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00:00 [MUSIC PLAYING]
00:03 [MUSIC PLAYING]
00:06 [SPEAKING SPANISH]
00:08 [SPEAKING SPANISH]
00:31 Isidro.
00:34 Isidro, que te pasa?
00:35 No matter what happened to you, your father has lost his will to live.
00:40 He's also worthy of me, but my father doesn't listen.
00:43 He was very drunk and I let him take me.
00:46 I don't even remember his name.
00:50 It turns out that my mother confessed to me recently that who I thought was my father is not.
00:55 Don't get obsessed with that boy. As much as you find him, he's not going to change your life.
01:00 Come on, it didn't go well.
01:01 Your wife doesn't even know how to organize a market in conditions.
01:04 Maria, you say it as if it were easy.
01:06 You're not five years old, Julia. You're a step away from being an adult and you have to mature.
01:10 I don't have time for parties or snacks.
01:13 [Music]
01:15 [Music]
01:17 [Music]
01:19 [Music]
01:22 [Music]
01:24 [Music]
01:27 [Music]
01:29 [Music]
01:31 [Music]
01:33 [Music]
01:35 is asking for another chance.
01:39 Dreams of freedom, even if the past hurts.
01:43 To start again, to love whoever I want.
01:48 To shout my truth, to live without fear and without looking back.
01:54 Dreams of freedom.
02:12 [Music]
02:30 Good morning.
02:32 Good morning.
02:33 What are all these in the factory?
02:35 Even my father?
02:37 You'll have to have breakfast alone. I'll be right there.
02:40 Don't worry, Julia must be about to get off.
02:45 How was yesterday with the comet?
02:47 The comet?
02:49 I'm sorry about it.
02:51 Yes, but we laughed a lot.
02:53 It got stuck in a tree, just by taking off.
02:56 And I almost broke it trying not to let go.
02:59 Poor comet.
03:01 Well, it survived.
03:03 And Julia caught the calm right away.
03:05 She's as smart as her father.
03:07 You look so sleepy.
03:12 You'd fall asleep like a log.
03:14 With all the races we did yesterday, right?
03:16 I'm not going to.
03:18 It's hard for me to sleep.
03:20 Well, it happens when you live such strong emotions.
03:23 The party, the comet, the crazy guy and your uncle,
03:26 who made you run like crazy.
03:28 Well, I have to go.
03:31 Goodbye.
03:33 See you later, uncle.
03:34 See you later, beautiful.
03:36 Bye.
03:41 Has she left, Dad?
03:43 Yes, honey.
03:44 That's better.
03:47 Why do you say that?
03:49 She doesn't want to know anything about me.
03:53 Julia, honey, don't be silly.
03:55 It's true.
03:57 I've grown up and I can't stand it.
04:00 Where did you get that from?
04:02 He told me himself.
04:04 That I'm not a girl anymore.
04:07 To want to be at my party and take me to have a snack.
04:10 That I'm too old for that.
04:12 I'd say so.
04:14 Your father has a lot of work.
04:16 Uncle Andrés also has a lot of work.
04:18 And yesterday he took me to fly the comet he gave me.
04:23 Julia, honey, your father would have liked to go too.
04:27 He would have spent more time with you.
04:29 No, Begoña.
04:31 Last night I forgave him for not being at my party.
04:35 But I told him that if he could take me to have a snack.
04:38 And he got very angry.
04:43 Julia, honey, you wouldn't have dreamed it.
04:47 Because last night I left you in your bed.
04:49 Before your father came back from work.
04:51 I heard him coming.
04:53 And I waited a long time to see if he came to say goodnight.
04:56 But he didn't.
04:57 That's why I went down to talk to him.
05:01 He would be tired.
05:03 He didn't scream.
05:05 He had never treated me like that.
05:09 I don't know, maybe he was angry about something else.
05:12 And what I do with you, you know that your father has a lot of character.
05:15 I'm older and he doesn't love me.
05:18 Julia, your father still loves you.
05:23 And he will love you all your life.
05:25 What have I done to deserve this?
05:29 My love.
05:31 Julia, look at me.
05:33 Honey, you haven't done anything.
05:35 Do you hear me?
05:36 It's not your fault, I promise.
05:39 Come.
05:45 It's a shame to throw them in the trash.
05:48 I'm going to keep them for next year.
05:50 What do you think?
05:52 Maybe the girl doesn't want a birthday party when she turns 12.
05:56 And why won't she want it?
05:58 Because she won't be a maid anymore.
06:00 Maybe she wants to go to the Medilla with her friends.
06:04 These ages change very abruptly from one year to the next.
06:08 Well, in any case, Julia will always have her birthday party, as her mother wanted.
06:13 We never had birthdays.
06:15 We only went to the Lord's Daughter's.
06:18 My mother always used to make us bread and cheese so we looked like starving pigs.
06:29 Good morning.
06:31 Look what a good way to start the day, with a good visit.
06:36 Good morning.
06:37 I'm going to put this away in the attic.
06:48 It's going to be much better today, you'll see.
06:50 I hope so, because I did an absolute process.
06:53 It's beautiful and very elegant.
06:55 Are you sure it's your size?
06:57 I need a night dress, young man, I've already told you.
07:00 Well, but with the length it has, with a little trim, it's worth it, I'm sure.
07:04 Excuse me.
07:06 We have a cocktail dress that will surely suit you.
07:09 Wait, I'll get it for you.
07:11 It's very classy, you'll see.
07:13 It's very elegant, I couldn't believe they gave it to the market.
07:20 But, Maria, if you want, tell me how it is and I'll help you find it.
07:24 It's a black and gray dress with some flowers embroidered and sequins on the skirt.
07:28 It should be here hanging.
07:30 Wait a second, huh?
