bullshitting and tell me.
00:51:45 - All right, all right, all right.
00:51:47 The, uh, pathologist has come up with an anomaly.
00:51:51 Fragments in the legs of one of the passengers.
00:51:54 - Well, it's hardly surprising, is it?
00:51:56 - Well, it's possible to tell the velocity of a fragment,
00:51:58 whether it's a belly down or at a greater velocity,
00:52:02 such as an explosion.
00:52:04 - Are you saying sabotage, bomb?
00:52:09 - No, no, no, no.
00:52:10 I'm just expressing the possibility.
00:52:12 - Who was he?
00:52:13 Do we know?
00:52:14 The fellow with the bits in his legs?
00:52:15 - Not yet, but we're working on it.
00:52:17 - He would have remembered a bomb, surely.
00:52:20 - You, uh, haven't had any recollections?
00:52:25 - No, none at all.
00:52:26 There's a pressure on me to remember, though.
00:52:30 - Don't let Slater and the AIB blokes get on top of you.
00:52:34 - No.
00:52:35 That's not what I meant.
00:52:41 - I'm also wondering how the hell you managed to get out of this thing alive.
00:52:52 - In the first place, I don't believe you were on the flight deck when it happened.
00:52:55 I've seen it. No one could have got out of there.
00:52:57 - What do you mean I wasn't on the flight deck?
00:53:00 I was flying the goddamn plane.
00:53:01 - Look, supposing it was a bomb.
00:53:03 Suppose it was, um, well, something big anyway.
00:53:06 You didn't send your co-pilot.
00:53:08 - What about the flight engineer?
00:53:09 - No, no, no. You went down to check it out yourself.
00:53:11 Somehow, on impact, you were in the right place to be thrown into the air.
00:53:16 David.
00:53:20 (door creaks)
00:53:21 Dave.
00:53:24 - Retrograde amnesia.
00:53:34 What kind of crap is that?
00:53:37 - Give it time.
00:53:39 It'll come.
00:53:41 - It has to, Harry.
00:53:48 - I think I'm going mad.
00:53:50 (door creaks)
00:53:51 (door creaks)
00:53:53 (train whistle)
00:53:55 (birds chirping)
00:53:58 (train whistle)
00:53:59 (birds chirping)
00:54:01 (train whistle)
00:54:04 (birds chirping)
00:54:06 (train whistle)
00:54:09 (birds chirping)
00:54:11 (train whistle)
00:54:13 (birds chirping)
00:54:15 (train whistle)
00:54:17 (birds chirping)
00:54:19 (birds chirping)
00:54:21 (birds chirping)
00:54:23 (birds chirping)
00:54:26 (birds chirping)
00:54:27 (birds chirping)
00:54:32 (birds chirping)
00:54:34 (birds chirping)
00:54:36 (birds chirping)
00:54:38 (birds chirping)
00:54:40 (birds chirping)
00:54:42 (train whistle)
00:54:44 (train whistle)
00:54:46 (train whistle)
00:54:48 (door creaks)
00:54:50 - Mr. Keller.
00:54:55 I'm glad that you came.
00:54:56 - Why did you ask me to come here?
00:54:59 - I thought perhaps you might have something to tell me.
00:55:02 I don't wish to try your patience.
00:55:04 Nothing could be further from my mind, I promise you.
00:55:08 (birds chirping)
00:55:11 (footsteps)
00:55:16 (door slams)
00:55:23 (door slams)
00:55:24 - This morning I flew a small plane over the crash site.
00:55:33 Where the wreckage should have been, there was nothing, no sign of it.
00:55:38 Just some children playing in an open field.
00:55:40 And someone else.
00:55:44 A woman.
00:55:48 - This morning you said?
00:55:52 - It was this morning when I took off, and it still was when I landed, yes.
00:55:55 - Yes.
00:55:57 Do you believe in life after death?
00:56:02 - Well, considering I am the sole survivor of a major air disaster,
00:56:11 I would have to believe in something, I suppose.
00:56:13 Fate, probably. Why?
00:56:15 - They're asking for your help.
00:56:17 - Who's asking for help?
00:56:19 - The man who was shot.
00:56:21 The men, women and children who died in your aircraft.
00:56:23 I'm not talking about stories to frighten children with.
00:56:26 Witches, hobgoblins.
00:56:28 - Look, Hobbs or whatever your name is,
00:56:30 you gave me the impression you had something to contribute.
00:56:32 Anything that might be of help.