07:32 He's going to love it.
07:34 It's spectacular.
07:35 Gemma, Gemma.
07:37 Have you seen that cocktail dress with sequins on the skirt?
07:40 The one you liked so much that you threw so many parties at it?
07:42 It's in your box, I'm sure.
07:43 Which one?
07:44 The one you love, it's impossible you don't remember.
07:46 I think I know which one it is, it should be there, hanging.
07:49 It's not there.
07:50 And that lady is very interested in seeing it.
07:53 I have no idea, because I've taken care of the cotton clothes, the chalets,
07:58 but you and Dina have organized the dresses.
08:00 It must be somewhere.
08:02 Help me look for it.
08:04 Right now.
08:10 I have to go, I'm sorry.
08:13 Too bad, I wasted your time.
08:15 [Music]
08:31 You weren't supposed to see me again.
08:34 Well, you see, I don't give up as easily as you do.
08:38 Maybe I'm less proud.
08:44 I wanted to ask you why you're being so unfair and so hard.
08:48 I have my principles, and I'm not going to sacrifice myself for you or anyone else, you know.
08:52 I'm talking about what you're doing.
08:54 I found out you stopped taking the medication.
08:57 And that you're not going back to the doctor.
08:59 Did Dina tell you?
09:01 Dina is very worried about you, and yes, logically she came to see me to tell me
09:05 that her blood pressure had gone up and that the doctor had to come see her.
09:08 Too bad she didn't give me something more serious to finish at once.
09:12 That way everything would be sorted for you, right?
09:14 Getting rid of the middle man, because you can't stand that your daughter is a...
09:18 She's being unfaithful, that's it.
09:20 Because I've lost the desire to live.
09:22 I can't avoid it, don't you understand?
09:24 And that's what you say in your principles,
09:26 that it's better to die than to accept that there are different people.
09:28 Dina wouldn't have told you anything.
09:30 Dina thinks I could help her if we made up.
09:33 What the poor woman doesn't know is that you're trying to punish me.
09:37 You have enough punishment already, being who you are.
09:41 I didn't choose to be who I am.
09:43 I don't even regret it.
09:45 Punishment is having to bear the guilt of your death, which seems to be what you want.
09:48 I don't want you to bear anything.
09:49 Then why are you stopping taking your medication?
09:51 Because it doesn't make sense to live since I've lost you.
09:55 He's lost me.
09:58 Because he's forgotten that I'm still his daughter, even if I'm imperfect.
10:02 I just can't admit it, don't you understand?
10:05 No, I don't understand, father.
10:07 What do you think? That I don't know?
10:10 That I know the law is chasing us for being born like this, as if we were criminals?
10:15 How stupid of me.
10:21 I thought my father would still love me.
10:24 I'm sorry.
10:27 And don't ask me for impossibles.
10:36 I can't believe we lost a client for taking that dress.
10:39 Gemma, help me find it.
10:41 I'll help you with anything you want, but...
10:43 I haven't lost that dress, if that's what you think.
10:46 Look, maybe because the men's and women's clothes are mixed, we can find something there.
10:52 I can't anymore, this is a disaster.
10:55 Breathe, Maria, it's not so serious that a client goes without buying anything.
10:59 That lady is Félix Monreal's wife.
11:01 The one from the drugstores?
11:03 Yes.
11:04 And she works in one of his pharmacies, where a lot of people go.
11:07 She could have said wonderful things about the merchant if she had taken the dress.
11:11 There's also the possibility that she wouldn't have liked the dress, and that's fine.
11:15 But, Gemma, that dress was ideal.
11:17 It was the best they've given us.
11:19 That's why I didn't even think of telling you to keep it.
11:22 What are you insinuating?
11:24 Look, Gemma, admit that dress made you excited.
11:28 That you put it on and started dancing like crazy, and now you don't remember, I find it strange.
11:32 I assure you I didn't remember that dress until you said it.
11:35 Look, let's leave it, let's leave it.
11:37 I have to go back to the store for a moment, then I'll come and help you, okay?
11:41 Horrible.
11:58 Well, it won't be that bad.
12:00 Smell it, and you'll see.
12:02 See?
12:05 The fragrance I'm looking for should be here.
12:07 But no matter how many variations I make, I can't get what I'm looking for.
12:10 And time learns.
12:12 Why don't you go get a bath, get some fresh air, which is what you usually do when you get stuck.
12:16 Yes, maybe that's a good idea.
12:18 I'm going for a walk in the country.
12:21 Or even better, I'm going to go into the cleaning room to smell the ammonia,
12:25 to see if that way my nose will suddenly be on fire.
12:28 Hello.
12:29 How's that fragrance going? With which we are going to succeed?
12:32 What's up, man?
12:33 Well, I was telling Tassio that we are close, we are close.
12:36 I could show him some of the samples I'm working on now,
12:40 but if I'm honest, I'd rather wait for you to finish.
12:43 How does it have to be, how does it have to be?
12:45 Still, if you want me to give you some details.
12:47 I've come to see the newlyweds, not to inspect your work, son.
12:51 Very well, in that case I won't bother you.
12:57 Well, you tell me.
12:59 How are you doing with your work, with your married life?
13:04 All good.
13:05 You're getting along well, right?
13:07 It's not very mysterious, taking care of the orders and preparing the deliveries.
13:11 Besides, Carmen works next door and we see each other practically every hour of the day.
13:14 I see you've chosen him quietly.
13:16 Yes.
13:17 Well, tell me, is he here because of what I told you about the traveler?
13:23 The man who could be my father?
13:24 No, Tassio, I'm very sorry, but a lot of time has passed and my memory is no longer what it was.
13:30 Anyway, I've brought you something.
13:33 I hope you're excited.
13:36 Damien, this is a lot of money, I can't take it.
13:45 It's your wedding gift.
13:46 I'd rather give it to you in hand than give you the payroll, it's more personal.
13:50 No, no, really, Damien, I don't deserve it.
13:52 You've earned it with your growth, by how you've striven to straighten your life.
13:57 Now you can make a good trip as a boyfriend.
13:59 Damien, please.
14:00 Don't argue with me anymore, it's just money.
14:03 I'm going.
14:06 Well, I'll keep it.
14:08 Thank you very much, from the bottom of my heart, Mr. Damien.
14:11 Can I give you a hug?
14:17 Yes.
14:22 Thank you very much, from the bottom of my heart.
14:25 I'm sorry for the emotion, but I'm very grateful for the opportunities you give me.
14:31 You're teaching me to be a man.
14:33 You were a little lost, but I always knew you were a good boy.
14:36 Thanks to my mother and you for welcoming me here when I was a lost bullet.
14:40 While my father was out there, you know what.
14:42 I wouldn't have turned my back on you on that matter.
14:47 In fact, I've decided not to look for my father.
14:51 Why? He didn't want to meet me or worry about my mother.
14:56 I don't think he wants to meet his grandchildren, in case Carmen and I have children, of course.
15:00 Anyway, it's a shame.
15:02 Maybe he does know you.
15:05 I mean, maybe he didn't leave, he died in the war.
15:12 In that case, he'll be watching you wherever you are.
15:16 I'm sorry, Mr. Damián, I don't believe in these things.
15:20 But I appreciate you trying to cheer me up.
15:23 Don't suffer for it.
15:25 And believe in God, boy.
15:27 It's the only thing we can really hold on to.
15:31 I'll try.
15:32 In the end, between my mother, my wife, my friends and you,
15:37 why do I need a father who doesn't want to know about me?
15:40 You don't want to know about me, do you?
15:42 Thanks again.
15:50 I see there are two contracts left for the reinforcement workers.
16:01 What?
16:04 The reinforcement contracts were supposed to be closed, and there are two left to sign.
16:09 I'll talk to Joaquín later.
16:11 And I think we should do a presentation for the last workers who have arrived.
16:15 To show them the facilities and explain to them what their job is.
16:19 I guess Joaquín will be there with that.
16:21 Have you taken care of the bedrooms?
16:23 What?
16:26 You said you'd take care of them when Joaquín said there wasn't enough space for everyone.
16:31 Oh, yeah? Well, I have to find out how this is going.
16:38 Give me those two contracts that are not signed.
16:40 Are you okay?
16:43 Why would I be not okay?
16:45 Come in.
16:47 Can I?
16:50 Of course.
16:51 Well, I'll leave you. I'm going to talk to Joaquín about all this.
16:55 See you later.
17:06 Your sister never says hello to me.
17:08 Don't miss anything.
17:09 Anyway, I brought you the list of the order to be made to the warehouse, in case you want to check it.
17:15 How come you didn't go to the store today?
17:17 I was in a hurry to go and the others didn't know I was looking forward to seeing you.
17:22 I wanted to die yesterday when my husband appeared.
17:25 I don't want to talk about it.
17:26 I'm leaving.
17:27 No, please don't go. Don't make me feel more guilty.
17:30 Guilty for what?
17:31 For having to be always hiding.
17:34 It feels like you're doing something dirty. I can't stand it.
17:38 We're doing it for the others. We're not going to fool ourselves.
17:41 This morning I went to see my father because he's taking care of us.
17:45 I'm very worried about him.
17:49 Have you made peace?
17:51 Things between us are going from bad to worse.
17:55 He still sees me as a monster.
17:58 My father would do the same.
18:00 Most of those around us.
18:02 I don't care about the others.
18:04 I only care about you.
18:07 I feel like you're having a hard time.
18:10 Yesterday I felt like my soul was breaking when I saw you leave with your husband.
18:15 It was horrible.
18:17 I just wanted to run away from that apartment.
18:21 I can't stand being touched.
18:23 Marta, no one can force you to do something you don't want to do.
18:26 He's my husband.
18:27 I don't want to be with him.
18:30 It's something you don't want to... He's my husband.
18:32 I can't let him suspect.
18:35 If you think about it, it's cruel to him.
18:39 I know.
18:41 He's not a bad man.
18:42 He's just been touched by the wrong wife.
18:45 I understand that in your position it's important to get married soon and well.
18:51 Soon he'll leave again and he'll stop pretending.
18:55 We'll be able to see each other again in our apartment.
18:59 No, that's not our apartment anymore. I don't want to go back there.
19:01 Don't make it harder for me, Fina.
19:03 I promise you I'll do everything again.
19:06 No, no. Not for me, Marta.
19:08 That was our space.
19:10 Yesterday your husband took possession of it and of you while I was left alone on the street.
19:15 I'll rent another apartment, whatever you need.
19:18 I don't know why you had to tell your father.
19:20 That was our apartment, not the company's.
19:22 I have to justify the expenses.
19:24 I'm not free of that either.
19:27 If you rent another one, the same thing will happen to you again.
19:31 I'll fix it so it's different, I promise.
19:34 I don't know.
19:35 I'll count the minutes until that ship goes up.
19:40 And then nothing or no one will interfere with us.
19:45 Marta, I hope so.
19:48 I hope so.
19:49 And forgive my frustration.
19:54 Very soon there won't be anything that will make us have a bad time.
19:57 That ship will go up and...
20:00 this nightmare will end.
20:03 Please.
20:04 You're very pretty.
20:11 Will my face light up when I see you?
20:15 Do you like it?
20:21 Yes.
20:23 It was my mother's.
20:24 Even if it's not like this, if I put it on, I feel it close.