00:56:34 Now I'm sorry if you've been disturbed by the accident,
00:56:36 you're not the only one by a long way.
00:56:38 But I don't need this. I really don't need it.
00:56:40 (woman screams)
00:56:43 (woman screams)
00:56:46 (woman screams)
00:56:48 (woman screams)
00:56:51 (woman screams)
00:56:52 (woman screams)
00:56:54 (woman screams)
00:56:56 (woman screams)
00:56:58 (woman screams)
00:57:00 (woman screams)
00:57:02 (woman screams)
00:57:04 (woman screams)
00:57:06 (woman screams)
00:57:08 (woman screams)
00:57:10 (woman screams)
00:57:12 (woman screams)
00:57:14 (woman screams)
00:57:16 (woman screams)
00:57:19 (dramatic music)
00:57:22 (screaming)
00:57:24 - No, no, no!
00:57:27 No!
00:57:30 Oh, please, please!
00:57:34 Help!
00:57:37 No, no!
00:57:40 No, no!
00:57:42 (screaming)
00:57:45 (dramatic music)
00:57:48 (dramatic music)
00:57:50, (dramatic music)
00:57:55 (dramatic music)
00:57:58 - Oh my God.
00:58:19 - What the hell was that?
00:58:23 - What is this?
00:58:25 (crying)
00:58:27 - As though I was there.
00:58:31 I didn't want to become involved.
00:58:37 It seems that some people are more sensitive
00:58:40 to these things than others.
00:58:42 - Meaning that I'm not?
00:58:47 - No, you're causing them.
00:58:50 I'm being used.
00:58:56 To reach you.
00:58:57 I have the experience, but it's you they want.
00:59:01 It's you they really need.
00:59:03 Help me up, I can't.
00:59:09 - Let's get out of here.
00:59:11 (crowd chattering)
00:59:14 - Theories, theories.
00:59:29 Sabotage, mechanical failures.
00:59:39 Look, I want answers, but not by talking to cranks.
00:59:44 Not by talking to cranks.
00:59:47 - Or unlicensed pilots.
00:59:49 The bleeding scapegoats.
00:59:54 Well, we know that 747s don't fall out of the sky
01:00:00 for practice, don't we?
01:00:02 You can't do it to them, they're too good.
01:00:04 So that only leaves me, doesn't it?
01:00:06 - Captain Keller.
01:00:08 - You must just be paranoid.
01:00:11 - It's the human part of the equation
01:00:12 that's always the most fallible, though, isn't it?
01:00:15 Isn't that how you put it?
01:00:17 You're going to put me on the block, aren't you?
01:00:20 - Accident investigation is not about
01:00:22 putting anyone on the block.
01:00:24 It's about making planes safer.
01:00:27 You know that as well as I do.
01:00:28 - I know it.
01:00:30 I'd like to believe it.
01:00:32 But you're leaving me out on my own, aren't you?
01:00:35 - Hardly.
01:00:37 - I'm sorry, I've got a great deal of work.
01:00:41 Meetings, Tewson.
01:00:43 You're putting a great deal of pressure upon me.
01:00:46 - Sorry.
01:00:47 - Enough, enough.
01:00:48 We have enough already, look.
01:00:50 It's all around us.
01:00:51 We don't want the supernatural
01:00:52 entering into our conclusions.
01:00:55 Deduce by all means, but do not devise.
01:00:59 Good afternoon.
01:01:05 (thudding)
01:01:08 Hello.
01:01:09 Hello, is Mr. Jackson there, please?
01:01:12 Well, I want him to come over
01:01:14 to look at a couple of pieces of metal.
01:01:17 (ominous music)
01:01:21 (ominous music)
01:01:24 (ominous music)
01:01:26 (ominous music)
01:01:29 (ominous music)
01:01:32 (ominous music)
01:01:34 (ominous music)
01:01:37 (ominous music)
01:01:40 (door creaking)
01:01:59 (ominous music)
01:02:01 (ominous music)
01:02:04 (door creaking)
01:02:07 (ominous music)
01:02:18 (ominous music)
01:02:27 (ominous music)
01:02:32 (ominous music)
01:02:35 (ominous music)
01:02:40 (ominous music)
01:02:45 (door creaking)
01:02:52 (ominous music)
01:02:59 (ominous music)
01:03:03 (screaming)
01:03:05 (ominous music)
01:03:08 (screaming)
01:03:10 (ominous music)
01:03:13 (ominous music)
01:03:16 (ominous music)
01:03:19 (ominous music)
01:03:23 (screaming)
01:03:25 (ominous music)
01:03:28 (ominous music)
01:03:30 (screaming)
01:03:33 (ominous music)
01:03:36 (screaming)
01:03:40 (ominous music)
01:03:42 (ominous music)
01:04:02 (ominous music)
01:04:05 (phone ringing)
01:04:22 - Yes?