20:28 It accompanies me in difficult moments.
20:31 And in happy ones.
20:33 Like this one.
20:35 Like this one.
20:38 Like this one.
20:39 Julia is devastated.
20:54 Poor girl.
20:55 I tried to cheer her up, but...
20:57 while Jesus doesn't change his attitude, it's impossible.
21:01 But how could all the love I felt for her disappear so suddenly?
21:04 I thought I'd think about it.
21:06 But if things are still the way you're telling me...
21:08 It's still the same, Luz.
21:11 Well, Julia doesn't deserve this.
21:14 But how could I hurt her so much?
21:16 If the poor girl doesn't know what to think anymore.
21:19 Do you know what she told me this morning?
21:21 That she thinks her father doesn't like her growing up.
21:23 Happy birthday.
21:25 I shouldn't have told her anything.
21:28 It was clear that Jesus was going to block all the hatred he feels for Valentín with the girl.
21:31 Begoña, you haven't done anything wrong.
21:33 And Julia, much less.
21:35 So don't feel bad for discovering the truth.
21:38 Now Jesus has to face it.
21:41 Because that's the only way to solve all this.
21:43 But how?
21:45 If I don't want to talk about it,
21:46 I'll be denied all the time.
21:48 Luz, I know my husband.
21:50 It's going to be impossible to get him out of there.
21:52 If I could feel, just for a moment,
21:57 how much the girl loves him,
21:59 I assure you all that hatred would disappear in a flash.
22:04 And you may not want to feel anyone's love.
22:06 Yes, but he needs my support.
22:07 Yeah, but I'm afraid that your support
22:09 won't be able to flatten that hatred he has for everything that happened to him in the past.
22:13 Begoña, why does he hold on to that hatred?
22:16 And all of you who are by his side and know what he has suffered, you justify it.
22:20 And he knows it and uses it and that's perverse.
22:24 Forgive me.
22:27 I shouldn't have been so hard.
22:29 If you want to be right, Luz.
22:33 I'm sorry for him.
22:34 But I'm outraged by how cruel he is to the girl.
22:38 It's normal for you to be outraged, angry, confused.
22:42 He's the adult
22:44 who has to understand that he can't pay for it
22:46 with a girl who will see him as her father for the rest of her life.
22:49 No one can save your husband, Begoña.
22:52 Unless he wants to change.
22:54 So I would put all my energy in Julia
22:57 to pay for the punishment he is subjecting her to.
23:00 No, Luz.
23:01 There has to be a way to get Jesus to reconsider.
23:04 And I'm going to find it.
23:06 Here you go.
23:13 She's made a very good choice.
23:14 Her friend is going to love it.
23:15 Sorry for taking so long.
23:18 Mrs. Marta wasn't in the office and I had to wait for her.
23:22 Don't worry about me.
23:23 Claudia is still in the hospital.
23:27 Don't worry about me.
23:28 Claudia, is something wrong? I know you well.
23:32 No, Fina. It's your position.
23:34 And now I'm going to ask you to cover for me for a moment.
23:38 Are you going to the market?
23:39 Because if you go there, you can stay as long as you want.
23:41 No one will say anything to you for helping the wife of one of your bosses.
23:45 No, I'm going to get change. I'll be right back, okay?
23:48 Good morning, Don Jaime.
23:51 Good morning.
23:52 This is quiet, isn't it?
23:55 Yes, in the afternoon it's usually more lively.
23:57 Mrs. Marta is not here.
23:59 She didn't go to the store today. She will be in the office.
24:01 I hope I don't give it to her now because she's with you who I wanted to talk to.
24:04 With me? Why?
24:07 I had thought of having a chat with Marta and I think you can help me.
24:10 You must be the person who knows her best.
24:12 Me? I don't know why you say that.
24:15 You practically grew up in her house.
24:18 And as Marta told me yesterday, you have become her trusted person.
24:21 Really?
24:24 Well, the truth is that I was lucky to work here in the store.
24:27 And well, I think I'm not doing badly.
24:30 That's what she told me.
24:32 So, will you help me choose something from here?
24:34 From here?
24:36 Look, it's the best store to make a gift, but Mrs. Marta doesn't...
24:40 What do you mean she'll have everything?
24:42 She must have the store full of products from the kingdom.
24:44 Actually, I have a gift for her.
24:46 But I wanted to accompany it with her favorite perfume, which I know is here, but I don't remember its name.
24:52 Well, we'll have to investigate.
24:54 Go ahead.
24:56 Trust is earned, but it will be more difficult than I thought.
25:01 No idea.
25:04 Okay.
25:06 I have to go, I'll call you back.
25:08 The grass. It smells like grass.
25:12 It should smell like freshly cut grass.
25:14 That's the freshness I'm looking for.
25:16 And it shouldn't be too mushy, like some aromas.
25:19 You'll get it.
25:21 Are you sure?
25:22 No, I don't know.
25:24 And where was he?
25:26 Doing something he can only do, as he told me.
25:28 Poor Gonzalo, he's not here with us.
25:30 Thank you very much.
25:32 Could you have a drink before the shift?
25:34 I slept like a baby.
25:36 And with how well I ate yesterday, I could be fasting for a week.
25:38 I invited him to eat at home and he ate it all.
25:40 Gonzalo, my brother Luis.
25:42 Nice to meet you.
25:44 Likewise.
25:46 So, you're in charge of the night shift?
25:48 That's right. And you're the perfumer who makes every fragrance an art.
25:50 I'll get the soft drinks and pay you later.
25:51 I have to make myself a coffee, right?
25:53 Yes.
25:55 Well, welcome.
25:59 Thank you very much.
26:01 I don't remember the perfume you used, Mrs. Marta.