01:04:31 Another incident, I'll explain later.
01:04:33 Will you meet me at the boat?
01:04:37 David, it's important.
01:04:46 - Hobbs!
01:04:56 (waves crashing)
01:04:58 Hobbs!
01:05:05 Hobbs, what's the matter?
01:05:09 What are you doing out here?
01:05:11 - I'm terrified.
01:05:12 I want you to do something.
01:05:15 I don't know what the results will be,
01:05:17 but it's the only thing left.
01:05:20 I want to take you back.
01:05:23 Will you come?
01:05:25 I'm frightened and we need help.
01:05:27 Will you come?
01:05:29 - Yes.
01:05:32 I...
01:05:43 I cannot be involved.
01:05:47 You understand.
01:05:48 - We feel we need you there.
01:05:52 (door opening)
01:05:54 Are you sure Hugh can go through with it?
01:05:59 - He has to.
01:06:02 He's the only one who can help them.
01:06:06 Help us all.
01:06:08 - Obviously, I have my own reasons
01:06:14 for wanting to find out what happened,
01:06:16 but this young lady feels we may find explanations too.
01:06:20 (footsteps)
01:06:23 A few other things as well.
01:06:26 - If we do manage to recreate it, to go back,
01:06:34 we need someone outside to guide us through.
01:06:39 - Yes.
01:06:41 I should warn you.
01:06:49 (footsteps)
01:06:51 That the church has always turned its face
01:06:53 against all forms of necromancy,
01:06:57 all forms of dealing with so-called spiritism.
01:07:01 She has never felt the need
01:07:07 to revise the plain teaching of the Bible.
01:07:15 To beware of the mutterings and chirpings of wizards
01:07:19 and their familiars.
01:07:23 And to put our trust in the living God.
01:07:33 In the tradition of that philosophy,
01:07:44 please, will you accept this shield of truth?
01:08:13 (ominous music)
01:08:16 (phone ringing)
01:08:18 (ominous music)
01:08:21 (ominous music)
01:08:25 (ominous music)
01:08:27 (ominous music)
01:08:31 (ominous music)
01:08:34 (ominous music)
01:08:36 (ominous music)
01:08:40 (ominous music)
01:08:43 (ominous music)
01:08:48 (ominous music)
01:08:58 (ominous music)
01:09:08 (ominous music)
01:09:10 (ominous music)
01:09:28 (ominous music)
01:09:31 (ominous music)
01:09:45 (ominous music)
01:09:48 (ominous music)
01:10:09 (ominous music)
01:10:11 - What?
01:10:20 If anything should happen,
01:10:27 if it becomes too much for either one of us,
01:10:29 the other must stop and help.
01:10:32 (birds chirping)
01:10:35 That's where my flight engineer sat.
01:10:43 That was my co-pilot.
01:10:49 That's the observer's seat.
01:11:01 (birds chirping)
01:11:04 Think back to the moment before the crash.
01:11:14 Or anything that led up to it.
01:11:17 Any little incidents that might have happened.
01:11:23 Things people said.
01:11:30 (ominous music)
01:11:33 (ominous music)
01:11:37 (ominous music)
01:11:40 (ominous music)
01:11:44 (ominous music)
01:12:12 (ominous music)
01:12:16 (ominous music)
01:12:18 - Oh, damn it!
01:12:43 Yusa says nothing!
01:12:45 - You must go on trying.
01:12:47 You must go on trying.
01:12:50 (ominous music)
01:12:57 (ominous music)
01:13:00 (ominous music)
01:13:12 (ominous music)
01:13:25 (ominous music)
01:13:28 (ominous music)
01:13:33 - Announce service.
01:13:44 - Check.
01:13:45 - Check. - Check.
01:13:47 - Good evening, Mr. Ogden.
01:13:48 - Good evening, ma'am.
01:13:49 - Two C's, is that?
01:13:50 - Yes, thank you very much.
01:13:53 - Leave it out, please.
01:13:54 - Radios and radars.
01:13:56 - Check and set.