26:05 You've never smelled it?
26:08 Me? No.
26:10 Here, among so many smells, it's very difficult to notice a specific one.
26:15 Someone in particular.
26:18 I'm not sure.
26:19 With the time you spend together.
26:21 Because I understand that you also accompany her on her trips.
26:24 No, not always.
26:26 She has asked me once.
26:28 Because you have to be aware of many things.
26:30 And do you know if she usually goes a lot for Maril?
26:34 The truth is that I'm sorry.
26:37 But I know very little about what her wife does.
26:40 No, no, no, please.
26:42 Forgive me, I didn't mean to investigate behind her back.
26:45 No, no.
26:47 I'm sorry if it's uncomfortable.
26:48 I've been around for a short time and it's costing me a little to get used to it.
26:52 Sure, I understand.
26:54 Well, we have these three.
26:57 These three are the best we have in the store, really.
27:00 One of them will be?
27:02 Well, let's go for it.
27:04 Sure.
27:06 Let's try this one.
27:08 No, no, no.
27:14 We discard it.
27:16 We discard it, then.
27:17 Let's see if we're lucky with this one.
27:19 Yes, I think it's this one.
27:30 It reminds me of when we met.
27:32 It's not exactly the same smell, but it looks a lot like it.
27:35 No, I understand that they have changed the formula, but the base is the same.
27:38 It's curious, isn't it? The power of smells.
27:42 I can feel how I felt the first time I saw her.
27:45 I was mesmerized by her eyes and I saw her smile.
27:49 Well, back then she smiled a little more.
27:51 Now she smiles more.
27:53 I'm sorry I'm bothering you with my stories.
27:55 No, no, no.
27:57 You're still very young.
27:59 Maybe you're not aware of the passage of time, but I have the feeling that these years are slipping away.
28:05 Yes, it's happening to me too very quickly.
28:07 Maybe not to Marta.
28:10 I don't know, I'm always waiting to hear from you.
28:14 You're right.
28:15 If I had known I was going to miss her so much, I would have never left her.
28:20 Anyway, I'll take the perfume.
28:24 Maybe it will surprise her with something as everyday as her favorite smell.
28:28 A smell that changed my life the first time I smelled it.
28:42 It must be hard, right? That night shift thing.
28:44 No, the truth is that I live it quite well. The worst thing is being without a job.
28:47 How are you? What are you up to now?
28:49 Well, with a new perfume that I haven't finished closing and it's running quite fast.
28:54 The whole factory is in a hurry with the new launch. I imagine your fragrance is for the same thing.
28:59 You imagine well. A madness.
29:01 The bottles for you and the soda.
29:04 Thank you very much.
29:06 And how do we open this, brother?
29:08 I'm going, I'm going.
29:11 Leave me your handle, you see.
29:12 What for?
29:14 Bring it on.
29:16 What are you doing, Luis?
29:26 That's it. One.
29:28 And on top of that, with the laboratory one.
29:30 Another.
29:32 And if you split it, huh?
29:34 Don't be so agonizing. It's already done.
29:36 Well, Gonzalo, nice to meet you.
29:38 Likewise, a pleasure.
29:40 Cheers.
29:41 Hello.
29:48 Good morning, Mrs. María.
29:50 Do you have change for 25?
29:52 Yes, just a day for change for the box.
29:54 I just sold a blouse and I ran out of change.
29:56 Very good. Here.
29:58 Perfect.
30:00 Did you finally find that cocktail dress?
30:03 What's up? I think it's a gem.
30:06 That's very ugly to say.
30:09 I didn't see anything when I asked him about it.
30:10 He pretended he didn't remember.
30:12 And when he saw it, he threw a party.
30:14 You should have seen it.
30:16 Yes, I didn't see it.
30:18 But I don't know Mrs. Gema as much as you do.
30:21 Well, let's see if I'm not going to know her either.
30:23 Look, stealing is very ugly.
30:25 But making it a charity market to help others,
30:28 the truth is that it has no forgiveness.
30:30 Well, I don't know what to think.
30:32 Besides, I find it very clumsy because any day
30:34 I can see her with the job.
30:36 Unless they put it somewhere else, of course.
30:38 Well, but where else is she going to put it?
30:40 Well, I don't know.
30:42 Or it doesn't go out there.
30:44 It's weird.
30:46 Hi, Claudia.
30:48 Hi.
30:50 Carmen is in the warehouse.
30:52 She was placing the last order that just arrived.
30:54 I came to talk to you, actually.
30:56 I was leaving.
30:58 No, Mrs. Maria, don't go.
31:00 I'm leaving, I'm leaving. I don't want more clothes to disappear.
31:03 (Doorbell)
31:04 (Music)
31:16 That dress didn't show up, did it?
31:30 Maria, I think it's lost.
31:31 Don't turn it around.
31:33 Gemma, look, I'm not going to get angry.
31:35 But tell me the truth.
31:37 Take it out of where you have it.
31:39 I can't believe it.
31:42 I'm offering you to do the right thing.
31:44 Let's leave it here, please.
31:46 It's not that serious.
31:48 The serious thing is that you're taking my hair like this.
31:50 If you liked the dress so much, you should have told me.
31:52 I would have paid you.
31:54 I don't need you to pay me for a dress.
31:58 It was just a dress donated for God's sake.
32:00 Yes, a dress donated for our cause.
32:02 It seems that it is only my cause.
32:04 For your total lack of respect.
32:06 But tell me, why was I going to take that dress?
32:08 Do you really want me to tell you?
32:10 Yes.
32:12 Because it was spectacular.
32:14 And because it was the kind of dress you would love to put on
32:16 to sneak into those high society parties in Madrid
32:18 that you have been falling for lately.