01:13:57 - Check and set.
01:13:58 - Check the gauges.
01:14:01 (ominous music)
01:14:04 - V1.
01:14:14 V2.
01:14:18 Rotate.
01:14:22 (ominous music)
01:14:25 (phone beeps)
01:14:43 (ominous music)
01:14:46 (ominous music)
01:14:49 - Stewardess!
01:14:55 Stewardess!
01:14:56 - Captain, I think we've got a bomb on board.
01:14:59 Please, could you come down?
01:15:01 - Tom, go down and find out what the trouble is.
01:15:03 (ominous music)
01:15:06 (men chattering)
01:15:10 (ominous music)
01:15:14 (men chattering)
01:15:17 - Bloody motherfucker!
01:15:18 - Get down!
01:15:19 - Level up, David, level up.
01:15:20 We've got a bomb on board, first class cabin.
01:15:23 (men chattering)
01:15:25 (men screaming)
01:15:27 - Put out a maid escort emergency.
01:15:38 I'm gonna fly by the wires.
01:15:41 - 400 feet.
01:15:42 - We need room.
01:15:43 - Come on.
01:15:44 (men chattering)
01:15:47 - Straight approach downwind.
01:15:50 I don't want to stay in the air longer than necessary.
01:15:53 Autopilot cut out.
01:15:55 (men chattering)
01:15:57 I'm going to mangle.
01:15:58 - We're heading.
01:15:59 - We're going down.
01:16:00 (men chattering)
01:16:03 - Cut out.
01:16:04 (ominous music)
01:16:11 - Oh, shit.
01:16:12 (woman screaming)
01:16:14 (ominous music)
01:16:16 (plane engine roaring)
01:16:20 (plane engine roaring)
01:16:23 (plane engine roaring)
01:16:26 (plane engine roaring)
01:16:30 (plane engine roaring)
01:16:34 (ominous music)
01:16:45 (door opening)
01:16:53 (whispering)
01:16:58 - Oops.
01:16:59 There's more, isn't there?
01:17:01 There has to be.
01:17:02 Come on.
01:17:05 (whispering)
01:17:26 You must show me.
01:17:27 I have to know.
01:17:29 It's why I'm here, you see.
01:17:32 I have to know.
01:17:34 (whimpering)
01:17:36 (whimpering)
01:17:39 (wind blowing)
01:17:41 (wind blowing)
01:17:45 (wind blowing)
01:17:49 (wind blowing)
01:17:51 (wind blowing)
01:17:55 (wind blowing)
01:17:58 (door opening)
01:18:01 (door closing)
01:18:16 (gun cocking)
01:18:18 (ominous music)
01:18:35 (tires screeching)
01:18:40 - Hobbs, don't lose it.
01:18:43 - Gone.
01:18:44 - Which way?
01:18:45 - Straight up.
01:18:49 - Please, Hobbs.
01:18:52 - Yes.
01:18:57 - Don't do it.
01:18:58 (ominous music)
01:19:03 (knocking)
01:19:13 (knocking)
01:19:15 (knocking)
01:19:27 (door opening)
01:19:37 (ominous music)
01:19:39 (wind blowing)
01:19:42 (ominous music)
01:20:00 (wind blowing)
01:20:03 (knocking)
01:20:18 (knocking)
01:20:20 (ominous music)
01:20:42 (groaning)
01:20:44 - Fading, fading.
01:21:06 Go on.
01:21:11 Must be here.
01:21:12 (ominous music)
01:21:23 (grunting)
01:21:26 - There's nothing, there's nobody here.
01:21:51 I'm gonna take you home.
01:21:53 - It's here, somewhere.
01:21:55 The voices, frightening, bitter.
01:21:58 (tires screeching)
01:22:02 It's calm, calm.
01:22:04 (gun cocking)
01:22:09 (ominous music)
01:22:15 (ominous music)
01:22:17 - Hobbs?
01:22:32 (screaming)
01:22:42 (ominous music)
01:22:45 (ominous music)
01:22:48 (ominous music)
01:22:51 (ominous music)
01:22:54 (ominous music)
01:23:22 (screaming)
01:23:24 (ominous music)
01:23:33 (ominous music)
01:23:36 (ominous music)
01:23:39 (ominous music)
01:23:42 (ominous music)
01:23:46 (ominous music)
01:23:48 (ominous music)
01:24:09 (ominous music)
01:24:13 (ominous music)
01:24:17 (ominous music)
01:24:20 (ominous music)
01:24:23 (ominous music)
01:24:42 (ominous music)
01:24:45 (ominous music)
01:25:10 (ominous music)
01:25:12 (ominous music)
01:25:27 (screaming)
01:25:39 (ominous music)
01:25:42 (ominous music)
01:25:47 (screaming)
01:25:51 (ominous music)
01:25:55 (ominous music)
01:25:59 (ominous music)
01:26:03 (ominous music)
01:26:07 (ominous music)
01:26:09 - You were not supposed to survive, Keller.