32:20 (Music)
32:21 Gemma.
32:29 Are you really going to start crying?
32:32 It seems terrible to me.
32:34 You're accusing me of stealing.
32:36 No, I didn't say you stole anything.
32:38 I said you kept it.
32:40 Don't say bad words about me.
32:42 It seems like a lie, Maria.
32:44 After everything I've helped you with
32:46 with that damn little market.
32:49 Gemma, this is really unpleasant.
32:50 Why don't you tell me the truth and we'll end this?
32:52 You want to know the truth?
32:54 Yes.
32:56 The truth is that you're selfish.
32:58 And you're a bad thinker.
33:00 And the next time you need help,
33:02 your aunt will help you.
33:04 Don't ever come to me like this again.
33:06 (Music)
33:08 What's wrong with my daughter-in-law?
33:18 She seems angry.
33:19 She must be tired of the market.
33:21 I see.
33:23 You two argued.
33:25 We're fed up because this is going badly.
33:27 Well,
33:29 let's see if what I have encourages the sale.
33:32 I found some beautiful things.
33:34 Look, look at this jacket.
33:36 This jacket, look.
33:38 And look, look how nice.
33:40 And this dress, look.
33:42 And more things, look.
33:44 (Music)
33:47 My God.
33:48 Where was all this?
33:50 Spread out on the floor
33:52 next to the box you were emptying.
33:55 They probably fell and you left them there.
33:58 (Music)
34:00 Well, I think
34:03 you're not going to sell much more today.
34:06 Do you need help?
34:08 You seem a little nervous.
34:13 What the hell, Godot?
34:15 You're asking me if I'm okay.
34:16 Well, Claudia, you're weirder than a green dog
34:19 after the wedding.
34:21 I told you, it's not about the wedding.
34:23 I'm very happy you're married.
34:25 I'm glad.
34:27 You know what?
34:29 We were surprised you didn't want to come to the new flat.
34:31 Carmen and Fina were worried.
34:33 Maybe that's why I'm weird.
34:35 You're always on top of me and I'm overwhelmed.
34:37 Claudia, you know that Carmen
34:40 has taken a lot of care of you after everything that happened.
34:44 She's willing to do anything for you,
34:45 just like me, you know that, right?
34:47 I've never treated my friends very well,
34:50 but today they're almost more important than my family.
34:52 I'm not surprised, with the mother you have.
34:54 I'm sorry, Tassio, I didn't mean to tell you that.
34:57 No, you're right.
34:59 My mother is tremendous.
35:01 But she's quite different after the wedding.
35:03 Now she adores Carmen.
35:05 Thank goodness.
35:07 Your mother has to be extraordinary.
35:09 Although the woman is a little far away now.
35:13 You should support your friends a little more, right?
35:14 And I do.
35:16 But you wouldn't trust me, it's a problem, right?
35:19 Yes, yes, of course.
35:23 Really?
35:26 If so, you promise me
35:28 that there's nothing to worry about,
35:30 nothing serious happens, I don't ask anything else.
35:32 And tell the others not to ask you anything either.
35:34 But something's wrong, right?
35:38 Claudia, please, tell me.
35:43 It's okay, really, trust me.
35:44 Tassio...
35:48 And I brought the lunchboxes.
35:50 How are you, Carmen?
35:53 Don't you have five minutes to have a coffee with me?
35:55 I have to put all this away.
35:57 Don't worry, Carmen, I'll do it.
35:59 Are you sure?
36:01 Yes, yes, yes, and I'll do it quietly.
36:03 Okay.
36:05 Okay.
36:07 See you later, Claudia.
36:09 See you later.
36:11 See you later.
36:12 Jaime came to the store a while ago.
36:34 Did you tell him I was in the office?
36:37 No, because he wanted to talk to me.
36:40 I know you don't want to buy a perfume,
36:41 but I'm in a hurry, Marta.
36:43 Come ask me about your tastes and our trips to Madrid.
36:45 Okay, what did you tell him?
36:47 Well, I didn't need to tell him anything
36:49 because your husband is a gentleman
36:51 and he realized he was bothering me.
36:53 Do you think he knows something?
36:55 I think he's crazy about you.
36:57 You can't even imagine how he talks about you,
36:59 he idolizes you, Marta.
37:01 And every time he remembers things from your past,
37:03 his face lights up.
37:05 I know.
37:07 He's having a really bad time
37:09 and I think he doesn't know how much you're hurting.
37:11 It's true, my husband loves me.
37:14 He's worried about your marriage
37:16 and he'll do anything to get you back.
37:19 He told you that?
37:21 He didn't have to.
37:23 Because I'd do the same for him.
37:25 I feel like you had to go through that.
37:28 I didn't.
37:31 Because at least now I know what I'm up against
37:33 and I'm up against someone
37:35 who will do anything to get you back.
37:38 But he won't, love.
37:39 I've found out what I want in life
37:42 and that's you.
37:44 Calm down.
37:47 I don't think it's fair for him.
37:49 He doesn't deserve this deception, Marta.
37:51 Nor should we be unhappy.
37:53 I think what we're doing is horrible.
37:57 He doesn't deserve it, really.
37:59 Fina, listen.
38:01 It would be fair if he knew he can't do anything to get you back.
38:03 He should do whatever he does.
38:05 You can't let him get on that boat
38:07 thinking he can fight for you.
38:08 He'll throw the towel when he realizes he can't do anything.
38:10 You're going to let him suffer in the meantime.
38:12 We're suffering too.
38:14 It's us you should be sorry for.
38:19 Because we'll never be able to live our love the way we want.
38:22 Then tell him there's someone else.
38:24 Of course, tell him.
38:27 You don't have to tell him the whole truth.
38:29 But at least he has the chance to start over.