01:26:26 None of you were.
01:26:27 What brought you here?
01:26:32 The voices?
01:26:33 - Can't you hear them?
01:26:35 They surround you, holding me for your arrival.
01:26:39 It's a beautiful object, isn't it?
01:26:43 Clay.
01:26:44 Now pieces.
01:26:46 - You were one of those plotting to end my career.
01:26:51 I built up this airline.
01:26:52 It's mine to keep or destroy.
01:26:55 - You planted a bomb in Rogan's case.
01:26:57 - Keller, the man of emotional detachment.
01:27:00 The man of science and technology.
01:27:04 The deducer.
01:27:05 I knew it would be you, Captain.
01:27:09 First Tewson and then you.
01:27:11 - I've seen Tewson.
01:27:14 - I killed Tewson.
01:27:16 He was beginning to know too much.
01:27:19 (ominous music)
01:27:22 - Ours to build.
01:27:26 Ours to admire.
01:27:28 And ours to destroy.
01:27:33 This clutter of yours, these chattering friends,
01:27:37 they hang on my wall.
01:27:39 And on my wall they are.
01:27:42 - You murdered 300 innocent people.
01:27:47 Why?
01:27:52 I would like to know why.
01:27:57 - Revenge.
01:27:58 I have the imagination for the kill.
01:28:02 Ants crushed by the thousand when the elephant falls.
01:28:06 Why should I feel something for nothing?
01:28:11 300 no bodies.
01:28:12 It was perfectly timed.
01:28:16 Rogan was predictable.
01:28:20 Sad trait.
01:28:23 You managed well.
01:28:27 You survived.
01:28:31 Some of the others would have too, but for the fire.
01:28:34 - But you didn't predict their power.
01:28:37 They haven't left you.
01:28:47 Have they?
01:28:49 The hunter.
01:28:52 Or whatever you call this mindless being that you are.
01:28:58 Is hopeless.
01:29:00 Is hopeless.
01:29:01 Because they won't leave you alone.
01:29:06 - They want you, Captain, not me.
01:29:09 The last one.
01:29:10 I merely stare in wonder at an elegant totality.
01:29:16 I see it.
01:29:19 I want it.
01:29:21 If they wish to wreak their vengeance on me
01:29:25 because you eluded them, so be it.
01:29:29 But the preternatural is a tiresome eating
01:29:32 for a practical man to comprehend.
01:29:35 - Then we've both learned something, haven't we?
01:29:40 And we shall both have to compensate for the experience.
01:29:48 - The death rattle.
01:29:58 The death rattle that will quiet
01:30:00 when the last nerve has been twitched.
01:30:03 Now it's yours.
01:30:06 (screaming)
01:30:17 (dramatic music)
01:30:21 (screaming)
01:30:23 (explosion)
01:30:50 (screaming)
01:30:52 (screaming)
01:31:15 (dramatic music)
01:31:18 - David!
01:31:24 (screaming)
01:31:27 (dramatic music)
01:31:30 (dramatic music)
01:31:33 - Right, to me!
01:31:45 Over to me!
01:31:47 Right, hold that!
01:31:54 (dramatic music)
01:31:58 (dramatic music)
01:32:01 Hold everything!
01:32:22 Mr. Bain, Mr. Bain!
01:32:25 In the cockpit, the cockpit!
01:32:28 (dramatic music)
01:32:33 - This man's been dead for days.
01:32:54 It's Kela.
01:32:55 That's impossible.
01:32:58 (dramatic music)
01:33:06 (dramatic music)
01:33:09 (dramatic music)
01:33:12 (dramatic music)
01:33:24 (dramatic music)
01:33:27 (screaming)
01:33:44 (dramatic music)
01:33:47 (dramatic music)
01:33:50 (screaming)
01:33:57 (dramatic music)
01:34:00 (screaming)
01:34:09 (dramatic music)
01:34:12 (dramatic music)
01:34:15 [Music]