38:32 Fina, in this country,
38:34 adultery is punishable by sentence.
38:36 I'm sorry.
38:37 I can't risk that.
38:39 They'd separate us.
38:41 If someone kept investigating and found out about us,
38:44 we'd all suffer.
38:46 All of us.
38:48 We'd be the first.
38:50 So, did Claudia tell you anything?
38:57 No.
38:59 She says she's sick of us asking her what's wrong all the time.
39:02 I told her to trust her friends.
39:05 Hi, couple.
39:06 How's the newlyweds life?
39:08 I'll tell you, so you won't be jealous.
39:10 Get us two coffees and one for you.
39:12 I'll treat you today.
39:14 How generous.
39:16 I'll get you the coffees and I'll go to the kitchen.
39:18 Stop inviting people.
39:20 The wedding is over and we have to tighten our belts.
39:22 We're not going to ruin ourselves for a coffee.
39:24 Besides...
39:26 Look at this.
39:28 What's that?
39:30 You didn't take it out.
39:32 Here you go.
39:34 If someone comes, give me a voice.
39:35 Come in.
39:39 If it's for your mother, tell me that's clean money.
39:46 Well, clean money is not clear.
39:48 In fact, it's quite dirty.
39:50 I think Mr. Damián must have taken it from the store's collection.
39:54 Mr. Damián gave you that money?
39:57 What was it for?
39:59 I don't know. As a wedding gift.
40:01 So you can see what's not appreciated.
40:03 He says we can have a good honeymoon with this.
40:05 He gives you that money and he gives us permission to go on a trip
40:09 while the store is closed?
40:11 Look, Carmen, the truth is that I think it's absurd
40:15 that we spend this money on a trip.
40:17 But if you want us to do it, we'll do it.
40:19 No, man. I prefer to settle in our house.
40:22 Buy some nice curtains, some armchairs, a carpet.
40:26 Yes.
40:28 Oh, I see you coming.
40:32 You're thinking of something else. I know you.
40:34 Well, tell me. Let's see if you get it right.
40:37 In a car, right?
40:39 What car? Why would I want a car, Carmen?
40:42 There are buses that take us to Toledo and Madrid.
40:44 I don't know. To travel around.
40:46 Since you're a restless and capricious ass.
40:48 Stop talking about cars, Carmen.
40:50 Look, now all I want is to stay with you at home.
40:53 Me too.
40:56 That's why I want us to make it nice.
40:58 But we can do it little by little.
41:01 In fact, my mother is a wonderful seamstress.
41:03 She can make us some curtains and even a carpet.
41:05 Well, you'll tell me.
41:07 But put that money in the bank, it's burning there.
41:10 I was going to save it, but not in the bank.
41:13 I was going to put it in a savings account.
41:16 Make a card in our names and put the money in there for tomorrow.
41:20 What tomorrow, Tassio?
41:22 Oh, you're not thinking about retirement, are you?
41:25 No.
41:27 Rather, about the children we're going to have together.
41:30 I want those children to grow up being happy.
41:32 With a father and a mother.
41:34 And that they can give them everything they need.
41:36 Not like me, with a father who left and got worried.
41:39 Tassio.
41:41 But if you don't want to, you can stay with your father
41:44 and buy a few flats, whatever you want.
41:46 You take your share, I'll take mine and nothing happens.
41:48 No.
41:50 You don't mind saving, really?
41:52 On the contrary.
41:54 There are fools who are more excited and all.
41:58 I have a husband who doesn't deserve me.
42:00 Look, if you want, we can give ourselves two years.
42:03 And if at that time there hasn't been any child,
42:05 we'll see what we do with the money.
42:07 Well, the children will arrive when they arrive.
42:10 We're young and we still have a lot to enjoy.
42:13 Carmen, I, as if they were coming tomorrow,
42:15 I want them to have everything they need.
42:17 And that, whenever they want, they pay for their studies
42:20 and open up a better future than mine.
42:22 Well, then...
42:25 You have to tighten your seatbelt and make curtains with your mother.
42:28 I'll tell you again, if you don't want to, I understand.
42:31 We don't always have to think the same.
42:33 Tassio.
42:35 In life, I would have dreamed of a man like you.
42:40 And as a father,
42:42 as a father, there's no one who can beat you.
42:45 Just because of that,
42:48 I want to go home right now
42:53 and start a family.
42:56 I'll leave the coffee here.
43:09 Okay, see you later.
43:11 Bye, man.
43:13 Claudia, Maria told me you're helping out at the market.
43:17 Do you see how charity works are a balm for internal worries?
43:22 I'm pregnant.
43:23 I'm pregnant.
43:25 I didn't hear you.
43:28 It's what happens when it happens.
43:32 I'm sorry.
43:34 I didn't hear you.
43:36 You said you were in a state of good hope.
43:43 Yes, Father, although I imagine the little hope I have of being a good mother.
43:46 But let's see, girl, who have you been with?
43:51 Who, Father?
43:52 The one who's been my boyfriend for a few days,
43:54 the only man I've been with in my life.
43:56 Tassio, please.
43:58 Please.
44:00 You know?
44:02 I was about to tell you, but you turned me away.
44:04 It's better this way.
44:06 It's better not.
44:08 The boy you're expecting must have a father and a mother,
44:10 as God commands in everything that's written.
44:12 I know, Father.
44:14 If I think about it, I'll give it to you.
44:16 It's not that easy.
44:19 I know that too.
44:21 What are you going to do?
44:23 Leave.
44:25 Where?
44:27 You're going to ruin your life,
44:29 Claudia, with how well you were doing.
44:31 Don Agustin, this has been my mistake.
44:33 I have to face the consequences.
44:35 And the solution I found isn't the best.
44:38 In fact, it's pretty horrible.
44:40 I don't want to leave.
44:42 Don't even mention it.
44:44 Don Agustin, I've been thinking about it for a few days.
44:47 My daughter, you can fix everything with death,
44:48 killing and killing.
44:50 No, I'm not thinking about killing anyone.
44:53 I'm thinking about giving my son up for adoption.
44:57 Ah, well.
44:59 I know some nuns who would take care of the baby
45:04 and look for a good Christian family.
45:06 That's what I want.
45:08 A good Christian family that takes care of him and loves him
45:11 as if he were his own.
45:13 And what are you going to do so that it's not noticeable?
45:16 I've told Don Agustin that as soon as it starts to show,
45:18 I'll pack my bags and set my foot on fire.
45:21 I'll go to a cousin's house or something.
45:24 And your mother?
45:26 No, my mother can't find out,
45:28 she wouldn't forgive me.
45:30 And where's your cousin?
45:32 In the Basque Country.
45:34 I've thought about saving up so I can have the baby
45:37 and give him up for adoption.
45:39 And then go back to the colony as if nothing had happened.
45:41 You're very brave, Claudia.
45:45 It just needs to go as you planned.
45:49 Yes.
45:51 Hello.
46:12 Hello.
46:14 Digna told me you arrived a while ago.
46:16 Why didn't you tell me so we could come and eat together?
46:19 Because I wanted to eat something fast and go back to the pantry.
46:21 I didn't want to bother you.
46:23 Bother me? I always have time for you, love.
46:26 But not for your daughter, right?
46:28 What's that about?
46:30 That poor Julia is trying to understand
46:33 why her father rejects her.
46:35 She thinks you don't like her being an adult.
46:37 That girl has always been an exaggeration.
46:40 That girl?
46:43 Why are you calling her Jesus from now on?
46:44 She's not your daughter or Julia anymore.
46:46 She's that girl now.
46:48 Because that girl is Valentín's daughter.
46:50 The result of a rape.
46:52 How do you want me to see her as my own daughter?
46:54 Because you've always seen her like that, Jesus.
46:56 Now I only see her dead mother shot by the bastard who forced her.
46:58 He didn't force her, they loved each other.
47:00 What do you know?
47:05 Nothing.
47:11 What were you hiding before when you came in?
47:13 Nothing, Jesus.
47:15 Nothing.
47:17 Jesus, please.
47:23 Don't even think about it, Begoña.
47:25 Don't even think about it.
47:27 (Music)
47:47 Where did you get this photo?
47:49 It was in Clotilde's music box.
47:51 I'm sorry.
47:56 They were...
47:57 In love. Yes.
47:59 They loved each other, Jesus, but...
48:02 But that's over.
48:04 You have to learn to bury the past and stop looking for guilt.
48:08 Shut up.
48:10 Shut up.
48:12 Shut up.
48:14 Shut up, for once!
48:16 There are hardly any products left from "The Little King".
48:19 Yes.
48:21 It must be a time when a lot of children are born because mobile phones are being sold.
48:24 I'm going to go.
48:25 You have to put on some more.
48:33 More cream.
48:34 Hi.
48:42 Do you need anything?
48:43 I wanted to see those perfumes.
48:45 Which ones?
48:47 This one?
48:50 No, that one.
48:51 What did you say?
48:53 Back!
48:54 What are you doing, guys?
48:55 Back!
48:56 Don't move!
48:57 Back!
48:58 Calm down, guys.
48:59 Go to the back!
49:00 Listen to him.
49:01 Open the box.
49:02 Hurry up, or I'll kill you.
49:03 Calm down, he'll give you what you need.
49:05 Calm down.
49:07 Put it in the food processor.
49:08 For God's sake, Fina.
49:09 Do what he asks.
49:10 You.
49:12 Come.
49:13 The necklace.
49:14 Give me the necklace.
49:15 Come on.
49:16 Leave it, please.
49:18 Yes, Fina, it doesn't matter.
49:19 I'll give it to you.
49:20 Hurry up, come on.
49:22 Open the door.
49:23 No.
49:24 Do you want me to kill her?
49:25 No, please.
49:26 Close it.
49:27 I'll give it to you right away.
49:28 Close it.
49:30 Oh, Fina, I can't.
49:31 No, no.
49:33 Leave it, Fina.
49:34 Fina.
49:41 Fina.
49:43 Oh, my God.
49:44 Fina, Fina.
49:45 No, no.
49:48 Hold on.
49:52 Hold on.
49:53 Hey, hey.
49:55 Hey, hey.
49:56 Hey, hey.
49:57 Hey, hey.
49:58 Calm down.
49:59 Calm down, calm down.
50:00 Are you okay?
50:01 Carmen, bring me a vase, a handkerchief or something.
50:04 Are you going to explain to me what else you've been finding out about me behind my back?
50:11 Or am I going to have to keep discovering it by chance?
50:14 I'm sorry.
50:15 I'm really sorry.
50:16 I know I owe you an apology.
50:18 And I know it's not an excuse, but I was really nervous about how things were going at the market.
50:21 I hate you, I hate you, I hate you.
50:23 I wish you had died instead of Mom.
50:25 Hey, hey, Jesus.
50:26 Where are you going?
50:27 Stop, for God's sake.
50:28 I haven't been honest with you and it's not fair.
50:31 I've been with someone.
50:33 Your daughter has had an adventure.
50:34 Do you think there's any chance I'll stay?
50:37 Who knows?
50:39 If the new launch goes well, maybe the bosses want to expand the squad.
50:43 I wish I could tell you the truth.
50:46 But there are things that are better solved by me.
50:49 Is this true?
50:50 They've called your house.
50:52 They're looking for you.
50:54 Has something happened?